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    1. Earnest Evans 10 yrs ago

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Chapter 2: The Reunion


The generally-accepted term for a grouping of witches is referred to as, contrary to the populace's belief that beings of immense magical power enjoy each other's company, a conflict. True to the implications of this name, this conflict of witches was brewing up a tempest in a teapot.

Conflicts generally don't reveal themselves in their immediate area. Previously, an analogy was drawn to the eye of a hurricane, and it still remains appropriate. Witches are notorious for their ability to effect calamities, but their effective range is inversely proportionate to the number of witches in their conflict. In most cases, the best power-to-range ratio for a conflict is three, hence the widespread fables of the three-witch coven and the ever-present Rule of Three. Right now, this conflict had nine witches in it. The room--except for a small portion of land approximately two yards of the conflict, taking into account ambient temperature changes and other environmental conditions--teemed with raw magic, the old kind of magic that people like to spell with 'y's and 'k's. Much like a riptide waiting just below the surface of a beautiful lagoon, it was wholly imperceptible beyond inflicting a general sense of foreboding that tickled the hindbrain like a thread of gossamer on the wind.




Abdul cheerily argued with the rest of the conflict. He didn't understand a word they were saying, and neither did they, but that wasn't the point of arguing. If you didn't ignore your partner, why bother starting an argument with them? Though each witch maintained a cheerful smile and a pleasant demeanor, determining their actual mood would be impossible to anyone but a veteran witch. Prohibited from demonstrating their powers by those few people strong enough to stop them, witches promptly shifted their focus to a new target: their opponents' social standing. Bitter rumors and hissed conversations would follow this party for years to come, and would shape the state of Floor Thirteen forever.

Abdul was a champion conversation-haver, and could soundly argue with the conflict without even paying attention. It's easy to infuriate a witch, and Abdul knew exactly how to do it and, most importantly, survive. Bored already with the ever-changing realpolitik of witchcraft, Abdul let his eyes wander.

The room was smattered with people of marginal interest. Fine young men and women, each with their own stories that were of no consequence for Abdul. He'd be glad to hold a conversation with them, but unless they had any business to conduct, he wouldn't have much else to do with them. None of these people looked like fans of any of his works, much less capable of holding a conversation on the merits and personalities of the Ousted Beings of the Ninth Plane.

However, one being stood out in particular. Events like these held dozens of Glamored monsters. Trolls, ghouls, ghuls, and demons of all sorts. Most of them were either antisocial thugs or genuinely regretful people. This person, however... This shabby-looking fellow in the middle of a formal event. This man who brings his own alcohol to a party that includes a complimentary bar. This Boogeyman...

He was also an antisocial thug. As a matter of fact, he was probably the worst possible example of a Fabletownie in this room. However, Abdul very dimly recognized him.

Abdul was, despite his haggard appearance, quite astute for his time. A Glamor can cover up a lot of someone's true form, but it can't cover up anything. Their smell, the way they hold themselves, their eyes, all of them can be handily cross-referenced to the original. Abdul had been around for quite a long time, and knew quite a number of the world's spooks and monsters. The Boogeyman was no exception.




Grinning widely and toothlessly, Abdul broke away from the conflict and made his way over to Boogie. Old people have an amazing knack for crossing areas without actually moving into them, and the sight of Abdul inexplicably appearing next to Boogie would boggle the mind of anyone not familiar with this principle. Abdul placed a shaky claw on Boogie's shoulder, looked him straight in the eye, and cackled breathlessly.

"Hoi, I know you!" wheezed Abdul, a mad glint shining in his eyes. "How've you been, Bogey? You look like you've let yerself go!"
Actually, it's probably the same reason for Guan Yu's being here. That was a pretty stupid question of mine.
So... why is Sun Wukong in New York? He's already achieved Buddhahood, and has a place in the celestial bureacracy. If the bureaucracy had been dismantled by The Adversary, wouldn't he be a better fit in China?
That's quite unfortunate, then. I thought I could have convinced you not to be a racist doing this. I'll still look into the RP, it's just that I'm rather disappointed in your refusal to understand the dangers of throwing away an entire culture because you wanted to run a Baccano game.
Dude, calm down. I was in no manner trying to be racist. I'm not a history nut. I chose Japan as a setting because I thought it would be interesting and both of the settings of the anime I was inspired by were in Japan. Just because I don't know much about its history doesn't mean I can't make a roleplay situated in it.

I don't want to argue about logic in something that supposed to be fun for me and everyone else. Like I said, if you don't like the basis of the interest check, please click the back button and leave. Not to mention I'm not necessarily in the mood to be arguing, either, and I don't want to make enemies.


You don't have to be deliberately or consciously racist to be one, you know. You're erasing a rich and diverse culture purely to insert your own one, in a place where it has no reason to exist. It would be less insensitive if you made this RP about either the European mafia in Europe or the Japanese Yakuza in Japan, because that way the characters involved would not only logically fit in, but you wouldn't have to forcibly and clumsily insert foreign ideals and names into them.

I'm genuinely interested in this RP, it's just that I think you're being very problematic here, and would prefer if you subtly shifted the setting to something not only more logical, but more understanding of the cultures in play here.
There's a big difference between realism and deliberate historical revisionism. Not even the "heretical" Dutch had any interaction at all with the Japanese beyond trade, let alone coming en masse and starting a massive crime family. Including the existence of a European (or, indeed, non-Japanese) family in Japan dating back from before the 50s basically requires erasing a significant portion of Japan's history, and that's extremely problematic. Unless you're willing to incorporate this foreigner-friendly Japan's history into your setting, you're very clearly expressing your unwillingness to use Japan as anything but a condiment to the story you want to tell, which is extremely racist.

The fact that you're unironically using "oriental" definitely implies that you've got some racist feelings you're showing through here. The word oriental comes straight from old, European, and above all else horribly racist usage, describing anyone from Eastern Asia, regardless of their culture or race. It's akin to calling a Native American an Indian. If you're going to set something in Asia, at least be courteous enough to refer to the inhabitants correctly and learn their history.
Yeah, that's really weird. If the RP is about European families that have been around for ages, why have them be from Japan? Just because it's inspired by anime doesn't mean it has to be set in Japan.
Does this include or exclude Archangel89? It'd be kind of a dick move to keep him out right now.
The big question here is "why would the Monkey King be cowering from the Adversary in Fabletown"? Fabletown is basically a mix between a refugee camp and a ghetto, so a headstrong godly warrior like Sun Wukong being there would be like Ajax cowering in his tent when Agamemnon came round to recruit him.
Bright Elementary School


The storm of bloody droplets rang out across the quadrangle, going wide and covering a large amount of area with a miniscule amount of paradoxically-sharp droplets of blood. As it turns out, it takes a lot more than a few dozen liters of liquid to cover the span of a city block in precipitation. The end result was a short, sharp shower of needles scattered across a mostly-uninhabited expanse of concrete. A number of hits were scored, to some effect.

One of the officers suffered an extremely-painful injury from a droplet falling through his shoulder. A cop car's chassis and front seat was imperceptibly damaged, and would annoy the driver for weeks to come. Far off on the other end of the quadrangle, an eleven-year-old child was skewered from crown to groin by a droplet, and immediately went into shock, to the horror of her classmates.




Thoroughly nonplussed, Kenji watched as Yukoshi fled the area. Hundreds of witnesses, from policemen to students to SDF soldiers, had seen what she did, what she looks like, and what direction she was headed towards. Now that they had several confirmed murders instead of a number of assaults on police officers, they had all the justification needed to assault Yukoshi and her extreme burden. How they would respond was currently unknown, but one thing was certain: it would not be pleasant for anybody.

The police, apparently occupied by the sight of this unbelievable murderer attempting to make an escape, rushed into their cars and started them up. Sirens blaring and engines roaring, the police were off on hot pursuit, leaving only six officers, a firetruck, and two ambulances hastily offloading stretchers and paramedics.

When the sound of the stricken eleven-year-old reached Kenji, he reacted quickly. He gripped Hachirou by the shoulder, and teleported into the of the quadrangle. Taking care not to step on the dessicated corpses of the innocent police officers Yukoshi and her cohort had so blithely murdered, he took his hand off Hachirou and calmly jogged over to the group of children and teachers.

Kenji spoke slowly, calmly, and loudly. He hadn't had much time to recover from seeing Yukoshi and Friend's pitiless slaughter and the destruction of the Stock Exchange, but, as a Yakuza, he was fully prepared to put on a brave facade. Kenji smiled nervously, and did his level best to block the view of Sakura's unabashed butchery from the children present.

"Please come with me, everyone-- it should be safe now. The terrorists have fled. Hachirou and I have come to help you all out!"
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