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โ ๐๐๐ญ๐ฌ๐ฎ๐ค๐ข ๐๐๐ซ๐๐ง; ไธๆ ่ฏ่ฎ | ๐๐ซ๐๐ญ๐ญ๐ฒ ๐๐ฎ๐ฌ๐ญ๐ข๐๐ โฅ ๐๐ก๐๐ซ๐ซ๐ฒ ๐๐จ๐ง๐ง๐-๐๐จ๐ง๐ง๐ โ |
๐๐๐ซ๐๐ง ๐ข๐ฌ ๐ฒ๐จ๐ฎ๐ซ ๐๐ข๐ฆ๐-๐-๐๐จ๐ณ๐๐ง ๐ฐ๐๐ฌ๐ก๐๐-๐ฎ๐ฉ ๐ฃ๐ฎ๐ง๐ข๐จ๐ซ ๐ข๐๐จ๐ฅ ๐ฌ๐ญ๐๐ซ, ๐ก๐๐ฎ๐ง๐ญ๐๐ ๐๐ง๐ ๐๐๐ฆ๐จ๐ญ๐ข๐ฏ๐๐ญ๐๐ ๐๐ฒ ๐ ๐ฆ๐จ๐ฆ๐๐ง๐ญ ๐จ๐ ๐ก๐๐ซ ๐ซ๐๐๐๐ง๐ญ ๐ฉ๐๐ฌ๐ญ โ ๐ฒ๐จ๐ฎ๐ซ ๐๐ฏ๐๐ซ๐ฒ๐๐๐ฒ ๐ฌ๐๐ฏ๐๐ง๐ญ๐๐๐ง-๐ฒ๐๐๐ซ-๐จ๐ฅ๐ ๐ ๐ข๐ซ๐ฅ. ๐๐ง๐ ๐๐๐ฒ, ๐ ๐ฆ๐ฒ๐ฌ๐ญ๐๐ซ๐ข๐จ๐ฎ๐ฌ ๐๐ซ๐๐๐ญ๐ฎ๐ซ๐ ๐๐ฑ๐ญ๐๐ง๐๐ฌ ๐๐ง ๐จ๐ฅ๐ข๐ฏ๐ ๐๐ซ๐๐ง๐๐ก ๐ญ๐จ ๐ก๐๐ซ: ๐ญ๐ก๐ ๐จ๐๐๐๐ซ ๐จ๐ ๐ ๐ฅ๐ข๐๐๐ญ๐ข๐ฆ๐, ๐ญ๐จ ๐ฌ๐ญ๐๐ง๐ ๐ฎ๐ฉ ๐๐จ๐ซ ๐ฐ๐ก๐๐ญ ๐ฌ๐ก๐ ๐๐๐ฅ๐ข๐๐ฏ๐๐ฌ ๐ข๐ง, ๐๐จ๐ซ ๐ฅ๐ข๐ญ๐ญ๐ฅ๐ ๐ ๐ข๐ซ๐ฅ๐ฌ ๐ฅ๐ข๐ค๐ ๐ก๐๐ซ ๐๐ฅ๐ฅ ๐ญ๐ก๐ซ๐จ๐ฎ๐ ๐ก๐จ๐ฎ๐ญ ๐๐๐ข๐ ๐จ ๐๐ข๐ญ๐ฒ. ๐๐จ๐ฐ ๐ข๐ฌ ๐ญ๐ก๐ ๐ญ๐ข๐ฆ๐ ๐ญ๐จ ๐๐ข๐ ๐ก๐ญ, ๐๐ก๐๐ซ๐ซ๐ฒ ๐๐จ๐ง๐ง๐-๐๐จ๐ง๐ง๐! ๐
๐ข๐ ๐ก๐ญ ๐๐จ๐ซ ๐ฃ๐ฎ๐ฌ๐ญ๐ข๐๐, ๐๐๐ซ๐๐ง! ๐
๐ข๐ ๐ก๐ญ ๐๐จ๐ซ ๐ฉ๐๐๐๐ ๐จ๐ ๐ฆ๐ข๐ง๐!~ * ~โงโงโ
**~ * ~ ~ * ~โงโงโ
**~ * ~
แดแดแดแดแดสแดษดแดแด โ
> Civilian > Costumed ...
with dark tights.แดแดษดแด แดสส๊ฑแดแดส โ
Information interweaving and infinitesimal โ a bite-sized crystal invisible to the human eye. Its power hidden in the datal dimension of
แดแดสแดษด'๊ฑ phone. Her mana crystal, when dormant, is a
.WAV file nestled in the โMusicโ app among an eclectic library: 80โs city and synthpop; acid jazz; math rock from further East; hardcore punk from the West. Activated, the mana crystal runs magic through her headphones to form the
signature headpiece of her magical girl costume; a
walkman-esque device studded fairy kei-style hangs from her waist.
That elusive power presents itself to her, after so long. All she has to do is hit
play. แด ษชสแดแดแด โ
Justice; impartiality, equity, balance,
honor. It means a lot of weighted things to
แดแดสแดษด at this point of her life, many of which she was denied in her โcareer.โ Maybe justice is a response, sheโs thinking โ because if someone commits an injustice, there ought to be a karmic response. Always. Because the world would be less of a mess if people were held accountable for their actions, and she holds to this more than ever with quiet, impassioned resolve.
แดแดษขษชแด โ
Lapins dans la lune .
The Lord Rabbit was sent down from the moon by its goddess to save the people of Earth from a deadly plague. It pounded elixirs with its special mallet. Then, it transformed into a young woman, giving to those in need across the city.
Karen, alias Cherry Bonne-Bonne, has increased vitality, senses, and leg strength benefiting her patron, the 'rabbit in the moon.' A subconscious rhythm thrums in her ears during combat, pacing her attacks if she concentrates, thereby filling some holes in her negligibly combat prowess.
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Side A โ Mirrors summon, hover, where she commands.
โฆ Have a max height of her own, a minimum height of the average hand mirror. โฆ Are physical constructs; they are ostensibly glass with a sharp outer edge. โฆ Can reflect magical attacks though only through active command. |
Side B โ Swaps people, objects, or other entities if they are of similar mass.
โฆ Occurs within line of sight. โฆ Ease of swapping depends on distance away and overall mass. โฆ Position-swapping will be exact so momentum is maintained if its present. |
แดแดสแดษด could have considered herself an ordinary, if talented, teenage girl; a multi-instrumentalist and aspiring songwriter from a low-income family: a much younger brother; a single, busy, working mother scraping together what she could for the both of them. She wanted to make them proud. So she salvaged the courage to perform at a young talent convention โ lost, but won the heart of an onlooking producer who approached her with a lifetime opportunity: a music career.
Once, โ
แดแดสษช๊ฑ" of junior idol troupe,
mi-Amour, appeared on real-life, genuine television before everyone in Kaigo: her mother, her brother, her father somewhere far away. She was on the precipice of her dream; patently the most popular among twenty-something, bright-eyed little girls with her own niche and guitar literacy to boot. From interview to public appearance, there was a patent potential brimming underneath that nervous smile. But it was exactly that they were pimping, too. It took a year or so for Karen to realize what she was enduring so much backstage for was, simply put, a pipe dream. A vacant promise. She was something for her manager to use, for the public to masticate and spit out โ and controversy, they ate it up. The irony of what poor
แดแดสษช๊ฑ, the "cute one", was being made to do, as expounded on in an "anonymous" tip-off to law enforcement, was not lost.
Life For mi-Amour, their documentary, would not enter filming. Their upcoming tour was cancelled. And that was all she wrote.
Of course, nowadays, the Kaigo City idol scene seems impractical with the rise of J-Rock and international acts imported from the West. Just three years later, the talent-scouting series and its fruits,
mi-Amour, have both vanished from popular furor. Any fond remembrance is plastered in hastily-removed remnants on subway cars and amongst the back aisles of seedy convenience stores. Sometimes it seems like
แดแดสแดษด is the only one actively living with the memory. As if she could return to an ordinary life; as if she could focus on grades and other mundanities, or sleep, or pick up a guitar ever, ever, again. Pulled out of school on "medical leave," she has been isolated, tossing, turning, mulling over something in her mind for a long time. About power, mainly, and where it comes from; the Keeper might have been attracted to that. And while
แดแดสแดษด doesn't appreciate them answering the question for her โ "Power come from virtue!" โ she does see something different in
this contract. A purpose. Payoff. Because there are other little girls like
แดแดสษช๊ฑ in Kaigo City, suffering in silence. What they need is an
idol .
แดกแดแดสแด
ษช สแดษดษข ๊ฐแดส สแดแด? / ษช๊ฑ ษชแด แดแด แดแด สแดแด?