After an understandable grieving period from Eliel and a less understandable period of insanity from Magolor, the latter found the former solider girl’s blood where she had been. Without any real proof it had been hers though, the team of three cautiously headed towards the room with the light to see what they could find. Fortunately, there were no traps to speak of around the pit.
When they arrived, everyone saw what was in this room; a formal dining room, complete with a set of sturdy-looking wooden chairs and a table. The centerpiece of the room was a grand portrait of an important-looking man. Evaluating the amount of detail and color that went into it, it was easy to assume it was probably Charles Cornwall himself. Based on the artist’s representation of the man, the nobleman had a commanding presence and commanded respect. The light that had been seen was actually from one candle on a diminished, yet still ornate chandelier. While the detailed metalwork of the fixture still alluded to the former grandeur of the piece, there were holes that looked to have contained gems sometime in the past. Upon evaluation, the team would find that the candle had no drippings or other signs of wear; this piece of wax was only lit recently. There was also a grand wooden cabinet that was a little shorter than Sohn, made of the same wooden material as the table and chairs, with three drawers of equal size.
Besides the direction they came from, there were three other passageways the group could use. To the right was a door that was mostly closed; it had been left slightly open by whoever used it last. The left door was a double-acting door. Interestingly, there was a big scar on the wooden material, as if it had been cut somehow. The middle led to some kind of big room. What was inside this room couldn’t be seen without some investigation, but the size could be vaguely seen through the lighting created by the oil lamp and the candle.
When they arrived, everyone saw what was in this room; a formal dining room, complete with a set of sturdy-looking wooden chairs and a table. The centerpiece of the room was a grand portrait of an important-looking man. Evaluating the amount of detail and color that went into it, it was easy to assume it was probably Charles Cornwall himself. Based on the artist’s representation of the man, the nobleman had a commanding presence and commanded respect. The light that had been seen was actually from one candle on a diminished, yet still ornate chandelier. While the detailed metalwork of the fixture still alluded to the former grandeur of the piece, there were holes that looked to have contained gems sometime in the past. Upon evaluation, the team would find that the candle had no drippings or other signs of wear; this piece of wax was only lit recently. There was also a grand wooden cabinet that was a little shorter than Sohn, made of the same wooden material as the table and chairs, with three drawers of equal size.
Besides the direction they came from, there were three other passageways the group could use. To the right was a door that was mostly closed; it had been left slightly open by whoever used it last. The left door was a double-acting door. Interestingly, there was a big scar on the wooden material, as if it had been cut somehow. The middle led to some kind of big room. What was inside this room couldn’t be seen without some investigation, but the size could be vaguely seen through the lighting created by the oil lamp and the candle.