Time to get this going
Prospit Dreamer
Cerulean Highblood| Ⱄ
Ⰻ Sylph of Doom | The Land of Abyss and Ignition Ⰻ
Indoor and Winterized variations
Your name is KLESSA SVETOS and you are a pioneer.
Living in the COLD AND LAWLESS ALTERNIAN NORTH has turned you from a typical vicious troll to something of a legalist survivalist hunting for subsistance on the fringe of civilization. Living with your BEAR LUSUS in a land where the law is basically nonexistant has made you VALUE ORDER AND RULES to an almost religious degree. Everything in your life is SCHEDUALED AND ORGANIZED, with timeslots dedicated to things such as hunting, hive maintenance, and designated time for games and social chat.
In many ways, this strict adherence to rules and regulations can make you a bit unpleasant. You are UNWAVERING AND UNBREAKING IN THE FACE OF YOUR RULES to the point of outright refusing to work with anyone who will not adhere to your own ideas on what must be done and how to do it. This has made you sort of a BAD TEAMMATE and you've not worked on a team since your last HORRIBLE FLARP ACCIDENT which resulted in one of your partners being mutilated and the other being horribly maimed. It was their fault of course; they should have listened to you. You still do FLARP from time to time, with your persona, THE STALKER, being a very high level character, abet one that few seek to actively work with.
You have devleoped a knack for MACHINERY AND TECHNOLOGY, as a consequence of having to preform your own routine maintenance to keep you hive warm as not to freeze to death, and establishing a connection to the greater internet from your remote home. Your interests, aside from keeping yourself alive, include the FINE ARTS, especially Music, who's careful organization holds great appeal to you. You often try your hand at MUSICAL COMPOSITON when you have the free time to do so, and are capable of playing many instruments, acting as your own ensemble when you need to record a piece. This foray into music also leads you to venture into the very valued art of POETRY, which you often delve into for accompanying your instrumentals; poetry appeals to you for it's rigid rules of meter and the challenge that provides. Yes you are a regular RENESSAINCE TROLL, whatever that may mean.
Living in a glacier means needing to hunt to survive, and thus you have skill with the SABREKIND strife specibus, as being a survivalist does not mean that you cannot hunt with the grace and sophisication of the nobility that you are, as well as an alternative BOTTLEKIND back up, when you need to huck a burning bottle of drink at any fearsome northern beasts or other troll hunters looking to take your quarry. Your fetch modus is the REFORMATION modus, which deconstructs any items that you place into it, and forces you to rebuild the item before it can be removed.
Your troll tag is septentrionalBoyar, and it's well known that you govoяeeт шiтh a мalenky вiт of an accenт, шith noятheяn slovos and leттeяs. You've found that your trollian friend react in various degrees to your use of accented speech
Klessa Svetos
Prospit Dreamer
Cerulean Highblood| Ⱄ
Ⰻ Sylph of Doom | The Land of Abyss and Ignition Ⰻ
Indoor and Winterized variations
Your name is KLESSA SVETOS and you are a pioneer.
Living in the COLD AND LAWLESS ALTERNIAN NORTH has turned you from a typical vicious troll to something of a legalist survivalist hunting for subsistance on the fringe of civilization. Living with your BEAR LUSUS in a land where the law is basically nonexistant has made you VALUE ORDER AND RULES to an almost religious degree. Everything in your life is SCHEDUALED AND ORGANIZED, with timeslots dedicated to things such as hunting, hive maintenance, and designated time for games and social chat.
In many ways, this strict adherence to rules and regulations can make you a bit unpleasant. You are UNWAVERING AND UNBREAKING IN THE FACE OF YOUR RULES to the point of outright refusing to work with anyone who will not adhere to your own ideas on what must be done and how to do it. This has made you sort of a BAD TEAMMATE and you've not worked on a team since your last HORRIBLE FLARP ACCIDENT which resulted in one of your partners being mutilated and the other being horribly maimed. It was their fault of course; they should have listened to you. You still do FLARP from time to time, with your persona, THE STALKER, being a very high level character, abet one that few seek to actively work with.
You have devleoped a knack for MACHINERY AND TECHNOLOGY, as a consequence of having to preform your own routine maintenance to keep you hive warm as not to freeze to death, and establishing a connection to the greater internet from your remote home. Your interests, aside from keeping yourself alive, include the FINE ARTS, especially Music, who's careful organization holds great appeal to you. You often try your hand at MUSICAL COMPOSITON when you have the free time to do so, and are capable of playing many instruments, acting as your own ensemble when you need to record a piece. This foray into music also leads you to venture into the very valued art of POETRY, which you often delve into for accompanying your instrumentals; poetry appeals to you for it's rigid rules of meter and the challenge that provides. Yes you are a regular RENESSAINCE TROLL, whatever that may mean.
Living in a glacier means needing to hunt to survive, and thus you have skill with the SABREKIND strife specibus, as being a survivalist does not mean that you cannot hunt with the grace and sophisication of the nobility that you are, as well as an alternative BOTTLEKIND back up, when you need to huck a burning bottle of drink at any fearsome northern beasts or other troll hunters looking to take your quarry. Your fetch modus is the REFORMATION modus, which deconstructs any items that you place into it, and forces you to rebuild the item before it can be removed.
Your troll tag is septentrionalBoyar, and it's well known that you govoяeeт шiтh a мalenky вiт of an accenт, шith noятheяn slovos and leттeяs. You've found that your trollian friend react in various degrees to your use of accented speech
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