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    1. OutlawTorn 10 yrs ago

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Before I begin, I just want to make sure I'm clear about the fact that I'm pretty passionate about storytelling. This isn't a hobby for me, it's what I believe to be my god-given purpose in this world, because it's what I'm best at. So the following dives into my personal opinions, tastes, and techniques when it comes to roleplaying. I don't want anyone to feel like I'm being condescending or pontificating on the subject. I just want to lay out my MO as a writer loud and clear. I understand that everyone has their own tastes and style, and that there is NO correct, or incorrect way to write a story. So please understand that the following is just opinions and tastes, furthermore a bit about why I feel that way in some cases. When I say I don't like certain things in stories, I sometimes like to explain why I've come to that conclusion.

Name: Michael J. Saulnier

Age: 29 (4/16/85)

Nation/TZ: Canada/Atlantic

Experience: RP: Nov. 2006-Present, Creating Worlds, Characters and Stories: Roughly 1996-Present (I began to imagine up the foundation of what would become my Azure Dawn series).

Favored Genres: Realistic, Fantasy, SciFi, Hybrid Fantasy, Apocalyptic (Well Balanced, with my specialties).

Ill-favored Genres: Teen, Highschool (unless done well, and by well I mean with some grit and realism, not angst and romance/drama, or Lycan/Vampire schools), Western/Historic(again, unless incredibly well-done and researched).

What I Like in a Story: Intellect*, Complexity*, Good Dialog*, Plot Structure and Mechanics*, Mystery, War, Plot Twists, Character Development, Purpose/Meaning*, Impact & Statement*, some Drama, some Action, some Romance, some Humor. (But it depends on the nature of the story)

What I Avoid in a Story: Simplicity, Stereotypes, Choppy or Cheesy Dialog, Cheesy, 'Imported' Characters (this just refers to bad characters, or good one's that feel like they should be in another RP. For example, I was in a DBZ RP once, and a guy joined with a rollerblading Jamaican(the Jamaican thing is a random detail, and carries no racist undertone. If you saw his pic, you'd understand why he should never be in any DB story) with dreds and spray paint. His ability was magic tag cans that casted spells and summoned beasts... 'Import' Character. Like a Jedi Federation Captain who's a Cylon cyborg leading SG1 in a Stargate RP; He just don't belong.), I pretty much avoid the opposite of what I like in an RP, but it all varies based on the Story at hand. (I'm pretty open-minded and versatile)
What I Like in a Character: This is all situational. I hate when people talk about what makes a good character, how to make one, what steps to follow, or mold to use. No. Every character is different, and there are billions of possibilities. You can't teach or formulate truly good character, because it's inherently impossible. However, there are some things which I love in my characters. Weakness/Flaws*(I have no use for perfect, infallible characters. They speak directly to the character of the writer; their insecurity and vulnerability. The ability to show weakness and depict failure is a sign of maturity and wisdom. But there are times when a character who is physically, politically, or socially infallible. That's usually a villain, or a hero post-culmination of sorts. But those characters still have to have their flaws and weaknesses. And no, being too evil, or too introverted and not giving a fuck about doing what's right, DO NOT count), Depth & Complexity, History & Origin, Blurring that fine line between Face & Heel; Good & Evil*.
What I Avoid in a Character: I do have some things I avoid. Bad, unnatural, awkward dialog. I understand some people just ARE awkward, that's perfectly fine and when playing one, I AM awkward. I also understand that awkward moments just happen, but not all the time. When Bob asks Stan a direct question, Cindy and Mark wouldn't continue the conversation, forcing moments to elapse before Stan replies... RP is a delicate form of writing, a delicate form of art. The scene structure of your plot can either be phenomenal, and prove for an engrossing, addictive read (at the cost of taking time, making a few time & post-based sacrifices, working from a selfless angle, rather than imposing your character upon a story every chance you get), or it can be a choppy, sloppy, cumbersome, awkward read. It's up to the collective writers. John and Sue have been running a series of scenes together. They've just wrapped one up, but are dying to start this new one. But wait, Eric and Cindy just started a really intense, important scene which is bouncing back and forth nicely. John and Sue are faced with a choice. Force ahead and interrupt Eric and Cindy's scene by power-posting THEIR scene, or respect not JUST Eric and Cindy, but the best interest of THE PLOT & STORY. You might think your RP is a great read because you've got something special in theory, but believe me, when you have rampant, unorganized posts jumping all over hell's half acre, it makes for a nasty read, regardless of character or plot strength. A good DM manages this process and directs his/her project in a manner that makes his writers happy and content, without throwing the story under the bus. The story is bigger than you, or your hobby, or your character. That's good RP'ing 101.

First RP: My first RP was a vampire/western/fantasy mash-up back in '06 called Pride Sin & Glory. It featured a unique vampiric science and origin in a fictional world based on the old west. It also featured demons and spirits summoned from the underworld by Draxx Necro, the first, and King of vampires, and the primary antagonist. It was successful and spawned 2 sequels, and several revivals. As well, the PS&G vampiric system ended up being used for, and evolved for A Legacy Written In Blood.

Favorite RP: Possibly the most epic choice I've ever had to make... Based on innovation and intellectual substance, A Legacy Written In Blood. Based on it's epic, emotional, powerful nature, Final Fantasy 1-3.

Favorite Characters: I know this is a lot, but: 
Casius Magnus (Final Fantasy)
Samuel Blithe (A Legacy Written In Blood)
Wyland "Mac" McRae (A Legacy Written In Blood)
Bones Lancet (Pride Sin & Glory)
Preacher (A Legacy Written In Blood)
Ctp. Leon Blackthorne (Nebular Delirium)
Owen Thorne (OT's The Living Dead Series/Dead Frontier)
Luseth Denova (Azure Dawn)
Xai'er (Azure Dawn)
Leo Strata (Final Fantasy)
Cpt. Clayton Stillwell (Derringer Odyssey)
"Doc" Holliday (Renegade Souls; Fictional character named after John Holliday)

So, that's a bit about me.
Ye Old dorm life. While that sounds orgasmic in so many ways, I'd only be interested if there was something of substance behind the plot. Perhaps we're not students at all, but a large, diverse group of people from all walks of life who have all ended up somewhere together, for different reasons. Perhaps this place is not as it seems to be. Throw some mystery in the mix. Who are all of these people? Where did they come from? Why are they here? Are they really who they say they are?

I'd be intensely interested in something like that.

I'm already seeing an amazing character. A male in his mid-late 20's suffering from severe memory loss. Doesn't know who he is, where he is, how or why he got here. That journey would be great for me.

I dunno. Just throwing it out there.
Here's a genius idea. A gem cut from the mysterious depths of the cosmos:

Know what you want, how you want it, and then write it, how you want it.

Take 10-20 extra minutes prior to even stroking the first key, and plot out each scene (or post) inside your head. Know what you want, and you'll write what you want.
Film & storytelling are my 2 passions. I just love film, with all my heart. I decided to make a Thread I made on other sites here, letting everyone share their favorite moments in the history of film, based on any reason, or genre. They are the scenes that make us laugh, cry, and inspire us deep down as writers and story tellers.

I've compiled a top 10 list, but feel free to waver from this format as you wish.

SPOILER ALERT!
Some small parts from some films are about to be spoiled, so if you see a movie you haven't seen, skip over the scene description.

10. The ending of
(Stephen King's The Mist)
Amazing movie... If you haven't seen it, you should.
http://www.youtube.com/watch?v=SY1ULaOciIc

9. Barry Champlain's meltdown rant
(Talk Radio)
Really dark, gritty comedic film. Eric Bogosian is a phenomenal actor who did an amazing job in this odd, but classic must-see. You have to watch this film if you have thick skin, and aren't easily offended.
http://www.youtube.com/watch?v=HvC5A3K-0fY

8. Sammy's death
(I Am Legend)
Gets me every time.
http://www.youtube.com/watch?v=CuVNOR3I7hc

7. The death of Optimus Prime
(Transformers 2)
A heart breaking, but honorable end...
http://www.youtube.com/watch?v=zGPWrs-xV60

6 Tommy's restaurant scene
(Goodfellas)
"You want a laugh. Last week this prick asked me to christen his kid."
Classic scene, classic film.
http://www.youtube.com/watch?v=r_DwZfyXAXI

5. Coach D'Amato's "Inch By Inch" speech
(Any Given Sunday)
Amazing... truly inspirational.
http://www.youtube.com/watch?v=myyWXKeBsNk

4. Jules quotes Ezekiel 25:17
(Pulp Fiction)
"Say what again!"
Samuel L. Jackson, one of my favorite actors. Genius movie that's still before it's time, because kids don't get it. They don't talk about it, don't know what it is.
http://www.youtube.com/watch?v=PE9Qm8mShik

3. Frodo is reunited with the Fellowship
(Return of The King)
Powerful, moving scene. After all that was done, seen, and gone through, it just grabs you by the heart strings and starts yanking for dear life.
http://www.youtube.com/watch?v=U6yQ8BLSncc

2. Doc Holiday vs Johnny Ringo
(Tombstone)
"Why Johnny Ringo... you look like somebody just, walked over your grave."
Val Kilmer's performance as the legendary gunman, John "Doc" Holiday in the 1993 film Tombstone is my favorite screen personality of all time, with an array of memorable quotes. Tombstone is modern western film at it's very best.
http://www.youtube.com/watch?v=JGpajGj07BU

1. Littefoot's mother appearing to him in a cloud
(The Land Before Time)
I saw this movie in the theater as a small boy in 1988. That scene made me ball my eyes out to my mother's surprise, and I left that theater with a budding passion for story telling and film that has lead me here today.
(This was the ONE scene I could not find on youtube. It's just not there, lol)
Video games have inspired, and kept us entertained for hours, and in the grand scale, decades. From Pong, to Mario Brothers, Donkey Kong, and Mortal Combat, to Mario 64, Final Fantasy VII, to World of Warcraft, Black Ops, and Diablo 3. They've captured our hearts, minds, and imaginations.

It's been my experience that most Role Players have, or still play video games to this day. Myself, I've stopped for the most part, and moved to playing online games like SAS: Zombie Assault 3 in my spare time. But like anyone who has had a special place in their heart for video games, I have my all time favorite games that for one reason or another I can play over and over again, will never forget, and enjoyed playing more than any others.

10. Star Ocean (PS1)
(Enix)
Fantastic example of the creative, innovative, ground breaking and bar setting RPG from the mid-late 90's. Astonishing gameplay, riveting plot, exceptional skill system which included combining ingredients to cook dishes, writing books (which could teach other characters skills), painting pictures, etc. MUST-PLAY, if you haven't already.

9. Ogre Battle: March of The Black Queen (SNES)
(Squaresoft)
An Ode to Vintage Squaresoft. Remarkable stratigic RPG. Absolutely epic and infinately entertaining! Assemble an army of rebels. Hand pick multiple Units. Dictate character Classes. Recruit Monster characters. And orchestrate your rebel conquest to iradicate the Empire!

With lots of unique and secret characters, and an epic scale and feeling that far exceeded the SNES era, Ogre Battle is a shining example of the groundbreaking, inovative work to come out of the greatest video gaming company in history.

8. Suikoden 1 (PS1)
(Konami)
One number, two words; 108 playable characters!
This game was truly epic. You assume the role of a young man and begin recruiting a small army of characters to your rebellion. With a diverse (108!!) 6-man party at your disposal, the possible combinations and strategies are almost endless. Wonderful game!!!

7. Suikoden 2 (PS1)
(Konami)
The sequel to Suikoden 1, and an even better title. Most of your old friends return to action alongside some new faces in this epic, gripping, action packed, fun filled adventure. Suikoden 1 & 2 hold a very special place in my heart.

6. GTA: San Andreas (PS2)
(Rockstar)
To sum it up beautifully;


5. Final Fantasy Tactics (PS1)
(Squaresoft)
Reminiscent of Ogre Battle, FF Tactics is an extremely entertaining stratigic RPG. With the ability to recruit your own characters and monsters, and fine tune character Classes to suit your tastes or needs, you become more invested in these characters and their journey. Good storyline combined with depth of game systems, features and functions, and customization and choice are what make games great to me. If you look at my top 10, I feel you'll see that clearly. Well Tactics delivers, on all fronts. This game is a must-play! It's available on mobile for those who rue the idea of finding or using a vintage Playstation.

4. Final Fantasy VIII (PS1)
(Squaresoft)
The best Final Fantasy ever made, pound-for-pound. And yet it takes a bad beating from fans & critics alike.  :think: 
No FF has ever offered a better gameplay experience, period. Unless of course, you like simplistic, 1-dimensional RPG's, skill systems, magic systems, item, & summon systems. In which case, no harm done, to each his or her own. But with the most in depth, comprehensive Summon system (and largest set of summons ever), and monsters that become stronger as you do, just to name a couple of reasons, FFVIII is one of my favorite games of all time.

3. Saga Frontier 1 (PS1)
(Squaresoft)
Did someone say, "Replay Value?"

Saga Frontier is one of the most amazing games you will ever play in your life. If you missed out on it, your life is incomplete.
This game has 7 main characters, each with their own story taking place in the same universe, at roughly the same time. It spans across a galaxy, including many planets and areas within those planets. In addition to those 7 main characters, there are many supporting roles which can be found and recruited all around the galaxy. Some characters are forced to befriend some characters, others simply cannot befriend them. And skills are learned (this is the very best part) semi-randomly. It's built on a system of realistic experience. To learn gun skills, you must use a gun of some kind for a long time. Using basic gun skills leads to learning more, using those skills leads to learning even better ones. For example; using Thrust many, many times leads to learning Triple Thrust. Magic is learned via skill testing trails which include puzzles, and sometimes even bosses. And you cannot learn two opposing magics at the same time. Monster characters learn skills from other monsters you fight, and through exp can evolve into other forms, but be careful, as you never know what they'll turn into, so if you get a form you like stat-wise, hang onto it.  :wink: 

Such a fabulous, remarkable game. Truly none like it, even to this day.

2. Elder Scrolls 3: Morrowind (Xbox)
(Bethesda)
Truly engrossing. I can't even get started on Morrowind, or this thread will become "The Morrowind Thread"

1. Xenogears (PS1)
(Squaresoft)
The only reason this game topped Morrowind, was because of it's storyline.

Xenogears is, in my opinion, the greatest RPG, and video game of all time.

This is just the first 5 minutes of your Xenogears experience after hitting "New Game":


With an innovative, engaging battle system, and an epic, intelligent, convoluted plot that is so thrilling, so interesting, so engenius and masterful, that Xenogears lands as bar-none, the greatest video game ever made by a crippling and absolute landslide (IMO).

Thank you for sitting through my list, if you have. You can see how dated my taste in games is. Hope you check some of these games out if you never have, they will not disappoint.

Care to share your own favorites?
Owen cautiously made his way through a very small city just off of the highway. His supply of gasoline was running out, forcing him to search for more. Most of the vehicles that sat around the streets had long since been syphoned of any fuel left in the tank. Virtually every gas station and small pump was bone dry. Truth was, the majority of resources of any kind had been looted weeks, months, or even years ago. Finding almost anything of use or value had become comparable to a small miracle. Barter was the new scavenging. Old world currency was useless now; material for fires, or wiping one's ass, should the necessity present itself. The economic system had reverted back to the days of old. Now people traded commodities for other commodities. Gasoline for ammunition. Food for water. Batteries for medical supplies. Weapons for weapons. You had to hustle now, and you had to have something of value, something your mark wanted or needed in exchange for the commodity you were after. Water, food, medical supplies, and ammunition were the most valuable items one could possess. Water was the new diamond. Food, the new gold. Drop a bottle of mountain water on the table, and just about anyone will cave in to your demands. Water is the one thing you need, no matter what the scenario unfolds to look like. Given that fact, you could never have enough clean drinking water. You could be sitting on a warehouse filled to capacity with jugs of pure H2O, and you'd still need more... just to be damn sure you had enough.

When it came to water, the smart people weren't fucking around. It was among the leading contributing factors to human casualties by humans since the undead crisis.

Owen was nowhere near an established stronghold, the last of which he'd seen was almost a week behind him now. He'd gotten caught up in a power struggle between two opposing groups of survivors and killed a man before making his exit. There were very few strongholds, and none that were anything close to what you'd expect. Owen likened the experience to what he imagined prison must be like. Filthy, poor living conditions. Shady, sketchy characters you couldn't trust, let alone depend on to have your back if shit hit the fan. People rolled in tiny circles, usually built on a system of history and seniority. Those circles covertly plotted against each other, and violence was a routine thing. People killed each other on a daily basis over personal bullshit, accusations of theft, or any other reason one could scrounge up. It was a chaotic and dangerous environment. Owen had come to realize and accept that fact fairly quickly. There was no hope, safety or comfort in the strongholds. They were lawless wastelands, the old west of the new apocalypse, and a place Owen didn't want to be, let alone want his dogs to be. He had raised them from pups in the back seat of several different automobiles. It was where they felt at home, where they wanted to be. It was all they knew. They were like children to Owen. He didn't view them as dogs, or pets. They were people, his son and daughter. His best friends. They were the only two souls left on this barren, forsaken planet that he could fully and faithfully trust with his life.

No matter what happened out there. No matter how the cards were dealt, he knew they would die to protect him. He'd never let that happen, but it was comforting to know it. Those beautiful little creatures would never betray him. Never plot against him, or weigh his life against supplies, or their own survival. They loved him and followed him unconditionally. There was nothing he could do to them to break that. So, who else did Owen need to have his back? Lady and Rudy, aside from being unconditionally loyal to him, had impeccable senses for hunting and watching his back. They were a lot easier on food and water than any human being, and they were agile and smart enough to avoid contact with any walking dead that he encountered. They were raised in this apocalyptic war zone, they didn't know any other life so it had become routine to them.

Owen pulled to a stop as he set his gaze on what looked like three people in a grassy clearing off of the street he'd been driving down in search of potential fuel locations. They might have been corpses, so he scoped out the scene for several moments before one of them reached for the sky, waving their arms back and forth.

"Hey! Over here!" a woman's voice yelled out to him.

Owen immediately opened the driver's side door, getting out of the Camaro and closed the door behind him. As soon as he did so, both Lady and Rudy began to whimper, peering out the windshield from over the front seats. They had severe separation anxiety as a direct result of growing up in an undead-populated apocalyptic wasteland. Regardless of how much they hated it, though, they usually waited in the car. Owen hated risking them being hurt more than they hated waiting in the car. Even if he fell, they might be safe in the car, where they could at least die peacefully, together, not ripped to pieces by the living dead.

Owen rushed to the aid of the three survivors, pistol drawn. There weren't many walkers around, but you could never be too cautious, if you wanted to stay alive. Stupid people let their guard down, got careless and started slipping. All it takes is one random and sudden twist of fate. A jerk of chance, or a yank of destiny. He'd seen it hundreds of times. Trained soldiers, seasoned survivors, tough, smart SOB's who just had a shitty few seconds of luck. Nothing in particular they had done wrong, just a nasty, unforgiving series of unfortunate events that lead to their death. The world had become a chaotic, perilous war zone between man and monster, man and man, and man and nature.

If you wanted to survive, you had to practice a little vigilance.

As he got closer, he could make out one female and two males. The female was slender, wearing baggy, dark clothing and a backpack around her shoulders. The first man was tall and lean, wearing a thick, long, red winter jacket and camo fatigues with black combat boots. He had short dark hair and a goatee. The other man was short and chubby with a bald head. He wore blue jeans and a plaid, fleece winter jacket. He looked like a common working man, while the other looked ex-military. The girl he couldn't place at all.

As he approached them, feeling uncertain of his decision to get out of the car at all, he glanced back at the Camaro. To his confusion and shortly after, dismay, he saw a tall man holding a rifle walking toward the vehicle.

"What the?" Owen mumbled with a perplexed expression on his face that soon grew to anger.

"Hold it right there, Haus," one of the men said, undoubtedly having the drop firmly on him. Owen slowly turned around to find 3 pistols returning his gaze. 

"Take his weapons, babe," the groups obvious leader ordered the female, who quickly complied. She held her gun close to Owen's chest, taking her eyes off of it to rummage around Owen's person, removing several pistols, and a large hunting knife.

As she bent down to pull the knife from his Timberland boot, he swiftly grabbed her wrist, yanking the gun away from his body, twisting her around so that she faced away from him, gun still in her hand, but away from his body. In the same calculating motion, he drew a .357 semi-automatic from behind his back, firing upon the chubby man, hitting him in the center of mass.

The man dropped lifelessly, and the other shouted his name in horror. "Eric!"

"Don't fuckin' move, bud!" Owen ordered him, placing the .357 to the woman's temple.

"We're all gonna take it real slow and easy. You can start by droppin' your guns. All of 'em."

The man started to become emotional, angry, and he raised his weapon, as if intending to shoot.

"Easy, Haus!" Owen yelled sharply. "You don't wanna get this bitch's brains blown out, now do you?" Owen asked him with an intensity that made the man become even more emotional. Owen had found the man's weakness already; it was struggling in his arms as they spoke.

"Just let the girl go, man," he pleaded with Owen, nearly in tears.

Owen tightened his grip around her neck, jerking her gently. "Not until we all have ourselves a little talk. Come to terms where we can all agree on what's about to go down here. Now besides your boy Eric here, no one's gotta get hurt." Owen explained calmly, but still having the intensity and grit that sold this little show.

"You shot him dead," the man mumbled, staring at the body of his late friend.

"You're payin' attention, Haus. I like it." Owen said with a splash of wit for good measure. He wanted Haus to firmly believe that he wasn't fucking around, because he wasn't.

"Just fucking shoot him!" the woman yelled, squirming violently in Owen's arms.

"Now that... would be a bad fuckin' move for everyone. Right Haus?" Owen asked the man, who was quickly approaching a state of panic.

"Please man..." he pleaded and begged Owen, tears forming in the wells of his eyes.

"There's two ways this can go down. One; Haus shoots me, and I shoot you. Judging by the look on Romeo's face, that about makes us all losers. Two; you can let me be on my way, and we can all walk away from this with what we want most."

Haus looked at the woman  he loved, stuck in the spider's web that Owen's arms represented. He began to sob, hiding his face from Owen, and the woman. 

"Now I don't give a fuck about that car, but my dogs are in the back seat. Now you can go ahead and correct me if I'm wrong, but this girl is the only thing you give a fuck about right now?"

He didn't answer Owen's question. "Well those dogs are the only thing I give a fuck about," Owen explained truthfully.

"Is that your man up there with the Enfield?" Owen asked sternly. By that time the man had positioned himself on Owen, waiting out the situation, no doubt shitting himself, otherwise he would have taken the shot by now, and Owen would be laying dead in the grass.

"That's my brother, Billy," Haus answered him, emotionally flustered and compromised.

"You go ahead and tell him come down here, nice and easy. And leave that Enfield," Owen ordered him.

"Come on down here, Billy. Leave that rifle."

Billy didn't reply at all. He didn't even move. Owen took his hesitation as the element that closed this situation. Up until that moment, Billy's being perched up the way with an Enfield was the only variable he couldn't control in this situation. But now he knew that he had total fucking control of it, and that was bad news for these novice looters.

"Come on now Billy!" Haus yelled impatiently, inspiring Billy to haul his husky ass over toward the others after dropping the rifle. 

"Glad you could join us, Billy," Owen said as Billy got closer to his brother. "There's a reason I let you keep that gun on your hip, Haus. I'm tryin' to establish some trust here. A mutual understanding of intent. Now I know it must be hard right now, given that I've got a gun pressed against your girlfriend's noggin, but try to see things from where I'm standin'. You had every intention of robbin' me blind. Maybe even killin' me, and my dogs. See, I don't wanna rob you, and I sure as hell don't want to kill you."

"Eric would probably disagree," the woman piped up again, clearly enraged by her being captured, Eric's untimely demise, and this entire goddamn situation.

"Well it's a good thing no one asked for his fuckin' opinion, sweet heart," Owen replied with a growling whisper in her ear, placing more pressure on her skull with the barrel of his .357. "Now I'm trying to resolve this little situation we got ourselves in here without anymore blood on my hands, or yours! So this is how it's gonna work; you're both gonna turn around and get on your knees," Owen ordered the brothers.

"No fuckin' way," Haus protested.

"Was Eric a nice guy?" Owen asked plainly.

"Yeah..." Billy replied quickly, lost within some memory of the man Eric used to be.

"Yeah, he seemed like a nice guy. I blew his fuckin' head off without thinking twice, and I don't even like this bitch. So keep ignoring the gravity of this situation, and we'll be in for one messy conclusion," Owen explained bluntly.

"Go fuck yourself, asshole," the woman in Owen's clutches once again horned in.

"Not helpin' your case, princess," Owen whispered in her ear once again, applying a vicious, but momentary surge of pressure across her throat that made her wince with pain.

"Knees, gentlemen. Now!" Owen barked maliciously.

The two men turned around slowly, kneeling down in the cold, firm grass.

"This is where I walk away real calm," Owen explained confidently. "When I feel like I'm in the clear, I'm gonna let her go. But if she so much as opens that mouth of hers, I'll be forced to shoot her in the face, Haus. You don't want that now, do you?"

"No," Haus answered him, almost under his breath, in a weak, broken tone of voice. He was drained, and just wanted this to be over with so he could hug and kiss his girl and go the fuck home.

"Then you best remain fuckin' calm," Owen explained intensely. "On the count of three, I'm gonna start movin' real slow."

Owen's gaze grew darker somehow. His brow lowered, becoming more stern, as his eyes narrowed, right hand grasping the .357 tighter.

"One... Two..." On the count of three, two shoots from a .357 rang off through the crisp, cool air and found their mark in Haus and Billy. They both slumped face-down as Owen violently tossed the woman to the ground, quickly taking aim and pulling the trigger...

Owen drove down a stretch of highway late at night. He seemed as though in a trance as he puffed on a cigarette, eyes fixed intently on the road ahead of him. Lady and Rudy slept in the back seat, snuggled together for extra warmth and comfort.

Next to him, riding shotgun, was a Lee Enfield bolt action rifle, and two cans of gas sat on the floor in front of it.
Well, this is a little rap/poem I wrote for 2 of my best friends who both committed suicide within a year of each other. They were musicians, and a pair of unique souls who will be deeply missed.

Two Stars

Rest in Peace, Philip and James Tarr.
This one's for you.

Check out the stars
How they shine so bright
Light up the night
And it feels so right
That I might just up and take flight tonight!

A sharp twist of fate
A dark twisted state - but wait!
That clock's a little late
I'm a little irate
With no room for debate
It's emotional checkmate
I feel a crushin' weight
Just wanna clean the slate
Erase all the hate
Go back to '98
Man, wouldn't that be great?
...
But that slate's carved in stone
Just thrown forth into a future unknown
Two kingly seeds, now rest unsown
In their stead heartache has grown
And two stars have shown
That it's never too late, man you gotta keep goin'!

I shed two tears today
To pray for a day when there may be a way I can say all the things that I couldn't say
When we were far away
Livin' day-to-day
So in my heart you'll stay
Oh by the way,
I play Messfolk and Canker like every day!
And I'll never end up astray
From livin' my life in your memory - hey,
I'm doin' it big for you every day!

Man I feel like I'm freakin' out!
My soul's so cold
And this ain't how I was told this whole life would unfold but I suppose
Life is a joke only Gods knows
And only God gets
It's lonely to laugh alone I bet
But I won't cry bro I won't fret
I'ma treat this life like it's in my debt
And make damn sure they never forget
Hit that stage and rock that set!
It's no goddamn remorse my brothers
No goddamn regrets

Rest in peace my brothers.

In memory of,
Philip R. Tarr 1987-2012
James F. Tarr 1987-2013
Jin fumbled with the explosives, his adrenaline raging out of control, and his nerves resting on the edge of insanity. They were about to kill a lot of people, regular employees, not just the corrupt masterminds.

The lighting was dim, the air was hot and heavy, and the generator produced a loud, mechanical hum that only added to the pressure of the situation.

He placed the bundled dynamite with a timed device strapped to it in one of the grooves of the massive, noisy machine. He hit detonate, and was startled to see a ten second timer begin to count down.

His mind raced. His black market contact assured him they were set up for a ten minute timer. Jin had stressed the importance of that more than once, and he had clearly been screwed.

He began to panic. As he stood up, he heard Ana shout his name to his horror and dismay. He looked over at her, thinking to himself that it couldn't have been any worse.

Ana stood helplessly, confused and concerned by the look of horror on Jin's face. She had read the map all wrong. She got scared and got ahead of herself, ended up at the first generator room instead of the second.

She blew it. Botched everything.

She felt a hand firmly grab her own, yanking her backwards. Jin screamed her name as she resisted and turned to face her captor. 

He was a young man with long blonde hair, and striking blue eyes. He wore a long decorative sword across his back with black slacks, and a navy tunic under red heavy armor that covered his left breast, arm, and hand. His attire was barbaric and primitive to her, although she could find exotic beauty in the craftsmanship. It had a single, sapphire blue strip of decorative cloth that hung from the rear shoulder of the plate armor, which was extended in the back to further protect the wearer's vitals, and facilitate his sword's sheath.

He was an outsider, no way he worked for Zenobia Prime.

She struggled, protesting her being dragged away and parted from Jin when she knew something was wrong.

"No!"

No sooner did the word escape her lips and the thought crossed her mind, an explosion jarred her body and senses, thrusting Ana and her captor into the solid steel wall.

Rubble pelted her body as smoke and dust filled the dark corridors. She nearly lost consciousness, and felt him hoist her over his shoulder, carrying her the rest of the way.

As she came around she began to sob, calling Jin's name, realizing he was dead, and she had left him behind.

He struggled up a sewer ladder, and let her down as they reached the cool night air. She scrambled to her feet and tried to run back toward the smoking manhole, but he wrapped his arms around her, and held her tight.

They both fell to their knees as she wept in his arms, resisting him.

"He's gone," he said softly, "he's gone..."
What grinds my gears is when people congregate online to bitch about what annoys them, rather than taking the proper steps to ensure their life is as peaceful as possible, or simply dealing with their pet peeves and learning to be more accepting of society's flaws as well as the flaws of the individual...

Just thought I'd throw that out there.

And Prisk, someone using Megan Fox's picture as their Avi should be infinitely more badass and composed, finding herself above something like complaining about bad RP experiences in a thread like this.
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