I had the vague inclination to wonder whether Wight's really feel pain, and then a further inclination to steal a glance at the slowly unfolding bag of medical instruments... not, to be sure, that I am an absolute stranger to the art of sharp objects myself – though granted my own skills lie more in the capacity of dissassembly – but still I found a disturbingly pressing image in the back of my mind, of cloaked and sinister figures bearing lascivious smiles as they unveiled instruments of torture before the terrified eyes of watchful captives.
Nestor gives a faintly noncommital grunt at Semyon's first words, allowing the Wight to go to work with as little resistance as possible – though upon mention of 'stinging' the Demonspawn dryly remarks:
“Sting a little, hmm? The whole should... gah!... is on fire as it is...!” Perhaps the feeling is dull to Semyon's undead flesh, but the term 'fire' would appear quite at odds with the strangely chilly state of Nestor's lifesoure – human, or so he claimed – but his otherwise normal blood is not merely tepid, but quite cold to the touch; the majority of it evaporates within moments of being exposed to the sunlight, leaving a thin film of bluish tint on the surface of the Wight's tools. How his skin retains any semblance of warmth at all would appear a complete mystery.
He perks up a bit upon Semyon's return with the flask, taking a measured sip before eying the undead creature (man, thing, it – I still was uncertain what to think of him as; he seemed very much alive for something dead, though that in an of itself was no great miracle – souls have a life of their own, after all... I should know... a greater intrigue as to what held so much rotting flesh and bone together. I'd always thought of wights as nasty, disturbing creatures – lurking in bogs and barrows and graves, waiting to come forth late at night, to drink the blood of children and steal infants from cribs... etc., etc.), eventually remarking – perhaps having noticed his interest with the flask:
“A pretty trick, eh? Care for any? An Islay Single Malt – gotten direct from the source, so to speak... ungodly sums of money for hellishly good spirits; classless, I know – drinking it from a flask – but times are desperate good Sir, desperate indeed” He pauses here, extends the flask toward the wight before offering a wry quirk of his lips and adding: “Tastes a bit like a bog, really – peat and moss and -fire-...” A brief laugh follows, then the words continue once more:
“Ironic, in a sense – we call you a wight now, but in the past to be a Wight meant to be alive and hale – neither dead nor undead... but that's besides the point. The flask! There's a little place in a particularly decrepit shantytown in the purgatory caught just on the border of Hell and something a little ways beyond death... there's a dealer there – drives a hard bargain – I could get you in, mayhap... you're half dead as it is anyway!” Another long look at the wight, lips pursing, thoughts spinning: “But places like that are as unpredictable as they come. Getting in is easy. Getting out sometimes not so much.”
Gradually, Nestor rouses himself from the ground, managing to regain his feet just as the surroundings warp once again, leaving them now before the otherworldly tree. He has just time enough to tuck the flask away again, and take a few steps up behind Semyon, peering toward the thing from over the Wight's shoulder when Max bursts forth onto the scene. (Beautifully absurd, as usual) But whether he were concerned or no of the prospect of hell – or unlife, or death, or whatever lurked on the other side of the gateway coming through – the Demonspawn does not show, rather pursing his lips together, watching the reunited couple for a few lingering moments before remarking quietly – mostly to himself – “And what have the others been up to meantime, I wonder...”