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    1. Poet 11 yrs ago

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@AshganYou know in the movies when someone says "I heard something", and the other guys says "It's nothing" and gets ripped to shreds by the killer because he didn't feel the strangeness of the situation? This would be something similar. A 'negative consequence' can simply be passiveness, ignorance, to not take something seriously that will eventually, later go badly. Consequences don't have to be instant.
@AshganThe Soul indicator is for feelings of supernaturalness, even if it is or isn't. You know, people get spooked by anything and everything.
πšƒπ™·π™΄ π™³π™Ύπ™²πšƒπ™Ύπš'πš‚ 𝙾𝙡𝙡𝙸𝙲𝙴, π™½πšˆπ™². πŸΈπŸΉπ™³ π™·π™Ύπš„πš 𝚘𝚏 π™΅πšπ™Έπ™³π™°πšˆ.



β€œπ™Ύπš‘, πšπš˜πš—β€™πš πš πš˜πš›πš›πš’ πšŠπš‹πš˜πšžπš πš’πš, πšπšŽπšπšŽπšŒπšπš’πšŸπšŽ,” πšπš‘πšŽ 𝚐𝚘𝚘𝚍 πšπš˜πšŒπšπš˜πš› πšŠπšœπšœπšžπš›πšŽπš πšπš‘πšŽ πš πš˜πš–πšŠπš— πš πš’πšπš‘ 𝚊 πšœπš–πš’πš›πš”. π™·πšŽ πš‘πšŠπš πš›πšžπš— 𝚘𝚞𝚝 𝚘𝚏 πš–πšŠπšπšŒπš‘πšŽπšœ 𝚊𝚝 πšπš‘πš’πšœ πš™πš˜πš’πš—πš, πšŠπš—πš πš—πšŽπšŽπšπšŽπš 𝚝𝚘 πš•πšŽπšŠπšŸπšŽ πšπš‘πšŽ πš›πš˜πš˜πš– 𝚝𝚘 πš•πš˜πš˜πš” πšπš˜πš› πš–πš˜πš›πšŽ. π™·πšŽ 𝚠𝚊𝚜 πšœπšžπš›πšŽ πšπš‘πšŠπš πšŠπšπš–πš’πš—πš’πšœπšπš›πšŠπšπš’πš˜πš— πšπšžπš›πšπš‘πšŽπš› πšπš˜πš πš— πšπš‘πšŽ πš‘πšŠπš•πš• πš‘πšŠπš 𝚊 πš•πš’πšπš‘πšπšŽπš›, 𝚊𝚝 πš•πšŽπšŠπšœπš. β€œπšƒπš‘πšŽ πšœπšŒπšŽπš—πš πš’πšœ πš–πšŽπšŠπš—πš πšπš˜πš› 𝚒𝚘𝚞 𝚝𝚘 πš›πšŽπš•πšŠπš‘, πšŠπš—πš 𝚝𝚘 πšπšžπš•πš•πš’ πšπš’πš—πš πš’πš˜πšžπš›πšœπšŽπš•πš πš’πš— πšπš‘πšŽ πš–πš’πšπšœπš 𝚘𝚏 πšŠπš•πš• 𝚘𝚏 πš’πš˜πšžπš› πšπš›πš˜πšžπš‹πš•πšŽπšœ,” πšœπšŠπš’πš πš‘πšŽ. πš‚πš˜πš–πšŽ 𝚘𝚏 πšπš‘πšŽ πš™πšŠπšπš’πšŽπš—πš πšŠπš™πš™πšŽπšŠπš›πšŽπš πšŒπš˜πš—πšŒπšŽπš›πš—πšŽπš πšŠπš‹πš˜πšžπš πšπš‘πšŽ πšžπš—πš˜πš›πšπš‘πš˜πšπš˜πš‘ πšœπšŽπšπšžπš™, πš πš‘πš’πš•πšŽ πš˜πšπš‘πšŽπš›πšœ πšœπšŽπšŽπš–πšŽπš 𝚝𝚘 πš™πš•πšŠπš’ πšŠπš•πš˜πš—πš.

πšƒπš‘πšŽ πšπš˜πšŒπšπš˜πš› πšπš’πš πšπšŽπšŽπš• 𝚊 πš‘πš’πš—πš 𝚘𝚏 πš›πšŽπšπš›πšŽπš. πšƒπš‘πš’πšœ 𝚠𝚊𝚜 πš—πš˜πš πšŽπš—πšπš’πš›πšŽπš•πš’ πš πš‘πšŠπš πš‘πšŽ πš πšŠπš—πšπšŽπš 𝚝𝚘 𝚍𝚘 𝚝𝚘. π™±πšžπš πš‘πš’πšœ πš˜πš πš— πšœπšŠπš•πšŸπšŠπšπš’πš˜πš— πš πš˜πšžπš•πš πšŒπš˜πš–πšŽ πšπš›πš˜πš– πš’πš, 𝚜𝚘 πš‘πš˜πš  πšŒπš˜πšžπš•πš πš‘πšŽ πšŽπšŸπšŽπš› πš›πšŽπšœπš’πšœπš? β€œπ™Έβ€™πš•πš• πš‹πšŽ πš›πš’πšπš‘πš πš‹πšŠπšŒπš”,” πš‘πšŽ πšœπšŠπš’πš πšŠπš—πš πšŸπšŠπš—πš’πšœπš‘πšŽπš 𝚘𝚞𝚝 𝚘𝚏 πšπš‘πšŽ πšπš’πš–πš•πš’ πš•πš’πš πš˜πšπšπš’πšŒπšŽ πšŒπš•πšŠπš πš πš’πšπš‘ πš•πš’πšπš‘πšπšŽπš πšŒπšŠπš—πšπš•πšŽπšœ. π™ΏπšŽπš›πš‘πšŠπš™πšœ πšπš‘πšŽ πšπšŽπšπšŽπšŒπšπš’πšŸπšŽ πš πš˜πšžπš•πš πšŒπš˜πš–πšŽ πšπš˜πš› πš‘πš’πš– πš˜πš—πšŽ 𝚍𝚊𝚒. π™ΏπšŽπš›πš‘πšŠπš™πšœ πšπš‘πšŽ πš“πš˜πšžπš›πš—πšŠπš•πš’πšœπš πš πš˜πšžπš•πš πš πš›πš’πšπšŽ 𝚊 πšŒπš‘πšŠπš›πšŠπšŒπšπšŽπš› πšŠπšœπšœπšŠπšœπšœπš’πš—πšŠπšπš’πš˜πš— πš™πš’πšŽπšŒπšŽ. π™ΏπšŽπš›πš‘πšŠπš™πšœ πšπš‘πšŽ πšπš‘πšžπš πš πš˜πšžπš•πš πš‹πšŠπšœπš‘ πš‘πš’πšœ πšœπš”πšžπš•πš• πš’πš—. π™±πšžπš πšπš‘πšŽ β€˜πšπš˜πš˜πšβ€™ πšπš˜πšŒπšπš˜πš› πšπš’πš πš—πš˜πš πšŒπšŠπš›πšŽ. πšƒπš‘πš’πšœ 𝚠𝚊𝚜 πšπš‘πšŽ πš˜πš—πš•πš’ πšŒπš‘πšŠπš—πšŒπšŽ 𝚝𝚘 πšŽπš›πšŠπšœπšŽ πš‘πš’πšœ πš™πšŠπšœπš, πšŠπš—πš πš‘πšŽ 𝚠𝚊𝚜 πš—πš˜πš πšŠπš‹πš˜πšžπš 𝚝𝚘 πš•πšŽπš πš’πš 𝚐𝚘. β€œπšˆπš˜, πš πš‘πšŽπš›πšŽ πšπš‘πšŽ πšπšžπšŒπš” πš’πšœ πš‘πšŽ πšπš˜πš’πš—πš? πšƒπš‘πš’πšœ πš’πšœ πš πšŽπš’πš›πš, πš‘πš˜πš–πšŽπšœ.” π™ΌπšžπšπšπšŽπš›πšŽπš π™Ήπš˜πšŽ.

(π™ΏπšŽπš›πšŒπšŽπš™πšπš’πš˜πš— 𝟺) 𝙰 πšŒπšŽπš›πšπšŠπš’πš— πšπš’πš™πšŽ 𝚘𝚏 πšœπšŠπš•πš-πš‹πšŠπšœπšŽπš 𝚍𝚞𝚜𝚝 πš•πšŠπš’ πšœπšŒπšŠπšπšπšŽπš›πšŽπš πšŠπš•πš• πšŠπš›πš˜πšžπš—πš πšπš‘πšŽ πšπš•πš˜πš˜πš› 𝚘𝚏 πšπš‘πšŽ πš˜πšπšπš’πšŒπšŽ. π™Έπš πš πš˜πšžπš•πš πš‘πšŠπšŸπšŽ πš‹πšŽπšŽπš— πšπš’πšπšπš’πšŒπšžπš•πš 𝚝𝚘 πš—πš˜πšπš’πšŒπšŽ πš˜πš— πšπš‘πšŽ 𝚠𝚊𝚒 πš’πš—, πšŽπšœπš™πšŽπšŒπš’πšŠπš•πš•πš’ πšπš‘πšŽ πš™πšŠπšπšπšŽπš›πš— πš’πš— πš πš‘πš’πšŒπš‘ πš’πš πš‘πšŠπš πš‹πšŽπšŽπš— πšπš’πšœπšπš›πš’πš‹πšžπšπšŽπš. π™ΉπšŠπšπšπšŽπš 𝚎𝚍𝚐𝚎𝚜 𝚘𝚏 πšπš‘πšŽ 𝚍𝚞𝚜𝚝 πš•πšŠπš’ πš™πš˜πš’πš—πšπšŽπš πšπš˜πš πšŠπš›πšπšœ πšπš‘πšŽ πš™πš›πš’πš–πšŽ πš πšŽπšŠπšπš‘πšŽπš› πšπš’πš›πšŽπšŒπšπš’πš˜πš—πšœ πš πš’πšπš‘ 𝚊 πš™πšŽπš›πšŸπšŽπš›πšπšŽπš πšƒπš›πš’πšœπš”πšŽπš•πš’πš˜πš— πšœπš‘πšŠπš™πšŽ πš’πš— πšπš‘πšŽ πš–πš’πšπšπš•πšŽ.

πšƒπš‘πšŽ πšπš’πš–πš–πšŽπš πš•πš’πšπš‘πšπšœ 𝚘𝚏 πšπš‘πšŽ πš˜πšπšπš’πšŒπšŽ πšœπšžπšπšπšŽπš—πš•πš’ πš πšŽπš—πš πšπšŠπš›πš”. πšƒπš‘πšŽ πšŽπš•πšŽπšŒπšπš›πš’πšŒπš’πšπš’ πš’πš— πšπš‘πšŽ πš‹πšžπš’πš•πšπš’πš—πš πšŠπš™πš™πšŽπšŠπš›πšŽπš 𝚝𝚘 πš‘πšŠπšŸπšŽ πš‹πšŽπšŽπš— 𝚌𝚞𝚝, πšŽπš’πšπš‘πšŽπš› πš‹πš’ πšπš‘πšŽ πšœπšπš˜πš›πš– πš˜πš› πšœπš˜πš–πšŽπšπš‘πš’πš—πš πšŽπš•πšœπšŽ. πšƒπš‘πšŽ πšπš˜πšŒπšπš˜πš› 𝚠𝚊𝚜 πš—πš˜πš πš‘πšŽπš›πšŽ 𝚝𝚘 πš‹πšŽ πšœπšŽπšŽπš—, 𝚊𝚜 πš‘πšŽ πš‘πšŠπš πš—πš˜πš 𝚒𝚎𝚝 πš›πšŽπšπšžπš›πš—πšŽπš. πšƒπš‘πšŽ πšœπšŒπšŽπš—πš πšπš›πš˜πš– πšπš‘πšŽ πšŒπšŠπš—πšπš•πšŽπšœ πšπš’πš πš—πš˜πš 𝚊𝚏𝚏𝚎𝚌𝚝 πš‘πšžπš–πšŠπš— πš‹πšŽπš’πš—πš πš’πš— πšŠπš—πš’ πš™πšŠπš›πšπš’πšŒπšžπš•πšŠπš› πšπšŠπšœπš‘πš’πš˜πš—, πš’πš–πš™πš˜πšœπš’πš—πš πš‘πšŠπš•πš•πšžπšŒπš’πš—πš˜πšπšŽπš—πš’πšŒ 𝚎𝚏𝚏𝚎𝚌𝚝𝚜 πš˜πš› πšŠπš—πš’πšπš‘πš’πš—πš 𝚘𝚏 πšπš‘πšŽ πšœπš˜πš›πš. π™±πšžπš πš’πš πšπš’πš πšŠπšπšπš›πšŠπšŒπš πš˜πšπš‘πšŽπš› πšπš‘πš’πš—πšπšœ πšπš‘πšŠπš πšπš˜πšžπš—πš πšπš‘πšŽ πšœπšŒπšŽπš—πš 𝚝𝚘 πš‹πšŽ πšπš’πšœπšπšžπš›πš‹πš’πš—πš.

𝙰 πš•πš˜πšžπš, πš–πšŽπšπšŠπš•πš•πš’πšŒ πš—πš˜πš’πšœπšŽ πšŒπš˜πšžπš•πš πš‹πšŽ πš‘πšŽπšŠπš›πš πšπš›πš˜πš– πšπšžπš›πšπš‘πšŽπš› πšπš˜πš πš— πšπš‘πšŽ πš‘πšŠπš•πš•. π™Έπš πšœπš˜πšžπš—πšπšŽπš 𝚊𝚜 πš’πš πšœπš˜πš–πšŽπšπš‘πš’πš—πš 𝚠𝚊𝚜 πš›πšžπš–πš‹πš•πš’πš—πš πšπš‘πš›πš˜πšžπšπš‘ πšŒπšŠπš‹πš’πš—πšŽπšπšœ πšŠπš—πš πšπšŽπšœπš”πšœ, πšœπšŽπšŠπš›πšŒπš‘πš’πš—πš πšπš˜πš› πšœπš˜πš–πšŽπšπš‘πš’πš—πš. π™ΏπšŽπš›πš‘πšŠπš™πšœ πšπš‘πšŽ πš’πš 𝚠𝚊𝚜 πšπš‘πšŽ πšπš˜πšŒπšπš˜πš›, πšŠπšπšπšŽπš› πšŠπš•πš•, πš‹πšžπš πš’πš πšπšŽπš•πš πš–πšžπšŒπš‘ πš–πš˜πš›πšŽ πšŠπšπšπš›πšŽπšœπšœπš’πšŸπšŽ. (πš‚πš˜πšžπš• 𝟼) πšƒπš‘πšŽ πš™πš›πšŽπšœπšŽπš—πšŒπšŽ 𝚘𝚏 πšπš‘πšŽ πšœπš˜πšžπš—πš πšπšŽπšŽπš•πšœ πšŽπšŽπš›πš’πšŽ. π™Έπš 𝚍𝚘𝚎𝚜 πš—πš˜πš πšπšŽπšŽπš• πššπšžπš’πšπšŽ πš›πš’πšπš‘πš. πš‚πš•πšŠπšπš‘πšŽπš›πš’πš—πš πšŠπš—πš πš™πš’πšŒπš”πš’πš—πš πš—πš˜πš’πšœπšŽπšœ πšŽπšŒπš‘πš˜ πšπš‘πš›πš˜πšžπšπš‘πš˜πšžπš πšπš‘πšŽ πš‘πšŠπš•πš•πšœ, πšœπšŒπš›πšŠπšπšŒπš‘πš’πš—πš πšŠπš—πš πšπš—πšŠπš πš’πš—πš 𝚘𝚏 πš–πšŠπšπšŽπš›πš’πšŠπš•πšœ πšžπšœπšžπšŠπš•πš•πš’ πšπš˜πšžπš—πš πš’πš— πš˜πšπšπš’πšŒπšŽπšœ. (πš†πš’πš•πš•πš™πš˜πš πšŽπš› 𝟹) πšƒπš‘πšŽπšœπšŽ πšœπšπš›πšŠπš—πšπšŽ, πšŠπš πšπšžπš• πš—πš˜πš’πšœπšŽπšœ πš–πšŠπš”πšŽ πš’πš πšπšŽπš–πš™πšπš’πš—πš 𝚝𝚘 πš•πš˜πšœπšŽ πšŒπš˜πš—πšπš›πš˜πš•, 𝚝𝚘 𝚊𝚌𝚝 πš’πš›πš›πšŠπšπš’πš˜πš—πšŠπš•πš•πš’.


Might as well have been. It's funny how you begin to see things once you get into reading and writing this kind of horror.
I saw a man this morning that looked like Dreymund, although of African descent. He wore peculiar fashion and trinkets. He was frantically talking on his oldish cellphone, as if discussing a failed ritual or something. It was quite early in the morning. It was earlier than I usually go to work. I was listening to some Cryo Chamber music, so the scene was very creepy. That's what I like about this kind of horror. It's everywhere.

@Bishop
I will fix that image up today @Bishop.

For everyone's knowledge: I'll be jumping back and forth a little bit between this roleplay and another one that I've started, which gained some traction. But that's also my limit. I'll have these two to GM.
Update: Working on OOC details. Things should be ready this weekend at some point.
@Bishop@DJAtomikaWould you two like photo effects on your character images? The dark, distressed look.
@Dead CruiserThe stats are primarily for myself, as a tool when I need them, rather than the player. It looks very restrictive without the rest of the character sheet. Do stick around for the end product, so that you can see it.

Edit: I'm open to any kind of suggestions.
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