|Dynarsky Ship Workshops, lower Muon orbit, Khasi system
Master Designer Gene Dynarsky inserted the data-square into the meeting table's port. He spared a glance at the foreign design advisory teams. Eastwing had the infrastructure in place for this particular art piece, so it made sense to build the ship here in his workshops. Of the many final contestants who had vied for the contract, Gene had proved most flexible. The competition for the contract had been interesting - Eastwing completely changed the specs at the last moment to find out which designer was most flexible. Some of the less robust designers (Gene thought of Kwan, here) had insisted that the switch made the competition unfair and impossible. Gene simply adapted, and found that he could spontaneously grow his aesthetic from the new, sudden requirements.
His design - with no real input from the alien parties, yet - flashed to life above the table. It wasn't a large ship; it was something that could be completed within a few years. Contained within were carefully separated living quarters, a full gallery, an observation lounge, probe bay, bluespace drive, multichromatic laser weaponry, and the most beautifully colorful bridge he'd yet conceived. It was capable of atmospheric entry, if somewhat unweildy when doing so. Gene was particularly proud of how mechanized the design was. He'd incorporated movement into most parts of the exterior - the multichromatic lasers were hidden behind gracefully curving arms that would move to protect vital areas of the ship when it was firing. The drone bay was covered unless in use. More arms could line up along the lasers' path, allowing for post-firing modulation of targeting and beam intensity through a holographic lensing effect. And the entire ship seemed to come alive when it bluespace transited, the various armatures whirling around madly. Such action served to distribute heat evenly along the hull.
"This is my rough draft," he said. "I expect you'll have some changes to recommend and requirements to add, but I think the aesthetics are there. It's a definite design direction. What do you think?"
Master Designer Gene Dynarsky inserted the data-square into the meeting table's port. He spared a glance at the foreign design advisory teams. Eastwing had the infrastructure in place for this particular art piece, so it made sense to build the ship here in his workshops. Of the many final contestants who had vied for the contract, Gene had proved most flexible. The competition for the contract had been interesting - Eastwing completely changed the specs at the last moment to find out which designer was most flexible. Some of the less robust designers (Gene thought of Kwan, here) had insisted that the switch made the competition unfair and impossible. Gene simply adapted, and found that he could spontaneously grow his aesthetic from the new, sudden requirements.
His design - with no real input from the alien parties, yet - flashed to life above the table. It wasn't a large ship; it was something that could be completed within a few years. Contained within were carefully separated living quarters, a full gallery, an observation lounge, probe bay, bluespace drive, multichromatic laser weaponry, and the most beautifully colorful bridge he'd yet conceived. It was capable of atmospheric entry, if somewhat unweildy when doing so. Gene was particularly proud of how mechanized the design was. He'd incorporated movement into most parts of the exterior - the multichromatic lasers were hidden behind gracefully curving arms that would move to protect vital areas of the ship when it was firing. The drone bay was covered unless in use. More arms could line up along the lasers' path, allowing for post-firing modulation of targeting and beam intensity through a holographic lensing effect. And the entire ship seemed to come alive when it bluespace transited, the various armatures whirling around madly. Such action served to distribute heat evenly along the hull.
"This is my rough draft," he said. "I expect you'll have some changes to recommend and requirements to add, but I think the aesthetics are there. It's a definite design direction. What do you think?"