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    1. Mosis Tosis 11 yrs ago

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Hey Volt, is that post an open invitation? Because I want Kosso and Roland to watch Kung Fu movies and drink beer together.
SB post up, since I've got nothing better to do with Kosso right now, and I just had this idea of what Kosso does in his free time.
ACCESSING NETWORK...
ACCESSING PROFILE: Kosso
ENTER PASSWORD: *********
PASSWORD ACCEPTED
LOGGING ON....

ACCESSING EXTRANET
URL: "electrofinds.net"
Welcome to your source for the latest in indie and underground electronic music!
Genre:

--->Electronica
--->Dance
--->Dub&Glitch
---------->Ambient/Trance
--->Classical
Ambient/Trance
--->Music Store
--->Music News
---------->Latest Reviews

ACCESSING REVIEW ARTICLE...

Album Review: The Anatomy of an Imploding Star
Artist: Shades of Green
Publisher: Independent

Track Listing:

1. Between the Void and I
2. Despite All Appearances, his Blood is Probably Black
3. Murderer, Medic
4. Drastic Times and Drastic Companions
5. A Man from Kahje
6. Send the Alliance my Regards
7. Captain, You May be the Best of Us
8. Two Suits, Too many

As anyone that trawls the forums of IndieEl these days can tell you, new ambient/trance artists are a dime a dozen: it seems as though every misguided amateur with a brand new sound program and a rudimentary grasp on ambient rhythms somehow gets corralled into the comments section of that site with a handful of mediocre songs and a heart full of hope...only to have that hope dashed as more experienced forum-goers jump to point out every flaw. One such EP, however, has been making quite the stir on IndieEl within the last week: The Anatomy of an Imploding Star, a surprisingly competent collection of songs by a new and unknown artist, known only by his forum handle "Shades of Green." Since its posting, the EP has gained several thousand downloads, and has since been seen being spread to other ambient/trance forums around the extranet.

Perhaps what has allowed Anatomy to avoid the fate of so many similar first-time projects is its unique concept. According to the author's own (admittedly cryptic) comments, the EP is built on sounds gathered from his environment: A spaceship bursting at the seams with ex-criminals and mercenaries. According to the creater himself-"I'm just a simple man, traveling with a bunch of assorted freaks and fools. Most of them never seem to shut up, so I figured I might as well use their voices for something useful. Most of the album was created using voice clips of various members of the ship's crew, recorded secretly during briefings and conversations and then later touched up and mixed with more traditional ambient elements via the SoundPro v.2.4 program. Enjoy."

A refreshing concept, to be sure, and one that almost immediately shows promise. The opening track, "Between the Void and I," begins with standard, boring ambient fare before opening into a strangely haunting mix of mechanical hums and beats, allegedly gathered directly from the spaceship the artist lives on. That intro, which perfectly encapsulates a feeling of separation and isolation via spaceflight, builds into the decidedly more intricate (though much stranger) "Despite All Appearances, His Blood is Probably Black," which features a recurring background loop of a Salarian muttering about coffee, of all things. The follow-up third track, "Murderer, Medic" fades in with more surprises: bumbling, jumbled syllables spouted by a human male, arranged in a surprisingly catchy undercurrent that speaks more to smooth jazz then it does to traditional trance.

It's easy to see why this EP caught the attention of the underground ambient scene. While the music is competent, it isn't exactly ground-breaking. The addition of voice and other natural noise, all of which sounds genuine, turns what would be lackluster tracks into more intimate and emotional pieces, without sacrificing any of the vast, echoing soundscapes that draw fans to this particular genre. "Send the Alliance my Regards," for example, punctuates its already catchy bass-driven beat with a repeated chorus ("Mako, Wankers!") "sung" by a human female and distorted in such a way that it practically begs to be sung by the listener as well. The arguable highlight of the album, "Two suits, Too many" also capitalizes on the strengths promoted by this concept, featuring a long and intricately woven duet of female Quarian voices, stitched together perfectly into a echoing and somewhat threatening masterpiece.

That's not to say the EP is perfect. "Drastic times and Drastic Companions," certainly has an interesting build-up featuring the beautiful and harsh voice of an Asari, but the decision to include an echoing Vorcha laugh in the background, barely distorted and sounding almost as real as ever, may be enough to turn some faint-hearted listeners away. This reviewer herself had nightmares for days after hearing that track. On the other hand, the two songs that don't play to the strengths of the album's concept by including voice or other ship sounds ("A Man from Kahje" is fairly typical ambient affair with very little to be interested about, while "Captain, You May be the Best of Us," is built off of dialogue made by a VI program, a concept that has been mostly played out by now), tend to drag the experience down, and may affect repeat listens.

Overall, Anatomy is certainly an interesting EP, and as a first-time offering, it's also quite exciting. I'm sure I'm not the only one that wants to see what this new artist may come up with next, assuming he continues making music. It'll be interesting to see whether or not the concept of this album is a crutch to mask amateur music-making skills, or whether "Shades of Green" can come up with something to rival his first release. Either way, this EP is worth at least one listen, and is available for free over on the IndieEl forums. Recommended.

-Fillaria Notin

Rating: 3 stars out of 5

Recommended tracks:
"Murderer, Medic"
"Send the Alliance my Regards"
"Two Suits, Too many"

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Dervish said
I don't think it's a case of people trying to pretend he's a good guy, for much of the stuff you said. He's still a largely immoral, egocentric sister-banging asshole who's done pretty much one redeeming thing in his entire life that he can't even talk about. I think the main issue people have is what I kind of outlined, which is it was just so damn jarring to how him and Cersei are portrayed in the books. Cersei to Jaime is everything and I can't really picture him deliberately being sexually violent towards her, at least not to THAT degree, you know? Just because he's guilty of a list of immoral things longer than my arm doesn't mean it's in his nature to do absolutely everything abhorrent, you know? It's kind of like if suddenly, Sandor Clegane turned around and raped Sansa or Arya. He's a cold blooded killer and a violent, absolutely unlikeable man (well, one of my favorite characters, but if we're speaking from an in-series perspective), but I can't imagine him ever doing anything like that, especially since his brother is the reigning champion of wartime atrocities.


This isn't entirely relevant, but depending on your interpretation of a certain scene in Clash of Kings, Sandor does consider raping Sansa. I think it's interesting that you compare these two characters, since I feel they're more similar than almost any other two characters: both "knights" that disagree with the standard conventions of chivalry and knighthood that exist in Westeros, and only differ in their method of dealing with that issue. Sandor isn't trying to "redeem" himself, so I think that's why a lot of his immoral acts seem to be perfectly in character and "justified." Jaime is trying, at least somewhat, to make himself a better person, but I think at a base level he's just as big of a douche as Sandor (Moreso even), and that was displayed efficiently with the sept scene.

Dervish said
Or if Jon Snow turned around and started bullying Sam Tarly to get the approval of his fellow Brothers. It's not that people are really offended by the act itself, because you kind of have to be used to it/ accept it as a part of the narrative to stick with it this far, it's just that how the scene in question was executed was a huge departure from the book and what people feel is Jaime's character. If they played it out more like the book, I don't think people would nearly mind as much. Keep in mind that a big part of Jaime and Cersei's narrative moving forward is how it becomes more and more clear that Cersei never loved Jaime, at least not to the extent he loved her, and was more or less using him, and him starting to discover that fact and distance himself from her, which becomes quite pivotal later on. He's proven to be entirely devoted to Cersei, and there's been nobody else, something he's pointed out on a few occasions. Just how that scene was executed just felt plain wrong and at odds with the book and blah blah blah, we're going around in circles. :PTL;DR Jaime's a terrible human being, but how that scene played out really didn't seem to reflect the character properly, especially compared to how it played out in the source material. He's capable of a great many crimes he needs to be held accountable for, but what was widely interpreted as a passionate act between two receptive parties who loved each other since birth should have never been portrayed as a cold, violent rape for reasons we've beat to death kind of like what happens later on in this season.


Cersei was Jaime's everything, but just as you said, their relationship at this point is the slow realization by Jaime that Cersei truly is a terrible person, and is just using him. Does it not make sense that, given what we know about Jaime, that once he realized that truth his anger would manifest as violence? I find it quite believable. And what if they had played the scene out just as it was in the books? Honestly, it wouldn't have made any sense. At least in the book she had a reason to reciprocate: it was her reunion with Jaime, and that factored into it pretty heavily. How weird would it be if they actually had enjoyable, consensual sex next to the body of their dead child, in the middle of a church, just because? Though book readers would have probably said "oh hey neat" while watching that scene, I'd bet most show-watchers would've just been like "wtf, why?" That might have been in character for Jaime (who doesn't care about Joff and just wants to get laid), but it would've been way out of character for Cersei, and then we would've been having this discussion from a different perspective.
Tick said
Holy shit. I haven't read this much at once since some (EDIT:) IC (/EDIT) post from Mosis.Okay, I know I'm late on this, but I was stuck at college.Baelish shiz is interesting, much thanks on that. :]Quick note: Yeah, GRR Martin didn't speak badly of the scene beyond his disappointment about the it ended up disturbing, and I think he made an awesome intelligent response, but I wouldn't him to speak badly of the showrunners. Both because they're people (who he knows), and because it's bad business. No one wants to hire someone that actively gives 'em a bad image and poisons everything.I don't know what the fuck is with the rape scene. It came out of no where, seemed wildly out of character, and made just for the sake of TV sensationalism (which is Soap Opera level shit, and the main reason I got pissed). It also seemed to make the whole redemption arc pointless. Sure, he didn't seem a full-on goody two shoes, but this is extreme. And why bother making him have such a huge thing against rape (involving others/himself) if he's gonna rape his lover-sister next to the corpse of his nephew-son? I kinda see the points for it, it makes more sense, but it still reads like a stretch to compensate the scene.I've heard claims it's out of character because Jaime's chivalrous/extremely caring when it regards his sister, and regretted the rape of another female character because he couldn't do anything to stop it (standing right there). Not sure if that's true. The book's thing comes off as a grayish consensual (rape/potentially rape at the start), but it mostly reads like Cersei's bullshitting (or genuinely expressing worry) in fear they get caught, before encouraging Jaime. It didn't seem like she was accepting rape. I know the books often vary in interpretation, but GRR Martin seems to be confirming it wasn't rape in the way the show was.There were of people saying it was supposed to be grayish consensual like the book, and the show just fucked up badly. Tried looking it up and got different results. I'm assuming they mean Graves was talking flat out rape. Not positive., "yes and no" on the question of rape, that Cersei gives in at points and fights at others.In the show, it read as flat out rape, no consensual part at any point.I like the book's thing better, way better. And I don't get why they didn't add Cersei encouraging (or not saying no) Jaime if it was supposed to be consensual at some point. That said, I would accept the new shit if it went somewhere. Otherwise, it was a waste of time on a show that has too little time for its cast.


Calling Jaime "chivalrous" is like calling water "dry." I really think people give him too much credit: When he attempts to kill a child, no one bats an eye. When, in the show, he kills one of his own cousins just for a chance to escape the Northern army, no one seems to think it's out of character. He gets overcome with rage and lust and rapes the primary object of affection in his life, and suddenly people are up in arms. I mean yeah, he's certainly in the middle of a redemption arc, and he's done some fairly decent things recently...but all of those things have to do with Brienne, who he has slowly come to respect. He's a narcissist, just like every other member of the Lannisters; in fact, probably more so than any other of his family members. He's spent his entire life pining after his ideal woman (who is his identical twin...you can't get much more narcissistic than that), only to have that ideal come into contest as he slowly realizes just how disgusting Cersei is as well as having new ideals take root (Brienne, who embodies a woman who is honorable, and more importantly, strong and independent, qualities that Jaime admires). So now Cersei offers little emotional attraction, but he's still physically attracted to her. Hence, rape. He's a dude that's shown time and time again that he has no qualms getting his hands dirty in order to get what he wants, and this doesn't feel that much different.

Again, think it could've been handled better, but I don't think the scene was as outlandish as people think. As much as the audience likes to see him grow and develop as a character (and I'm no exception, he's very fun to watch/read), he's still an asshole.
Dervish said
Now onto Littlefinger. Moar spoilers below.The thing is, you never seem him actually demonstrate any genuine feelings towards Cat.In Game of Thrones, when Cat reaches the capital, he lies to her outright and says that the blade that the assassin used was his that he lost to Tyrion, knowing that she would pursue him and try to hold him accountable for the attempted murder of her son. Her capturing Tyrion and putting him on trial is what started the rift between the Lannisters and the Starks and led to Jaime attacking Ned into the street, which kind of snowballed into the war. Littlefinger knew it was Joffery who hired the assassin, and if he genuinely cared for Cat's feelings, he likely wouldn't have ended up putting her in harm's way. The Lannisters have a reputation for being through in destroying Houses that become their enemies. You don't need to look any further than the Targaryens and the Reynes to see that. After the Red Wedding, Littlefinger isn't moved at all at the death of Catelyn, and it's likely he knew it was going to happen. Even before The RW, he was trying to get Sansa to consider leaving the capital with him to go to the Eyrie. After the Purple Wedding, Ser Dontos delivered Sansa to Littlefinger, and what's going to happen is he's going to make her pose as his illegitimate daughter until the time is right to reveal who she actually is. Since he knows Lysa Arryn is madly in love with him (she even poisoned Jon Arryn for Littlefinger, which as you recall, set off this entire mess), it wasn't hard to get her to agree to marry him. Almost immediately, he fakes affection for Sansa and makes sure he's caught by Lysa's bard kissing Sansa, where the bard rats him out to Lysa, who obviously demands answers and she's never been the most rational person. She threatens to throw Sansa out the Moon Door, which Littlefinger prevents happening and instead murders Lysa that way, telling her something along the lines of "I only ever loved Catelyn." Which I'm pretty sure is a bold-faced lie to be an evil shit since that horrible revelation would be the last thing she ever knew before she died, and it's also likely for Sansa's benefit. He pins the murder on the bard and Sansa remains his only witness, and this is three people Sansa's witnessed Littlefinger kill since she left the capital. She's smart enough NOT to piss him off.So now Littlefinger is the Lord of the Vale with what is believed to be the eldest surviving Stark whom I think he likely intends to marry to give him legitimacy and claim over both the Vale and the North. This would make him one of the most powerful men in status in Westeros. Sansa's nothing more than a tool for him, a very well conditioned tool who spent years being tortured into silent submission by Joffery. It might be one of the few things that's keeping her alive.Also, he's the one who has kept Jeyne Pool in one of his brothels, whom he turns over to the Lannisters to present to the Boltons as Arya Stark to further cement their claim to the North. Not exactly respecting the memory or blood of the woman he claimed to love. Tyrion said it best, he seemed to be the only person who legitimately saw Littlefinger for who he was. "The only person Littlefinger loves is Littlefinger." I can't find exactly where the quote came from, but it's pretty much exactly what he said. Damned if he wasn't right.


You misunderstand me: I don't believe LF has any sort of care for Cat's wellbeing or emotions. You're quite right: "The only person Littlefinger loves is Littlefinger." He doesn't see Cat as a love interest, he sees her as a prize: just another goal on his climb up the ladder to power, just as much in his mind as Harrenhall or the Vale. He has quite literally fought over her before against Brandon, despite possibly knowing she did not reciprocate his feelings. And he did truly have feelings for her (at the very least sexual feelings, though I would assume after their childhood together there were heavy emotional ties as well), as Lysa recounts the night she had sex with him while he was drunk, and he called out Cat's name (of note, it appears LF does not actually recall the specifics of this drunken sexual encounter, and actually believes that it was Cat he was making love to, as he refers to the incident in that way later. This just furthers his motivations to try to win Cat from Brandon, as he believes she loves him, when in fact it was Lysa that holds that "honor").

By the time the books start, LF has changed, but his primary motivations haven't. Brandon had died, Ned has taken his place; doesn't matter. The woman he thought loved him has apparently scorned him for someone stronger, from a better family. The incident sticks with him, motivates him. He's been degraded becasue he's not from a strong family, as well as embarrassed (and if there's anything LF values, it's his pride). So he's motivated to gain more and more power. He knows he can't win through direct fighting, he learned that lesson with Brandon. So he uses his wits, builds a name for himself, works his way higher and higher into the upper echelons of Westeros. And now he's finally putting all of his grand schemes into action, starting(?) with the actual initiation of the GoT conflict by poisoning Jon Arryn and then telling the Starks that the Lannisters did it. This is actually much more important in instigating Lannister v. Stark drama than his business with the dagger, that was just icing on the cake. Why do all this? Because he knows Cat is a "lost cause" and because he has grand plans to use the resulting chaos to further his agendas (which is working quite splendidly, seeing as he is now lord of the Riverlands and *sort-of* the Vale. And hey, he got Sansa on the side, who is said to look a hell of a lot like a young version of her mother. Whether that little "win" was planned or was simply fortuitous is another whole debate.

I think it's kind of a stretch to say that LF planned for Lysa to see him kissing Sansa, which would then...do what? If he wants to kill Lysa (and I think he probably did either way), he could've (and would've) found a much simpler and effective way to do so. He also would have done it a lot later, after he'd already established himself in the Vale. Keep in mind that after Lysa's death, he has a pretty difficult time convincing the lords of the Vale to keep faith with him considering they all view him as a newly-arrived stranger, who might have usurped the weirwood throne (which he did, so they got that one right). For that kiss with Sansa to be planned would make almost no sense; in fact, it nearly ruins his entire plans! If literally anyone else had seen the kiss, he would've been fucked. If he hadn't arrived in time to save Sansa from Lysa, he would've lost his biggest power piece, and he would've been fucked. If he hadn't been able to silence the singer that witnessed the whole thing, he would've been fucked. He's good at thinking on his feet, and he managed to salvage the situation (though it did cause him difficulties later), knowing that he had to eliminate the now-hysterical Lysa who was now a threat to Sansa's safety.

There's no reason to assume that his "only Cat" line is anything but the truth. What does he gain by lying? Just "because he's evil" isn't good enough, and I feel it seriously cheapens the character and his motivations. Lysa is a constant reminder of his childhood, and his own failures. She adores him, but she's just a worse version of CAt to him, and she annoys him incessantly. There's no way we would have been given so much information about his childhood and his relationships with Lysa, Cat and the Starks just for it to add up to "well he just gets his kicks from manipulating people." Those interactions form the motivations of what I feel is one of the most interesting characters in the series, and to sum them all up as inconsequential to who he is today and the actions he's taking is, I feel, somewhat misguided.
Dervish said
If you're the show only crowd, I recommend not reading the following post.I want to address the Jaime/ Cersei scene. He did not rape her in the book, she lightly tried to tell him know in case they were caught but she quickly relented, she even led up to it with some surprising tenderness. From the book, since I have it right here, Page 851 of Storm of Swords:dwarfyou.home." This, clearly, is not the same as what we saw on the show. Yes, he was forceful in the book, but nothing like that. It was passion she was receptive to, just worried about getting caught, nothing more. I'm not saying Jaime's a great man, and he's certainly done some fucked up stuff, like the whole Bran toss and incest thing, but violently raping Cersei? What the shit. You can't even pretend that the book and the show are the same thing with the same personalities for that scene. Hell, from the man himself: http://defamer.gawker.com/george-r-r-martin-distances-himself-from-game-of-thron-1565857941"The "butterfly effect" is presumably in reference to the idea that one small change in the story necessitates later changes, reverberating for the entirety of the television show. Martin is sympathetic to the creative plight of Game of Thrones showrunners David Benioff and D.B. Weiss, who are tasked with translating sprawling fantasy novels into popcorn television, but he essentially lets them live or die on their own decision with regard to this episode's rape scene, making it clear that he was does not recall being consulted (as he sometimes is) on the alteration.His final statement, in which he apologizes for a decision that he did not make, is admirable even. The scene as he wrote it—a brother and sister having public reunion sex beneath the corpse of their son—is disturbing, and would have been sufficiently so on the show. But the so-called "wrong reasons" fall in the lap of Benioff and Weiss, who—in a decision that has yet to be explained—transformed that scene into a rape.Martin has said his piece, and at some point Benioff and Weiss will have to as well."


Spoilers yada yada yada:

Ok this is going to get into some seriously morally grey discussion points, but if Cersei says "no" to his sexual advances (especially if you're like me, and you think she genuinely didn't want to have sex next to the corpse of her dead child, and was just being "tender" as a way to manipulate Jaimie in typical Cersei-fashion to murder his own beloved brother) and he continues anyway, that's pretty rapey. Yes, she eventually reciprocates, but I feel that's fairly irrelevant. He was going to go through with it no matter what (He specifically says he doesn't even hear here requests to stop, he's so horny). Whether or not Cersei's eventual reciprocation makes it "not a rape," (which is in itself a really grey area), he seems pretty committed to the act. Dude's a rapist, or at least was perfectly content with committing a rape.

Now, as for what GRRM says, I think the most important thing to note is that he doesn't actually condemn the scene. He only says "The circumstances were different, and therefore the scene was different," which is pretty much what I said in my first post. In the books, they're both overcome with emotion after seeing each other, and things happen as they happen. In the show, Jaime's been around KL for awhile now, and he hasn't been having a great time. His Kingsguard thinks he's a joke with only one hand, his father has almost literally disowned him, his fights with Bronn are making him suspect that he may never fight competently again (and therefore in his own eyes, be useless), and Cersei, the one person he usually relies on to understand and comfort him, has been exceedingly cold and distant (and has even implied that things may never go back to the way they were). Add on to that the fact that his King/nephew/son is now dead due to what he most likely considers to be his own failings as a Kingsguard, and now Cersei, after being so cold to him, now expects him to murder his own brother (the only person who's even been remotely friendly to him after arriving at the capitol barring Brienne) just because she's being irrational and angry. And it all boils over in anger and disgust, for his own situation, for his failings, for Cersei ("You truly are hateful. Why have the Gods made me love a hateful woman?"), which in turn leads to sexual violence (because even if he's disgusted with Cersei at that moment, she's still the only object of his lust).

Again, this isn't to say the scene couldn't have been better, or could've been changed to make Jaime less despicable. In fact, I think if they had gone with the original emotional tone that was in the book, it would've been more compelling. That being said, the more I think about it the more I see their reasoning, and the more I think it makes sense in the context of the story. I'm actually interested to see where they'll take the Cersei/Jaime relationship from here, as I feel its spinning off in a new but not wholly unbelievable direction.
Dervish said
I don't think he actually does care at all. The man is a sociopath who uses people and discards them the moment they cease to be useful. He played up his "love" for Catelyn because it hides his true motivation, which is obtaining power. His house is one that's poor and of small standing, so if he married a Tully, he could potentially become lord of Riverrun and move up from there. Ned's brother and then Ned himself fucked that up.With his recent raise up to Lord of Harrenhal, he has the standing to marry Lysa Arryn, Cat's sister, and become Lord of the Vale.By "saving" Sansa, he controls what people believe is the only surviving Stark. He intends to leverage that to become Lord of Winterfell.I won't spoil anything, but he's a fucking brilliant schemer who has no problems manipulating people to make things go in his favour. Let's just say he's one of the primary reasons the War of the Five Kings happened and he seems to be the only one reaping the benefits from it.
Also, that last episode pissed me off with the Cersei/ Jaime thing because it completely is out of character for him to do what he did. He didn't do it in the book, and he was disgusted at when it happened to the Targaryen women.

The fuck, HBO.


Disagree, I'm fairly certain he does/did have genuine feelings for Cat (and by extension, Sansa), as events near the end of SoS (and by extension, further on in season 4) will show, as does his specific history with Lysa, Cat, Hoster Tully and Brandon Stark (and to a lesser extent Ned). You're very right that he's a sociopath that is primarily concerned with the aquisition of power through backhanded dealings and treacheries, but I think he's definitely trying to have his cake and eat it too when it comes to Sansa and her potential role in the political maneuverings to come.

Full spoilers below:

Also, while I agree that the show as a tad mishandled for that scene with Jaime, you may want to reread that specific section of the book. Jaime totally rapes her in the book too. She repeatedly tells him no, tells him to stop, tries to push him away, even bangs her fists against his chest, but he just goes ahead all the same. The only main differences between book and show are that a) the show doesn't display how Cersei eventually gets equally "into" the act, and b) the actual circumstances of how Jaime arrives there to initiate sexual contact (in the books, that's the first time they've seen each other for almost a year, each thinking the other might be dead, so there's a bit of a catharsis to their meeting and to their sexual activity). In the show, Jaime's been around KL for weeks, so there is no excitement from a reunion, or the parallel between Cersei losing a son but regaining a lover. I think Jaime's actions are actually pretty constant across books and show, with only the direct circumstances differing. He's still a rapist, and he's still a pretty bad dude, regardless. This is the same person who pushed a child out of a window seemingly without hesitation or remorse; his trip across the riverlands, while the first step towards a longer redemption arc, did not automatically make him a good person.
Voltaire said
And it being an AI, it would naturally try and save itself when the Gov tries to decommission it along with the ship, so it stored portions of itself within the ship's software/hardware and 'played dead' until the ship was reactivated.Not saying we should do this obviously, just that it could be a reason why the ship has an AI if it did, which it doesn't. So ignore my ramblings.:p


I want this. I know it's crazy and kind of stretches the imagination, but damn it, that's what Nova's about. I want a goddamned mission or something where everyone (including Captain) slowly starts to realize that he's not a normal VI, and that the Tyrus is suddenly a big fucking deal that we all need to stay silent about. It doesn't even need to affect all that much outside of like one mission, but it gives the Tyrus and Captain and hell, Nova itself, a lot of fun character. I don't think we should table this discussion.

Also, what's the plan moving forward? Got the collab up, so who wants to get started on our little pickup mission? Are our newbies ready to go? I honestly don't know what the next step of the plan is.

If Kosso is in prison with the rest of Nova, he's the one that handles the smuggling and distribution of cigarettes. He's got experience with that sort of thing. I could see him and Mark being good partners.
Ok well it's probably beyond time that we get this whole distress signal thing rolling. I'd write it myself if I wasn't so busy right now; anyone else care to step up the plate and finish this thing off?
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