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Alby47Amah Vess-Mekel!
[Amah. Come.] You flinch guiltily as you feel the thumps through the floor, filled with the sudden irrational fear that you are going to be chastised for staring at the Maid when everybody else stopped to do it, too. The face that Leiksh pulls at you says that she’s thinking the same thing, and you make a face back before turning and slithering over to Mistress Anesh, who is still working that cloth the Maid gave her in her fingers.
“Yes, ma’am?” Your voice cracks in the middle of the yes, and you take a moment to imagine the floor yawning beneath you and sending you plummeting down to the Demon Queen Hell, where presumably there is only torture by furious ifrits instead of the unbearable awkwardness of being alive. Must be nice, comparatively.
“Take your apron off,” she says. You know, the nightmare scenario. But before you can throw yourself to the floor before her belly and beg her to give you a second chance to prove yourself, she continues. “Go to the Sidewinder’s Arms in Uptown. Sister Tammithyn Murr needs to know that she was right about the Maid Knights. I will stall this one for as long as I can, but she does not have much time. Can you remember that, Amah?”
nod nod grateful nod life is beautiful again the birds are chirping isn’t it so great to be alive and employed
“I told her,” Mistress Anesh continues, to herself, with you right there listening. “I’m not getting involved. Didn’t I tell her? I’ll do my duty to Blessed Civelia, but asking me to fight those— why are you still in your apron, Amah?”
Eclair!
dum-te-dum, dum-TE-dum, dum-te-dum-DUM…
You know the song that the child was humming to her rabbit. It’s going to be running in a loop in the back of your thoughts until you can remember the name, isn’t it? An itch in your fingers, aching to be pressed against the keys of a piano, to hunt along the ivory until you’ve caught it like an errant Outside goblinmouse trying to get to the cheeses.
The simplest explanation is that it’s one of the songs that Madeline is always playing off her newfangled spirit tablet. She’d explained to you, gushing, that it’s the latest fad, inspired by Yuki Edogawa: a simple program on the tablets lets you treat the screen like an orchestral room, playing each instrument in turn and then replaying each one together, and then you can mail the resulting songs to your friends. She’s got her face smooshed against hers on every break, going on about music packages she’s been mailed.
The click of the tablets’ picture capture function is a new addition to the sounds of the city, and everywhere you turn, some lucky owner is using one to trap moments from the Festival of Light, giddy at their new ability to make art with the press of a button. What do you make of that, Eclair? And—
“Pardon me, ma’am? Milady? I, ah… would you be willing to help us out?”
He’s Serigalamu, but there’s a hint of an Avel lilt to his voice, the kind passed down by a parent. His companion (no, look at her necklace, wife) is more obviously Avel, but her skirt is the long, wide-hipped sort still popular among western farmers. He holds out a spirit tablet, set into a protective fur case. An expensive luxury, given their Lunar manufacture, but one that more and more people are managing to get their hands on— especially with the Festival sales, and the Princess’s success in negotiating with Kel.
With that in mind, it’s easy to deduce why this man, barely prosperous enough to afford this wonder of the Moon, is asking you to use it for a photo. Out of anyone in the city, surely a maid-knight’s the only one who wouldn’t be tempted to walk away with it. Behind the two, the Golden Arch — a masterpiece by the goldsmiths of Crevas in honor of the goldsmiths of Crevas — rears against the bright sky.
Yuki!
"Purnima Karn-Pana,” Princess Sulochana Arju hisses. You might think there’s not enough sibilant noises in there for a hiss, but trust me, she manages it on account of being a Nagi. “She’s from one of the client branches of the Karnashas, but Humash Karnasha selected her as a successor, presumably because she’s going both blind and deaf, which is the only reason— anyway, Purnima seems to think that the leadership and courage I displayed during the Azaza Crisis isn’t reason enough for me to have received this position, and she’s making an absolute crow of herself in the Lower Chamber, trying to build a coalition of anyone who feels slighted or that they’re not quite prospering enough under my leadership, and… well, after tonight, she might get what she wanted.”
The way she says that, though, isn’t defeated or seethingly furious. It’s impishly haughty, the sound of a Princess laying a trap. She sneaks you a sly glance.
“But enough of that! Tell me about your summer camp and the fencing! You don’t have Heartblades, so you must have been fighting like Maid Knights! It must be so difficult not having yours to hand when you’re back in Yukis— in your world.”
As you head down to the outer stables, and the palanquin waiting there to carry you down to the Welcoming Plaza (after Sulochana considers and then rejects the idea of riding there on an exotic tamed goblin almost like an elephant, just with six legs)— go ahead and consider how you feel about Earth becoming known as Yukisworld in Thellamie. Even if you tried, at this point, you’d probably only be able to get it known as “Yukisworld, sometimes called Earth.” Or, you know, Yukisearth.
(This is actually Keli’s fault. You are vaguely aware you may be owed royalties the next time you see her.)
Rurik!
“We will have need of your indomitable heart,” Civelia continues. “Your puissance shall be the lens through which my light is filtered for the benefit of all Thellamie. So you must be ready in your Tent by dusk, I humbly beseech you. Even if you find something of exceeding interest. Please.” The subtext is clear: Heron needs to be ready to take her place in the ceremony at that time, however the Handmaidens need to wrangle her. Not that she can express displeasure with the Hero of Ages, but she’s had a long time to practice guilt trips, and she always makes sure to tip Heron well for a job well done, tips which inevitably trickle down. When Heron’s around, that is.
Which is something of a sticking point.
Because nobody has told Civelia that Heron is in the Heart of the Moon right now, trying her damnedest to stop it from falling out of the sky and shattering on the peaks of Kel.
“It’s fine? Don’t worry her about it,” Heron had said to you, buckling her travel pack on before she jumped through the portal, deep in the Outside. “Like. Imagine I cause mass hysteria, right?” The lunar wind was tousling her hair; she stood in silhouette against its silver light. “We evacuate all of Kel, and then I come back and it was nothing? She’d finally snap.”
In that moment, as you all stood there, the Hero of Ages had stared for a long moment, flashed a sign of peace at you all, then jumped through and didn’t look back.
Lovely Hazel!
Oh, darling. Oh, you little sweetie.
You have made a fundamental mistake in dealing with these two, and that is—
“But you just got here, yah?” Seli trills, putting one finger up to her veiled chin in thought, and then glancing over at Keli.
“Yah, so you can’t say for sure,” Keli replies, nodding. (She has sensed the Bit. Even if she was just scolding Seli for scaring you, she has to play along.)
“You don’t even know about the Market Wars,” Seli continues, tail swishing behind you. “You’ll stumble right into their intrigues and get all. wrapped. up. in them.”
“Beguiled by their golden eyes, their sinuous swaying, lured close until it’s too late to escape…” Keli lets out a fluttering sigh at the same frequency as the butterflies in your stomach.
“So you’re right, they don’t usually scoop people up at random—“
“—just cute boys who have seen too much—“
“—innocent, unable to explain he’s not a familial agent—“
“—under their spell—“
“—under their coils—“
“—dragged away—“
“—to be buried alive!!!”
Keli gasps and bats at Seli, reaching over you to do so. Her perfume comes with her. “They do not! She’s winding you up, darling.”
“I have been buried alive by Nagi before, yah?” Seli says, and waggles her eyebrows in a way that makes Keli gasp, then snort.
“Nooooo, not like that, look at him, he’s gone as red as Carmine Street! You are wicked~!”
“But I’m not winding him up about the Market Wars.”
“She’s not,” Keli admits with a theatrical shrug, her hand almost, almost close enough to touch you.
“Which is why I cannot, on my honor, allow you to wander about without guidance and protection,” Seli concludes, and her arm has snuck its way around your arm, and her sleeve is really soft and gauzy and also she’s not letting go.
“Oh, wonderful, yes!” A second arm shoots its way around your other arm, and Keli gives you a little squeeze with the crook of her arm. “You simply must see the gardens of Princess Cesus—“
“—who was actually a man, you know, like you, and what do you think, Keli, do you think he could ever be a Princess?”
Keli considers you, and you’re standing up now, pulled to your feet by the vulpine scoundrels on either side of you, and maybe your legs go a little weak when she shuts her eyes and says, with a voice like the most sincere sunbeams: “Yah~ <3”
And I shall share with you a secret, lean in close to listen:
Seli thinks your voice’s wavering is attractive; it makes her want to see what else she can make that voice do, the ways she could make it squeak and break and fail you. But Keli thinks that you have a very cute face, and would look just darling with your mouth, ah, handled properly, if you know what I mean. Just because she’s the sweet one doesn’t mean she’s not thinking about Gagged Deerboy Noises right now, as her tail’s tip curls and trembles for just a moment.
Don’t give me that look. You did ask.
[Seli takes the string: “Flusterable Little Thing, Isn’t He?”
Keli takes the string: “Pretty Little Thing, Isn’t He?”]
[Amah. Come.] You flinch guiltily as you feel the thumps through the floor, filled with the sudden irrational fear that you are going to be chastised for staring at the Maid when everybody else stopped to do it, too. The face that Leiksh pulls at you says that she’s thinking the same thing, and you make a face back before turning and slithering over to Mistress Anesh, who is still working that cloth the Maid gave her in her fingers.
“Yes, ma’am?” Your voice cracks in the middle of the yes, and you take a moment to imagine the floor yawning beneath you and sending you plummeting down to the Demon Queen Hell, where presumably there is only torture by furious ifrits instead of the unbearable awkwardness of being alive. Must be nice, comparatively.
“Take your apron off,” she says. You know, the nightmare scenario. But before you can throw yourself to the floor before her belly and beg her to give you a second chance to prove yourself, she continues. “Go to the Sidewinder’s Arms in Uptown. Sister Tammithyn Murr needs to know that she was right about the Maid Knights. I will stall this one for as long as I can, but she does not have much time. Can you remember that, Amah?”
nod nod grateful nod life is beautiful again the birds are chirping isn’t it so great to be alive and employed
“I told her,” Mistress Anesh continues, to herself, with you right there listening. “I’m not getting involved. Didn’t I tell her? I’ll do my duty to Blessed Civelia, but asking me to fight those— why are you still in your apron, Amah?”
Eclair!
dum-te-dum, dum-TE-dum, dum-te-dum-DUM…
You know the song that the child was humming to her rabbit. It’s going to be running in a loop in the back of your thoughts until you can remember the name, isn’t it? An itch in your fingers, aching to be pressed against the keys of a piano, to hunt along the ivory until you’ve caught it like an errant Outside goblinmouse trying to get to the cheeses.
The simplest explanation is that it’s one of the songs that Madeline is always playing off her newfangled spirit tablet. She’d explained to you, gushing, that it’s the latest fad, inspired by Yuki Edogawa: a simple program on the tablets lets you treat the screen like an orchestral room, playing each instrument in turn and then replaying each one together, and then you can mail the resulting songs to your friends. She’s got her face smooshed against hers on every break, going on about music packages she’s been mailed.
The click of the tablets’ picture capture function is a new addition to the sounds of the city, and everywhere you turn, some lucky owner is using one to trap moments from the Festival of Light, giddy at their new ability to make art with the press of a button. What do you make of that, Eclair? And—
“Pardon me, ma’am? Milady? I, ah… would you be willing to help us out?”
He’s Serigalamu, but there’s a hint of an Avel lilt to his voice, the kind passed down by a parent. His companion (no, look at her necklace, wife) is more obviously Avel, but her skirt is the long, wide-hipped sort still popular among western farmers. He holds out a spirit tablet, set into a protective fur case. An expensive luxury, given their Lunar manufacture, but one that more and more people are managing to get their hands on— especially with the Festival sales, and the Princess’s success in negotiating with Kel.
With that in mind, it’s easy to deduce why this man, barely prosperous enough to afford this wonder of the Moon, is asking you to use it for a photo. Out of anyone in the city, surely a maid-knight’s the only one who wouldn’t be tempted to walk away with it. Behind the two, the Golden Arch — a masterpiece by the goldsmiths of Crevas in honor of the goldsmiths of Crevas — rears against the bright sky.
Yuki!
"Purnima Karn-Pana,” Princess Sulochana Arju hisses. You might think there’s not enough sibilant noises in there for a hiss, but trust me, she manages it on account of being a Nagi. “She’s from one of the client branches of the Karnashas, but Humash Karnasha selected her as a successor, presumably because she’s going both blind and deaf, which is the only reason— anyway, Purnima seems to think that the leadership and courage I displayed during the Azaza Crisis isn’t reason enough for me to have received this position, and she’s making an absolute crow of herself in the Lower Chamber, trying to build a coalition of anyone who feels slighted or that they’re not quite prospering enough under my leadership, and… well, after tonight, she might get what she wanted.”
The way she says that, though, isn’t defeated or seethingly furious. It’s impishly haughty, the sound of a Princess laying a trap. She sneaks you a sly glance.
“But enough of that! Tell me about your summer camp and the fencing! You don’t have Heartblades, so you must have been fighting like Maid Knights! It must be so difficult not having yours to hand when you’re back in Yukis— in your world.”
As you head down to the outer stables, and the palanquin waiting there to carry you down to the Welcoming Plaza (after Sulochana considers and then rejects the idea of riding there on an exotic tamed goblin almost like an elephant, just with six legs)— go ahead and consider how you feel about Earth becoming known as Yukisworld in Thellamie. Even if you tried, at this point, you’d probably only be able to get it known as “Yukisworld, sometimes called Earth.” Or, you know, Yukisearth.
(This is actually Keli’s fault. You are vaguely aware you may be owed royalties the next time you see her.)
Rurik!
“We will have need of your indomitable heart,” Civelia continues. “Your puissance shall be the lens through which my light is filtered for the benefit of all Thellamie. So you must be ready in your Tent by dusk, I humbly beseech you. Even if you find something of exceeding interest. Please.” The subtext is clear: Heron needs to be ready to take her place in the ceremony at that time, however the Handmaidens need to wrangle her. Not that she can express displeasure with the Hero of Ages, but she’s had a long time to practice guilt trips, and she always makes sure to tip Heron well for a job well done, tips which inevitably trickle down. When Heron’s around, that is.
Which is something of a sticking point.
Because nobody has told Civelia that Heron is in the Heart of the Moon right now, trying her damnedest to stop it from falling out of the sky and shattering on the peaks of Kel.
“It’s fine? Don’t worry her about it,” Heron had said to you, buckling her travel pack on before she jumped through the portal, deep in the Outside. “Like. Imagine I cause mass hysteria, right?” The lunar wind was tousling her hair; she stood in silhouette against its silver light. “We evacuate all of Kel, and then I come back and it was nothing? She’d finally snap.”
In that moment, as you all stood there, the Hero of Ages had stared for a long moment, flashed a sign of peace at you all, then jumped through and didn’t look back.
Lovely Hazel!
Oh, darling. Oh, you little sweetie.
You have made a fundamental mistake in dealing with these two, and that is—
“But you just got here, yah?” Seli trills, putting one finger up to her veiled chin in thought, and then glancing over at Keli.
“Yah, so you can’t say for sure,” Keli replies, nodding. (She has sensed the Bit. Even if she was just scolding Seli for scaring you, she has to play along.)
“You don’t even know about the Market Wars,” Seli continues, tail swishing behind you. “You’ll stumble right into their intrigues and get all. wrapped. up. in them.”
“Beguiled by their golden eyes, their sinuous swaying, lured close until it’s too late to escape…” Keli lets out a fluttering sigh at the same frequency as the butterflies in your stomach.
“So you’re right, they don’t usually scoop people up at random—“
“—just cute boys who have seen too much—“
“—innocent, unable to explain he’s not a familial agent—“
“—under their spell—“
“—under their coils—“
“—dragged away—“
“—to be buried alive!!!”
Keli gasps and bats at Seli, reaching over you to do so. Her perfume comes with her. “They do not! She’s winding you up, darling.”
“I have been buried alive by Nagi before, yah?” Seli says, and waggles her eyebrows in a way that makes Keli gasp, then snort.
“Nooooo, not like that, look at him, he’s gone as red as Carmine Street! You are wicked~!”
“But I’m not winding him up about the Market Wars.”
“She’s not,” Keli admits with a theatrical shrug, her hand almost, almost close enough to touch you.
“Which is why I cannot, on my honor, allow you to wander about without guidance and protection,” Seli concludes, and her arm has snuck its way around your arm, and her sleeve is really soft and gauzy and also she’s not letting go.
“Oh, wonderful, yes!” A second arm shoots its way around your other arm, and Keli gives you a little squeeze with the crook of her arm. “You simply must see the gardens of Princess Cesus—“
“—who was actually a man, you know, like you, and what do you think, Keli, do you think he could ever be a Princess?”
Keli considers you, and you’re standing up now, pulled to your feet by the vulpine scoundrels on either side of you, and maybe your legs go a little weak when she shuts her eyes and says, with a voice like the most sincere sunbeams: “Yah~ <3”
And I shall share with you a secret, lean in close to listen:
Seli thinks your voice’s wavering is attractive; it makes her want to see what else she can make that voice do, the ways she could make it squeak and break and fail you. But Keli thinks that you have a very cute face, and would look just darling with your mouth, ah, handled properly, if you know what I mean. Just because she’s the sweet one doesn’t mean she’s not thinking about Gagged Deerboy Noises right now, as her tail’s tip curls and trembles for just a moment.
Don’t give me that look. You did ask.
[Seli takes the string: “Flusterable Little Thing, Isn’t He?”
Keli takes the string: “Pretty Little Thing, Isn’t He?”]