Spiritum Aeternum; or The Ramshackle Monster Hunters

[71342]

I was kind 'o wondering, can we PM you our character's background, skillset and personality instead? I tend to fInd that many Roleplays don't really see character interaction at a realistic level because the writers already know them through the pRofIles?

However, without having them on display might prompt more such posts. Like how in real lIfe we would ask such questions.

[The New Yorker]

I was kind 'o wondering, can we PM you our character's background, skillset and personality instead? I tend to fInd that many Roleplays don't really see character interaction at a realistic level because the writers already know them through the pRofIles?

However, without having them on display might prompt more such posts. Like how in real lIfe we would ask such questions.

@71342

You can send me anything you'd like. Unfortunately, I will have to ask that everyone submit a cs to the character tab once the OOC is created. Once the initial introductions are over and the story is flowing, it's just best to have a key as to the kind of characters we are dealing with. I feel like it aids the writing process, making up for whatever it takes away from immersion with accessibility and familiarity.

[71342]

@The New Yorker That's for sure. I agree that a character profIle is vital, I was just asking If we could hide the things no one would know at fIrst glance except through our PMs to you.

[The New Yorker]

@The New Yorker That's for sure. I agree that a character profIle is vital, I was just asking If we could hide the things no one would know at fIrst glance except through our PMs to you.

@71342

I suppose it's fine as long as it's not anything important.

[71342]

@The New Yorker It's not. My character won't be like walking into the dungeon halfway then turn around and be like I AM THE DRAGOBN!

It's just the background and personality things that he won't say. Human things.

[The New Yorker]

@The New Yorker It's not. My character won't be like walking into the dungeon halfway then turn around and be like I AM THE DRAGOBN!

It's just the background and personality things that he won't say. Human things.

@71342

That's sort of the point. We need to know the things he won't say. Even if it isn't reflected in the conversations you have with others, background and personality traits bleed into everything else. I don't see why you think it's okay for you to omit entire sections of the CS, when others can't. Or, at least, shouldn't.

[71342]

<Snipped quote by 71342>

I don't see why you think it's okay for you to omit entire sections of the CS, when others can't. Or, at least, shouldn't.

@The New Yorker

I had really never only asked foR myself, I was suggesting a concept all could use and I do mean all. How did you ever conclude that I wanted any sort of privilledge at all? There is nothing I've ever said pointing to that. What privilledge would it be anyway? It's a story, not a competitive game. The only advantage would be more options to plot hooks and mystery and that, at least in my opinion, is benefIcial to all. It's not like you won't know either.

It not being shown on a public character sheet doesn't mean it doesn't exist, I don't see how just hiding those things will break the whole game or character like you suggested - it will be pmed and it's things other characters won't readily know. I simply try to avoid the whole "Hey, you're a pagan!“"What¿ no I'm not!“ “You are! I also know you lived in the woods east of here and have two crossbows hidden but no experience with them! I can tell!" While that character has positively no bloody way of knowing that this character is a pagan, except foR his writer reading the other's character profIle.

That or much worse, he doesn't react to appropriately when he sees that christian character drawing a star and circle because to his writer, it's nothing suprising - when it actually is VERY suprising.

But, I don't think I want to continue the dIscussion any further. Your reaction has clarIfIed your take on the matter, at least the second one. Though I'd like to clear your misunderstandings, I might think it prudent to let the matter rest.

It seems like everything single thing about each character will be common knowledge to all then.

[The New Yorker]

I had really never only asked foR myself, I was suggesting a concept all could use and I do mean all. How did you ever conclude that I wanted any sort of privilledge at all? There is nothing I've ever said pointing to that. What privilledge would it be anyway? It's a story, not a competitive game. The only advantage would be more options to plot hooks and mystery and that, at least in my opinion, is benefIcial to all. It's not like you won't know either.

It not being shown on a public character sheet doesn't mean it doesn't exist, I don't see how just hiding those things will break the whole game or character like you suggested - it will be pmed and it's things other characters won't readily know. I simply try to avoid the whole "Hey, you're a pagan!“"What¿ no I'm not!“ “You are! I also know you lived in the woods east of here and have two crossbows hidden but no experience with them! I can tell!" While that character has positively no bloody way of knowing that this character is a pagan, except foR his writer reading the other's character profIle.

But, I don't think I want to continue the dIscussion any further. Your reaction has clarIfIed your take on the matter, at least the second one. Though I'd like to clear your misunderstandings, I might think it prudent to let the matter rest.

It seems like everything single thing about each character will be common knowledge to all then.

@71342

Ok.

---

The OOC is up, along with the set up fo the IC

[SirBeowulf]

<Snipped quote by The New Yorker>

I had really never only asked foR myself, I was suggesting a concept all could use and I do mean all. How did you ever conclude that I wanted any sort of privilledge at all? There is nothing I've ever said pointing to that. What privilledge would it be anyway? It's a story, not a competitive game. The only advantage would be more options to plot hooks and mystery and that, at least in my opinion, is benefIcial to all. It's not like you won't know either.

It not being shown on a public character sheet doesn't mean it doesn't exist, I don't see how just hiding those things will break the whole game or character like you suggested - it will be pmed and it's things other characters won't readily know. I simply try to avoid the whole "Hey, you're a pagan!“"What¿ no I'm not!“ “You are! I also know you lived in the woods east of here and have two crossbows hidden but no experience with them! I can tell!" While that character has positively no bloody way of knowing that this character is a pagan, except foR his writer reading the other's character profIle.

That or much worse, he doesn't react to appropriately when he sees that christian character drawing a star and circle because to his writer, it's nothing suprising - when it actually is VERY suprising.

But, I don't think I want to continue the dIscussion any further. Your reaction has clarIfIed your take on the matter, at least the second one. Though I'd like to clear your misunderstandings, I might think it prudent to let the matter rest.

It seems like everything single thing about each character will be common knowledge to all then.

@71342

Do you mean... metagaming? From my experience, people don't really use knowledge derived from your sheet unless its something like appearance. At least, I've never seen someone go 'I KNOW YOU'RE ACTUALLY A WALRUS IN DISGUISE. I ROLLED A 20."

[71342]

Hah. Well, maybe the experience is something you've yet to meet. But it is there lurking round the corner, be sure of it.

It may be in more trivial ways too, like characters being too trusting or untrusting because their background is as plain as day. The gun holding, shaky drug addict that cusses is somehow the most popular kid at fIrst sight because it's written in his background that he's a Good guy, soMeHow.

Things like that, it might be that I write realistically so I notice these things and there is nothing good that I see bout them. But perhaps there are those who encourage it or really don't care, I don't like it and I don't want to have to tolerate it. It's the lack of depth or the fact that I don't really fInd characters interesting after they are put on dIsplay like that, given I know how they're supposedly going to react in every situation, that I fInd is one of the Reasons character interaction is so ...handicapped in many roleplays.

Having said that and seeing so many 'Likes' to your post, I guess no one would really agree or understand to my logic. I believe that the most I will achieve with the conclusion of this debate is perhaps a moment's ponder on your part, then nothing more.

[The New Yorker]

Bump.

[Danko]

I would definitely be interested in this. I'll get to work on a CS, I'm thinking a nobleman character. Maybe a naval officer of some kind.

[Danko]

Sorry for the double post but I've got a character sheet pretty much put together. This is the first draft so I may revisit certain parts and change it up.

Marco de Meneses

Name: Marco de Meneses

Age: 26

Gender: Male

Birthplace: Ericeira

Religious Affiliation: Catholic, though prone to hedonistic indulgences

Secular Affiliation: Kingdom of Portugal

Level of education: High, Marco had tutors for most of his young life. He was educated in both Lisbon and London.

Social status: Nobleman

Occupation: Infantry captain.

Appearance: Marco is tall, around 6' in height, with black hair and dark eyes. He is clean shaven and tries to present as clean and elegant when possible, however being a soldier by trade he doesn't shy away from getting dirty. He has been lucky that he has no significant visible scars on his body, the only major scar he has is on his upper chest, caused by a musket ball.

Personality: Although noble by birth, Marco is not pompous and do not look down on people from lower social classes. He has spent a lot of time with soldiers under his command and has an affinity for people of the lower classes as well as being able to socialise or deal with those from his own class. Generally, Marco can find common ground with people he meets and tries to deal with people fairly. He is usually fairly affable, if he is crossed or anyone he cares about are in threat he fights ferociously. He is also a lover of pleasure, whether it be drinking with comrades or loving beautiful women, when his duty is done Marco will seek to indulge himself.

Skill set: Marco is a natural leader and leads from the front, he does not ask anyone to do something he would not do himself. He is experienced in combat and battle, having spent his adult life in an army at war. Marco is a skilled swordsman, horse rider and is skilled in using a pistol, he learned these skills both from his upbringing and through life experience. Marco has spent time among the nobility of both Portugal and England and knows how royal courts work and understands the intrigue that is present in any court.

Languages: Portuguese, English, French and some Spanish.

Bio: Marco was born as the third son of Fernando de Meneses, 2nd Count of Ericeira, he was raised in the coastal village until his 6th birthday when he was sent to Lisbon, where his father spent much of his time, in order to be educated. He was taught many of the classic arts as well as practical pursuits such as fencing and horseback riding. Although he was not always a patient student of academia he very much enjoyed his martial education and his father, who was a military man, encouraged him to begin training to join the army.

When he turned 12 he was sent to England to further his education in London, he was fostered by some distant relatives. He was educated at Oxford University for a number of years until his 15th birthday when he was sent back to Lisbon and joined the Portuguese army. He accompanied his father on border skirmishes with the Spanish forces. It was in these skirmishes he learned the trade of a soldier and he knew early on that this was the life that he wanted.

Marco grew quickly among the rough, tough soldiers under his father's command and they all liked him due to his eagerness to join them in battle. When he turned 18 he was allowed his own small command and continued in the border skirmishes where he truly learned the art of leading men in combat. In the following years when larger scale battles became more common, Marco was allowed less freedom as the commands were given to men with better family connections or more experience.

It was not until his relative António Luís de Meneses, 1st Marquis of Marialva, faced the Spanish in the Battle of Ameixial that Marco was again allowed a command of his own. He was given command of a force of Scottish and Irish mercenaries and he led them in the battle. He distinguished himself and impressed any of his fellow officers, both Portuguese and the foreign officers that had been hired. He continued leading a mercenary force for the following campaign and was given a promotion to capitão (captain) shortly before being wounded by a musket ball that struck him in the shoulder. He was sent back to Lisbon and was then moved on to Sintra where his cousin was staying, he took residence there while he recovered. He had almost entirely healed when the dragon appeared and burned the town to the ground; he had managed to escape its wrath by seeking refuge in the castle.

[The New Yorker]

Sorry for the double post but I've got a character sheet pretty much put together. This is the first draft so I may revisit certain parts and change it up.

Marco de Meneses

Name: Marco de Meneses

Age: 26

Gender: Male

Birthplace: Ericeira

Religious Affiliation: Catholic, though prone to hedonistic indulgences

Secular Affiliation: Kingdom of Portugal

Level of education: High, Marco had tutors for most of his young life. He was educated in both Lisbon and London.

Social status: Nobleman

Occupation: Infantry captain.

Appearance: Marco is tall, around 6' in height, with black hair and dark eyes. He is clean shaven and tries to present as clean and elegant when possible, however being a soldier by trade he doesn't shy away from getting dirty. He has been lucky that he has no significant visible scars on his body, the only major scar he has is on his upper chest, caused by a musket ball.

Personality: Although noble by birth, Marco is not pompous and do not look down on people from lower social classes. He has spent a lot of time with soldiers under his command and has an affinity for people of the lower classes as well as being able to socialise or deal with those from his own class. Generally, Marco can find common ground with people he meets and tries to deal with people fairly. He is usually fairly affable, if he is crossed or anyone he cares about are in threat he fights ferociously. He is also a lover of pleasure, whether it be drinking with comrades or loving beautiful women, when his duty is done Marco will seek to indulge himself.

Skill set: Marco is a natural leader and leads from the front, he does not ask anyone to do something he would not do himself. He is experienced in combat and battle, having spent his adult life in an army at war. Marco is a skilled swordsman, horse rider and is skilled in using a pistol, he learned these skills both from his upbringing and through life experience. Marco has spent time among the nobility of both Portugal and England and knows how royal courts work and understands the intrigue that is present in any court.

Languages: Portuguese, English, French and some Spanish.

Bio: Marco was born as the third son of Fernando de Meneses, 2nd Count of Ericeira, he was raised in the coastal village until his 6th birthday when he was sent to Lisbon, where his father spent much of his time, in order to be educated. He was taught many of the classic arts as well as practical pursuits such as fencing and horseback riding. Although he was not always a patient student of academia he very much enjoyed his martial education and his father, who was a military man, encouraged him to begin training to join the army.

When he turned 12 he was sent to England to further his education in London, he was fostered by some distant relatives. He was educated at Oxford University for a number of years until his 15th birthday when he was sent back to Lisbon and joined the Portuguese army. He accompanied his father on border skirmishes with the Spanish forces. It was in these skirmishes he learned the trade of a soldier and he knew early on that this was the life that he wanted.

Marco grew quickly among the rough, tough soldiers under his father's command and they all liked him due to his eagerness to join them in battle. When he turned 18 he was allowed his own small command and continued in the border skirmishes where he truly learned the art of leading men in combat. In the following years when larger scale battles became more common, Marco was allowed less freedom as the commands were given to men with better family connections or more experience.

It was not until his relative António Luís de Meneses, 1st Marquis of Marialva, faced the Spanish in the Battle of Ameixial that Marco was again allowed a command of his own. He was given command of a force of Scottish and Irish mercenaries and he led them in the battle. He distinguished himself and impressed any of his fellow officers, both Portuguese and the foreign officers that had been hired. He continued leading a mercenary force for the following campaign and was given a promotion to capitão (captain) shortly before being wounded by a musket ball that struck him in the shoulder. He was sent back to Lisbon and was then moved on to Sintra where his cousin was staying, he took residence there while he recovered. He had almost entirely healed when the dragon appeared and burned the town to the ground; he had managed to escape its wrath by seeking refuge in the castle.

@Danko

Please post this in the OOC. And thank you for your thoughtful application.