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    1. SystemofEleven 6 yrs ago

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Carver nodded. "My point. She's a pain in the backside, but Carmilla's always going to be on the outside. She'll never get close enough to cause any real trouble with you three. Hell below, I don't think I could get that close. But if you're really bothered about Lock using her to get at you... Convince him it's not worth it?"

She chortled. "Pretty sure there isn't anybody in our age group who hasn't checked him out at least once."

Carver gave a dramatic bow and gesture toward her friend. "Barring the Bitch Queen of Halloween, of course."
Carver snerked. "I think he just picked that one that's the least pushy. She fusses too, she just doesn't try to force it when it won't go."

Her mouth line curled up into an exaggerated smirk. "Plus, if he wanted a vampire with tits, he's only really got two options. Would you rather he shack up with the other one?"
Carver shook her head. "Nah, she's probably strong enough to throw us both off. You'd have to nail it shut to keep her in there."

She finished off the cigarette and tossed it off the gazebo. "Good news though, you won't have to pay to repair the nail holes, because she'll have to replace the entire thing anyway. Call it 'incentive to renovate'. The vampire mansion hasn't been redecorated in what, centuries?"

---

Lillith kissed him back, then pulled his lower lip into her mouth and pierced it with a fang. Once she let it go, she glared down at him and knocked his bracing leg to the side.

"Either stay down, or fight harder. I don't put up with half-assers."
Carver half-reached for what was left of the cigarette. A casual request; she wouldn't push Shock to share anything, even when the trickster was in a good mood.

"Well in that case, I'll distract Lillith. How about garlic at the feet end, and the spray stuff on her pillow? Make her choose which end her head goes at."

---

Lillith grabbed his other wrist and held them both to his sides, then wrestled him down onto his back and hovered over him, grinning evilly.

"Only because you can't stop me," she said over-sweetly.
Carver didn't change her expression.

"How do you get it in there without waking her up and having all of the other vampires come after you?"

The mouse still in her chest cage rattled something around as it explored the contents of her collection.

"Maybe something that smells really bad and is hard to get out, but isn't strong enough to be immediately painful..."

She tilted her head. "What about old lady perfume, or that body spray that mortal teenage boys use too much of?"

---

"Maybe they should." Lillith rolled her eyes. "And if I find out this is both of their preferred forms of foreplay, I'm going to upheave a sarcophagus."

She grabbed his wrist and pinned it to the coffin behind him. "That's our thing."
Carver quickly got comfortable next to Shock, but left enough distance that her friend wouldn't feel crowded. She looked out over the town, saying nothing. If Shock needed to talk, she would. If she wanted to yell at or punch someone, she could. Carver knew Oogie's oldest wouldn't need an explicit invitation to get started, either way. Or if she just wanted to relax and hangout without any drama from various siblings, they could do that, too.

Carver decided to wait it out and leave it up to Shock.

---

Lillith shapeshifted out of bat form and sat down next to him. "You may not have to live with Carmilla, but I do."

She shook her head. "And I never said Shock doesn't deserve her part. Nobody in town believes you three pander to each other. But if your sister wants to fight, then no amount of treading lightly is going to stop her. She'll find an excuse. And even if she didn't Carmilla isn't going to roll over just to keep the peace."

She ran her fingers through his mohawk idly. "Carmilla works hard, too. Arguably, harder than Shock and even harder than you. We're vampires, Lock. We can walk steadily with a stack of books on our heads without even trying. We are physically incapable of tripping down stairs. Finding something that we're good at because we learned how -- rather than just because of our nature -- is difficult enough, let alone taking the time to actually get good. She feels she has a right to be rewarded for the time and effort she put in."

Lilith rolled her eyes. "She could definitely stand to put some more work into her manners, though. You'd think with nine elders constantly drilling us about our place in Halloween Town, she'd at least act like an adult."
Carver used her vines to shoot Barrel a thumbs up. It didn't take her long to scale the ladder and make her exit. She paused on the ladder, glancing around thoughtfully for a moment before heading to the pumpkin patch. When she reached the gate, she unraveled the vines from the metal frames of her limbs, produced a small wrench from a pocket in her cargo pants, and went to work detaching the arms and legs from the torso. Doctor Finklestein had given life to the central cage and the core vines; everything else could be removed, tinkered with, replaced, and reconnected as needed.

Once the limbs were completely detached, the pumpkin-headed creature put the various hardware and the wrench in the pants pocket for safe keeping. She then used a dozen or so sturdy vines to slither near-silently into the field of gourds. She knew just where to go: a small plot by the corner of a little stone wall, where massively deformed pumpkins and rotting jack-o-lanterns from seasons past were left for the scavengers to pick apart.

Carver flopped down at the front of the pile. She lay perfectly still, her face blandly pointed up at a crooked angle like all the other rejects.

It didn't take long before the mice and rats came sniffing. Her head was fresher than most of what else was there, and the mouth hole was just wide enough to squeeze through, providing easier access to the inner flesh than chewing through the tough outer skin, which was required for the deformed pumpkins which had never been carved. Just wide enough to squeeze through, but not more than that.

As soon as two rodents were inside at once, Carver snapped her mouth closed. The rat and mouse squeaked and thrashed desperately as she sat up and dropped them down her throat hole into the bird cage that formed the majority of the frame work for her torso. Satisfied with her catch, she slithered back out of the pumpkin patch and reassembled the rest of her body.

She had a feeling she knew where Shock would be, and these would be her bait to get past the bone serpent.

---

Lillith hung upside down from Lock's tail, watching him. It was hard to tell whether her wings were wrapped around herself in a facsimile of crossing her arms or if that just happened to be the most comfortable position for them.

"I can talk to her again, but I doubt it would really help. The threat of not letting Carmilla sing might be enough to keep her in check during practice, but it's not as if she's the only one being problematic. Shock's been snapping down her neck pretty much since she woke us up this afternoon. I think your sister just wants an excuse to be mean to someone sometimes, and right now, that's Carmilla."
Carmilla harrumphed. "Don't I know it. And Lil, you better make this worth my while, later." She didn't wait for a response before turning into a bat, flying past Lock and out the window. Lillith likewise changed form, but only flew far enough to latch onto her boyfriend's tail. She hung on while he climbed, and gave him a rather less gentle bite as soon as they were out of Barrel's line of sight.

The lop edge of Carver's mouth curled up in a humorous imitation of Dr. Finklestein's trademark sneer. "I said down," she pointed out.

She dusted herself off and headed toward the ladder. "I'm gonna go let Shock bitch in my direction. You can keep playing around with your drums for a while to avoid that, if you like, but I think dinner's gonna be on you later."
Carver nodded with a shrug. "Sure, sounds good. Better than getting called out for 'messing up' every week."

Lillith smiled politely, but there was a slight glint in her eyes that was only tangentially related to the song in question. Carmilla grinned proudly. She knew she wasn't the only reason the song was so good, but she was ecstatic to finally be able to showcase her skill and not be stuck behind Shock the whole time. It also didn't hurt that the tricksters' defacto leader was so pissed about being out of the spotlight for five minutes.

"I really appreciate the opportunity," Carmilla said sweetly. "I'll make sure do it justice!"

The vampires ignored Shock as she left in a huff. When Lock said his goodbyes to some of the girls, Carver looked at him with a slight lift to one side of her brow ridge.

Lillith's smile widened just a bit. "Shall we go then?"

Carmilla pursed her lips. "Date morning, again?"

Her twin smirked. "Have something to say about it?"

There was an internal wrestling match between Carmilla's disapproval of her sister's choice in relationship, and her recognition that she wouldn't be in the band at all -- let alone a sometimes-lead singer -- if not for said relationship. She scowled for a moment, but took a deep breath and sighed. "No... It's fine. I'll cover for you with Father."

"Guess I'll just do a sleepover with Shock and Barrel, then," Carver piped up. "Not like my dad can march down here and yell at me."
Once Shock took control of her brothers, everything quickly settled down and everyone got back to work. Lillith put her nail file away and continued as she had been doing. Carmilla put extra effort into balancing her singing and her playing, as she wanted to stay on Lock's good side. Without any drama to distract [read: entertain] her, Carver decided to see about replacing impossible notes with improvisations that would still sound good in their place, rather than just trying to get as close as she could and end up with something that felt like a sour note. Even Barrel seemed to be mostly on-target; Lock may have been in charge of the band, but his younger brother's chaotic enthusiasm could only really be curbed when he had the fear of Shock in him.

All in all, things went relatively smoothly for the rest of practice.
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