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The following excerpt is from an editorial following the passing of Michael Smith, better known as 'The Atomic Eagle', by Mitch Frank in The Pacific Gazette, published May 3rd, 1982

The Question of Powers

The Vietnam Era was a time of political upheavel, that's indesputible. For the first time, the average American saw the brutality of war in full color right on their TV screen; gone were these star-spangled notions of Uncle Same waving the red white and blue. The last war truly fought on American soil was between the blue and gray, so when a young college student sees a blood-splattered Vietnamese corpse on Walter Cronkite, it comes as a shock. I remember being a part of that zeitgeist myself; when Tom Marin was drafted, put on the front lines, and then put in some Vietnamese prison camp, it was no less than tyranny to a Mission Hills kid like me. But when he came back with lightning shooting out of his hands, boy, that was a different story.

Was the American public wrong to shun the soldiers who came home in 1973? Of course. But we were a skeptical bunch; we saw what people were capable of, and we didn't like it. What we didn't realize was that Vietnam was a relatively tame war; it just got caught on tape. And the symbol, the greatest achievement, the spectacle of the American military machine was, of course, the Atomic Eagle. A true American story; a young airforce pilot on the Pacific Front one day, someone with the ability to fly through the air at the speed of sound and destroy a Japanese Cruiser by looking at it. The real difference between the Eagle and Lady Liberty or any of J. Edgar's 'Homefront Heroes' was that unlike these other superheroes, the Eagle wasn't just a propaganda stunt; he was a real weapon. And a dangerous one at that; his recorded number of kills, or at least the best estimate of it, stands at around 100,000. If you, like me, were outraged, appalled, or otherwise shocked by this, you should be; this is one man. One man who was given the power of a god. At the United Nations Convention on Superpowers in 1975, Markus Jansen of the Netherlands said that The Atomic Eagle represents "A weapon and mindset the world superpowers [The US, Soviet Union, and China] have embraced with the grace of Icarus and thoughtfulness of Narcissus." Classical mythology aside, upon seeing the destruction left in the Eagle's wake (Vietnam was his third war, mind you), many Americans who once saw the classic Superhero as a beacon of liberty and justice now gazed upon what superpowers truly were; a weapon made to be held in the hands of those who controlled us.

Maybe that was why when Tom Marin came home from the war like a human Tesla coil, we didn't greet him with open arms. Maybe that was wrong of us. Maybe it wasn't. Yes, Marin put it to...'productive' use, making sounds with his amp that someone who wasn't a weaponized lab rat couldn't have ever dreamed of, but what if he didn't? What if he did what the Salamander notoriously did in the forties and fifties and decided to instead run amok, fighting for some perverted sense of 'justice'? And while I sit here writing that such powers shouldn't be put in one man's hand, I still have to acknowledge the irony of the fact that the power of any president, general or senator dwarfs your Tom Marin or Salamander.

The problem is that the power of these individuals no longer lies in the hands of the generals and presidents. Seven years ago, we were all left speechless when a young girl from here in Esperanza, who claimed never to have undergone any radiative therapy, was shown to be able to lift a car by sheer force. Increasingly, we've seen more and more reports from around the world of children and teenagers with powers; like the kings of old, people aren't granted powers anymore, they're born with them. And that brings us to today, when the Atomic Eagle got shot down by a guided missle in Afghanistan. A man we once thought to be immortal now has ceased existing, and any physical remnants of his existence are in the burnt corpses of his enemies. We've heard statements from people ranging from President Reagan to ol' lab coat himself, Seymour Starling. But what none of these people addressed was why it was that this happened. The Eagle was in his fifties; surely the country wouldn't have sent a man into war who wasn't physically capable? Surely, they would've found some replacement or allowed him to retire peacefully. Not just thrown their greatest weapon, a man who has spent his life fighting for what he saw as true American values, into a conflict he would likely die in. But I wonder if people like The Atomic Eagle, or Michael Smith, whatever you want to call him, ever had any power at all. If when he went through CRT all those years ago, he traded in his dog tag for a collar and leash. So as I pose this question to you, dear reader, I quote The Bard:

“Th’ abuse of greatness is when it disjoins remorse from power.”
West of Askor


A putrid and foul smell rose up and encased the ships of the Expedition as they approached the last rocky island they would see for a long while. It was a smell that the wild-eyed men of the Seobaghs were well accustomed to, but it was not for the faint of heart, and when the fleet moved past the craggy, sea dusted rocks, they saw the source of the scent; dozens of shark corpses, all finless, with lipid bodies laying bloodied on the pebbled beach. Ruddy gulls have flocked to the island, leaving it speckled with entrails and shit and a cacophony of squabbles.

Nearing three decades ago, the boy walked in the corpse of a mother who never loved him and didn't know what to feel, but Bahar knew what to feel looking at the sharks, and it was nothing. One of the Serenist deacons accompanying the Liba vomited over the side of the ship, a sailor bringing him some water. Bahar thought this a waste of resources, but knew better than to say anything, and he went back to his quarters.

Nearing one decade ago, he and a black-haired woman who would betray him made love on the bed he was laying on now, and he could feel her living ghost wrap her arms around his chest and her mouth bite at his heart. The sea was boring now when there was nothing to fear, and when you relied on the people you could pass the time by hating. Before the hurricane happened, he thought he'd be fighting dangerous pirates of foreign seas, but now he sailed into the unknown with crazed friends and former enemies with the pretension of sanity, who didn't know yet that the sea had a toll; one you payed with your mind, and you pray gives you something better in return.

The captain felt a cold draft enter his quarters, so he wrapped his Bunyip-skin blanket around his torso, when he heard a quick knock at his door.

"Who is it?" He asked, to which responded a voice that was timid and fearful.

"Kh-Kheag, Capn', may I come in?" Bahar sniffed in and sighed, sitting up as the bed produced a low creak.

"Yeah, come in." Kheag was the newest addition to the crew of the Liba, somewhat inexperienced in sailing but with a reputable father who Bahar owed a favor to. He had a slender if not waifish body, a short, kept beard, but a rugged and handsome face. Confident and swarthy usually, this fearful disposition was an oddity.

"Capn'...we have to turn around," he said, Bahar not bothering to make eye contact and moving his hand through his black curls.

"Well it's a bit late for that," the captain responded, gesturing to the ocean outside his window. He stood up, to get a better view for it, and the crewman stepped behind him.

"I'm sorry, capn', I know my da put his trust in me, but...I can't do this, this life, it isn't cut out for me." Bahar turned to face him, eyes inquisitive. "Yeah, sailing around the island, all the adventurin', that was great fun, but...just lookin' at them sharks there, I realized that...maybe this isn't cut out for me."

Bahar said nothing for a while, just looking at the man. "And...what do you want me to do about it?"

"Ah...I don't know, I was hoping-"

"I'm not turning around, man." He chewed his tongue for a moment. "What, you gonna jump ship?" Kheag was taken aback for a second.

"What? No, I-"

"You what? Look, I'm not turning around, friend. So you have two options. Bear through it or jump ship, and you don't seem like the suicidal type, so I suggest you bear with us for a while. I'm sorry that the ocean offers you no whores, or any more wine than can be afforded, but this is our job, one I am paying you for." Kheag looked away from him, without words with which to speak. "I suggest you keep your doubts to yourself; cruel fates await those who stir trouble among my men." The sailor's eyes widened at threat, stepping back and bumping his head on the door behind him, to which he exclaimed in pain and rubbed the back of his head.

"Yes sir, I'll...thank you." With that, he ran out, and Bahar turned around to look out his window.

Nearing two decades ago, the boy became Bahar and looked upon the sea for the first time as a home rather than a prison, for a man he once would have feared gave him the key to his cell, and the knife in his belt. And now, as a man and a captain looking upon the ocean, he saw it for what it was.

Water. Endless water.



Somewhere in Rokai

The farmer's sons stood outside their family house as their mother wept over the near-dead body of their father. They were silent, a strong air of mourning hanging between them, when the youngest, Shik, let out a scream and punched the wall of the house. The other two brothers were taken aback by the outburst, when Shik fell to the ground, weeping, and the oldest of them, Breyn, crouched by him. "Look, he was getting older, it was bound to-"

"You know that's a lie, Breyn!" Shik yelled out pushed his brother's arm off of him. He stood up, biting his lip. "This storm...it took something from him. And now he'll be."

"And what do you want me to do, eh? He was my father too!" Breyn retorted, clearly distraught. The two brothers bickered for a while, when the middle child, Norten, spoke up.

"We could honor him." To other two grew quiet, looking at their brother.

"What, do you think we weren't going to?" Breyn asked.

"No, brother, but..." He sighed, looking away from them.

"What is it, Norten?" The middle son looked to the ground, softly kicking the dirt and waiting for a while to keep speaking.

"There is a place, I heard, in Trabahr, where the dead can be properly honored."


@Commodore Approved my dood, you can move your sheet to the character tab and start posting IC
"Though we escaped the illusory grasp of Cheyenne territory, Slim's powermongery only grew in fortitude. Days were counted by his watchful eye, nights by his abrasive bacchanalia, and I became trapped under fear, doubt, and ignorance. But still we pressed westward to California, to our promised land, like the Israelites and the forebears of America, who cast off the shackles of unjust society to make for the desert wild. This hope became embodied in my son, Josiah, the cynosure of my happiness and my only devotion. As despots are want to do, Slim became jealous of devotion to any but himself.

He became increasingly aggressive to me, knowing full-well of my doubts in his leadership, turning my widowhood to mockery and my motherhood to sin. I suited the role of the outcast, and where I was once the chaste pastor's wife, I was now a nigger-loving harlot.

One night, Slim stumbled into my tent, and I was woken by the cries of my son, as well as the reek of whiskey and bourbon. I sought to shout, but found my screams stifled by his greased hand covering my mouth. The hypocrite, who so warned me of Julius's imminent savagery, now sought to defile my honor he professed to protect, and revealed himself the true rapist. He held a knife to my neck, and warned that were I to make any further noise, he would splatter my child's blood upon the tent's canvas, and so I resigned myself to my fate. But the Lord has a strange sense of justice.

I had closed my eyes when I felt Slim lifted from my body before his pants could fall to his ankles, and opening them, saw the scrawny Carolinian tossed to the ground outside my tent. Atop him was a black ghost illuminated by candlelight; Julius, who had taken the bowie from his hand, and was stabbing it into his chest whilst the drunkard screamed in agony, then fell silent into the arms of the devil. I sat by watching, shaking with perspiration, tugging tight to my sheets. After all life had been drained from Slim, Julius stood up and looked back at me, silently. He was covered in blood, and his once Adonis-like face was now gaunt and wild. His clothes, the same as the last I had seen him in, were torn to rags, and one of his eyes had been shredded from its socket. I said nothing, he retreated to the shadows, and my silence remained as the whole of the camp came and questioned me as to what had transpired.

The next day, we pressed onward, Julius having vanished. To California, our hope. To Esperanza."
- Eliza Montgomery, Autobiography




They decided that this faux-grunge edginess really wasn't their thing after a long talk with Tom. The band of tight jeans realized that they should go back to their roots in blues, which Tom assured them would have a revival any day now. And they were no longer 'Firebrand'-a better name would come to them. After not-Firebrand had left, Tom sat on a stool in the recording studio plucking an E blues progression; this new band had brought back some memories. The guitar he played was sleek and new; a studio guitar, some two thousand dollar Martin bought with the company's money. It felt awkward in his hands, with Tom being much more used to the guitars he's been playing since the sixties, the polished wood sliding clumsily along the old rocker's calloused hands. But he still tasted the Delta as he plucked along.

Greg, the producer who had taken on the brunt of the firm's labor, approached him and sat on the stool next to him, just watching for a while. After one final turn around, Tom landed on an E7 before muting the Martin and looking up with a sly grin.

"Still got it," He said with a mocked braggadocio. His employee smiled back at him, and Tom stood and leaned the guitar against his stool. When it became evident that he was planning on leaving, Greg spoke up.

"You can't stay a bit longer?"

"Uh...no can do, gotta meet up with Ali," he explained while he put on his coat. Greg frowned, but followed him to the storefront, where a few people were browsing through the records and memorabilia. A couple of them turned their heads with eyes widened when Tom walked in the room, but he only politely nodded to them. Greg stopped him as he went for the doorway.

"You gonna let me know when you'll be back in?" Tom turned around slowly, looking to his fans and customers, before turning his gaze back to the producer.

"Shit...I'm sorry man. I-I haven't been myself lately. I'll try to check in more, there's just...there's been something in me. Something I knew was coming, but..." He trailed off, and looked down at the pale yellow floor. It had recently been waxed, and he could see his reflection. "Let me know if you sign that band."

The balding producer frowned, resigning from pressing him any further. "Will do boss."

Nodding, Tom sniffed in, took a look at his kingdom, and walked out the door.



1971


He stared blankly at the letter, his face was white, and his fingers were numb. 'How could this happen?' he thought to himself, but he knew the answer. He was a hippie, he was a pinko, and unlike most hippies and pinkos, his family was poor. Daisy was pacing back and forth in front of him.

"There has to be something you can do Tom...I mean..."

"No." She stopped in her tracks at his words, and felt a rage build up in her. Turning to face him, her eyebrows were knit in frustration.

"What do you mean no?" She stepped forward and leaned down to look at him, but the young man didn't dare to make eye contact. "You've protested this war for years, and now what? You're gonna...fucking fight in it?"

"Yeah." She just stared at him blankly, her mouth wide open, before turning away in shock, sitting on a chair and starting to weep. Her husband sighed and ambled over to her, placing his hand on her shoulder. "Hey-"

"Don't touch me!" She shouted, wiping her eyes. Standing up, she crossed her arms, and now was the one who refused to make eye contact. She was silent for a second.

"You know...you pretend like you give a shit. Like you care. You take on all these causes, and you protest, but I know the truth!" She moved closer to him. "You don't give a shit. It's all about you. The only person you care about, Tom, is yourself!"

The next thing Daisy knew, she was staring at the ground, and felt a sharp pain on her cheek. Tom was standing over her, heaving with rage. It took a second before he started apologizing, but it was too late. She left, and he was alone in their living room.




Alison clung tight to her husband's arm, and they walked silently through a park in Mission Hills. She had gained weight in her old age, but neither of them cared; it was just a part of getting old. They finally sat down on a bench and watched as children played and young couples embarked on the same journey they had all those years ago. Resting her head on Tom's shoulder, it didn't take long until she started to cry.

"Hey there," Tom said as he tried to soothe her, wrapping his jacketed arm around her and rubbing her up and down her own. She wiped at her eye, and sighed as she looked up her husband, feigning a smile, and he smiled back, but he didn't have to put on his for her sake. He kissed the top of her head, and they went back to watching the park.

"How was the store?" Alison finally asked after a while of silence.

"It was alright," Tom said. "Saw a new band from Santa Maria. They were okay." The silence resumed, and a cold wind blew through the park, while the children began to gather towards an encroaching ice cream man.

"You...look, I know it seems hard, Tom, but you have to fight! For me, for-"

"I know, Ali." He replied. A word hung in the air, one that neither one wanted to say, and had refused to say since the doctor's office yesterday. "Look, we've been getting ready for this for a while now, we knew it was coming, now I just have to push."

"You don't have to go through this alone, Tom! You've got me, and the kids." He looked away, a tear welling in his eye, but she pressed on. "We can beat this, together!" Tom didn't respond, and started choosing his next words carefully.

"Ali...all of us get cancer." He said the word. "We usually don't make it through." She started to speak up, but he cut her off. "But I'll try...for you. And the kids. And the grandkids. I'll try." She sighed, and settled back on his arm.

"I guess that's all I can ask for."
@Sailorsadie Heck yeah brother
Hey guys! We've been up for a bit, but the Golden City is looking for as many new members as possible! The last interest check was a little scarce on information, but with IC posts and a proper OP, I'm hoping this might help get a little more traction.

roleplayerguild.com/topics/170273-the…

Feel free to PM me with any questions, or join the discord!
@bigscreech I'd say the best term to describe Gartner politically would be 'Utopian'. You can click on the discord link if you'd like so we can discuss things further.

@Ink Blood Approved! Move your CS into the character tab, and feel free to start posting IC!
@bigscreech Actually, the corruption of Mayor Gartner isn't super well known. There's theories, like with any politician, but these are often written off as conspiracy. On the surface though, he seems perfect; tough on crime, supports public services. The biggest thing people disagree with is how pro-gentrification he is. As far as party politics go, I don't wanna say like democrat or republican, just because I don't think that's necessary. By 'hunt', if you mean like hunting down and killing, I'm not sure that'd be a great idea, just plotwise and everything. If you meant investigate, though, having either a cop or a freelance pi investigating the missing person problem in Esperanza (which Mayor Gartner seems to be ignoring) could certainly help a lot.
@raleighallynn Hey, are you still in this?
"In the weeks following Theodore's death, the question of who should lead the party came to the top of everybody's mind, my womanhood being an obvious disqualifier for my nomination. We pushed through the prairies of what would be called the Territory of Nebraska, wanton for guidance. From God, who left us with the bible locked in my husband's gelid embrace. From civilization, who's Columbian trappings were bogged at the gate-mouth of the Mississippi. But principally, we sought to each other, and soon the voice of fear was heard with eminence in the cacophony of the pioneers, embodied in a frail farmhand from the Carolinas.

They called him Slim. I never learned his Christian name, nor did I care to. It was not who he was that mattered, but what he represented. He stood a height shorter than my own, and was a sickly child, with his negligible masculinity beared on the back of his aggression. For the mind he spoke to was one built on ignorance, his voice weighted by an ardent survivalism that had been nailed into the party's minds. He informed me, soon a week into my widowhood, that the typhoid fever which took my husband's life was none but the work of the Cheyenne, who conspired against good Christians like Theodore, and who adulterated our water with disease. That we should wreck havoc and vengeance upon the savages, and stood with rifle ready. I brushed him off, but his conspiracy grew in popularity. Soon, not a day went by without discussion of Cheyenne savagery, of encroaching violence.

The only man in the party who did not suffer these delusions was the Negro, Julius. A free man, Julius was an expert carpenter, having bought his emancipation from his master through the utilization of his mastery. But aside from his profession, the black man was premier in all judgement; he stood strong like an oak, with a sculpted physique and a kind smile. In the wake of the party's hysteria, Julius and I became friends and confidantes, him being surprisingly well-read, and a widower himself. We spent long hours chatting about the weather, scripture, and the infant which clung to my bosom, and I found comfort in the freed man's company.

One sable night, Slim and his followers approached me in camp, and advised me that Julius was an agent of the Cheyenne, that the colored peoples work together to destroy White civilization, and that were I to continue our friendship, I would surely find my honor defiled. I assured them of their foolhardiness, to which they responded that, though they are understanding of the way a woman's thoughts are clouded by tragedy, if Julius were to continue seeking my company, thus would only confirm their suspicion, and they would be forced to take action. I took Slim's ultimatum with no gravity, my mind dismissing him due to his impishness, and the next day continued as normal, and approached Julius, offering him some bread I had baked.

He seemed aloof, and ignored me. I pressed him, when he explained that he had been approached by Slim in a similar manner as I had the previous night. Finally understanding the severity of the situation, I walked away, but the damage had been done. The next day, Julius was gone. I knew what happened, but could say nothing, for an infant clutched to my bosom."
- Eliza Montgomery, Autobiography





It was a sunny day in Esperanza, if not a bit cold, and a rain of typicality was falling over Mission Hills. Bikes and Priuses have started replacing the beat up trucks of days past, and going to a diner was 'retro' rather than something to do at the end of a nine hour shift at the plant, but the transient heart of Mission Hills still beat strong, especially in the landmark Gold City Records, who's famous sign still hung high above the building. It was quiet inside; nobody was in the storefront except for the eclectic collection of records and vintage memorabilia, but in the back was where the magic was coming to life.

Why did you leave me?
Why did you cleave me?
Why are you breaking my heart?

A young man and his three friends were recording in the most famous studio in Esperanza. The singer/songwriter wore a t-shirt that was too tight, while his friends didn't, but all of their jeans were tight. The song wasn't very good, and the producers weren't into it. Then a legend entered the recording booth. Greg, the producer, turned and smiled at the building's aging owner, the corners of his lips reaching up into his bald head.

"Tommy! How's it going man?" He went for a high five, but was ignored as Tom instead looked at the band in front of him, his face buzzing with interest.

"Who's this?" He asked, nodding at them. He didn't know what to make of the band; he didn't like them, that much was obvious. Very cliché, very wannabe-Nirvana. But they had a potential, something that the producers couldn't see; Tom was used to feeling things other people couldn't.

"Oh, uh, they call themselves, 'Firebrand', from up in Santa Maria," Greg answered, hands rested on the pot belly he attempt to hide with his black shirts. It had been a while since Tom was in, at least a couple of weeks, but it's understandable, what with his first grandkid being born. The old man was wearing his usual leather jacket, now worn from years of abuse, and a GCR shirt underneath. His hands, previously hid in his pockets, were produced, and began quivering as the band played their song.

"Ah. That's unfortunate," Tom quipped. He bent down and spoke via the intercom. "Hey guys, hold up." The band stopped playing, the last few drum patters tailing off as they looked up towards the recording booth, and all except the singer had wide eyes as they looked at Tom.

"Alright, first, lets turn that bass up, I can barely hear it. Ah...second, let's not use an amp emulator for distortion, let's get you a fuzzbox. Now-" Suddenly, he was cut off by the singer with a tight shirt.

"I'm sorry, who are you?" His bandmates began stifling their laughs, and he turned around to hush them, as Tom began chuckling himself.

"My name's Tom," he said, and the singer's face grew white with shock when he realized his mistake.

"Oh shit...sorry man, I-"

"It's all good," Tom responded with a light laugh. "Take it again guys."



1970

Tom layed back in the plastic diner booth, staring up at a plaster ceiling. He wore the same leather jacket, though it was much more pristine, and had the same long hair, with black instead of gray and white. His coffee rested half-drank on the table and the plate that housed his waffles and eggs was now clean. Across from him sat his wife, Daisy, who's hair was wrapped in a scarf and was looking over the newspaper with a smile. In the background played, "Got to be Free", by The Kinks.

"Hey, so uh...we added a couple tour dates, heading out to Texas," he said, hesitating as he knew what his wife's reaction would be.

"Are you fucking kidding me?" Daisy said with a drop of the paper to emphasize the fuck of it all. He curled away from her to escape the anger, and she sat back in her seat with her arms folded. "You said it was ending in Albuquerque, and I've got my gallery showing the week after!"

"I know, I know, but uh...you know we're starting to record again, and Harry just thought-" He sat up and looked at Daisy. "I don't know, it's...I'm sorry, okay?" He was sorry, he meant it. But he'd rather be sorry than at that gallery showing. He didn't like Daisy's art friends, nor did they like him. He was a factory boy hanging out with a bunch of college kids, and everybody knew it. Daisy looked down at the paper, not making eye contact with him, and he reached out a hand to stroke her cheek. "Hey, look at me." Suddenly her eyes widened.

"Oh my god!" She exclaimed. Tom pulled his hand back.

"What, what is it?" His wife picked up the newspaper and showed him the headline.

LADY LIBERTY, DEAD AT 48



Daisy rested her head on her hand in confusion, while Tom sat back in his seat and looked up at the ceiling with a sigh. "I can't believe it!" Daisy exclaimed, shaking her head in shock. "I...it's dangerous. These powers..."

Her husband looked at her in confusion. "What, these powers?" He sat forward, quieting his voice. "Powers aren't dangerous. POWER is dangerous." His wife looked back at him in surprise at his sudden aggression.

"Tom-"

"You think she would've sat in that machine, or her chair or...or whatever, if some fucking general didn't-" Their waitress approached the table, oblivious to the conversation at hand.

"Can I get you folks anything else?" She asked.

"We're good!" The singer shouted back, not looking up at her, and she walked away insulted.

"Tom, you're scaring me!" Daisy said, and the artist looked back at her, in her eyes, and sighed, sitting back in his seat.

"I'm sorry, Days, it's just..." He couldn't think of the right words before she shook her head and left the restaurant.

That night, Tom was practicing with his band, the Jipsees. He sat on the floor of the studio with no shoes and his acoustic guitar, while his bandmates talked and joked without him. There was a weight on his mind that sealed his lips and brought his hand to the guitar strings. Finally, his bass player noticed him and spoke up.

"Hey, Tom, you good man?" Tom snapped back into reality.

"What? Yeah, yeah man...I uh...I wrote a new song, it's in G, four four time." The band looked around to each other, and Jim, the other guitar player and singer spoke up.

"Yeah man, just give us a sec-"

"Or you could do your fucking jobs, that's an option," Tom retorted mockingly. Jim bit his lip and looked back at after a good few seconds.

"Sure. Whatever you say." They assembled their equipment, Jim his guitar, the drummer grabbing a bongo, and the bass player, Paul, grabbing an acoustic bass. Tom started without counting them in.

Hey Mr. Nixon,
What’d you do with all the flowers?
Hey Mr. Nixon,
Why’d we go to Vietnam?
Hey Mr. Nixon,
I know you’ve got all the power,
But don’t you forget just who put it in your hands.

Hey Mr. Nixon,
I can hear a new wind blowing,
Hey Mr. Nixon,
Will you ever understand?
Hey Mr. Nixon,
With the secrets that you’re knowing,
How could you see all the callous in my hand?

Oh, I just want to be somewhere,
Where a man musn’t kill his fellow man,
Oh, I want to see the people,
Across the world just stand hand in hand.

Hey Mr. Nixon,
Now that we’re together,
Does a dead man walking,
Weight heavy on your mind?
Hey Mr. Nixon,
You won’t be alive forever,
So don’t you forget just who you left behind.


Tom didn't know this song would be his undoing.
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