Avatar of ClosetMonster
  • Last Seen: 5 yrs ago
  • Old Guild Username: Practicing Optimist
  • Joined: 11 yrs ago
  • Posts: 377 (0.10 / day)
  • VMs: 3
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    1. ClosetMonster 11 yrs ago

Status

Recent Statuses

5 yrs ago
Current "Bother. Isn't there anybody at all?" "Nobody!"
5 yrs ago
Trying on shoes and going for a walkabout - will return to closet when I'm good and ready!
3 likes
6 yrs ago
Fell into the abyss of Closet... digging out from under all of the shoes.
2 likes
8 yrs ago
Time is mine for a full month! :) Yay!!!
1 like

Bio

A long time player, I have been co-writing (aka "role playing") for "ae long tahm". I have a fairly involved career which some years can be nigh all encompassing for months and months at a time. However, I always seem to return for the sheer delight of creating alongside another imaginative individual.

Most Recent Posts

I'm thinking the tree'ish thing is some part of him... soul or otherwise. It was a symbol of him... the small furry thing the "active" part of his soul, hiding deep within himself. it isn't necessary to put real words to it, other than to know that tiny mouse like thing was him and the dark sky and the vastness was what's inside of him (somewhat reminiscent if one meditates - a vastness inside of us).

I guess I'm not sure Marge messed up a ritual either. If it would serve you well to have her create a mess, she can. :) Otherwise, who knows. I'm pretty amenable to however you want to twist the mess I gave you and cook it down into something serviceable. Heh.
Danke for the welcome back and I am so good with continuing this. I MISS Ribsy. ;)
That was confusing. It was from the POV of Marge, Wren/Wren's soul, and the goblin at alternating situations. I can retool the post as my writing brain continues to turn on. :) Hopefully clarify it.

Heh - and yay for plodding. :D
Hi from the dark side of things... I managed to pull myself out of the mire - now I'm free again for a few months. Would you like to continue this game???? I hope? :) Do let me know, because I could totally revive this story.

Or I'd be willing to start something new even to keep you around. I hadn't expected to be gone SOOO long. Free time and my muse died or were murdered over the last months. I shall always attempt to return, however.
Heh - terribly sorry for the LOOOOOOONNNNG post here. I was balancing more than a few scenes at once. You definitely gave me a lot to go off of.

So I'm making an assumption that the light was some kind of sealing of the bond that was starting to be set into place. I hadn't meant to give Wren a flaw like this carrying of some nasty big bad thing, but it sort of demanded when the goblin showed up in my head. :) I'm not sure it can be outted. It may just be a challenge for them if it ever gets loose. Or perhaps Chall's presence in the bond will help push it out. I don't have a set role for it, something "wraith" like or some such, but it needn't be that even. It could be a dead tree of the past or a memory of a battle or something more old and hungry than that.

I don't know how much of a fight Chall gave when the boys grabbed him. They're nice enough boys, but have a complete lack of imagination so I'd not be surprised if one of them got rough with him had he thought to fight. They're accustomed to wrestling calves and sheep. ;) But I figured it'd be silly to assume what happened between the moment they caught him up and when they got him where he was supposed to have gone.

Let me know if anything needs to be changed. :) And I certainly hope it is enough to kick start that muse once more. It's been forced to lay by the wayside far too long. I'm sorry for leaving it alone.

Marge is left. In her leaving, she lingers in the residual warmth remaining in the poultice worked into the skin of his temple, his belly, his feet. Those spaces, throbbing in life, stars of being in a eternity of dark which has grown to fill the bones, the skin, the hair which were his but a short time ago. All around, the winds howl soundlessly and deep underneath the cold ground a small spark hides, trembling.

Wren makes no sound. The roots of the great cedar above shake and tremble, a chill seeping into them even as the great tree stretches for those stars overhead. The tree groans whether from effort or from the strain, and each groan thrums through the slender spine of the hiding soul. It shakes, this mouse like light, curled in on itself with a slender tail tucked over it's trembling nose. If it remains still, quiet, then what roams through its body will not find it. The hunger leaching warmth from Wren, will not finish off its meal.

Oh but it must remain so very still. Barely breathing, its eyes keep watch in the absolute darkness, tiny ears twitching at each silent cry of the great tree under which it is hid.

Marge is gone and her work, slight as it had been, begins to dim. Light and warmth recede as the cedar soaks in every living spark of it in an effort to warm its roots.

The air feels heavy as Marge comes upon the field. She catches at her breast and pants, her eyes wide as she takes in the boy kneeling in the cemter. The magic of the land rises, touches him, swells, and then flares to such brightness that even the untrained eye can see it. Around her, the gathered villagers murmur in confusion, milling about like uncertain sheep. The healer stifles the empathic response of fear and focuses on the boy in the middle of the light.

What had the mason's son wanted? Perry had come to her side, his small hand on her hip a summons. He'd looked up at her as she worked over Wren's quickly cooling body and there was something other about his voice, a second tone under the soft whisper he'd given as she'd been compelled to lean so that he could demand, “Come.”

As she'd straightened once more and looked down at him, the boy had shook and all but burst into tears. He was a young thing, only six summers, and willing herself to leave her friend's side, she'd nodded sharply to him before following him out of town.

The magic is not anything she is accustomed to. Marge holds her breath and watches as the boy manipulates the river of power which underlies their town. Any other time, Marge would have tried to stop such a thing, unwilling to allow a simple court mage to play with the very life's blood of their land. At her side, Perry's small hand holds tightly to her skirts now that the pair of them are there. It is too late, is it not? He's already drawn it out, already begun to shift the power around himself, test it. Strangely enough, there is no taste of wrong in the air, no scent of burning organic matter as often she's come to expect from magic gone wrong. No – the magic twists like a bird in the snare, a fish on a line, but there is nothing cruel in the wind and the hedge-witch breathes in easier.

Wren. She watches as the boy in the field plies the magic about him like a skillful artist and she knows. Here is a powerful touch which can work even with one on the edge of lost. Here is her tonic. She steps forward and the light flares into a brilliant sun – bursts, then closes and the boy screams.

The villagers rear back as a flare, like a fox in a thicket, skates off from the boy and through their legs. Behind it, grass bends under the resultant wind and Marge takes note of the fact that it heads for the village. There is no doubt where it goes to, she knows it. There is something here, more than a tonic in a powerful mage's hand. No – here is far more. Here is magic of a kind her great grand mam would have told tale of as a child.

As the boy has collapsed on the ground, Marge directs Oreth one of Farmer Dogget's older sons. “You, take him to my hut. Quickly, now.” She pauses only long enough to bark, “gently” at the boy before rushing back toward town, toward where the light's passing has burned an afterimage into the air.

Within the healer's hut, the large weaver's body has begun to wither, paled to bone, it lies as quiet as death. From the door, a light flares momentarily, color finds and wreathes about the body, then as if it were a snake, coils around Wren's neck and begins to seek out a crack in the stone of flesh to creep inside. It goes dim, the draw from within the skin of the man wolf-like and hungry.

Were it not for the sudden writhing of green and blue on the man's face, the desperation of the magic calling for its kind, the small figure in the corner by the coal shuttle may not have ever moved. He was accustomed to the healer managing quite well on her own. Besides, it wasn't as if healing were his specialty. Instead, he tended toward cleaning the bins, sweeping the hearth, drinking a bit of ale now and again. Never enough to be a disturbance but enough to be recognized.

But then, the healer thought him a brownie and he is not that. No brownie would be able to thrive with the spare magic fallen in curls on the wooden floors. Brownies do well enough with dust but left over power tends to trip them up and make their skin itch.

No brownie this. Hibble snorts at the idea. If a brownie were here, as they are in the nearby mason's home, it would be squeaking in fear and trying to climb the flue.

Hibble shakes himself and stands. In the corner, he could have been an extension of shadow but standing, he is slender and no larger than a very small child. His knobby knees and pale, round face with too large eyes complete the sense of child likeness. There the similarities end, however.

Hibble is old. His pale skin is parchment thin. Folds of thin flesh hang upon his tender bones and he moves stiffly. Most of his kind do not live so long, dead within the first two centuries. Hibble has lived past the times of many of his own get. Scars mar his neck and one his ears is half gone, but such are the ways of goblins. They are the guards, the guides, and the revenge-beset.

Despite his age, however, he uses no supports to move and his teeth, when he alights upon the table, grimacing at the light, are shiny black and sharp as flint. His luminous eyes watch while the magic both attempts to reach within the dying man and simultaneously free itself from what is inside of the body.

There is nothing the healer can do to save such a one. She had muttered to herself that it did not strike right such a man as the weaver was to be attacked so. But under this one's skin, the goblin has seen the years of travel making pocks and fissures in his spirit, ways in which living away from the land have left him at a disadvantage. It is in one of these cracks that the mage's tender magic settled and pried open.

Or so Hibble had assumed. Now, however, as he leans in closer, careful not to touch, he can see the crack has the signs of medicine. Like a scalpel might remove deadened skin, so is the break. His hedge-witch hasn't such skill, nor do the tainters of magic, so the kirin mage would not have managed such a cut. No, if Hibble can recall such cuts so many ages ago, this was done by something else.

Someone else.

Hibble hisses in frustration. The old ones get blind to how biddable humans are the more ancient they get. They forget the tendency toward self agency which humanity has clung to over the ages. No doubt, the weaver hadn't even noticed the wound and if he had, he'd ignored the directive. Now, instead of filled with the bond, it has become an entrance for a parasite, a spirit long denied.

“Cannae rid ye o'it,” Hibble licks his gums as he roots in a pack at his waist. “Cannae do wot ye'll 'after do ye'self, wot wi't in yer an all.” His eyes glint and the small, blood red beetle from his packet squirms between his forefinger and thumb.

The goblin shows no signs of hurry, even as the magic's struggles begin to weaken. It is a slender thread of ribbon, not a scarf of power as it had been meant to be. Within, the hunger has not been appeased and deeper within, Hibble can sense the tiniest glint of life. Best that the weaver had been born to the land or he may not have known how to hide. Things like this voracious one prefer stone streets and gas lights. Any born in town would have been swallowed at once, leaving nothing behind but a husk.

Squeezing lightly, the goblin reaches to the weaver's eye and draws back a lid. The man's gaze is rolled back into his head and he does not respond. At the soft pressure, the beetle begins to make a high pitched metallic sound of discomfort. To prompt its pain to end, it ejects a drop of foul smelling, clear liquid. The goblin lowers the bug's abdomen until it almost touches the human's eye and there, deposits the drop with a gentle shake.

The liquid spreads and the goblin quickly replaces the beetle into his pack before he slaps a wizened hand upon the man's face. Fingertips as broad as spoons press on the man's cheeks and mouth and one pushes down on that eye. When the body under his touch jerks, a physical response to anything when given a poison such as the beetle is wont to create, the goblin grins and in a gutteral voice, deep as mountain chasms, speaks.

In that cold dark, what remains of Wren, shivers and feels death. The cedar groans, the taproot at its spine shudders and gives. In response, the tiny, furry soul, cries out only once in fear.

Then all is silent. Overhead, the stars are out, yet a ribbon of light runs across the sky like the lights of the north. It is faint and weak as it seeks the tree and twines itself down the blackened trunk. Once there, the magic shoots more quickly now that it has something to grasp, and like a lightening strike, makes its way toward the roots where it spreads so thin as to be almost invisible.

As the earth where the roots are set warm slightly and the small spirit raises its head. It blinks, surprised to find the hollow in which it hides beginning to glow.

Hibble sneers down at where the hunger squirms just behind the right side of the man's face. It is pinned, held captive in the man's cheekbone. The beetle's poison, let in through the soul's windows rather than the door or that foolish crack, has done its work. It is not perfect, no, for even as the hunger begins to settle and still, it remains alive. But it is bound now. Weakened.

The goblin twists at the sound of pounding feet outside the hut and slips into the rafter shadows just as the door opens and three young men enter bearing a kirin in arm. The captive is not senseless, but looks to be terrified, surrounded by three large men who all glower down at him even as they set him upon the floor gently enough.

Soon behind, the goblin's healer charge enters, her face poppy red from exertion. She rushes to where the weaver lies upon the table and grasps his wrist, seeking a heartbeat.

The boys rumble in uncertainty and one of them keeps small eyes fixed on the kirin, his fists clenching and unclenching.

Marge takes in a shuddering breath, then looks to the boy. She is not certain what she ought to have expected, but some response to the flare of light beyond a thready rhythm below his skin. She glances between the weaver on the table and the boy huddled on the floor and with a sound of frustration, reaches out to him, to pull him to his feet and draw him to the table.

“Here now,” she bats at Orten's younger brother who glares at the boy as if he had done something wrong, being born with an affinity to magic. “None of that. G'on all yer.” She jerks her head at them even as she comes to the kirin's side. “And you, you'll fix this.” She gestures to where the weaver lays still and barely breathing upon her kitchen table. “It was you who started it, any how.”
Hey there. It is sheer luck that I got on since I have not been online for almost a month.
I am still alive however it is another two weeks before I will be human. I have only office work at that point and as you well know, paper work is the easier part of any human services job. :)

I shall return. Soon, too!
Hello hello! Welcome! Know that you can't go wrong leaping into the water and flailing about. People will help you orient yourself rather well. (And, I guess, if you really wanted to know, then there's that whole New User's Guide which Kirra referenced, which is in fact, pretty dang cool and helpful even to oldies, let alone newbies.)

Have fun!
BlessedWrath said
I just think it's a little easier to deal with NPCs and how they should be handled when you're in a 1x1, versus a group play.


I completely agree. There are less "cooks in the kitchen" and so one can stretch boundaries which keep RPs healthy more easily.
Short welcome, Lore. :) Got lots of RPs about... hope you find one to your taste.
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