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Poet π™³πšŽπšŠπšπš‘ π™Έπšœ π™Ύπš—πš•πš’ πšƒπš‘πšŽ π™±πšŽπšπš’πš—πš—πš’πš—πš

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πšƒπš‘πšŽ πš•πš’πšŸπšŽπšœ 𝚘𝚏 πšπš‘πšŽπš›πšŠπš™πš’ πš™πšŠπšπš’πšŽπš—πšπšœ πš πš’πšπš‘ πšπšŽπš›πš›πš’πš‹πš•πšŽ πš™πšŠπšœπšπšœ πšŠπš›πšŽ πšπš’πšœπš›πšžπš™πšπšŽπš
πš‹πš’ πšŒπšžπš•πš πšŠπšπšŽπš—πšπšœ πšŠπš—πš πš‘πš˜πš›πš›πš˜πš›πšœ πšπš›πš˜πš– πš‹πšŽπš’πš˜πš—πš πšπš‘πšŽ πšŸπšŽπš’πš• 𝚘𝚏 πšπš‘πšŽ πšπšŠπš•πšœπšŽ πš›πšŽπšŠπš•πš’πšπš’.







π™Όπš˜πšœπš πš™πšŽπš˜πš™πš•πšŽ πšŠπš›πšŽ πšžπš—πšŠπš πšŠπš›πšŽ 𝚘𝚏 πšπš‘πšŽ πšπš›πšžπšπš‘, πš‹πšžπš πš‘πšŠπš›πš‹πš˜πš› 𝚊 πšœπšžπš‹πšŒπš˜πš—πšœπšŒπš’πš˜πšžπšœ πšŒπš˜πš—πšŸπš’πšŒπšπš’πš˜πš— πšπš‘πšŠπš πšœπš˜πš–πšŽπšπš‘πš’πš—πš πš’πšœ πš πš›πš˜πš—πš πš πš’πšπš‘ πšπš‘πšŽ πš πš˜πš›πš•πš. π™Έπš πš’πšœ 𝚊 πš πš˜πš›πš›πš’ πšŠπš—πš πš›πšŽπšœπšπš•πšŽπšœπšœπš—πšŽπšœπšœ πšπš‘πšŠπš πš πš’πš•πš• πš—πš˜πš πšπšŠπš•πšπšŽπš›. πšƒπš˜ πšπšŽπšŠπšπšŽπš— πšπš‘πš’πšœ πšŒπš˜πš•πš•πšŽπšŒπšπš’πšŸπšŽ πš™πšŠπš’πš— πšŠπš—πš πšŒπš˜πš—πšπšžπšœπš’πš˜πš—, πš™πšŽπš˜πš™πš•πšŽ πšπšŽπšœπš™πšŽπš›πšŠπšπšŽπš•πš’ πšœπšŽπšŠπš›πšŒπš‘ πšπš˜πš› 𝚊 πš™πšžπš›πš™πš˜πšœπšŽ. πš‚πš˜πš–πšŽ πšπšŽπšπš’πšŒπšŠπšπšŽ πšπš‘πšŽπš–πšœπšŽπš•πšŸπšŽπšœ 𝚝𝚘 πšπš‘πšŽπš’πš› πš πš˜πš›πš” πšžπš—πšπš’πš• πšœπšπš›πšŽπšœπšœ πšŒπš˜πš—πšœπšžπš–πšŽπšœ πšπš‘πšŽπš–. π™Ύπšπš‘πšŽπš›πšœ πš•πš˜πšœπšŽ πšπš‘πšŽπš–πšœπšŽπš•πšŸπšŽπšœ πš’πš— πšπš›πšžπšπšœ πšŠπš—πš πšπš˜πš›πš—πš’πšŒπšŠπšπš’πš˜πš— 𝚝𝚘 πšπš˜πš›πšπšŽπš πšπš‘πšŽπš’πš› πšŽπš‘πš’πšœπšπšŽπš—πšŒπšŽ. πšƒπš‘πšŽ πš˜πšπšπš’πšπš’πšŽπšœ 𝚘𝚏 πšœπš˜πšŒπš’πšŽπšπš’ πš‹πšŠπšπšπš•πšŽ πšŒπš˜πšπš—πš’πšπš’πšŸπšŽ πšπš’πšœπšœπš˜πš—πšŠπš—πšŒπšŽ πšŠπš—πš πš‹πš˜πš›πšŽπšπš˜πš– πš πš’πšπš‘ πš™πš›πšŽπšœπšŒπš›πš’πš™πšπš’πš˜πš— πšπš›πšžπšπšœ πšŠπš—πš πš™πšœπš’πšŒπš‘πš˜πšπš‘πšŽπš›πšŠπš™πš’, πšŸπš’πšπšŽπš˜ πšπšŠπš–πšŽπšœ πšŠπš—πš πšœπš˜πšŒπš’πšŠπš• πš–πšŽπšπš’πšŠ. πšƒπš‘πšŽ πš’πš—πšπšŽπš›πš—πšŽπš, πšŽπšœπš™πš›πšŽπšœπšœπš˜ πš–πšŠπšŒπš‘πš’πš—πšŽπšœ, πšœπšŽπš•πšπš’πšŽ πšœπšπš’πšŒπš”πšœ, πšŠπš—πš πš˜πšπš‘πšŽπš› πš–πšŠπšπšŽπš›πš’πšŠπš• πšπš‘πš’πš—πšπšœ πš™πš›πš˜πšŸπš’πšπšŽ 𝚊 πšœπšŽπš—πšœπšŽ 𝚘𝚏 πšœπšŽπšŒπšžπš›πš’πšπš’ 𝚝𝚘 πšœπš˜πš–πšŽ. π™Ύπšπš‘πšŽπš›πšœ πš–πšŠπš—πš’πšŒπšŠπš•πš•πš’ 𝚍𝚎𝚟𝚘𝚝𝚎 πšπš‘πšŽπš–πšœπšŽπš•πšŸπšŽπšœ 𝚝𝚘 πš™πš˜πšœπš’πšπš’πšŸπšŽ πšπš‘πš’πš—πš”πš’πš—πš πšŠπš—πš πš‘πšŽπšŠπš•πšπš‘πš’ πšπš’πšŽπšπšœ.

π™°πš•πš• 𝚘𝚏 πšπš‘πš’πšœ πš’πšœ πš™πšŽπš›πšŸπšŽπš›πšœπš’πš˜πš—. πšƒπš‘πšŽπš’ πšŠπš›πšŽ πš—πš˜πšπš‘πš’πš—πš πš‹πšžπš πšπšŽπšŸπš’πšŒπšŽπšœ πš–πšŽπšŠπš—πš 𝚝𝚘 πš‹πš•πš’πš—πš 𝚒𝚘𝚞 πšπš›πš˜πš– πšπš‘πšŽ πšπš›πšžπšπš‘. πšƒπš‘πš˜πšœπšŽ πš πš‘πš˜ πš‘πšŠπšŸπšŽ πšœπšŽπšŽπš— πš‹πšŽπš’πš˜πš—πš πšπš‘πšŽ πšŸπšŽπš’πš• πšπš’πš—πš πšπš‘πšŽπš–πšœπšŽπš•πšŸπšŽπšœ 𝚏𝚊𝚌𝚎 𝚝𝚘 𝚏𝚊𝚌𝚎 πš πš’πšπš‘ 𝚊 πšπš›πšŽπšŠπšπšπšžπš• πš›πšŽπšŠπš•πš’πšπš’. π™Ύπš™πš™πš›πšŽπšœπšœπš’πšŸπšŽ, πšπšŠπš›πš” πš‹πšžπš’πš•πšπš’πš—πšπšœ πšπš˜πš›πš– πš–πšŠπš£πšŽπšœ 𝚘𝚞𝚝 𝚘𝚏 πšŒπš’πšπš’πšŽπšœ, πšπš›πš’πš–πš’ πšœπšπš˜πš—πšŽ πš πšŠπš•πš•πšœ πš‘πš˜πš•πš πš‹πšŠπšŒπš” πš‘πš˜πš™πšŽ πšŠπš—πš πš™πš˜πšœπšœπš’πš‹πš’πš•πš’πšπš’, πšπš˜πš˜πš›πš πšŠπš’πšœ πšŠπš—πš πšœπšπšŠπš’πš›πšœ πš•πšŽπšŠπš 𝚝𝚘 πš•πšŠπš‹πš’πš›πš’πš—πšπš‘πš’πš—πšŽ πš‹πš˜πš›πšπšŽπš› πš πš˜πš›πš•πšπšœ πš πš‘πšŽπš›πšŽπš’πš— πšŽπš•πšπš›πš’πšπšŒπš‘ πš‹πšŽπš’πš—πšπšœ πšπš πšŽπš•πš• πš’πš— πšπš‘πšŽ πšπšŠπš›πš”. π™Όπš˜πšœπš 𝚐𝚘 πš–πšŠπš πš˜πš› πšŒπš˜πš–πš–πš’πš πšœπšžπš’πšŒπš’πšπšŽ πšπš›πš˜πš– πšŽπšŸπšŽπš— πšπš‘πšŽ πšπš’πš—πš’πšŽπšœπš πšπš•πš’πš–πš™πšœπšŽ. πš†πš‘πšŽπš— πš˜πšžπš› πš›πšŽπšŠπš•πš’πšπš’ πšπšŽπšŠπš›πšœ πšŠπš™πšŠπš›πš, πš πš‘πšŽπš— 𝚠𝚎 πš‹πšŽπšπš’πš— 𝚝𝚘 𝚜𝚎𝚎 πš πš‘πšŠπš 𝚠𝚎 πš˜πšπš‘πšŽπš›πš πš’πšœπšŽ πšŒπšŠπš—πš—πš˜πš, πš˜πšžπš› πš—πš’πšπš‘πšπš–πšŠπš›πšŽπšœ πšπšŠπš”πšŽ πš™πš‘πš’πšœπš’πšŒπšŠπš• πšœπš‘πšŠπš™πšŽ πšŠπš—πš πšπš‘πšŽ πšœπš‘πšŠπšπš˜πš πšœ πšœπšπšŠπš›πšŽ πš‹πšŠπšŒπš” 𝚊𝚝 𝚞𝚜. π™·πš˜πš πšŽπšŸπšŽπš›, πšπš‘πšŽπš›πšŽ πšŠπš›πšŽ πšπš‘πš˜πšœπšŽ πš πš‘πš˜ πšœπšžπš›πšŸπš’πšŸπšŽ πšŠπš—πš πš‹πšŽπšπš’πš— 𝚊 πš™πšŠπšπš‘ 𝚘𝚏 πšŠπš πšŠπš”πšŽπš—πš’πš—πš. π™Έπš πš‘πšŠπšœ πš–πšŠπš—πš’ πšπš πš’πšœπšπšœ πšŠπš—πš πšπšžπš›πš—πšœ, πšŠπš—πš πš—πš˜πš—πšŽ 𝚘𝚏 πš’πš πš’πšœ πš πšŽπš•πšŒπš˜πš–πš’πš—πš. πš‚πš˜πš–πšŽ πšŒπš‘πš˜πš˜πšœπšŽ 𝚝𝚘 πšŸπšŽπš—πšπšžπš›πšŽ πšπšžπš›πšπš‘πšŽπš›, 𝚝𝚘 𝚏𝚊𝚌𝚎 πšπš‘πšŽ πš›πš’πšœπš”πšœ πšŠπš—πš πš•πšŽπšŠπš›πš— πš–πš˜πš›πšŽ. π™Ύπšπš‘πšŽπš›πšœ πšŒπš‘πš˜πš˜πšœπšŽ 𝚝𝚘 πšŒπš˜πš πšŽπš› πšŠπš—πš πš‘πš’πšπšŽ.

πšƒπš‘πšŽ πš™πš›πš˜πšπšŠπšπš˜πš—πš’πšœπšπšœ πš πš’πš•πš• πš‹πšŽ πšπš˜πš›πšŒπšŽπš 𝚝𝚘 πšœπšžπšπšπšŽπš—πš•πš’ πšŠπš πšŠπš”πšŽπš— πšπš›πš˜πš– πšπš‘πšŽπš’πš› πšœπš•πšžπš–πš‹πšŽπš›. π™³πšŽπšœπš™πš’πšπšŽ πšŽπšŸπšŽπš›πš’πšπš‘πš’πš—πš πšπš‘πšŽπš’ πšπš‘πš˜πšžπšπš‘πš πšπš‘πšŽπš’ πš”πš—πšŽπš  πšŠπš‹πš˜πšžπš πšπš‘πšŽ πš πš˜πš›πš•πš, πšπš‘πšŽπš’ πš πš’πš•πš• πš›πšŽπšŠπš•πš’πš£πšŽ πšπš‘πšŠπš πšπš‘πšŽπš’πš› πš™πšŽπš›πšŒπšŽπš™πšπš’πš˜πš— 𝚘𝚏 πš•πš’πšπšŽ πš’πšœ 𝚊 πš•πš’πšŽ. πšƒπš‘πšŽ πš›πšŽπšŠπš•πš’πšπš’ πšπš‘πšŠπš πšπš‘πšŽ πš™πš›πš˜πšπšŠπšπš˜πš—πš’πšœπšπšœ πš‘πšŠπšŸπšŽ πšŒπšŠπš›πšŽπšπšžπš•πš•πš’ πšŒπš˜πš—πšœπšπš›πšžπšŒπšπšŽπš πšπš˜πš› πšπš‘πšŽπš–πšœπšŽπš•πšŸπšŽπšœ πš πš’πš•πš• πšπšŠπš•πš• πšŠπš™πšŠπš›πš πš™πš’πšŽπšŒπšŽ πš‹πš’ πš™πš’πšŽπšŒπšŽ, πšŠπš—πš πšπš‘πšŽπš’ πš πš’πš•πš• πš‹πšŽπšπš’πš— 𝚝𝚘 πšπš•πš’πš–πš™πšœπšŽ 𝚊 πšπšŠπš›πš”πšŽπš› πš πš˜πš›πš•πš πšπš‘πš›πš˜πšžπšπš‘ πšπš‘πšŽ πšŒπš›πšŠπšŒπš”πšœ 𝚘𝚏 πšπš‘πšŽ πš–πš˜πš›πšπšŠπš›. πšƒπš‘πšŽ πš’πš•πš•πšžπšœπš’πš˜πš— πš πš’πš•πš• πšπšŽπšŠπš› πšŠπš—πš 𝚊 πšŒπš‘πš˜πš’πšŒπšŽ πš–πšžπšœπš πš‹πšŽ πš–πšŠπšπšŽβ€”πš‹πš›πšŠπšŸπšŽ πš˜πš› πš‘πš’πšπšŽ. π™Ύπš•πš πšœπš’πš—πšœ πš πš’πš•πš• πšŒπšŠπšπšŒπš‘ πšžπš™ πš πš’πšπš‘ πšπš‘πšŽ πš™πš›πš˜πšπšŠπšπš˜πš—πš’πšœπšπšœ. π™²πš‘πš’πš•πšπš‘πš˜πš˜πš πšπšŽπšŠπš›πšœ πš πš’πš•πš• πšœπš πš’πš– 𝚝𝚘 πšπš‘πšŽ πšœπšžπš›πšπšŠπšŒπšŽ πšŠπš—πš πšπšŠπš”πšŽ πš˜πš— πš™πš‘πš’πšœπš’πšŒπšŠπš• πšœπš‘πšŠπš™πšŽ πš’πš— πšπš‘πšŽ πšœπš‘πšŠπšπš˜πš πšœ. πšƒπš‘πšŽ πšπšŽπš›πš›πš˜πš›πšœ πšπš‘πšŠπš πšπš πšŽπš•πš• πšπšŽπšŽπš™ πš πš’πšπš‘πš’πš— πšπš‘πšŽπš’πš› πš‘πšŽπšŠπš›πšπšœ πš πš’πš•πš• πš‹πšŽ πš›πšŽπšŠπš•πš’πš£πšŽπš πšπš‘πš›πš˜πšžπšπš‘ πšπš‘πšŽπš’πš› πšπš›πšŽπšŠπš–πšœ.

πšƒπš‘πšŽ πš™πš›πš˜πšπšŠπšπš˜πš—πš’πšœπšπšœ πš πš’πš•πš• πš‹πšŽ πšπš˜πš›πšŒπšŽπš 𝚝𝚘 πš“πš˜πšžπš›πš—πšŽπš’ πšπš˜πš πš— πš’πš—πšπš˜ πšπš‘πšŽ πšŠπš‹πš’πšœπšœ, 𝚝𝚘 πšπšŠπš”πšŽ 𝚊 πš•πšŽπšŠπš™ 𝚘𝚏 πšπšŠπš’πšπš‘, πšŠπš—πš πš™πšŽπš›πš‘πšŠπš™πšœ πšŽπšŸπšŽπš— πšŒπš›πš˜πšœπšœ πšπš‘πšŽ πšπš‘πš›πšŽπšœπš‘πš˜πš•πš 𝚘𝚏 πšπšŽπšŠπšπš‘ πš’πšπšœπšŽπš•πš. πš‚πš’πšπš—πšœ πšŠπš•πš• πšŠπš›πš˜πšžπš—πš πšπš‘πšŽπš– πš πš’πš•πš• πš‹πšŽπšŒπš˜πš–πšŽ πšŠπš™πš™πšŠπš›πšŽπš—πš. πšƒπš‘πšŽ πš˜πš›πšŠπšŒπš•πšŽπšœ πšŠπš—πš πš™πš›πš˜πš™πš‘πšŽπšπšœ πš‘πšŠπšŸπšŽ πšπš›πš’πšŽπš 𝚝𝚘 πšŒπšŠπšπšŒπš‘ πš˜πšžπš› πšŠπšπšπšŽπš—πšπš’πš˜πš— πš πš’πšπš‘ πšœπšπš›πšŽπšŽπš πšŠπš›πš πšŒπš˜πš—πšπšŠπš’πš—πš’πš—πš πš‘πš’πšπšπšŽπš— πš–πšŽπšŠπš—πš’πš—πš. πšƒπš‘πšŽπš’ πš‘πšŠπšŸπšŽ πšπš›πš’πšŽπš 𝚝𝚘 πš•πšŠπš’ πš’πš πšŠπš•πš• 𝚘𝚞𝚝 πš’πš— πš–πšŠπš—πš’πšŒ, πš›πšŠπš–πš‹πš•πš’πš—πš πšŒπš˜πš—πšœπš™πš’πš›πšŠπšŒπš’ πš‹πš•πš˜πšπšœ. πšƒπš‘πšŽπš’ πš‘πšŠπšŸπšŽ πšπš›πš’πšŽπš 𝚝𝚘 πšπšžπš–πš™ πšŽπš—πšπš•πšŽπšœπšœ 𝚘𝚏 𝚍𝚊𝚝𝚊 πšŠπš—πš πšŽπšŸπš’πšπšŽπš—πšŒπšŽ πš˜πš— πš‘πš’πšπšπšŽπš— πšπš˜πš›πšžπš–πšœ 𝚘𝚏 πšπš‘πšŽ πšπšŠπš›πš” πš πšŽπš‹. πš‚πš˜πš–πšŽ 𝚘𝚏 πšπš‘πšŽπš– πš‘πšŠπšŸπšŽ πšŽπšŸπšŽπš— πšπš›πš’πšŽπš 𝚝𝚘 πšœπš‘πš˜πšžπš πšπš‘πšŽ πšπš›πšžπšπš‘ πš’πš—πšπš˜ πš’πš˜πšžπš› 𝚏𝚊𝚌𝚎 πš˜πš— πšπš‘πšŽ πšœπšπš›πšŽπšŽπš. π™·πš˜πš πšŽπšŸπšŽπš›, πš–πš˜πšœπš πšœπš’πš–πš™πš•πš’ πšπšžπš›πš— πšπš‘πšŽπš’πš› 𝚐𝚊𝚣𝚎 πšπš˜πš πš— πšπš˜πš πšŠπš›πšπšœ πšπš‘πšŽ πšœπš–πšŠπš›πšπš™πš‘πš˜πš—πšŽβ€™πšœ πšŒπš˜πš–πšπš˜πš›πšπš’πš—πš πš•πš’πšπš‘πš πšŠπš—πš 𝚐𝚘 πš˜πš— πš πš’πšπš‘ πšπš‘πšŽπš’πš› πš•πš’πšŸπšŽπšœ 𝚊𝚜 πš’πš πš—πš˜πšπš‘πš’πš—πš πš‘πšŠπš™πš™πšŽπš—πšŽπš.



πšƒπš‘πšŽ πš™πš›πšŽπš–πš’πšœπšŽ πšŒπš˜πš—πšŒπšŽπš›πš—πšœ πšπš‘πšŽ πšŠπš πšŠπš”πšŽπš—πš’πš—πš 𝚘𝚏 πšπš‘πšŽ πš™πš›πš˜πšπšŠπšπš˜πš—πš’πšœπšπšœ. π™΄πšŠπšŒπš‘ πš˜πš—πšŽ 𝚘𝚏 πšπš‘πšŽπš– πš‘πšŠπšŸπšŽ 𝚊 πš™πšŠπšœπš πšπš‘πšŠπš πš‘πšŠπšœ πšœπš‘πšŠπš™πšŽπš πšπš‘πšŽπš– πš’πš—πšπš˜ πš πš‘πš˜ πšπš‘πšŽπš’ πšŠπš›πšŽ 𝚝𝚘𝚍𝚊𝚒. πšƒπš›πšŠπšžπš–πšŠπšπš’πšŒ πšŽπšŸπšŽπš—πšπšœ, πšπšžπšŠπš›πšπšŽπš πšœπšŽπšŒπš›πšŽπšπšœ, πš™πšœπš’πšŒπš‘πš˜πš•πš˜πšπš’πšŒπšŠπš• πšπš›πš˜πšžπš‹πš•πšŽπšœ, πšŠπš—πš πšŽπš—πšŒπš˜πšžπš—πšπšŽπš›πšœ πš πš’πšπš‘ πšπš‘πšŽ πšœπšžπš™πšŽπš›πš—πšŠπšπšžπš›πšŠπš• πš‘πšŠπšœ πš’πš—πšœπšπš’πš•πš•πšŽπš 𝚊 πšœπšžπšœπš™πš’πšŒπš’πš˜πš— πšπš‘πšŠπš πšœπš˜πš–πšŽπšπš‘πš’πš—πš πš’πšœ πš πš›πš˜πš—πš πš πš’πšπš‘ πšπš‘πšŽ πš πš˜πš›πš•πš πšŠπš›πš˜πšžπš—πš πšπš‘πšŽπš–. πš†πš‘πšŠπš πšŒπš˜πš–πšŽπšœ πš—πšŽπš‘πš πš πš’πš•πš• πš‹πšŽ πšπšŽπšŠπš›, πš™πšŠπš’πš—, πšπšžπš’πš•πš, πšŠπš—πš πš–πšŠπšπš—πšŽπšœπšœ. π™·πš˜πš  πš πšŽπš•πš• πšπš‘πšŽπš’ πš‘πšŠπš—πšπš•πšŽ πšπš‘πšŽ πšŒπš˜πš–πš’πš—πš πšŽπšŸπšŽπš—πšπšœ πšŠπš—πš πš‘πšŠπš™πš™πšŽπš—πš’πš—πšπšœ πš’πšœ πšπšŽπšπšŽπš›πš–πš’πš—πšŽπš πš‹πš’ πšπš‘πšŽπš’πš› πš˜πš πš— πšœπšπš›πšŽπš—πšπšπš‘πšœ πšŠπš—πš πš πšŽπšŠπš”πš—πšŽπšœπšœπšŽπšœ, 𝚊𝚜 πš πšŽπš•πš• 𝚊𝚜 πšπš‘πšŽπš’πš› πšŒπš˜πš—πš—πšŽπšŒπšπš’πš˜πš— 𝚝𝚘 πš˜πšπš‘πšŽπš›πšœ.

𝙰 πš™πš›πš˜πšπšŠπšπš˜πš—πš’πšœπš πšœπš‘πš˜πšžπš•πš πš‘πšŠπšŸπšŽ 𝚊 β€˜πšπšŠπš›πš” πšœπšŽπšŒπš›πšŽπšβ€™. πšƒπš‘πšŽπšœπšŽ πšœπšŽπšŒπš›πšŽπšπšœ πšŠπš›πšŽ πš πš’πš—πšπš˜πš πšœ πš’πš—πšπš˜ πšπš›πšŠπšžπš–πšŠπšπš’πšŒ πš˜πš› πš–πš’πšœπšπš’πšŒπšŠπš• πšŽπšŸπšŽπš—πšπšœ πš’πš— πšπš‘πšŽ πš™πš›πš˜πšπšŠπšπš˜πš—πš’πšœπšβ€™πšœ πš™πšŠπšœπš. 𝙰 πšπšŠπš›πš” πšœπšŽπšŒπš›πšŽπš πšœπš‘πš˜πšžπš•πš πš‘πšŠπšŸπšŽ 𝚊 πšŒπš˜πš—πšŒπš›πšŽπšπšŽ πšπš‘πšŽπš–πšŽ πšœπšžπšŒπš‘ 𝚊𝚜 πšπšžπš’πš•πš, πš›πšŽπšŸπšŽπš—πšπšŽ, πšπš•πš’πšπš‘πš, πšœπš˜πš›πš›πš˜πš , πš™πšŠπšœπšœπš’πš˜πš—, πš›πšŽπšπšŽπš–πš™πšπš’πš˜πš—, πš˜πš› πšœπš’πš–πš’πš•πšŠπš›. π™°πš•πš˜πš—πš πš πš’πšπš‘ 𝚊 πš™πš›πš˜πšπšŠπšπš˜πš—πš’πšœπšβ€™πšœ πšπšŠπš›πš” πšœπšŽπšŒπš›πšŽπš πšŒπš˜πš–πšŽπšœ πšŠπšπšŸπšŠπš—πšπšŠπšπšŽπšœ πšŠπš—πš πšπš’πšœπšŠπšπšŸπšŠπš—πšπšŠπšπšŽπšœ. πšƒπš‘πšŽ πš•πšŠπšπšπšŽπš› πšŒπšŠπš— πš‹πšŽ πš™πšŽπš›πšœπš˜πš—πšŠπš• πšπšŠπš’πš•πš’πš—πšπšœ πš˜πš› πš˜πšπš’πš˜πšžπšœ πš™πšŽπš›πšœπš˜πš—πšŠπš•πš’πšπš’ πšπš›πšŠπš’πšπšœ, πšŒπš˜πš—πšπš’πšπš’πš˜πš—πšœ πšŠπšπšπš•πš’πšŒπšπš’πš—πš πšπš‘πšŽ πš™πš›πš˜πšπšŠπšπš˜πš—πš’πšœπš, πš˜πš› πšŽπš‘πšπšŽπš›πš—πšŠπš• πšπš‘πš›πšŽπšŠπšπšœ πšπš›πš˜πš– πš’πš—πšπš’πšŸπš’πšπšžπšŠπš•πšœ, πš’πš—πšœπšπš’πšπšžπšπš’πš˜πš—πšœ, πš˜πš› πšŒπš›πšŽπšŠπšπšžπš›πšŽπšœ 𝚘𝚏 πšπš‘πšŽ πš—πš’πšπš‘πš. π™°πšπšŸπšŠπš—πšπšŠπšπšŽπšœ, πš˜πš— πšπš‘πšŽ πš˜πšπš‘πšŽπš› πš‘πšŠπš—πš, πšŠπš›πšŽ πšœπšπš›πšŽπš—πšπšπš‘πšœ, πš›πšŠπš›πšŽ πšŠπš‹πš’πš•πš’πšπš’πšŽπšœ, πšœπšžπš™πšŽπš›πš—πšŠπšπšžπš›πšŠπš• πš’πš—πšœπš’πšπš‘πš πšŠπš—πš πš™πš˜πš πšŽπš›, πšŠπš—πš πš›πšŽπšœπš˜πšžπš›πšŒπšŽπšœ πšπš‘πšŠπš πšπš‘πšŽ πš™πš›πš˜πšπšŠπšπš˜πš—πš’πšœπš πšŒπšŠπš— 𝚞𝚜𝚎 𝚝𝚘 πšπšŠπš’πš— πšŠπš— 𝚎𝚍𝚐𝚎.

π™΄πšŠπšŒπš‘ πš™πš›πš˜πšπšŠπšπš˜πš—πš’πšœπš πš πš’πš•πš• πš•πš’πšœπš πšπš‘πšŽπš’πš› πšŠπšπšπš›πš’πš‹πšžπšπšŽπšœ. πšƒπš‘πšŽπšœπšŽ πš πš’πš•πš• πšœπš‘πš˜πš  πšŠπšœπš™πšŽπšŒπšπšœ πšœπšžπšŒπš‘ 𝚊𝚜 π™΅πš˜πš›πšπš’πšπšžπšπšŽ, πš†πš’πš•πš•πš™πš˜πš πšŽπš›, π™ΏπšŽπš›πšŒπšŽπš™πšπš’πš˜πš—, π™ΏπšŠπšœπšœπš’πš˜πš—, πš…πš’πš˜πš•πšŽπš—πšŒπšŽ, πšŠπš—πš πš‚πš˜πšžπš•. πš‚πš˜πš–πšŽπšπš’πš–πšŽπšœ, πšŒπšŽπš›πšπšŠπš’πš— πšŽπšŸπšŽπš—πšπšœ πšŠπš—πš πšπš˜πš›πšπšžπš—πšŽπšœ πšŠπš—πš πš–πš’πšœπšπš˜πš›πšπšžπš—πšŽπšœ πšŠπš›πšŽ πšœπš’πš–πš™πš•πš’ 𝚘𝚞𝚝 𝚘𝚏 πš˜πš—πšŽβ€™πšœ πšŒπš˜πš—πšπš›πš˜πš•. πš‚πš˜πš–πšŽ πšŒπšŠπš•πš• πš’πš 𝚏𝚊𝚝𝚎, πš˜πšπš‘πšŽπš›πšœ πšŒπšŠπš•πš• πš’πš πšŽπš—πšπš›πš˜πš™πš’. πš†πš‘πšŠπšπšŽπšŸπšŽπš› πšπš‘πšŽ 𝚌𝚊𝚜𝚎 πš–πš’πšπš‘πš πš‹πšŽ, πš–πšŠπš—πš’ πšœπš’πšπšžπšŠπšπš’πš˜πš—πšœ πš πš’πš•πš• πš‹πšŽ πšπšžπš’πšπšŽπš πš‹πš’ πšπš‘πšŽ πš™πš›πš˜πšπšŠπšπš˜πš—πš’πšœπšβ€™πšœ πšŠπšπšπš›πš’πš‹πšžπšπšŽπšœ. π™Έπš πš’πšœ πš’πš–πš™πš˜πš›πšπšŠπš—πš 𝚝𝚘 πš—πš˜πšπšŽ πšπš‘πšŽ 𝚞𝚜𝚎 𝚘𝚏 πšπš‘πšŽ πš™πš‘πš›πšŠπšœπšŽ β€˜πšπšžπš’πšπšŽπš πš‹πš’β€™. π™°πšπšπš›πš’πš‹πšžπšπšŽπšœ πšŠπš›πšŽ πš—πš˜πš πšŠπš‹πšœπš˜πš•πšžπšπšŽ πš’πš— πšŽπšŸπšŽπš›πš’ πšœπš’πšπšžπšŠπšπš’πš˜πš—.




π™Ύπš—πšŒπšŽ 𝚠𝚎 πš πšŽπš›πšŽ π™Άπš˜πšπšœ, πš‹πšžπš πš—πš˜πš  𝚠𝚎 πšœπšžπšπšπšŽπš› πš’πš— 𝚊 πš™πš›πš’πšœπš˜πš— πšπš˜πš› πš˜πšžπš› πš–πš’πš—πšπšœ πšŠπš—πš πšœπš˜πšžπš•πšœ.
πš†πšŽ πš–πšžπšœπš πš›πšŽπšŒπš•πšŠπš’πš– πš˜πšžπš› πš•πš˜πšœπš π™³πš’πšŸπš’πš—πš’πšπš’.
Hidden 7 yrs ago Post by Rhea
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Interested.
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Hidden 7 yrs ago Post by Bishop
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@PoetCan you please post a CS? I just want to start working on it, even if this doesn't take off.
Thanks in advance!
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Hidden 7 yrs ago 7 yrs ago Post by Ashgan
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This sounds absolutely fantastic. There is a gaping hole in my heart that yearns only for Lovecraft; please help me fill it ;) (And props for linking to Cryo Chamber - they're amazing!)
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Hidden 7 yrs ago Post by Poet
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Poet π™³πšŽπšŠπšπš‘ π™Έπšœ π™Ύπš—πš•πš’ πšƒπš‘πšŽ π™±πšŽπšπš’πš—πš—πš’πš—πš

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@AshganLovecraft is definitely part of the mix here, even if it is mostly based off of Kult. Yes, Cryo Chamber is quite a treat for those who enjoy horror.

@Bishop All of the following may change in the final product.

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@Poet Ca you gain attribute points as the story progresses? Can you make an advantage simply saying "adds x attribute points"? For example, the example you mentioned:"πš’πš—πšŒπš›πšŽπšŠπšœπšŽπš πš™πšŠπš’πš— πš›πšŽπšœπš’πšœπšπšŠπš—πšŒπšŽ", I believe that adds points to Fortitude?

And about the supernatural beings, if my character were to be haunted by one, do I just create it, the name and its appearances or I should run it first by you?
Hidden 7 yrs ago Post by Poet
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Poet π™³πšŽπšŠπšπš‘ π™Έπšœ π™Ύπš—πš•πš’ πšƒπš‘πšŽ π™±πšŽπšπš’πš—πš—πš’πš—πš

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@BishopYou cannot increase the maximum amount of points you spend on attributes, nor will the story offer more. Think of advantages and disadvantages as a layer that carries more weight than attributes, but is not absolute. 'Increased pain resistance' is like armor in addition to your hit points, if one would severely simplify all of this.

Your character can be haunted by 'something'. You can suggest what it is, but if it doesn't fit into the lore I'll change it so it does. Or, lastly, I'll can create this 'something' for you. I will also control the actions of this 'something' in the story.
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Hidden 7 yrs ago Post by Poet
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Poet π™³πšŽπšŠπšπš‘ π™Έπšœ π™Ύπš—πš•πš’ πšƒπš‘πšŽ π™±πšŽπšπš’πš—πš—πš’πš—πš

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@DeadDrop That was fast. I will properly go through character sheets when everything is set. There might also be additional information in the OOC that you want to consider for your character. Are you familiar with the game, Kult, itself?
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@DeadDrop That was fast. I will properly go through character sheets when everything is set. There might also be additional information in the OOC that you want to consider for your character. Are you familiar with the game, Kult, itself?


No, but I can make amendments where required.
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Opposition π•‹π•–π•”π•™π•Ÿπ• π•π• π•˜π•šπ•”π•’π• π•Šπ•šπ•Ÿπ•˜π•¦π•π•’π•£π•šπ•₯π•ͺ

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Wow. This is a super cool idea and I'm definitely interested.
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Hidden 7 yrs ago 7 yrs ago Post by Ashgan
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I just (re-)read some basic information on Kult and I really do see the influence thickly now in your interest check. I had read about it prior but forgot most of it, but there are some cool concepts in there. Metropolis is awesome, and I find the idea of mental balance - that the more "normal" you are, the more chained down by the illusion you are and that becoming extremely noble (or depraved) sets you free - really creative and interesting, because there's no strictly good or bad answer here. When I get home I'll see if I can get my hands on the rule book.

It's early still but I wanted to put out my character concept I will most likely be developing to help inform you and other potential players of what I'm thinking of: I want to create a law enforcer of some kind, police or private I don't know, who has been on the same criminal case for close to a decade now. She's chasing a brutal pedophile but can never catch him, and the occult symbols and ritualistic nature of his crimes paint an all the more disturbing picture of him. Over the years, this man - whose face she has still never seen - has been slowly dragging her down into the dark. Overworked, exhausted and embittered, this obsessed woman still thinks she is just following the trails of someone who is criminally insane. She does not know that he will lead her far beyond the ordinary, into a world where the laws she has sworn to protect are a meaningless and irrelevant concept.
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Hidden 7 yrs ago Post by Poet
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Poet π™³πšŽπšŠπšπš‘ π™Έπšœ π™Ύπš—πš•πš’ πšƒπš‘πšŽ π™±πšŽπšπš’πš—πš—πš’πš—πš

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@DeadDropI was just curious. The concept of the character is good. A character skilled in computers is always useful, especially in this, as a lot information about what they will go through can be found on the dark web. If you personally don't know much about it, do take some time to research.

@AshganParts of what I've written is blatant plagiarism, but I also don't want this to be an actual instance of the game itself, so I'm removing/adding things as I see fit. They're actually doing a reboot of the game now. The new rulebook should be out this year, I believe. I'll definitely pick up a hard copy of it.

That character concept fits the setting perfectly. It's a classic deep dive scenario-link when it comes to grim 'underworlds' of society and occult matters.

Hidden 7 yrs ago Post by DeadDrop
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DeadDrop Good Faith Player

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