7150 words, officially still on track, even a little ahead.
I'm headlong into how the first public reveal of metahumans goes, and laying down the foundations of the familial dysfunction and emotional complexity that this story is going to need. I'm very deliberately making sure that these two aren't orphaned, because that's the lazy way to build some of the narrative structures I'm going to be needing. Characterization at this point is necessarily broad, but the complexity and shading will come along with the narrative.
I wish I'd done more outlining; the way this story is coming together I'm having to do a scene skeleton before each block of writing. Normally I work from broad arc descriptors, but I've also never done this kind of temporal skipping before. Ann Leckie makes this look so easy, hah!