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    1. Prince 11 yrs ago

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I've noticed that a lot of these characters are more of archetypes from RP-to-RP. I haven't quite seen any as in depth as the two as I described.
And, post 201 introduces a whole new roleplayer to the fray. :D
Fight!


Fate, she is a cruel mistress. The sister of chance and mother of fortune.


Fight!


Fate, she has her witty ways of weaving those threads she sees fit for her desires.


Fight!


Fate, so powerful yet so subtle that she can make the roar of a crowd watching a brawl into destiny for so many.


As the Coral Pearl docked in the harbors of the Brass Cape, a loud chanting from a large crowd echoed from the streets nearest the docks. Hundreds of people, some more metal than flesh, roaring around in a circle, all chanting "Fight!" as a spectacle was unfolding. Not far off from them was a ship, not terribly unlike their own, but with a broken mast of three, chunks of splintered wood barren of finish and lacquer with entire planks missing and shattered. It was unsightly, so much that the fact it was afloat was left surprising. The only notable fact about the ship was the drastic contrast between it and essentially every other man-made, mechanical thing the immediacy of Brass Cape offered. It would be hard for any mind of minimal common sense not to assume a brawl was related; most sailors, after rough voyages, threw blame at those that performed poorly, and brawls, if not outright murders, were common among criminal or even gruff crews. This spectacle was likely no different.

Despite the decent distance between the Coral Pearl and the actual crowd itself, the crowd not only made itself heard, but was drowned out at times by the terrible sounds of screeching metal and warping steel. As if nails on a chalk board made into were sounds that rang out with a sense of lethal intent, the noises and clatter from the arena made by a crowd of spectators were enough to insinuate that whatever "fight" the chants and awe of the crowd implied had more destruction and drama than finesse or technique. All the while, the sounds from this conflict alone weren't the only spotlight that could draw attention to it. From its pit, near its core, something had an aura. Something shot out a feeling, to those more 'connected' with natural world, that something less natural and more forced was happening. Something no one in the StarDusk crew had encountered as of yet.
Alright, so I spent all of yesterday finishing necessary classwork for the week as my mid terms are next week, which includes a speech in front of a live audience and mostly tests (oddly enough, I did do one mid term test this week. My classes are inconsistent). Anyway, aside from prep for next week, I'm free this weekend until my assignments are posted, and chances are, they won't eat up much time until my timed tests. This means I should be able to dedicate time Saturday and Sunday to this really heavily.

I do apologize for the lack of activity, once again. We demoted a manager were I work, leaving a full 32 hours to account for controlling our store. They were caught smoking and allowing crew to "smoke" on the clock during closing hours, which is immediate grounds for termination, which we also give them 2 weeks to find a new job - all of them. As I run the People Department, aaaaall of this falls under my jurisdiction and its technically my obligation to cover any uncovered floor hours. So, my own job, which will constitute the hiring and training of at least five new employees and the search for a new potential manager, was made even harder while I was pushed into 28 extra hours. Someone extended a shift of theirs by 4, but no one in the whole store was willing to take on any more hours, which means I'll finish out today with a whooping 68.5 hours in this week (I work a double, but the 28 are overtime and the original 8 will be my normal shift for 40). So... yeah. I start my shift in 30 minutes and I'm not out untillll.midnight.
. That's at least thirty years between the time he suffered abuse at his father's hands and the time he sets his plans into motion. I don't know about you, but I've never met anyone who internalized their abuse so much that they made sure their entire adult lives revolved around it.


I've studied half a dozen real life serial killers, serial rapers and actual criminals that have enacted insane acts of cruelty, ranging from those that developed their sociopathic tendencies at a young age due to abuse to those whom didn't manifest it later in life, at times a decade after their prime. If you haven't heard of anyone internalizing abuse to that degree, look at the prison system, and you'll find more real life examples than you could ever want - trust me. If you think he's a drama queen, understand that there are men that did terrible, terrible things in secrecy cause their priests or neighbors did equally terrible things to them. On that note, it doesn't even have to be as severe as I may make it seem; look at all of the instances of high-stress college students doing these horrendous things or the kids pushed to excel and 'be the best' only to fall short - or even succeed - only to ultimately do something terrible. It happens ALL the time, and if you don't see it, look at the media and observe the world around you. I understood Amon and his plight because it definitely was a real one and it was far more 'realistic' than Zaheer and his goal to destroy centralized government. I can't honestly combat your points on Unalaq; as a viewer, you don't really appreciate what he did because you were meant to see it coming.

I simply feel completely opposite about the Red Lotus. I feel it was a shallow organization that we had almost no actual expansion on. It was a tool, as we saw it. I mean, it went from having five members to a whole bunch of people shrouded in red cloaks prepared to poison the Avatar. How? Where was the setup? The Red Lotus is a splinter group of a SHADOW group. A lot of wasted potential. It was just a backdrop to highlight Zaheer. I literally feel like every Red Lotus member, save Unalaq, was a support for Zaheer instead of their own character and any depth they had was immediately shallow. Even P'Li literally died to free Zaheer from his early ties; to me, that looks like a roleplayer that introduces a character in a DBZ RP just to kill them and send their RPC into Super Saiyan. She wasn't there or integral long enough nor was their romance emphasized enough, in my opinion, for it to have been that influential. It was forced. It was fast. It wasn't as hard hitting. I haven't seen a scene since the final one of Season One where the boat blows up where I just go "Damn, that's amazing writing", granted I'm thoroughly impressed and entertained.

Avatar: The Last Airbender had one linear, central plot, but it expanded on it and a world beautifully. From episode one, you knew what that show was about. I feel that was amazing displayed in season one of Legend of Korra, but with the introduction of Season Two with Harmonic Convergence and Season Three with the Red Lotus, I feel like it's become somewhat diluted in the sense the seasons don't string together, the plotlines are more individual and I really, really feel like the merging of the Spirit World and normal World is a beautiful idea, but the plotline that induced it was just too large in scope. It literally reset the whole series, the whole connection to the past lives, it answered a lot of questions REALLY quickly and the third Season didn't get close to matching its scope.

Anyway, I should get back to posting tomorrow. Work and all. Definitely this weekend. I swear to god, people smoking pot on the clock... I get a solid 21.5 hours overtime, but damn.
Amon was a perfect example of the character-creating logic, "you only need a reason, not a good one." He was a highly internalized character. I feel that the themes of abuse, mental warping, diluted personal perspective and misplaced ventilation of rage for his motivation are all over-looked. I've had this same discussion with quite a few fans. What were you expecting from Amon? What did you expect his huge reveal to be? He didn't have megalomaniac plans to take over the world or destroy it, nor merge it with the Spirit World. He just wanted to rid it of bending, granted that's on the opposite end of the spectrum, but it was fueled via political and internal strife made by a society where some are gifted abilities. It's a natural oligarchy of sorts.

I still feel like the Red Lotus was more of a tool than anything, which made it hard to... respect. You literally see one character follow through with its morals and have any form of character development while you see Amon shape Korra as we know it is now. I also feel like saying Unalaq had a one-track mind isn't lending enough credit to his ingenuity with manipulation, geo-political analysis and manipulation and overall skill. Unlike every OTHER villain, his key ability was to soothe/control spirits using Waterbending techniques essentially anyone can learn. Two airbenders have flown. Only a handful of waterbenders can bloodbend. In all reality, he's probably the most 'realistic' villain in terms of what he does and how he does it.
Because I prefer my evil to be chaotic, destructive, cruel and unwarranted, I will boldly say Vaatu is my favorite Avatar villain. Fueled by a primal, natural desire and nothing else, he embodied what many shows attempt to and fail at. However, in comparing Amon and Zaheer (and/or Red Lotus), I would have to side with Amon. I dislike the spiritualistic capabilities of Zaheer, and despite my highly-rebellious nature, I'm far from an anarchist. I didn't agree with him, I didn't follow his logic and, as someone whom normally roots for and sympathizes with the villains, I felt no remorse for Zaheer. At that, the Red Lotus pissed me off for several reasons, first and foremost being that no one aside from Zaheer even adhered to its principles. Unalaq was using the Red Lotus, and at that acted without the assistance of others. Ming and Ghazan were criminals, not really seeing true anarchy as much as they were merely siding with whomever offered them redemption/freedom. P'Li was in love with Zaheer. But, the characters are never embellished on after that. You don't get to 'feel' their motives or understand why or truly comprehend their depth as characters; they're all just benders with a unique bending style and a desire to dissolve world order. Amon was far different. With Amon, there was depth and a definite plot and it introduced us to the setting and the new politics and the new aspects of being an Avatar. It also showed us the innovative new ways bending can be used as people adapt to it in harsh,. harsh circumstances. Not to mention, I'm a larger fan of smaller plots that don't involve world domination/destruction/revolution/alteration. The ending to the first season had a powerful sense of catharsis and just made the setting the darker version of Avatar that it is.

Needless to say, Season One of Legend of Korra is my favorite by far. I believe its writing is definitely the best and its the most down to Earth.
Because I prefer my evil to be chaotic, destructive, cruel and unwarranted, I will boldly say Vaatu is my favorite Avatar villain. Fueled by a primal, natural desire and nothing else, he embodied what many shows attempt to and fail at. However, in comparing Amon and Zaheer (and/or Red Lotus), I would have to side with Amon. I dislike the spiritualistic capabilities of Zaheer, and despite my highly-rebellious nature, I'm far from an anarchist. I didn't agree with him, I didn't follow his logic and, as someone whom normally roots for and sympathizes with the villains, I felt no remorse for Zaheer. At that, the Red Lotus pissed me off for several reasons, first and foremost being that no one aside from Zaheer even adhered to its principles. Unalaq was using the Red Lotus, and at that acted without the assistance of others. Ming and Ghazan were criminals, not really seeing true anarchy as much as they were merely siding with whomever offered them redemption/freedom. P'Li was in love with Zaheer. But, the characters are never embellished on after that. You don't get to 'feel' their motives or understand why or truly comprehend their depth as characters; they're all just benders with a unique bending style and a desire to dissolve world order. Amon was far different. With Amon, there was depth and a definite plot and it introduced us to the setting and the new politics and the new aspects of being an Avatar. It also showed us the innovative new ways bending can be used as people adapt to it in harsh,. harsh circumstances. Not to mention, I'm a larger fan of smaller plots that don't involve world domination/destruction/revolution/alteration. The ending to the first season had a powerful sense of catharsis and just made the setting the darker version of Avatar that it is.

Needless to say, Season One of Legend of Korra is my favorite by far. I believe its writing is definitely the best and its the most down to Earth.
Fuuuuuuck mid terms. So hard.
Oh man, don't fret. I used to have interviewers and advisors push off meetings and interviews to go out with colleagues. They're always trying to press their careers; sometimes they don't actually try to achieve in their present job. It makes sense for them, but it can really put a damper on students that are just their "next step" in the chain.
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