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Vicier Demigod at heart <3

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IᑎTᕮᖇᕮSTᕮᗪ Iᑎ ᒍOIᑎIᑎG..?
ᗰᕮSSᗩGᕮ ᗰᕮ Oᖇ Oᑎᕮ Oᖴ ᗰY ᑕO-Gᗰ'S..!

Gᗰ = ᐯIᑕIᕮᖇ.
ᑕO-Gᗰ = ᑕᗩITS, ᗪᗩᗰO021.





"ᗩ ᗰᗩᑎ ᑕᕼOOSᕮS, ᗩ Sᒪᗩᐯᕮ OᗷᕮYS."








⥼ ⥽


“I ᗩᗰ ᗩᑎᗪᖇᕮᗯ ᖇYᗩᑎ... ᗩᑎᗪ I'ᗰ ᕼᕮᖇᕮ TO ᗩSK YOᑌ ᗩ ᑫᑌᕮSTIOᑎ.

IS ᗩ ᗰᗩᑎ ᑎOT ᕮᑎTITᒪᕮᗪ TO Tᕼᕮ SᗯᕮᗩT Oᖴ ᕼIS ᗷᖇOᗯ..? 'ᑎO!' SᗩYS Tᕼᕮ ᗰᗩᑎ Iᑎ ᗯᗩSᕼIᑎGTOᑎ, 'IT ᗷᕮᒪOᑎGS TO Tᕼᕮ ᑭOOᖇ'. 'ᑎO!' SᗩYS Tᕼᕮ ᗰᗩᑎ Iᑎ Tᕼᕮ ᐯᗩTIᑕᗩᑎ, 'IT ᗷᕮᒪOᑎGS TO GOᗪ'. 'ᑎO!' SᗩYS Tᕼᕮ ᗰᗩᑎ Iᑎ ᗰOSᑕOᗯ, 'IT ᗷᕮᒪOᑎGS TO ᕮᐯᕮᖇYOᑎᕮ'. I ᖇᕮᒍᕮᑕTᕮᗪ TᕼOSᕮ ᗩᑎSᗯᕮᖇS; IᑎSTᕮᗩᗪ, I ᑕᕼOSᕮ SOᗰᕮTᕼIᑎG ᗪIᖴᖴᕮᖇᕮᑎT- I ᑕᕼOSᕮ Tᕼᕮ IᗰᑭOSSIᗷᒪᕮ.

I ᑕᕼOSᕮ... ᖇᗩᑭTᑌᖇᕮ.

ᗩ ᑕITY ᗯᕼᕮᖇᕮ Tᕼᕮ ᗩᖇTIST ᗯOᑌᒪᗪ ᑎOT ᖴᕮᗩᖇ Tᕼᕮ ᑕᕮᑎSOᖇ... ᗯᕼᕮᖇᕮ Tᕼᕮ SᑕIᕮᑎTIST ᗯOᑌᒪᗪ ᑎOT ᗷᕮ ᗷOᑌᑎᗪ ᗷY ᑭᕮTTY ᗰOᖇᗩᒪITY- ᗯᕼᕮᖇᕮ Tᕼᕮ GᖇᕮᗩT ᗯOᑌᒪᗪ ᑎOT ᗷᕮ ᑕOᑎSTᖇᗩIᑎᕮᗪ ᗷY Tᕼᕮ Sᗰᗩᒪᒪ..! ᗩᑎᗪ ᗯITᕼ Tᕼᕮ SᗯᕮᗩT Oᖴ YOᑌᖇ ᗷᖇOᗯ; ᖇᗩᑭTᑌᖇᕮ ᑕᗩᑎ ᗷᕮᑕOᗰᕮ YOᑌᖇ ᑕITY ᗩS ᗯᕮᒪᒪ.”


⁓ ᗩᑎᗪᖇᕮᗯ ᖇYᗩᑎ; ᑕᖇᕮᗩTOᖇ Oᖴ ᖇᗩᑭTᑌᖇᕮ.





⥼ IᑎᖴOᖇᗰᗩTIOᑎ ᗩᗷOᑌT ᖇᗩᑭTᑌᖇᕮ ⥽

ᗩ ᗰᗩSS ᑌᑎᗪᕮᖇᗯᗩTᕮᖇ ᑕITY; ᖇᗩᑭTᑌᖇᕮ (ᗩᒪSO KᑎOᗯᑎ ᗩS Tᕼᕮ "ᑎOᖇTᕼ ᗩTᒪᗩᑎTIᑕ ᑭᖇOᒍᕮᑕT" Oᖇ "Tᕼᕮ ᖇᗩᑭTᑌᖇᕮ ᑕOᒪOᑎY") ᗯᗩS ᖴOᖇGᕮᗪ TᕼᖇOᑌGᕼ Tᕼᕮ ᑭᕮᖇSOᑎᗩᒪ ᗪᖇᕮᗩᗰS Oᖴ ᗩᑎᗪᖇᕮᗯ ᖇYᗩᑎ Iᑎ Oᖇᗪᕮᖇ TO ᑕᖇᕮᗩTᕮ ᗩ STᖇOᑎG ᗩᑎᗪ ᗷᕮᗩᑌTIᖴᑌᒪ ᑕᗩᑭITᗩᒪIST SOᑕIᕮTY ᖴᖇᕮᕮ Oᖴ ᗩᒪᒪ ᖇᕮᒪIGIOᑌS ᗩᑎᗪ GOᐯᕮᖇᑎᗰᕮᑎT IᑎTᕮᖇᖴᕮᖇᕮᑎᑕᕮ, ᗩᗯᗩY ᖴᖇOᗰ Tᕼᕮ ᑭOST-ᗯᗩᖇ ᗩᑎ᙭IᕮTIᕮS Oᖴ ᗯOᖇᒪᗪ ᗯᗩᖇ II- ᗩ ᑭᒪᗩᑕᕮ ᗯᕼᕮᖇᕮ ᗩᑎY ᑕITIᘔᕮᑎ ᑕOᑌᒪᗪ ᗩᑕᕼIᕮᐯᕮ ᖴOᖇ ᕼIS Oᖇ ᕼᕮᖇ Oᗯᑎ ᑭᕮᖇSOᑎᗩᒪ GᗩIᑎ, ᖇᗩTᕼᕮᖇ Tᕼᗩᑎ ᒍᑌST ᖴOᖇ Tᕼᕮ ᗩᒪTᑌᖇISTIᑕ ᖴᑌᒪᖴIᒪᒪᗰᕮᑎT Oᖴ Tᕼᕮ ᗯᗩᑎTS Oᖴ OTᕼᕮᖇS. ᕮSTᗩᗷᒪISᕼᕮᗪ Oᑎ Tᕼᕮ 5Tᕼ Oᖴ ᑎOᐯᕮᗰᗷᕮᖇ, 1946; ᖇᗩᑭTᑌᖇᕮ ᗯᗩS ᗩ ᑭᒪᗩᑕᕮ ᗯᕼᕮᖇᕮ Tᕼᕮ ᗯOᖇᒪᗪS ᗷᕮST ᗩᑎᗪ ᗷᖇIGᕼTᕮST ᗯOᑌᒪᗪ ᗷᕮ GᖇᗩᑎTᕮᗪ ᗷOTᕼ ᖴᖇᕮᕮᗪOᗰ Oᖴ ᗯIᒪᒪ, ᗩᑎᗪ Oᖴ ᑕᕼOIᑕᕮ, ᗩᑎᗪ IᑎSTᕮᗩᗪ Oᖴ ᗩᗷIᗪIᑎG ᗷY Tᕼᕮ TᖇᗩᗪITIOᑎS ᗩᑎᗪ Tᕼᕮ ᗰOᖇᗩᒪ SYSTᕮᗰS IᗰᑭOSᕮᗪ ᗷY Tᕼᕮ GOᐯᕮᖇᑎᗰᕮᑎT, ᖇᕮᒪIGIOᑌS ᗩᑎᗪ OTᕼᕮᖇ IᑎSTITᑌTIOᑎS, ᐯᗩᒪᑌᕮS Sᑌᑕᕼ ᗩS ᒪOGIᑕ ᗩᑎᗪ SᑕIᕮᑎTIᖴIᑕ ᖇᕮᗩSOᑎ ᗯᕮᖇᕮ TO GᑌIᗪᕮ Tᕼᕮ IᑎᕼᗩᗷITᗩᑎTS Iᑎ TᕼᕮIᖇ ᑭᑌᖇSᑌIT Oᖴ ᗩᑕᕼIᕮᐯᕮᗰᕮᑎT ᗩᑎᗪ ᑭᖇOGᖇᕮSS.

TᕼIS ᗯOᑌᒪᗪ-ᗷᕮ ᑌTOᑭIᗩ, ᕼOᗯᕮᐯᕮᖇ, ᕼᗩᗪ ITS ᖴᒪᗩᗯS.

ᗯITᕼIᑎ ᖇᗩᑭTᑌᖇᕮ'S ᑭᑌᖇᕮᒪY ᑕᗩᑭITᗩᒪISTIᑕ SOᑕIᕮTY, Tᕼᕮᖇᕮ ᗯᕮᖇᕮ ᑎO ᑭᑌᗷᒪIᑕᒪY ᖴᑌᑎᗪᕮᗪ SOᑕIᗩᒪ ᑭᖇOGᖇᗩᗰS, ᕮᐯᕮᖇYTᕼIᑎG ᗯITᕼIᑎ Tᕼᕮ ᑕITY ᗯᗩS ᑭᖇIᐯᗩTᕮᒪY Oᗯᑎᕮᗪ ᗩᑎᗪ ᖇᑌᑎ, IᑎᑕᒪᑌᗪIᑎG Tᕼᕮ ᑕITIᕮS ᖴOOᗪ SᑌᑭᑭᒪY, ᕼᕮᗩᒪTᕼ ᑕᗩᖇᕮ, SᗩᑎITᗩTIOᑎ, ᕮᐯᕮᑎ Tᕼᕮ O᙭YGᕮᑎ SᑌᑭᑭᒪY; ᗷOTᕼ Tᕼᕮ ᑭOᒪIᑕᕮ ᗩᑎᗪ ᖴIᖇᕮ ᗪᕮᑭᗩᖇTᗰᕮᑎTS ᗯᕮᖇᕮ SᑌᗷSᑕᖇIᑭTIOᑎ-ᗷᗩSᕮᗪ, ᑭᖇIᐯᗩTᕮᒪY Oᗯᑎᕮᗪ ᑕOᗰᑭᗩᑎIᕮS (ᑭOᑭᑭᗩᗪOᑭOᒪIS ᑭOᒪIᑕᕮ ᗪᕮᑭᗩᖇTᗰᕮᑎT ᗩᑎᗪ ᖴOᑎTᗩIᑎᕮ ᖴIᖇᕮ ᖴIGᕼTᕮᖇS)- Tᕼᕮᖇᕮ ᗯᕮᖇᕮ ᒪᕮSS ᖇᕮSTᖇIᑕTᕮᗪ ᑎOᖇᗰS ᖴOᖇ ᗷᑌSIᑎᕮSSᕮS ᗩᑎᗪ ᒪᗩᗷOᖇ, OᑭᕮᑎᒪY ᗩᒪᒪOᗯIᑎG ᑌᑎSᑕᖇᑌᑭᑌᒪOᑌS ᗷᑌSIᑎᕮSS ᑭᖇᗩᑕTIᑕᕮS, ᗯITᕼ ᑕOᗰᑭᕮTITIOᑎ ᗩᑎᗪ ᑕᑌSTOᗰᕮᖇ'S ᑕᕼOIᑕᕮ ᗷᗩᒪᗩᑎᑕIᑎG OᑌT Tᕼᕮ ᗰᗩᖇKᕮT.

ᗷᑌT ᗯITᕼ TᕼᗩT, ᑕᗩᗰᕮ ᗩ ᑭᖇIᑕᕮ...

TᕼIS SYSTᕮᗰ ᑫᑌIᑕKᒪY ᗩᒪIᕮᑎᗩTᕮᗪ ᖇᗩᑭTᑌᖇᕮ'S ᒪᕮSS ᖴOᖇTᑌᑎᗩTᕮ ᑕITIᘔᕮᑎS, ᗯᕼO ᗯᕼᕮᑎ ᕼᗩᖇᗪ TIᗰᕮS ᑕᗩᗰᕮ, ᗷᕮGᗩᑎ TO ᖇᕮSᕮᑎT ᖇYᗩᑎ'S SOᑕIᕮTY ᗩS ᗷOTᕼ ᑕOᒪᗪ-ᕼᕮᗩᖇTᕮᗪ ᗩᑎᗪ ᕮᒪITIST. ᗩᑎᗪᖇᕮᗯ ᖇYᗩᑎ'S ᕼOSTIᒪITY ᗩᑎᗪ ᑭᗩᖇᗩᑎOIᗩ Oᖴ Tᕼᕮ "ᑭᗩᖇᗩSITᕮS", ᗩᑎᗪ OTᕼᕮᖇS ᕮ᙭ᑭᒪOITIᑎG ᖇᗩᑭTᑌᖇᕮ'S ᖴᖇᕮᕮᗪOᗰS TO SᕮIᘔᕮ ᑭOᗯᕮᖇ ᕮᐯᕮᑎTᑌᗩᒪᒪY ᖇᕮSᑌᒪTᕮᗪ Iᑎ ᑎOT OᑎᒪY ᖇYᗩᑎ'S ᗪOᗯᑎᖴᗩᒪᒪ, ᗷᑌT ᗩᒪSO TᕼᗩT Oᖴ ᕼIS ᑕITY- ᖇYᗩᑎ ISSᑌᕮᗪ ᗩᑎ ᕮᗪIᑕT, ᑕᑌTTIᑎG ᗩᒪᒪ ᑕOᑎTᗩᑕT ᗯITᕼ Tᕼᕮ OᑌTSIᗪᕮ ᗯOᖇᒪᗪ ᗯᕼIᑕᕼ ᗯᗩS Iᑎ Tᕼᕮ ᗰIᗪST Oᖴ Tᕼᕮ ᑕOᒪᗪ ᗯᗩᖇ, ᗪOIᑎG ᕮᐯᕮᖇYTᕼIᑎG ᖇᕮᑫᑌIᖇᕮᗪ ᖴOᖇ Tᕼᕮ ᑕITIᕮS SᗩᖴᕮTY ᗷY KᕮᕮᑭIᑎG ᖇᗩᑭTᑌᖇᕮ'S ᕮ᙭ISTᕮᑎᑕᕮ SᕮᑕᖇᕮT... TᕼIS ᕮᑎᗩᗷᒪᕮᗪ ᗩ ᗰᗩᑎ ᗷY Tᕼᕮ ᑎᗩᗰᕮ Oᖴ ᖴᖇᗩᑎK ᖴOᑎTᗩIᑎᕮ TO ᗷᑌIᒪᗪ ᗩ ᑕᖇIᗰIᑎᗩᒪ ᕮᗰᑭIᖇᕮ TᕼᖇOᑌGᕼ SᗰᑌGGᒪIᑎG, ᗩᑎᗪ TO Tᕼᕮᑎ ᑕᖇᕮᗩTᕮ, ᗩᑎᗪ ᖇᑌᑎ Tᕼᕮ SOᑕIᕮTY-TᖇᗩᑎSᖴOᖇᗰIᑎG ᗩᗪᗩᗰ IᑎᗪᑌSTᖇY. TᕼOᑌGᕼ ᑌᑎᒪIKᕮ Tᕼᕮ ᑕᗩᑭITᗩᒪISTIᑕ ᖇYᗩᑎ, Tᕼᕮ ᗰOᗷSTᕮᖇ ᑕOᑌᒪᗪ ᑎOT ᗷᕮ SᗩTISᖴIᕮᗪ ᗷY TᕼIᑎGS Sᑌᑕᕼ ᗩS ᗰᕮᖇᕮ ᗰᗩTᕮᖇIᗩᒪ ᗯᕮᗩᒪTᕼ— ᕼᕮ ᗯᗩᑎTᕮᗪ ᗰOᖇᕮ... ᕼᕮ ᗯᗩᑎTᕮᗪ ᖇᗩᑭTᑌᖇᕮ TO ᗷᕮ ᕼIS TO ᑕOᑎTᖇOᒪ ᑕOᗰᑭᒪᕮTᕮᒪY.

IT ᗯᗩS ᗪᑌᖇIᑎG TᕼIS TIᗰᕮ TᕼᗩT ᗩ ᑎᕮᗯ ᑎᗩᗰᕮ ᗩᖇOSᕮ... ᗩᑎᗪ ᗯᕼᕮᑎ ᗩ ᗰᗩᑎ ᗷY Tᕼᕮ ᑎᗩᗰᕮ Oᖴ ᗩTᒪᗩS ᗯOᑌᒪᗪ Tᕼᕮᑎ GO Oᑎ TO STᗩᖇT ᗩ ᑕIᐯIᒪ ᗯᗩᖇ ᗯITᕼIᑎ Tᕼᕮ ᑕITY ᕮᐯᕮᑎTᑌᗩᒪᒪY ᒪᕮᗩᗪIᑎG ᖇᗩᑭTᑌᖇᕮ TO ᖇᑌIᑎ ᑌᑎᗪᕮᖇ Tᕼᕮ ᗩᗪᗪIᑕTIOᑎ Oᖴ ᗩᗪᗩᗰ.




ᑭᒪᕮᗩSᕮ ᑎOTᕮ: ᒪOᑕᗩTᕮᗪ ᗩT 63° 2' ᑎ, 29° 55' ᗯ; ᖇᗩᑭTᑌᖇᕮ IS ᑭᒪᗩᑕᕮᗪ ᗩT ᗩᗷOᑌT 433 KIᒪOᗰᕮTᕮᖇS ᗯᕮST Oᖴ Iᑕᕮᒪᗩᑎᗪ'S ᑕᗩᑭITᗩᒪ, ᖇᕮYKᒍᗩᐯIK.

⥼ ᑕOᑎSTᖇᑌᑕTIOᑎ & ᑭᒪᗩᑕᕮS Oᖴ IᑎTᕮᖇᕮST ⥽

ᑕOᗰᗰᕮᑎᑕIᑎG ᒪᗩTᕮ Iᑎ Tᕼᕮ Yᕮᗩᖇ 1945, ᗩᑎᗪᖇᕮᗯ ᖇYᗩᑎ ᑕOᑎTᖇᗩᑕTᕮᗪ ᗩ ᒪᗩᖇGᕮ SᕮᖇIᕮS Oᖴ ᑕOᗰᑭᗩᑎIᕮS Iᑎ Oᖇᗪᕮᖇ TO ᗷᕮGIᑎ ᑕOᑎSTᖇᑌᑕTIOᑎ Oᖴ ᖇᗩᑭTᑌᖇᕮ; ᖇYᗩᑎ, ᗩᒪOᑎG ᗯITᕼ ᕼIS ᗩSSOᑕIᗩTᕮS, ᕼᗩᑭᑭᕮᑎᕮᗪ TO Sᕮᑕᑌᖇᕮ Tᕼᕮ ᗰᗩᑎᑌᖴᗩᑕTᑌᖇIᑎG ᗰᗩTᕮᖇIᗩᒪS Iᑎ SᕮᑕᖇᕮT SO ᗩS TO ᗩᐯOIᗪ ᑌᑎᗯᗩᑎTᕮᗪ ᗩTTᕮᑎTIOᑎ ᖴᖇOᗰ Tᕼᕮ ᑭᖇYIᑎG ᕮYᕮS Oᖴ Tᕼᕮ GOᐯᕮᖇᑎᗰᕮᑎT ᗩᑎᗪ OTᕼᕮᖇ OᖇGᗩᑎIᘔᗩTIOᑎS TᕼᗩT ᗯISᕼᕮᗪ TO ᗪO Tᕼᕮᗰ ᕼᗩᖇᗰ. TᖇᗩᑎSᑭOᖇTᕮᗪ TᕼOᑌSᗩᑎᗪS Oᖴ ᗰIᒪᕮS IᑎTO Tᕼᕮ ᑎOᖇTᕼ ᗩTᒪᗩᑎTIᑕ ᗷY SᕼIᑭS ᗰᑌᑕᕼ ᒪIKᕮ Tᕼᕮ OᒪYᗰᑭIᗩᑎ, Tᕼᕮ ᗰᗩTᕮᖇIᗩᒪS ᗯᕮᖇᕮ Tᕼᕮᑎ SᑌᗷᗰᕮᖇGᕮᗪ TO Tᕼᕮ Oᑕᕮᗩᑎ ᖴᒪOOᖇ ᐯIᗩ ᗩ ᒪᗩᖇGᕮ STᗩTᕮ-Oᖴ-Tᕼᕮ-ᗩᖇT SᑌᗷᗰᕮᖇSIᗷᒪᕮ ᑭᒪᗩTᖴOᖇᗰ ᑎIᑕKᑎᗩᗰᕮᗪ "Tᕼᕮ SIᑎKᕮᖇ", ᗯᕼᕮᖇᕮ ᗪᕮᕮᑭ Sᕮᗩ ᗯᕮᒪᗪᕮᖇS ᗩᑎᗪ ᗰᕮᑕᕼᗩᑎIᑕS SᕮT TO ᗯOᖇK ᑕᖇᕮᗩTIᑎG Tᕼᕮ ᖴOᑌᑎᗪᗩTIOᑎ ᖴOᖇ Tᕼᕮ ᑕITY; SIᑎKIᑎG ᑭIᒪIᑎGS ᗩᑎᗪ GIᖇᗪᕮᖇS ᗪᕮᕮᑭ IᑎTO Tᕼᕮ ᖇOᑕK ᗩᑎᗪ SIᒪT Oᖴ Tᕼᕮ Oᑕᕮᗩᑎ ᖴᒪOOᖇ.

ᗰᗩᑎᗩGIᑎG TO ᑭᕮᖇᗰᗩᑎᕮᑎTᒪY ᗩᑎᑕᕼOᖇ "Tᕼᕮ SIᑎKᕮᖇ" TO Tᕼᕮ Sᕮᗩ'S ᗷOTTOᗰ; ᑭᖇᕮ-ᖴᗩᗷᖇIᑕᗩTᕮᗪ ᗷᑌIᒪᗪIᑎGS ᗯITᕼ ᗩᒪᑌᗰIᑎIᑌᗰ ᖴᖇᗩᗰᕮS ᗯᕮᖇᕮ ᗩSSᕮᗰᗷᒪᕮᗪ ᑎᕮᗩᖇ Tᕼᕮ Sᑌᖇᖴᗩᑕᕮ ᗷᕮᖴOᖇᕮ ᗷᕮIᑎG ᗷOTᕼ SᑌᗷᗰᑌᖇGᕮᗪ ᗩᑎᗪ ᒪOᗯᕮᖇᕮᗪ ᑌSIᑎG ᒪᑌᑎᕮTTᕮ ᖇIᑎGS, ᗩᑎᗪ ᗩᑎᑕᕼOᖇᕮᗪ ᗪOᗯᑎ IᑎTO Tᕼᕮ ᖴOᑌᑎᗪᗩTIOᑎS, TᕼIS ᑕᖇᕮᗩTIᑎG Tᕼᕮ ᗷᕮᗩᑌTIᖴᑌᒪ ᗩᖇT ᗪᕮᑕO ᗰᕮTᖇOᑭOᒪIS ᖇᗩᑭTᑌᖇᕮ IS KᑎOᗯᑎ ᖴOᖇ- ᗩᑎᗪ ᗷY Tᕼᕮ 5Tᕼ Oᖴ ᑎOᐯᕮᗰᗷᕮᖇ, 1946, ᖇᗩᑭTᑌᖇᕮ ᕼᗩᗪ ᗷᕮGᑌᑎ TO ᖇᕮᑕᕮIᐯᕮ Tᕼᕮ ᖴIᖇST Oᖴ ITS ᑎᕮᗯ ᖇᕮSIᗪᕮᑎTS.

Tᕼᕮ ᗰᗩᒍOᖇ ᑕOᑎSTᖇᑌᑕTIOᑎ ᑭᕮᖇIOᗪ Oᖴ ᖇᗩᑭTᑌᖇᕮ ᑕOᑎTIᑎᑌᕮᗪ Oᑎ ᑌᑎTIᒪ Tᕼᕮ ᕮᑎᗪ Oᖴ Tᕼᕮ 1940S, ᗯITᕼ ᐯᗩᖇIOᑌS Sᗰᗩᒪᒪᕮᖇ ᑭᖇOᒍᕮᑕTS ᑕOᑎTIᑎᑌIᑎG ᗷOTᕼ Iᑎ ᗩᑎᗪ ᗩᖇOᑌᑎᗪ Tᕼᕮ ᑕITY ᑌᑎTIᒪ ᖇᗩᑭTᑌᖇᕮ'S ᑕOᑎSTᖇᑌᑕTIOᑎ ᗯᗩS ᕮᐯᕮᑎTᑌᗩᒪᒪY ᑕOᗰᑭᒪᕮTᕮᗪ Iᑎ 1951. ᖇᗩᑭTᑌᖇᕮ IS ᑎOᗯ ᕼOᗰᕮ TO ᗰᗩᑎY ᗩ ᗪIᖴᖴᕮᖇᕮᑎT ᒪOᑕᗩTIOᑎ TᕼᖇOᑌGᕼOᑌT Tᕼᕮ ᑕITY, ᕮᗩᑕᕼ ᗯITᕼ IT'S Oᗯᑎ ᑌᑎIᑫᑌᕮ Tᕼᕮᗰᕮ ᗩᑎᗪ ᗩᑭᑭᕮᗩᖇᗩᑎᑕᕮ.




⥼ ᗷᑌSIᑎᕮSSᕮS Iᑎ ᖇᗩᑭTᑌᖇᕮ ⥽

Oᑎᑕᕮ ᕼOᗰᕮ TO ᗰᗩᑎY ᗩ ᕼOᑭᕮᖴᑌᒪ ᑕITIᘔᕮᑎ, ᖇᗩᑭTᑌᖇᕮ ᕼOᑌSᕮS ᗰᗩᑎY ᗪIᖴᖴᕮᖇᕮᑎT ᗷᑌSIᑎᕮSSᕮS ᗩᑎᗪ ᗯOᖇKᑭᒪᗩᑕᕮS TᕼᗩT ᗯᕮᖇᕮ Oᑎᑕᕮ ᗷᖇIᗰᗰIᑎG ᗯITᕼ ᒪIᖴᕮ, ᗩᑎᗪ ᖇᑌᑎ ᗷY ᗪIᖴᖴᕮᖇᕮᑎT ᖴIGᑌᖇᕮ ᕼᕮᗩᗪS ᗯITᕼIᑎ Tᕼᕮ ᑕITY, OᖴᖴᕮᖇIᑎG ᗰᗩᑎY ᗩ ᗪIᖴᖴᕮᖇᕮᑎT SᕮᖇᐯIᑕᕮS TO TᕼOSᕮ ᗯᕼO ᒪIᐯᕮ ᗯITᕼIᑎ Tᕼᕮ ᖇᗩᑭTᑌᖇᕮ ᑕOᗰᗰᑌᑎITY- ᑕOᗰᑭᗩᑎIᕮS TᕼᗩT ᗯᕮᖇᕮ ᖴOᑌᑎᗪᕮᗪ Iᑎ ᖇᗩᑭTᑌᖇᕮ:

ᗩTᒪᗩᑎTIᑕ ᕮ᙭ᑭᖇᕮSS ⁓ ᖇᗩIᒪᗯᗩY TᖇᗩᑎSᑭOᖇTᗩTIOᑎ ᖴOᖇ ᑕITIᘔᕮᑎS TᕼᗩT ᗯᗩS ᗪᕮᑕOᗰᗰISSIOᑎᕮᗪ YᕮᗩᖇS ᑭᖇᕮᐯIOᑌS ᗩᑎᗪ SᑌᑭᕮᖇSᕮᗪᕮᗪ ᗷY Tᕼᕮ ᖇᗩᑭTᑌᖇᕮ ᗰᕮTᖇO SYSTᕮᗰ. ᖴOᑌᑎᗪᕮᗪ ᗷY ᑭᖇᕮᑎTIᑕᕮ ᗰIᒪᒪ Tᕼᕮᑎ ᗷOᑌGᕼT ᗷY ᗩᑌSTᕮᑎ ᗷᗩTᕼYSᑭᕼᕮᖇᕮ.
ᑕIᖇᑕᑌS Oᖴ ᐯᗩᒪᑌᕮS ⁓ ᐯᕮᑎᗪIᑎG ᗰᗩᑕᕼIᑎᕮ ᑕOᗰᑭᗩᑎY TᕼᗩT SᕮᒪᒪS ᐯᗩᖇIOᑌS ITᕮᗰS (ᗩᗰOᑎG Tᕼᕮᗰ, ᗩᗰᗰᑌᑎITIOᑎ ᑌSᕮᗪ ᗪᑌᖇIᑎG Tᕼᕮ ᖇᗩᑭTᑌᖇᕮ ᑕIᐯIᒪ ᗯᗩᖇ). Oᗯᑎᕮᗪ ᗷY ᒪᒪOYᗪ ᗯᕮᗷSTᕮᖇ.
ᕮᒪ ᗩᗰᗰO ᗷᗩᑎᗪITO ⁓ ᐯᕮᑎᗪIᑎG ᗰᗩᑕᕼIᑎᕮS ᖴOᖇ ᗯᕮᗩᑭOᑎS ᗩᑎᗪ ᗩᗰᗰᑌᑎITIOᑎ.
ᖴOᑎTᗩIᑎᕮ ᖴᑌTᑌᖇISTIᑕS ⁓ ᗰᗩIᑎᒪY ᑭᒪᗩSᗰIᗪ ᗩᑎᗪ TOᑎIᑕ ᑭᖇOᗪᑌᑕTIOᑎ ᖴᗩᑕIᒪITIᕮS. ᖴOᑌᑎᗪᕮᗪ ᗷY ᖴᖇᗩᑎK ᖴOᑎTᗩIᑎᕮ ᗷᕮᖴOᖇᕮ ᗷᕮIᑎG ᑎᗩTIOᑎᗩᒪIᘔᕮᗪ ᗷY ᖇYᗩᑎ IᑎᗪᑌSTᖇIᕮS, ᗷY Oᖇᗪᕮᖇ Oᖴ Tᕼᕮ ᖇᗩᑭTᑌᖇᕮ ᑕᕮᑎTᖇᗩᒪ ᑕOᑌᑎᑕIᒪ.
ᖴOᑎTᗩIᑎᕮ'S ⁓ ᗩ ᒪᗩᐯISᕼ SᕼOᑭᑭIᑎG ᑕᕮᑎTᕮᖇ Oᗯᑎᕮᗪ ᗷY ᖴᖇᗩᑎK ᖴOᑎTᗩIᑎᕮ, SᕮᒪᒪIᑎG ᗰᗩᑎY Oᖴ ᕼIS ᑭᖇOᗪᑌᑕTS Sᑌᑕᕼ ᗩS ᗰᕮᑎ ᗩᑎᗪ ᒪᗩᗪIᕮS ᑕᒪOTᕼᕮS, ᑭᒪᗩSᗰIᗪS Oᖇ ᕼOᗰᕮ ᕮᒪᕮᑕTᖇOᑎIᑕS. Tᕼᕮ ᗪᕮᑭᗩᖇTᗰᕮᑎT STOᖇᕮ ᗷᑌIᒪᗪIᑎGS ᗯᕮᖇᕮ ᑕOᑎᐯᕮᖇTᕮᗪ IᑎTO ᗩ ᑭᖇISOᑎ ᖴOᖇ ᖴOᑎTᗩIᑎᕮ'S SᑭᒪIᑕᕮᗪ ᖴOᒪᒪOᗯᕮᖇS ᗩᖴTᕮᖇ ᕼIS ᗪᕮᗩTᕼ.
GᗩTᕼᕮᖇᕮᖇ'S Gᗩᖇᗪᕮᑎ ⁓ ᐯᕮᑎᗪIᑎG ᗰᗩᑕᕼIᑎᕮ ᖴOᖇ GᕮᑎᕮTIᑕ ᑌᑭGᖇᗩᗪᕮS. TᕼIS ᗷᑌSIᑎᕮSS ᗪᕮᗩᒪT ᗯITᕼ ᗩᗪᗩᗰ ᗩS ᑕᑌᖇᖇᕮᑎᑕY, ᑎOT ᑕOᗰᗰOᑎ ᗰOᑎᕮY. ᗷᕮᒪOᑎGS TO ᖇYᗩᑎ IᑎᗪᑌSTᖇIᕮS.
ᒍᕮT-ᑭOSTᗩᒪ ⁓ Tᕼᕮ ᗰᗩIᑎ ᑕITYᗯIᗪᕮ SYSTᕮᗰ ᖴOᖇ ᗪISTᖇIᗷᑌTIᑎG ᗰᗩIᒪ ᗩᑎᗪ ᑭᗩᖇᑕᕮᒪS TᕼᖇOᑌGᕼ ᑭᑎᕮᑌᗰO TᑌᗷᕮS.
ᑭOᗯᕮᖇ TO Tᕼᕮ ᑭᕮOᑭᒪᕮ ⁓ ᖴᖇᕮᕮ ᐯᕮᑎᗪIᑎG ᗰᗩᑕᕼIᑎᕮS ᖴOᖇ ᑕᑌSTOᗰ ᗯᕮᗩᑭOᑎS ᑌᑭGᖇᗩᗪᕮS. ᗷᕮᒪOᑎGS TO ᖴOᑎTᗩIᑎᕮ ᖴᑌTᑌᖇISTIᑕS.
ᖇᗩᑭTᑌᖇᕮ ᑕᕮᑎTᖇᗩᒪ ᑕOᗰᑭᑌTIᑎG ⁓ ᑕOᗰᑭᑌTIᑎG ᗩᑎᗪ ᑕᗩᒪᑕᑌᒪᗩTIOᑎ ᗪᗩTᗩ ᑕᕮᑎTᕮᖇ ᖴOᖇ ᖇᗩᑭTᑌᖇᕮ. ᑭᕮᖇᖴOᖇᗰS ᑕOᗰᑭᑌTᗩTIOᑎS ᖴOᖇ OTᕼᕮᖇ ᗷᑌSIᑎᕮSSᕮS ᗩᑎᗪ OᑭᕮᖇᗩTᕮS ᗩᑎᗪ ᗰᗩᑎᗩGᕮS ᗩᑌTOᗰᗩTᕮᗪ SYSTᕮᗰS Oᖴ ᖇᗩᑭTᑌᖇᕮ TᕼᖇOᑌGᕼ Tᕼᕮ TᕼIᑎKᕮᖇ. ᑕO-ᖴOᑌᑎᗪᕮᗪ ᗷY ᑕᕼᗩᖇᒪᕮS ᗰIᒪTOᑎ ᑭOᖇTᕮᖇ ᗩᑎᗪ ᖇᕮᕮᗪ ᗯᗩᕼᒪ.
ᖇᗩᑭTᑌᖇᕮ ᗰᕮTᖇO ⁓ ᗩ ᑕOᑎSOᒪIᗪᗩTᕮᗪ TᖇᗩᑎSᑭOᖇTᗩTIOᑎ SYSTᕮᗰ ᑕᗩᖇᖇYIᑎG ᑕITIᘔᕮᑎS TO ᗩᖇᕮᗩS Oᖴ Tᕼᕮ ᑕITY. ᖴOᑌᑎᗪᕮᗪ ᗷY ᗩᑎTOᑎ KIᑎKᗩIᗪᕮ.
ᖇYᗩᑎ IᑎᗪᑌSTᖇIᕮS ⁓ ᑕOᑎSTᖇᑌᑕTIOᑎ, ᑌTIᒪITIᕮS ᗩᑎᗪ ᑭᖇOᗪᑌᑕT ᗪᕮᐯᕮᒪOᑭᗰᕮᑎT. ᖴOᑌᑎᗪᕮᗪ ᗷY ᗩᑎᗪᖇᕮᗯ ᖇYᗩᑎ.
SᕮᑕᑌᖇIS ⁓ ᑕOᑎSTᖇᑌᑕTIOᑎ ᑕOᗰᑭᗩᑎY ᖴOᖇ ᗷᑌᒪKᕼᕮᗩᗪ ᗪOOᖇS ᗩᑎᗪ ᗩIᖇᒪOᑕKS Oᖴ Tᕼᕮ ᑕITY.
SIᑎᑕᒪᗩIᖇ SOᒪᑌTIOᑎS ⁓ ᑭᖇOᐯIᗪᕮS ᐯᗩᖇIOᑌS SᕮᖇᐯIᑕᕮS TO ᗷᑌSIᑎᕮSSᕮS ᗩᑎᗪ IᑎᗪIᐯIᗪᑌᗩᒪS, Iᑎ ᑭᗩᖇTIᑕᑌᒪᗩᖇ ᑭᒪᗩSᗰIᗪ ᗩᑎᗪ Gᕮᑎᕮ TOᑎIᑕ TᕮSTIᑎG ᖴOᖇ OTᕼᕮᖇ ᑕOᗰᑭᗩᑎIᕮS Sᑌᑕᕼ ᗩS ᖴOᑎTᗩIᑎᕮ ᖴᑌTᑌᖇISTIᑕS ᖴIᖇST, Tᕼᕮᑎ ᖇYᗩᑎ IᑎᗪᑌSTᖇIᕮS. ᖴOᑌᑎᗪᕮᗪ ᗷY ᗩᑌGᑌSTᑌS SIᑎᑕᒪᗩIᖇ.

⥼ ᖇᕮᒪIGIOᑌS ᗷᕮᒪIᕮᖴS & ᑭᕼIᒪOSOᑭᕼIᕮS ⥽

ᖴOᑌᑎᗪ Iᑎ ᗩ ᖇᗩTᕼᕮᖇ ᕼᕮᗩTᕮᗪ ᑭᑌᗷᒪIᑕ ᗪᕮᗷᗩTᕮ ᗩGᗩIᑎST SOᖴIᗩ ᒪᗩᗰᗷ; ᗩᑎᗪᖇᕮᗯ ᖇYᗩᑎ ᗷᕮᒪIᕮᐯᕮS TᕼᗩT IᑎᗪIᐯIᗪᑌᗩᒪS ᕼᗩᐯᕮ ᗩ ᖇIGᕼT TO ᖇᕮᒪIGIOᑎ, TᕼOᑌGᕼ OᑎᒪY Iᑎ ᑭᖇIᐯᗩTᕮ, ᗩᑎᗪ TᕼᗩT Tᕼᕮᖇᕮ ᗯᕮᖇᕮ ᑎOT TO ᗷᕮ ᗩᑎY Sᑌᑕᕼ ᑭᑌᗷᒪIᑕ IᑎSTITᑌTIOᑎS Iᑎ ᖇᗩᑭTᑌᖇᕮ- Tᕼᕮ ᖴOᒪᒪOᗯIᑎG ᗩᖇᕮ Tᕼᕮ ᖴIᐯᕮ ᗰᗩᒍOᖇ ᗷᕮᒪIᕮᖴ SYSTᕮᗰS TᕼᗩT ᗩᖇᕮ ᕼᕮᒪᗪ ᗷY Tᕼᕮ ᑕITIᘔᕮᑎS Oᖴ Tᕼᕮ ᑕITY:

Tᕼᕮ ᖇᗩᑭTᑌᖇᕮ ᖴᗩᗰIᒪY ⁓ ᕮᐯᕮᖇYOᑎᕮ OᗯᕮS ᕮᗩᑕᕼ OTᕼᕮᖇ ᗩ SᕮᑎSᕮ Oᖴ ᑌᑎITY ᗩᑎᗪ ᗷᖇOTᕼᕮᖇᕼOOᗪ. TᕼIS ᗯᗩS Tᕼᕮ ᗰOST ᖇᕮᑕᕮᑎT ᑕᑌᒪT TO ᕼᗩᐯᕮ ᗩᑭᑭᕮᗩᖇᕮᗪ Iᑎ ᖇᗩᑭTᑌᖇᕮ, ᕼᗩᐯIᑎG ᗷᕮᕮᑎ ᑕᖇᕮᗩTᕮᗪ ᗩᑎᗪ ᑭᖇOᗰOTᕮᗪ ᗷY SOᖴIᗩ ᒪᗩᗰᗷ ᗩᑎᗪ SIᗰOᑎ ᗯᗩᒪᕮS.
Tᕼᕮ GᖇᕮᗩT ᑕᕼᗩIᑎ ⁓ ᗷᕮᒪIᕮᖴ Iᑎ Sᕮᒪᖴ-IᑎTᕮᖇᕮST ᗩᑎᗪ ᖴᖇᕮᕮ ᗰᗩᖇKᕮTS ᗯᕼIᑕᕼ ᑌᑎITᕮ Tᕼᕮ ᑭᕮOᑭᒪᕮ Iᑎ TᕼᕮIᖇ ᖴOᖇᗯᗩᖇᗪ ᑭᖇOGᖇᕮSS. TᕼIS IS ᗰOᖇᕮ Oᖴ ᗩ ᑭᕼIᒪOSOᑭᕼY Tᕼᗩᑎ ᗩ ᖇᕮᒪIGIOᑎ, ᗩS IT IS ᗩ ᗷᕮᒪIᕮᖴ ᑭᖇOᗰOTᕮᗪ ᗷY ᗩᑎᗪᖇᕮᗯ ᖇYᗩᑎ, ᗯᕼO IS ᗩ STᗩᑌᑎᑕᕼ ᗩTᕼᕮIST.
ᑕᕼᖇISTIᗩᑎITY ⁓ ᗷᕮᒪIᕮᖴ Iᑎ Tᕼᕮ ᑕᕼᖇISTIᗩᑎ GOᗪ ᗩᑎᗪ ᑕᕼᖇIST ᗩS Tᕼᕮ SᗩᐯIOᖇ Oᖴ ᕼᑌᗰᗩᑎITY. TᕼIS IS ᗩᑎ ᑌᑎᗪᕮᖇGᖇOᑌᑎᗪ ᖇᕮᒪIGIOᑎ Iᑎ ᖇᗩᑭTᑌᖇᕮ, ᗩS IT IS OᖴᖴIᑕIᗩᒪᒪY ᗷᗩᑎᑎᕮᗪ ᗩS ᗩᑎ OᖇGᗩᑎIᘔᕮᗪ ᖇᕮᒪIGIOᑎ. Tᕼᕮ ᗷᗩᑎ ᕮᑎᗩᗷᒪᕮᗪ SᗰᑌGGᒪᕮᖇS TO ᗰᗩKᕮ ᗰOᑎᕮY ᖴᖇOᗰ SᗰᑌGGᒪIᑎG ᗰᗩᑎY ᖇᕮᒪIGIOᑌS ᗩᖇTIᖴᗩᑕTS, ᗩᑎᗪ Gᗩᐯᕮ ᖴᑌᕮᒪ TO ᗪᕮᗰᕮᑎTᕮᗪ ᖇᕮᒪIGIOᑌS ᖴᗩᑎᗩTIᑕISᗰ (ᗩS SᕼOᗯᑎ ᗷY Tᕼᕮ ᗯᗩᗪᕮᖇS SᑭᒪIᑕᕮᖇ TYᑭᕮ).
ᗩTᕼᕮISᗰ ⁓ Tᕼᕮ ᗪISᗷᕮᒪIᕮᖴ Iᑎ ᗩ ᗰᕮTᗩᑭᕼYSIᑕᗩᒪ GOᗪ Oᖇ SᑭIᖇITᑌᗩᒪ ᗷᕮIᑎGS. TᕼIS IS Tᕼᕮ OᖴᖴIᑕIᗩᒪ ᑭᕼIᒪOSOᑭᕼIᑕᗩᒪ STᗩᑎᑕᕮ Oᖴ ᖇᗩᑭTᑌᖇᕮ, ᗩS IᗰᑭOSᕮᗪ ᗷY ᗩᑎᗪᖇᕮᗯ ᖇYᗩᑎ.
Tᕼᕮ SᗩTᑌᖇᑎIᑎᕮ ⁓ ᗩ ᗪᗩᖇK ᑭᗩGᗩᑎ ᑕᑌᒪT ᖴOᑌᑎᗪ Iᑎ ᗩᖇᑕᗩᗪIᗩ. ᗯOᖇSᕼIᑭᕮᖇS Oᖴ TᕼIS ᑕᑌᒪT ᗪᖇIᑎK ᕼᑌᗰᗩᑎ ᗷᒪOOᗪ ᗩS ᗯᕮᒪᒪ ᗩS ᑕᑌᑭS ᖴᑌᒪᒪ Oᖴ ᑭᒪᗩSᗰIᗪS (ᗰOST ᒪIKᕮᒪY ᖇᗩᗯ ᗩᗪᗩᗰ). TᕼᕮY ᗩᒪSO ᗷᕮᒪIᕮᐯᕮ TᕼᕮY ᕼᗩᐯᕮ ᗷᕮᕮᑎ "TOᑌᑕᕼᕮᗪ" ᗷY Tᕼᕮ ᗩᑎᑕIᕮᑎT GOᗪS.

⥼ SᑕIᕮᑎᑕᕮ & TᕮᑕᕼᑎOᒪOGY ⥽

ᗷᕮᒪIᕮᐯIᑎG TᕼᗩT SᑕIᕮᑎTIᖴIᑕ ᗩᑕᕼIᕮᐯᕮᗰᕮᑎT ᗯITᕼIᑎ Tᕼᕮ ᗯOᖇᒪᗪ ᗯᗩS ᗷᕮIᑎG ᖇᕮSTᖇIᑕTᕮᗪ ᗷY 'ᑭᕮTTY ᗰOᖇᗩᒪITY', ᗩᑎᗪᖇᕮᗯ ᖇYᗩᑎ SOᑌGᕼT TO ᕮᑎSᑌᖇᕮ TᕼᗩT Tᕼᕮ IᑎᕼᗩᗷITᗩᑎTS Oᖴ ᖇᗩᑭTᑌᖇᕮ ᑕOᑌᒪᗪ ᕮ᙭ᑭᒪOᖇᕮ ᐯᗩᖇIOᑌS ᑭᗩTᕼS Oᖴ IᑎᑫᑌIᖇY ᑭᖇᕮᐯIOᑌSᒪY ᗪᕮᕮᗰᕮᗪ TOO IᗰᗰOᖇᗩᒪ, Oᖇ TOO ᑕOᑎTᖇOᐯᕮᖇSIᗩᒪ TO ᖴOᒪᒪOᗯ, ᗩᑎᗪ ᗯᕼIᒪᕮ SOᗰᕮ SᑕIᕮᑎTIᖴIᑕ ᗷᖇᕮᗩKTᕼᖇOᑌGᕼS ᗯᕮᖇᕮ Iᑎ ᖇOᗷOTIᑕS, ᗷᖇIᑎGIᑎG ᗩᗷOᑌT ᗩᑎ ᗩᗪᐯᗩᑎᑕᕮᗪ ᗩᑌTOᗰᗩTᕮᗪ SᕮᑕᑌᖇITY SYSTᕮᗰ; OTᕼᕮᖇS ᗯᕮᖇᕮ Iᑎ ᗷIOᒪOGY, ᗯᕼᕮᖇᕮ ᗪᕮᐯᕮᒪOᑭᗰᕮᑎTS ᗩᗪᐯᗩᑎᑕᕮᗪ Iᑎ Tᕼᕮ ᖇᕮSTOᖇᗩTIOᑎ Oᖴ ᒪIᖴᕮ, ᗷOTᕼ Iᑎ ᑭᒪᗩᑎTS (Tᕼᕮ ᒪᗩᘔᗩᖇᑌS ᐯᕮᑕTOᖇ), ᗩᑎᗪ Iᑎ ᕼᑌᗰᗩᑎS (Tᕼᕮ ᐯITᗩ-ᑕᕼᗩᗰᗷᕮᖇ)- Tᕼᕮᖇᕮ ᗯᕮᖇᕮ ᗩᒪSO ᗰᗩᑎY TᕮᑕᕼᑎOᒪOGIᑕᗩᒪ ᗩᗪᐯᗩᑎᑕᕮᗰᕮᑎTS ᖇᕮGᗩᖇᗪIᑎG ITᕮᗰS TᕼᗩT ᗯᕮᖇᕮ ᑕᖇᕮᗩTᕮᗪ ᗯᕮᒪᒪ ᗷᕮᖴOᖇᕮ TᕼᕮY ᗯᕮᖇᕮ ᑕOᗰᗰᕮᖇᑕIᗩᒪᒪY ᗩᐯᗩIᒪᗩᗷᒪᕮ Oᑎ Tᕼᕮ Sᑌᖇᖴᗩᑕᕮ, Sᑌᑕᕼ ᗩS: ᑭOᖇTᗩᗷᒪᕮ ᖇᕮᑕOᖇᗪIᑎG ᗪᕮᐯIᑕᕮS (ᗩᑭᑭᖇO᙭. ᖴIᐯᕮ YᕮᗩᖇS ᕮᗩᖇᒪY), ᗩᑌTOᗰᗩTIᑕ ᗪOOᖇS (ᗩᑭᑭᖇO᙭. ᕮIGᕼT YᕮᗩᖇS ᕮᗩᖇᒪY), ᗩᑎᗪ ᐯOᑕᗩᒪ ᗷIOᗰᕮTᖇIᑕ SᕮᑕᑌᖇITY.

KᑎOᗯᑎ TO ᗷᕮ Oᑎᕮ Oᖴ Tᕼᕮ ᗷIGGᕮST ᗷᖇᕮᗩKTᕼᖇOᑌGᕼS ᗩᑕᕼIᕮᐯᕮᗪ ᗯITᕼIᑎ ᖇᗩᑭTᑌᖇᕮ ᗯᗩS ᗷᖇIGIᗪ Tᕮᑎᕮᑎᗷᗩᑌᗰ'S ᗪISᑕOᐯᕮᖇY Oᖴ ᗩᗪᗩᗰ- ᑌᑎSTᗩᗷᒪᕮ STᕮᗰ ᑕᕮᒪᒪS ᖴᖇOᗰ ᗩ SᑭᕮᑕIᕮS Oᖴ Sᕮᗩ SᒪᑌG ᗯᕼIᑕᕼ ᒪᕮᗪ TO Tᕼᕮ ᑕᖇᕮᗩTIOᑎ Oᖴ ᗷOTᕼ ᑭᒪᗩSᗰIᗪS, ᗩᑎᗪ Gᕮᑎᕮ TOᑎIᑕS. ᗩᗪᗩᗰ ᗩᒪᒪOᗯᕮᗪ Tᕼᕮ ᑌSᕮᖇ TO SᑭᒪIᑕᕮ ᑎᕮᗯ GᕮᑎᕮTIᑕ ᗰᗩTᕮᖇIᗩᒪ IᑎTO Tᕼᕮ IᑎᗪIᐯIᗪᑌᗩᒪ'S ᗪᑎᗩ, ᕮᑎᕼᗩᑎᑕIᑎG ᗷOTᕼ ᕼᕮᗩᒪTᕼ ᗩᑎᗪ IᑎTᕮᒪᒪᕮᑕT, ᗩᑎᗪ GIᐯIᑎG ᕮ᙭TᖇᗩOᖇᗪIᑎᗩᖇY ᑭOᗯᕮᖇS TO Tᕼᕮ ᕼᑌᗰᗩᑎ ᗷOᗪY; ᕼOᗯᕮᐯᕮᖇ, ᗩᗪᗩᗰ ᗯᗩS SOOᑎ ᖴOᑌᑎᗪ TO ᑕᗩᑌSᕮ ᑎOT OᑎᒪY ᑭᕼYSIᑕᗩᒪ, ᗷᑌT ᗩᒪSO ᗰᕮᑎTᗩᒪ ᗪISᖇᑌᑭTIOᑎ ᗩᑎᗪ ᗪᗩᗰᗩGᕮ ᗩS ᗰOᖇᕮ Oᖴ Tᕼᕮ ᑌSᕮᖇ'S ᑎᗩTIᐯᕮ ᑕᕮᒪᒪS ᗯᕮᖇᕮ ᖇᕮᑭᒪᗩᑕᕮᗪ ᗷY TᕼOSᕮ Oᖴ Tᕼᕮ ᑌᑎSTᗩᗷᒪᕮ STᕮᗰ ᑕᕮᒪᒪS, ᗩᑎᗪ ᗯITᕼ TᕼᗩT, Tᕼᕮ ᑭOᑭᑌᒪᗩᑕᕮ'S ᑎᕮᕮᗪ ᖴOᖇ ᗩᗪᗩᗰ ᗷᕮᑕᗩᗰᕮ ᗩᑎ ᗩᗪᗪIᑕTIOᑎ... ᗩᑕᑕᕮᒪᕮᖇᗩTᕮᗪ ᗷY Tᕼᕮ ᕮ᙭ᑕᕮSSIᐯᕮ SᑭᒪIᑕIᑎG TᕼᗩT ᗯᗩS ᗪOᑎᕮ IᑎᑕᖇᕮᗩSIᑎGᒪY ᗪᑌᖇIᑎG, ᗩᑎᗪ ᗩᖴTᕮᖇ ᖇᗩᑭTᑌᖇᕮ'S ᑕIᐯIᒪ ᗯᗩᖇ.






⥼ TᖇᗩᑎSᑭOᖇTᗩTIOᑎ ⥽

TᖇᗩᑎSᑭOᖇTᗩTIOᑎ ᗯITᕼIᑎ ᖇᗩᑭTᑌᖇᕮ IS ᑭᖇOᐯIᗪᕮᗪ ᗰᗩIᑎᒪY ᗷY ᖇᗩᑭTᑌᖇᕮ ᗰᕮTᖇO; ᗩ ᑭᑌᗷᒪIᑕ TᖇᗩᑎSᑭOᖇTᗩTIOᑎ SYSTᕮᗰ ᑕOᑎSISTIᑎG Oᖴ ᗷOTᕼ ᗷᗩTᕼYSᑭᕼᕮᖇᕮS ᗩᑎᗪ Tᖇᗩᗰ ᑕᗩᖇS, Iᑎ ᗯᕼIᑕᕼ ᑕITIᘔᕮᑎS ᗩᖇᕮ GIᐯᕮᑎ ᗩᑕᑕᕮSS TO ᗪIᖴᖴᕮᖇᕮᑎT ᑭᒪᗩᑕᕮS TᕼᖇOᑌGᕼOᑌT Tᕼᕮ ᑕITY. ᗩ SIᑎGᒪᕮ TᕮᖇᗰIᑎᑌS Oᖴ Tᕼᕮ ᖇᗩᑭTᑌᖇᕮ ᗰᕮTᖇO SYSTᕮᗰ IS Tᕼᕮ ᗷᗩTᕼYSᑭᕼᕮᖇᕮ ᗪOᑕK ᒪOᑕᗩTᕮᗪ IᑎSIᗪᕮ Tᕼᕮ ᖇᕮᗰOTᕮ ᒪIGᕼTᕼOᑌSᕮ Iᑎ Tᕼᕮ ᑎOᖇTᕼ ᗩTᒪᗩᑎTIᑕ; ᖇᗩᑭTᑌᖇᕮ'S ᑭᖇIᗰᗩᖇY ᕮᑎTᖇᗩᑎᑕᕮ TO Tᕼᕮ OᑌTSIᗪᕮ ᗯOᖇᒪᗪ.

ᗩᑎOTᕼᕮᖇ ᗰOᗪᕮ Oᖴ TᖇᗩᑎSᑭOᖇTᗩTIOᑎ ᗯITᕼIᑎ ᖇᗩᑭTᑌᖇᕮ IS Tᕼᕮ ᗩTᒪᗩᑎTIᑕ ᕮ᙭ᑭᖇᕮSS; ᗩ ᑭᖇᕮSSᑌᖇIᘔᕮᗪ ᖇᗩIᒪ SYSTᕮᗰ ᖴOᖇ ᗰOᐯIᑎG ᗩ ᒪᗩᖇGᕮᖇ ᑎᑌᗰᗷᕮᖇ Oᖴ ᑕITIᘔᕮᑎS, TᕼOᑌGᕼ TᕼIS ᑭᗩᖇTIᑕᑌᒪᗩᖇ ᗰOᗪᕮ Oᖴ TᖇᗩᑎSᑭOᖇTᗩTIOᑎ ᗯᗩS ᗰOSTᒪY ᗪᕮᑕOᗰᗰISSIOᑎᕮᗪ SIᑎᑕᕮ Tᕼᕮ OᑌTᗷᖇᕮᗩK Oᖴ ᖇᗩᑭTᑌᖇᕮ'S ᑕIᐯIᒪ ᗯᗩᖇ. ᗩᗪᒍᗩᑕᕮᑎT ᗩᖇᕮᗩS ᗯITᕼIᑎ ᖇᗩᑭTᑌᖇᕮ ᗩᖇᕮ ᑕOᑎᑎᕮᑕTᕮᗪ TᕼᖇOᑌGᕼ ᗷᑌᒪKᕼᕮᗩᗪ ᗪOOᖇS, ᗩᑎᗪ ᗩᖇᕮᗩS ᗯITᕼIᑎ SOᗰᕮ ᒪᕮᐯᕮᒪS ᗩᖇᕮ ᑕOᑎᑎᕮᑕTᕮᗪ TO Oᑎᕮ ᗩᑎOTᕼᕮᖇ ᗷY GᒪᗩSS TᑌᑎᑎᕮᒪS: Sᗰᗩᒪᒪ OᑎᕮS ᖴOᖇ ᑭᕮᗪᕮSTᖇIᗩᑎS, ᗩᑎᗪ ᒪᗩᖇGᕮᖇ OᑎᕮS ᖴOᖇ Tᕼᕮ SYSTᕮᗰ Oᖴ ᖇᗩIᒪᕮᗪ TᖇᗩᗰᗯᗩYS.

ᖇᗩᑭTᑌᖇᕮ IS IᑎTᕮᑎTIOᑎᗩᒪᒪY ISOᒪᗩTᕮᗪ ᖴᖇOᗰ Tᕼᕮ ᗯOᖇᒪᗪ, ᗩᑎᗪ Tᕼᕮ ᑭᖇIᗰᗩᖇY ᗰOᗪᕮ Oᖴ ᗩᑕᑕᕮSS ᗯᗩS ᐯIᗩ ᗷᗩTᕼYSᑭᕼᕮᖇᕮS TᖇᗩᐯᕮᒪᒪIᑎG ᗪOᗯᑎ ᖴᖇOᗰ Tᕼᕮ ᒪIGᕼTᕼOᑌSᕮ, ᑭᕮᖇᑕᕼᕮᗪ Oᑎ ᗩᑎ ISᒪᗩᑎᗪ ᗩᗷOᐯᕮ.



⥼ IᑎᖴOᖇᗰᗩTIOᑎ ᗩᗷOᑌT ᗩᗪᗩᗰ ⥽

ᗩ SᑌᗷSTᗩᑎᑕᕮ ᗷOTᕼ ᕼᗩᖇᐯᕮSTᕮᗪ ᗩᑎᗪ ᑭᖇOᑕᕮSSᕮᗪ ᖴᖇOᗰ ᗩ (ᗷᕮᖴOᖇᕮ ᑌᑎKᑎOᗯᑎ) SᑭᕮᑕIᕮS Oᖴ Sᕮᗩ SᒪᑌG ᖴOᑌᑎᗪ ᒪIᐯIᑎG Oᑎ Tᕼᕮ Oᑕᕮᗩᑎ'S ᖴᒪOOᖇ, ᗩᗪᗩᗰ IS ᗷᕮᒪIᕮᐯᕮᗪ TO ᑕᗩᑌSᕮ Tᕼᕮ ᖴOᖇᗰᗩTIOᑎ Oᖴ ᑭOTᕮᑎT STᕮᗰ ᑕᕮᒪᒪS TᕼᗩT Iᑎ Tᑌᖇᑎ ᕼᗩᐯᕮ Tᕼᕮ ᑭOᗯᕮᖇ ᗩᑎᗪ ᗩᗷIᒪITY TO ᗪIᖴᖴᕮᖇᕮᑎTIᗩTᕮ IᑎTO ᗩᑎY ᑕᕮᒪᒪ TYᑭᕮ; ᗩ ᐯISᑕOᑌS Gᖇᕮᕮᑎ ᒪIᑫᑌIᗪ Iᑎ ITS ᖇᗩᗯ ᖴOᖇᗰ, ᗩᗪᗩᗰ ᑕᗩᑎ ᗷᕮ GᕮᑎᕮTIᑕᗩᒪᒪY ᗰᗩᑎIᑭᑌᒪᗩTᕮᗪ TO ᑭᖇOᗪᑌᑕᕮ TISSᑌᕮ, ᗩᑎᗪ ᖴᑌᑎᑕTIOᑎS TᕼᗩT ᗯOᑌᒪᗪ ᑎOT ᑎOᖇᗰᗩᒪᒪY ᗷᕮ ᑭᖇᕮSᕮᑎT ᗯITᕼIᑎ Tᕼᕮ ᕼᑌᗰᗩᑎ ᗷOᗪY.

ᗩᑕTIᑎG ᒪIKᕮ ᗩ SᕮᕮᗰIᑎGᒪY ᗷᕮᑎIGᑎ ᖴOᖇᗰ Oᖴ ᑕᗩᑎᑕᕮᖇ, ᗩᗪᗩᗰ ᗯOᖇKS TO ᗪᕮSTᖇOY ᑎᗩTIᐯᕮ ᑕᕮᒪᒪS, ᖇᕮᑭᒪᗩᑕIᑎG Tᕼᕮᗰ ᗯITᕼ ᑌᑎSTᗩᗷᒪᕮ STᕮᗰ ᐯᕮᖇSIOᑎS, ᗩᑎᗪ ᗯᕼIᒪᕮ IT'S TᕼIS IᑎSTᗩᗷIᒪITY TᕼᗩT ᗷᖇIᑎGS ᗩᗷOᑌT IT'S ᗩᗰᗩᘔIᑎG ᑭᖇOᑭᕮᖇTIᕮS, IT'S ᗩᒪSO ᗯᕼᗩT ᑕᗩᑌSᕮS Tᕼᕮ ᑕOSᗰᕮTIᑕ, ᗩᑎᗪ ᗰᕮᑎTᗩᒪ ᗪᗩᗰᗩGᕮ TO TᕼOSᕮ ᗯᕼO ᑌSᕮ IT ᕼᗩᗷITᑌᗩᒪᒪY- TᕼIS IᑎSTᗩᗷIᒪITY Oᖴ Tᕼᕮ STᕮᗰ ᑕᕮᒪᒪS ᖴOᖇᑕIᑎG Tᕼᕮ ᑌSᕮᖇ TO ᖇᕮᑫᑌIᖇᕮ ᗰOᖇᕮ ᗩᗪᗩᗰ TO ᖇᕮᗰᗩIᑎ Sᗩᑎᕮ ᗩᑎᗪ ᕼᕮᗩᒪTᕼY, ᗩT ᖇISK Oᖴ ᗷᕮᑕOᗰIᑎG ᑌᑎSTᗩᗷᒪᕮ Iᖴ TᕼᕮY ᖴᗩIᒪ TO ᗪO SO. Tᕼᕮ Sᕮᗩ SᒪᑌGS ᗩᒪOᑎᕮ, ᕼOᗯᕮᐯᕮᖇ, ᑭᖇOᐯᕮᗪ ᑌᑎᗩᗷᒪᕮ TO ᑭᖇOᐯIᗪᕮ ᕮᑎOᑌGᕼ ᗩᗪᗩᗰ ᖴOᖇ ᗰᗩᖇKᕮTIᑎG Oᖴ ᑕOᑎSᑌᗰᕮᖇ ᑭᖇOᗪᑌᑕTS, ᗩᑎᗪ IT ᗯᗩS ᖴOᑌᑎᗪ TᕼᗩT ᗯᕼᕮᑎ ᗩ SᒪᑌG ᗯᗩS ᕮᗰᗷᕮᗪᗪᕮᗪ ᗯITᕼIᑎ ᗩ ᕼOSTS STOᗰᗩᑕᕼ, IT GᕮᑎᕮᖇᗩTᕮᗪ TᗯᕮᑎTY TO TᕼIᖇTY TIᗰᕮS Tᕼᕮ YIᕮᒪᗪ Oᖴ ᑌSᗩᗷᒪᕮ ᗩᗪᗩᗰ; IT ᗯᗩS ᗯITᕼ TᕼIS ᑭᑌᖇᑭOSᕮ TᕼᗩT Tᕼᕮ ᒪITTᒪᕮ SISTᕮᖇ'S ᗯᕮᖇᕮ ᗷᖇOᑌGᕼT ᗩᗷOᑌT, ᗩS YOᑌᑎG GIᖇᒪS ᗯᕮᖇᕮ ᖴOᑌᑎᗪ TO ᗷᕮ Tᕼᕮ OᑎᒪY ᐯIᗩᗷᒪᕮ ᕼOSTS.

ᗯᕼIᒪᕮ Tᕼᕮ ᕮ᙭ᗩᑕT ᗰᕮᑕᕼᗩᑎISᗰ ᖴOᖇ TᕼIS ᗩTTᖇIᗷᑌTᕮ IS ᑌᑎKᑎOᗯᑎ, ᗩᗪᗩᗰ IS SᕼOᗯᑎ TO ᕼOᒪᗪ SOᗰᕮ ᖴOᖇᗰ Oᖴ ᗰᕮᗰOᖇY, ᗩᑎᗪ IS ᗩᗷᒪᕮ TO ᖇᕮᑕᗩᒪᒪ ᑭᗩST ᑕᕮᒪᒪ ᑕOᑎᖴIGᑌᖇᗩTIOᑎS; TᕼᕮSᕮ ᗰᕮᗰOᖇIᕮS ᗩᖇᕮ ᗩᗷᒪᕮ TO ᗷᕮ TᖇᗩᑎSᖴᕮᖇᖇᕮᗪ TO ᗩᑎOTᕼᕮᖇ IᑎᗪIᐯIᗪᑌᗩᒪ Iᖴ Tᕼᕮ ᗩᗪᗩᗰ IS ᖇᕮᗰOᐯᕮᗪ ᖴᖇOᗰ Oᑎᕮ ᑭᕮᖇSOᑎ, TO Tᕼᕮᑎ ᗷᕮ IᑎᒍᕮᑕTᕮᗪ IᑎTO ᗩᑎOTᕼᕮᖇ- ᑭᕮOᑭᒪᕮ ᕮ᙭ᑭᕮᖇIᕮᑎᑕIᑎG TᕼᕮSᕮ ᑭᗩᖇTIᑕᑌᒪᗩᖇ TYᑭᕮS Oᖴ ᗩᑕᑕIᗪᕮᑎTᗩᒪ ᗰᕮᗰOᖇY TᖇᗩᑎSᖴᕮᖇS OᖴTᕮᑎ Tᕮᑎᗪ TO Sᕮᕮ Tᕼᕮᗰ ᗩS GᕼOSTᒪY IᗰᗩGᕮS. ᖴᑌᖇTᕼᕮᖇ ᖇᕮSᕮᗩᖇᑕᕼ ᗩᒪSO SᕼOᗯᕮᗪ TᕼᗩT ᗷOTᕼ ᗰᕮᗰOᖇIᕮS ᗩᑎᗪ OTᕼᕮᖇ IᑎᖴOᖇᗰᗩTIOᑎ ᑕOᑌᒪᗪ ᗷᕮ ᗪᕮᒪIᗷᕮᖇᗩTᕮᒪY ᕮᑎᑕOᗪᕮᗪ ᗯITᕼIᑎ Tᕼᕮ ᗩᗪᗩᗰ, ᗩᗷᒪᕮ TO ᗷᕮ ᑌSᕮᗪ TO ᗩᗪᗪ ᑎᕮᗯ IᑎᖴOᖇᗰᗩTIOᑎ IᑎTO ᗩ ᑭᕮᖇSOᑎ'S ᗰIᑎᗪ Iᑎ Oᖇᗪᕮᖇ TO OᐯᕮᖇᗯᖇITᕮ, Oᖇ ᗩᒪTᕮᖇ ᕮ᙭ISTIᑎG ᗰᕮᗰOᖇIᕮS.




ᑭᒪᕮᗩSᕮ ᑎOTᕮ: Tᕼᕮ ᑭᖇOᗷᒪᕮᗰS ᑕᗩᑌSᕮᗪ ᗷY ᗩᗪᗩᗰ ᗩᗷᑌSᕮ ᗩᗰOᑎG Tᕼᕮ ᑭOᑭᑌᒪᗩTIOᑎ Oᖴ ᖇᗩᑭTᑌᖇᕮ ᗯᕮᖇᕮ ᕮ᙭ᗩᑕᕮᖇᗷᗩTᕮᗪ ᗷY ᗩᑎᗪᖇᕮᗯ ᖇYᗩᑎ'S ᖴᖇᕮᕮ ᗰᗩᖇKᕮT SOᑕIᕮTᗩᒪ ᗷᕮᒪIᕮᖴS; ᕼIS ᕼᗩᑎᗪS-Oᖴᖴ ᗩᑭᑭᖇOᗩᑕᕼ TO ᖇᑌᑎᑎIᑎG Tᕼᕮ ᑕITY ᗰᕮᗩᑎT TᕼᗩT Tᕼᕮᖇᕮ ᗯᗩS ᑎO ᖇᕮGᑌᒪᗩTIOᑎ Oᖴ ᗩᗪᗩᗰ ᗩᑎᗪ TᕼᕮᖇᕮᖴOᖇᕮ ᑎO ᑭᖇᕮᐯᕮᑎTIOᑎ Oᖴ ITS SIᗪᕮ ᕮᖴᖴᕮᑕTS. ᗷY Tᕼᕮ TIᗰᕮ Tᕼᕮ ᖇᗩᑭTᑌᖇᕮ ᑕIᐯIᒪ ᗯᗩᖇ ᑕᗩᑌSᕮᗪ ᗰᗩSSIᐯᕮ ᗩᗪᗪIᑕTIOᑎ TO ᗩᗪᗩᗰ Iᑎ Tᕼᕮ Gᕮᑎᕮᖇᗩᒪ ᑭOᑭᑌᒪᗩᑕᕮ, ᗩᑎᗪ Tᕼᕮ TᕮᖇᖇIᗷᒪᕮ SIᗪᕮ-ᕮᖴᖴᕮᑕTS ᗯᕮᖇᕮ ᗰᗩᗪᕮ ᑭᒪᗩIᑎᕮᖇ, IT ᗯᗩS TOO ᒪᗩTᕮ.

⥼ ᑭᒪᗩSᗰIᗪS ⥽

SᑭᕮᑕIᗩᒪ SᕮᖇᑌᗰS ᗰᗩᗪᕮ ᖴᖇOᗰ ᑭᖇOᑕᕮSSᕮᗪ ᗩᗪᗩᗰ TᕼᗩT IᑎTᖇOᗪᑌᑕᕮ ᗰOᗪIᖴIᕮᗪ STᕮᗰ ᑕᕮᒪᒪS IᑎTO Tᕼᕮ ᕼᑌᗰᗩᑎ ᗷOᗪY, ᑭᒪᗩSᗰIᗪS ᗩᒪᒪOᗯ ᖴOᖇ GᕮᑎᕮTIᑕ ᗰOᗪIᖴIᑕᗩTIOᑎ ᗩᑎᗪ ᗰᑌTᗩTIOᑎ, GIᐯIᑎG Tᕼᕮ ᑌSᕮᖇ ᗩ Oᑎᕮ Oᖴ ᗩ ᐯᗩST ᗩᖇᖇᗩY Oᖴ ᑭOᗯᕮᖇS ᗩᑎᗪ ᗩᗷIᒪITIᕮS ᗯᕼIᑕᕼ SOᗰᕮ ᗰIGᕼT ᖇᕮᖴᕮᖇ TO ᗩS "Sᑌᑭᕮᖇ ᑭOᗯᕮᖇS". ᗩᑕTIᐯᕮ ᑭᒪᗩSᗰIᗪS ᖇᕮᑫᑌIᖇᕮ ᕮᐯᕮ ᖴOᖇ ᑌSᕮ, ᗯᕼIᒪᕮ ᑭᗩSSIᐯᕮ ᑭᒪᗩSᗰIᗪS (ᖇᕮᖴᕮᖇᖇᕮᗪ TO ᗩS Gᕮᑎᕮ TOᑎIᑕS) ᑭᖇOᐯIᗪᕮ ᗩᑎ ᕮᖴᖴᕮᑕT ᗰᕮᖇᕮᒪY ᗷY ᗷᕮIᑎG TᗩKᕮᑎ Oᑎᑕᕮ.

ᑭᒪᗩSᗰIᗪS ᗩᖇᕮ ᕮ᙭TᖇᕮᗰᕮᒪY ᑭOᗯᕮᖇᖴᑌᒪ, ᕼOᗯᕮᐯᕮᖇ ᕮ᙭ᑕᕮSSIᐯᕮ ᑌSᕮ Oᖴ Tᕼᕮᗰ ᒪᕮᗩᗪS TO ᗷOTᕼ ᑭᕼYSIᑕᗩᒪ ᗩᑎᗪ ᗰᕮᑎTᗩᒪ ᗩᗪᗪIᑕTIOᑎ ᗩᑎᗪ IᑎSTᗩᗷIᒪITY; IT ᗯᗩS TᕼIS ᗰᗩᒍOᖇ ᖴᗩᑕTOᖇ TᕼᗩT ᕼᕮᒪᑭᕮᗪ Iᑎ Tᕼᕮ ᕮᐯᕮᑎTᑌᗩᒪ ᗪOᗯᑎᖴᗩᒪᒪ Oᖴ ᖇᗩᑭTᑌᖇᕮ'S SOᑕIᕮTY.




⥼ Gᕮᑎᕮ TOᑎIᑕS ⥽

SᑭᕮᑕIᗩᒪ SᕮᖇᑌᗰS ᗰᗩᗪᕮ ᖴᖇOᗰ ᑭᖇOᑕᕮSSᕮᗪ ᗩᗪᗩᗰ TᕼᗩT IᑎTᖇOᗪᑌᑕᕮ ᗰOᗪIᖴIᕮᗪ STᕮᗰ ᑕᕮᒪᒪS IᑎTO Tᕼᕮ ᕼᑌᗰᗩᑎ ᗷOᗪY, Gᕮᑎᕮ TOᑎIᑕS ᗩᒪᒪOᗯ ᖴOᖇ GᕮᑎᕮTIᑕ ᗰOᗪIᖴIᑕᗩTIOᑎ ᗩᑎᗪ ᗰᑌTᗩTIOᑎ, GIᐯIᑎG Tᕼᕮ ᑌSᕮᖇ ᗩ Oᑎᕮ Oᖴ ᗩ ᐯᗩST ᗩᖇᖇᗩY Oᖴ ᑭOᗯᕮᖇS ᗩᑎᗪ ᗩᗷIᒪITIᕮS ᗯᕼIᑕᕼ SOᗰᕮ ᗰIGᕼT ᖇᕮᖴᕮᖇ TO ᗩS "Sᑌᑭᕮᖇ ᑭOᗯᕮᖇS". ᗯᕼIᒪᕮ ᗩᑕTIᐯᕮ ᑭᒪᗩSᗰIᗪS ᖇᕮᑫᑌIᖇᕮ ᕮᐯᕮ ᖴOᖇ ᑌSᕮ, ᑭᗩSSIᐯᕮ ᑭᒪᗩSᗰIᗪS (ᖇᕮᖴᕮᖇᖇᕮᗪ TO ᗩS Gᕮᑎᕮ TOᑎIᑕS) ᑭᖇOᐯIᗪᕮ ᗩᑎ ᕮᖴᖴᕮᑕT ᗰᕮᖇᕮᒪY ᗷY ᗷᕮIᑎG TᗩKᕮᑎ Oᑎᑕᕮ.

TOᑎIᑕS ᗩᖇᕮ ᕮ᙭TᖇᕮᗰᕮᒪY ᑭOᗯᕮᖇᖴᑌᒪ, ᕼOᗯᕮᐯᕮᖇ ᕮ᙭ᑕᕮSSIᐯᕮ ᑌSᕮ Oᖴ Tᕼᕮᗰ ᒪᕮᗩᗪS TO ᗷOTᕼ ᑭᕼYSIᑕᗩᒪ ᗩᑎᗪ ᗰᕮᑎTᗩᒪ ᗩᗪᗪIᑕTIOᑎ ᗩᑎᗪ IᑎSTᗩᗷIᒪITY; IT ᗯᗩS TᕼIS ᗰᗩᒍOᖇ ᖴᗩᑕTOᖇ TᕼᗩT ᕼᕮᒪᑭᕮᗪ Iᑎ Tᕼᕮ ᕮᐯᕮᑎTᑌᗩᒪ ᗪOᗯᑎᖴᗩᒪᒪ Oᖴ ᖇᗩᑭTᑌᖇᕮ'S SOᑕIᕮTY.





⥼ ᑕITIᘔᕮᑎ'S Oᖴ ᖇᗩᑭTᑌᖇᕮ ⥽

ᗩ Oᑎᑕᕮ Gᖇᗩᑎᗪ ᑕITY ᗷᑌIᒪT Oᑎ Tᕼᕮ IᗪᕮᗩᒪS ᗩᑎᗪ ᑭᕼIᒪOSOᑭᕼIᕮS Oᖴ ᗩᑎᗪᖇᕮᗯ ᖇYᗩᑎ; ᖇᗩᑭTᑌᖇᕮ, Oᑎᑕᕮ ᗩ ᕼOᗰᕮ ᖴOᖇ Tᕼᕮ ᗷᕮST ᗩᑎᗪ Tᕼᕮ ᗷᖇIGᕼTᕮST ᖴᖇOᗰ ᗩᖇOᑌᑎᗪ Tᕼᕮ ᗯOᖇᒪᗪ, ᑎOᗯ ᒪᗩYS Iᑎ ᖇᑌIᑎS, ᑎOTᕼIᑎG ᗰOᖇᕮ Tᕼᗩᑎ ᗩ ᗰᕮᖇᕮ SᕼᗩᗪOᗯ Oᖴ ᗯᕼᗩT IT ᑌSᕮᗪ TO ᗷᕮ- Tᕼᕮ ᖇᑌIᑎS Oᖴ Tᕼᕮ ᑕITY ᑕᖇᗩᗯᒪIᑎG ᗯITᕼ ᑕITIᘔᕮᑎ'S Oᖴ ᗩᒪᒪ KIᑎᗪS ᗯᕼO ᕼᗩᐯᕮ ᗰᗩᑎᗩGᕮᗪ TO SᑌᖇᐯIᐯᕮ Tᕼᕮ ᑕIᐯIᒪ ᗯᗩᖇ.

ᖴOᖇ ᗰOᖇᕮ IᑎᖴOᖇᗰᗩTIOᑎ Oᑎ TᕼᕮSᕮ IᑎᕼᗩᗷITᗩᑎTS, ᖴᕮᕮᒪ ᖴᖇᕮᕮ TO Sᕮᗩᖇᑕᕼ TᕼᖇOᑌGᕼ Tᕼᕮ ᕼIᗪᕮᖇ ᗷᕮᒪOᗯ- TᕼOᑌGᕼ ᗷᕮ Sᑌᖇᕮ TO Kᕮᕮᑭ ᗩᑎ ᕮYᕮ OᑌT; ᖴOᖇ Tᕼᕮ ᒪISTS ᗯIᒪᒪ ᗩᒪᗯᗩYS ᑕOᑎTIᑎᑌᕮ TO GᖇOᗯ...






⥼ ᗷIG ᗪᗩᗪᗪY ⥽

ᗷIG ᗪᗩᗪᗪIᕮS, OᖇIGIᑎᗩᒪᒪY ᑎᗩᗰᕮᗪ ᑭᖇOTᕮᑕTOᖇS, ᗩᑎᗪ OᑕᑕᗩSIOᑎᗩᒪᒪY ᖇᕮᖴᕮᖇᖇᕮᗪ TO ᗩS "ᗰISTᕮᖇ ᗷᑌᗷᗷᒪᕮS" Oᖇ "ᗰISTᕮᖇ ᗷ" ᗷY ᒪITTᒪᕮ SISTᕮᖇS, ᗩᖇᕮ GᕮᑎᕮTIᑕᗩᒪᒪY ᕮᑎᕼᗩᑎᑕᕮᗪ ᕼᑌᗰᗩᑎ ᗷᕮIᑎGS ᗯᕼO ᕼᗩᐯᕮ ᕼᗩᗪ TᕼᕮIᖇ SKIᑎ ᗩᑎᗪ OᖇGᗩᑎS GᖇᗩᖴTᕮᗪ IᑎTO ᗩᑎ ᕮᑎOᖇᗰOᑌS ᗪIᐯIᑎG SᑌIT, ᗯITᕼ ᗩᒪᑭᕼᗩ SᕮᖇIᕮS ᗷᕮIᑎG ᗩᑎ ᗩᑭᑭᗩᖇᕮᑎT ᕮ᙭ᑕᕮᑭTIOᑎ TO Tᕼᕮ GᖇᗩᖴTIᑎG ᑭᖇOᑕᕮSS, TᕼOᑌGᕼ STIᒪᒪ ᕼᕮᗩᐯIᒪY SᑭᒪIᑕᕮᗪ. TᕼᕮIᖇ ᑭᖇIᗰᗩᖇY ᑭᑌᖇᑭOSᕮ IS TO ᑭᖇOTᕮᑕT ᒪITTᒪᕮ SISTᕮᖇS ᗯᕼIᒪᕮ TᕼᕮY ᕮSᑕOᖇT Tᕼᕮᗰ ᗩᖇOᑌᑎᗪ Tᕼᕮ ᑕITY Oᖴ ᖇᗩᑭTᑌᖇᕮ.

ᗩSIᗪᕮ ᖴᖇOᗰ Tᕼᕮ OᖇIGIᑎᗩᒪ ᗩᒪᑭᕼᗩ SᕮᖇIᕮS, ᗷIG ᗪᗩᗪᗪIᕮS ᑕOᗰᗰᑌᑎIᑕᗩTᕮ ᗷY ᑌTTᕮᖇIᑎG ᕼᗩᑌᑎTIᑎG SOᑌᑎᗪS SIᗰIᒪᗩᖇ TO TᕼᗩT Oᖴ ᗯᕼᗩᒪᕮ ᑕᗩᒪᒪS; Tᕼᕮ ᗩᒪᑭᕼᗩ SᕮᖇIᕮS, ᕼOᗯᕮᐯᕮᖇ, ᑕOᗰᗰᑌᑎIᑕᗩTᕮ ᗯITᕼ ᒪOᗯ, Iᑎᕼᑌᗰᗩᑎ GᖇᑌᑎTS ᗩᑎᗪ ᖇOᗩᖇS- ᖴOᖇ ᗩ ᗰᑌᑕᕼ ᕮᗩSIᕮᖇ IᑎTᕮᖇᑭᖇᕮTᗩTIOᑎ TO TᕼOSᕮ ᗩᖇOᑌᑎᗪ Tᕼᕮᗰ, ᑭᖇOᗪᑌᑕTIOᑎ ᗰOᗪᕮᒪ ᗷIG ᗪᗩᗪᗪIᕮS ᕼᗩᐯᕮ ᗩ ᗷIOᒪᑌᗰIᑎᕮSᑕᕮᑎT ᑕᕼᕮᗰIᑕᗩᒪ SᑌᗷSTᗩᑎᑕᕮ ᗯᕼIᑕᕼ ᖴIᒪᒪᕮᗪ Tᕼᕮ ᕼᕮᒪᗰᕮT, ᗪISᑭᒪᗩYIᑎG ITS STᗩTᕮ Oᖴ ᕮᗰOTIOᑎ Oᖇ ᗰIᑎᗪ. ᕮᗩᑕᕼ ᗷIG ᗪᗩᗪᗪY ᕼᗩS Tᕼᖇᕮᕮ ᗪIᖴᖴᕮᖇᕮᑎT ᑕOᒪOᖇS TᕼᗩT ᕼᕮ ᗯIᒪᒪ ᗪISᑭᒪᗩY Iᑎ ᗩᑎY GIᐯᕮᑎ SITᑌᗩTIOᑎ:

Gᖇᕮᕮᑎ TO IᑎᗪIᑕᗩTᕮ TᕼᗩT Tᕼᕮ ᗷIG ᗪᗩᗪᗪY IS ᕼYᑭᑎOTIᘔᕮᗪ, ᗩᑎᗪ ᖴᖇIᕮᑎᗪᒪY.
YᕮᒪᒪOᗯ TO IᑎᗪIᑕᗩTᕮ Tᕼᕮ ᗷIG ᗪᗩᗪᗪIᕮS ᗩᗯᗩᖇᕮᑎᕮSS, ᗷᑌT IᑎᗪIᖴᖴᕮᖇᕮᑎᑕᕮ TO ᕼIS ᕮᑎᐯIᖇOᑎᗰᕮᑎT, ᕼOᗯᕮᐯᕮᖇ, ᕼᕮ ᗯIᒪᒪ STIᒪᒪ ᖇᕮᗩᑕT TO ᑭᕮOᑭᒪᕮ ᑎᕮᗩᖇ ᕼIᗰ ᗷY SᕼOᐯIᑎG Tᕼᕮᗰ ᗩSIᗪᕮ.
ᖇᕮᗪ TO IᑎᗪIᑕᗩTᕮ Tᕼᕮ ᗷIG ᗪᗩᗪᗪIᕮS ᖇᗩGᕮ TOᗯᗩᖇᗪS ᗩSSᗩIᒪᗩᑎTS.

SᑌᖇᐯIᐯIᑎG ᗷIG ᗪᗩᗪᗪIᕮS ᗯᕼO ᑎO ᒪOᑎGᕮᖇ ᕼᗩᐯᕮ TᕼᕮIᖇ ᒪITTᒪᕮ SISTᕮᖇS ᗷY TᕼᕮIᖇ SIᗪᕮS ᗩᖇᕮ Iᑎ ᗩ ᑭᕮᖇᗰᗩᑎᕮᑎT STᗩTᕮ Oᖴ ᗯᖇᗩTᕼ ᗪᑌᕮ TO Tᕼᕮ ᑭᖇOᒪOᑎGᕮᗪ SᕮᑭᗩᖇᗩTIOᑎ, TᕼIS ᗰᗩKᕮS Tᕼᕮᗰ ᕮ᙭TᖇᕮᗰᕮᒪY ᗩGGᖇᕮSSIᐯᕮ TOᗯᗩᖇᗪS TᕼOSᕮ ᗩᖇOᑌᑎᗪ Tᕼᕮᗰ, ᑕᗩᑌSIᑎG Tᕼᕮᗰ TO ᗩTTᗩᑕK ᗯITᕼOᑌT ᗯᗩᖇᑎIᑎG Oᖇ ᑭᖇOᐯOᑕᗩTIOᑎ.

SO ᖴᗩᖇ, Tᕼᕮᖇᕮ ᗩᖇᕮ ᖴIᐯᕮ ᗰᗩIᑎ TYᑭᕮS Oᖴ ᗷIG ᗪᗩᗪᗪY ᑭᖇOTᕮᑕTOᖇS, IᑎᑕᒪᑌᗪIᑎG TᗯO ᕮᒪITᕮ ᐯᕮᖇSIOᑎS ᖴOᖇ OᑎᒪY Tᕼᕮ ᗷOᑌᑎᑕᕮᖇ ᗩᑎᗪ ᖇOSIᕮ; Oᖴ Tᕼᕮ ᖴIᐯᕮ ᑭᖇOTᕮᑕTOᖇS, OᑎᒪY ᖴOᑌᖇ ᗩᖇᕮ ᖴᑌᑎᑕTIOᑎᗩᒪ ᗩᑎᗪ ᑭᖇOTᕮᑕT Tᕼᕮ ᒪITTᒪᕮ SISTᕮᖇS, ᗯITᕼ OᑎᒪY Tᕼᕮ OᖇIGIᑎᗩᒪ ᗩᒪᑭᕼᗩ SᕮᖇIᕮS ᗩS ᑎOᑎ-ᖴᑌᑎᑕTIOᑎᗩᒪ ᑭᖇOTᕮᑕTOᖇS, ᗯITᕼ Tᕼᕮ ᕮ᙭ᑕᕮᑭTIOᑎ Oᖴ SᑌᗷᒍᕮᑕT ᗪᕮᒪTᗩ ᗩᑎᗪ SᑌᗷᒍᕮᑕT SIGᗰᗩ.

ᖴOᖇ ᗰOᖇᕮ IᑎᖴOᖇᗰᗩTIOᑎ Oᑎ TᕼᕮSᕮ ᗷIG ᗪᗩᗪᗪIᕮS, ᖴᕮᕮᒪ ᖴᖇᕮᕮ TO Sᕮᗩᖇᑕᕼ TᕼᖇOᑌGᕼ Tᕼᕮ ᕼIᗪᕮᖇ ᗷᕮᒪOᗯ- TᕼOᑌGᕼ ᗷᕮ Sᑌᖇᕮ TO Kᕮᕮᑭ ᗩᑎ ᕮYᕮ OᑌT; ᖴOᖇ Tᕼᕮ ᒪISTS ᗯIᒪᒪ ᗩᒪᗯᗩYS ᑕOᑎTIᑎᑌᕮ TO GᖇOᗯ...




⥼ ᒪITTᒪᕮ SISTᕮᖇS ⥽

ᗩᒪSO KᑎOᗯᑎ ᗩS GᗩTᕼᕮᖇᕮᖇS, ᒪITTᒪᕮ SISTᕮᖇS ᗩᖇᕮ YOᑌᑎG ᑭᖇᕮ-ᑭᑌᗷᕮSᑕᕮᑎT GIᖇᒪS ᗯᕼO ᕼᗩᐯᕮ ᗷᕮᕮᑎ GᕮᑎᕮTIᑕᗩᒪᒪY ᗩᒪTᕮᖇᕮᗪ ᗩᑎᗪ ᗰᕮᑎTᗩᒪᒪY ᑕOᑎᗪITIOᑎᕮᗪ TO ᖇᕮᑕᒪᗩIᗰ ᗩᗪᗩᗰ ᖴᖇOᗰ Tᕼᕮ ᑕOᖇᑭSᕮS ᒪITTᕮᖇᕮᗪ ᗩᖇOᑌᑎᗪ Tᕼᕮ ᑕITY Oᖴ ᖇᗩᑭTᑌᖇᕮ. ᑕᖇᕮᗩTᕮᗪ ᗷY ᖇᕮᑎOᗯᑎᕮᗪ SᑕIᕮᑎTIST, ᗷᖇIGIᗪ Tᕮᑎᕮᑎᗷᗩᑌᗰ ᗩS ᗩ SOᒪᑌTIOᑎ TO Tᕼᕮ ᗩᗪᗩᗰ SᕼOᖇTᗩGᕮ; ᒪITTᒪᕮ SISTᕮᖇS ᕮ᙭TᖇᗩᑕT IᑎᕮᖇT ᗩᗪᗩᗰ ᖴᖇOᗰ Tᕼᕮ ᗪᕮᗩᗪ (ᗯᕼOᗰ Tᕼᕮ GIᖇᒪ'S ᖇᕮᖴᕮᖇ TO ᗩS "ᗩᑎGᕮᒪS") ᗷY ᑌSIᑎG ᖇᕮTᖇᗩᑕTᗩᗷᒪᕮ ᑎᕮᕮᗪᒪᕮS, ᗷᕮᖴOᖇᕮ ᑕOᑎSᑌᗰIᑎG Tᕼᕮ ᒪIᑫᑌIᗪ SO TᕼᗩT TᕼᕮIᖇ ᗷOᗪIᕮS ᑕᗩᑎ ᖇᕮᑭᖇOᑕᕮSS IT Oᑎᑕᕮ ᗩGᗩIᑎ IᑎTO ITS ᑌSᗩᗷᒪᕮ ᖴOᖇᗰ. ᗩᒪᗰOST ᗩᒪᗯᗩYS ᗩᑕᑕOᗰᑭᗩᑎIᕮᗪ ᗷY ᗩ ᗷIG ᗪᗩᗪᗪY, TᕼᕮY ᗩᖇᕮ GᕮᑎᕮᖇᗩᒪᒪY Iᗰᗰᑌᑎᕮ TO ᗩᒪᒪ ᖴOᖇᗰS Oᖴ ᗪᗩᗰᗩGᕮ, OᑌTSIᗪᕮ Oᖴ ᗷᕮIᑎG ᕼᗩᖇᐯᕮSTᕮᗪ, ᗩᑎᗪ ᕼᗩᐯᕮ ᑎO OᖴᖴᕮᑎSIᐯᕮ ᗩᗷIᒪITIᕮS; ᗩTTᗩᑕKIᑎG Tᕼᕮᗰ, ᕼOᗯᕮᐯᕮᖇ, ᗯIᒪᒪ Iᑎᑕᑌᖇ Tᕼᕮ ᗯᖇᗩTᕼ Oᖴ TᕼᕮIᖇ ᗷIG ᗪᗩᗪᗪY ᑭᖇOTᕮᑕTOᖇS.

ᖴOᖇ ᗰOᖇᕮ IᑎᖴOᖇᗰᗩTIOᑎ Oᑎ TᕼᕮSᕮ ᒪITTᒪᕮ SISTᕮᖇS, ᖴᕮᕮᒪ ᖴᖇᕮᕮ TO Sᕮᗩᖇᑕᕼ TᕼᖇOᑌGᕼ Tᕼᕮ ᕼIᗪᕮᖇ ᗷᕮᒪOᗯ- TᕼOᑌGᕼ ᗷᕮ Sᑌᖇᕮ TO Kᕮᕮᑭ ᗩᑎ ᕮYᕮ OᑌT; ᖴOᖇ Tᕼᕮ ᒪISTS ᗯIᒪᒪ ᗩᒪᗯᗩYS ᑕOᑎTIᑎᑌᕮ TO GᖇOᗯ...




⥼ ᗷIG SISTᕮᖇ ⥽

Tᕼᕮ ᗷIG SISTᕮᖇS ᗩᖇᕮ ᒪITTᒪᕮ SISTᕮᖇS ᗯᕼO ᕼᗩᐯᕮ GᖇOᗯᑎ ᑌᑭ, ᗩᑎᗪ ᑭᗩSSᕮᗪ TᕼᖇOᑌGᕼ ᑭᑌᗷᕮᖇTY; Tᕼᕮ Oᐯᕮᖇᕮ᙭ᑭOSᑌᖇᕮ TO ᗩᗪᗩᗰ TᕼᖇOᑌGᕼOᑌT TᕼᕮIᖇ ᒪIᐯᕮS ᕼᗩᐯIᑎG ᗰᗩᒍOᖇ ᕮᖴᖴᕮᑕTS Oᑎ TᕼᕮIᖇ ᗰᕮᑎTᗩᒪ STᗩᗷIᒪITY, ᑕᗩᑌSIᑎG Tᕼᕮᗰ TO ᗷᕮᑕOᗰᕮ ᕮ᙭TᖇᕮᗰᕮᒪY ᐯIOᒪᕮᑎT, ᗩᑎᗪ GᖇᗩᑎTIᑎG Tᕼᕮᗰ IᗰᗰᕮᑎSᕮ STᖇᕮᑎGTᕼ, ᗩGIᒪITY GIᐯIᑎG Tᕼᕮᗰ Tᕼᕮ ᗩᗷIᒪITY TO ᕮᐯᕮᑎ ᒍᑌᗰᑭ ᗩᑕᖇOSS ᗩᑎ ᕮᑎTIᖇᕮ ᖇOOᗰ- ᗩᑎᗪ ᗯITᕼ Tᕼᕮ ᕼᕮᒪᑭ Oᖴ ᑭOᗯᕮᖇᖴᑌᒪ ᑭᒪᗩSᗰIᗪS, Tᕼᕮ ᗷIG SISTᕮᖇS ᗩᖇᕮ Iᑎᗪᕮᕮᗪ, ᖴOᖇᗰIᗪᗩᗷᒪᕮ ᕮᑎᕮᗰIᕮS. ᗯITᕼ Tᕼᕮ ᗩᑭᑭᕮᗩᖇᗩᑎᑕᕮ Oᖴ TᕼIᑎ, ᖴᕮᗰIᑎIᑎᕮ ᐯᕮᖇSIOᑎS Oᖴ ᗷIG ᗪᗩᗪᗪIᕮS; ᕮᗩᑕᕼ ᗷIG SISTᕮᖇ ᑭOSSᕮSSᕮS SIᗰIᒪᗩᖇ ᒪOOKIᑎG ᗪIᐯIᑎG SᑌITS ᗩᑎᗪ ᕮᑫᑌIᑭᗰᕮᑎT, ᗩᑎᗪ ᗩᒪSO ᕼᗩᐯᕮ ᑕᗩGᕮS Oᑎ TᕼᕮIᖇ ᗷᗩᑕKS ᗯᕼIᑕᕼ ᑕᗩᑎ ᗷᕮ ᑌSᕮᗪ TO ᑕᗩᖇᖇY ᒪITTᒪᕮ SISTᕮᖇS. Iᖴ ᗩT ᗩᑎY GIᐯᕮᑎ TIᗰᕮ SOᗰᕮOᑎᕮ IᑎᑕᑌᖇS ᗩ ᗷIG SISTᕮᖇ'S ᗯᖇᗩTᕼ, Tᕼᕮ ᖇᕮᗪ ᑭOᖇTᕼOᒪᕮ Oᑎ Tᕼᕮ ᖴᖇOᑎT Oᖴ ᕼᕮᖇ ᕼᕮᒪᗰᕮT ᗯIᒪᒪ GᒪOᗯ, ᗩᑎᗪ Tᕼᕮ ᗷIG SISTᕮᖇ ᗯIᒪᒪ ᒪᗩᑌᑎᑕᕼ ᕼᕮᖇ ᗩTTᗩᑕK. ᕮᗩᑕᕼ ᗷIG SISTᕮᖇ ᕼᗩS ᗩ ᒪᗩᖇGᕮ ᗩᗪᗩᗰ ᑎᕮᕮᗪᒪᕮ Oᑎ ᕼᕮᖇ ᒪᕮᖴT ᗩᖇᗰ ᗯᕼIᑕᕼ IS ᑌSᕮᗪ ᖴOᖇ ᑭᖇᕮᑕISIOᑎ ᗰᕮᒪᕮᕮ ᗩTTᗩᑕKS, ᗩᑎᗪ TO ᗪᖇᗩIᑎ ᗩᗪᗩᗰ ᖴᖇOᗰ ᒪIᐯᕮ ᐯIᑕTIᗰS, ᗩᒪᒪOᗯIᑎG ᕼᕮᖇ TO ᕼᕮᗩᒪ TᕼᖇOᑌGᕼOᑌT Tᕼᕮ ᗷᗩTTᒪᕮ.

ᖴOᖇ ᗰOᖇᕮ IᑎᖴOᖇᗰᗩTIOᑎ Oᑎ TᕼᕮSᕮ ᗷIG SISTᕮᖇS, ᖴᕮᕮᒪ ᖴᖇᕮᕮ TO Sᕮᗩᖇᑕᕼ TᕼᖇOᑌGᕼ Tᕼᕮ ᕼIᗪᕮᖇ ᗷᕮᒪOᗯ- TᕼOᑌGᕼ ᗷᕮ Sᑌᖇᕮ TO Kᕮᕮᑭ ᗩᑎ ᕮYᕮ OᑌT; ᖴOᖇ Tᕼᕮ ᒪISTS ᗯIᒪᒪ ᗩᒪᗯᗩYS ᑕOᑎTIᑎᑌᕮ TO GᖇOᗯ...




⥼ SᑭᒪIᑕᕮᖇS ⥽

ᗪᕮᖴOᖇᗰᕮᗪ, GᕮᑎᕮTIᑕᗩᒪᒪY ᗰOᗪIᖴIᕮᗪ ᖇᗩᑭTᑌᖇᕮ ᑕITIᘔᕮᑎS ᗯᕼO ᗩᖇᕮ ᖇᕮᗰᑎᗩᑎTS Oᖴ Tᕼᕮ ᖇᗩᑭTᑌᖇᕮ ᑕIᐯIᒪ ᗯᗩᖇ, Tᕼᕮ SᑭᒪIᑕᕮᖇS (ᗩᒪSO KᑎOᗯᑎ ᗩS ᗩGGᖇᕮSSOᖇS) ᑕᗩᑎᑎOT SᑌᖇᐯIᐯᕮ ᗯITᕼOᑌT ᗩᗪᗩᗰ ᗪᑌᕮ TO TᕼᕮIᖇ ᕮ᙭TᕮᑎSIᐯᕮ Oᐯᕮᖇ-SᑭᒪIᑕIᑎG ᗩᑎᗪ ᗷIOᒪOGIᑕᗩᒪ ᗰOᗪIᖴIᑕᗩTIOᑎS. SᑭᒪIᑕᕮᖇS ᗩᖇᕮ ᖇᕮᖴᕮᖇᖇᕮᗪ TO ᗩᑕᑕOᖇᗪIᑎG TO TᕼᕮIᖇ ᗯᕮᗩᑭOᑎ ᑭᖇᕮᖴᕮᖇᕮᑎᑕᕮ, Sᑌᑕᕼ ᗩS "ᒪᕮᗩᗪᕼᕮᗩᗪ" ᖴOᖇ TᕼOSᕮ ᗯᕼO ᗯIᕮᒪᗪ GᑌᑎS. TᕼᕮY ᗯᕮᗩᖇ ᒪITTᒪᕮ Oᖇ ᑎO ᗩᖇᗰOᖇ, ᗩᑎᗪ ᑎOᖇᗰᗩᒪᒪY ᖇOᗩᗰ Tᕼᕮ ᑕITY Oᖴ ᖇᗩᑭTᑌᖇᕮ SᕮᗩᖇᑕᕼIᑎG ᖴOᖇ OTᕼᕮᖇ IᑎᕼᗩᗷITᗩᑎTS TO KIᒪᒪ ᗩᑎᗪ STᕮᗩᒪ ᗩᗪᗩᗰ ᖴᖇOᗰ. ᗩS TᕼᕮIᖇ ᑎᗩᗰᕮ ᗯOᑌᒪᗪ SᑌGGᕮST, TᕼᕮSᕮ ᕮᑎᕮᗰIᕮS ᗩᖇᕮ ᗩGGᖇᕮSSIᐯᕮ ᗩᑎᗪ ᑫᑌIᑕK TO ᗩTTᗩᑕK, ᗩᑎᗪ TᕼᕮY ᗯIᒪᒪ ᑌSᕮ TᕼᕮIᖇ ᕮᑎᕼᗩᑎᑕᕮᗪ ᑭᕼYSIᑕᗩᒪ STᖇᕮᑎGTᕼ, GᖇOᑌᑭ TᗩᑕTIᑕS, ᗩᑎᗪ SOᗰᕮTIᗰᕮS SᕮᗰI-ᗷIOᒪOGIᑕᗩᒪ ᗯᕮᗩᑭOᑎS TO KIᒪᒪ ᗩᒪᒪ IᑎTᖇᑌᗪᕮᖇS. ᗰOST SᑭᒪIᑕᕮᖇS ᗯᕮᗩᖇ Tᕼᕮ ᗰᗩSᑫᑌᕮᖇᗩᗪᕮ ᗷᗩᒪᒪ ᗰᗩSKS TᕼᗩT ᗯᕮᖇᕮ ᗯOᖇᑎ ᗪᑌᖇIᑎG Tᕼᕮ 1958 ᑎᕮᗯ Yᕮᗩᖇ'S ᕮᐯᕮ ᖇIOTS.

SO ᖴᗩᖇ, Tᕼᕮᖇᕮ ᗩᖇᕮ SI᙭ ᗰᗩIᑎ TYᑭᕮS Oᖴ SᑭᒪIᑕᕮᖇS.

ᖴOᖇ ᗰOᖇᕮ IᑎᖴOᖇᗰᗩTIOᑎ Oᑎ TᕼᕮSᕮ SᑭᒪIᑕᕮᖇS, ᖴᕮᕮᒪ ᖴᖇᕮᕮ TO Sᕮᗩᖇᑕᕼ TᕼᖇOᑌGᕼ Tᕼᕮ ᕼIᗪᕮᖇ ᗷᕮᒪOᗯ- TᕼOᑌGᕼ ᗷᕮ Sᑌᖇᕮ TO Kᕮᕮᑭ ᗩᑎ ᕮYᕮ OᑌT; ᖴOᖇ Tᕼᕮ ᒪISTS ᗯIᒪᒪ ᗩᒪᗯᗩYS ᑕOᑎTIᑎᑌᕮ TO GᖇOᗯ...






⥼ ᑕᕼᗩᖇᗩᑕTᕮᖇ IᑎᖴOᖇᗰᗩTIOᑎ ⥽

ᗯITᕼIᑎ TᕼIS ᖇOᒪᕮᑭᒪᗩY ᗯᕮ ᗯIᒪᒪ ᗷᕮ ᗩᑕᑕᕮᑭTIᑎG OᖇIGIᑎᗩᒪ ᑕᕼᗩᖇᗩᑕTᕮᖇS (Oᑕ) OᑎᒪY, ᕼOᗯᕮᐯᕮᖇ, TᕼᖇOᑌGᕼOᑌT Tᕼᕮ ᖇOᒪᕮᑭᒪᗩY ᑕᗩᑎᑎOᑎ ᑕᕼᗩᖇᗩᑕTᕮᖇS TᕼᗩT ᕼᗩᐯᕮ ᗩᒪᖇᕮᗩᗪY ᗷᕮᕮᑎ ᑭᖇᕮ-ᕮSTᗩᗷᒪISᕼᕮᗪ TᕼᖇOᑌGᕼOᑌT Tᕼᕮ SᕮᖇIᕮS Oᖴ ᗷIOSᕼOᑕK ᗯIᒪᒪ ᗷᕮ ᗩᐯᗩIᒪᗩᗷᒪᕮ ᖴOᖇ ᖇOᒪᕮᑭᒪᗩYᕮᖇS TO TᗩKᕮ Oᑎ; ᑕᕼᗩᖇᗩᑕTᕮᖇS ᗩᖇᕮ STᖇIᑕTᒪY ᒪIᗰITᕮᗪ TO ᗷᕮIᑎG ᕼᑌᗰᗩᑎ, TᕼOᑌGᕼ ᖴᕮᕮᒪ ᖴᖇᕮᕮ TO ᕼᗩᐯᕮ ᖇᕮIGᑎ Oᐯᕮᖇ ᗯᕼᗩT IT IS YOᑌ ᗯOᑌᒪᗪ ᒪIKᕮ YOᑌᖇ ᑕᕼᗩᖇᗩᑕTᕮᖇ TO ᗷᕮ ᒪIKᕮ- ᑭᒪᕮᗩSᕮ ᖴᕮᕮᒪ ᖴᖇᕮᕮ TO ᑕOᑎTᗩᑕT ᕮITᕼᕮᖇ ᗰᕮ, Oᖇ Oᑎᕮ Oᖴ ᗰY ᑕO-Gᗰ’S ᐯIᗩ ᑭᗰ Oᖇ Iᑎ Tᕼᕮ OOᑕ SᕼOᑌᒪᗪ YOᑌ ᕼᗩᐯᕮ ᗩᑎY ᑫᑌᕮSTIOᑎS, ᗯᕮ ᗯIᒪᒪ ᗪO Oᑌᖇ ᗷᕮST TO GIᐯᕮ YOᑌ Tᕼᕮ ᗩᑎSᗯᕮᖇS, ᗩᑎᗪ TO ᕼᕮᒪᑭ YOᑌ OᑌT ᗩS ᗰᑌᑕᕼ ᗩS ᗯᕮ ᑕᗩᑎ.

ᖴOᖇ TᕼOSᕮ Oᖴ ᗯᕼOᗰ ᗩᖇᕮ ᗯISᕼIᑎG TO ᑭᒪᗩY ᑕᗩᑎᑎOᑎ ᑕᕼᗩᖇᗩᑕTᕮᖇS ᒪᗩTᕮᖇ ᗪOᗯᑎ Tᕼᕮ ᒪIᑎᕮ, YOᑌ ᗰᑌST ᗪᕮᗰOᑎSTᖇᗩTᕮ ᗩ STᖇOᑎG ᗯᖇITIᑎG ᗩᗷIᒪITY (GOOᗪ Gᖇᗩᗰᗰᗩᖇ, ᑭᑌᑎᑕTᑌᗩTIOᑎ, ᕮTᑕ.), ᗩᑎᗪ ᗰᑌST ᑭᒪᕮᗩSᕮ ᗰᕮSSᗩGᕮ ᗰᕮ ᗩᑎᗪ ᗰY ᑕO-Gᗰ’S ᗯITᕼ ᗩ Sᗩᗰᑭᒪᕮ ᑭOST ᗩᑎᗪ ᗩ ᗷᖇIᕮᖴ STOᖇY ᑭᒪᗩᑎ (ᖇᕮᒪᗩTIᑎG TO Tᕼᕮ ᖇOᒪᕮᑭᒪᗩY) Oᖴ TᕼᗩT ᑭᗩᖇTIᑕᑌᒪᗩᖇ ᑕᕼᗩᖇᗩᑕTᕮᖇ ᖴOᖇ ᑕOᑎSIᗪᕮᖇᗩTIOᑎ; Iᖴ Tᕼᕮ ᑕᕼᗩᖇᗩᑕTᕮᖇ ᗩᑎᗪ Sᗩᗰᑭᒪᕮ ᕼᗩS ᗷᕮᕮᑎ ᗩᑕᑕᕮᑭTᕮᗪ, Tᕼᕮᑎ YOᑌ Sᕼᗩᒪᒪ Iᑎᗪᕮᕮᗪ ᗷᕮ ᑎOTIᖴIᕮᗪ ᗩS SOOᑎ ᗩS ᑭOSSIᗷᒪᕮ.

ᗩT TᕼIS ᑭOIᑎT Iᑎ TIᗰᕮ, I ᗯIᒪᒪ ᗷᕮ ᑭᑌTTIᑎG ᗩ ᒪIᗰIT Oᑎ ᑕᕼᗩᖇᗩᑕTᕮᖇS; ᕼOᗯᕮᐯᕮᖇ, ᗩT ᗩ ᒪᗩTᕮᖇ ᗪᗩTᕮ, TᕼIS ᗰᗩY ᑕᕼᗩᑎGᕮ- ᒍᑌST ᑭᒪᕮᗩSᕮ KᑎOᗯ TᕼᗩT Iᖴ, ᗩᑎᗪ/ Oᖇ ᗯᕼᕮᑎ TᕼIS TIᗰᕮ ᗪOᕮS ᑕOᗰᕮ TᕼᗩT I ᖇᕮᗰOᐯᕮ Tᕼᕮ ᒪIᗰIT, I ᗯIᒪᒪ ᑎOTIᖴY YOᑌ ᗩᒪᒪ ᗯITᕼIᑎ Tᕼᕮ OOᑕ. ᗩT TᕼIS STᗩGᕮ ᗯᕮ ᗩᖇᕮ ᗩᑕᑕᕮᑭTIᑎG ᗩᒪᒪ ᕼᑌᗰᗩᑎS ᖴᖇOᗰ ᗩᖇOᑌᑎᗪ Tᕼᕮ ᗯOᖇᒪᗪ- ᒪᕮT YOᑌᖇ IᗰᗩGIᑎᗩTIOᑎS ᑕOᗰᕮ TO ᒪIᖴᕮ, ᗩᑎᗪ ᕼᗩᐯᕮ ᖴᑌᑎ ᗯᕼᕮᑎ ᑕᖇᕮᗩTIᑎG YOᑌᖇ ᑕᕼᗩᖇᗩᑕTᕮᖇS; ᗩᑎᗪ ᗪOᑎ’T ᗷᕮ ᗩᖴᖇᗩIᗪ TO ᕮᑎTᗯIᑎᕮ TᕼᕮIᖇ STOᖇIᕮS ᗯITᕼ Tᕼᕮ STOᖇIᕮS Oᖴ OTᕼᕮᖇS... ᗯITᕼ ᑭᕮᖇᗰISSIOᑎ ᖴᖇOᗰ TᕼᗩT ᖇOᒪᕮᑭᒪᗩYᕮᖇ Oᖴ ᑕOᑌᖇSᕮ.




ᑭᒪᕮᗩSᕮ ᑎOTᕮ: ᗯᕼᕮᑎ IT ᑕOᗰᕮS TO ᑕᕼᗩᖇᗩᑕTᕮᖇ ᗩᑭᑭᕮᗩᖇᗩᑎᑕᕮS; ᑭᒪᕮᗩSᕮ... ᑭᒪᕮᗩSᕮ TᖇY TO ᑌSᕮ ᗩᑕTᑌᗩᒪ ᑭᕮOᑭᒪᕮ ᖴOᖇ YOᑌᖇ ᖴᗩᑕᕮ-ᑕᒪᗩIᗰS, ᗩᑎᗪ ᑎOT ᗪᖇᗩᗯᑎ Oᖇ ᗩᑎIᗰᕮ ᑭIᑕTᑌᖇᕮS- ᗩS YOᑌᖇ Gᗰ, TᕼIS TᕮᑎᗪS TO ᗷᕮ ᗩ ᑭᕮT-ᑭᕮᕮᐯᕮ Oᖴ ᗰIᑎᕮ, ᗩᑎᗪ I ᗯOᑌᒪᗪ ᖇᕮᗩᒪᒪY ᗩᑭᑭᖇᕮᑕIᗩTᕮ IT. ᑭᒪᕮᗩSᕮ ᑭOST ᗩᒪᒪ ᑕOᗰᑭᒪᕮTᕮᗪ ᑕS'S Iᑎ Tᕼᕮ OOᑕ ᖴOᖇ ᑕOᑎSIᗪᕮᖇᗩTIOᑎ, ᗩᑎᗪ Oᑎᑕᕮ TᕼᕮY ᕼᗩᐯᕮ ᗷᕮᕮᑎ ᗩᑕᑕᕮᑭTᕮᗪ, I Sᕼᗩᒪᒪ ᑭᕮᖇSOᑎᗩᒪᒪY ᑭᑌT Tᕼᕮᗰ Iᑎ Tᕼᕮ ᑕᕼᗩᖇᗩᑕTᕮᖇ Tᗩᗷ. Iᑎ ᗩᗪᐯᗩᑎᑕᕮ, I TᕼᗩᑎK YOᑌ ᗩᒪᒪ ᖴOᖇ YOᑌᖇ ᑕO-OᑭᕮᖇᗩTIOᑎ.

⥼ ᑕᕼᗩᖇᗩᑕTᕮᖇ SᕼᕮᕮT ᕮ᙭ᗩᗰᑭᒪᕮ ⥽


Hidden 7 yrs ago Post by MarshiestMallow
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waves at guests and those viewing the page

Hiya!

lets show our interest, shall we?

^.^
Hidden 7 yrs ago 7 yrs ago Post by Voltus_Ventus
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The level of detail in the opening post was absolutely stunning, I'm going to have to go through it again just to pick up details that I might not have in the first reading. I'm a bit rusty at writing but I'm hoping I can take this opportunity to RP in one of my favorite game universes to get back into the swing.

Is it safe to assume our OCs will be heralding from the surface? And if so under what premise do they go to Rapture? How far in the future or past or Rapture will we be RPing? Is it Pre-Jack? Post-Jack? I'm assuming Jack is involved in this since he is in the characters section, so what kind of role does he play, or is that secret?
Hidden 7 yrs ago Post by Vicier
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@Voltus_Ventus; oh my god..!! First of all; thank you so much for saying so..!! You can even ask @Caits, I have been working like non-stop on this OP for over the last week or so, wanting to make it perfect for everyone..!! Your compliment has seriously just made my day; once again, thank you so, so much..!!

You are, indeed, correct in your assumption that our characters will be coming from the surface world into Rapture- much like the first game, this will be done on by them crashing into the ocean during a plane ride from America to England. One of the eight characters will have ties to Andrew Ryan in some way, shape or form, and will be the one who causes the crash landing the group in Rapture; however, no one in the group will know who it is, as this will be kept a secret until the time it comes out. That one person, whoever it may be, will be the only one who willingly goes there (even though they act like they don't), for the others, it will be more of a "wrong place, wrong time, wrong plane" type circumstance.
Hidden 7 yrs ago Post by Voltus_Ventus
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Alright, so what kind of time period will we be exploring? Relative to Jack?

I'm sorry my reply isn't that long, I'm on my phone now!
Hidden 7 yrs ago Post by Vicier
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The level of detail in the opening post was absolutely stunning, I'm going to have to go through it again just to pick up details that I might not have in the first reading. I'm a bit rusty at writing but I'm hoping I can take this opportunity to RP in one of my favorite game universes to get back into the swing.

Is it safe to assume our OCs will be heralding from the surface? And if so under what premise do they go to Rapture? How far in the future or past or Rapture will we be RPing? Is it Pre-Jack? Post-Jack? I'm assuming Jack is involved in this since he is in the characters section, so what kind of role does he play, or is that secret?


Sorry..!! I posted my response as you edited yours, so I only answered two of your questions.

The first two questions have been answered in my previous post, as for the rest, I will do my best to answer in a way that won't confuse you. I have a habit of doing that, heh...

The way that I have set this roleplay in my mind; the roleplay will take place semi in the present- Rapture is stuck in a kind of stand-still place at this point in time; much like (if you are familiar with the references, if not, ask and I shall explain) the Lotas Hotel in the Percy Jackson series, or the Safe Haven's in The Peculiar Children series. Life continues on; though seems to be in its own sort of world- frozen in that one time (the 50's) until someone or something sets it in motion again.

The person to put Rapture back into motion, is Jack.

Our group of characters arrive after Jack; he is wandering around Rapture (at a much slower pace than in the games or there would be no roleplay, loll) under the instruction of Atlas. When our characters arrive, it throws a spanner into the works- they will meet the characters at any given time; help them, refuse them, trust them, etc. All in order to survive Rapture, and find a way up...
Hidden 7 yrs ago Post by Voltus_Ventus
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Well, when you think about it the game wasn't the most realistic, Jack just went through all of it in what must have been two or three days, if you factor in the fact that he would need to sleep, scavenge food and drinking water, recover after engagements with enemies and use the bathroom, he'll be bumbling around for much longer. So is there some kind of hard reset like there is in The Peculiar Children series? Like watching the bomb fall and total the house? Will that be an element in the plot or are you just using it as an analogy for the whole time loop thing?
Hidden 7 yrs ago Post by Mag Lev
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Certainly interesting. I haven't seen a bioshock based roleplay in a long time, let alone one with such detail.
Hidden 7 yrs ago Post by Vicier
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@Voltus_Ventus; I'm sad to say analogy cause I couldn't think of the words "time loop" in all of my explanation, though I will indeed think on that now the idea is planted in my mind o:
Hidden 7 yrs ago Post by Vicier
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@Mag Lev; heheh, I don't like doing things by halves, that's for sure..! Welcome, definitely glad to have your interest ^w^
Hidden 7 yrs ago Post by Voltus_Ventus
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I had this funny scenario just go through my head; Outside the footlight theatre in the welcoming center is a splicer crying over a pram, and when you kill her there is a revolver in the pram. So in my head I have this image of all our characters leaning down to look in the pram and we find eight revolvers, and we're all like, "Well that's convenient."
2x Laugh Laugh
Hidden 7 yrs ago Post by Vicier
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Hahaha; that's so amusing that I might actually have to have that happen just for the hell of it xD
Hidden 7 yrs ago Post by MarshiestMallow
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There... there was a revolver in that pram?

I thought it was just empty...

The crazy stopped me looking... I didn't wanna look in there and see a dead baby!
Hidden 7 yrs ago Post by FantasyChic
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I would very much like to join this. This looks especially tasty :)
Hidden 7 yrs ago Post by Voltus_Ventus
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There... there was a revolver in that pram?

I thought it was just empty...

The crazy stopped me looking... I didn't wanna look in there and see a dead baby!


Yup! To be fair you could have just taken it off her dead body, but my morbid curiosity made me look in the pram.
Hidden 7 yrs ago Post by MarshiestMallow
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@Voltus_Ventus
Ahhh. Well. I didn't look-honestly, I just wanted to get away from the creepy lady who tried to rip my face off XD
Hidden 7 yrs ago Post by Vicier
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Vicier Demigod at heart <3

Member Seen 2 days ago

So... this interest check lit up pretty quickly x'D

Because we already have six people; I shall pop up an OOC, and put my CS up for you guys to work off layout wise if you want :'3
Hidden 7 yrs ago Post by Vicier
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Vicier Demigod at heart <3

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@Caits, @Damo021, @Voltus_Ventus, @Mag Lev, @FantasyChic; well guys... here's the link to the OOC

..welcome to Rapture...
Hidden 7 yrs ago Post by Ulstermann
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Ulstermann My name's Friday

Member Seen 7 yrs ago

Is there still room in this RP? Cause I'd love to join in.
Hidden 7 yrs ago Post by Vicier
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Vicier Demigod at heart <3

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@Ulstermann; of course..! Welcome..! Hop on over to the main thread; I have my character's CS up in the character section for people to use as a guide to the layout :'3
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