[OOC] ♆ ᗯᕮᒪᑕOᗰᕮ TO ᖇᗩᑭTᑌᖇᕮ ♆ - [ ᗷIOSᕼOᑕK ᖇOᒪᕮᑭᒪᗩY ] - ᖇOᒪᕮᑭᒪᗩY ᖴᑌᒪᒪ

[Vicier]

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IᑎTᕮᖇᕮSTᕮᗪ Iᑎ ᒍOIᑎIᑎG..?
ᗰᕮSSᗩGᕮ ᗰᕮ Oᖇ Oᑎᕮ Oᖴ ᗰY ᑕO-Gᗰ'S..!

Gᗰ = ᐯIᑕIᕮᖇ.
ᑕO-Gᗰ = ᑕᗩITS.

"ᗩ ᗰᗩᑎ ᑕᕼOOSᕮS, ᗩ Sᒪᗩᐯᕮ OᗷᕮYS."

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♆ ♆

⥼ ⥽

“I ᗩᗰ ᗩᑎᗪᖇᕮᗯ ᖇYᗩᑎ... ᗩᑎᗪ I'ᗰ ᕼᕮᖇᕮ TO ᗩSK YOᑌ ᗩ ᑫᑌᕮSTIOᑎ.

IS ᗩ ᗰᗩᑎ ᑎOT ᕮᑎTITᒪᕮᗪ TO Tᕼᕮ SᗯᕮᗩT Oᖴ ᕼIS ᗷᖇOᗯ..? 'ᑎO!' SᗩYS Tᕼᕮ ᗰᗩᑎ Iᑎ ᗯᗩSᕼIᑎGTOᑎ, 'IT ᗷᕮᒪOᑎGS TO Tᕼᕮ ᑭOOᖇ'. 'ᑎO!' SᗩYS Tᕼᕮ ᗰᗩᑎ Iᑎ Tᕼᕮ ᐯᗩTIᑕᗩᑎ, 'IT ᗷᕮᒪOᑎGS TO GOᗪ'. 'ᑎO!' SᗩYS Tᕼᕮ ᗰᗩᑎ Iᑎ ᗰOSᑕOᗯ, 'IT ᗷᕮᒪOᑎGS TO ᕮᐯᕮᖇYOᑎᕮ'. I ᖇᕮᒍᕮᑕTᕮᗪ TᕼOSᕮ ᗩᑎSᗯᕮᖇS; IᑎSTᕮᗩᗪ, I ᑕᕼOSᕮ SOᗰᕮTᕼIᑎG ᗪIᖴᖴᕮᖇᕮᑎT- I ᑕᕼOSᕮ Tᕼᕮ IᗰᑭOSSIᗷᒪᕮ.

I ᑕᕼOSᕮ... ᖇᗩᑭTᑌᖇᕮ.

ᗩ ᑕITY ᗯᕼᕮᖇᕮ Tᕼᕮ ᗩᖇTIST ᗯOᑌᒪᗪ ᑎOT ᖴᕮᗩᖇ Tᕼᕮ ᑕᕮᑎSOᖇ... ᗯᕼᕮᖇᕮ Tᕼᕮ SᑕIᕮᑎTIST ᗯOᑌᒪᗪ ᑎOT ᗷᕮ ᗷOᑌᑎᗪ ᗷY ᑭᕮTTY ᗰOᖇᗩᒪITY- ᗯᕼᕮᖇᕮ Tᕼᕮ GᖇᕮᗩT ᗯOᑌᒪᗪ ᑎOT ᗷᕮ ᑕOᑎSTᖇᗩIᑎᕮᗪ ᗷY Tᕼᕮ Sᗰᗩᒪᒪ..! ᗩᑎᗪ ᗯITᕼ Tᕼᕮ SᗯᕮᗩT Oᖴ YOᑌᖇ ᗷᖇOᗯ; ᖇᗩᑭTᑌᖇᕮ ᑕᗩᑎ ᗷᕮᑕOᗰᕮ YOᑌᖇ ᑕITY ᗩS ᗯᕮᒪᒪ.”

⁓ ᗩᑎᗪᖇᕮᗯ ᖇYᗩᑎ; ᑕᖇᕮᗩTOᖇ Oᖴ ᖇᗩᑭTᑌᖇᕮ.

♆ ♆

⥼ IᑎᖴOᖇᗰᗩTIOᑎ ᗩᗷOᑌT ᖇᗩᑭTᑌᖇᕮ ⥽

ᗩ ᗰᗩSS ᑌᑎᗪᕮᖇᗯᗩTᕮᖇ ᑕITY; ᖇᗩᑭTᑌᖇᕮ (ᗩᒪSO KᑎOᗯᑎ ᗩS Tᕼᕮ "ᑎOᖇTᕼ ᗩTᒪᗩᑎTIᑕ ᑭᖇOᒍᕮᑕT" Oᖇ "Tᕼᕮ ᖇᗩᑭTᑌᖇᕮ ᑕOᒪOᑎY") ᗯᗩS ᖴOᖇGᕮᗪ TᕼᖇOᑌGᕼ Tᕼᕮ ᑭᕮᖇSOᑎᗩᒪ ᗪᖇᕮᗩᗰS Oᖴ ᗩᑎᗪᖇᕮᗯ ᖇYᗩᑎ Iᑎ Oᖇᗪᕮᖇ TO ᑕᖇᕮᗩTᕮ ᗩ STᖇOᑎG ᗩᑎᗪ ᗷᕮᗩᑌTIᖴᑌᒪ ᑕᗩᑭITᗩᒪIST SOᑕIᕮTY ᖴᖇᕮᕮ Oᖴ ᗩᒪᒪ ᖇᕮᒪIGIOᑌS ᗩᑎᗪ GOᐯᕮᖇᑎᗰᕮᑎT IᑎTᕮᖇᖴᕮᖇᕮᑎᑕᕮ, ᗩᗯᗩY ᖴᖇOᗰ Tᕼᕮ ᑭOST-ᗯᗩᖇ ᗩᑎ᙭IᕮTIᕮS Oᖴ ᗯOᖇᒪᗪ ᗯᗩᖇ II- ᗩ ᑭᒪᗩᑕᕮ ᗯᕼᕮᖇᕮ ᗩᑎY ᑕITIᘔᕮᑎ ᑕOᑌᒪᗪ ᗩᑕᕼIᕮᐯᕮ ᖴOᖇ ᕼIS Oᖇ ᕼᕮᖇ Oᗯᑎ ᑭᕮᖇSOᑎᗩᒪ GᗩIᑎ, ᖇᗩTᕼᕮᖇ Tᕼᗩᑎ ᒍᑌST ᖴOᖇ Tᕼᕮ ᗩᒪTᑌᖇISTIᑕ ᖴᑌᒪᖴIᒪᒪᗰᕮᑎT Oᖴ Tᕼᕮ ᗯᗩᑎTS Oᖴ OTᕼᕮᖇS. ᕮSTᗩᗷᒪISᕼᕮᗪ Oᑎ Tᕼᕮ 5^Tᕼ Oᖴ ᑎOᐯᕮᗰᗷᕮᖇ, 1946; ᖇᗩᑭTᑌᖇᕮ ᗯᗩS ᗩ ᑭᒪᗩᑕᕮ ᗯᕼᕮᖇᕮ Tᕼᕮ ᗯOᖇᒪᗪS ᗷᕮST ᗩᑎᗪ ᗷᖇIGᕼTᕮST ᗯOᑌᒪᗪ ᗷᕮ GᖇᗩᑎTᕮᗪ ᗷOTᕼ ᖴᖇᕮᕮᗪOᗰ Oᖴ ᗯIᒪᒪ, ᗩᑎᗪ Oᖴ ᑕᕼOIᑕᕮ, ᗩᑎᗪ IᑎSTᕮᗩᗪ Oᖴ ᗩᗷIᗪIᑎG ᗷY Tᕼᕮ TᖇᗩᗪITIOᑎS ᗩᑎᗪ Tᕼᕮ ᗰOᖇᗩᒪ SYSTᕮᗰS IᗰᑭOSᕮᗪ ᗷY Tᕼᕮ GOᐯᕮᖇᑎᗰᕮᑎT, ᖇᕮᒪIGIOᑌS ᗩᑎᗪ OTᕼᕮᖇ IᑎSTITᑌTIOᑎS, ᐯᗩᒪᑌᕮS Sᑌᑕᕼ ᗩS ᒪOGIᑕ ᗩᑎᗪ SᑕIᕮᑎTIᖴIᑕ ᖇᕮᗩSOᑎ ᗯᕮᖇᕮ TO GᑌIᗪᕮ Tᕼᕮ IᑎᕼᗩᗷITᗩᑎTS Iᑎ TᕼᕮIᖇ ᑭᑌᖇSᑌIT Oᖴ ᗩᑕᕼIᕮᐯᕮᗰᕮᑎT ᗩᑎᗪ ᑭᖇOGᖇᕮSS.

TᕼIS ᗯOᑌᒪᗪ-ᗷᕮ ᑌTOᑭIᗩ, ᕼOᗯᕮᐯᕮᖇ, ᕼᗩᗪ ITS ᖴᒪᗩᗯS.

ᗯITᕼIᑎ ᖇᗩᑭTᑌᖇᕮ'S ᑭᑌᖇᕮᒪY ᑕᗩᑭITᗩᒪISTIᑕ SOᑕIᕮTY, Tᕼᕮᖇᕮ ᗯᕮᖇᕮ ᑎO ᑭᑌᗷᒪIᑕᒪY ᖴᑌᑎᗪᕮᗪ SOᑕIᗩᒪ ᑭᖇOGᖇᗩᗰS, ᕮᐯᕮᖇYTᕼIᑎG ᗯITᕼIᑎ Tᕼᕮ ᑕITY ᗯᗩS ᑭᖇIᐯᗩTᕮᒪY Oᗯᑎᕮᗪ ᗩᑎᗪ ᖇᑌᑎ, IᑎᑕᒪᑌᗪIᑎG Tᕼᕮ ᑕITIᕮS ᖴOOᗪ SᑌᑭᑭᒪY, ᕼᕮᗩᒪTᕼ ᑕᗩᖇᕮ, SᗩᑎITᗩTIOᑎ, ᕮᐯᕮᑎ Tᕼᕮ O᙭YGᕮᑎ SᑌᑭᑭᒪY; ᗷOTᕼ Tᕼᕮ ᑭOᒪIᑕᕮ ᗩᑎᗪ ᖴIᖇᕮ ᗪᕮᑭᗩᖇTᗰᕮᑎTS ᗯᕮᖇᕮ SᑌᗷSᑕᖇIᑭTIOᑎ-ᗷᗩSᕮᗪ, ᑭᖇIᐯᗩTᕮᒪY Oᗯᑎᕮᗪ ᑕOᗰᑭᗩᑎIᕮS (ᑭOᑭᑭᗩᗪOᑭOᒪIS ᑭOᒪIᑕᕮ ᗪᕮᑭᗩᖇTᗰᕮᑎT ᗩᑎᗪ ᖴOᑎTᗩIᑎᕮ ᖴIᖇᕮ ᖴIGᕼTᕮᖇS)- Tᕼᕮᖇᕮ ᗯᕮᖇᕮ ᒪᕮSS ᖇᕮSTᖇIᑕTᕮᗪ ᑎOᖇᗰS ᖴOᖇ ᗷᑌSIᑎᕮSSᕮS ᗩᑎᗪ ᒪᗩᗷOᖇ, OᑭᕮᑎᒪY ᗩᒪᒪOᗯIᑎG ᑌᑎSᑕᖇᑌᑭᑌᒪOᑌS ᗷᑌSIᑎᕮSS ᑭᖇᗩᑕTIᑕᕮS, ᗯITᕼ ᑕOᗰᑭᕮTITIOᑎ ᗩᑎᗪ ᑕᑌSTOᗰᕮᖇ'S ᑕᕼOIᑕᕮ ᗷᗩᒪᗩᑎᑕIᑎG OᑌT Tᕼᕮ ᗰᗩᖇKᕮT.

ᗷᑌT ᗯITᕼ TᕼᗩT, ᑕᗩᗰᕮ ᗩ ᑭᖇIᑕᕮ...

TᕼIS SYSTᕮᗰ ᑫᑌIᑕKᒪY ᗩᒪIᕮᑎᗩTᕮᗪ ᖇᗩᑭTᑌᖇᕮ'S ᒪᕮSS ᖴOᖇTᑌᑎᗩTᕮ ᑕITIᘔᕮᑎS, ᗯᕼO ᗯᕼᕮᑎ ᕼᗩᖇᗪ TIᗰᕮS ᑕᗩᗰᕮ, ᗷᕮGᗩᑎ TO ᖇᕮSᕮᑎT ᖇYᗩᑎ'S SOᑕIᕮTY ᗩS ᗷOTᕼ ᑕOᒪᗪ-ᕼᕮᗩᖇTᕮᗪ ᗩᑎᗪ ᕮᒪITIST. ᗩᑎᗪᖇᕮᗯ ᖇYᗩᑎ'S ᕼOSTIᒪITY ᗩᑎᗪ ᑭᗩᖇᗩᑎOIᗩ Oᖴ Tᕼᕮ "ᑭᗩᖇᗩSITᕮS", ᗩᑎᗪ OTᕼᕮᖇS ᕮ᙭ᑭᒪOITIᑎG ᖇᗩᑭTᑌᖇᕮ'S ᖴᖇᕮᕮᗪOᗰS TO SᕮIᘔᕮ ᑭOᗯᕮᖇ ᕮᐯᕮᑎTᑌᗩᒪᒪY ᖇᕮSᑌᒪTᕮᗪ Iᑎ ᑎOT OᑎᒪY ᖇYᗩᑎ'S ᗪOᗯᑎᖴᗩᒪᒪ, ᗷᑌT ᗩᒪSO TᕼᗩT Oᖴ ᕼIS ᑕITY- ᖇYᗩᑎ ISSᑌᕮᗪ ᗩᑎ ᕮᗪIᑕT, ᑕᑌTTIᑎG ᗩᒪᒪ ᑕOᑎTᗩᑕT ᗯITᕼ Tᕼᕮ OᑌTSIᗪᕮ ᗯOᖇᒪᗪ ᗯᕼIᑕᕼ ᗯᗩS Iᑎ Tᕼᕮ ᗰIᗪST Oᖴ Tᕼᕮ ᑕOᒪᗪ ᗯᗩᖇ, ᗪOIᑎG ᕮᐯᕮᖇYTᕼIᑎG ᖇᕮᑫᑌIᖇᕮᗪ ᖴOᖇ Tᕼᕮ ᑕITIᕮS SᗩᖴᕮTY ᗷY KᕮᕮᑭIᑎG ᖇᗩᑭTᑌᖇᕮ'S ᕮ᙭ISTᕮᑎᑕᕮ SᕮᑕᖇᕮT... TᕼIS ᕮᑎᗩᗷᒪᕮᗪ ᗩ ᗰᗩᑎ ᗷY Tᕼᕮ ᑎᗩᗰᕮ Oᖴ ᖴᖇᗩᑎK ᖴOᑎTᗩIᑎᕮ TO ᗷᑌIᒪᗪ ᗩ ᑕᖇIᗰIᑎᗩᒪ ᕮᗰᑭIᖇᕮ TᕼᖇOᑌGᕼ SᗰᑌGGᒪIᑎG, ᗩᑎᗪ TO Tᕼᕮᑎ ᑕᖇᕮᗩTᕮ, ᗩᑎᗪ ᖇᑌᑎ Tᕼᕮ SOᑕIᕮTY-TᖇᗩᑎSᖴOᖇᗰIᑎG ᗩᗪᗩᗰ IᑎᗪᑌSTᖇY. TᕼOᑌGᕼ ᑌᑎᒪIKᕮ Tᕼᕮ ᑕᗩᑭITᗩᒪISTIᑕ ᖇYᗩᑎ, Tᕼᕮ ᗰOᗷSTᕮᖇ ᑕOᑌᒪᗪ ᑎOT ᗷᕮ SᗩTISᖴIᕮᗪ ᗷY TᕼIᑎGS Sᑌᑕᕼ ᗩS ᗰᕮᖇᕮ ᗰᗩTᕮᖇIᗩᒪ ᗯᕮᗩᒪTᕼ— ᕼᕮ ᗯᗩᑎTᕮᗪ ᗰOᖇᕮ... ᕼᕮ ᗯᗩᑎTᕮᗪ ᖇᗩᑭTᑌᖇᕮ TO ᗷᕮ ᕼIS TO ᑕOᑎTᖇOᒪ ᑕOᗰᑭᒪᕮTᕮᒪY.

IT ᗯᗩS ᗪᑌᖇIᑎG TᕼIS TIᗰᕮ TᕼᗩT ᗩ ᑎᕮᗯ ᑎᗩᗰᕮ ᗩᖇOSᕮ... ᗩᑎᗪ ᗯᕼᕮᑎ ᗩ ᗰᗩᑎ ᗷY Tᕼᕮ ᑎᗩᗰᕮ Oᖴ ᗩTᒪᗩS ᗯOᑌᒪᗪ Tᕼᕮᑎ GO Oᑎ TO STᗩᖇT ᗩ ᑕIᐯIᒪ ᗯᗩᖇ ᗯITᕼIᑎ Tᕼᕮ ᑕITY ᕮᐯᕮᑎTᑌᗩᒪᒪY ᒪᕮᗩᗪIᑎG ᖇᗩᑭTᑌᖇᕮ TO ᖇᑌIᑎ ᑌᑎᗪᕮᖇ Tᕼᕮ ᗩᗪᗪIᑕTIOᑎ Oᖴ ᗩᗪᗩᗰ.



ᑭᒪᕮᗩSᕮ ᑎOTᕮ: ᒪOᑕᗩTᕮᗪ ᗩT 63° 2' ᑎ, 29° 55' ᗯ; ᖇᗩᑭTᑌᖇᕮ IS ᑭᒪᗩᑕᕮᗪ ᗩT ᗩᗷOᑌT 433 KIᒪOᗰᕮTᕮᖇS ᗯᕮST Oᖴ Iᑕᕮᒪᗩᑎᗪ'S ᑕᗩᑭITᗩᒪ, ᖇᕮYKᒍᗩᐯIK.

⥼ ᑕOᑎSTᖇᑌᑕTIOᑎ & ᑭᒪᗩᑕᕮS Oᖴ IᑎTᕮᖇᕮST ⥽

ᑕOᗰᗰᕮᑎᑕIᑎG ᒪᗩTᕮ Iᑎ Tᕼᕮ Yᕮᗩᖇ 1945, ᗩᑎᗪᖇᕮᗯ ᖇYᗩᑎ ᑕOᑎTᖇᗩᑕTᕮᗪ ᗩ ᒪᗩᖇGᕮ SᕮᖇIᕮS Oᖴ ᑕOᗰᑭᗩᑎIᕮS Iᑎ Oᖇᗪᕮᖇ TO ᗷᕮGIᑎ ᑕOᑎSTᖇᑌᑕTIOᑎ Oᖴ ᖇᗩᑭTᑌᖇᕮ; ᖇYᗩᑎ, ᗩᒪOᑎG ᗯITᕼ ᕼIS ᗩSSOᑕIᗩTᕮS, ᕼᗩᑭᑭᕮᑎᕮᗪ TO Sᕮᑕᑌᖇᕮ Tᕼᕮ ᗰᗩᑎᑌᖴᗩᑕTᑌᖇIᑎG ᗰᗩTᕮᖇIᗩᒪS Iᑎ SᕮᑕᖇᕮT SO ᗩS TO ᗩᐯOIᗪ ᑌᑎᗯᗩᑎTᕮᗪ ᗩTTᕮᑎTIOᑎ ᖴᖇOᗰ Tᕼᕮ ᑭᖇYIᑎG ᕮYᕮS Oᖴ Tᕼᕮ GOᐯᕮᖇᑎᗰᕮᑎT ᗩᑎᗪ OTᕼᕮᖇ OᖇGᗩᑎIᘔᗩTIOᑎS TᕼᗩT ᗯISᕼᕮᗪ TO ᗪO Tᕼᕮᗰ ᕼᗩᖇᗰ. TᖇᗩᑎSᑭOᖇTᕮᗪ TᕼOᑌSᗩᑎᗪS Oᖴ ᗰIᒪᕮS IᑎTO Tᕼᕮ ᑎOᖇTᕼ ᗩTᒪᗩᑎTIᑕ ᗷY SᕼIᑭS ᗰᑌᑕᕼ ᒪIKᕮ Tᕼᕮ OᒪYᗰᑭIᗩᑎ, Tᕼᕮ ᗰᗩTᕮᖇIᗩᒪS ᗯᕮᖇᕮ Tᕼᕮᑎ SᑌᗷᗰᕮᖇGᕮᗪ TO Tᕼᕮ Oᑕᕮᗩᑎ ᖴᒪOOᖇ ᐯIᗩ ᗩ ᒪᗩᖇGᕮ STᗩTᕮ-Oᖴ-Tᕼᕮ-ᗩᖇT SᑌᗷᗰᕮᖇSIᗷᒪᕮ ᑭᒪᗩTᖴOᖇᗰ ᑎIᑕKᑎᗩᗰᕮᗪ "Tᕼᕮ SIᑎKᕮᖇ", ᗯᕼᕮᖇᕮ ᗪᕮᕮᑭ Sᕮᗩ ᗯᕮᒪᗪᕮᖇS ᗩᑎᗪ ᗰᕮᑕᕼᗩᑎIᑕS SᕮT TO ᗯOᖇK ᑕᖇᕮᗩTIᑎG Tᕼᕮ ᖴOᑌᑎᗪᗩTIOᑎ ᖴOᖇ Tᕼᕮ ᑕITY; SIᑎKIᑎG ᑭIᒪIᑎGS ᗩᑎᗪ GIᖇᗪᕮᖇS ᗪᕮᕮᑭ IᑎTO Tᕼᕮ ᖇOᑕK ᗩᑎᗪ SIᒪT Oᖴ Tᕼᕮ Oᑕᕮᗩᑎ ᖴᒪOOᖇ.

ᗰᗩᑎᗩGIᑎG TO ᑭᕮᖇᗰᗩᑎᕮᑎTᒪY ᗩᑎᑕᕼOᖇ "Tᕼᕮ SIᑎKᕮᖇ" TO Tᕼᕮ Sᕮᗩ'S ᗷOTTOᗰ; ᑭᖇᕮ-ᖴᗩᗷᖇIᑕᗩTᕮᗪ ᗷᑌIᒪᗪIᑎGS ᗯITᕼ ᗩᒪᑌᗰIᑎIᑌᗰ ᖴᖇᗩᗰᕮS ᗯᕮᖇᕮ ᗩSSᕮᗰᗷᒪᕮᗪ ᑎᕮᗩᖇ Tᕼᕮ Sᑌᖇᖴᗩᑕᕮ ᗷᕮᖴOᖇᕮ ᗷᕮIᑎG ᗷOTᕼ SᑌᗷᗰᑌᖇGᕮᗪ ᗩᑎᗪ ᒪOᗯᕮᖇᕮᗪ ᑌSIᑎG ᒪᑌᑎᕮTTᕮ ᖇIᑎGS, ᗩᑎᗪ ᗩᑎᑕᕼOᖇᕮᗪ ᗪOᗯᑎ IᑎTO Tᕼᕮ ᖴOᑌᑎᗪᗩTIOᑎS, TᕼIS ᑕᖇᕮᗩTIᑎG Tᕼᕮ ᗷᕮᗩᑌTIᖴᑌᒪ ᗩᖇT ᗪᕮᑕO ᗰᕮTᖇOᑭOᒪIS ᖇᗩᑭTᑌᖇᕮ IS KᑎOᗯᑎ ᖴOᖇ- ᗩᑎᗪ ᗷY Tᕼᕮ 5^Tᕼ Oᖴ ᑎOᐯᕮᗰᗷᕮᖇ, 1946, ᖇᗩᑭTᑌᖇᕮ ᕼᗩᗪ ᗷᕮGᑌᑎ TO ᖇᕮᑕᕮIᐯᕮ Tᕼᕮ ᖴIᖇST Oᖴ ITS ᑎᕮᗯ ᖇᕮSIᗪᕮᑎTS.

Tᕼᕮ ᗰᗩᒍOᖇ ᑕOᑎSTᖇᑌᑕTIOᑎ ᑭᕮᖇIOᗪ Oᖴ ᖇᗩᑭTᑌᖇᕮ ᑕOᑎTIᑎᑌᕮᗪ Oᑎ ᑌᑎTIᒪ Tᕼᕮ ᕮᑎᗪ Oᖴ Tᕼᕮ 1940_S, ᗯITᕼ ᐯᗩᖇIOᑌS Sᗰᗩᒪᒪᕮᖇ ᑭᖇOᒍᕮᑕTS ᑕOᑎTIᑎᑌIᑎG ᗷOTᕼ Iᑎ ᗩᑎᗪ ᗩᖇOᑌᑎᗪ Tᕼᕮ ᑕITY ᑌᑎTIᒪ ᖇᗩᑭTᑌᖇᕮ'S ᑕOᑎSTᖇᑌᑕTIOᑎ ᗯᗩS ᕮᐯᕮᑎTᑌᗩᒪᒪY ᑕOᗰᑭᒪᕮTᕮᗪ Iᑎ 1951. ᖇᗩᑭTᑌᖇᕮ IS ᑎOᗯ ᕼOᗰᕮ TO ᗰᗩᑎY ᗩ ᗪIᖴᖴᕮᖇᕮᑎT ᒪOᑕᗩTIOᑎ TᕼᖇOᑌGᕼOᑌT Tᕼᕮ ᑕITY, ᕮᗩᑕᕼ ᗯITᕼ IT'S Oᗯᑎ ᑌᑎIᑫᑌᕮ Tᕼᕮᗰᕮ ᗩᑎᗪ ᗩᑭᑭᕮᗩᖇᗩᑎᑕᕮ.

ᑭᒪᗩᑕᕮS Oᖴ IᑎTᕮᖇᕮST

⥼ Tᕼᕮ ᒪIGᕼTᕼOᑌSᕮ ⥽

"ᒪOᖇᗪ ᕼᕮᒪᑭ Tᕼᕮ ᒪOST SᕼIᑭ TᕼᗩT ᗯᗩᑎᗪᕮᖇS IᑎTO TᕼᕮSᕮ ᗯᗩTᕮᖇS ᑌᑎᗩᗯᗩᖇᕮ- ᖴOᖇ SᑌᗪᗪᕮᑎᒪY, ᑕOᗰᑭᗩSSᕮS SᑭIᑎ ᗩᗯᖇY ᗩᑎᗪ ᖇᗩᗪIOS ᖴIᒪᒪ ᗯITᕼ STᗩTIᑕ. Tᕼᕮᑎ Tᕼᕮ ᑭᕼᗩᑎTOᗰ ᒪIGᕼTᕼOᑌSᕮ ᒪOOᗰS SᑌᗪᗪᕮᑎᒪY Iᑎ Tᕼᕮ ᗰIST."

STᗩᑎᗪIᑎG Tᗩᒪᒪ Oᑎ ᗩ Sᗰᗩᒪᒪ ᖇOᑕKY ISᒪᗩᑎᗪ, ᗩᑎᗪ ᒪOᑕᗩTᕮᗪ ᗩT ᗩᑭᑭᖇO᙭IᗰᗩTᕮᒪY 63° 2' ᑎ, 29° 55' ᗯ Iᑎ Tᕼᕮ ᗰIᗪᗪᒪᕮ Oᖴ Tᕼᕮ ᗩTᒪᗩᑎTIᑕ Oᑕᕮᗩᑎ; Tᕼᕮ ᒪIGᕼTᕼOᑌSᕮ ITSᕮᒪᖴ ᗯOᖇKS TO ᑕOᑎᑕᕮᗩᒪ Tᕼᕮ OᑎᒪY ᗩᑕᑕᕮSS IᑎTO Tᕼᕮ ᑌᑎᗪᕮᖇᗯᗩTᕮᖇ ᑕITY Oᖴ ᖇᗩᑭTᑌᖇᕮ ᗯITᕼOᑌT ᗩ SᑌᗷᗰᗩᖇIᑎᕮ- ᕼᗩᖇᗷOᖇIᑎG OᑎᒪY ᗩ SIᑎGᒪᕮ ᗷᗩTᕼYSᑭᕼᕮᖇᕮ ᗩT ᗩ TIᗰᕮ ᒪIᑎKᕮᗪ TO ᖇᗩᑭTᑌᖇᕮ'S ᗯᕮᒪᑕOᗰᕮ ᑕᕮᑎTᕮᖇ ᗰᕮTᖇO STᗩTIOᑎ, Tᕼᕮ ᒪIGᕼTᕼOᑌSᕮ ᖇᕮᑭᖇᕮSᕮᑎTS Tᕼᕮ OᑎᒪY ᒪᗩᑎᗪᗰᗩᖇK TO Tᕼᕮ ᑕITIᕮS ᑭOSITIOᑎ.

ᗩᗷᒪᕮ TO ᕮᗰᑭᒪOY Sᕮᐯᕮᖇᗩᒪ ᗪIᖴᖴᕮᖇᕮᑎT TYᑭᕮS Oᖴ ᗪᕮᖴᕮᑎSIᐯᕮ ᗰᕮᗩSᑌᖇᕮS Iᑎ Oᖇᗪᕮᖇ TO ᑭᖇᕮᐯᕮᑎT Tᕼᕮ ᗩᗪᐯᗩᑎᑕᕮᗰᕮᑎTS Oᖴ ᑌᑎᗯᗩᑎTᕮᗪ ᗷOᗩTS, SᕼIᑭS Oᖇ ᑭᒪᗩᑎᕮS ᖴOᑌᑎᗪ ᗯITᕼIᑎ Tᕼᕮ ᑕᒪOSᕮ ᑭᖇO᙭IᗰITY; Tᕼᕮ ᒪIGᕼTᕼOᑌSᕮ ᕼᗩS ᗷᕮᕮᑎ SᗩIᗪ TO ᗷᕮ Tᕼᕮ ᑕᗩᑌSᕮ Oᖴ ᗰᗩᑎY ᗩ ᗪISᗩᑭᑭᕮᗩᖇᗩᑎᑕᕮ OᑕᑕᑌᖇᖇIᑎG ᗯITᕼIᑎ Tᕼᕮ ᑎᕮᗩᖇᗷY ᗯᗩTᕮᖇS, GIᐯIᑎG Tᕼᕮᗰ Tᕼᕮ Iᒪᒪ-ᖴᗩTᕮᗪ ᑎᗩᗰᕮ Oᖴ "Tᕼᕮ ᖴᖇOᘔᕮᑎ TᖇIᗩᑎGᒪᕮ"- Tᕼᕮ ᒪIGᕼTᕼOᑌSᕮ Sᕼᗩᑭᕮ, ᗩᒪOᑎG ᗯITᕼ Tᕼᕮ ᗩᖇT ᗪᕮᑕO ᗩᑎGᕮᒪ STᗩTᑌᕮ SᑌᑭᑭOᖇTIᑎG Tᕼᕮ TOᗯᕮᖇ'S ᒪIGᕼT ᕮᗰITTᕮᖇ ᗩTOᑭ, IS ᗩᒪSO ᑕOᗰᗰOᑎᒪY ᑌSᕮᗪ ᗩS ᗩ SYᗰᗷOᒪ Oᖴ Tᕼᕮ ᑕITY Oᖴ ᖇᗩᑭTᑌᖇᕮ, ᗩᑎᗪ IS ᖇᕮᑭᖇᕮSᕮᑎTᕮᗪ ᗩS SO ᗯITᕼIᑎ ITS ᐯᗩᖇIOᑌS ᗩᖇTS ᗩᑎᗪ ᗪᕮᑕOᖇ.

⥼ Tᕼᕮ ᗯᕮᒪᑕOᗰᕮ ᑕᕮᑎTᕮᖇ ⥽

"ᗯᕮᒪᑕOᗰᕮ TO ᖇᗩᑭTᑌᖇᕮ- OᑭᑭOᖇTᑌᑎITY ᗩᗯᗩITS."

Tᕼᕮ Oᑎᑕᕮ GᖇᕮᗩT ᕮᑎTᖇYᗯᗩY TO ᗩ ᗷᖇᗩᑎᗪ ᑎᕮᗯ ᒪIᖴᕮ Iᑎ ᖇᗩᑭTᑌᖇᕮ; Tᕼᕮ ᗯᕮᒪᑕOᗰᕮ ᑕᕮᑎTᕮᖇ (ᗩᒪSO KᑎOᗯᑎ ᗩS Tᕼᕮ "ᗯᕮᒪᑕOᗰᕮ ᑭᗩᐯIᒪIOᑎ") ᗯᗩS OᖇIGIᑎᗩᒪᒪY ᗪᕮSIGᑎᕮᗪ Iᑎ Oᖇᗪᕮᖇ TO ᗩᑕᑕᒪIᗰᗩTᕮ ᑎᕮᗯᑕOᗰᕮᖇS IᑎTO Tᕼᕮ ᑌᑎᗪᕮᖇᗯᗩTᕮᖇ ᑌTOᑭIᗩ ᗩᖴTᕮᖇ TᕼᕮIᖇ ᗩᖇᖇIᐯᗩᒪ IᑎTO Tᕼᕮ ᑕITY ᖴᖇOᗰ Tᕼᕮ Sᑌᖇᖴᗩᑕᕮ ᗯOᖇᒪᗪ. ᑕOᑎSISTIᑎG Oᖴ OᖇIᕮᑎTᗩTIOᑎ ᖴᗩᑕIᒪITIᕮS, Sᕮᐯᕮᖇᗩᒪ ᗪIᖴᖴᕮᖇᕮᑎT TYᑭᕮS Oᖴ ᕮᗩTIᑎG ᕮSTᗩᗷᒪISᕼᗰᕮᑎTS (Sᑌᑕᕼ ᗩS Tᕼᕮ KᗩSᕼᗰIᖇ ᖇᕮSTᗩᑌᖇᗩᑎT), ᒪᑌ᙭ᑌᖇY ᒪᕮISᑌᖇᕮ ᗩᖇᕮᗩS (Sᑌᑕᕼ ᗩS Tᕼᕮ ᖴOOTᒪIGᕼT TᕼᕮᗩTᕮᖇ), ᗩᑎᗪ ᗩ GᗩTᕼᕮᖇᕮᖇ'S Gᗩᖇᗪᕮᑎ ᗯITᕼIᑎ Tᕼᕮ ᒪOᑌᑎGᕮ TᕼᗩT IᑎTᖇOᗪᑌᑕᕮS IᑎᕼᗩᗷITᗩᑎTS TO Tᕼᕮ ᑭOᗯᕮᖇ Oᖴ ᑭᒪᗩSᗰIᗪS.

Tᕼᕮ ᗰᗩIᑎ ᑭᑌᖇᑭOSᕮ Oᖴ TᕼIS ᒪOᑕᗩᒪᕮ ᗯᗩS TO IᗰᑭᖇᕮSS ᑌᑭOᑎ Tᕼᕮ ᑎᕮᗯ ᖇᕮSIᗪᕮᑎTS ᗷOTᕼ Tᕼᕮ ᗯᕮᗩᒪTᕼ, ᗩᑎᗪ Tᕼᕮ SᑭᒪᕮᑎᗪOᖇ TᕼᗩT IS ᖇᗩᑭTᑌᖇᕮ; Tᕼᕮ ᗯᕮᒪᑕOᗰᕮ ᑕᕮᑎTᕮᖇ ᗩᒪSO ᑭᒪᗩYᕮᗪ ᕼOST TO Tᕼᕮ ᗰᗩIᑎ IᑎᑕIᗪᕮᑎT Oᖴ Tᕼᕮ 1958 ᑎᕮᗯ YᕮᗩᖇS ᕮᐯᕮ ᖇIOTS, ᗯᕼIᑕᕼ TOOK ᑭᒪᗩᑕᕮ ᗪᑌᖇIᑎG Tᕼᕮ ᑕᕮᒪᕮᗷᖇᗩTIOᑎS OᖇGᗩᑎIᘔᕮᗪ ᗩT Tᕼᕮ KᗩSᕼᗰIᖇ ᖇᕮSTᗩᑌᖇᗩᑎT.

⥼ Tᕼᕮ ᗰᕮᗪIᑕᗩᒪ ᑭᗩᐯIᒪIOᑎ ⥽

"ᒪᗩᗪIᕮS, ᗪOᑎ'T ᒪᕮT ᗩ ᖴᕮᗯ ᗯᖇIᑎKᒪᕮS Oᖇ ᑕᖇOᗯ'S ᖴᕮᕮT GᕮT ᗷᕮTᗯᕮᕮᑎ YOᑌ ᗩᑎᗪ Tᕼᕮ ᗰᗩᑎ Iᑎ YOᑌᖇ ᗪᖇᕮᗩᗰS. ᗯᕼᗩTᕮᐯᕮᖇ Tᕼᕮ ᖴᒪᗩᗯ, ᗪᖇ. STᕮIᑎᗰᗩᑎ ᕼᗩS ᗩ SOᒪᑌTIOᑎ. ᑕOᗰᕮ Sᕮᕮ ᕼIᗰ ᗩT ᗩᕮSTᕼᕮTIᑕ IᗪᕮᗩᒪS Iᑎ Tᕼᕮ ᗰᕮᗪIᑕᗩᒪ ᑭᗩᐯIᒪIOᑎ."

ᗯᕼᕮᑎ ᖴIᖇST ᖴOᑌᑎᗪᕮᗪ, Tᕼᕮ ᗰᕮᗪIᑕᗩᒪ ᑭᗩᐯIᒪIOᑎ ᗯᗩS Tᕼᕮ ᗰᗩIᑎ ᕼᑌᗷ ᖴOᖇ ᗩᒪᒪ ᗰᕮᗪIᑕᗩᒪ ᗷᑌSIᑎᕮSS ᗩᑎᗪ IᑎᑫᑌIᖇIᕮS ᗯITᕼIᑎ ᖇᗩᑭTᑌᖇᕮ, ᗩᑎᗪ ᗯᗩS ᖇᕮSᑭOᑎSIᗷᒪᕮ ᖴOᖇ TᖇᕮᗩTIᑎG ᗩ ᐯᗩST ᗩᖇᖇᗩY Oᖴ IᒪᒪᑎᕮSSᕮS ᗩᑎᗪ OTᕼᕮᖇ ᕼᕮᗩᒪTᕼ-ᖇᕮᒪᗩTᕮᗪ ᑭᖇOᗷᒪᕮᗰS; ᗷᑌT ᗩS ᗩᗪᗩᗰ ᗷᕮᑕᗩᗰᕮ ᗯIᗪᕮᒪY ᗩᐯᗩIᒪᗩᗷᒪᕮ ᗩᗰOᑎG Tᕼᕮ ᑕITIᘔᕮᑎS Oᖴ ᖇᗩᑭTᑌᖇᕮ, IT'S Sᕮᒪᖴ-ᕼᕮᗩᒪIᑎG ᗩᗷIᒪITIᕮS ᗩᑎᗪ ᑭᖇOᑭᕮᖇTIᕮS ᑫᑌIᑕKᒪY ᑕᕼᗩᑎGᕮᗪ Tᕼᕮ ᑌSᕮ Oᖴ ᗩᒪᒪ Tᕼᕮ ᗰᕮᗪIᑕᗩᒪ ᑭᗩᐯIᒪIOᑎ'S ᕼᕮᗩᒪIᑎG ᖴᗩᑕIᒪITIᕮS. TᕼᖇOᑌGᕼ Tᕼᕮ YᕮᗩᖇS, ᗪᑌᕮ TO Tᕼᕮ IᑎSTᗩᗷIᒪITY Oᖴ ᗩᗪᗩᗰ, ᗩᑎᗪ Tᕼᕮ ᕮ᙭ᑕᕮSSIᐯᕮ ᑌSᕮ Oᖴ IT ᗩᗰOᑎGST Tᕼᕮ ᗰᗩᒍOᖇITY Oᖴ ᖇᗩᑭTᑌᖇᕮ'S IᑎᕼᗩᗷITᗩᑎTS, ᑌᑎᖴOᖇᕮSᕮᕮᑎ ᑭᕼYSIᑕᗩᒪ ᗪᕮᖴOᖇᗰᗩTIOᑎS ᗷᕮGᗩᑎ TO Oᑕᑕᑌᖇ; ᗩᑎᗪ Iᑎ ᖇᕮSᑭOᑎSᕮ, ᗰᗩᑎY Oᖴ Tᕼᕮ ᕼOSᑭITᗩᒪ ᖴᗩᑕIᒪITIᕮS ᗯᕮᖇᕮ ᑫᑌIᑕKᒪY ᖇᕮᖴOᖇᗰᕮᗪ, IᑎSTᕮᗩᗪ ᖇᕮᑭᒪᗩᑕᕮᗪ ᗷY ᑕOSᗰᕮTIᑕ SᑌᖇGᕮᖇY ᖴᗩᑕIᒪITIᕮS Sᑌᑕᕼ ᗩS ᗪᗩᑎᗪY ᗪᕮᑎTᗩᒪ, ᗩᑎᗪ ᗪᖇ. STᕮIᑎᗰᗩᑎ'S ᗩᕮSTᕼᕮTIᑕ IᗪᕮᗩᒪS.

TO TᕼIS ᗪᗩY Tᕼᕮ ᗰᕮᗪIᑕᗩᒪ ᑭᗩᐯIᒪIOᑎ IS STIᒪᒪ ᒪᗩᖇGᕮᒪY IᑎTᗩᑕT, ᗯITᕼ Tᕼᕮ ᕮ᙭ᑕᕮᑭTIOᑎ Oᖴ Tᕼᕮ ᗪᕮᑎTᗩᒪ ᖴᗩᑕIᒪITIᕮS.

⥼ ᑎᕮᑭTᑌᑎᕮ'S ᗷOᑌᑎTY ⥽

"IT'S SᑕIᕮᑎTIᖴIᑕ ᖴᗩᑕT, TᕼᗩT ᗩ ᗪIᕮT ᖇIᑕᕼ Iᑎ ᖴISᕼ ᗩᑎᗪ Sᕮᗩ GᖇᕮᕮᑎS IᗰᑭᖇOᐯᕮS ᑕOGᑎITIᐯᕮ ᖴᑌᑎᑕTIOᑎ. ᗪOᑎ'T YOᑌ ᗯᗩᑎT TO ᗷᕮ ᗩS ᗷᖇIᒪᒪIᗩᑎT ᗩS YOᑌ ᑕᗩᑎ ᑭOSSIᗷᒪY ᗷᕮ? ᐯISIT ᑎᕮᑭTᑌᑎᕮ'S ᗷOᑌᑎTY."

ᑭᕮᖇᕼᗩᑭS Tᕼᕮ ᒪᗩᖇGᕮST ᑭOᖇT ᑕOᗰᑭᒪᕮ᙭ Iᑎ ᖇᗩᑭTᑌᖇᕮ, ᑎᕮᑭTᑌᑎᕮ'S ᗷOᑌᑎTY IS ᗯᕼᕮᖇᕮ Tᕼᕮ ᐯᗩST ᗰᗩᒍOᖇITY Oᖴ Tᕼᕮ ᑕITIᕮS ᖴISᕼIᑎG ᗷᑌSIᑎᕮSSᕮS ᗯᕮᖇᕮ ᒪOᑕᗩTᕮᗪ. ᗪᑌᕮ TO SᕮᗩᖴOOᗪ ᗩᑕᑕOᑌᑎTIᑎG ᖴOᖇ ᗩ ᖇᗩTᕼᕮᖇ ᒪᗩᖇGᕮ ᗩᑎᗪ SIGᑎIᖴIᑕᗩᑎT ᑭOᖇTIOᑎ Oᖴ Tᕼᕮ ᗩᐯᕮᖇᗩGᕮ ᑕITIᘔᕮᑎ'S ᗪIᕮT ᗯITᕼIᑎ ᖇᗩᑭTᑌᖇᕮ, ᗩᑎᗪ ᗷᕮIᑎG ᗩ ᕼIGᕼᒪY ᑭᖇᕮᐯᗩᒪᕮᑎT ᑎᗩTᑌᖇᗩᒪ ᖇᕮSOᑌᖇᑕᕮ ᒪOᑕᗩTᕮᗪ ᗩT Tᕼᕮ ᗷOTTOᗰ Oᖴ Tᕼᕮ Oᑕᕮᗩᑎ; ᑎᕮᑭTᑌᑎᕮ'S ᗷOᑌᑎTY, ᗩᑎᗪ Tᕼᕮ ᗷᑌSIᑎᕮSSᕮS ᗯITᕼIᑎ, ᗷᕮᑕᗩᗰᕮ ᕮ᙭TᖇᕮᗰᕮᒪY IᗰᑭOᖇTᗩᑎT TO ᖇᗩᑭTᑌᖇᕮ'S STᗩᗷIᒪITY- Oᑎᕮ ᗷᑌSIᑎᕮSS Oᖴ ᗯᕼIᑕᕼ (ᖴOᑎTᗩIᑎᕮ ᖴISᕼᕮᖇIᕮS) SᕮᖇᐯIᑎG ᗩS ᗩ ᑕOᐯᕮᖇ ᖴOᖇ ᖴᖇᗩᑎK ᖴOᑎTᗩIᑎᕮ'S ᕼIGᕼᒪY SᑌᑕᑕᕮSSᖴᑌᒪ, TᕼOᑌGᕼ ᐯᕮᖇY IᒪᒪᕮGᗩᒪ SᗰᑌGGᒪIᑎG OᑭᕮᖇᗩTIOᑎ.

⥼ SᗰᑌGGᒪᕮᖇ'S ᕼIᗪᕮOᑌT ⥽

"Tᕼᕮ OᑎᒪY ᑭᕮOᑭᒪᕮ ᗯᕼO ᖴᗩᑕᕮ ᑕᗩᑭITᗩᒪ ᑭᑌᑎISᕼᗰᕮᑎT Iᑎ ᖇᗩᑭTᑌᖇᕮ ᗩᖇᕮ SᗰᑌGGᒪᕮᖇS, ᗩᑎᗪ TᕼᗩT'S ᗷᕮᑕᗩᑌSᕮ TᕼᕮY ᑭᑌT ᕮᐯᕮᖇYTᕼIᑎG ᗯᕮ'ᐯᕮ ᗯOᖇKᕮᗪ ᖴOᖇ ᗩT ᖇISK. IᗰᗩGIᑎᕮ Iᖴ Tᕼᕮ SOᐯIᕮTS ᖴOᑌᑎᗪ OᑌT ᗩᗷOᑌT Oᑌᖇ ᗯOᑎᗪᕮᖇᖴᑌᒪ ᑕITY, Oᖇ ᕮᐯᕮᑎ Tᕼᕮ ᑌ.S. GOᐯᕮᖇᑎᗰᕮᑎT..! Oᑌᖇ SᕮᑕᖇᕮᑕY IS Oᑌᖇ SᕼIᕮᒪᗪ."

ᗩᖴTᕮᖇ ᗷᕮIᑎG ᖇᕮᑕᖇᑌITᕮᗪ ᗷY ᖴᖇᗩᑎK ᖴOᑎTᗩIᑎᕮ, SᗰᑌGGᒪᕮᖇ'S ᕼIᗪᕮOᑌT ᑫᑌIᑕKᒪY ᗷᕮᑕᗩᗰᕮ ᗩ ᑭᒪᗩᑕᕮ ᗯᕼᕮᖇᕮ Tᕼᕮ ᖴOᑎTᗩIᑎᕮ ᑕᖇᕮᗯ ᗯᕮᑎT ᗩᗷOᑌT ᗩᑎᗪ ᑕOᑎᗪᑌᑕTᕮᗪ TᕼᕮIᖇ ᗷᑌSIᑎᕮSS ᑌᑎᗪᕮᖇ Tᕼᕮ ᑎOSᕮ Oᖴ ᗩᑎᗪᖇᕮᗯ ᖇYᗩᑎ; ᗩᑎ OᑭᕮᖇᗩTIOᑎ TᕼᗩT ᑕOᑎSISTᕮᗪ Oᖴ TᖇᗩᐯᕮᒪᒪIᑎG TOᑭSIᗪᕮ TᗯIᑕᕮ ᗩ ᗯᕮᕮK Iᑎ Oᖇᗪᕮᖇ TO ᑭIᑕK ᑌᑭ GOOᗪS TᕼᗩT ᗯᕮᖇᕮ OTᕼᕮᖇᗯISᕮ ᑎOT ᗩᐯᗩIᒪᗩᗷᒪᕮ Iᑎ ᗩ ᖇᕮᗰOTᕮ ᑭᒪᗩᑕᕮ Sᑌᑕᕼ ᗩS ᖇᗩᑭTᑌᖇᕮ: ᗷᕮᕮᖴ, ᖇᕮᗩᒪ TOᗷᗩᑕᑕO, ᗩᑎᗪ SOᗰᕮ ᕮ᙭TᖇᗩS (ᗷIᗷᒪᕮS, ᗰOᐯIᕮS, ᕮTᑕ.)- Tᕼᕮ SᗰᑌGGᒪᕮᖇS ᗯᕮᖇᕮ ᗩᒪSO ᖇᕮSᑭOᑎSIᗷᒪᕮ ᖴOᖇ STᕮᗩᒪIᑎG ᒪᗩᖇGᕮ ᑫᑌᗩᑎTITIᕮS ᖴᖇOᗰ Tᕼᕮ ᖇᗩᑭTᑌᖇᕮ ᑭOᖇT ᗩᑌTᕼOᖇITY.

ᖴᖇᗩᑎK ᖴOᑎTᗩIᑎᕮ IS SᗩIᗪ TO ᗩᒪSO ᒪIKᕮᒪY ᑌSᕮ ᕼIS ᖴISᕼIᑎG ᖴᒪᕮᕮT Oᖴ SᑌᗷᗰᗩᖇIᑎᕮS Iᑎ Oᖇᗪᕮᖇ TO TᖇᗩᑎSᖴᕮᖇ ᑕOᑎTᖇᗩᗷᗩᑎᗪ GOOᗪS ᖴᖇOᗰ Tᕼᕮ Sᑌᖇᖴᗩᑕᕮ, ᗩᒪᒪOᗯIᑎG Tᕼᕮ OᑭᕮᖇᗩTIOᑎ TO ᖇᑌᑎ Oᑎ ᗩ ᗰᑌᑕᕼ ᒪᗩᖇGᕮᖇ Sᑕᗩᒪᕮ ᗩᑎᗪ SᑕOᑭᕮ, ᕮᐯᕮᑎTᑌᗩᒪᒪY ᗩᒪᒪOᗯIᑎG IT TO ᗰᗩTᑕᕼ Tᕼᕮ SIᘔᕮ Oᖴ Tᕼᕮ ᖴᗩᑕIᒪITIᕮS IᑎᐯOᒪᐯᕮᗪ.

⥼ ᗩᖇᑕᗩᗪIᗩ ⥽

"TOᗪᗩY ᗩᖇᑕᗩᗪIᗩ ᗯᗩS ᑕᒪOSᕮᗪ Oᖴᖴ TO ᗩᒪᒪ ᗷᑌT ᑭᗩYIᑎG ᑕᑌSTOᗰᕮᖇS. Tᕼᕮ ᗰᗩᑎ ᕼIᖇᕮS ᗰᕮ TO ᗷᑌIᒪᗪ ᗩ ᖴOᖇᕮST ᗩT Tᕼᕮ ᗷOTTOᗰ Oᖴ Tᕼᕮ Oᑕᕮᗩᑎ, ᗩᑎᗪ Tᕼᕮᑎ TᑌᖇᑎS ᗩ ᗯᗩᒪK Iᑎ Tᕼᕮ ᗯOOᗪS IᑎTO ᗩ ᒪᑌ᙭ᑌᖇY."

Tᕼᕮ ᒪIᐯIᑎG, ᗷᖇᕮᗩTᕼIᑎG ᕼᕮᗩᖇT Oᖴ ᖇᗩᑭTᑌᖇᕮ; ᗩᖇᑕᗩᗪIᗩ ᗩᑎᗪ ITS ᒪᑌSᕼ ᖴOᖇᕮSTS, ᗩᑎᗪ ᗩᗷᑌᑎᗪᗩᑎT ᑭᒪᗩᑎT ᒪIᖴᕮ SᕮᖇᐯᕮS TO GᕮᑎᕮᖇᗩTᕮ Tᕼᕮ ᒪIᖴᕮ-SᑌSTᗩIᑎIᑎG O᙭YGᕮᑎ ᑎᕮᕮᗪᕮᗪ TO Kᕮᕮᑭ Tᕼᕮ ᑕITY GOIᑎG. ᗩ TᖇᗩᑎᑫᑌIᒪ ᕼᗩᐯᕮᑎ ᖴOᖇ TᕼOSᕮ SᕮᕮKIᑎG ᕮᐯᕮᑎ Tᕼᕮ SᗰᗩᒪᒪᕮST Oᖴ ᖇᕮSᑭITᕮ ᖴᖇOᗰ Tᕼᕮ ᗪᗩIᒪY ᖇIGOᖇS Oᖴ ᑕITY ᒪIᖴᕮ TO ᖇᕮᒪᗩ᙭ Iᑎ SOᒪITᑌᗪᕮ, Oᖇ ᗯITᕼ ᖴᖇIᕮᑎᗪS ᗩᗰOᑎG Tᕼᕮ ᗰᗩᑎY TᖇᕮᕮS ᗩᑎᗪ GᖇᗩSSY KᑎOᒪᒪS. ᐯᗩᑕᗩTIOᑎᕮᖇS SᕮᕮKIᑎG SOᗰᕮTᕼIᑎG ᗩ ᗷIT ᗰOᖇᕮ ᖇᕮᒪᗩ᙭IᑎG Tᕼᗩᑎ Tᕼᕮ ᗷᖇIGᕼT, ᖴᒪᗩSᕼIᑎG ᒪIGᕼTS Oᖴ ᖴOᖇT ᖴᖇOᒪIᑕ ᑕOᑌᒪᗪ ᖴIᑎᗪ ᗷOTᕼ ᑭᕮᗩᑕᕮ ᗩᑎᗪ SᕮᖇᕮᑎITY Iᑎ Tᕼᕮ ᒪOᐯᕮᒪY ᗯᗩTᕮᖇᖴᗩᒪᒪ GᖇOTTO, Tᕼᕮ Tᕮᗩ Gᗩᖇᗪᕮᑎ, ᗩᑎᗪ OTᕼᕮᖇ ᖴᕮᗯ ᕼᗩᐯᕮᑎS ᗷᕮᑎᕮᗩTᕼ Tᕼᕮ ᗷᕮᗩᑌTIᖴᑌᒪ ᑕᗩᑎOᑭY Oᖴ TᖇᕮᕮS.

TᕼIS ᗰᗩᗪᕮ ᗩᖇᑕᗩᗪIᗩ ᑫᑌITᕮ Tᕼᕮ ᑭOᑭᑌᒪᗩᖇ ᑭᒪᗩᑕᕮ TO ᗷᕮ ᗩᗰOᑎG ᑕOᑌᑭᒪᕮS Oᑎ ᐯᗩᒪᕮᑎTIᑎᕮ'S ᗪᗩY, ᗩS Tᕼᕮ ᗩᗰOᖇOᑌS ᕮᑎᐯIᖇOᑎᗰᕮᑎT SᕮT ᗩ ᖇᗩTᕼᕮᖇ ᖇOᗰᗩᑎTIᑕ ᐯIᗷᕮ.

ᑕᖇᕮᗩTᕮᗪ ᗷY Tᕼᕮ ᗰᗩᑎY ᗷOTᗩᑎIᑕᗩᒪ SᑕIᕮᑎTISTS Oᑎ ᖇYᗩᑎ'S ᑭᗩYᖇOᒪᒪ, ᗩᑎᗪ ᗰOST ᑎOTᗩᗷᒪY ᒍᑌᒪIᕮ ᒪᗩᑎGᖴOᖇᗪ; ᗩᖇᑕᗩᗪIᗩ ᗩᑎᗪ IT'S ᖇᕮᑎOᗯᑎᕮᗪ ᗩGᖇIᑕᑌᒪTᑌᖇᗩᒪ ᖇᕮSᕮᗩᖇᑕᕼ ᖴᗩᑕIᒪITY (ᗯᕼIᑕᕼ ᒪᗩTᕮᖇ ᗪᕮᒪᐯᕮᗪ IᑎTO Tᕼᕮ ᗩᗪᗩᗰ ᖇᕮSᕮᗩᖇᑕᕼ Iᑎ ᖇᕮᒪᗩTIOᑎ TO ᗷOTᕼ ᑭᒪᗩᑎTS ᗩᑎᗪ TᖇᕮᕮS), ᖴOᖇ ᗩ TIᗰᕮ, ᗯᗩS ᗩ ᖴᖇᕮᕮ ᑭᗩᖇK ᖴOᖇ ᗩᒪᒪ ᑕITIᘔᕮᑎS Oᖴ ᖇᗩᑭTᑌᖇᕮ, ᕼOᗯᕮᐯᕮᖇ ᗩᑎᗪᖇᕮᗯ ᖇYᗩᑎ ᕮᐯᕮᑎTᑌᗩᒪᒪY ᑕᒪOSᕮᗪ Oᖴᖴ ᗩᖇᑕᗩᗪIᗩ TO ᗩᒪᒪ ᗷᑌT ᑭᗩYIᑎG ᑕᑌSTOᗰᕮᖇS, ᗷᕮᒪIᕮᐯIᑎG Tᕼᕮ SᕮᖇᐯIᑕᕮ IT ᑭᖇOᐯIᗪᕮᗪ ᗯᗩᖇᖇᗩᑎTᕮᗪ ᑭᗩYᗰᕮᑎT.

ᗪᑌᖇIᑎG Tᕼᕮ ᑕIᐯIᒪ ᗯᗩᖇ, ᕼOᗯᕮᐯᕮᖇ, ᗩ ᑕᑌᒪT OᑎᒪY KᑎOᗯᑎ ᗩS 'SᗩTᑌᖇᑎIᑎᕮ' ᗩᑭᑭᕮᗩᖇᕮᗪ Iᑎ ᗩᖇᑕᗩᗪIᗩ; Tᕼᕮ ᗰᕮᗰᗷᕮᖇS Oᖴ TᕼIS ᑕᑌᒪT ᗯOᖇSᕼIᑭᑭᕮᗪ ᑎᗩTᑌᖇᕮ, ᗩᑎᗪ ᕼᕮᗩᐯIᒪY IᑎᗪᑌᒪGᕮᗪ Iᑎ ᗷOTᕼ SᑭᒪIᑕIᑎG ᗩᑎᗪ ᗪᖇIᑎKIᑎG ᗩᗪᗩᗰ ᗩS ᑭᗩᖇT Oᖴ TᕼᕮIᖇ ᖇITᑌᗩᒪS- ᗩᑎᗪᖇᕮᗯ ᖇYᗩᑎ ᐯOᗯᕮᗪ TᕼᗩT ᕼᕮ ᗯOᑌᒪᗪ ᑭᑌT ᗩ STOᑭ TO Tᕼᕮ SᗩTᑌᖇᑎIᑎᕮ, ᗯᕼOᗰ ᕼᕮ ᗷᕮᒪIᕮᐯᕮᗪ TO ᗷᕮ ᗩ GᖇOᑌᑭ Oᖴ OᖇGᗩᑎIᘔᕮᗪ ᖇᕮᒪIGIOᑎ, ᗩS TᕼᕮIᖇ ᗩᑕTIᐯITIᕮS ᑎOT OᑎᒪY ᕮᑎᗪᗩᑎGᕮᖇᕮᗪ Tᕼᕮ ᒪIᐯᕮS Oᖴ ᑕITIᘔᕮᑎS Iᑎ ᖇᗩᑭTᑌᖇᕮ, ᗷᑌT ᗩᒪSO ᗪISᖇᑌᑭTᕮᗪ Tᕼᕮ ᗯOᖇK Oᖴ ᗩᖇᑕᗩᗪIᗩ'S ᗷᕮST ᗩᑎᗪ ᗷᖇIGᕼTᕮST SᑕIᕮᑎTISTS. ᗩᖴTᕮᖇ ᕮ᙭ᑭᕮᖇIᕮᑎᑕIᑎG ᗩ ᐯᗩST ᑎᑌᗰᗷᕮᖇ Oᖴ ᒪOᑕK-ᗪOᗯᑎS ᗩS Tᕼᕮ ᐯIOᒪᕮᑎᑕᕮ Iᑎ Tᕼᕮ ᑕITY Gᖇᕮᗯ ᗯOᖇSᕮ, ᗩᖇᑕᗩᗪIᗩ ᗯᗩS ᕮᐯᕮᑎTᑌᗩᒪᒪY ᑕᒪOSᕮᗪ TO Tᕼᕮ ᑭᑌᗷᒪIᑕ ᗩᒪTOGᕮTᕼᕮᖇ; ᕼOᗯᕮᐯᕮᖇ, ᕮᐯᕮᑎ TᕼᖇOᑌGᕼOᑌT Tᕼᕮ ᕼᗩᖇᗪSᕼIᑭ, ᒍᑌᒪIᕮ ᒪᗩᑎGᖴOᖇᗪ ᑕOᑎTIᑎᑌᕮᗪ TO ᖇᕮTᑌᖇᑎ TO ᕼᕮᖇ ᒪᗩᗷ ᗯITᕼIᑎ Tᕼᕮ ᑭᗩᖇK Iᑎ Oᖇᗪᕮᖇ TO ᑕOᑎTIᑎᑌᕮ ᕼᕮᖇ ᗯOᖇK Oᑎ Tᕼᕮ ᒪᗩᘔᗩᖇᑌS ᐯᕮᑕTOᖇ.

⥼ Tᕼᕮ ᖴᗩᖇᗰᕮᖇ'S ᗰᗩᖇKᕮT ⥽

"ᗩᖇᑕᗩᗪIᗩ'S ᗩ ᗷIG ᑭᒪᗩᑕᕮ, ᗷᑌT ᗰOSTᒪY ᖇᑌᖇᗩᒪ. Iᖴ YOᑌ'ᖇᕮ ᒪOOKIᑎG ᖴOᖇ SOᗰᕮTᕼIᑎG Iᑎ ᑭᗩᖇTIᑕᑌᒪᗩᖇ, I'ᗪ STᗩᖇT ᗩT Tᕼᕮ ᖴᗩᖇᗰᕮᖇ'S ᗰᗩᖇKᕮT."

ᕮSTᗩᗷᒪISᕼᕮᗪ Iᑎ 1948, Tᕼᕮ ᖴᗩᖇᗰᕮᖇ'S ᗰᗩᖇKᕮT ᑫᑌIᑕKᒪY ᗷᕮᑕᗩᗰᕮ ᗩ ᖇᗩTᕼᕮᖇ ᒪIᐯᕮᒪY ᗩᑎᗪ ᑭOᑭᑌᒪᗩᖇ ᗰᗩᖇKᕮTᑭᒪᗩᑕᕮ ᗯITᕼIᑎ ᖇᗩᑭTᑌᖇᕮ; ᗩ ᑭᒪᗩᑕᕮ ᗯᕼᕮᖇᕮ ᑭᕮOᑭᒪᕮ ᑕOᑌᒪᗪ GO TO OᗷTᗩIᑎ ᖴᖇᕮSᕼ ᑭᖇOᗪᑌᑕᕮ Sᑌᑕᕼ ᗩS ᗩᑭᑭᒪᕮS, ᗰᕮᒪOᑎS, TOᗰᗩTOᕮS, ᑕᕼᕮᕮSᕮ, ᗩᑎᗪ OTᕼᕮᖇ ᖴOOᗪ ᑭᖇOᗪᑌᑕTS. IᑎᕼᗩᗷITᗩᑎTS Oᖴ ᖇᗩᑭTᑌᖇᕮ ᑕOᑌᒪᗪ STᖇOᒪᒪ TᕼᖇOᑌGᕼ Tᕼᕮ ᗰᗩᖇKᕮT'S ᖇᗩISᕮᗪ ᗯᗩᒪKᗯᗩYS, ᗩᑎᗪ ᕮᑎᒍOY Tᕼᕮ ᗯIᑎᕮS ᗩT ᗯOᖇᒪᕮY ᗯIᑎᕮᖇY, Oᖇ ᕮᐯᕮᑎ Sᗩᗰᑭᒪᕮ ᕼOᑎᕮY ᑭᖇOᗪᑌᑕᕮᗪ ᖴᖇOᗰ Tᕼᕮ ᗷᕮᕮ ᕼIᐯᕮS ᗩT Tᕼᕮ SIᒪᐯᕮᖇᗯIᑎG ᗩᑭIᗩᖇY, ᗯᕼIᒪᕮ Tᕼᕮ ᐯᕮᑎᗪOᖇS Oᖴ Tᕼᕮ ᖴᗩᖇᗰᕮᖇ'S ᗰᗩᖇKᕮT ᑭᕮᗪᗪᒪᕮᗪ TᕼᕮIᖇ ᗯᗩᖇᕮS.

ᗯᕼᕮᑎ Tᕼᕮ ᗷᕮᗩᑌTIᖴᑌᒪ ᒪᑌSᕼ Gᖇᕮᕮᑎ ᑭᗩᖇKS Oᖴ ᗩᖇᑕᗩᗪIᗩ ᗷᕮᑕᗩᗰᕮ ᗩᐯᗩIᒪᗩᗷᒪᕮ OᑎᒪY TO TᕼOSᕮ ᗯᕼO ᑕOᑌᒪᗪ ᗩᖴᖴOᖇᗪ IT; ᗩᑎᗪᖇᕮᗯ ᖇYᗩᑎ ᑕᕼOSᕮ TO ᒪᕮᗩᐯᕮ Tᕼᕮ ᖴᗩᖇᗰᕮᖇ'S ᗰᗩᖇKᕮT Oᑭᕮᑎ ᖴOᖇ ᗩᒪᒪ ᑕITIᘔᕮᑎS Oᖴ ᖇᗩᑭTᑌᖇᕮ SO ᗩS ᑎOT TO ᗪISᖇᑌᑭT Tᕼᕮ ᗷᑌSIᑎᕮSSᕮS Oᖴ TᕼOSᕮ ᗯᕼO ᑕᕼOSᕮ TO ᖇᕮᑎT Sᑭᗩᑕᕮ ᖴᖇOᗰ ᕼIᗰ Tᕼᕮᖇᕮ. ᗩS Tᕼᕮ ᑕIᐯIᒪ ᗯᗩᖇ ᑭᖇOGᖇᕮSSᕮᗪ, ᕮᗩᑕᕼ STᗩᒪᒪ ᗯᗩS ᕮᐯᕮᑎTᑌᗩᒪᒪY ᗩᗷᗩᑎᗪOᑎᕮᗪ ᗷY ITS Oᗯᑎᕮᖇ, ᗩᑎᗪ Tᕼᕮ GOOᗪS (ᖴᖇᑌIT, ᐯᕮGᕮTᗩᗷᒪᕮ, ᗰᕮᗩT ᑭᖇOᗪᑌᑕTS ᗩᑎᗪ OTᕼᕮᖇ) ᗯᕮᖇᕮ ᒪᕮᖴT ᗷᕮᕼIᑎᗪ TO ᖇOT ᗩS SOᗰᕮ Oᖴ Tᕼᕮ ᑭᒪᗩᑎT ᒪIᖴᕮ ᗷᕮᑕᗩᗰᕮ OᐯᕮᖇGᖇOᗯᑎ TᕼᖇOᑌGᕼOᑌT Tᕼᕮ ᗰᗩᖇKᕮT; Tᕼᕮ ᖇᑌIᑎ ᑕᗩᑌSIᑎG Tᕼᕮ ᗯIᑎᕮᖇY TO ᖴᒪOOᗪ, ᗩᑎᗪ ᖴOᖇ Tᕼᕮ SᗯᗩᖇᗰS Oᖴ ᗷᕮᕮS Iᑎ Tᕼᕮ ᗩᑭIᗩᖇY TO ᑎOᗯ ᖴᖇᕮᕮᒪY Tᑌᖇᑎ IT IᑎTO ᗩ ᗪᗩᑎGᕮᖇOᑌS ᗪᕮᑎ ᖴOᖇ TᕼᕮᗰSᕮᒪᐯᕮS.

⥼ ᖴOᖇT ᖴᖇOᒪIᑕ ⥽

"ᗷᕮIᑎG Tᕼᕮ ᗷᕮST ᗩT ᗯᕼᗩT YOᑌ ᗪO ᑕᗩᑎ ᖇᕮᗩᒪᒪY TᗩKᕮ IT OᑌT Oᑎ YOᑌ. SO ᑌᑎᗯIᑎᗪ! ᗩT ᖴOᖇT ᖴᖇOᒪIᑕ: Gᗩᗰᗷᒪᕮ, SᕼOᑭ, TᗩKᕮ Iᑎ ᗩ SᕼOᗯ Oᖇ ᗰᕮᕮT ᗩ ᑎᕮᗯ ᖴᖇIᕮᑎᗪ, ᗩᒪᒪ ᗩT ᖴOᖇT ᖴᖇOᒪIᑕ. ᖴOᖇT ᖴᖇOᒪIᑕ: ᗯᕼᕮᖇᕮ Tᕼᕮ ᗷᕮST ᗩᑎᗪ ᗷᖇIGᕼTᕮST ᑕᕮᒪᕮᗷᖇᗩTᕮ SᑌᑕᑕᕮSS."

ᗪᕮSIGᑎᕮᗪ SᑭᕮᑕIᖴIᑕᗩᒪᒪY ᗩS ᗩ ᑭᒪᗩᑕᕮ ᖴOᖇ Tᕼᕮ ᑕITIᘔᕮᑎS Oᖴ ᖇᗩᑭTᑌᖇᕮ TO ᑌᑎᗯIᑎᗪ; ᖴOᖇT ᖴᖇOᒪIᑕ ᗯᗩS ᗷᑌIᒪT ᗩS ᗩ ᑭᒪᗩᑕᕮ ᗯᕼᕮᖇᕮ ᗩᗪᑌᒪTS ᑕOᑌᒪᗪ IᑎᗪᑌᒪGᕮ TᕼᕮᗰSᕮᒪᐯᕮS ᗯITᕼ ᗩ ᑕOᑌᑭᒪᕮ Oᖴ ᗪᖇIᑎKS, GO OᑌT Oᑎ SᑭᕮᑎᗪIᑎG SᑭᖇᕮᕮS ᗯITᕼ ᗩ ᖴᑌᒪᒪ ᗪᗩY Oᖴ SᕼOᑭᑭIᑎG, TᗩKᕮ Iᑎ ᗩ SᕼOᗯ, Oᖇ ᕮᐯᕮᑎ TᖇY TᕼᕮIᖇ ᒪᑌᑕK Iᑎ Oᑎᕮ Oᖴ Tᕼᕮ ᖴᕮᗯ ᑕᗩSIᑎOS. ᗪᕮᑕOᖇᗩTᕮᗪ Iᑎ ᗩ ᐯᗩST ᗩᖇᖇᗩY Oᖴ ᑎᕮOᑎ ᒪIGᕼTS, TOᖇᑕᕼᕮ̀ᖇᕮ ᑕOᒪᑌᗰᑎS, ᗩᑎᗪ ᑕᕼᕮᑕKᕮᖇᗷOᗩᖇᗪ TIᒪᕮS; ᖴOᖇT ᖴᖇOᒪIᑕ ᗯᗩS Oᑎᑕᕮ ᗩ ᐯᕮᖇY GᒪᗩᗰOᖇOᑌS SᕮTTIᑎG TᕼᗩT ᖴᕮᗩTᑌᖇᕮᗪ ᕮᐯᕮᖇYTᕼIᑎG ᖴᖇOᗰ Tᕼᕮ ᖴIᑎᕮ ᗩᖇTS Sᑌᑕᕼ ᗩS ᗰᑌSIᑕ, ᖴIᒪᗰ, ᗩᑎᗪ TᕼᕮᗩTᕮᖇ TO Tᕼᕮ ᗰOᖇᕮ SᗩᒪᗩᑕIOᑌS ᗪISTᖇᗩᑕTIOᑎS Sᑌᑕᕼ ᗩS STᖇIᑭ ᑕᒪᑌᗷS ᗩᑎᗪ GᗩᗰᗷᒪIᑎG- IT ᗯᗩS ᗩᒪSO Oᑎᕮ Oᖴ Tᕼᕮ ᗰᗩᒍOᖇ SᕼOᑭᑭIᑎG ᗪᕮSTIᑎᗩTIOᑎS Iᑎ ᖇᗩᑭTᑌᖇᕮ, ᖴᕮᗩTᑌᖇIᑎG ᗰᗩᑎY ᗷOᑌTIᑫᑌᕮS TᕼᗩT SOᒪᗪ ᗩ ᐯᗩST ᗩᖇᖇᗩY Oᖴ GOOᗪS ᖴᖇOᗰ Tᕼᕮ ᗰOST ᒪᑌ᙭ᑌᖇIOᑌS ᑕᒪOTᕼIᑎG, TO Tᕼᕮ ᖴIᑎᕮST Oᖴ TOᗷᗩᑕᑕO ᗩᑎᗪ ᒪIᑫᑌOᖇ.

ᗪᑌᖇIᑎG Tᕼᕮ ᑕIᐯIᒪ ᗯᗩᖇ Iᑎ 1959, Sᗩᑎᗪᕮᖇ ᑕOᕼᕮᑎ ᕮᐯᕮᑎTᑌᗩᒪᒪY ᗪᕮᑕIᗪᕮᗪ TO ᑕᒪOSᕮ ᖴOᖇT ᖴᖇOᒪIᑕ TO Tᕼᕮ ᑭᑌᗷᒪIᑕ, ᖇᕮSᑌᒪTIᑎG Iᑎ Tᕼᕮ ᑕᒪOSᑌᖇᕮ Oᖴ TᕼᕮᗩTᕮᖇS ᗯᕼIᑕᕼ ᑕᗩᑌSᕮᗪ ᗩᖇTISTS Sᑌᑕᕼ ᗩS SᑌᖇᕮSᕼ SᕼᕮTI ᗩᑎᗪ ᗰIᒪᕮ ᗷᒪᗩᑎᑕᕼᕮ ᗪᕮ' Gᒪᗩᑕᕮ TO ᒪOSᕮ TᕼᕮIᖇ ᒍOᗷS, ᗩᑎᗪ Iᑎ Tᑌᖇᑎ, TO ᒪOSᕮ ᕮᐯᕮᖇYTᕼIᑎG TᕼᕮY ᕼᗩᗪ ᕮᐯᕮᖇ ᗯOᖇKᕮᗪ ᖴOᖇ; ᕼOᗯᕮᐯᕮᖇ, ᑕOᕼᗩᑎ ᑭᖇOᗰISᕮᗪ Tᕼᕮ ᑭᕮOᑭᒪᕮ Oᖴ ᖇᗩᑭTᑌᖇᕮ ᒍᑌST Oᑎᕮ ᗰOᖇᕮ SᕼOᗯ- Oᑎᕮ "ᖴIᑎᗩᒪ ᖴᖇOᒪIᑕ". ᗯᕼᗩT Tᕼᕮ ᑌᑎᖴOᖇTᑌᑎᗩTᕮ ᑕITIᘔᕮᑎS ᗪIᗪᑎ'T ᖇᕮᗩᒪIᘔᕮ ᕼOᗯᕮᐯᕮᖇ, ᗯᗩS TᕼᗩT TᕼᕮIᖇ TIᗰᕮ ᗯITᕼIᑎ ᖴᖇOᒪIᑕ ᗯOᑌᒪᗪ ᗷᕮᑕOᗰᕮ TᕼᗩT Oᖴ ᗩ ᑭᕮᖇᗰᗩᑎᕮᑎT ᑎᗩTᑌᖇᕮ, ᗩᑎᗪ ᑕOᕼᗩᑎ Tᖇᗩᑭᑭᕮᗪ ᗰᗩᑎY Oᖴ Tᕼᕮ ᑭᕮOᑭᒪᕮ Iᑎ Tᕼᕮ ᗪISTᖇIᑕT ᗯᕼᕮᑎ ᕼᕮ Sᕮᗩᒪᕮᗪ Oᖴᖴ Tᕼᕮ ᕮᑎTᖇᗩᑎᑕᕮS, ᑌSIᑎG Tᕼᕮᗰ IᑎSTᕮᗩᗪ ᖴOᖇ ᕼIS TᗯISTᕮᗪ ᗯOᖇKS Oᖴ ᗩᖇT.

⥼ ᕼᕮᑭᕼᗩᕮSTᑌS ⥽

"…YOᑌ ᑕᗩᑎ'T ᑕᑌT Oᖴᖴ Tᕼᕮ ᑭOᗯᕮᖇ; ᑕOᗰᕮS ᖇIGᕼT ᖴᖇOᗰ Tᕼᕮ ᐯOᒪᑕᗩᑎIᑕ ᐯᕮᑎTS… ᖇYᗩᑎ ᗩᒪᗯᗩYS GᕮTS ᕼIS ᒍᑌIᑕᕮ…"

ᕼOᗰᕮ TO Tᕼᕮ ᑭOᗯᕮᖇ ᖴᗩᑕIᒪITY ᗩᑎᗪ Tᕼᕮ ᑭᖇIᐯᗩTᕮ OᖴᖴIᑕᕮ Oᖴ ᗩᑎᗪᖇᕮᗯ ᖇYᗩᑎ, ᕼᕮᑭᕼᗩᕮSTᑌS IS Tᕼᕮ ᗰᗩIᑎ ᑭOᗯᕮᖇ ᑭᖇOᗪᑌᑕTIOᑎ SOᑌᖇᑕᕮ ᖴOᖇ ᗩᒪᒪ Oᖴ ᖇᗩᑭTᑌᖇᕮ, ᗩᑎᗪ IS ᒪOᑕᗩTᕮᗪ ᗩT Tᕼᕮ SOᑌTᕼᕮᖇᑎ ᕮᑎᗪ Oᖴ Tᕼᕮ ᑕITY; ᗪᕮSIGᑎᕮᗪ ᗩᑎᗪ ᑕᖇᕮᗩTᕮᗪ ᗷY ᖇYᗩᑎ ᕼIᗰSᕮᒪᖴ, Tᕼᕮ ᖴᗩᑕIᒪITY ᕼᗩᖇᑎᕮSSᕮS Tᕼᕮ ᕼᕮᗩT ᖴᖇOᗰ GᕮOTᕼᕮᖇᗰᗩᒪ ᐯᕮᑎTS Oᑎ Tᕼᕮ Oᑕᕮᗩᑎ ᖴᒪOOᖇ. ᕼᕮᑭᕼᗩᕮSTᑌS ᗯᗩS Oᑎᕮ Oᖴ Tᕼᕮ ᐯᕮᖇY ᖴIᖇST ᖴᗩᑕIᒪITIᕮS ᗷᑌIᒪT ᗯITᕼIᑎ ᖇᗩᑭTᑌᖇᕮ, ᗩᑎᗪ ᗯITᕼOᑌT IT, Tᕼᕮ ᑕITY ᑕOᑌᒪᗪ ᑎOT ᕼᗩᐯᕮ ᗷᕮᕮᑎ ᑭOᗯᕮᖇᕮᗪ.

ᗩS Tᕼᕮ ᖴᗩᑕIᒪITY ᑕOᑎTIᑎᑌᕮᗪ TO TᗩKᕮ ᗩTTᗩᑕKS ᗷY Tᕼᕮ ᖇᕮᗷᕮᒪS Iᑎ Tᕼᕮ ᑕIᐯIᒪ ᗯᗩᖇ, Tᕼᕮ ᑕITIᘔᕮᑎS ᗯᕼO ᒪᗩᗷOᑌᖇᕮᗪ ᗯITᕼIᑎ Tᕼᕮ ᖴᗩᑕIᒪITIᕮS ᐯᗩᖇIOᑌS ᗯOᖇKSᕼOᑭS ᗯᕮᖇᕮ KIᒪᒪᕮᗪ, ᗩᑎᗪ ᗩ ᑎᑌᗰᗷᕮᖇ Oᖴ ᗩTTᕮᗰᑭTS ᗯᕮᖇᕮ ᗰᗩᗪᕮ ᑌᑭOᑎ ᖇYᗩᑎ'S ᒪIᖴᕮ- ᗩᗪᗩᗰ SIᑕKᑎᕮSS ᗩᑎᗪ IᑎᑕᖇᕮᗩSᕮᗪ ᑭᗩᖇᗩᑎOIᗩ Oᖴ ᗷᕮIᑎG ᗰᑌᖇᗪᕮᖇᕮᗪ ᒪᕮᗩᗪ TO ᗯᕼᗩT ᗯᗩS ᒪᕮᖴT Oᖴ Tᕼᕮ ᗯOᖇKᕮᖇS KIᒪᒪIᑎG ᕮᗩᑕᕼ OTᕼᕮᖇ, ᒪᕮᗩᐯIᑎG Tᕼᕮ ᗯOᖇKSᕼOᑭS ᗩᖇOᑌᑎᗪ Tᕼᕮ ᖴᗩᑕIᒪITY ᒪITTᕮᖇᕮᗪ ᗯITᕼ Tᕼᕮ ᑕOᖇᑭSᕮS Oᖴ ᑭᕮOᑭᒪᕮ ᗯᕼO Oᑎᑕᕮ KᕮᑭT ᕼᕮᑭᕼᗩᕮSTᑌS ᖴᑌᑎᑕTIOᑎIᑎG.

⥼ ᖇYᗩᑎ IᑎᗪᑌSTᖇIᕮS ⥽

"Tᕼᕮᖇᕮ IS SOᗰᕮTᕼIᑎG ᗰOᖇᕮ ᑭOᗯᕮᖇᖴᑌᒪ Tᕼᗩᑎ ᕮᗩᑕᕼ Oᖴ ᑌS, ᗩ ᑕOᗰᗷIᑎᗩTIOᑎ Oᖴ Oᑌᖇ ᕮᖴᖴOᖇTS, ᗩ GᖇᕮᗩT ᑕᕼᗩIᑎ Oᖴ IᑎᗪᑌSTᖇY TᕼᗩT ᑌᑎITᕮS ᑌS. ᗷᑌT IT IS OᑎᒪY ᗯᕼᕮᑎ ᗯᕮ STᖇᑌGGᒪᕮ Iᑎ Oᑌᖇ Oᗯᑎ IᑎTᕮᖇᕮST TᕼᗩT Tᕼᕮ ᑕᕼᗩIᑎ ᑭᑌᒪᒪS SOᑕIᕮTY Iᑎ Tᕼᕮ ᖇIGᕼT ᗪIᖇᕮᑕTIOᑎ."

Oᑎᕮ Oᖴ Tᕼᕮ ᗷIGGᕮST Oᖴ ᗩᑎᗪᖇᕮᗯ ᖇYᗩᑎ'S ᑭᕮᖇSOᑎᗩᒪ ᑭᕼIᒪOSOᑭᕼIᕮS ᗯᗩS Tᕼᕮ ᗷᕮᒪIᕮᖴ Iᑎ ᖴᖇᕮᕮ ᗰᗩᖇKᕮTS, ᗩᑎᗪ Iᑎ ᘔᕮᖇO GOᐯᕮᖇᑎᗰᕮᑎT IᑎTᕮᖇᐯᕮᑎTIOᑎS Iᑎ ᗷᑌSIᑎᕮSS- ᖇYᗩᑎ IᑎᗪᑌSTᖇIᕮS ᗯᗩS ᖴOᖇᗰᕮᗪ ᗪᑌᖇIᑎG Tᕼᕮ ᑕᖇᕮᗩTIOᑎ Oᖴ ᖇᗩᑭTᑌᖇᕮ, ᗩᑎᗪ ᑫᑌIᑕKᒪY ᗷᕮᑕᗩᗰᕮ Oᑎᕮ Oᖴ Tᕼᕮ ᒪᗩᖇGᕮST Oᖴ Tᕼᕮ ᗷᑌSIᑎᕮSSᕮS TᕼᖇOᑌGᕼOᑌT Tᕼᕮ ᑕITY; ᗩᑎᗪ TᕼᕮᖇᕮᖴOᖇᕮ, ᗷᕮᑕᗩᗰᕮ ᗩ ᖴIGᑌᖇᕮᕼᕮᗩᗪ ᑕOᗰᑭᗩᑎY Oᖴ ᗩᒪᒪ ᕼIS Sᗰᗩᒪᒪᕮᖇ ᗷᑌSIᑎᕮSSᕮS.

⥼ OᒪYᗰᑭᑌS ᕼᕮIGᕼTS ⥽

"..YOᑌ ᗯIᒪᒪ ᑎOT ᗷᕮᒪIᕮᐯᕮ ᗰᕮ, ᗷᑌT Tᕼᕮᖇᕮ ᗯᗩS ᗩ TIᗰᕮ ᗯᕼᕮᑎ TᕼIS ᗯᗩS ᗩᒪᒪ SO ᗷᕮᗩᑌTIᖴᑌᒪ..."

ᑫᑌITᕮ SIᗰIᒪᗩᖇ TO TᕼᗩT Oᖴ ᗩᑭOᒪᒪO Sᑫᑌᗩᖇᕮ; OᒪYᗰᑭᑌS ᕼᕮIGᕼTS ᑕOᑎTᗩIᑎS ᗩ ᑕᕮᑎTᖇᗩᒪ Tᖇᗩᗰ ᖇOᑌTᕮ TO ᑕOᑎᑎᕮᑕT Tᕼᕮ ᖇᕮSIᗪᕮᑎTIᗩᒪ ᗪISTᖇIᑕTS ᗯITᕼ Tᕼᕮ ᖇᕮST Oᖴ Tᕼᕮ ᑕITY- Tᕼᕮ ᗪISTᖇIᑕT ᕼOᑌSᕮᗪ SOᗰᕮ Oᖴ Tᕼᕮ ᗰOST ᗯᕮᒪᒪ-ᕮSTᗩᗷᒪISᕼᕮᗪ ᗩᑎᗪ ᗰOᖇᕮ ᕮ᙭ᑭᕮᑎSIᐯᕮ ᗩᑭᗩᖇTᗰᕮᑎT ᗷᑌIᒪᗪIᑎGS Iᑎ ᗩᒪᒪ Oᖴ ᖇᗩᑭTᑌᖇᕮ: ᗰᕮᖇᑕᑌᖇY SᑌITᕮS, ᗩᑎᗪ ᗩTᕼᕮᑎᗩ'S GᒪOᖇY; ᗯITᕼ ᗰᕮᖇᑕᑌᖇY SᑌITᕮS ᕼOᑌSIᑎG ᗰᗩᒍOᖇITY Oᖴ Tᕼᕮ ᗰOST SᑌᑕᑕᕮSSᖴᑌᒪ ᗯOᖇKᕮᖇS ᗩᑎᗪ ᖇᕮSIᗪᕮᑎTS, IᑎᑕᒪᑌᗪIᑎG ᗷᖇIGIᗪ Tᕮᑎᕮᑎᗷᗩᑌᗰ, Sᗩᑎᗪᕮᖇ ᑕOᕼᕮᑎ ᗩᑎᗪ ᕮᐯᕮᑎ Tᕼᕮ IᑎᖴᗩᗰOᑌS ᖴᖇᗩᑎK ᖴOᑎTᗩIᑎᕮ.

ᗩᒪSO ᕼOᗰᕮ TO ᗩ ᑎᑌᗰᗷᕮᖇ Oᖴ ᗪIᖴᖴᕮᖇᕮᑎT ᗷᑌSIᑎᕮSSᕮS ᑕᗩTᕮᖇIᑎG ᕮ᙭ᑕᒪᑌSIᐯᕮᒪY TO Tᕼᕮ ᑌᑭᑭᕮᖇ ᑕᒪᗩSS; Tᕼᕮ ᗷISTᖇO ᒪOᑕᗩTᕮᗪ ᗯITᕼIᑎ Tᕼᕮ ᑕᕮᑎTᕮᖇ Oᖴ Tᕼᕮ ᗪISTᖇIᑕT Oᖴᖴᕮᖇᕮᗪ ᑎOTᕼIᑎG ᗷᑌT Tᕼᕮ ᖴIᑎᕮST Oᖴ ᖴOOᗪ, ᗩᑎᗪ ᗰOST ᕮ᙭ᑭᕮᑎSIᐯᕮ Oᖴ ᗪᖇIᑎKS TO Tᕼᕮ ᗯᕮᗩᒪTᕼY ᗩS TᕼᕮY ᑭᗩSSᕮᗪ TᕼᖇOᑌGᕼ Tᕼᕮ Tᖇᗩᗰ ᒪIᑎᕮS Oᑎ TᕼᕮIᖇ ᗯᗩY TO ᗩᑎᗪ ᖴᖇOᗰ ᗯOᖇK, ᗯᕼIᒪᕮ Tᕼᕮ ᗩᗪOᑎIS ᒪᑌ᙭ᑌᖇY ᖇᕮSOᖇT, ᒪOᑕᗩTᕮᗪ ᗯITᕼIᑎ Tᕼᕮ ᗩᖇᕮᗩ, ᗩᒪSO ᕼᕮᒪᑭᕮᗪ ᗷY ᑭᖇOᐯIᗪIᑎG ᑕITIᘔᕮᑎS ᗯITᕼ ᗩ ᑕᕼᗩᑎᑕᕮ ᗩT ᗩ ᖇᕮᒪᗩ᙭IᑎG GᕮTᗩᗯᗩY, OᖴᖴᕮᖇIᑎG Tᕼᕮ IᑎᕼᗩᗷITᗩᑎTS ᗩ ᑎᑌᗰᗷᕮᖇ Oᖴ Sᑭᗩ TᖇᕮᗩTᗰᕮᑎTS, ᗩᑎᗪ ᖇᕮᑕᖇᕮᗩTIOᑎᗩᒪ ᖴᗩᑕIᒪITIᕮS.

TᕼᖇOᑌGᕼOᑌT ᖇᗩᑭTᑌᖇᕮ'S ᑕIᐯIᒪ ᗯᗩᖇ, ᒪIᖴᕮ ᗯITᕼIᑎ OᒪYᗰᑭᑌS ᕼᕮIGᕼTS ᗷᕮᑕᗩᗰᕮ ᕮ᙭TᖇᕮᗰᕮᒪY ᗪᗩᑎGᕮᖇOᑌS ᗩS Tᕼᕮ ᕮᑎTIᖇᕮ ᗩᖇᕮᗩ ᗷᕮᑕᗩᗰᕮ ᑎOTᕼIᑎG ᗰOᖇᕮ Tᕼᗩᑎ ᗩ ᗯᗩᖇ ᘔOᑎᕮ- ᖇᕮᗷᕮᒪS ᖴᖇOᗰ ᗩᑭOᒪᒪO Sᑫᑌᗩᖇᕮ GᗩIᑎᕮᗪ ᗩᑕᑕᕮSS TO OᒪYᗰᑭᑌS ᕼᕮIGᕼTS ᗪᑌᕮ TO Tᕼᕮ Tᖇᗩᗰ TᑌᑎᑎᕮᒪS ᗩᑎᗪ ᖴᖇOᗰ TᕼᗩT ᗰOᗰᕮᑎT, Tᕼᕮ ᗪISTᖇIᑕT ᗯᗩS ᑌᑎᗪᕮᖇ ᑕOᑎSTᗩᑎT ᗩTTᗩᑕK; ᕮᐯᕮᑎ ᗯITᕼ Tᕼᕮ IᑎᑕᖇᕮᗩSᕮᗪ SᕮᑕᑌᖇITY ᗰᕮᗩSᑌᖇᕮS, ᑎᕮᗯ ᗩᑎᗪ ᑎOᑎᑎᕮGOTIᗩᗷᒪᕮ ᑕᑌᖇᖴᕮᗯS, ᗩᑎᗪ ᑭOᒪIᑕᕮ ᗷᗩᖇᖇIᑕᗩᗪᕮS, ᗩᒪᗰOST ᗩᒪᒪ ᗷᑌSIᑎᕮSS ᗯITᕼIᑎ Tᕼᕮ ᗪISTᖇIᑕT ᗯᕮᖇᕮ ᒪᕮᖴT TO ᖇᑌIᑎ, ᗩᑎᗪ Tᕼᕮ TᖇᗩIᑎS ᑕᕮᗩSIᑎG TO ᖴᑌᑎᑕTIOᑎ.

ᗩS Tᕼᕮ ᗯᗩᖇ ᑕOᑎTIᑎᑌᕮᗪ TO ᗪᖇᗩG Oᑎ IᑎTO 1960, Tᕼᕮ ᐯIOᒪᕮᑎᑕᕮ ᗷᕮGᗩᑎ TO SᒪOᗯ, ᕼOᗯᕮᐯᕮᖇ Tᕼᕮ ᗪᗩᗰᗩGᕮ ᕼᗩᗪ ᗩᒪᖇᕮᗩᗪY ᗷᕮᕮᑎ ᗪOᑎᕮ.

⥼ ᗩᑭOᒪᒪO Sᑫᑌᗩᖇᕮ ⥽

"ᗩᑭOᒪᒪO Sᑫᑌᗩᖇᕮ ᑕOᑎᗪᕮᗰᑎᕮᗪ — ᗩᑎYOᑎᕮ ᕮᑎTᕮᖇIᑎG Oᖇ ᕮ᙭ITIᑎG ᗯIᒪᒪ ᗷᕮ SᕼOT Oᑎ SIGᕼT."

Tᕼᕮ ᕼᑌᗷ Oᖴ ᖇᗩᑭTᑌᖇᕮ'S TᖇᗩᑎSᑭOᖇTᗩTIOᑎ ᗩᑎᗪ ᑕOᑎᑎᕮᑕTIᑎG ᖇOᑌTᕮS; ᗩᑭOᒪᒪO Sᑫᑌᗩᖇᕮ ᗷᖇᗩᑎᑕᕼᕮS OᑌT TO ᑕOᑎᑎᕮᑕT ᗩ ᒪᗩᖇGᕮ ᖇᕮSIᗪᕮᑎTIᗩᒪ ᗩᖇᕮᗩ Oᖴ Tᕼᕮ ᑕITIᕮS ᗯOᖇKIᑎG ᑕᒪᗩSS ᑕITIᘔᕮᑎS TO ᗩᖇTᕮᗰIS SᑌITᕮS, ᗯᕼIᑕᕼ IᑎᑕᒪᑌᗪᕮS ᗪᖇ. SᑌᑕᕼOᑎG'S ᖴᖇᕮᕮ ᑕᒪIᑎIᑕ, ᗩ ᑭᕼOTOGᖇᗩᑭᕼY STᑌᗪIO (ᑭOSSIᗷᒪY ᗷᕮᒪOᑎGIᑎG TO Tᕼᕮ IᑎᖴᗩᗰOᑌS "ᑭᗩᑭᗩᖇᗩᘔᘔI"), ᗩᑎᗪ Tᕼᕮ ᗰOᖇᕮ TᕮᑎᕮᗰᕮᑎT-ᒪIKᕮ ᕼᕮSTIᗩ ᑕᕼᗩᗰᗷᕮᖇS ᗯᕼIᑕᕼ ᕼᗩᗪ ᗷᕮᑕOᗰᕮ Oᑎᕮ Oᖴ ᖴᖇᗩᑎK ᖴOᑎTᗩIᑎᕮ'S ᒪITTᒪᕮ SISTᕮᖇ'S OᖇᑭᕼᗩᑎᗩGᕮ, ᗩᑎᗪ ᖴOᑎTᗩIᑎᕮ'S ᕼOᗰᕮ ᖴOᖇ Tᕼᕮ ᑭOOᖇ.

ᗩᖴTᕮᖇ Tᕼᕮ 1958 ᑎᕮᗯ Yᕮᗩᖇ'S ᕮᐯᕮ ᖇIOTS, ᗰᗩᑎY ᑭᕮOᑭᒪᕮ ᗯᕮᖇᕮ KIᒪᒪᕮᗪ Iᑎ Tᕼᕮ ᕮSᑕᗩᒪᗩTIᑎG ᑕOᑎᖴᒪIᑕT, ᗩᑎᗪ Iᑎ ᗩᑎ ᗩTTᕮᗰᑭT TO ᖇᕮSTOᖇᕮ Oᖇᗪᕮᖇ ᗩᑎᗪ TO ᑕOᗰᗷᗩT ᗩTᒪᗩS' ᖴOᒪᒪOᗯᕮᖇS, ᖇYᗩᑎ ᑫᑌIᑕKᒪY IᑎSTITᑌTᕮᗪ ᑎᕮᗯ ᒪᗩᗯS ᗩGᗩIᑎST ᑭᑌᗷᒪIᑕ ᑕOᑎGᖇᕮGᗩTIOᑎS; SᕮTTIᑎG ᗩ ᑕᑌᖇᖴᕮᗯ, ᗩᑎᗪ ᕮSTᗩᗷᒪISᕼᕮᗪ ᗰᗩᖇTIᗩᒪ ᒪᗩᗯ. ᗩS ᖇYᗩᑎ ᗷᕮGᗩᑎ TO STᗩᖇT IᑎTᕮᖇᑎIᑎG ᗩTᒪᗩS ᒪOYᗩᒪISTS, ᗩᑎᗪ OTᕼᕮᖇ ᒪᗩᗯ ᗷᖇᕮᗩKᕮᖇS ᖴᖇOᗰ TᕼᖇOᑌGᕼOᑌT ᖇᗩᑭTᑌᖇᕮ, ᗰᑌᑕᕼ Oᖴ Tᕼᕮ ᗩᑭOᒪᒪO Sᑫᑌᗩᖇᕮ ᗩᖇᕮᗩ ᗯᗩS ᒪOᑕKᕮᗪ ᗪOᗯᑎ TO ᑕOᑎTᗩIᑎ Tᕼᕮᗰ, ᗩᑎᗪ TO ᑭᖇOTᕮᑕT Tᕼᕮ ᖇᕮST Oᖴ Tᕼᕮ ᑕITY.

⥼ ᑭOIᑎT ᑭᖇOᗰᕮTᕼᕮᑌS ⥽

"Tᕼᕮ OᑎᒪY ᗯᗩY TO GᕮT TᕼᖇOᑌGᕼ TᕼᗩT ᗪOOᖇ ᖴOᑎTᗩIᑎᕮ ᗯᕮᑎT TᕼᖇOᑌGᕼ IS TO ᕼᗩᐯᕮ ᗩ ᒪITTᒪᕮ Oᑎᕮ Oᑭᕮᑎ IT ᖴOᖇ YOᑌ. ᗩᑎᗪ TᕼᕮY'ᒪᒪ OᑎᒪY TᖇᑌST YOᑌ Iᖴ YOᑌ ᒪOOK ᒪIKᕮ, SOᑌᑎᗪ ᒪIKᕮ, ᑌᑎᗪ ᕮᐯᕮᑎ Sᗰᕮᒪᒪ ᒪIKᕮ Oᑎᕮ Oᖴ TᕼOSᕮ ᗷIG, STIᑎKIᑎG ᗷᖇᑌTᕮS."

ᒪOᑕᗩTᕮᗪ ᗩᒪOᑎG Tᕼᕮ ᕮᗪGᕮ Oᖴ Tᕼᕮ ᑕITY, ᑭOIᑎT ᑭᖇOᗰᕮTᕼᕮᑌS IS ᕼOᗰᕮ TO ᖇᗩᑭTᑌᖇᕮ'S GᕮᑎᕮTIᑕ ᖇᕮSᕮᗩᖇᑕᕼ ᑕᕮᑎTᕮᖇ; ᗰᗩIᑎᒪY ᖴOᑕᑌSᕮᗪ ᗩᖇOᑌᑎᗪ Tᕼᕮ ᖇᕮSᕮᗩᖇᑕᕼ ᗩᑎᗪ ᗪᕮᐯᕮᒪOᑭᗰᕮᑎT Oᖴ ᑭᒪᗩSᗰIᗪS ᗩᑎᗪ GᕮᑎᕮTIᑕ ᗰOᗪIᖴIᑕᗩTIOᑎS ᗩT OᑭTIᗰIᘔᕮᗪ ᕮᑌGᕮᑎIᑕS (ᑭᖇᕮᐯIOᑌSᒪY KᑎOᗯᑎ ᗩS Tᕼᕮ ᖴOᑎTᗩIᑎᕮ ᖴᑌTᑌᖇISTIᑕS GᕮᑎᕮTIᑕ ᖇᕮSᕮᗩᖇᑕᕼ ᗪᕮᑭᗩᖇTᗰᕮᑎT), ᗩᑎᗪ ᗷOTᕼ Tᕼᕮ ᑕᖇᕮᗩTIOᑎ ᗩᑎᗪ ᗷOᑎᗪIᑎG Oᖴ ᗷIG ᗪᗩᗪᗪIᕮS ᗩᑎᗪ ᒪITTᒪᕮ SISTᕮᖇS ᖇᕮSᑭᕮᑕTᖴᑌᒪᒪY ᗩT Tᕼᕮ ᖴᗩIᒪSᗩᖴᕮ ᗩᖇᗰOᖇᕮᗪ ᕮSᑕOᖇTS, ᗩᑎᗪ Tᕼᕮ ᒪITTᒪᕮ ᗯOᑎᗪᕮᖇS ᕮᗪᑌᑕᗩTIOᑎᗩᒪ ᖴᗩᑕIᒪITY.

ᗪᑌᖇIᑎG Tᕼᕮ ᖴIᖇST TᗯO ᗯᕮᕮKS Oᖴ Tᕼᕮ ᑕIᐯIᒪ ᗯᗩᖇ, ᑭOIᑎT ᑭᖇOᗰᕮTᕼᕮᑌS ᗷᕮᑕᗩᗰᕮ Oᐯᕮᖇᖇᑌᑎ ᗷY ᖇᕮᗷᕮᒪS, ᗩᑎᗪ ᗪᖇ. SᑌᑕᕼOᑎG ᖇᕮᒪOᑕᗩTᕮᗪ ᗩᒪᒪ Oᖴ ᕼIS STᑌᗪIᕮS Oᑎ ᑭᖇOTᕮᑕTOᖇ SYSTᕮᗰ TO ᕼIS Oᗯᑎ SᕮᑕᖇᕮT ᒪᗩᗷOᖇᗩTOᖇY ᒪOᑕᗩTᕮᗪ ᗯITᕼIᑎ ᗩᑭOᒪᒪO Sᑫᑌᗩᖇᕮ- ᗩᖴTᕮᖇ Tᕼᕮ ᖇᕮᗷᕮᒪS ᕼᗩᗪ ᗷᕮᕮᑎ ᖴOᖇᑕᕮᗪ OᑌT Oᖴ ᑭOIᑎT ᑭᖇOᗰᕮTᕼᕮᑌS; ᗩᑎᗪᖇᕮᗯ ᖇYᗩᑎ ᑕOᑎᗪᕮᗰᑎᕮᗪ ᖴOᑎTᗩIᑎᕮ ᖴᑌTᑌᖇISTIᑕS ᕼᕮᗩᗪᑫᑌᗩᖇTᕮᖇS, ᗩᑎᗪ Tᕼᕮ ᖴᗩᑕIᒪITY ᗷᕮᑕᗩᗰᕮ Oᑎᕮ Oᖴ Tᕼᕮ ᖴᕮᗯ ᖇᕮᗰᗩIᑎIᑎG ᕮSTᗩᗷᒪISᕼᗰᕮᑎTS TO ᕮᑎGIᑎᕮᕮᖇ ᗩᗪᗩᗰ ᑭᖇOᗪᑌᑕTS Iᑎ Tᕼᕮ ᑕITY.

⥼ ᑭᖇOᐯIᑎG GᖇOᑌᑎᗪS ⥽

"YOᑌ ᗯOᑎ'T ᗷᕮᒪIᕮᐯᕮ YOᑌᖇ ᕮYᕮS..!"

OᖇIGIᑎᗩᒪᒪY KᑎOᗯᑎ TO ᗷᕮ ᖇᗩᑭTᑌᖇᕮ'S ᐯᕮᖇY Oᗯᑎ ᗰᕮᗰOᖇIᗩᒪ ᗰᑌSᕮᑌᗰ ᒪOᑕᗩTᕮᗪ ᗯITᕼIᑎ ᑭOIᑎT ᑭᖇOᗰᕮTᕼᕮᑌS' ᑕᒪOSᕮ ᐯIᑕIᑎITY, ᗯᕼᕮᖇᕮ ᑕITIᘔᕮᑎS Oᖴ Tᕼᕮ ᑕITY ᑕOᑌᒪᗪ ᐯISIT Tᕼᕮ Gᖇᗩᑎᗪ ᕮSTᗩᗷᒪISᕼᗰᕮᑎT, ᗩᑎᗪ ᒪᕮᗩᖇᑎ ᗩᗷOᑌT Tᕼᕮ ᗩᑎᑕIᕮᑎT ᖴOSSIᒪS ᗩᑎᗪ Tᕼᕮ SᑭᒪᕮᑎᗪOᖇS ᖴOᑌᑎᗪ ᗯITᕼIᑎ Tᕼᕮ SᑌᖇᖇOᑌᑎᗪIᑎG Sᕮᗩ. ᗩᖴTᕮᖇ Tᕼᕮ ᗷIG ᗪᗩᗪᗪIᕮS ᗯᕮᖇᕮ ᗩSSIGᑎᕮᗪ TO ᗷᕮᑕOᗰᕮ Tᕼᕮ ᑭᕮᖇᗰᗩᑎᕮᑎT ᑭᖇOTᕮᑕTOᖇS Oᖴ Tᕼᕮ ᒪITTᒪᕮ SISTᕮᖇS, Tᕼᕮ ᗰᑌSᕮᑌᗰ ᗯᗩS ᑕᒪOSᕮᗪ Oᖴᖴ TO Tᕼᕮ ᑭᑌᗷᒪIᑕ, ᗩᑎᗪ IᑎSTᕮᗩᗪ ᗯᗩS ᕼᗩSTIᒪY ᖇᕮᖴᑌᖇᗷISᕼᕮᗪ IᑎTO ᗩ TᖇᗩIᑎIᑎG ᗩᖇᕮᗩ ᖴOᖇ ᑭᖇOTᕮᑕTOᖇS ᗩᑎᗪ TᕼᕮIᖇ GᗩTᕼᕮᖇᕮᖇS.

⥼ Tᕼᕮ ᗩᗪOᑎIS ᒪᑌ᙭ᑌᖇY ᖇᕮSOᖇT ⥽

"ᖇᗩᑭTᑌᖇᕮ'S ᖴIᑎᕮST Sᑭᗩ ᗩᑎᗪ GᕮTᗩᗯᗩY..!"

ᗩ ᑭOᑭᑌᒪᗩᖇ Sᑭᗩ ᗩᑎᗪ ᖇᕮTᖇᕮᗩT ᖴOᖇ Tᕼᕮ ᗰOᖇᕮ ᗯᕮᗩᒪTᕼIᕮᖇ ᑕITIᘔᕮᑎS Oᖴ ᖇᗩᑭTᑌᖇᕮ, Tᕼᕮ ᗩᗪOᑎIS ᒪᑌ᙭ᑌᖇY ᖇᕮSOᖇT ᗯᗩS KᑎOᗯᑎ TᕼᖇOᑌGᕼOᑌT ᗩᒪᒪ Oᖴ ᖇᗩᑭTᑌᖇᕮ ᖴOᖇ ITS ᗷᕮᗩᑌTIᖴᑌᒪ GᖇᕮᕮK-Tᕼᕮᗰᕮᗪ, ᗩᑎᗪ ᖇᗩTᕼᕮᖇ ᕼIGᕼ-ᑕᒪᗩSS ᖇᕮSOᖇT ᗩᖇᕮᗩ ᗯᕼᕮᖇᕮ ᗩᖴᖴᒪᑌᕮᑎT ᑕITIᘔᕮᑎS ᗯᕮᑎT TO ᖇᕮᒪᗩ᙭, ᖇᕮᑕᕮIᐯᕮ ᑭᒪᗩSᗰIᗪ TᖇᕮᗩTᗰᕮᑎTS, ᗩᑎᗪ ᕮ᙭ᑭᕮᖇIᕮᑎᑕᕮ ᗩᗪᗩᗰ-ᗷᗩSᕮᗪ ᖇᕮᒍᑌᐯᕮᑎᗩTIOᑎ TᕼᕮᖇᗩᑭY; IᑎᕼᗩᗷITᗩᑎTS Oᖴ ᖇᗩᑭTᑌᖇᕮ ᗩᒪSO GᗩTᕼᕮᖇᕮᗪ ᗩT Tᕼᕮ ᖴᗩSᕼIOᑎᗩᗷᒪᕮ ᒪOᑕᗩᒪᕮ ᖴOᖇ ᐯᗩᖇIOᑌS ᑭᗩᖇTIᕮS ᗩᑎᗪ GᕮT-TOGᕮTᕼᕮᖇS, Tᕼᕮ ᗰOST ᑎOTᗩᗷᒪᕮ Oᖴ ᗯᕼIᑕᕼ ᗷᕮIᑎG Tᕼᕮ ᑎᕮᗯ Yᕮᗩᖇ'S ᕮᐯᕮ ᗰᗩSᑫᑌᕮᖇᗩᗪᕮ ᗷᗩᒪᒪ.

ᗪᑌᖇIᑎG Tᕼᕮ ᖴIᖇST ᖴᕮᗯ ᗯᕮᕮKS Oᖴ Tᕼᕮ ᑕIᐯIᒪ ᗯᗩᖇ, ᗩS Tᕼᕮ ᖇᕮST Oᖴ Tᕼᕮ ᑕITY ᗯᗩS ᑕOᑎSᑌᗰᕮᗪ ᗷY ᗷOTᕼ ᑭᗩᑎIᑕ ᗩᑎᗪ ᗰᗩYᕼᕮᗰ, Tᕼᕮ ᖇᕮSOᖇT ᗪIᗪ ᗯᕼᗩT IT ᑕOᑌᒪᗪ TO ᗰᗩIᑎTᗩIᑎ ᕮᐯᕮᑎ Tᕼᕮ SᒪIGᕼTᕮST ᗩᗰOᑌᑎT Oᖴ ᑎOᖇᗰᗩᒪᑕY; ᑕᗩᑭITᗩᒪIᘔIᑎG Oᑎ Tᕼᕮ ᑎᕮᗯᒪY ᖇᕮᒪᕮᗩSᕮᗪ ᐯITᗩ-ᑕᕼᗩᗰᗷᕮᖇ'S, Tᕼᕮ ᗩᗪOᑎIS ᗩTTᕮᗰᑭTᕮᗪ TO ᕮᑎTIᑕᕮ ᑕᑌSTOᗰᕮᖇS Iᑎ ᗷY ᗪᕮᐯOTIᑎG ᗩᑎ ᕮᑎTIᖇᕮ ᗯIᑎG Oᖴ Tᕼᕮ ᖇᕮSOᖇT TO Tᕼᕮ ᑎᕮᗯ ᖇᕮᒍᑌᐯᕮᑎᗩTIᑎG ᗪᕮᐯIᑕᕮ- ᑌᑎᖴOᖇTᑌᑎᗩTᕮᒪY, Tᕼᕮ ᕮᑎTIᖇᕮ ᑕOᗰᑭᒪᕮ᙭ ᗪᕮTᕮᖇIOᖇᗩTᕮᗪ ᗩᒪOᑎG ᗯITᕼ Tᕼᕮ ᖇᕮST Oᖴ ᖇᗩᑭTᑌᖇᕮ'S ᕮᑕOᑎOᗰY, ᗩᑎᗪ ᕮᐯᕮᑎTᑌᗩᒪᒪY ᑕᗩᑌSIᑎG Tᕼᕮ ᗩᗪOᑎIS TO GO OᑌT Oᖴ ᗷᑌSIᑎᕮSS, ᗩᑎᗪ Iᑎ Tᕼᕮ ᑕᕼᗩOTIᑕ YᕮᗩᖇS ᖴOᒪᒪOᗯIᑎG ᗩᖴTᕮᖇ Tᕼᕮ ᗯᗩᖇ, TᕼIᑎGS ᗷᕮGᗩᑎ TO GᖇOᗯ ᗯOᖇSᕮ, ᗩᑎᗪ ᗰᑌᑕᕼ Oᖴ Tᕼᕮ ᖇᕮSOᖇT'S ᖴᗩᑕIᒪITIᕮS ᖴᕮᒪᒪ IᑎTO ᖇᑌIᑎ.

⥼ Tᕼᕮ ᗩTᒪᗩᑎTIᑕ ᕮ᙭ᑭᖇᕮSS ⥽

"ᖇᗩᑭTᑌᖇᕮ'S ᖴᗩSTᕮST ᗯᗩY TO Tᖇᗩᐯᕮᒪ..!"

ᗩᒪSO KᑎOᗯᑎ TᕼᖇOᑌGᕼOᑌT ᖇᗩᑭTᑌᖇᕮ ᗩS Tᕼᕮ ᗰᗩIᑎTᕮᑎᗩᑎᑕᕮ ᗪᕮᑭOT, Tᕼᕮ ᗩTᒪᗩᑎTIᑕ ᕮ᙭ᑭᖇᕮSS ᗪᕮᑭOT ᗯᗩS Tᕼᕮ ᗰᗩIᑎ ᕼᑌᗷ ᗩᑎᗪ ᗩᗪᗰIᑎISTᖇᗩTIOᑎ ᖴOᖇ Tᕼᕮ ᖇᗩIᒪᗯᗩY, ᗩᑎᗪ ᑕOᑎTᗩIᑎS ᗷOTᕼ Tᕼᕮ ᗰᗩᑎᑌᖴᗩᑕTᑌᖇIᑎG ᗩᑎᗪ ᖇᕮᑭᗩIᖇ ᖴᗩᑕIᒪITIᕮS ᖴOᖇ Tᕼᕮ TᖇᗩIᑎ SYSTᕮᗰ- ᗩᑎ Oᒪᗪᕮᖇ SYSTᕮᗰ Tᕼᗩᑎ Tᕼᕮ ᖇᗩᑭTᑌᖇᕮ ᗰᕮTᖇO, Tᕼᕮ ᗪᕮᑭOT ᗯᗩS ᗩᒪSO Tᕼᕮ STᗩᖇTIᑎG ᑭOIᑎT TO ᗩᒪᒪ TᖇᗩIᑎ ᒪIᑎᕮS ᗩᑕᖇOSS ᖇᗩᑭTᑌᖇᕮ.

⥼ ᖇYᗩᑎ ᗩᗰᑌSᕮᗰᕮᑎTS ⥽

"…ᖇYᗩᑎ TᕼOᑌGᕼT ᗰY ᐯISIOᑎ ᗯᗩS IᗰᗰᗩTᑌᖇᕮ- 'ᗩᑎTIᑫᑌᗩTᕮᗪ', ᕼᕮ SᗩIᗪ. TᕼIS ᑭᒪᗩᑕᕮ ᑕOᑌᒪᗪ ᕼᗩᐯᕮ ᗷᕮᕮᑎ SOᗰᕮTᕼIᑎG ᗰᗩGIᑕᗩᒪ, ᗷᑌT IᑎSTᕮᗩᗪ ᕼᕮ Tᑌᖇᑎᕮᗪ IT IᑎTO ᗩ SᑕᕼOOᒪ… ᑎO, ᗩ ᑕᗩTᕼᕮᗪᖇᗩᒪ, ᗪᕮᗪIᑕᗩTᕮᗪ TO ᕼIᗰSᕮᒪᖴ..."

ᗩ Tᕼᕮᗰᕮ ᑭᗩᖇK ᗪᕮSIGᑎᕮᗪ ᗩᑎᗪ ᗷᑌIᒪT ᗷY ᑕᗩᖇᒪSOᑎ ᖴIᗪᗪᒪᕮ; ᖇYᗩᑎ ᗩᗰᑌSᕮᗰᕮᑎTS ᗯᗩS IᑎTᕮᑎᗪᕮᗪ TO Tᕮᗩᑕᕼ ᖇYᗩᑎ'S ᑭᕮᖇSOᑎᗩᒪ ᑭᕼIᒪOSOᑭᕼY TO Tᕼᕮ YOᑌTᕼ Oᖴ ᖇᗩᑭTᑌᖇᕮ ᗩᖴTᕮᖇ ᑕOᗰIᑎG TO Tᕼᕮ ᖇᕮᗩᒪIᘔᗩTIOᑎ TᕼᗩT ᑕᕼIᒪᗪᖇᕮᑎ (ᗯᕼᕮTᕼᕮᖇ IᗰᗰIGᖇᗩTᕮᗪ TO, Oᖇ ᗷOᖇᑎ ᗯITᕼIᑎ Tᕼᕮ ᑕITY) ᗰIGᕼT SOᗰᕮᗪᗩY ᗯISᕼ TO ᒪᕮᗩᐯᕮ, SᕮᕮKIᑎG Tᕼᕮ Sᑌᖇᖴᗩᑕᕮ ᗯOᖇᒪᗪ- KᑎOᗯIᑎG TᕼᗩT TᕼIS ᗯOᑌᒪᗪ ᑕOᗰᑭᖇOᗰISᕮ ᖇᗩᑭTᑌᖇᕮ'S SᕮᑕᖇᕮᑕY, ᖇYᗩᑎ, ᗩᒪOᑎG ᗯITᕼ ᕼᕮᒪᑭ Oᖴ ᑕᗩᖇᒪSOᑎ ᖴIᗪᗪᒪᕮ, Sᗩᑎᗪᕮᖇ ᑕOᕼᕮᑎ ᗩᑎᗪ ᗪᖇ. SOᖴIᗩ ᒪᗩᗰᗷ ᗪᕮSIGᑎᕮᗪ ᗩᑎᗪ ᗷᑌIᒪT ᗩᑎ ᕮᗪᑌᑕᗩTIOᑎᗩᒪ Tᕼᕮᗰᕮ ᑭᗩᖇK, IᑎᑕOᖇᑭOᖇᗩTIᑎG ᗩᒪᒪ Oᖴ ᖇYᗩᑎ'S IᗪᕮᗩᒪS IᑎTO ᗩ ᖇIᗪᕮ KᑎOᗯᑎ ᗩS "ᒍOᑌᖇᑎᕮY TO Tᕼᕮ Sᑌᖇᖴᗩᑕᕮ".

ᗩᒪOᑎG ᗯITᕼ Tᕼᕮ ᖇIᗪᕮ, ᖇYᗩᑎ ᗩᗰᑌSᕮᗰᕮᑎTS ᖴᕮᗩTᑌᖇᕮᗪ Tᕼᕮ ᖇᗩᑭTᑌᖇᕮ ᗰᕮᗰOᖇIᗩᒪ ᗰᑌSᕮᑌᗰ ᗪᕮᗪIᑕᗩTᕮᗪ TO Tᕼᕮ ᖴOᑌᑎᗪᗩTIOᑎ Oᖴ Tᕼᕮ ᑕITY Oᖴ ᖇᗩᑭTᑌᖇᕮ, Tᕼᕮ ᕼᗩᒪᒪ Oᖴ Tᕼᕮ ᖴᑌTᑌᖇᕮ ᗯᕼᕮᖇᕮ ᑭᒪᗩSᗰIᗪS ᗯᕮᖇᕮ ᗷOTᕼ ᗪᕮᗰOᑎSTᖇᗩTᕮᗪ ᗩᑎᗪ SOᒪᗪ TO ᐯISITOᖇS, Tᕼᕮ ᕮᒪ ᗪOᖇᗩᗪO ᒪOᑌᑎGᕮ ᗯᕼᕮᖇᕮ ᑕITIᘔᕮᑎS ᑕOᑌᒪᗪ ᖇᕮSTOᖇᕮ TᕼᕮᗰSᕮᒪᐯᕮS ᗯᕼIᒪᕮ ᕮᑎᒍOYIᑎG ᗩ SᕼOᗯ, ᗩᑎᗪ ᗩ GIᖴT SᕼOᑭ- Tᕼᕮ ᑭᗩᖇK ᗩᒪSO Oᖴᖴᕮᖇᕮᗪ ᑭᖇOᗰOTIOᑎᗩᒪ Gᕮᑎᕮ TOᑎIᑕS TO ᐯISITOᖇS ᑌᑭOᑎ ᕮᑎTᖇY.

⥼ ᑭᗩᑌᑭᕮᖇ'S ᗪᖇOᑭ ⥽

"ᗰY ᖴOᒪKS ᒪIᐯᕮᗪ Iᑎ Tᕼᕮ ST. ᒪOᑌIS ᕼOOᐯᕮᖇᐯIᒪᒪᕮ Iᑎ '32... ᗩᑎᗪ Tᕼᕮ ᗪᖇOᑭ IS ᗯOᖇSᕮ ᗷY ᗩ ᗰIᒪᕮ. ᑎOᗷOᗪY'S SᑌᑭᑭOSᕮᗪ TO ᒪIᐯᕮ ᗪOᗯᑎ ᕼᕮᖇᕮ..."

ᑭᗩᑌᑭᕮᖇ'S ᗪᖇOᑭ, OᖇIGIᑎᗩᒪᒪY KᑎOᗯᑎ ᗩᑎᗪ ᑌSᕮᗪ ᗩS ᗰᗩIᑎTᕮᑎᗩᑎᑕᕮ ᒍᑌᑎᑕTIOᑎ 17 Oᖴ Tᕼᕮ ᗩTᒪᗩᑎTIᑕ ᕮ᙭ᑭᖇᕮSS ᖇᗩIᒪᖇOᗩᗪ, ᗯᗩS TᖇᗩᑎSᖴOᖇᗰᕮᗪ IᑎTO ᕼOᑌSIᑎG ᖴOᖇ ᗯOᖇKᕮᖇS ᗩᑎᗪ TᕼᕮIᖇ ᖴᗩᗰIᒪIᕮS ᗩᖴTᕮᖇ ᑕOᑎSTᖇᑌᑕTIOᑎ Oᖴ Tᕼᕮ TᖇᗩIᑎ ᑎᕮTᗯOᖇK ᕮᑎᗪᕮᗪ; ᗯOᖇKᕮᖇS ᑫᑌIᑕKᒪY ᖴOᑌᑎᗪ TᕼᗩT TᕼᕮY ᑕOᑌᒪᗪ ᑎOT ᗩᖴᖴOᖇᗪ TO ᒪIᐯᕮ ᗩᑎYᗯᕼᕮᖇᕮ ᕮᒪSᕮ, ᗩᑎᗪ ᗯᕮᖇᕮ IᑎSTᕮᗩᗪ STᑌᑕK ᗯITᕼIᑎ Tᕼᕮ ᖇᗩᗰSᕼᗩᑕKᒪᕮ ᑎᕮIGᕼᗷOᖇᕼOOᗪ. ᖴIᑎᗪIᑎG Tᕼᕮ ᗯOᖇKᕮᖇS ᒍOIᑎᕮᗪ ᗷY ᖴOᖇᗰᕮᖇ TYᑕOOᑎS Sᑌᑕᕼ ᗩS ᑭᖇᕮᑎTIᑕᕮ ᗰIᒪᒪ, Tᕼᕮ ᖴOᑌᑎᗪᕮᖇ Oᖴ Tᕼᕮ ᗩTᒪᗩᑎTIᑕ ᕮ᙭ᑭᖇᕮSS ᕼIᗰSᕮᒪᖴ, ᗯᕼO ᕼᗩᗪ ᖴᗩᒪᒪᕮᑎ Oᑎ ᕼᗩᖇᗪ TIᗰᕮS ᗩᑎᗪ ᖇᑌIᑎᗩTIOᑎ ᗯᕼᕮᑎ ᕮᑕOᑎOᗰIᑕ ᗪᕮᑭᖇᕮSSIOᑎ STᖇᑌᑕK ᖇᗩᑭTᑌᖇᕮ; ᗩᑌGᑌSTᑌS SIᑎᑕᒪᗩIᖇ Sᗩᗯ TᕼIS ᗩS ᗩᑎ OᑭᑭOᖇTᑌᑎITY, ᗩᑎᗪ ᗷᑌIᒪT Tᕼᕮ SIᑎᑕᒪᗩIᖇ ᗪᕮᒪᑌ᙭ᕮ, ᗩ ᑕᕼᕮᗩᑭ ᕼOTᕮᒪ ᖴOᖇ ᗯOᖇKᕮᖇS, ᗩS ᗯᕮᒪᒪ ᗩS OTᕼᕮᖇ ᗪOᗯᑎ-Oᑎ-TᕼᕮIᖇ-ᒪᑌᑕK ᖇᗩᑭTᑌᖇᕮ ᑕITIᘔᕮᑎS ᗯᕼO ᕼᗩᗪ ᖴᕮᗯ OTᕼᕮᖇ ᑕᕼOIᑕᕮS.

ᕮᐯᕮᑎ ᗯITᕼ ITS ᗰISᕮᖇᗩᗷᒪᕮ ᗩᑭᑭᕮᗩᖇᗩᑎᑕᕮ, ᑭᗩᑌᑭᕮᖇ'S ᗪᖇOᑭ ᗯᗩS OᖇGᗩᑎIᘔᕮᗪ ᗩS ᗩ Sᗰᗩᒪᒪ TOᗯᑎ ᗯITᕼIᑎ ᖇᗩᑭTᑌᖇᕮ, ᕼOᑌSIᑎG Sᕮᐯᕮᖇᗩᒪ ᗷᑌSIᑎᕮSSᕮS ᗩᑎᗪ TᕮᑎᕮᗰᕮᑎTS.

⥼ SIᖇᕮᑎ ᗩᒪᒪᕮY ⥽

"I ᗪO ᒪOᐯᕮ SIᖇᕮᑎ ᗩᒪᒪᕮY. Tᕼᕮ KIᑎᗪ Oᖴ ᑭᒪᗩᑕᕮ YOᑌ GO TO SᑕᖇᗩTᑕᕼ ᗩᑎ ITᑕᕼ YOᑌ'ᖇᕮ ᗩSᕼᗩᗰᕮᗪ Oᖴ; ᕮᐯᕮᑎ Iᑎ ᗩ TOᗯᑎ ᗯITᕼ ᑎO ᒪᗩᗯS."

OᖇIGIᑎᗩᒪᒪY Tᕼᕮ ᗰᗩSOᑎ'S ᑫᑌᗩᖇTᕮᖇ Iᑎ ᖇᗩᑭTᑌᖇᕮ, SIᖇᕮᑎ ᗩᒪᒪᕮY ᗯᗩS ᗩ ᕼIGᕼ-ᑕᒪᗩSS ᗩᖇᕮᗩ ᗯᕼᕮᖇᕮ ᗩᖇᑕᕼITᕮᑕTS Sᑌᑕᕼ ᗩS SIᗰOᑎ ᗩᑎᗪ ᗪᗩᑎIᕮᒪ ᗯᗩᒪᕮS ᗯOᑌᒪᗪ SᕼOᗯ Oᖴᖴ TᕼᕮIᖇ SKIᒪᒪS; Oᑎᑕᕮ ᗩ ᗷᕮᗩᑌTIᖴᑌᒪ ᗪISTᖇIᑕT ᗯITᕼ ᒪOᗪGIᑎGS TᕼᗩT ᕼᕮᒪᑭᕮᗪ TO ᗪᕮᗰOᑎSTᖇᗩTᕮ Tᕼᕮ ᗩᖇᑕᕼITᕮᑕTS ᗩᖇTISTIᑕ STYᒪᕮS, ᗩᑎᗪ SᕼOᑭᑭIᑎG ᑕᕮᑎTᕮᖇS TᕼᗩT ᑕᗩTᕮᖇᕮᗪ TO Tᕼᕮ ᑌᑭᑭᕮᖇ-ᑕᒪᗩSS ᖇᕮSIᗪᕮᑎTS Oᖴ ᖇᗩᑭTᑌᖇᕮ, SIᖇᕮᑎ ᗩᒪᒪᕮY ᗯᗩS ᑕOᑎSIᗪᕮᖇᕮᗪ Oᑎᕮ Oᖴ Tᕼᕮ ᖇITᘔIᕮST ᑭᒪᗩᑕᕮS Iᑎ Tᕼᕮ ᑕITY. ᗩᖴTᕮᖇ Tᕼᕮ ᕮᑕOᑎOᗰIᑕ ᑕOᒪᒪᗩᑭSᕮ ᕼOᗯᕮᐯᕮᖇ, Tᕼᕮ ᖇᕮSIᗪᕮᑎTS ᖴᕮᒪᒪ Oᑎ ᕼᗩᖇᗪ TIᗰᕮS, ᗩᑎᗪ ᗰᗩᑎY ᕼᗩᗪ TO ᖇᕮSOᖇT TO SᕮᒪᒪIᑎG TᕼᕮᗰSᕮᒪᐯᕮS TO GᕮT ᗷY; ᗰᗩᑎY Oᖴ Tᕼᕮ ᗷᑌIᒪᗪIᑎGS TᕼᗩT ᕼOᑌSᕮᗪ ᗩᖇᑕᕼITᕮᑕTᑌᖇᗩᒪ ᖴIᖇᗰS, SᕼOᑭᑭIᑎG ᑕᕮᑎTᕮᖇS, ᒪOᗪGIᑎGS ᗩᑎᗪ OTᕼᕮᖇ ᖇᕮSᑭᕮᑕTᗩᗷᒪᕮ ᑭᒪᗩᑕᕮS Oᖇ ᗯOᖇK ᗯᕮᖇᕮ TᖇᗩᑎSᖴOᖇᗰᕮᗪ IᑎTO ᗷᗩᖇS, ᑕᗩSIᑎOS, ᕼOᑌSᕮS Oᖴ ᑭᖇOSTITᑌTIOᑎ, ᗩᑎᗪ ᕮᐯᕮᑎ ᗩᑎ IᒪᒪᕮGᗩᒪ ᑭᒪᗩSᗰIᗪ ᒪᗩᗷOᖇᗩTOᖇY.

Tᕼᕮ ᑭᒪᗩᑕᕮ ᗯᗩS ᖇᕮᑎᗩᗰᕮᗪ SIᖇᕮᑎ ᗩᒪᒪᕮY, ᗩᑎᗪ ᗷᕮᑕᗩᗰᕮ ᖇᗩᑭTᑌᖇᕮ'S ᖇᕮᗪ-ᒪIGᕼT ᗪISTᖇIᑕT, ᗩᑎ OᑕᑕᑌᑭᗩTIOᑎ IT ᗰᗩᑎᗩGᕮᗪ TO Kᕮᕮᑭ ᕮᐯᕮᑎ TᕼᖇOᑌGᕼ Tᕼᕮ YᕮᗩᖇS ᖴOᒪᒪOᗯIᑎG Tᕼᕮ ᑕIᐯIᒪ ᗯᗩᖇ.

⥼ ᗪIOᑎYSᑌS ᑭᗩᖇK ⥽

"ᗪIOᑎYSᑌS ᑭᗩᖇK ᗯᗩS ᗰY ᕼOᗰᕮ, ᗪᕮᒪTᗩ… ᗩᑎ ᕮ᙭ᑭᕮᖇIᗰᕮᑎT Iᑎ SOᑕIᗩᒪ ᑌᑎITY, ᑕᑌT SᕼOᖇT ᗷY ᕼᑌᗰᗩᑎ ᖴOᒪᒪY. YOᑌ ᗪISᕼOᑎOᖇ ITS ᗰᕮᗰOᖇY ᗯITᕼ ᕮᐯᕮᖇY STᕮᑭ."

Oᑎᑕᕮ Tᕼᕮ ᑭᖇIᐯᗩTᕮ Oᗯᑎᕮᗪ ᗩᑎᗪ ᖇᑌᑎ ᑭᖇOᑭᕮᖇTY Oᖴ SOᖴIᗩ ᒪᗩᗰᗷ, ᗪIOᑎYSᑌS ᑭᗩᖇK ᗯᗩS ᗰᕮᗩᑎT TO STᗩᑎᗪ ᗩS ᗩ ᒪIᐯIᑎG ᕮ᙭ᗩᗰᑭᒪᕮ Oᖴ ᕼᕮᖇ ᑕOᒪᒪᕮᑕTIᐯIST IᗪᕮᗩᒪS; ᒪᗩᗰᗷ ᖴᕮᒪT TᕼᗩT, ᗪᕮSᑭITᕮ ᗩᑎᗪᖇᕮᗯ ᖇYᗩᑎ'S GOᗩᒪ TᕼᗩT ᗩᖇTISTS Iᑎ ᖇᗩᑭTᑌᖇᕮ SᕼOᑌᒪᗪ "ᑎO ᒪOᑎGᕮᖇ ᖴᕮᗩᖇ Tᕼᕮ ᑕᕮᑎSOᖇ", ᕼᕮ STIᒪᒪ ᑕᕮᑎSOᖇᕮᗪ Tᕼᕮ ᑕITY'S ᗩᖇTISTS ᗯᕼᕮᑎ ᕼᕮ ᗷᕮᒪIᕮᐯᕮᗪ TᕼᕮIᖇ ᑭᑌᗷᒪIᑕ ᗩᖇT ᖇᗩᑎ ᑕOᑎTᖇᗩᖇY TO ᕼIS Oᗯᑎ IᗪᕮᗩᒪS, ᗩᑎᗪ ᗯITᕼ TᕼIS Iᑎ ᗰIᑎᗪ, SOᖴIᗩ ᒪᗩᗰᗷ ᑕᖇᕮᗩTᕮᗪ ᗪIOᑎYSᑌS ᑭᗩᖇK ᗩS ᗩ Sᗩᖴᕮ ᕼᗩᐯᕮᑎ ᗯᕼᕮᖇᕮ ᗩᒪᒪ ᗩᖇTISTS ᑕOᑌᒪᗪ ᑭᖇᕮSᕮᑎT TᕼᕮIᖇ ᗯOᖇK ᑌᑎᖇᕮSTᖇᗩIᑎᕮᗪ, ᗩᑎᗪ TᕼᑌS Iᑎ ᗪᕮᖴIᗩᑎᑕᕮ Oᖴ ᖇYᗩᑎ. Tᕼᕮ ᑭᗩᖇK ᗯᗩS ᒪᕮᖴT Oᑭᕮᑎ TO Tᕼᕮ ᑭᑌᗷᒪIᑕ, ᖴᖇᕮᕮ Oᖴ ᑕᕼᗩᖇGᕮ Iᑎ Oᖇᗪᕮᖇ TO Sᑭᖇᕮᗩᗪ ᒪᗩᗰᗷ'S ᑭᕼIᒪOSOᑭᕼY, ᗩᑎᗪ TO SᑌᗷTᒪY Sᒪᗩᑎᗪᕮᖇ ᖇYᗩᑎ Iᑎ ᖴᖇOᑎT Oᖴ ᗩᒪᒪ TᕼᗩT ᐯISITᕮᗪ.

Iᑎ TᕼᗩT ᗯᗩY, ᗪIOᑎYSᑌS ᑭᗩᖇK ᗯᗩS ᕼᕮᒪᗪ ᗩS ᗩ ᐯᗩST ᑕOᑎTᖇᗩST TO ᖇYᗩᑎ'S ᗩᖇᑕᗩᗪIᗩ ᗯᕼIᑕᕼ ᕼᗩᗪ ᗷᕮGᑌᑎ TO ᑕᕼᗩᖇGᕮ ITS ᐯISITOᖇS; ᗷOTᕼ ᒪOᑕᗩTIOᑎS ᗷᕮIᑎG ᗩ ᗷOᗩᖇᗪᗯᗩᒪK ᖴOᖇ Tᕼᕮ ᑕITIᘔᕮᑎS Oᖴ ᖇᗩᑭTᑌᖇᕮ ᗯITᕼ ᕮᒪᕮᗰᕮᑎTS ᖇᕮᗰIᑎISᑕᕮᑎT Oᖴ Tᕼᕮ Sᑌᖇᖴᗩᑕᕮ ᗯOᖇᒪᗪ. Oᐯᕮᖇ Tᕼᕮ YᕮᗩᖇS ᕼOᗯᕮᐯᕮᖇ, Tᕼᕮ ᗩᖇᕮᗩ Sᑌᖴᖴᕮᖇᕮᗪ ᕼᕮᗩᐯY ᗯᗩTᕮᖇ ᗪᗩᗰᗩGᕮ, ᑕᗩᑌSIᑎG ᑕOᖇᗩᒪ ᗩᑎᗪ OTᕼᕮᖇ Oᑕᕮᗩᑎ ᒪIᖴᕮ TO GᖇOᗯ ᖴᖇᕮᕮᒪY, ᑕOᐯᕮᖇIᑎG Tᕼᕮ ᖴᒪOOᖇS ᗩᑎᗪ ᗯᗩᒪᒪS Oᖴ Tᕼᕮ ᑭᗩᖇK.

⥼ ᖴOᑎTᗩIᑎᕮ ᖴᑌTᑌᖇISTIᑕS ⥽

"TᕼIS ᖴᗩᑕIᒪITY ᗷᕮᒪOᑎGS TO Tᕼᕮ ᑕITY ᑎOᗯ- TO ᖇYᗩᑎ IᑎᗪᑌSTᖇIᕮS… ᗩT ᒪᕮᗩST ᑌᑎTIᒪ Tᕼᕮ ᖇIOTIᑎG SᑌᗷSIᗪᕮS. ᗯᕼIᒪᕮ IT IS ᑌᑎᖴOᖇTᑌᑎᗩTᕮ TᕼᗩT Sᑌᑕᕼ ᗰᕮᗩSᑌᖇᕮS ᕼᗩᗪ TO ᗷᕮ TᗩKᕮᑎ… I ᗰᑌST ᗩᗪᗰIT, IT IS GᖇᗩTIᖴYIᑎG TO Sᕮᕮ TᕼIS ᗷᑌIᒪᗪIᑎG ᑕOᑎᗪᕮᗰᑎᕮᗪ."

ᕮSTᗩᗷᒪISᕼᕮᗪ ᗷOTᕼ ᗩS ᗩ ᒪᗩᗷOᖇᗩTOᖇY, ᗩᑎᗪ ᗩS ᗩ ᗷᑌSIᑎᕮSS ᕼᕮᗩᗪᑫᑌᗩᖇTᕮᖇS ᖴOᖇ ᖴᖇᗩᑎK ᖴOᑎTᗩIᑎᕮ'S TᕮᑕᕼᑎOᒪOGIᑕᗩᒪ ᐯᕮᑎTᑌᖇᕮS Iᑎ ᖇᗩᑭTᑌᖇᕮ; ᖴOᑎTᗩIᑎᕮ ᖴᑌTᑌᖇISTIᑕS Oᑎᑕᕮ ᕮᗰᑭᒪOYᕮᗪ SOᗰᕮ Oᖴ Tᕼᕮ ᗷᕮST ᗩᑎᗪ Tᕼᕮ ᗷᖇIGᕼTᕮST ᗰIᑎᗪS ᗯITᕼIᑎ Tᕼᕮ ᑕITY IᑎᑕᒪᑌᗪIᑎG ᗪOᑕTOᖇS ᗷᖇIGIᗪ Tᕮᑎᕮᑎᗷᗩᑌᗰ, YI SᑌᑕᕼOᑎG, ᗩᑎᗪ GIᒪᗷᕮᖇT ᗩᒪᕮ᙭ᗩᑎᗪᕮᖇ. SOOᑎ ᗩᖴTᕮᖇ Tᕼᕮ 1958 ᑎᕮᗯ YᕮᗩᖇS ᕮᐯᕮ ᖇIOTS, Tᕼᕮ ᗩᗪᗩᗰ TᕮᑕᕼᑎOᒪOGY ᒪᗩᗷS ᗯᕮᖇᕮ ᑕOᑎᐯᕮᖇTᕮᗪ Iᑎ Oᖇᗪᕮᖇ TO ᗪᕮSIGᑎ ᗩᑎᗪ ᑕᖇᕮᗩTᕮ Tᕼᕮ ᐯᕮᖇY ᖴIᖇST ᗷIG ᗪᗩᗪᗪY, ᗩᑎᗪ ᒪITTᒪᕮ SISTᕮᖇ ᑭᗩIᖇ; IT ᗯᗩS ᕼᕮᖇᕮ TᕼᗩT Tᕼᕮ ᗷIG ᗪᗩᗪᗪIᕮS Oᖴ Tᕼᕮ ᗩᒪᑭᕼᗩ SᕮᖇIᕮS ᗯᕮᖇᕮ ᑕOᑎᑕᕮIᐯᕮᗪ ᗩᑎᗪ TᕮSTᕮᗪ TᕼᖇOᑌGᕼ Tᕼᕮ ᒍOIᑎT ᕮᖴᖴOᖇTS Oᖴ ᗷOTᕼ ᗪᖇ. SᑌᑕᕼOᑎG, ᗩᑎᗪ GIᒪᗷᕮᖇT ᗩᒪᕮ᙭ᗩᑎᗪᕮᖇ.

ᗯOᖇK ᖇᕮSᑌᗰᕮᗪ, ᗩᑎᗪ ᑕOᑎTIᑎᑌᕮᗪ Oᑎ ᑌᑎTIᒪ Tᕼᕮ SᑌᑕᑕᕮSSᖴᑌᒪ ᗷOᑎᗪIᑎG Oᖴ SᑌᗷᒍᕮᑕT ᗪᕮᒪTᗩ TO ᕼIS ᒪITTᒪᕮ SISTᕮᖇ, ᕮᒪᕮᗩᑎOᖇ; IT ᗯᗩS Tᕼᕮᑎ TᕼᗩT Sᗩᗯ ᖴIT TO ᑭᑌT ᗩᑎ ᕮᑎᗪ TO ᖴOᑎTᗩIᑎᕮ'S ᒪᕮGᗩᑕY, ᗩᑎᗪ Tᕼᕮ ᖴᗩᑕIᒪITY ᗯᗩS ᑕOᑎᗪᕮᗰᑎᕮᗪ- TᗩKIᑎG Oᐯᕮᖇ IT'S ᗰᗩᑎY SᑌᗷᗪIᐯISIOᑎS ᗩT OTᕼᕮᖇ ᒪOᑕᗩTIOᑎS TᕼᖇOᑌGᕼOᑌT ᖇᗩᑭTᑌᖇᕮ (GᕮᑎᕮTIᑕ ᖇᕮSᕮᗩᖇᑕᕼ ᗪᕮᑭᗩᖇTᗰᕮᑎT Iᑎ ᑭOIᑎT ᑭᖇOᗰᕮTᕼᕮᑌS, ᕮTᑕ.)- TᕼOᑌGᕼ ᕮᐯᕮᑎ ᗩᖴTᕮᖇ Tᕼᕮ ᖴᗩᑕIᒪITY SᕼᑌT ᗪOᗯᑎ, GIᒪᗷᕮᖇT ᗩᒪᕮ᙭ᗩᑎᗪᕮᖇ ᗩᑎᗪ Sᕮᐯᕮᖇᗩᒪ OTᕼᕮᖇ SᑕIᕮᑎTISTS ᑌᑎᗪᕮᖇ ᖴOᑎTᗩIᑎᕮ'S ᕮᗰᑭᒪOY ᑕOᑎTIᑎᑌᕮᗪ TO ᗯOᖇK Iᑎ Tᕼᕮ ᕼIᗪᗪᕮᑎ ᖇᕮSᕮᗩᖇᑕᕼ ᖴᗩᑕIᒪITY ᗷᑌIᒪT ᗷᕮᕼIᑎᗪ Tᕼᕮ ᗷᑌIᒪᗪIᑎG.

ᗩᖴTᕮᖇ Tᕼᕮ ᑕᒪOSᑌᖇᕮ Oᖴ Tᕼᕮ ᑕIᐯIᒪ ᗯᗩᖇ, ᗩᒪᕮ᙭ᗩᑎᗪᕮᖇ ᗩSSᑌᗰᕮᗪ ᑕOᑎTᖇOᒪ Oᖴ Tᕼᕮ ᕮᑎTIᖇᕮ ᖴᗩᑕIᒪITY, ᖇᕮSTᖇᑌᑕTᑌᖇIᑎG ITS SᕮᑕᑌᖇITY SYSTᕮᗰS Iᑎ Tᕼᕮ ᑭᖇOᑕᕮSS TO ᕼIS Oᗯᑎ ᑌSᕮS; ᗯOᖇKIᑎG TIᖇᕮᒪᕮSSᒪY Oᑎ Tᕼᕮ ᒪᗩTᕮST ᗷIG ᗪᗩᗪᗪY ᗰOᗪᕮᒪS, GIᒪᗷᕮᖇT ᗩᒪᕮ᙭ᗩᑎᗪᕮᖇ ᗯᗩS ᕮᐯᕮᑎTᑌᗩᒪᒪY ᗪᖇIᐯᕮᑎ ᗰᗩᗪ TᕼᖇOᑌGᕼ ᕮ᙭ᑭᕮᖇIᗰᕮᑎTIᑎG ᗯITᕼ ᗩᗪᗩᗰ'S ᑌSᕮS Iᑎ ᑭᖇᕮSᕮᖇᐯIᑎG ᗰᕮᗰOᖇIᕮS ᗩᑎᗪ SKIᒪᒪS ᗯITᕼIᑎ ᗪᑎᗩ ᗩᑎᗪ Tᕼᕮ ᖴᗩᑕIᒪITY ᗯᗩS ᗩᗷᗩᑎᗪOᑎᕮᗪ, ᒪᕮᗩᐯIᑎG Tᕼᕮ STᖇᑌᑕTᑌᖇᕮ TO ᖴᗩᒪᒪ IᑎTO ᗩ STᗩTᕮ Oᖴ ᗪISᖇᕮᑭᗩIᖇ ᗯᕼIᒪᕮ ᑌᑎᗪᕮᖇ Tᕼᕮ ᑕOᑎTᖇOᒪ Oᖴ "ᗩᒪᕮ᙭ Tᕼᕮ GᖇᕮᗩT".

⥼ ᑭᕮᖇSᕮᑭᕼOᑎᕮ ⥽

"TᕮᑕᕼᑎIᑕᗩᒪᒪY, ᑌTOᑭIᗩ SᕼOᑌᒪᗪᑎ'T ᕼᗩᐯᕮ ᗰᑌᑕᕼ ᑌSᕮ ᖴOᖇ ᗩ ᗪᕮTᕮᑎTIOᑎ ᖴᗩᑕIᒪITY… ᗷᑌT Iᖴ YOᑌ ᗪO ᗷᑌSIᑎᕮSS ᗩS ᒪOᑎG ᗩS I ᕼᗩᐯᕮ… ᗯᕮᒪᒪ, YOᑌ ᒪᕮᗩᖇᑎ TO ᑭIᑕK ᗩ ᗷᖇᗩᑎᗪ ᑎᗩᗰᕮ ᖴᖇOᗰ Tᕼᕮ ᗯᖇITIᑎ' Oᑎ Tᕼᕮ ᗯᗩᒪᒪ."

ᑭᒪᗩYIᑎG ᕼOST TO Tᕼᕮ ᑭᕮᖇSᕮᑭᕼOᑎᕮ ᑕOᖇᖇᕮᑕTIOᑎᗩᒪ ᖴᗩᑕIᒪITY; Iᑎ Tᕼᕮ ᕮᗩᖇᒪY ᗪᗩYS Oᖴ ᖇᗩᑭTᑌᖇᕮ'S ᑕOᑎSTᖇᑌᑕTIOᑎ, ᗯᕼᕮᑎ "Tᕼᕮ SIᑎKᕮᖇ" ᑭᒪᗩTᖴOᖇᗰ ᗯᗩS ᖴIᑎᗩᒪᒪY ᗰOOᖇᕮᗪ OᑎTO Tᕼᕮ Oᑕᕮᗩᑎ ᖴᒪOOᖇ, Tᕼᕮ ᗰᕮᑎ ᗯOᖇKIᑎG Oᑎ Tᕼᕮ ᖴOᑌᑎᗪᗩTIOᑎS ᗪISᑕOᐯᕮᖇᕮᗪ ᗩᑎ ᕮᑎOᖇᗰOᑌS ᑕᗩᐯᕮᖇᑎ ᕼIᗪᗪᕮᑎ ᗯITᕼIᑎ Tᕼᕮ ᗷᕮᗪᖇOᑕK. SᕮᕮIᑎG Tᕼᕮ ᗰᗩᑎY ᑭOSSIᗷIᒪITIᕮS ᗯITᕼ TᕼIS ᗪISᑕOᐯᕮᖇY, ᗩᑌGᑌSTᑌS SIᑎᑕᒪᗩIᖇ ᑭᑌᖇᑕᕼᗩSᕮᗪ Tᕼᕮ ᖇIGᕼTS TO Tᕼᕮ Sᑭᗩᑕᕮ, ᗩᑎᗪ TᕼᖇOᑌGᕼ ᖴᑌᖇTᕼᕮᖇ ᕮ᙭ᑭᒪOᖇᗩTIOᑎ, ᕼᕮ ᗪISᑕOᐯᕮᖇᕮᗪ TᕼᗩT Tᕼᕮ ᑕᗩᐯᕮ SYSTᕮᗰ ᕮ᙭Tᕮᑎᗪᕮᗪ OᑌT IᑎTO ᗩ ᑕᒪIᖴᖴ ᗩᒪOᑎG Tᕼᕮ ᕮᗪGᕮ Oᖴ ᗩᑎ OᑕᕮᗩᑎIᑕ Tᖇᕮᑎᑕᕼ.

ᕮᐯᕮᑎTᑌᗩᒪᒪY, Tᕼᕮ ᖴᗩᑕIᒪITY ᗩT ᑭᕮᖇSᕮᑭᕼOᑎᕮ ᗯᗩS ᗷᑌIᒪT IᑎTO TᕼIS ᑕᗩᐯᕮᖇᑎ ᗪIᖇᕮᑕTᒪY ᗷᕮᑎᕮᗩTᕼ ᖴOᑎTᗩIᑎᕮ ᖴᑌTᑌᖇISTIᑕS, ᗩ ᑫᑌITᕮ ᑕOᑎᐯᕮᑎIᕮᑎT ᒪOᑕᗩTIOᑎ, ᗩᑎᗪ Oᑎᕮ TᕼᗩT ᗯᗩS ᑕᒪOSᕮ TO SIᑎᑕᒪᗩIᖇ SOᒪᑌTIOᑎS ᒪᗩᖇGᕮST ᑕᒪIᕮᑎT- SᑭOKᕮᑎ ᗷY TᕼOSᕮ ᗯᕼO Kᑎᕮᗯ Oᖴ IT TO ᗷᕮ Tᕼᕮ ᕼIᗪᗪᕮᑎ GᑌᒪᗩG Oᖴ ᖇᗩᑭTᑌᖇᕮ; TᕼIS ᑭᖇISOᑎ ᗯᗩS ᖇᑌᑎ ᗷY ᗩᑌGᑌSTᑌS SIᑎᑕᒪᗩIᖇ, ᗩᑎᗪ ᗰᗩᗪᕮ IᑎTO ᗩ ᑭᒪᗩᑕᕮ ᗯᕼᕮᖇᕮ ᗩᑎᗪᖇᕮᗯ ᖇYᗩᑎ ᑕOᑌᒪᗪ ᕼOᑌSᕮ ᕮ᙭Iᒪᕮᗪ ᑭᕮOᑭᒪᕮ ᗯᕼO ᕼᗩᗪ ᕮᑎᗪᗩᑎGᕮᖇᕮᗪ ᖇᗩᑭTᑌᖇᕮ, Tᕼᕮ ᗪᗩᑎGᕮᖇOᑌSᒪY IᑎSᗩᑎᕮ, ᗩᑎᗪ ᑕOᗰᗰOᑎ ᑕᖇIᗰIᑎᗩᒪS.

⥼ ᗰIᑎᕮᖇᐯᗩ'S ᗪᕮᑎ ⥽

"ᕼᕮᒪᒪO Tᕼᕮᖇᕮ, ᗯᕮᒪᑕOᗰᕮ TO ᗰIᑎᕮᖇᐯᗩ'S ᗪᕮᑎ, Tᕼᕮ ᕼOᗰᕮ Oᖴ ᖇᗩᑭTᑌᖇᕮ'S ᕼIGᕼ TᕮᑕᕼᑎOᒪOGY."

Tᕼᕮ ᗰᗩIᑎ SOᑌᖇᑕᕮ Oᖴ ᑕOᗰᑭᑌTᕮᖇIᘔᗩTIOᑎ ᗯITᕼIᑎ ᖇᗩᑭTᑌᖇᕮ; Tᕼᕮ ᖇᗩᑭTᑌᖇᕮ ᑕᕮᑎTᖇᗩᒪ ᑕOᗰᑭᑌTIᑎG ᑕOᖇᑭOᖇᗩTIOᑎ ᗯᗩS ᖴOᑌᑎᗪᕮᗪ ᗯITᕼIᑎ ᗰIᑎᕮᖇᐯᗩ'S ᗪᕮᑎ ᗪᑌᕮ TO Tᕼᕮ ᑕOᒪᒪᗩᗷOᖇᗩTIOᑎ Oᖴ ᗷOTᕼ ᑕᕼᗩᖇᒪᕮS ᗰIᒪTOᑎ ᑭOᖇTᕮᖇ, ᗩᑎᗪ ᖇᕮᕮᗪ ᗯᗩᕼᒪ ᗪᑌᖇIᑎG Tᕼᕮ ᕮᗩᖇᒪY ᗪᗩYS Oᖴ Tᕼᕮ ᑕITIᕮS ᗪᕮᐯᕮᒪOᑭᗰᕮᑎT- Tᕼᕮ ᖇᗩᑭTᑌᖇᕮ OᑭᕮᖇᗩTIOᑎᗩᒪ ᗪᗩTᗩ IᑎTᕮᖇᑭᖇᕮTᕮᖇ ᑎᕮTᗯOᖇK (ᑎIᑕKᑎᗩᗰᕮS "Tᕼᕮ TᕼIᑎKᕮᖇ") IS Tᕼᕮ ᗰᗩIᑎᖴᖇᗩᗰᕮ ᑕOᗰᑭᑌTᕮᖇ TᕼᗩT ᖇᑌᑎS ᗩ Gᖇᗩᑎᗪ ᗰᗩᒍOᖇITY Oᖴ ᖇᗩᑭTᑌᖇᕮ'S ᗩᑌTOᗰᗩTᕮᗪ ᑭᖇOᑕᕮSSᕮS, ᗩᑎᗪ IS ᕼIᗪᗪᕮᑎ ᗪᕮᕮᑭ ᗯITᕼIᑎ Tᕼᕮ ᗷOᗯᕮᒪS Oᖴ Tᕼᕮ ᗪᕮᑎ, Iᑎ Tᕼᕮ OᑭᕮᖇᗩTIOᑎS ᑭᗩᖇT Oᖴ ᑕᕮᑎTᖇᗩᒪ ᑕOᗰᑭᑌTIᑎG.

ᗷᕮᖴOᖇᕮ Tᕼᕮ ᑕIᐯIᒪ ᗯᗩᖇ, ᑭOᖇTᕮᖇ ᗩᑎᗪ ᗯᗩᕼᒪ ᕮᑎTᕮᖇᕮᗪ IᑎTO ᑕOᑎᖴᒪIᑕT ᖴOᖇ Tᕼᕮ TᕼIᑎKᕮᖇ'S ᑌSᕮ; ᗩᑎᗪ ᒪᗩTᕮᖇ, ᗯᗩᕼᒪ ᖴᗩᒪSIᖴIᕮᗪ ᕮᐯIᗪᕮᑎᑕᕮ TᕼᗩT ᑭOᖇTᕮᖇ ᕼᗩᗪ STᖇᑌᑕK ᗩᑎ ᗩᒪᒪIᗩᑎᑕᕮ ᗯITᕼ ᖴᖇᗩᑎK ᖴOᑎTᗩIᑎᕮ, ᒪᕮᗩᗪIᑎG TO ᑭOᖇTᕮᖇ'S ᗩᖇᖇᕮST ᗷY ᗩᑎᗪᖇᕮᗯ ᖇYᗩᑎ'S SᕮᑕᑌᖇITY ᖴOᖇᑕᕮS. ᗩS ᑭOᖇTᕮᖇ ᗯᗩS IᑎᑕᗩᖇᑕᕮᖇᗩTᕮᗪ Iᑎ ᑭᕮᖇSᕮᑭᕼOᑎᕮ, ᗯᗩᕼᒪ TOOK ᑕOᑎTᖇOᒪ Oᖴ ᖇᗩᑭTᑌᖇᕮ ᑕᕮᑎTᖇᗩᒪ ᑕOᗰᑭᑌTIᑎG ᗩᑎᗪ Iᑎ Tᑌᖇᑎ, Tᕼᕮ ᗯᕼOᒪᕮ Oᖴ ᗰIᑎᕮᖇᐯᗩ'S ᗪᕮᑎ, ᗩᒪᒪOᗯIᑎG ᕼIᗰ TO ᑌSᕮ Tᕼᕮ TᕼIᑎKᕮᖇ ᗩS ᕼᕮ ᗯISᕼᕮᗪ ᗯᕼIᒪᕮ SᒪOᗯᒪY ᒪOSIᑎG ᕼIS ᗰIᑎᗪ TO ᗩᗪᗩᗰ. ᗩS Tᕼᕮ ᗯᗩᖇ ᗷᕮGᗩᑎ TO Tᕮᗩᖇ ᗩᑭᗩᖇT Tᕼᕮ ᑕITY, ᗯᗩᕼᒪ Sᕮᗩᒪᕮᗪ Oᖴᖴ ᗰIᑎᕮᖇᐯᗩ'S ᗪᕮᑎ ᖴᖇOᗰ Tᕼᕮ ᖇᕮST Oᖴ ᖇᗩᑭTᑌᖇᕮ, ᗩᑎᗪ Oᐯᕮᖇ Tᕼᕮ ᑎᕮ᙭T ᗪᕮᑕᗩᗪᕮ Tᕼᕮ ᗪᕮᑎ Sᑌᖴᖴᕮᖇᕮᗪ SOᗰᕮ ᗪᗩᗰᗩGᕮ ᗩᑎᗪ ᗰIᑎOᖇ ᖴᒪOOᗪIᑎG, ᕼOᗯᕮᐯᕮᖇ Tᕼᕮ ᑕOᗰᑭᑌTᕮᖇS ᖇᕮᗰᗩIᑎᕮᗪ OᑭᕮᖇᗩTIOᑎᗩᒪ ᗩᒪᒪOᗯIᑎG ᖇᗩᑭTᑌᖇᕮ'S SYSTᕮᗰS TO Kᕮᕮᑭ ᖴᑌᑎᑕTIOᑎIᑎG ᑭᖇOᑭᕮᖇᒪY.

⥼ ᗷᑌSIᑎᕮSSᕮS Iᑎ ᖇᗩᑭTᑌᖇᕮ ⥽

Oᑎᑕᕮ ᕼOᗰᕮ TO ᗰᗩᑎY ᗩ ᕼOᑭᕮᖴᑌᒪ ᑕITIᘔᕮᑎ, ᖇᗩᑭTᑌᖇᕮ ᕼOᑌSᕮS ᗰᗩᑎY ᗪIᖴᖴᕮᖇᕮᑎT ᗷᑌSIᑎᕮSSᕮS ᗩᑎᗪ ᗯOᖇKᑭᒪᗩᑕᕮS TᕼᗩT ᗯᕮᖇᕮ Oᑎᑕᕮ ᗷᖇIᗰᗰIᑎG ᗯITᕼ ᒪIᖴᕮ, ᗩᑎᗪ ᖇᑌᑎ ᗷY ᗪIᖴᖴᕮᖇᕮᑎT ᖴIGᑌᖇᕮ ᕼᕮᗩᗪS ᗯITᕼIᑎ Tᕼᕮ ᑕITY, OᖴᖴᕮᖇIᑎG ᗰᗩᑎY ᗩ ᗪIᖴᖴᕮᖇᕮᑎT SᕮᖇᐯIᑕᕮS TO TᕼOSᕮ ᗯᕼO ᒪIᐯᕮ ᗯITᕼIᑎ Tᕼᕮ ᖇᗩᑭTᑌᖇᕮ ᑕOᗰᗰᑌᑎITY- ᑕOᗰᑭᗩᑎIᕮS TᕼᗩT ᗯᕮᖇᕮ ᖴOᑌᑎᗪᕮᗪ Iᑎ ᖇᗩᑭTᑌᖇᕮ:

ᗩTᒪᗩᑎTIᑕ ᕮ᙭ᑭᖇᕮSS ⁓ ᖇᗩIᒪᗯᗩY TᖇᗩᑎSᑭOᖇTᗩTIOᑎ ᖴOᖇ ᑕITIᘔᕮᑎS TᕼᗩT ᗯᗩS ᗪᕮᑕOᗰᗰISSIOᑎᕮᗪ YᕮᗩᖇS ᑭᖇᕮᐯIOᑌS ᗩᑎᗪ SᑌᑭᕮᖇSᕮᗪᕮᗪ ᗷY Tᕼᕮ ᖇᗩᑭTᑌᖇᕮ ᗰᕮTᖇO SYSTᕮᗰ. ᖴOᑌᑎᗪᕮᗪ ᗷY ᑭᖇᕮᑎTIᑕᕮ ᗰIᒪᒪ Tᕼᕮᑎ ᗷOᑌGᕼT ᗷY ᗩᑌSTᕮᑎ ᗷᗩTᕼYSᑭᕼᕮᖇᕮ.
ᑕIᖇᑕᑌS Oᖴ ᐯᗩᒪᑌᕮS ⁓ ᐯᕮᑎᗪIᑎG ᗰᗩᑕᕼIᑎᕮ ᑕOᗰᑭᗩᑎY TᕼᗩT SᕮᒪᒪS ᐯᗩᖇIOᑌS ITᕮᗰS (ᗩᗰOᑎG Tᕼᕮᗰ, ᗩᗰᗰᑌᑎITIOᑎ ᑌSᕮᗪ ᗪᑌᖇIᑎG Tᕼᕮ ᖇᗩᑭTᑌᖇᕮ ᑕIᐯIᒪ ᗯᗩᖇ). Oᗯᑎᕮᗪ ᗷY ᒪᒪOYᗪ ᗯᕮᗷSTᕮᖇ.
ᕮᒪ ᗩᗰᗰO ᗷᗩᑎᗪITO ⁓ ᐯᕮᑎᗪIᑎG ᗰᗩᑕᕼIᑎᕮS ᖴOᖇ ᗯᕮᗩᑭOᑎS ᗩᑎᗪ ᗩᗰᗰᑌᑎITIOᑎ.
ᖴOᑎTᗩIᑎᕮ ᖴᑌTᑌᖇISTIᑕS ⁓ ᗰᗩIᑎᒪY ᑭᒪᗩSᗰIᗪ ᗩᑎᗪ TOᑎIᑕ ᑭᖇOᗪᑌᑕTIOᑎ ᖴᗩᑕIᒪITIᕮS. ᖴOᑌᑎᗪᕮᗪ ᗷY ᖴᖇᗩᑎK ᖴOᑎTᗩIᑎᕮ ᗷᕮᖴOᖇᕮ ᗷᕮIᑎG ᑎᗩTIOᑎᗩᒪIᘔᕮᗪ ᗷY ᖇYᗩᑎ IᑎᗪᑌSTᖇIᕮS, ᗷY Oᖇᗪᕮᖇ Oᖴ Tᕼᕮ ᖇᗩᑭTᑌᖇᕮ ᑕᕮᑎTᖇᗩᒪ ᑕOᑌᑎᑕIᒪ.
ᖴOᑎTᗩIᑎᕮ'S ⁓ ᗩ ᒪᗩᐯISᕼ SᕼOᑭᑭIᑎG ᑕᕮᑎTᕮᖇ Oᗯᑎᕮᗪ ᗷY ᖴᖇᗩᑎK ᖴOᑎTᗩIᑎᕮ, SᕮᒪᒪIᑎG ᗰᗩᑎY Oᖴ ᕼIS ᑭᖇOᗪᑌᑕTS Sᑌᑕᕼ ᗩS ᗰᕮᑎ ᗩᑎᗪ ᒪᗩᗪIᕮS ᑕᒪOTᕼᕮS, ᑭᒪᗩSᗰIᗪS Oᖇ ᕼOᗰᕮ ᕮᒪᕮᑕTᖇOᑎIᑕS. Tᕼᕮ ᗪᕮᑭᗩᖇTᗰᕮᑎT STOᖇᕮ ᗷᑌIᒪᗪIᑎGS ᗯᕮᖇᕮ ᑕOᑎᐯᕮᖇTᕮᗪ IᑎTO ᗩ ᑭᖇISOᑎ ᖴOᖇ ᖴOᑎTᗩIᑎᕮ'S SᑭᒪIᑕᕮᗪ ᖴOᒪᒪOᗯᕮᖇS ᗩᖴTᕮᖇ ᕼIS ᗪᕮᗩTᕼ.
GᗩTᕼᕮᖇᕮᖇ'S Gᗩᖇᗪᕮᑎ ⁓ ᐯᕮᑎᗪIᑎG ᗰᗩᑕᕼIᑎᕮ ᖴOᖇ GᕮᑎᕮTIᑕ ᑌᑭGᖇᗩᗪᕮS. TᕼIS ᗷᑌSIᑎᕮSS ᗪᕮᗩᒪT ᗯITᕼ ᗩᗪᗩᗰ ᗩS ᑕᑌᖇᖇᕮᑎᑕY, ᑎOT ᑕOᗰᗰOᑎ ᗰOᑎᕮY. ᗷᕮᒪOᑎGS TO ᖇYᗩᑎ IᑎᗪᑌSTᖇIᕮS.
ᒍᕮT-ᑭOSTᗩᒪ ⁓ Tᕼᕮ ᗰᗩIᑎ ᑕITYᗯIᗪᕮ SYSTᕮᗰ ᖴOᖇ ᗪISTᖇIᗷᑌTIᑎG ᗰᗩIᒪ ᗩᑎᗪ ᑭᗩᖇᑕᕮᒪS TᕼᖇOᑌGᕼ ᑭᑎᕮᑌᗰO TᑌᗷᕮS.
ᑭOᗯᕮᖇ TO Tᕼᕮ ᑭᕮOᑭᒪᕮ ⁓ ᖴᖇᕮᕮ ᐯᕮᑎᗪIᑎG ᗰᗩᑕᕼIᑎᕮS ᖴOᖇ ᑕᑌSTOᗰ ᗯᕮᗩᑭOᑎS ᑌᑭGᖇᗩᗪᕮS. ᗷᕮᒪOᑎGS TO ᖴOᑎTᗩIᑎᕮ ᖴᑌTᑌᖇISTIᑕS.
ᖇᗩᑭTᑌᖇᕮ ᑕᕮᑎTᖇᗩᒪ ᑕOᗰᑭᑌTIᑎG ⁓ ᑕOᗰᑭᑌTIᑎG ᗩᑎᗪ ᑕᗩᒪᑕᑌᒪᗩTIOᑎ ᗪᗩTᗩ ᑕᕮᑎTᕮᖇ ᖴOᖇ ᖇᗩᑭTᑌᖇᕮ. ᑭᕮᖇᖴOᖇᗰS ᑕOᗰᑭᑌTᗩTIOᑎS ᖴOᖇ OTᕼᕮᖇ ᗷᑌSIᑎᕮSSᕮS ᗩᑎᗪ OᑭᕮᖇᗩTᕮS ᗩᑎᗪ ᗰᗩᑎᗩGᕮS ᗩᑌTOᗰᗩTᕮᗪ SYSTᕮᗰS Oᖴ ᖇᗩᑭTᑌᖇᕮ TᕼᖇOᑌGᕼ Tᕼᕮ TᕼIᑎKᕮᖇ. ᑕO-ᖴOᑌᑎᗪᕮᗪ ᗷY ᑕᕼᗩᖇᒪᕮS ᗰIᒪTOᑎ ᑭOᖇTᕮᖇ ᗩᑎᗪ ᖇᕮᕮᗪ ᗯᗩᕼᒪ.
ᖇᗩᑭTᑌᖇᕮ ᗰᕮTᖇO ⁓ ᗩ ᑕOᑎSOᒪIᗪᗩTᕮᗪ TᖇᗩᑎSᑭOᖇTᗩTIOᑎ SYSTᕮᗰ ᑕᗩᖇᖇYIᑎG ᑕITIᘔᕮᑎS TO ᗩᖇᕮᗩS Oᖴ Tᕼᕮ ᑕITY. ᖴOᑌᑎᗪᕮᗪ ᗷY ᗩᑎTOᑎ KIᑎKᗩIᗪᕮ.
ᖇYᗩᑎ IᑎᗪᑌSTᖇIᕮS ⁓ ᑕOᑎSTᖇᑌᑕTIOᑎ, ᑌTIᒪITIᕮS ᗩᑎᗪ ᑭᖇOᗪᑌᑕT ᗪᕮᐯᕮᒪOᑭᗰᕮᑎT. ᖴOᑌᑎᗪᕮᗪ ᗷY ᗩᑎᗪᖇᕮᗯ ᖇYᗩᑎ.
SᕮᑕᑌᖇIS ⁓ ᑕOᑎSTᖇᑌᑕTIOᑎ ᑕOᗰᑭᗩᑎY ᖴOᖇ ᗷᑌᒪKᕼᕮᗩᗪ ᗪOOᖇS ᗩᑎᗪ ᗩIᖇᒪOᑕKS Oᖴ Tᕼᕮ ᑕITY.
SIᑎᑕᒪᗩIᖇ SOᒪᑌTIOᑎS ⁓ ᑭᖇOᐯIᗪᕮS ᐯᗩᖇIOᑌS SᕮᖇᐯIᑕᕮS TO ᗷᑌSIᑎᕮSSᕮS ᗩᑎᗪ IᑎᗪIᐯIᗪᑌᗩᒪS, Iᑎ ᑭᗩᖇTIᑕᑌᒪᗩᖇ ᑭᒪᗩSᗰIᗪ ᗩᑎᗪ Gᕮᑎᕮ TOᑎIᑕ TᕮSTIᑎG ᖴOᖇ OTᕼᕮᖇ ᑕOᗰᑭᗩᑎIᕮS Sᑌᑕᕼ ᗩS ᖴOᑎTᗩIᑎᕮ ᖴᑌTᑌᖇISTIᑕS ᖴIᖇST, Tᕼᕮᑎ ᖇYᗩᑎ IᑎᗪᑌSTᖇIᕮS. ᖴOᑌᑎᗪᕮᗪ ᗷY ᗩᑌGᑌSTᑌS SIᑎᑕᒪᗩIᖇ.

⥼ ᖇᕮᒪIGIOᑌS ᗷᕮᒪIᕮᖴS & ᑭᕼIᒪOSOᑭᕼIᕮS ⥽

ᖴOᑌᑎᗪ Iᑎ ᗩ ᖇᗩTᕼᕮᖇ ᕼᕮᗩTᕮᗪ ᑭᑌᗷᒪIᑕ ᗪᕮᗷᗩTᕮ ᗩGᗩIᑎST SOᖴIᗩ ᒪᗩᗰᗷ; ᗩᑎᗪᖇᕮᗯ ᖇYᗩᑎ ᗷᕮᒪIᕮᐯᕮS TᕼᗩT IᑎᗪIᐯIᗪᑌᗩᒪS ᕼᗩᐯᕮ ᗩ ᖇIGᕼT TO ᖇᕮᒪIGIOᑎ, TᕼOᑌGᕼ OᑎᒪY Iᑎ ᑭᖇIᐯᗩTᕮ, ᗩᑎᗪ TᕼᗩT Tᕼᕮᖇᕮ ᗯᕮᖇᕮ ᑎOT TO ᗷᕮ ᗩᑎY Sᑌᑕᕼ ᑭᑌᗷᒪIᑕ IᑎSTITᑌTIOᑎS Iᑎ ᖇᗩᑭTᑌᖇᕮ- Tᕼᕮ ᖴOᒪᒪOᗯIᑎG ᗩᖇᕮ Tᕼᕮ ᖴIᐯᕮ ᗰᗩᒍOᖇ ᗷᕮᒪIᕮᖴ SYSTᕮᗰS TᕼᗩT ᗩᖇᕮ ᕼᕮᒪᗪ ᗷY Tᕼᕮ ᑕITIᘔᕮᑎS Oᖴ Tᕼᕮ ᑕITY:

Tᕼᕮ ᖇᗩᑭTᑌᖇᕮ ᖴᗩᗰIᒪY ⁓ ᕮᐯᕮᖇYOᑎᕮ OᗯᕮS ᕮᗩᑕᕼ OTᕼᕮᖇ ᗩ SᕮᑎSᕮ Oᖴ ᑌᑎITY ᗩᑎᗪ ᗷᖇOTᕼᕮᖇᕼOOᗪ. TᕼIS ᗯᗩS Tᕼᕮ ᗰOST ᖇᕮᑕᕮᑎT ᑕᑌᒪT TO ᕼᗩᐯᕮ ᗩᑭᑭᕮᗩᖇᕮᗪ Iᑎ ᖇᗩᑭTᑌᖇᕮ, ᕼᗩᐯIᑎG ᗷᕮᕮᑎ ᑕᖇᕮᗩTᕮᗪ ᗩᑎᗪ ᑭᖇOᗰOTᕮᗪ ᗷY SOᖴIᗩ ᒪᗩᗰᗷ ᗩᑎᗪ SIᗰOᑎ ᗯᗩᒪᕮS.
Tᕼᕮ GᖇᕮᗩT ᑕᕼᗩIᑎ ⁓ ᗷᕮᒪIᕮᖴ Iᑎ Sᕮᒪᖴ-IᑎTᕮᖇᕮST ᗩᑎᗪ ᖴᖇᕮᕮ ᗰᗩᖇKᕮTS ᗯᕼIᑕᕼ ᑌᑎITᕮ Tᕼᕮ ᑭᕮOᑭᒪᕮ Iᑎ TᕼᕮIᖇ ᖴOᖇᗯᗩᖇᗪ ᑭᖇOGᖇᕮSS. TᕼIS IS ᗰOᖇᕮ Oᖴ ᗩ ᑭᕼIᒪOSOᑭᕼY Tᕼᗩᑎ ᗩ ᖇᕮᒪIGIOᑎ, ᗩS IT IS ᗩ ᗷᕮᒪIᕮᖴ ᑭᖇOᗰOTᕮᗪ ᗷY ᗩᑎᗪᖇᕮᗯ ᖇYᗩᑎ, ᗯᕼO IS ᗩ STᗩᑌᑎᑕᕼ ᗩTᕼᕮIST.
ᑕᕼᖇISTIᗩᑎITY ⁓ ᗷᕮᒪIᕮᖴ Iᑎ Tᕼᕮ ᑕᕼᖇISTIᗩᑎ GOᗪ ᗩᑎᗪ ᑕᕼᖇIST ᗩS Tᕼᕮ SᗩᐯIOᖇ Oᖴ ᕼᑌᗰᗩᑎITY. TᕼIS IS ᗩᑎ ᑌᑎᗪᕮᖇGᖇOᑌᑎᗪ ᖇᕮᒪIGIOᑎ Iᑎ ᖇᗩᑭTᑌᖇᕮ, ᗩS IT IS OᖴᖴIᑕIᗩᒪᒪY ᗷᗩᑎᑎᕮᗪ ᗩS ᗩᑎ OᖇGᗩᑎIᘔᕮᗪ ᖇᕮᒪIGIOᑎ. Tᕼᕮ ᗷᗩᑎ ᕮᑎᗩᗷᒪᕮᗪ SᗰᑌGGᒪᕮᖇS TO ᗰᗩKᕮ ᗰOᑎᕮY ᖴᖇOᗰ SᗰᑌGGᒪIᑎG ᗰᗩᑎY ᖇᕮᒪIGIOᑌS ᗩᖇTIᖴᗩᑕTS, ᗩᑎᗪ Gᗩᐯᕮ ᖴᑌᕮᒪ TO ᗪᕮᗰᕮᑎTᕮᗪ ᖇᕮᒪIGIOᑌS ᖴᗩᑎᗩTIᑕISᗰ (ᗩS SᕼOᗯᑎ ᗷY Tᕼᕮ ᗯᗩᗪᕮᖇS SᑭᒪIᑕᕮᖇ TYᑭᕮ).
ᗩTᕼᕮISᗰ ⁓ Tᕼᕮ ᗪISᗷᕮᒪIᕮᖴ Iᑎ ᗩ ᗰᕮTᗩᑭᕼYSIᑕᗩᒪ GOᗪ Oᖇ SᑭIᖇITᑌᗩᒪ ᗷᕮIᑎGS. TᕼIS IS Tᕼᕮ OᖴᖴIᑕIᗩᒪ ᑭᕼIᒪOSOᑭᕼIᑕᗩᒪ STᗩᑎᑕᕮ Oᖴ ᖇᗩᑭTᑌᖇᕮ, ᗩS IᗰᑭOSᕮᗪ ᗷY ᗩᑎᗪᖇᕮᗯ ᖇYᗩᑎ.
Tᕼᕮ SᗩTᑌᖇᑎIᑎᕮ ⁓ ᗩ ᗪᗩᖇK ᑭᗩGᗩᑎ ᑕᑌᒪT ᖴOᑌᑎᗪ Iᑎ ᗩᖇᑕᗩᗪIᗩ. ᗯOᖇSᕼIᑭᕮᖇS Oᖴ TᕼIS ᑕᑌᒪT ᗪᖇIᑎK ᕼᑌᗰᗩᑎ ᗷᒪOOᗪ ᗩS ᗯᕮᒪᒪ ᗩS ᑕᑌᑭS ᖴᑌᒪᒪ Oᖴ ᑭᒪᗩSᗰIᗪS (ᗰOST ᒪIKᕮᒪY ᖇᗩᗯ ᗩᗪᗩᗰ). TᕼᕮY ᗩᒪSO ᗷᕮᒪIᕮᐯᕮ TᕼᕮY ᕼᗩᐯᕮ ᗷᕮᕮᑎ "TOᑌᑕᕼᕮᗪ" ᗷY Tᕼᕮ ᗩᑎᑕIᕮᑎT GOᗪS.

⥼ SᑕIᕮᑎᑕᕮ & TᕮᑕᕼᑎOᒪOGY ⥽

ᗷᕮᒪIᕮᐯIᑎG TᕼᗩT SᑕIᕮᑎTIᖴIᑕ ᗩᑕᕼIᕮᐯᕮᗰᕮᑎT ᗯITᕼIᑎ Tᕼᕮ ᗯOᖇᒪᗪ ᗯᗩS ᗷᕮIᑎG ᖇᕮSTᖇIᑕTᕮᗪ ᗷY 'ᑭᕮTTY ᗰOᖇᗩᒪITY', ᗩᑎᗪᖇᕮᗯ ᖇYᗩᑎ SOᑌGᕼT TO ᕮᑎSᑌᖇᕮ TᕼᗩT Tᕼᕮ IᑎᕼᗩᗷITᗩᑎTS Oᖴ ᖇᗩᑭTᑌᖇᕮ ᑕOᑌᒪᗪ ᕮ᙭ᑭᒪOᖇᕮ ᐯᗩᖇIOᑌS ᑭᗩTᕼS Oᖴ IᑎᑫᑌIᖇY ᑭᖇᕮᐯIOᑌSᒪY ᗪᕮᕮᗰᕮᗪ TOO IᗰᗰOᖇᗩᒪ, Oᖇ TOO ᑕOᑎTᖇOᐯᕮᖇSIᗩᒪ TO ᖴOᒪᒪOᗯ, ᗩᑎᗪ ᗯᕼIᒪᕮ SOᗰᕮ SᑕIᕮᑎTIᖴIᑕ ᗷᖇᕮᗩKTᕼᖇOᑌGᕼS ᗯᕮᖇᕮ Iᑎ ᖇOᗷOTIᑕS, ᗷᖇIᑎGIᑎG ᗩᗷOᑌT ᗩᑎ ᗩᗪᐯᗩᑎᑕᕮᗪ ᗩᑌTOᗰᗩTᕮᗪ SᕮᑕᑌᖇITY SYSTᕮᗰ; OTᕼᕮᖇS ᗯᕮᖇᕮ Iᑎ ᗷIOᒪOGY, ᗯᕼᕮᖇᕮ ᗪᕮᐯᕮᒪOᑭᗰᕮᑎTS ᗩᗪᐯᗩᑎᑕᕮᗪ Iᑎ Tᕼᕮ ᖇᕮSTOᖇᗩTIOᑎ Oᖴ ᒪIᖴᕮ, ᗷOTᕼ Iᑎ ᑭᒪᗩᑎTS (Tᕼᕮ ᒪᗩᘔᗩᖇᑌS ᐯᕮᑕTOᖇ), ᗩᑎᗪ Iᑎ ᕼᑌᗰᗩᑎS (Tᕼᕮ ᐯITᗩ-ᑕᕼᗩᗰᗷᕮᖇ)- Tᕼᕮᖇᕮ ᗯᕮᖇᕮ ᗩᒪSO ᗰᗩᑎY TᕮᑕᕼᑎOᒪOGIᑕᗩᒪ ᗩᗪᐯᗩᑎᑕᕮᗰᕮᑎTS ᖇᕮGᗩᖇᗪIᑎG ITᕮᗰS TᕼᗩT ᗯᕮᖇᕮ ᑕᖇᕮᗩTᕮᗪ ᗯᕮᒪᒪ ᗷᕮᖴOᖇᕮ TᕼᕮY ᗯᕮᖇᕮ ᑕOᗰᗰᕮᖇᑕIᗩᒪᒪY ᗩᐯᗩIᒪᗩᗷᒪᕮ Oᑎ Tᕼᕮ Sᑌᖇᖴᗩᑕᕮ, Sᑌᑕᕼ ᗩS: ᑭOᖇTᗩᗷᒪᕮ ᖇᕮᑕOᖇᗪIᑎG ᗪᕮᐯIᑕᕮS (ᗩᑭᑭᖇO᙭. ᖴIᐯᕮ YᕮᗩᖇS ᕮᗩᖇᒪY), ᗩᑌTOᗰᗩTIᑕ ᗪOOᖇS (ᗩᑭᑭᖇO᙭. ᕮIGᕼT YᕮᗩᖇS ᕮᗩᖇᒪY), ᗩᑎᗪ ᐯOᑕᗩᒪ ᗷIOᗰᕮTᖇIᑕ SᕮᑕᑌᖇITY.

KᑎOᗯᑎ TO ᗷᕮ Oᑎᕮ Oᖴ Tᕼᕮ ᗷIGGᕮST ᗷᖇᕮᗩKTᕼᖇOᑌGᕼS ᗩᑕᕼIᕮᐯᕮᗪ ᗯITᕼIᑎ ᖇᗩᑭTᑌᖇᕮ ᗯᗩS ᗷᖇIGIᗪ Tᕮᑎᕮᑎᗷᗩᑌᗰ'S ᗪISᑕOᐯᕮᖇY Oᖴ ᗩᗪᗩᗰ- ᑌᑎSTᗩᗷᒪᕮ STᕮᗰ ᑕᕮᒪᒪS ᖴᖇOᗰ ᗩ SᑭᕮᑕIᕮS Oᖴ Sᕮᗩ SᒪᑌG ᗯᕼIᑕᕼ ᒪᕮᗪ TO Tᕼᕮ ᑕᖇᕮᗩTIOᑎ Oᖴ ᗷOTᕼ ᑭᒪᗩSᗰIᗪS, ᗩᑎᗪ Gᕮᑎᕮ TOᑎIᑕS. ᗩᗪᗩᗰ ᗩᒪᒪOᗯᕮᗪ Tᕼᕮ ᑌSᕮᖇ TO SᑭᒪIᑕᕮ ᑎᕮᗯ GᕮᑎᕮTIᑕ ᗰᗩTᕮᖇIᗩᒪ IᑎTO Tᕼᕮ IᑎᗪIᐯIᗪᑌᗩᒪ'S ᗪᑎᗩ, ᕮᑎᕼᗩᑎᑕIᑎG ᗷOTᕼ ᕼᕮᗩᒪTᕼ ᗩᑎᗪ IᑎTᕮᒪᒪᕮᑕT, ᗩᑎᗪ GIᐯIᑎG ᕮ᙭TᖇᗩOᖇᗪIᑎᗩᖇY ᑭOᗯᕮᖇS TO Tᕼᕮ ᕼᑌᗰᗩᑎ ᗷOᗪY; ᕼOᗯᕮᐯᕮᖇ, ᗩᗪᗩᗰ ᗯᗩS SOOᑎ ᖴOᑌᑎᗪ TO ᑕᗩᑌSᕮ ᑎOT OᑎᒪY ᑭᕼYSIᑕᗩᒪ, ᗷᑌT ᗩᒪSO ᗰᕮᑎTᗩᒪ ᗪISᖇᑌᑭTIOᑎ ᗩᑎᗪ ᗪᗩᗰᗩGᕮ ᗩS ᗰOᖇᕮ Oᖴ Tᕼᕮ ᑌSᕮᖇ'S ᑎᗩTIᐯᕮ ᑕᕮᒪᒪS ᗯᕮᖇᕮ ᖇᕮᑭᒪᗩᑕᕮᗪ ᗷY TᕼOSᕮ Oᖴ Tᕼᕮ ᑌᑎSTᗩᗷᒪᕮ STᕮᗰ ᑕᕮᒪᒪS, ᗩᑎᗪ ᗯITᕼ TᕼᗩT, Tᕼᕮ ᑭOᑭᑌᒪᗩᑕᕮ'S ᑎᕮᕮᗪ ᖴOᖇ ᗩᗪᗩᗰ ᗷᕮᑕᗩᗰᕮ ᗩᑎ ᗩᗪᗪIᑕTIOᑎ... ᗩᑕᑕᕮᒪᕮᖇᗩTᕮᗪ ᗷY Tᕼᕮ ᕮ᙭ᑕᕮSSIᐯᕮ SᑭᒪIᑕIᑎG TᕼᗩT ᗯᗩS ᗪOᑎᕮ IᑎᑕᖇᕮᗩSIᑎGᒪY ᗪᑌᖇIᑎG, ᗩᑎᗪ ᗩᖴTᕮᖇ ᖇᗩᑭTᑌᖇᕮ'S ᑕIᐯIᒪ ᗯᗩᖇ.

SᕮᑕᑌᖇITY ᗪᕮᐯIᑕᕮS Oᖴ ᖇᗩᑭTᑌᖇᕮ

⥼ SᕮᑕᑌᖇITY ᗷOT ⥽

"Tᕼᕮ ᑭOᗯᕮᖇ'S ᖇᕮᖇOᑌTᕮᗪ..! TᕼᗩT SᕼOᑌᒪᗪ TIᑭ TᕼIᑎGS Iᑎ Oᑌᖇ ᖴᗩᐯOᖇ."

TᕼᖇOᑌGᕼOᑌT Tᕼᕮ ᑕITY Oᖴ ᖇᗩᑭTᑌᖇᕮ, TᕼᕮY ᗩᖇᕮ ᑕᗩᒪᒪᕮᗪ ᗷY ᗩᒪᗩᖇᗰS ISSᑌᕮᗪ ᗷY SᕮᑕᑌᖇITY ᑕᗩᗰᕮᖇᗩS ᗩᑎᗪ ᐯᗩᑎᗪᗩᒪISᗰ SᕮᑎSOᖇS. SᕮᑕᑌᖇITY ᗷOTS ᗩᑭᑭᕮᗩᖇ TO ᕼOᐯᕮᖇ ᗩᑎᗪ ᖴᒪY ᑌSIᑎG Tᕼᕮ Sᗩᗰᕮ ᗰᕮTᕼOᗪ ᗩS ᕼᕮᒪIᑕOᑭTᕮᖇS, ᗩᑎᗪ ᗩᖇᕮ ᗩᖇᗰᕮᗪ ᑭᖇIᗰᗩᖇIᒪY ᗯITᕼ ᗰᗩᑕᕼIᑎᕮ GᑌᑎS. ᗯᕼᕮᑎ ᗩᑎ ᑌᑎᗩᑌTᕼOᖇIᘔᕮᗪ ᑭᕮᖇSOᑎ IS ᗪISᑕOᐯᕮᖇᕮᗪ, Tᕼᕮ SᕮᑕᑌᖇITY ᑕᗩᗰᕮᖇᗩS' SIᖇᕮᑎ ᗯIᒪᒪ SOᑌᑎᗪ ᗩᑎᗪ ᗩᑎ ᑌᑎᒪIᗰITᕮᗪ SᑌᑭᑭᒪY Oᖴ SᕮᑕᑌᖇITY ᗷOTS ᗯIᒪᒪ ᑭOᑌᖇ OᑌT ᖴOᖇ ᗩ ᒪIᗰITᕮᗪ IᑎTᕮᖇᐯᗩᒪ. Tᕼᕮᖇᕮ ᗩᖇᕮ Tᕼᖇᕮᕮ ᗯᗩYS Oᖴ TᗩKIᑎG ᗪOᗯᑎ SᕮᑕᑌᖇITY ᗷOTS: Tᕼᕮ ᑭᕮᖇSOᑎ ᑕᗩᑎ ᗩTTᕮᗰᑭT TO ᗪᕮSTᖇOY Tᕼᕮᗰ, ᑕᗩᑎ SᕼᑌT Oᖴᖴ Tᕼᕮ SᕮᑕᑌᖇITY SYSTᕮᗰ ᗷY ᑭᗩYIᑎG Tᕼᕮ ᗰOᑎᕮY ᗪᕮᗰᗩᑎᗪᕮᗪ TO ᗩᑕᑕᕮSS ᗩ ᗷOT SᕼᑌTᗪOᗯᑎ ᑭᗩᑎᕮᒪ, Oᖇ ᗷY ᗰᗩᑎᑌᗩᒪᒪY ᕼᗩᑕKIᑎG IᑎTO TᕼᕮIᖇ SYSTᕮᗰS. TᕼIS SᕮᑕᑌᖇITY SYSTᕮᗰ ᑕᗩᑎ ᗩᒪSO ᗷᕮ ᑌTIᒪIᘔᕮᗪ ᗷY Tᕼᕮ ᑭᕮᖇSOᑎ, ᕮITᕼᕮᖇ ᗷY ᕼᗩᑕKIᑎG IT ᗩᑎᗪ IT ᖴOᒪᒪOᗯIᑎG Tᕼᕮᗰ ᗩᗷOᑌT, Oᖇ ᑌSIᑎG Tᕼᕮ SᕮᑕᑌᖇITY ᗷᑌᒪᒪSᕮYᕮ ᑭᒪᗩSᗰIᗪ TO ᑕᗩᒪᒪ SᕮᑕᑌᖇITY ᗷOTS ᗩGᗩIᑎST ᗩᑎ ᕮᑎᕮᗰY.

OᑕᑕᗩSIOᑎᗩᒪᒪY YOᑌ ᗯIᒪᒪ ᑕOᗰᕮ ᗩᑕᖇOSS SᑭᒪIᑕᕮᖇS ᑌSIᑎG ᕼᗩᑕKᕮᗪ SᕮᑕᑌᖇITY ᗷOTS Oᖴ TᕼᕮIᖇ Oᗯᑎ. Iᖴ Tᕼᕮ ᑕOᑎTᖇOᒪᒪIᑎG SᑭᒪIᑕᕮᖇ IS KIᒪᒪᕮᗪ, Tᕼᕮ ᗷOT ᗯIᒪᒪ SᕼᑌT ᗪOᗯᑎ, ᗩᒪᒪOᗯIᑎG ᗩᑎOTᕼᕮᖇ TO ᑕᒪᗩIᗰ IT ᗷY ᕼᗩᑕKIᑎG.

⥼ SᕮᑕᑌᖇITY ᑕᗩᗰᕮᖇᗩ ⥽

"I ᑕᗩᑎ'T ᑕᗩᒪᒪ Oᖴᖴ Tᕼᕮ ᖴᗩᗰIᒪY, ᗷᑌT I ᑕᗩᑎ ᗯᕼISᑭᕮᖇ ᗩ ᗷIT ᗩᑎᗪ IᗰᑭᖇOᐯᕮ YOᑌᖇ OᗪᗪS."

Tᕼᕮ SᕮᑕᑌᖇITY ᑕᗩᗰᕮᖇᗩ IS ᗩ ᗰOᑌᑎTᕮᗪ ᗷOT ᗯITᕼ ᗩ ᖇᕮᗪ SᕮᗩᖇᑕᕼᒪIGᕼT TᕼᗩT ᗷᕮᑕOᗰᕮS ᗯᕼITᕮ Oᑎᑕᕮ IT ᗪᕮTᕮᑕTS ᗩ ᕼOSTIᒪᕮ ᕮᑎTITY ᗩᑎᗪ ᗩTTᕮᗰᑭTS TO IᗪᕮᑎTIᖴY IT. Iᖴ Tᕼᕮ ᑕᗩᗰᕮᖇᗩ ᗪᕮTᕮᑕTS Tᕼᕮ ᑭᕮᖇSOᑎ, TᕼᕮY ᕼᗩᐯᕮ ᗩᑎ ᗩᗷOᑌT TᗯO TO ᖴOᑌᖇ SᕮᑕOᑎᗪS, ᗪᕮᑭᕮᑎᗪIᑎG Oᑎ TᕼᕮIᖇ ᕮᑫᑌIᑭᑭᕮᗪ TOᑎIᑕS, ᗷᕮᖴOᖇᕮ Tᕼᕮ ᗩᒪᗩᖇᗰ GᕮTS TᖇIGGᕮᖇᕮᗪ, SᑌᗰᗰOᑎIᑎG ᗩ ᗯᗩᐯᕮ Oᖴ SᕮᑕᑌᖇITY ᗷOTS. Tᕼᕮ ᑕᗩᗰᕮᖇᗩ IS SᑌSᑕᕮᑭTIᗷᒪᕮ TO ᗩᒪᒪ ᗯᕮᗩᑭOᑎS, ᕮSᑭᕮᑕIᗩᒪᒪY ᕮᒪᕮᑕTᖇIᑕITY, ᗯᕼIᑕᕼ ᑕᗩᑌSᕮS Tᕼᕮ ᑕᗩᗰᕮᖇᗩ TO SᕼOᖇT TᕮᗰᑭOᖇᗩᖇIᒪY, ᗩᒪᒪOᗯIᑎG Sᗩᖴᕮ ᑭᗩSSᗩGᕮ ᗯᕼIᒪᕮ Tᕼᕮ ᑕᗩᗰᕮᖇᗩ IS TᕮᗰᑭOᖇᗩᖇIᒪY ᗪISᗩᗷᒪᕮᗪ. ᗯᕼᕮᑎ ᗩ ᑭᕮᖇSOᑎ IS ᗯITᕼIᑎ ᑕᒪOSᕮ ᑭᖇO᙭IᗰITY, TᕼᕮY ᗰᗩY ᑕᕼOOSᕮ TO ᕼᗩᑕK Tᕼᕮ ᑕᗩᗰᕮᖇᗩ, Oᑎ SᑌᑕᑕᕮSS ᑕᗩᑌSIᑎG ITS ᒪIGᕼT TO ᗷᕮᑕOᗰᕮ Gᖇᕮᕮᑎ ᗩᑎᗪ TO ᗷᕮ ᖴᖇIᕮᑎᗪᒪY, Tᕼᕮ ᑕᗩᗰᕮᖇᗩ ᗯIᒪᒪ Tᕼᕮᑎ ᑕᕼOOSᕮ TO IGᑎOᖇᕮ Tᕼᕮ ᑭᕮᖇSOᑎ ᗯᕼIᒪᕮ SᕮᕮKIᑎG OᑌT ᕼIS Oᖇ ᕼᕮᖇ ᕮᑎᕮᗰIᕮS. Iᖴ ᗪᕮSTᖇOYᕮᗪ, ᑕᗩᗰᕮᖇᗩS ᗰᗩY ᑭᖇOᐯIᗪᕮ ᖴIᒪᗰ ᖴOᖇ Tᕼᕮ ᖇᕮSᕮᗩᖇᑕᕼ ᑕᗩᗰᕮᖇᗩ.

ᗷIG ᗪᗩᗪᗪIᕮS ᗩᑎᗪ ᒪITTᒪᕮ SISTᕮᖇS ᗩᖇᕮ Iᗰᗰᑌᑎᕮ TO ᑕᗩᗰᕮᖇᗩ ᗪᕮTᕮᑕTIOᑎ Iᑎ ᕮITᕼᕮᖇ ᗰOᗪᕮ. ᕼOᗯᕮᐯᕮᖇ, ᑌSIᑎG Tᕼᕮ SᕮᑕᑌᖇITY ᗷᑌᒪᒪSᕮYᕮ ᑭᒪᗩSᗰIᗪ ᑭOᗯᕮᖇ Oᑎ ᗩ ᗷIG ᗪᗩᗪᗪY ᗯIᒪᒪ ᑕᗩᑌSᕮ ᑕᗩᗰᕮᖇᗩS TO IᑎITIᗩTᕮ ᗩᑎ ᗩᒪᗩᖇᗰ ᗩGᗩIᑎST Tᕼᕮ ᗷIG ᗪᗩᗪᗪY, ᗩᑎᗪ Tᕼᕮ ᖇᕮᑭᕮᗩTᕮᗪ SᑌᗰᗰOᑎIᑎG Oᖴ SᕮᑕᑌᖇITY ᗷOTS ᗩGᗩIᑎST Tᕼᕮ ᗷIG ᗪᗩᗪᗪY ᖴOᖇ Tᕼᕮ ᗪᑌᖇᗩTIOᑎ Oᖴ Tᕼᕮ ᗩᒪᗩᖇᗰ ᑕᗩᑎ IᑎᖴᒪIᑕT ᗩ ᒪOT Oᖴ ᗪᗩᗰᗩGᕮ.

⥼ TᑌᖇᖇᕮTS ⥽

"Sᕮᕮ Iᖴ YOᑌ ᑕᗩᑎ ᖴIᑎᗪ SOᗰᕮᗯᗩY TO SᗩᗷOTᗩGᕮ ᕼIS ᑕOᑎTᖇOᒪ Oᖴ ᗷᑌIᒪᗪIᑎG SᕮᑕᑌᖇITY."

TᑌᖇᖇᕮTS ᗩᖇᕮ ᖴI᙭ᕮᗪ SᕮᑕᑌᖇITY Gᑌᑎ ᑭOSITIOᑎS, ᗯᕼIᑕᕼ ᗩTTᗩᑕK ᗩ ᑭᕮᖇSOᑎ Oᑎᑕᕮ IᗪᕮᑎTIᖴIᕮᗪ ᗩᖴTᕮᖇ ᗩᑎ IᑎTᕮᖇᐯᗩᒪ Oᖴ ᗩ ᖴᕮᗯ SᕮᑕOᑎᗪS. TᑌᖇᖇᕮTS ᗩTTᗩᑕK ᗯITᕼ ᕮITᕼᕮᖇ ᗩ ᗰᗩᑕᕼIᑎᕮ Gᑌᑎ, ᗩᑎ ᖇᑭG ᒪᗩᑌᑎᑕᕼᕮᖇ, Oᖇ ᗩ ᖴᒪᗩᗰᕮTᕼᖇOᗯᕮᖇ. TᕼᕮSᕮ TᑌᖇᖇᕮTS ᑕᗩᑎ ᗷᕮ ᖴOᑌᑎᗪ SᑕᗩTTᕮᖇᕮᗪ ᗩᒪᒪ ᗩᖇOᑌᑎᗪ ᖇᗩᑭTᑌᖇᕮ . TᑌᖇᖇᕮTS ᑕᗩᑎ ᗷᕮ ᕼᗩᑕKᕮᗪ, ᗩᒪTᕼOᑌGᕼ TᕼᕮY ᑕᗩᑎ ᗩᒪSO ᗷᕮ TᕮᗰᑭOᖇᗩᖇIᒪY ᗪISᗩᗷᒪᕮᗪ ᐯIᗩ ᕮᒪᕮᑕTᖇO ᗷOᒪT Oᖇ ᗯIᑎTᕮᖇ ᗷᒪᗩST, Oᖇ ᗪISTᖇᗩᑕTᕮᗪ ᖴᖇOᗰ TᗩᖇGᕮTIᑎG Tᕼᕮ ᑭᕮᖇSOᑎ (ᕮITᕼᕮᖇ ᑭᒪᗩᑎT ᗩ TᗩᖇGᕮT ᗪᑌᗰᗰY Oᖇ ᑌSᕮ SᕮᑕᑌᖇITY ᗷᑌᒪᒪSᕮYᕮ Oᑎ ᗩᑎ ᕮᑎᕮᗰY Iᑎ ᐯIᕮᗯ Oᖴ Tᕼᕮ TᑌᖇᖇᕮT).

⥼ ᗰIᑎIᗩTᑌᖇᕮ TᑌᖇᖇᕮTS ⥽

"I'ᐯᕮ GOT Tᕼᕮ SᕮᑕᑌᖇITY SYSTᕮᗰ Iᑎ TᕼIS ᒍOIᑎT ᕼᗩᑕKᕮᗪ, SO TᕼOSᕮ TᑌᖇᖇᕮTS ᗯOᑎ'T ᗷITᕮ."

ᗩ Sᗰᗩᒪᒪᕮᖇ, ᗰOᖇᕮ ᑭOᖇTᗩᗷᒪᕮ ᐯᕮᖇSIOᑎ Oᖴ ᗰᗩᑕᕼIᑎᕮ Gᑌᑎ TᑌᖇᖇᕮTS; Tᕼᕮ ᗰIᑎITᑌᖇᕮ TᑌᖇᖇᕮTS ᗷᕮᕼᗩᐯᕮ ᑫᑌITᕮ IᗪᕮᑎTIᑕᗩᒪᒪY TO Tᕼᕮ ᒪᗩTTᕮᖇ. ᕼOᗯᕮᐯᕮᖇ, TᕼᕮY ᑕᗩᑎ ᗩᒪSO ᗷᕮ ᑭIᑕKᕮᗪ ᑌᑭ ᗩᑎᗪ/Oᖇ TᕼᖇOᗯᑎ ᗩᖇOᑌᑎᗪ ᑌSIᑎG ᑭᕼYSIᑕS-ᖇᕮᒪᗩTᕮᗪ ᑭᒪᗩSᗰIᗪS, ᗩᑎᗪ ᑕᗩᑎ ᕮᐯᕮᑎ ᗷᕮ ᑌSᕮᗪ ᗩS ᗰISSIᒪᕮS. TᕼᕮY ᑕᗩᑎ ᗷᕮ ᕼᗩᑕKᕮᗪ ᗩS ᗯITᕼ ᗩᑎY OTᕼᕮᖇ ᗰᗩᑕᕼIᑎᕮ. Sᕮᐯᕮᖇᗩᒪ ᗰIᑎIᗩTᑌᖇᕮ TᑌᖇᖇᕮTS ᗩᑎ ᗷᕮ ᖴOᑌᑎᗪ ᒪYIᑎG IᑎᗩᑕTIᐯᕮ ᗩᖇOᑌᑎᗪ Tᕼᕮ ᑕITY Oᖴ ᖇᗩᑭTᑌᖇᕮ. TᕼᕮY ᗰOST OᖴTᕮᑎ ᗩᖇᕮ ᗪᕮᑭᒪOYᕮᗪ ᗷY Tᕼᕮ ᖇᑌᗰᗷᒪᕮᖇ, ᗩ ᑎᕮᗯ ᗷIG ᗪᗩᗪᗪY TYᑭᕮ. TᕼᕮY ᑕᗩᑎ ᗷᕮ ᕼᗩᑕKᕮᗪ ᗩᑎᗪ ᗩSSIST Tᕼᕮ ᑭᕮᖇSOᑎ TᕼᖇOᑌGᕼ ᑌSᕮ Oᖴ Tᕼᕮ ᕼᗩᑕK ᗪᗩᖇT, ᗩ SᑭᕮᑕIᗩᒪ ᗩᗰᗰO TYᑭᕮ ᗪᕮᐯᕮᒪOᑭᕮᗪ Iᑎ ᖇᗩᑭTᑌᖇᕮ.

ᐯᕮᑎᗪIᑎG ᗰᗩᑕᕼIᑎᕮS Iᑎ ᖇᗩᑭTᑌᖇᕮ

⥼ ᐯᕮᑎᗪIᑎG ᗰᗩᑕᕼIᑎᕮS ⥽

ᐯᕮᑎᗪIᑎG ᗰᗩᑕᕼIᑎᕮS ᗩᖇᕮ ᑭᕮᖇᗰᗩᑎᕮᑎT ᖴI᙭TᑌᖇᕮS Iᑎ ᖇᗩᑭTᑌᖇᕮ ᗯᕼIᑕᕼ Sᕮᒪᒪ ᐯᗩᖇIOᑌS ITᕮᗰS Oᖇ ᗪISᑭᕮᑎSᕮ ᐯᗩᖇIOᑌS SᕮᖇᐯIᑕᕮS. ᗰOST ᐯᕮᑎᗪIᑎG ᗰᗩᑕᕼIᑎᕮS ᖇᕮᑫᑌIᖇᕮ ᑭᗩYᗰᕮᑎT (ᕮITᕼᕮᖇ ᗪOᒪᒪᗩᖇS Oᖇ ᗩᗪᗩᗰ) TO ᑌSᕮ. ᗰᗩᑎY ᑕᗩᑎ ᗷᕮ ᕼᗩᑕKᕮᗪ TO ᖇᕮᗪᑌᑕᕮ ᑭᖇIᑕᕮS.

ᐯᕮᑎᗪIᑎG ᗰᗩᑕᕼIᑎᕮS Iᑎᑕᒪᑌᗪᕮ:
♆ ᗷOT SᕼᑌTᗪOᗯᑎ ᑭᗩᑎᕮᒪ
♆ ᑕIᖇᑕᑌS Oᖴ ᐯᗩᒪᑌᕮS
♆ ᕮᒪ ᗩᗰᗰO ᗷᗩᑎᗪITO
♆ ᕮᑭSTᕮIᑎ Tᕼᕮ SᗯᗩᗰI
♆ ᕮᐯᕮ ᗪISᑭᕮᑎSᕮᖇ
♆ ᖴᑌᕮᒪ STᗩTIOᑎ
♆ GᗩTᕼᕮᖇᕮᖇ'S Gᗩᖇᗪᕮᑎ
♆ Gᕮᑎᕮ ᗷᗩᑎK
♆ ᕼᕮᗩᒪTᕼ STᗩTIOᑎ
♆ ᒍᑌKᕮᗷO᙭
♆ ᑎᕮᕮᗪ TO KᑎOᗯ TᕼᕮᗩTᕮᖇ
♆ ᑎᕮᗯS ᐯᕮᑎᗪOᖇ
♆ ᑭᗩY-ᑭᕼOᑎᕮ
♆ ᑭOᑭ "ᑎ" Gᑌᗰ
♆ ᑭOᗯᕮᖇ TO Tᕼᕮ ᑭᕮOᑭᒪᕮ
♆ SᒪOT ᗰᗩᑕᕼIᑎᕮ
♆ TOOᒪ ᗪISᑭᕮᑎSᕮᖇ
♆ ᑌ-IᑎᐯᕮᑎT

ᕮᗩᑕᕼ Oᖴ Tᕼᕮ ITᕮᗰS ᒪISTᕮᗪ ᗩᗷOᐯᕮ IS ᒪIᑎKᕮᗪ TO ITS ᖇᕮᒪᕮᐯᗩᑎT ᑭᗩGᕮ; ᗩᑎᗪ TᕼᕮᖇᕮᖴOᖇᕮ IS ᗩᗷᒪᕮ TO ᗷᕮ ᒪOOKᕮᗪ ᗩT, ᗩᑎᗪ ᕮ᙭ᑭᒪOᖇᕮᗪ Iᑎ ᖴᑌᖇTᕼᕮᖇ ᗪᕮTᗩIᒪ.

⥼ TᖇᗩᑎSᑭOᖇTᗩTIOᑎ ⥽

TᖇᗩᑎSᑭOᖇTᗩTIOᑎ ᗯITᕼIᑎ ᖇᗩᑭTᑌᖇᕮ IS ᑭᖇOᐯIᗪᕮᗪ ᗰᗩIᑎᒪY ᗷY ᖇᗩᑭTᑌᖇᕮ ᗰᕮTᖇO; ᗩ ᑭᑌᗷᒪIᑕ TᖇᗩᑎSᑭOᖇTᗩTIOᑎ SYSTᕮᗰ ᑕOᑎSISTIᑎG Oᖴ ᗷOTᕼ ᗷᗩTᕼYSᑭᕼᕮᖇᕮS ᗩᑎᗪ Tᖇᗩᗰ ᑕᗩᖇS, Iᑎ ᗯᕼIᑕᕼ ᑕITIᘔᕮᑎS ᗩᖇᕮ GIᐯᕮᑎ ᗩᑕᑕᕮSS TO ᗪIᖴᖴᕮᖇᕮᑎT ᑭᒪᗩᑕᕮS TᕼᖇOᑌGᕼOᑌT Tᕼᕮ ᑕITY. ᗩ SIᑎGᒪᕮ TᕮᖇᗰIᑎᑌS Oᖴ Tᕼᕮ ᖇᗩᑭTᑌᖇᕮ ᗰᕮTᖇO SYSTᕮᗰ IS Tᕼᕮ ᗷᗩTᕼYSᑭᕼᕮᖇᕮ ᗪOᑕK ᒪOᑕᗩTᕮᗪ IᑎSIᗪᕮ Tᕼᕮ ᖇᕮᗰOTᕮ ᒪIGᕼTᕼOᑌSᕮ Iᑎ Tᕼᕮ ᑎOᖇTᕼ ᗩTᒪᗩᑎTIᑕ; ᖇᗩᑭTᑌᖇᕮ'S ᑭᖇIᗰᗩᖇY ᕮᑎTᖇᗩᑎᑕᕮ TO Tᕼᕮ OᑌTSIᗪᕮ ᗯOᖇᒪᗪ.

ᗩᑎOTᕼᕮᖇ ᗰOᗪᕮ Oᖴ TᖇᗩᑎSᑭOᖇTᗩTIOᑎ ᗯITᕼIᑎ ᖇᗩᑭTᑌᖇᕮ IS Tᕼᕮ ᗩTᒪᗩᑎTIᑕ ᕮ᙭ᑭᖇᕮSS; ᗩ ᑭᖇᕮSSᑌᖇIᘔᕮᗪ ᖇᗩIᒪ SYSTᕮᗰ ᖴOᖇ ᗰOᐯIᑎG ᗩ ᒪᗩᖇGᕮᖇ ᑎᑌᗰᗷᕮᖇ Oᖴ ᑕITIᘔᕮᑎS, TᕼOᑌGᕼ TᕼIS ᑭᗩᖇTIᑕᑌᒪᗩᖇ ᗰOᗪᕮ Oᖴ TᖇᗩᑎSᑭOᖇTᗩTIOᑎ ᗯᗩS ᗰOSTᒪY ᗪᕮᑕOᗰᗰISSIOᑎᕮᗪ SIᑎᑕᕮ Tᕼᕮ OᑌTᗷᖇᕮᗩK Oᖴ ᖇᗩᑭTᑌᖇᕮ'S ᑕIᐯIᒪ ᗯᗩᖇ. ᗩᗪᒍᗩᑕᕮᑎT ᗩᖇᕮᗩS ᗯITᕼIᑎ ᖇᗩᑭTᑌᖇᕮ ᗩᖇᕮ ᑕOᑎᑎᕮᑕTᕮᗪ TᕼᖇOᑌGᕼ ᗷᑌᒪKᕼᕮᗩᗪ ᗪOOᖇS, ᗩᑎᗪ ᗩᖇᕮᗩS ᗯITᕼIᑎ SOᗰᕮ ᒪᕮᐯᕮᒪS ᗩᖇᕮ ᑕOᑎᑎᕮᑕTᕮᗪ TO Oᑎᕮ ᗩᑎOTᕼᕮᖇ ᗷY GᒪᗩSS TᑌᑎᑎᕮᒪS: Sᗰᗩᒪᒪ OᑎᕮS ᖴOᖇ ᑭᕮᗪᕮSTᖇIᗩᑎS, ᗩᑎᗪ ᒪᗩᖇGᕮᖇ OᑎᕮS ᖴOᖇ Tᕼᕮ SYSTᕮᗰ Oᖴ ᖇᗩIᒪᕮᗪ TᖇᗩᗰᗯᗩYS.

ᖇᗩᑭTᑌᖇᕮ IS IᑎTᕮᑎTIOᑎᗩᒪᒪY ISOᒪᗩTᕮᗪ ᖴᖇOᗰ Tᕼᕮ ᗯOᖇᒪᗪ, ᗩᑎᗪ Tᕼᕮ ᑭᖇIᗰᗩᖇY ᗰOᗪᕮ Oᖴ ᗩᑕᑕᕮSS ᗯᗩS ᐯIᗩ ᗷᗩTᕼYSᑭᕼᕮᖇᕮS TᖇᗩᐯᕮᒪᒪIᑎG ᗪOᗯᑎ ᖴᖇOᗰ Tᕼᕮ ᒪIGᕼTᕼOᑌSᕮ, ᑭᕮᖇᑕᕼᕮᗪ Oᑎ ᗩᑎ ISᒪᗩᑎᗪ ᗩᗷOᐯᕮ.

♆ ♆

⥼ IᑎᖴOᖇᗰᗩTIOᑎ ᗩᗷOᑌT ᗩᗪᗩᗰ ⥽

ᗩ SᑌᗷSTᗩᑎᑕᕮ ᗷOTᕼ ᕼᗩᖇᐯᕮSTᕮᗪ ᗩᑎᗪ ᑭᖇOᑕᕮSSᕮᗪ ᖴᖇOᗰ ᗩ (ᗷᕮᖴOᖇᕮ ᑌᑎKᑎOᗯᑎ) SᑭᕮᑕIᕮS Oᖴ Sᕮᗩ SᒪᑌG ᖴOᑌᑎᗪ ᒪIᐯIᑎG Oᑎ Tᕼᕮ Oᑕᕮᗩᑎ'S ᖴᒪOOᖇ, ᗩᗪᗩᗰ IS ᗷᕮᒪIᕮᐯᕮᗪ TO ᑕᗩᑌSᕮ Tᕼᕮ ᖴOᖇᗰᗩTIOᑎ Oᖴ ᑭOTᕮᑎT STᕮᗰ ᑕᕮᒪᒪS TᕼᗩT Iᑎ Tᑌᖇᑎ ᕼᗩᐯᕮ Tᕼᕮ ᑭOᗯᕮᖇ ᗩᑎᗪ ᗩᗷIᒪITY TO ᗪIᖴᖴᕮᖇᕮᑎTIᗩTᕮ IᑎTO ᗩᑎY ᑕᕮᒪᒪ TYᑭᕮ; ᗩ ᐯISᑕOᑌS Gᖇᕮᕮᑎ ᒪIᑫᑌIᗪ Iᑎ ITS ᖇᗩᗯ ᖴOᖇᗰ, ᗩᗪᗩᗰ ᑕᗩᑎ ᗷᕮ GᕮᑎᕮTIᑕᗩᒪᒪY ᗰᗩᑎIᑭᑌᒪᗩTᕮᗪ TO ᑭᖇOᗪᑌᑕᕮ TISSᑌᕮ, ᗩᑎᗪ ᖴᑌᑎᑕTIOᑎS TᕼᗩT ᗯOᑌᒪᗪ ᑎOT ᑎOᖇᗰᗩᒪᒪY ᗷᕮ ᑭᖇᕮSᕮᑎT ᗯITᕼIᑎ Tᕼᕮ ᕼᑌᗰᗩᑎ ᗷOᗪY.

ᗩᑕTIᑎG ᒪIKᕮ ᗩ SᕮᕮᗰIᑎGᒪY ᗷᕮᑎIGᑎ ᖴOᖇᗰ Oᖴ ᑕᗩᑎᑕᕮᖇ, ᗩᗪᗩᗰ ᗯOᖇKS TO ᗪᕮSTᖇOY ᑎᗩTIᐯᕮ ᑕᕮᒪᒪS, ᖇᕮᑭᒪᗩᑕIᑎG Tᕼᕮᗰ ᗯITᕼ ᑌᑎSTᗩᗷᒪᕮ STᕮᗰ ᐯᕮᖇSIOᑎS, ᗩᑎᗪ ᗯᕼIᒪᕮ IT'S TᕼIS IᑎSTᗩᗷIᒪITY TᕼᗩT ᗷᖇIᑎGS ᗩᗷOᑌT IT'S ᗩᗰᗩᘔIᑎG ᑭᖇOᑭᕮᖇTIᕮS, IT'S ᗩᒪSO ᗯᕼᗩT ᑕᗩᑌSᕮS Tᕼᕮ ᑕOSᗰᕮTIᑕ, ᗩᑎᗪ ᗰᕮᑎTᗩᒪ ᗪᗩᗰᗩGᕮ TO TᕼOSᕮ ᗯᕼO ᑌSᕮ IT ᕼᗩᗷITᑌᗩᒪᒪY- TᕼIS IᑎSTᗩᗷIᒪITY Oᖴ Tᕼᕮ STᕮᗰ ᑕᕮᒪᒪS ᖴOᖇᑕIᑎG Tᕼᕮ ᑌSᕮᖇ TO ᖇᕮᑫᑌIᖇᕮ ᗰOᖇᕮ ᗩᗪᗩᗰ TO ᖇᕮᗰᗩIᑎ Sᗩᑎᕮ ᗩᑎᗪ ᕼᕮᗩᒪTᕼY, ᗩT ᖇISK Oᖴ ᗷᕮᑕOᗰIᑎG ᑌᑎSTᗩᗷᒪᕮ Iᖴ TᕼᕮY ᖴᗩIᒪ TO ᗪO SO. Tᕼᕮ Sᕮᗩ SᒪᑌGS ᗩᒪOᑎᕮ, ᕼOᗯᕮᐯᕮᖇ, ᑭᖇOᐯᕮᗪ ᑌᑎᗩᗷᒪᕮ TO ᑭᖇOᐯIᗪᕮ ᕮᑎOᑌGᕼ ᗩᗪᗩᗰ ᖴOᖇ ᗰᗩᖇKᕮTIᑎG Oᖴ ᑕOᑎSᑌᗰᕮᖇ ᑭᖇOᗪᑌᑕTS, ᗩᑎᗪ IT ᗯᗩS ᖴOᑌᑎᗪ TᕼᗩT ᗯᕼᕮᑎ ᗩ SᒪᑌG ᗯᗩS ᕮᗰᗷᕮᗪᗪᕮᗪ ᗯITᕼIᑎ ᗩ ᕼOSTS STOᗰᗩᑕᕼ, IT GᕮᑎᕮᖇᗩTᕮᗪ TᗯᕮᑎTY TO TᕼIᖇTY TIᗰᕮS Tᕼᕮ YIᕮᒪᗪ Oᖴ ᑌSᗩᗷᒪᕮ ᗩᗪᗩᗰ; IT ᗯᗩS ᗯITᕼ TᕼIS ᑭᑌᖇᑭOSᕮ TᕼᗩT Tᕼᕮ ᒪITTᒪᕮ SISTᕮᖇ'S ᗯᕮᖇᕮ ᗷᖇOᑌGᕼT ᗩᗷOᑌT, ᗩS YOᑌᑎG GIᖇᒪS ᗯᕮᖇᕮ ᖴOᑌᑎᗪ TO ᗷᕮ Tᕼᕮ OᑎᒪY ᐯIᗩᗷᒪᕮ ᕼOSTS.

ᗯᕼIᒪᕮ Tᕼᕮ ᕮ᙭ᗩᑕT ᗰᕮᑕᕼᗩᑎISᗰ ᖴOᖇ TᕼIS ᗩTTᖇIᗷᑌTᕮ IS ᑌᑎKᑎOᗯᑎ, ᗩᗪᗩᗰ IS SᕼOᗯᑎ TO ᕼOᒪᗪ SOᗰᕮ ᖴOᖇᗰ Oᖴ ᗰᕮᗰOᖇY, ᗩᑎᗪ IS ᗩᗷᒪᕮ TO ᖇᕮᑕᗩᒪᒪ ᑭᗩST ᑕᕮᒪᒪ ᑕOᑎᖴIGᑌᖇᗩTIOᑎS; TᕼᕮSᕮ ᗰᕮᗰOᖇIᕮS ᗩᖇᕮ ᗩᗷᒪᕮ TO ᗷᕮ TᖇᗩᑎSᖴᕮᖇᖇᕮᗪ TO ᗩᑎOTᕼᕮᖇ IᑎᗪIᐯIᗪᑌᗩᒪ Iᖴ Tᕼᕮ ᗩᗪᗩᗰ IS ᖇᕮᗰOᐯᕮᗪ ᖴᖇOᗰ Oᑎᕮ ᑭᕮᖇSOᑎ, TO Tᕼᕮᑎ ᗷᕮ IᑎᒍᕮᑕTᕮᗪ IᑎTO ᗩᑎOTᕼᕮᖇ- ᑭᕮOᑭᒪᕮ ᕮ᙭ᑭᕮᖇIᕮᑎᑕIᑎG TᕼᕮSᕮ ᑭᗩᖇTIᑕᑌᒪᗩᖇ TYᑭᕮS Oᖴ ᗩᑕᑕIᗪᕮᑎTᗩᒪ ᗰᕮᗰOᖇY TᖇᗩᑎSᖴᕮᖇS OᖴTᕮᑎ Tᕮᑎᗪ TO Sᕮᕮ Tᕼᕮᗰ ᗩS GᕼOSTᒪY IᗰᗩGᕮS. ᖴᑌᖇTᕼᕮᖇ ᖇᕮSᕮᗩᖇᑕᕼ ᗩᒪSO SᕼOᗯᕮᗪ TᕼᗩT ᗷOTᕼ ᗰᕮᗰOᖇIᕮS ᗩᑎᗪ OTᕼᕮᖇ IᑎᖴOᖇᗰᗩTIOᑎ ᑕOᑌᒪᗪ ᗷᕮ ᗪᕮᒪIᗷᕮᖇᗩTᕮᒪY ᕮᑎᑕOᗪᕮᗪ ᗯITᕼIᑎ Tᕼᕮ ᗩᗪᗩᗰ, ᗩᗷᒪᕮ TO ᗷᕮ ᑌSᕮᗪ TO ᗩᗪᗪ ᑎᕮᗯ IᑎᖴOᖇᗰᗩTIOᑎ IᑎTO ᗩ ᑭᕮᖇSOᑎ'S ᗰIᑎᗪ Iᑎ Oᖇᗪᕮᖇ TO OᐯᕮᖇᗯᖇITᕮ, Oᖇ ᗩᒪTᕮᖇ ᕮ᙭ISTIᑎG ᗰᕮᗰOᖇIᕮS.



ᑭᒪᕮᗩSᕮ ᑎOTᕮ: Tᕼᕮ ᑭᖇOᗷᒪᕮᗰS ᑕᗩᑌSᕮᗪ ᗷY ᗩᗪᗩᗰ ᗩᗷᑌSᕮ ᗩᗰOᑎG Tᕼᕮ ᑭOᑭᑌᒪᗩTIOᑎ Oᖴ ᖇᗩᑭTᑌᖇᕮ ᗯᕮᖇᕮ ᕮ᙭ᗩᑕᕮᖇᗷᗩTᕮᗪ ᗷY ᗩᑎᗪᖇᕮᗯ ᖇYᗩᑎ'S ᖴᖇᕮᕮ ᗰᗩᖇKᕮT SOᑕIᕮTᗩᒪ ᗷᕮᒪIᕮᖴS; ᕼIS ᕼᗩᑎᗪS-Oᖴᖴ ᗩᑭᑭᖇOᗩᑕᕼ TO ᖇᑌᑎᑎIᑎG Tᕼᕮ ᑕITY ᗰᕮᗩᑎT TᕼᗩT Tᕼᕮᖇᕮ ᗯᗩS ᑎO ᖇᕮGᑌᒪᗩTIOᑎ Oᖴ ᗩᗪᗩᗰ ᗩᑎᗪ TᕼᕮᖇᕮᖴOᖇᕮ ᑎO ᑭᖇᕮᐯᕮᑎTIOᑎ Oᖴ ITS SIᗪᕮ ᕮᖴᖴᕮᑕTS. ᗷY Tᕼᕮ TIᗰᕮ Tᕼᕮ ᖇᗩᑭTᑌᖇᕮ ᑕIᐯIᒪ ᗯᗩᖇ ᑕᗩᑌSᕮᗪ ᗰᗩSSIᐯᕮ ᗩᗪᗪIᑕTIOᑎ TO ᗩᗪᗩᗰ Iᑎ Tᕼᕮ Gᕮᑎᕮᖇᗩᒪ ᑭOᑭᑌᒪᗩᑕᕮ, ᗩᑎᗪ Tᕼᕮ TᕮᖇᖇIᗷᒪᕮ SIᗪᕮ-ᕮᖴᖴᕮᑕTS ᗯᕮᖇᕮ ᗰᗩᗪᕮ ᑭᒪᗩIᑎᕮᖇ, IT ᗯᗩS TOO ᒪᗩTᕮ.

⥼ ᑭᒪᗩSᗰIᗪS ⥽

SᑭᕮᑕIᗩᒪ SᕮᖇᑌᗰS ᗰᗩᗪᕮ ᖴᖇOᗰ ᑭᖇOᑕᕮSSᕮᗪ ᗩᗪᗩᗰ TᕼᗩT IᑎTᖇOᗪᑌᑕᕮ ᗰOᗪIᖴIᕮᗪ STᕮᗰ ᑕᕮᒪᒪS IᑎTO Tᕼᕮ ᕼᑌᗰᗩᑎ ᗷOᗪY, ᑭᒪᗩSᗰIᗪS ᗩᒪᒪOᗯ ᖴOᖇ GᕮᑎᕮTIᑕ ᗰOᗪIᖴIᑕᗩTIOᑎ ᗩᑎᗪ ᗰᑌTᗩTIOᑎ, GIᐯIᑎG Tᕼᕮ ᑌSᕮᖇ ᗩ Oᑎᕮ Oᖴ ᗩ ᐯᗩST ᗩᖇᖇᗩY Oᖴ ᑭOᗯᕮᖇS ᗩᑎᗪ ᗩᗷIᒪITIᕮS ᗯᕼIᑕᕼ SOᗰᕮ ᗰIGᕼT ᖇᕮᖴᕮᖇ TO ᗩS "Sᑌᑭᕮᖇ ᑭOᗯᕮᖇS". ᗩᑕTIᐯᕮ ᑭᒪᗩSᗰIᗪS ᖇᕮᑫᑌIᖇᕮ ᕮᐯᕮ ᖴOᖇ ᑌSᕮ, ᗯᕼIᒪᕮ ᑭᗩSSIᐯᕮ ᑭᒪᗩSᗰIᗪS (ᖇᕮᖴᕮᖇᖇᕮᗪ TO ᗩS Gᕮᑎᕮ TOᑎIᑕS) ᑭᖇOᐯIᗪᕮ ᗩᑎ ᕮᖴᖴᕮᑕT ᗰᕮᖇᕮᒪY ᗷY ᗷᕮIᑎG TᗩKᕮᑎ Oᑎᑕᕮ.

ᑭᒪᗩSᗰIᗪS ᗩᖇᕮ ᕮ᙭TᖇᕮᗰᕮᒪY ᑭOᗯᕮᖇᖴᑌᒪ, ᕼOᗯᕮᐯᕮᖇ ᕮ᙭ᑕᕮSSIᐯᕮ ᑌSᕮ Oᖴ Tᕼᕮᗰ ᒪᕮᗩᗪS TO ᗷOTᕼ ᑭᕼYSIᑕᗩᒪ ᗩᑎᗪ ᗰᕮᑎTᗩᒪ ᗩᗪᗪIᑕTIOᑎ ᗩᑎᗪ IᑎSTᗩᗷIᒪITY; IT ᗯᗩS TᕼIS ᗰᗩᒍOᖇ ᖴᗩᑕTOᖇ TᕼᗩT ᕼᕮᒪᑭᕮᗪ Iᑎ Tᕼᕮ ᕮᐯᕮᑎTᑌᗩᒪ ᗪOᗯᑎᖴᗩᒪᒪ Oᖴ ᖇᗩᑭTᑌᖇᕮ'S SOᑕIᕮTY.

ᑭᒪᗩSᗰIᗪ TYᑭᕮS

⥼ ⥽

⥼ Tᕼᕮ GᖇᕮY ᑭᒪᗩSᗰIᗪ ⥽

"ᑕOᑎTᕮᑎTS ᑌᑎKᑎOᗯᑎ."

ᑭOᗯᕮᖇS ᗩᑎᗪ ᗩTTᖇIᗷᑌTᕮS ᑌᑎKᑎOᗯᑎ.

⥼ Tᕼᕮ ᖇᕮᗪ ᑭᒪᗩSᗰIᗪ ⥽

"ᑕOᑎTᕮᑎTS ᑌᑎKᑎOᗯᑎ."

ᑭOᗯᕮᖇS ᗩᑎᗪ ᗩTTᖇIᗷᑌTᕮS ᑌᑎKᑎOᗯᑎ.

⥼ Tᕼᕮ ᗷᒪᑌᕮ ᑭᒪᗩSᗰIᗪ ⥽

"ᑕOᑎTᕮᑎTS ᑌᑎKᑎOᗯᑎ."

ᑭOᗯᕮᖇS ᗩᑎᗪ ᗩTTᖇIᗷᑌTᕮS ᑌᑎKᑎOᗯᑎ.

⥼ Tᕼᕮ YᕮᒪᒪOᗯ ᑭᒪᗩSᗰIᗪ ⥽

"ᑕOᑎTᕮᑎTS ᑌᑎKᑎOᗯᑎ."

ᑭOᗯᕮᖇS ᗩᑎᗪ ᗩTTᖇIᗷᑌTᕮS ᑌᑎKᑎOᗯᑎ.

⥼ Tᕼᕮ ᗪᗩᖇK GᖇᕮY ᑭᒪᗩSᗰIᗪ ⥽

"ᑕOᑎTᕮᑎTS ᑌᑎKᑎOᗯᑎ."

ᑭOᗯᕮᖇS ᗩᑎᗪ ᗩTTᖇIᗷᑌTᕮS ᑌᑎKᑎOᗯᑎ.

⥼ Tᕼᕮ OᖇᗩᑎGᕮ ᑭᒪᗩSᗰIᗪ ⥽

"ᑕOᑎTᕮᑎTS ᑌᑎKᑎOᗯᑎ."

ᑭOᗯᕮᖇS ᗩᑎᗪ ᗩTTᖇIᗷᑌTᕮS ᑌᑎKᑎOᗯᑎ.

⥼ Tᕼᕮ Gᖇᕮᕮᑎ ᑭᒪᗩSᗰIᗪ ⥽

"ᑕOᑎTᕮᑎTS ᑌᑎKᑎOᗯᑎ."

ᑭOᗯᕮᖇS ᗩᑎᗪ ᗩTTᖇIᗷᑌTᕮS ᑌᑎKᑎOᗯᑎ.

⥼ Tᕼᕮ ᑭᕮᗩᑕᕼ ᑭᒪᗩSᗰIᗪ ⥽

"ᑕOᑎTᕮᑎTS ᑌᑎKᑎOᗯᑎ."

ᑭOᗯᕮᖇS ᗩᑎᗪ ᗩTTᖇIᗷᑌTᕮS ᑌᑎKᑎOᗯᑎ.

⥼ Tᕼᕮ ᑕᖇᕮᗩᗰ ᑭᒪᗩSᗰIᗪ ⥽

"ᑕOᑎTᕮᑎTS ᑌᑎKᑎOᗯᑎ."

ᑭOᗯᕮᖇS ᗩᑎᗪ ᗩTTᖇIᗷᑌTᕮS ᑌᑎKᑎOᗯᑎ.

⥼ Tᕼᕮ ᒪIGᕼT ᗷᒪᑌᕮ ᑭᒪᗩSᗰIᗪ ⥽

"ᑕOᑎTᕮᑎTS ᑌᑎKᑎOᗯᑎ."

ᑭOᗯᕮᖇS ᗩᑎᗪ ᗩTTᖇIᗷᑌTᕮS ᑌᑎKᑎOᗯᑎ.

⥼ Tᕼᕮ ᗷᖇOᗯᑎ ᑭᒪᗩSᗰIᗪ ⥽

"ᑕOᑎTᕮᑎTS ᑌᑎKᑎOᗯᑎ."

ᑭOᗯᕮᖇS ᗩᑎᗪ ᗩTTᖇIᗷᑌTᕮS ᑌᑎKᑎOᗯᑎ.

⥼ Tᕼᕮ SIᒪᐯᕮᖇ ᑭᒪᗩSᗰIᗪ ⥽

"ᑕOᑎTᕮᑎTS ᑌᑎKᑎOᗯᑎ."

ᑭOᗯᕮᖇS ᗩᑎᗪ ᗩTTᖇIᗷᑌTᕮS ᑌᑎKᑎOᗯᑎ.

⥼ Tᕼᕮ ᒪIᒪᗩᑕ ᑭᒪᗩSᗰIᗪ ⥽

"ᑕOᑎTᕮᑎTS ᑌᑎKᑎOᗯᑎ."

ᑭOᗯᕮᖇS ᗩᑎᗪ ᗩTTᖇIᗷᑌTᕮS ᑌᑎKᑎOᗯᑎ.

⥼ Tᕼᕮ ᗪᗩᖇK ᗷᒪᑌᕮ ᑭᒪᗩSᗰIᗪ ⥽

"ᑕOᑎTᕮᑎTS ᑌᑎKᑎOᗯᑎ."

ᑭOᗯᕮᖇS ᗩᑎᗪ ᗩTTᖇIᗷᑌTᕮS ᑌᑎKᑎOᗯᑎ.

⥼ Tᕼᕮ ᗯᕼITᕮ ᑭᒪᗩSᗰIᗪ ⥽

"ᑕOᑎTᕮᑎTS ᑌᑎKᑎOᗯᑎ."

ᑭOᗯᕮᖇS ᗩᑎᗪ ᗩTTᖇIᗷᑌTᕮS ᑌᑎKᑎOᗯᑎ.

⥼ Tᕼᕮ Tᕮᗩᒪ ᑭᒪᗩSᗰIᗪ ⥽

"ᑕOᑎTᕮᑎTS ᑌᑎKᑎOᗯᑎ."

ᑭOᗯᕮᖇS ᗩᑎᗪ ᗩTTᖇIᗷᑌTᕮS ᑌᑎKᑎOᗯᑎ.

⥼ Tᕼᕮ ᒪIGᕼT Gᖇᕮᕮᑎ ᑭᒪᗩSᗰIᗪ ⥽

"ᑕOᑎTᕮᑎTS ᑌᑎKᑎOᗯᑎ."

ᑭOᗯᕮᖇS ᗩᑎᗪ ᗩTTᖇIᗷᑌTᕮS ᑌᑎKᑎOᗯᑎ.

⥼ Tᕼᕮ ᑭᑌᖇᑭᒪᕮ ᑭᒪᗩSᗰIᗪ ⥽

"ᑕOᑎTᕮᑎTS ᑌᑎKᑎOᗯᑎ."

ᑭOᗯᕮᖇS ᗩᑎᗪ ᗩTTᖇIᗷᑌTᕮS ᑌᑎKᑎOᗯᑎ.

⥼ Tᕼᕮ ᑭIᑎK ᑭᒪᗩSᗰIᗪ ⥽

"ᑕOᑎTᕮᑎTS ᑌᑎKᑎOᗯᑎ."

ᑭOᗯᕮᖇS ᗩᑎᗪ ᗩTTᖇIᗷᑌTᕮS ᑌᑎKᑎOᗯᑎ.

⥼ Tᕼᕮ ᖇᗩIᑎᗷOᗯ ᑭᒪᗩSᗰIᗪ ⥽

"ᑕOᑎTᕮᑎTS ᑌᑎKᑎOᗯᑎ."

ᑭOᗯᕮᖇS ᗩᑎᗪ ᗩTTᖇIᗷᑌTᕮS ᑌᑎKᑎOᗯᑎ.

⥼ Gᕮᑎᕮ TOᑎIᑕS ⥽

SᑭᕮᑕIᗩᒪ SᕮᖇᑌᗰS ᗰᗩᗪᕮ ᖴᖇOᗰ ᑭᖇOᑕᕮSSᕮᗪ ᗩᗪᗩᗰ TᕼᗩT IᑎTᖇOᗪᑌᑕᕮ ᗰOᗪIᖴIᕮᗪ STᕮᗰ ᑕᕮᒪᒪS IᑎTO Tᕼᕮ ᕼᑌᗰᗩᑎ ᗷOᗪY, Gᕮᑎᕮ TOᑎIᑕS ᗩᒪᒪOᗯ ᖴOᖇ GᕮᑎᕮTIᑕ ᗰOᗪIᖴIᑕᗩTIOᑎ ᗩᑎᗪ ᗰᑌTᗩTIOᑎ, GIᐯIᑎG Tᕼᕮ ᑌSᕮᖇ ᗩ Oᑎᕮ Oᖴ ᗩ ᐯᗩST ᗩᖇᖇᗩY Oᖴ ᑭOᗯᕮᖇS ᗩᑎᗪ ᗩᗷIᒪITIᕮS ᗯᕼIᑕᕼ SOᗰᕮ ᗰIGᕼT ᖇᕮᖴᕮᖇ TO ᗩS "Sᑌᑭᕮᖇ ᑭOᗯᕮᖇS". ᗯᕼIᒪᕮ ᗩᑕTIᐯᕮ ᑭᒪᗩSᗰIᗪS ᖇᕮᑫᑌIᖇᕮ ᕮᐯᕮ ᖴOᖇ ᑌSᕮ, ᑭᗩSSIᐯᕮ ᑭᒪᗩSᗰIᗪS (ᖇᕮᖴᕮᖇᖇᕮᗪ TO ᗩS Gᕮᑎᕮ TOᑎIᑕS) ᑭᖇOᐯIᗪᕮ ᗩᑎ ᕮᖴᖴᕮᑕT ᗰᕮᖇᕮᒪY ᗷY ᗷᕮIᑎG TᗩKᕮᑎ Oᑎᑕᕮ.

TOᑎIᑕS ᗩᖇᕮ ᕮ᙭TᖇᕮᗰᕮᒪY ᑭOᗯᕮᖇᖴᑌᒪ, ᕼOᗯᕮᐯᕮᖇ ᕮ᙭ᑕᕮSSIᐯᕮ ᑌSᕮ Oᖴ Tᕼᕮᗰ ᒪᕮᗩᗪS TO ᗷOTᕼ ᑭᕼYSIᑕᗩᒪ ᗩᑎᗪ ᗰᕮᑎTᗩᒪ ᗩᗪᗪIᑕTIOᑎ ᗩᑎᗪ IᑎSTᗩᗷIᒪITY; IT ᗯᗩS TᕼIS ᗰᗩᒍOᖇ ᖴᗩᑕTOᖇ TᕼᗩT ᕼᕮᒪᑭᕮᗪ Iᑎ Tᕼᕮ ᕮᐯᕮᑎTᑌᗩᒪ ᗪOᗯᑎᖴᗩᒪᒪ Oᖴ ᖇᗩᑭTᑌᖇᕮ'S SOᑕIᕮTY.

Gᕮᑎᕮ TOᑎIᑕS TYᑭᕮS

⥼ ᑕOᗰᗷᗩT TOᑎIᑕS ⥽

ᑕOᗰᗷᗩT TOᑎIᑕS IᗰᑭᖇOᐯᕮ Tᕼᕮ ᑭᒪᗩYᕮᖇ'S OᖴᖴᕮᑎSIᐯᕮ ᗩᑎᗪ ᗪᕮᖴᕮᑎSIᐯᕮ ᑕᗩᑭᗩᗷIᒪITIᕮS. Tᕼᕮ ᑭᒪᗩYᕮᖇ ᑕᗩᑎ ᑕᕼᗩᑎGᕮ TᕼᕮIᖇ ᕮᑫᑌIᑭᑭᕮᗪ TOᑎIᑕS ᗩT ᗩ Gᕮᑎᕮ ᗷᗩᑎK. TᕼOSᕮ ᖴOᑌᑎᗪ Iᑎ Tᕼᕮ ᗯOᖇᒪᗪ Oᖴ ᖇᗩᑭTᑌᖇᕮ GᒪOᗯ Iᑎ TᕼᕮIᖇ ᗷOTTᒪᕮS ᒪIKᕮ ᑭᒪᗩSᗰIᗪS ᗩᑎᗪ OTᕼᕮᖇ TOᑎIᑕS.

ᑕOᗰᗷᗩT TOᑎIᑕS Iᑎᑕᒪᑌᗪᕮ:
♆ ᗩᖇᗰOᖇᕮᗪ Sᕼᕮᒪᒪ
♆ ᗩᖇᗰOᖇᕮᗪ Sᕼᕮᒪᒪ II
♆ ᗪᗩᗰᗩGᕮ ᖇᕮSᕮᗩᖇᑕᕼ
♆ ᗪᗩᗰᗩGᕮ ᖇᕮSᕮᗩᖇᑕᕼ II
♆ ᕮᒪᕮᑕTᖇIᑕ ᖴᒪᕮSᕼ
♆ ᕮᒪᕮᑕTᖇIᑕ ᖴᒪᕮSᕼ II
♆ ᖴᖇOᘔᕮᑎ ᖴIᕮᒪᗪ
♆ ᖴᖇOᘔᕮᑎ ᖴIᕮᒪᗪ II
♆ ᕼᑌᗰᗩᑎ IᑎᖴᕮᖇᑎO
♆ ᕼᑌᗰᗩᑎ IᑎᖴᕮᖇᑎO II
♆ ᗰᗩᑕᕼIᑎᕮ ᗷᑌSTᕮᖇ
♆ ᗰᗩᑕᕼIᑎᕮ ᗷᑌSTᕮᖇ II
♆ ᑭᕼOTOGᖇᗩᑭᕼᕮᖇ'S ᕮYᕮ
♆ ᑭᕼOTOGᖇᗩᑭᕼᕮᖇ'S ᕮYᕮ II
♆ STᗩTIᑕ ᗪISᑕᕼᗩᖇGᕮ
♆ STᗩTIᑕ ᗪISᑕᕼᗩᖇGᕮ II
♆ ᗯᖇᕮᑎᑕᕼ ᒍOᑕKᕮY
♆ ᗯᖇᕮᑎᑕᕼ ᒍOᑕKᕮY II
♆ ᗯᖇᕮᑎᑕᕼ ᒪᑌᖇKᕮᖇ
♆ ᗯᖇᕮᑎᑕᕼ ᒪᑌᖇKᕮᖇ II

ᕮᗩᑕᕼ Oᖴ Tᕼᕮ ITᕮᗰS ᒪISTᕮᗪ ᗩᗷOᐯᕮ IS ᒪIᑎKᕮᗪ TO ITS ᖇᕮᒪᕮᐯᗩᑎT ᑭᗩGᕮ; ᗩᑎᗪ TᕼᕮᖇᕮᖴOᖇᕮ IS ᗩᗷᒪᕮ TO ᗷᕮ ᒪOOKᕮᗪ ᗩT, ᗩᑎᗪ ᕮ᙭ᑭᒪOᖇᕮᗪ Iᑎ ᖴᑌᖇTᕼᕮᖇ ᗪᕮTᗩIᒪ.

⥼ ᕮᑎGIᑎᕮᕮᖇIᑎG TOᑎIᑕS ⥽

ᕮᑎGIᑎᕮᕮᖇIᑎG TOᑎIᑕS IᗰᑭᖇOᐯᕮ Tᕼᕮ ᑭᒪᗩYᕮᖇ'S ᕼᗩᑕKIᑎG ᗩᗷIᒪITY ᗩᑎᗪ IᑎTᕮᖇᗩᑕTIOᑎ ᗯITᕼ ᗰᗩᑕᕼIᑎᕮS. Tᕼᕮ ᑭᒪᗩYᕮᖇ ᑕᗩᑎ ᑕᕼᗩᑎGᕮ TᕼᕮIᖇ ᕮᑫᑌIᑭᑭᕮᗪ TOᑎIᑕS ᗩT ᗩ Gᕮᑎᕮ ᗷᗩᑎK. TᕼOSᕮ ᖴOᑌᑎᗪ Iᑎ Tᕼᕮ ᗯOᖇᒪᗪ Oᖴ ᖇᗩᑭTᑌᖇᕮ GᒪOᗯ Iᑎ TᕼᕮIᖇ ᗷOTTᒪᕮS ᒪIKᕮ ᑭᒪᗩSᗰIᗪS ᗩᑎᗪ OTᕼᕮᖇ TOᑎIᑕS ᗩᑎᗪ ᕮᑎGIᑎᕮᕮᖇIᑎG TOᑎIᑕS.

ᕮᑎGIᑎᕮᕮᖇIᑎG TOᑎIᑕS Iᑎᑕᒪᑌᗪᕮ:
♆ ᗩᒪᗩᖇᗰ ᕮ᙭ᑭᕮᖇT
♆ ᗩᒪᗩᖇᗰ ᕮ᙭ᑭᕮᖇT II
♆ ᑕᒪᕮᐯᕮᖇ IᑎᐯᕮᑎTOᖇ
♆ ᖴOᑕᑌSᕮᗪ ᕼᗩᑕKᕮᖇ
♆ ᖴOᑕᑌSᕮᗪ ᕼᗩᑕKᕮᖇ II
♆ ᕼᗩᑕKIᑎG ᕮ᙭ᑭᕮᖇT
♆ ᕼᗩᑕKIᑎG ᕮ᙭ᑭᕮᖇT II
♆ ᑭᖇOᒪIᖴIᑕ IᑎᐯᕮᑎTOᖇ
♆ SᗩᖴᕮᑕᖇᗩᑕKᕮᖇ
♆ SᗩᖴᕮᑕᖇᗩᑕKᕮᖇ II
♆ SᕮᑕᑌᖇITY ᕮ᙭ᑭᕮᖇT
♆ SᕮᑕᑌᖇITY ᕮ᙭ᑭᕮᖇT II
♆ SᕼOᖇTᕮᑎ ᗩᒪᗩᖇᗰS
♆ SᕼOᖇTᕮᑎ ᗩᒪᗩᖇᗰS II
♆ SᑭᕮᕮᗪY ᕼᗩᑕKᕮᖇ
♆ SᑭᕮᕮᗪY ᕼᗩᑕKᕮᖇ II
♆ ᐯᕮᑎᗪIᑎG ᕮ᙭ᑭᕮᖇT
♆ ᐯᕮᑎᗪIᑎG ᕮ᙭ᑭᕮᖇT II
♆ SᕼᑌTᗪOᗯᑎ ᕮ᙭ᑭᕮᖇT

ᕮᗩᑕᕼ Oᖴ Tᕼᕮ ITᕮᗰS ᒪISTᕮᗪ ᗩᗷOᐯᕮ IS ᒪIᑎKᕮᗪ TO ITS ᖇᕮᒪᕮᐯᗩᑎT ᑭᗩGᕮ; ᗩᑎᗪ TᕼᕮᖇᕮᖴOᖇᕮ IS ᗩᗷᒪᕮ TO ᗷᕮ ᒪOOKᕮᗪ ᗩT, ᗩᑎᗪ ᕮ᙭ᑭᒪOᖇᕮᗪ Iᑎ ᖴᑌᖇTᕼᕮᖇ ᗪᕮTᗩIᒪ.

⥼ ᑭᕼYSIᑕᗩᒪ TOᑎIᑕS ⥽

ᑭᕼYSIᑕᗩᒪ TOᑎIᑕS IᗰᑭᖇOᐯᕮ Tᕼᕮ ᑭᒪᗩYᕮᖇ'S ᑭᕼYSIᑕᗩᒪ ᗩᑎᗪ ᑭᕼYSIOᒪOGIᑕᗩᒪ ᑭᖇOᑭᕮᖇTIᕮS. Tᕼᕮ ᑭᒪᗩYᕮᖇ ᑕᗩᑎ ᑕᕼᗩᑎGᕮ TᕼᕮIᖇ ᕮᑫᑌIᑭᑭᕮᗪ TOᑎIᑕS ᗩT ᗩ Gᕮᑎᕮ ᗷᗩᑎK. TᕼOSᕮ ᖴOᑌᑎᗪ Iᑎ Tᕼᕮ ᗯOᖇᒪᗪ Oᖴ ᖇᗩᑭTᑌᖇᕮ GᒪOᗯ Iᑎ TᕼᕮIᖇ ᗷOTTᒪᕮS ᒪIKᕮ ᑭᒪᗩSᗰIᗪS ᗩᑎᗪ OTᕼᕮᖇ TOᑎIᑕS, ᗩᑎᗪ ᑭᕼYSIᑕᗩᒪ TOᑎIᑕS.

ᑭᕼYSIᑕᗩᒪ TOᑎIᑕS Iᑎᑕᒪᑌᗪᕮ:
♆ ᗷᒪOOᗪᒪᑌST
♆ ᗷOOᘔᕮ ᕼOᑌᑎᗪ
♆ ᕮᐯᕮ ᒪIᑎK
♆ ᕮᐯᕮ ᒪIᑎK II
♆ ᕮᐯᕮ Sᗩᐯᕮᖇ
♆ ᕮ᙭Tᖇᗩ ᑎᑌTᖇITIOᑎ
♆ ᕮ᙭Tᖇᗩ ᑎᑌTᖇITIOᑎ II
♆ ᕮ᙭Tᖇᗩ ᑎᑌTᖇITIOᑎ III
♆ ᕼᗩᑕKᕮᖇ'S ᗪᕮᒪIGᕼT
♆ ᕼᗩᑕKᕮᖇ'S ᗪᕮᒪIGᕼT II
♆ ᕼᗩᑕKᕮᖇ'S ᗪᕮᒪIGᕼT III
♆ ᗰᕮᗪIᑕᗩᒪ ᕮ᙭ᑭᕮᖇT
♆ ᗰᕮᗪIᑕᗩᒪ ᕮ᙭ᑭᕮᖇT II
♆ ᗰᕮᗪIᑕᗩᒪ ᕮ᙭ᑭᕮᖇT III
♆ ᑎᗩTᑌᖇᗩᒪ ᑕᗩᗰOᑌᖴᒪᗩGᕮ
♆ SᑕᖇOᑌᑎGᕮᖇ
♆ SᕮᑕᑌᖇITY ᕮᐯᗩSIOᑎ
♆ SᕮᑕᑌᖇITY ᕮᐯᗩSIOᑎ II
♆ SᑭOᖇTᗷOOST
♆ SᑭOᖇTᗷOOST II

ᕮᗩᑕᕼ Oᖴ Tᕼᕮ ITᕮᗰS ᒪISTᕮᗪ ᗩᗷOᐯᕮ IS ᒪIᑎKᕮᗪ TO ITS ᖇᕮᒪᕮᐯᗩᑎT ᑭᗩGᕮ; ᗩᑎᗪ TᕼᕮᖇᕮᖴOᖇᕮ IS ᗩᗷᒪᕮ TO ᗷᕮ ᒪOOKᕮᗪ ᗩT, ᗩᑎᗪ ᕮ᙭ᑭᒪOᖇᕮᗪ Iᑎ ᖴᑌᖇTᕼᕮᖇ ᗪᕮTᗩIᒪ.

♆ ♆

⥼ ᑕITIᘔᕮᑎ'S Oᖴ ᖇᗩᑭTᑌᖇᕮ ⥽

ᗩ Oᑎᑕᕮ Gᖇᗩᑎᗪ ᑕITY ᗷᑌIᒪT Oᑎ Tᕼᕮ IᗪᕮᗩᒪS ᗩᑎᗪ ᑭᕼIᒪOSOᑭᕼIᕮS Oᖴ ᗩᑎᗪᖇᕮᗯ ᖇYᗩᑎ; ᖇᗩᑭTᑌᖇᕮ, Oᑎᑕᕮ ᗩ ᕼOᗰᕮ ᖴOᖇ Tᕼᕮ ᗷᕮST ᗩᑎᗪ Tᕼᕮ ᗷᖇIGᕼTᕮST ᖴᖇOᗰ ᗩᖇOᑌᑎᗪ Tᕼᕮ ᗯOᖇᒪᗪ, ᑎOᗯ ᒪᗩYS Iᑎ ᖇᑌIᑎS, ᑎOTᕼIᑎG ᗰOᖇᕮ Tᕼᗩᑎ ᗩ ᗰᕮᖇᕮ SᕼᗩᗪOᗯ Oᖴ ᗯᕼᗩT IT ᑌSᕮᗪ TO ᗷᕮ- Tᕼᕮ ᖇᑌIᑎS Oᖴ Tᕼᕮ ᑕITY ᑕᖇᗩᗯᒪIᑎG ᗯITᕼ ᑕITIᘔᕮᑎ'S Oᖴ ᗩᒪᒪ KIᑎᗪS ᗯᕼO ᕼᗩᐯᕮ ᗰᗩᑎᗩGᕮᗪ TO SᑌᖇᐯIᐯᕮ Tᕼᕮ ᑕIᐯIᒪ ᗯᗩᖇ.

ᖴOᖇ ᗰOᖇᕮ IᑎᖴOᖇᗰᗩTIOᑎ Oᑎ TᕼᕮSᕮ IᑎᕼᗩᗷITᗩᑎTS, ᖴᕮᕮᒪ ᖴᖇᕮᕮ TO Sᕮᗩᖇᑕᕼ TᕼᖇOᑌGᕼ Tᕼᕮ ᕼIᗪᕮᖇ ᗷᕮᒪOᗯ- TᕼOᑌGᕼ ᗷᕮ Sᑌᖇᕮ TO Kᕮᕮᑭ ᗩᑎ ᕮYᕮ OᑌT; ᖴOᖇ Tᕼᕮ ᒪISTS ᗯIᒪᒪ ᗩᒪᗯᗩYS ᑕOᑎTIᑎᑌᕮ TO GᖇOᗯ...

ᑕITIᘔᕮᑎ'S Oᖴ ᖇᗩᑭTᑌᖇᕮ

⥼ ᗩᑎᗪᖇᕮᗯ ᖇYᗩᑎ ⥽

"ᗯᕮ ᗩᒪᒪ ᗰᗩKᕮ ᑕᕼOIᑕᕮS. ᗷᑌT Iᑎ Tᕼᕮ ᕮᑎᗪ, Oᑌᖇ ᑕᕼOIᑕᕮS ᗰᗩKᕮ ᑌS."

ᗷOᖇᑎ Iᑎ Tᕼᕮ Yᕮᗩᖇ 1911, Iᑎ ᗩ ᐯIᒪᒪᗩGᕮ ᑎᕮᗩᖇ ᗰIᑎSK ᗯITᕼIᑎ Tᕼᕮ ᖇᑌSSIᗩᑎ ᕮᗰᑭIᖇᕮ (ᗰOᗪᕮᖇᑎ ᗪᗩY ᗷᕮᒪᗩᖇᑌS); ᗩᑎᗪᖇᕮᗯ ᖇYᗩᑎ Gᖇᕮᗯ ᑌᑭ Iᑎ ᗩ ᒍᕮᗯISᕼ-ᗷᕮᒪᗩᖇᑌSIᗩᑎ ᖴᗩᗰIᒪY ᗪᑌᖇIᑎG ᗩ TIᗰᕮ ᗯᕼᕮᑎ Tᕼᕮ TSᗩᖇ STIᒪᒪ ᕼᕮᒪᗪ ᗩᑌTOᑕᖇᗩTIᑕ ᖇᑌᒪᕮ Oᐯᕮᖇ Tᕼᕮ ᑕOᑌᑎTᖇY. ᗩT Tᕼᕮ ᖴᖇOᑎT ᒪIᑎᕮS Iᑎ Tᕼᕮ ᖴIᖇST ᗯOᖇᒪᗪ ᗯᗩᖇ; ᖇYᗩᑎ ᕼᕮᒪᗪ ᗯITᑎᕮSS TO Tᕼᕮ ᖇᑌSSIᗩᑎ ᖇᕮᐯOᒪᑌTIOᑎ, ᗯᕼIᑕᕼ ᕮᐯᕮᑎTᑌᗩᒪᒪY ᗷᖇOᑌGᕼT ᗩᗷOᑌT ᑭOᗯᕮᖇ TO Tᕼᕮ ᗷOᒪSᕼᕮᐯIKS, ᗩᑎᗪ ᕮᐯᕮᑎTᑌᗩᒪᒪY, Tᕼᕮ ᗪᕮSTᖇᑌᑕTIOᑎ Oᖴ ᖇYᗩᑎ'S ᖴᗩᗰIᒪY ᗷᑌSIᑎᕮSS- IT ᗯᗩS TᕼᕮSᕮ ᕮ᙭ᑭᕮᖇIᕮᑎᑕᕮS ᑌᑎᗪᕮᖇ Tᕼᕮ SOᐯIᕮT ᖇᑌᒪᕮ TᕼᗩT ᒪᕮᗪ ᕼIᗰ TO ᕼIS ᑭᕮᖇSOᑎᗩᒪ ᑭᕼIᒪOSOᑭᕼY: "Tᕼᕮ ᗰOᗪᕮᖇᑎ ᗯOᖇᒪᗪ ᗯᗩS ᑕᖇᕮᗩTᕮᗪ ᗷY GᖇᕮᗩT ᗰᕮᑎ ᗯᕼO STᖇOᐯᕮ TO ᗰᗩKᕮ TᕼᕮIᖇ Oᗯᑎ ᗯᗩY".

ᖴᒪᕮᕮIᑎG TO ᗩᗰᕮᖇIᑕᗩ ᗯITᕼ Tᕼᕮ ᗷᕮᒪIᕮᖴ TᕼᗩT IT ᗯᗩS ᗩ ᑭᒪᗩᑕᕮ ᗯᕼᕮᖇᕮ ᗩ GᖇᕮᗩT ᗰᗩᑎ ᑕOᑌᒪᗪ ᑭᖇOSᑭᕮᖇ, ᖇYᗩᑎ ᗪᕮᐯOTᕮᗪ ᕼIᗰSᕮᒪᖴ TO ᕼIS ᗩᗪOᑭTᕮᗪ ᑕOᑌᑎTᖇY, GᖇᗩTᕮᖴᑌᒪ ᖴOᖇ Tᕼᕮ ᗯᕮᗩᒪTᕼ ᗩᑎᗪ Tᕼᕮ ᖴᗩᗰᕮ TᕼᗩT IT ᗩᗯᗩᖇᗪᕮᗪ ᕼIS IᑎTᕮᒪᒪᕮᑕT ᗩᑎᗪ ᗪᕮTᕮᖇᗰIᑎᗩTIOᑎ; TᕼᗩT ᗯᗩS, ᕼOᗯᕮᐯᕮᖇ, ᑌᑎTIᒪ Tᕼᕮ STᗩTᕮ-ᖇᑌᑎ SOᑕIᗩᒪ ᑭᖇOGᖇᗩᗰS ᑕᖇᕮᗩTᕮᗪ Iᑎ Tᕼᕮ 1930'S IᑎᑕᖇᕮᗩSIᑎGᒪY ᗷᕮGᗩᑎ TO TᕮST ᕼIS ᗪᕮᐯOTIOᑎ ᗩᑎᗪ ᒪOYᗩᒪTY, ᗩᑎᗪ ᕮᐯᕮᑎTᑌᗩᒪᒪY, ᕼIS ᕮ᙭ᑭᕮᖇIᕮᑎᑕᕮS Iᑎ Tᕼᕮ ᗯOᖇKᕮᖇ'S ᑭᗩᖇᗩᗪISᕮ ᗰᗩᗪᕮ ᖇYᗩᑎ ᗪᕮSᑭISᕮ Tᕼᕮ IᗪᕮᗩᒪS Oᖴ SOᑕIᗩᒪISᗰ ᗩᑎᗪ ᑕOᒪᒪᕮᑕTIᐯISᗰ, ᗩS ᕼᕮ ᗷᕮᒪIᕮᐯᕮᗪ TᕼᗩT TᕼOSᕮ ᗯᕼO ᗷᕮᑎᕮᖴITᕮᗪ ᑌᑎᗪᕮSᕮᖇᐯᕮᗪᒪY ᖴᖇOᗰ OTᕼᕮᖇS ᗯᕮᖇᕮ ᑎOTᕼIᑎG ᗰOᖇᕮ Tᕼᗩᑎ "ᑭᗩᖇᗩSITᕮS". Iᑎ ᖇYᗩᑎ'S ᑭᕼIᒪOSOᑭᕼY, Oᑎᕮ ᑕOᑌᒪᗪ OᑎᒪY Oᗯᑎ ᗯᕼᗩT Oᑎᕮ ᕮᗩᖇᑎᕮᗪ- ᖇYᗩᑎ ᕼIᗰSᕮᒪᖴ OᗯᑎIᑎG ᗩ ᒪᗩᖇGᕮ ᖴOᖇᕮST ᗩS ᗩ ᑭᕮᖇSOᑎᗩᒪ ᖇᕮTᖇᕮᗩT, Oᑎᕮ TᕼᗩT ᗰᗩᑎY ᗩ GᖇOᑌᑭ ᕮᑎᐯIᕮᗪ ᗩᑎᗪ ᗪᕮᗰᗩᑎᗪᕮᗪ ᕼᕮ ᕮSTᗩᗷᒪISᕼ ᗩS ᗩ ᑭᑌᗷᒪIᑕ ᑭᗩᖇK; ᗯᕼᕮᑎ Tᕼᕮ GOᐯᕮᖇᑎᗰᕮᑎT ᗩTTᗩᑕKᕮᗪ ᗷY ᗩTTᕮᗰᑭTIᑎG TO ᑎᗩTIOᑎᗩᒪIᘔᕮ IT ᗩS ᑭᗩᖇKᒪᗩᑎᗪ, ᖇYᗩᑎ ᖇᕮSᑭOᑎᗪᕮᗪ Iᑎ KIᑎᗪ ᗷY ᗷᑌᖇᑎIᑎG IT TO Tᕼᕮ GᖇOᑌᑎᗪ Iᑎ ᗪᕮᖴIᗩᑎᑕᕮ.

Tᕼᕮ ᖴIᑎᗩᒪ STᖇᗩᗯ ᖴOᖇ ᖇYᗩᑎ ᑕᗩᗰᕮ ᗯITᕼ Tᕼᕮ ᗪᕮSTᖇᑌᑕTIOᑎ Oᖴ ᕼIᖇOSᕼIᗰᗩ ᗯITᕼ Tᕼᕮ ᗩTOᗰIᑕ ᗷOᗰᗷ; Iᑎ ᕼIS ᕮYᕮS, TᕼIS ᗯᗩS Tᕼᕮ ᑌᒪTIᗰᗩTᕮ ᑕOᖇᖇᑌᑭTIOᑎ Oᖴ ᕼIS IᗪᕮᗩᒪS- SᑕIᕮᑎᑕᕮ ᗩᑎᗪ ᗪᕮTᕮᖇᗰIᑎᗩTIOᑎ ᕼᗩᖇᑎᕮSSᕮᗪ ᖴOᖇ ᗪᕮSTᖇᑌᑕTIOᑎ, ᑕᖇᕮᗩTIᑎG ᗩ ᗯᕮᗩᑭOᑎ TᕼᗩT ᕼᗩᗪ Tᕼᕮᑎ GIᐯᕮᑎ Tᕼᕮ "ᑭᗩᖇᗩSITᕮS" Tᕼᕮ ᗩᗷIᒪITY TO ᗪᕮSTᖇOY ᗩᑎYTᕼIᑎG Oᖴ ᗯᕼIᑕᕼ TᕼᕮY ᑕOᑌᒪᗪ ᑎOT SᕮIᘔᕮ. ᖇYᗩᑎ'S ᖇᕮSᑭOᑎSᕮ ᗯᗩS TO ᑌSᕮ ᕼIS ᕮᑎTIᖇᕮ ᖴOᖇTᑌᑎᕮ TO ᗷᑌIᒪᗪ ᗩ ᑕITY; ᗩ ᑕOᗰᗰᑌᑎITY ᗯᕼᕮᖇᕮ Tᕼᕮ ᗩᖇTIST ᗯOᑌᒪᗪ ᑎOT ᖴᕮᗩᖇ Tᕼᕮ ᑕᕮᑎSOᖇ... ᗯᕼᕮᖇᕮ Tᕼᕮ SᑕIᕮᑎTIST ᗯOᑌᒪᗪ ᑎOT ᗷᕮ ᗷOᑌᑎᗪ ᗷY ᑭᕮTTY ᗰOᖇᗩᒪITY... ᗯᕼᕮᖇᕮ Tᕼᕮ GᖇᕮᗩT ᗯOᑌᒪᗪ ᑎOT ᗷᕮ ᑕOᑎSTᖇᗩIᑎᕮᗪ ᗷY Tᕼᕮ Sᗰᗩᒪᒪ- Iᑎ Tᕼᕮ OᑎᒪY ᑭᒪᗩᑕᕮ ᕼᕮ ᖴᕮᒪT Tᕼᕮ "ᑭᗩᖇᗩSITᕮS" ᑕOᑌᒪᗪ ᑎOT TOᑌᑕᕼ: Tᕼᕮ ᗪᕮᑭTᕼS Oᖴ Tᕼᕮ ᗩTᒪᗩᑎTIᑕ Oᑕᕮᗩᑎ.

ᗩᑎᗪ TᕼᑌS, ᖇᗩᑭTᑌᖇᕮ ᗯᗩS ᗷOᖇᑎ.

Tᕼᕮ ᖴOᑌᑎᗪᕮᖇ Oᖴ ᖇᗩᑭTᑌᖇᕮ, ᗩᑎᗪ Tᕼᕮ Oᗯᑎᕮᖇ Oᖴ ᖇYᗩᑎ IᑎᗪᑌSTᖇIᕮS; ᗩᑎᗪᖇᕮᗯ ᖇYᗩᑎ IS ᑎOᗯ Tᕼᕮ ᑕᕼᗩIᖇᗰᗩᑎ Oᖴ Tᕼᕮ ᖇᗩᑭTᑌᖇᕮ ᑕITY ᑕOᑌᑎᑕIᒪ, Oᗯᑎᕮᖇ ᗩᑎᗪ OᑭᕮᖇᗩTOᖇ Oᖴ ᕼᕮᑭᕼᗩᕮSTᑌS, ᗩᑎᗪ Oᑎᕮ Oᖴ Tᕼᕮ ᗰOST IᗰᑭOᖇTᗩᑎT ᗰᕮᑎ Iᑎ Tᕼᕮ ᑕITY.

⥼ ᗩTᒪᗩS ⥽

"I ᗩᗰ ᑎOT ᗩ ᒪIᗷᕮᖇᗩTOᖇ. ᒪIᗷᕮᖇᗩTOᖇS ᗪO ᑎOT ᕮ᙭IST. TᕼᕮSᕮ ᑭᕮOᑭᒪᕮ ᗯIᒪᒪ ᒪIᗷᕮᖇᗩTᕮ TᕼᕮᗰSᕮᒪᐯᕮS."

ᑭᑌᗷᒪIᑕᒪY ᑭᖇOTᕮSTIᑎG ᗩGᗩIᑎST ᖇYᗩᑎ ᗯᕼᕮᑎ ᕼᕮ ᑎᗩTIOᑎᗩᒪIᘔᕮᗪ ᖴOᑎTᗩIᑎᕮ ᖴᑌTᑌᖇISTIᑕS, ᗩTᒪᗩS ᑌSᕮᗪ Tᕼᕮ ᑭOOᖇ ᕼOᑌSᕮS TᕼᗩT ᗯᕮᖇᕮ ᒪᕮᖴT ᗷᕮᕼIᑎᗪ TO ᖇᕮᑕᖇᑌIT ᗪISIᒪᒪᑌSIOᑎᕮᗪ ᑕITIᘔᕮᑎS Oᖴ ᖇᗩᑭTᑌᖇᕮ, ᗩᑎᗪ TO ᗷᑌIᒪᗪ ᑌᑭ SᑌᑭᑭOᖇTᕮᖇS ᗩGᗩIᑎST ᖇYᗩᑎ; ᗰᗩKIᑎG ᕼᕮSTIᗩ ᑕᕼᗩᗰᗷᕮᖇS Iᑎ ᗩᑭOᒪᒪO Sᑫᑌᗩᖇᕮ TᕼᕮIᖇ ᕼᕮᗩᗪᑫᑌᗩᖇTᕮᖇS, ᗩTᒪᗩS' ᖴOᒪᒪOᗯᕮᖇS GᗩTᕼᕮᖇᕮᗪ ᗯᕮᗩᑭOᑎS, ᗩᗰᗰᑌᑎITIOᑎ, ᑭᒪᗩSᗰIᗪS ᗩᑎᗪ Gᕮᑎᕮ TOᑎIᑕS Iᑎ Oᖇᗪᕮᖇ TO ᗩᖇᗰ TᕼᕮᗰSᕮᒪᐯᕮS, ᕼOᗯᕮᐯᕮᖇ, TᕼIS ᗪIᗪ ᑎOT GO ᑌᑎᑎOTIᑕᕮᗪ ᗷY ᖇYᗩᑎ ᗯᕼO ᕮᐯᕮᑎTᑌᗩᒪᒪY ᕼᗩᗪ ᗩTᒪᗩS ᗩᑎᗪ SOᗰᕮ Oᖴ ᕼIS ᖴOᒪᒪOᗯᕮᖇS SᕮᑎT TO ᖴOᑎTᗩIᑎᕮ'S ᗪᕮᑭᗩᖇTᗰᕮᑎT STOᖇᕮ (ᑎOᗯ ᑕOᑎᐯᕮᖇTᕮᗪ IᑎTO ᗩ ᑭᖇISOᑎ). ᖇYᗩᑎ ᕼOᑭᕮᗪ TᕼᗩT TᕼIS ᗯOᑌᒪᗪ ᕼᗩᐯᕮ ᑭᑌT ᗩᑎ ᕮᑎᗪ TO Tᕼᕮ TᕮᑎSIOᑎ ᑕᖇᕮᗩTᕮᗪ, ᗷᑌT ᑕOᗰᕮ ᑎᕮᗯ YᕮᗩᖇS ᕮᐯᕮ, ᗩTᒪᗩS ᕮSᑕᗩᑭᕮᗪ ᗩᒪOᑎGSIᗪᕮ Tᕼᕮ ᗰᗩᑎY SᑭᒪIᑕᕮᖇS ᗯᕼOᗰ ᕼᕮ ᕼᗩᗪ GᗩIᑎᕮᗪ ᗩS ᗩᒪᒪIᕮS ᗪᑌᖇIᑎG ᕼIS TIᗰᕮ ᒪOᑕKᕮᗪ ᗩᗯᗩY.

IT ᗯᗩS TᕼIS ᗩᑕTIOᑎ ᗯᕼIᑕᕼ OᖴᖴIᑕIᗩᒪᒪY ᗷᕮGᗩᑎ Tᕼᕮ ᑕIᐯIᒪ ᗯᗩᖇ, Tᕼᕮ ᑎᕮᗯ Yᕮᗩᖇ'S ᕮᐯᕮ ᖇIOTS, ᗩᑎᗪ Tᕼᕮ TᕮᖇᖇOᖇIST ᗷOᗰᗷIᑎG Oᖴ Tᕼᕮ ᑭᗩᖇTY ᗩT Tᕼᕮ KᗩSᕼᗰIᖇ ᖇᕮSTᗩᑌᖇᗩᑎT, ᗯᕼᕮᖇᕮ ᗰᗩᑎY Oᖴ Tᕼᕮ IᗰᑭOᖇTᗩᑎT ᗩᑎᗪ ᗯᕮᗩᒪTᕼY ᑭᕮOᑭᒪᕮ Iᑎ ᖇᗩᑭTᑌᖇᕮ ᗯᕮᖇᕮ GᗩTᕼᕮᖇᕮᗪ ᖴOᖇ ᗩ ᗰᗩSᑫᑌᕮᖇᗩᗪᕮ ᗷᗩᒪᒪ.

ᗩS Tᕼᕮ ᑕOᑎᖴᒪIᑕT ᑕOᑎTIᑎᑌᕮᗪ TO ᕮSᑕᗩᒪᗩTᕮ TᕼᖇOᑌGᕼ 1959, ᗰOᖇᕮ ᑕITIᘔᕮᑎ'S Oᖴ ᖇᗩᑭTᑌᖇᕮ ᗷᕮGᗩᑎ TO ᒍOIᑎ ᑌᑭ ᗯITᕼ ᗩTᒪᗩS' ᗩᑎᗪ ᕼIS ᑕᗩᑌSᕮ, IᑎᑕᒪᑌᗪIᑎG ᖇYᗩᑎ'S Oᗯᑎ ᕮ᙭-ᒪOᐯᕮᖇ, ᗪIᗩᑎᕮ ᗰᑕᑕᒪIᑎTOᑕK- ᖇᗩIᗪIᑎG ᑭᗩᖇTIᕮS ᗷᕮGᗩᑎ TO ᗩTTᗩᑕK Tᕼᕮ ᗷIG ᗪᗩᗪᗪIᕮS Iᑎ Oᖇᗪᕮᖇ TO KIᒪᒪ ᒪITTᒪᕮ SISTᕮᖇ'S ᖴOᖇ TᕼᕮIᖇ ᗩᗪᗩᗰ, ᗷᕮGᗩᑎ SᕮIᘔIᑎG ᗯᕮᗩᑭOᑎS, ᑕᗩᑌSᕮᗪ ᗰᗩᑎY ᑕᗩSᑌᗩᒪTIᕮS, ᗩᑎᗪ ᑕOᑎTIᑎᑌᕮᗪ TO ᗪISᖇᑌᑭT ᑕITIᕮS ᕮᑕOᑎOᗰY Iᑎ ᗩᑎY ᗯᗩY TᕼᕮY ᑕOᑌᒪᗪ Iᑎ TᕼᕮIᖇ GOᗩᒪ Oᖴ TᗩKIᑎG ᑭOᗯᕮᖇ, ᗩᑎᗪ GᗩIᑎIᑎG ᑕOᑎTᖇOᒪ Oᐯᕮᖇ ᖇᗩᑭTᑌᖇᕮ. Iᑎ Oᖇᗪᕮᖇ TO ᑕOᑎTᗩIᑎ Tᕼᕮ ᖇᕮᗷᕮᒪS, ᖇYᗩᑎ Gᗩᐯᕮ Tᕼᕮ OᖇᗪᕮᖇS TO ISOᒪᗩTᕮ ᗩTᒪᗩS' SᑌᑭᑭOᖇTᕮᖇS ᗯITᕼIᑎ ᗩᑭOᒪᒪO Sᑫᑌᗩᖇᕮ, ᕮᐯᕮᑎTᑌᗩᒪᒪY TᖇᗩᑎSᖴOᖇᗰIᑎG Tᕼᕮ ᗯᕼOᒪᕮ ᗪISTᖇIᑕT IᑎTO ᗩ ᑭᖇISOᑎ ᕮᑎᑕᒪOSᕮᗪ ᗷY ᗩ ᒪᗩᖇGᕮ GᗩTᕮ ᗪᕮᖴᕮᑎᗪᕮᗪ ᗷY ᖇYᗩᑎ'S ᖴOᖇᑕᕮS; Tᕼᕮ ᖇᕮST Oᖴ Tᕼᕮ ᑕOᑌᑎᑕIᒪ ᗩGᖇᕮᕮᗪ, ᗩᑎᗪ Tᕼᕮ ᗪᕮᗩTᕼ ᑭᕮᑎᗩᒪTY ᗯᗩS IᑎTᖇOᗪᑌᑕᕮᗪ TO ᖇᗩᑭTᑌᖇᕮ ᖴOᖇ SᗰᑌGGᒪIᑎG ᗯᕼIᑕᕼ ᑕᗩᑌSᕮᗪ ᗰᗩᑎY Iᑎ ᖇYᗩᑎ'S ᖇᗩᑎKS TO ᖇᕮᑕOᑎSIᗪᕮᖇ TᕼᕮIᖇ SᑌᑭᑭOᖇT Iᑎ Tᕼᕮ ᑕOᑎᖴᒪIᑕT, IᑎᑕᒪᑌᗪIᑎG SᕮᑕᑌᖇITY ᑕᕼIᕮᖴ SᑌᒪᒪIᐯᗩᑎ.

STᑌᑕK Iᑎ ᗩ ᗪᕮSᑭᕮᖇᗩTᕮ ᗩᖇᗰS ᖇᗩᑕᕮ ᗯITᕼ Tᕼᕮ ᖇᕮᗷᕮᒪS' ᑎᑌᗰᕮᖇOᑌS SᑭᒪIᑕᕮᖇS, ᖇYᗩᑎ ᗯᗩS ᖴOᖇᑕᕮᗪ TO TᗩKᕮ ᗩᑕTIOᑎ, ᗩᗪᗪIᑎG ᗰOᖇᕮ SᕮᑕᑌᖇITY ᗰᕮᗩSᑌᖇᕮS ᗩᑎᗪ ᕮᐯᕮᑎTᑌᗩᒪᒪY ᖇᕮSTᖇIᑕTIᑎG ᗰOST ᑭᑌᗷᒪIᑕ TᖇᗩᑎSᑭOᖇTᗩTIOᑎ IᑎTO Tᕼᕮ ᑕITY Iᑎ ᗩᑎ ᗩTTᕮᗰᑭT TO ᗷᒪOᑕK Tᕼᕮ ᗰOᐯᕮᗰᕮᑎTS Oᖴ ᗩTᒪᗩS' ᖴOᒪᒪOᗯᕮᖇS; ᗩᑎᗪ Iᑎ Tᕼᕮ ᕮᑎᗪ, ᖇYᗩᑎ ᕼᗩᗪ ᑎO OTᕼᕮᖇ ᑕᕼOIᑕᕮ, ᗩᑎᗪ ᗯᗩS ᖴOᖇᑕᕮᗪ TO ᗩ ᑭᒪᗩᑎ ᒪᕮᖴT TO ᕼIᗰ ᗷY Tᕼᕮ ᒪᗩTᕮ ᗪᖇ. SᑌᑕᕼOᑎG: ᗰOᗪIᖴYIᑎG ᖇYᗩᑎ IᑎᗪᑌSTᖇIᕮS' ᑭᒪᗩSᗰIᗪ ᒪIᑎᕮ TO ᗰᗩKᕮ SᑭᒪIᑕᕮᖇS ᐯᑌᒪᑎᕮᖇᗩᗷᒪᕮ TO ᗰᕮᑎTᗩᒪ SᑌGGᕮSTIOᑎ TᕼᖇOᑌGᕼ Tᕼᕮ ᑭOᗯᕮᖇ Oᖴ ᑭᕼᕮᖇOᗰOᑎᕮS.

ᗯITᕼ ᕼIS SᑭᒪIᑕᕮᖇ ᗩᖇᗰY ᑎOᗯ ᑎᕮᑌTᖇᗩᒪIᘔᕮᗪ, ᗩTᒪᗩS' ᗩᑎᗪ ᕼIS ᖴᕮᗯ ᖇᕮᗰᗩIᑎIᑎG ᑌᑎSᑭᒪIᑕᕮᗪ ᖇᕮᗷᕮᒪS ᗯᕮᑎT IᑎTO ᕼIᗪIᑎG ᗯITᕼIᑎ Tᕼᕮ ᖇᑌIᑎᕮᗪ ᑕITY ᗯᕼᕮᖇᕮ TᕼᕮY ᖇᕮᗰᗩIᑎ, ᑌᑎᗩᗷᒪᕮ TO ᕮSᑕᗩᑭᕮ ᖇᗩᑭTᑌᖇᕮ ᗯITᕼ Tᕼᕮ ᗷᗩTᕼYSᑭᕼᕮᖇᕮS ᒪOᑕKᕮᗪ ᗪOᗯᑎ SIᑎᑕᕮ Tᕼᕮ ᕮᗩᖇᒪY ᗪᗩYS Oᖴ Tᕼᕮ ᗯᗩᖇ.

⥼ ᗪᖇ. ᗷᖇIGIᗪ Tᕮᑎᕮᑎᗷᗩᑌᗰ ⥽

"I'ᒪᒪ ᑎOT ᕼᗩᐯᕮ ᕼIᗰ ᕼᗩᖇᗰ ᗰY ᒪITTᒪᕮ OᑎᕮS..!"

ᕼᕮᒪᗪ Iᑎ Tᕼᕮ ᑎᗩᘔI ᑕOᑎᑕᕮᑎTᖇᗩTIOᑎ ᑕᗩᗰᑭ Iᑎ ᗩᑌSᑕᕼᗯITᘔ ᗩT OᑎᒪY SI᙭Tᕮᕮᑎ YᕮᗩᖇS Oᒪᗪ, ᗷᖇIGIᗪ Tᕮᑎᕮᑎᗷᗩᑌᗰ ᗯᗩS ᗩᒪᗯᗩYS ᖴOᑌᑎᗪ TO ᗷᕮ OᗷSᕮᖇᐯIᑎG Tᕼᕮ Gᕮᖇᗰᗩᑎ ᗪOᑕTOᖇS ᗩS TᕼᕮY ᕮ᙭ᑭᕮᖇIᗰᕮᑎTᕮᗪ Oᑎ OTᕼᕮᖇ ᑭᖇISOᑎᕮᖇS; ᗯITᕼ ᗩ ᑭᗩSSIOᑎ ᖴOᖇ SᑕIᕮᑎᑕᕮ Tᕼᕮ GᕮᖇᗰᗩᑎS ᑭᑌT ᕼᕮᖇ TO ᗯOᖇK, ᗰᗩKIᑎG ᕼᕮᖇ ᗩSSIST Tᕼᕮᗰ ᗯITᕼ TᕼᕮIᖇ IᑎᖴᗩᗰOᑌS ᗰᕮᗪIᑕᗩᒪ ᕮ᙭ᑭᕮᖇIᗰᕮᑎTS, ᗩᑎᗪ ᗯᕼIᒪᕮ Tᕼᕮ ᖇᕮᗰᗩIᑎᗪᕮᖇ Oᖴ ᕼᕮᖇ ᖴᗩᗰIᒪY ᗯᗩS KIᒪᒪᕮᗪ, Sᕼᕮ ᗯᗩS Sᑭᗩᖇᕮᗪ ᗪᑌᕮ TO ᕼᕮᖇ ᕼᕮᒪᑭᖴᑌᒪᑎᕮSS TOᗯᗩᖇᗪS Tᕼᕮ ᗪOᑕTOᖇS, ᕮᗩᖇᑎIᑎG ᕼᕮᖇ Tᕼᕮ ᑎIᑕKᑎᗩᗰᕮ "ᗪᗩS ᗯᑌᑎᗪᕮᖇKIᑎᗪ". ᗪIᗩGᑎOSᕮᗪ ᗯITᕼ ᕼIGᕼ-ᖴᑌᑎᑕTIOᑎIᑎG ᗩᑌTISᗰ, Tᕮᑎᕮᑎᗷᗩᑌᗰ ᑎᕮᐯᕮᖇ ᒪᕮT ᕼᕮᖇ IᒪᒪᑎᕮSS ᗪᕮᖴIᑎᕮ ᕼᕮᖇ, ᗩᑎᗪ ᒪᗩTᕮᖇ Oᑎ Iᑎ ᒪIᖴᕮ GᗩIᑎᕮᗪ ᕼᕮᖇ ᖇᕮᑭᑌTᗩTIOᑎ ᗩS ᗩ SᑕIᕮᑎTIᖴIᑕ GᕮᑎIᑌS; ᕼOᗯᕮᐯᕮᖇ, Iᑎ 1946, Sᕼᕮ ᗰYSTᕮᖇIOᑌSᒪY ᗪISᗩᑭᑭᕮᗩᖇᕮᗪ. SᑭᕮᑕᑌᒪᗩTIOᑎS ᗷᕮGᗩᑎ TO Sᑭᖇᕮᗩᗪ TᕼᖇOᑌGᕼ Tᕼᕮ ᑕOᗰᗰᑌᑎITY TᕼᗩT Sᕼᕮ ᕼᗩᗪ ᗷᕮᕮᑎ TᗩKᕮᑎ TO ᗩᗰᕮᖇIᑕᗩ Oᖇ Tᕼᕮ SOᐯIᕮT ᑌᑎIOᑎ, ᒪIKᕮ ᗰᗩᑎY OTᕼᕮᖇ SᑕIᕮᑎTISTS ᗩᖴTᕮᖇ ᗯOᖇᒪᗪ ᗯᗩᖇ II, Oᖇ TᕼᗩT Sᕼᕮ ᕼᗩᗪ ᑭOSSIᗷᒪY ᗷᕮᑕOᗰᕮ Tᕼᕮ ᐯIᑕTIᗰ Oᖴ ᗩ ᖇᕮTᗩᒪIᗩTIOᑎ ᖴOᖇ ᕼᕮᖇ ᑕOᒪᒪᗩᗷOᖇᗩTIOᑎ ᗯITᕼ Tᕼᕮ ᑎᗩᘔIS.

ᗯᕼᗩT ᑭᕮOᑭᒪᕮ ᗪIᗪᑎ'T KᑎOᗯ, ᕼOᗯᕮᐯᕮᖇ, ᗯᗩS TᕼᗩT ᕼᕮᖇ Tᖇᑌᕮ ᗪᕮSTIᑎᗩTIOᑎ ᗯᗩS ᖇᗩᑭTᑌᖇᕮ.

ᑌᑭOᑎ ᕼᕮᖇ ᗩᖇᖇIᐯᗩᒪ Iᑎ ᖇᗩᑭTᑌᖇᕮ, Tᕮᑎᕮᑎᗷᗩᑌᗰ ᗪISᑕOᐯᕮᖇᕮᗪ ᗩ SᗰᑌGGᒪᕮᖇ ᑌᑭOᑎ Tᕼᕮ ᗪOᑕKS ᗯᕼOSᕮ ᑕᖇIᑭᑭᒪᕮᗪ ᕼᗩᑎᗪS ᕼᗩᗪ ᗷᕮᕮᑎ ᖴᑌᒪᒪY ᖇᕮSTOᖇᕮᗪ TO ᑎOᖇᗰᗩᒪ ᖴᑌᑎᑕTIOᑎᗩᒪITY ᗩᖴTᕮᖇ ᗷᕮIᑎG ᗷITTᕮᑎ ᗷY ᗩ Sᕮᗩ SᒪᑌG; ᗯᕼIᒪᕮ ᑕOᑎᗪᑌᑕTIᑎG ᕮ᙭TᕮᑎSIᐯᕮ ᖇᕮSᕮᗩᖇᑕᕼ Oᑎ Tᕼᕮ SᒪᑌG, Tᕮᑎᕮᑎᗷᗩᑌᗰ ᗪISᑕOᐯᕮᖇᕮᗪ ᗩ SᑌᗷSTᗩᑎᑕᕮ ᗯᕼIᑕᕼ ᑕOᑌᒪᗪ ᕼᕮᗩᒪ ᗪᗩᗰᗩGᕮᗪ ᑕᕮᒪᒪS- ᕮᐯᕮᑎ ᖇᕮSᑌᖇᖇᕮᑕT Tᕼᕮᗰ, ᗩᑎᗪ ᗩᖴTᕮᖇ ᖴᑌᖇTᕼᕮᖇ ᖇᕮSᕮᗩᖇᑕᕼ IᑎTO Tᕼᕮ SᑌᗷSTᗩᑎᑕᕮ, IT ᗯᗩS ᖴOᑌᑎᗪ TᕼᗩT IT ᗩᒪᒪOᗯᕮᗪ SᑌᗷᒍᕮᑕTS TO ᗰᗩᑎIᑭᑌᒪᗩTᕮ (SᑭᒪIᑕᕮ) TᕼᕮIᖇ ᗪᑎᗩ, OᑭᕮᑎIᑎG ᑌᑭ Tᕼᕮ ᑭOSSIᗷIᒪITY Oᖴ GIᐯIᑎG Tᕼᕮᗰ ᑭOᗯᕮᖇS ᗩᑎᗪ ᗩᗷIᒪITIᕮS TᕼᖇOᑌGᕼ Tᕼᕮ ᑌSᕮ Oᖴ ᑭᒪᗩSᗰIᗪS ᗩᑎᗪ Gᕮᑎᕮ TOᑎIᑕS.

ᗩᑎᗪ TᕼᑌS, ᗩᗪᗩᗰ ᗯᗩS ᗷOᖇᑎ.

Tᑌᖇᑎᕮᗪ ᗩᗯᗩY ᗷY ᗩᒪᒪ ᖇᕮᑭᑌTᗩᗷᒪᕮ ᖇᕮSᕮᗩᖇᑕᕼ ᖴᗩᑕIᒪITIᕮS, Tᕮᑎᕮᑎᗷᗩᑌᗰ ᗯᗩS ᕮᐯᕮᑎTᑌᗩᒪᒪY ᕮᗰᑭᒪOYᕮᗪ ᑌᑎᗪᕮᖇ ᖴᖇᗩᑎK ᖴOᑎTᗩIᑎᕮ ᗯᕼO Sᗩᗯ Tᕼᕮ ᐯᗩᒪᑌᕮ Oᖴ ᕼᕮᖇ ᗪISᑕOᐯᕮᖇY; ᑕᕼOOSIᑎG TO ᖴᑌᑎᗪ ᕼᕮᖇ ᖇᕮSᕮᗩᖇᑕᕼ, Tᕮᑎᕮᑎᗷᗩᑌᗰ (ᗩᖴTᕮᖇ SOᗰᕮ TIᗰᕮ) ᕮᑎGIᑎᕮᕮᖇᕮᗪ ᗩ ᗯᗩY TO ᗰᗩSS-ᑭᖇOᗪᑌᑕᕮ ᗩᗪᗩᗰ, ᗩᑎᗪ ᗩᖴTᕮᖇ ᗪISᑕOᐯᕮᖇIᑎG TᕼᗩT Tᕼᕮ OᑎᒪY ᗯᗩY TO SᑌᑕᑕᕮSSᖴᑌᒪᒪY ᗪO SO ᗯᗩS TO ᑌSᕮ Tᕼᕮ ᗷOᗪIᕮS Oᖴ YOᑌᑎG GIᖇᒪS ᗩS Tᕼᕮ ᕼOST, Tᕼᕮ ᒪITTᒪᕮ SISTᕮᖇ ᑭᖇOGᖇᗩᗰ ᗯᗩS ᑕᖇᕮᗩTᕮᗪ.

ᑫᑌIᑕKᒪY ᗷᕮᑕOᗰIᑎG ᗩ ᗰᗩᒍOᖇ ᖴIGᑌᖇᕮ ᗯITᕼIᑎ ᖇᗩᑭTᑌᖇᕮ'S SᑕIᕮᑎTIᖴIᑕ ᑕOᗰᗰᑌᑎITY, ᗩᑎᗪ Tᕼᕮ ᗰOST ᗯᕮᒪᒪ-KᑎOᗯᑎ ᗯOᗰᗩᑎ Iᑎ Tᕼᕮ ᑕITY, Tᕮᑎᕮᑎᗷᗩᑌᗰ SOOᑎ ᑕᗩᗰᕮ ᗪISᑕOᐯᕮᖇᕮᗪ Tᕼᕮ ᗪᗩᑎGᕮᖇOᑌS SIᗪᕮ ᕮᖴᖴᕮᑕTS Oᖴ ᑌSIᑎG ᗩᗪᗩᗰ; ᗩᑎᗪ TᕼOᑌGᕼ IᑎITIᗩᒪᒪY ᕼᗩᐯIᑎG ᑎO ᑫᑌᗩᒪᗰS ᗩᗷOᑌT TᕼᕮSᕮ ᕮᖴᖴᕮᑕTS, ᑎOᖇ Tᕼᕮ ᗯᗩY ᖴOᑎTᗩIᑎᕮ ᑕᕼOSᕮ TO ᕮ᙭ᑭᒪOIT ᕼIS ᑕᑌSTOᗰᕮᖇS, Tᕮᑎᕮᑎᗷᗩᑌᗰ ᑕOᑎTIᑎᑌᕮᗪ ᕼᕮᖇ ᖇᕮSᕮᗩᖇᑕᕼ, ᕼOᗯᕮᐯᕮᖇ, ᗩS ᕼᕮᖇ ᗯOᖇK ᗯᕮᑎT Oᑎ, Sᕼᕮ ᗷᕮᑕᗩᗰᕮ IᑎᑕᖇᕮᗩSIᑎGᒪY ᗪISTᖇᕮSSᕮᗪ ᗷY ᗯᕼᗩT Sᕼᕮ ᗯᗩS ᗪOIᑎG, SᑭᕮᑕIᖴIᑕᗩᒪᒪY TO Tᕼᕮ YOᑌᑎG GIᖇᒪS. TᕼᕮY ᗯᕮᖇᕮ YOᑌᑎG... ᗩᑎᗪ ᗪᕮSᑭITᕮ Tᕼᕮ IᗰᑭᒪᗩᑎTᗩTIOᑎ Oᖴ Tᕼᕮ SᒪᑌGS, ᗩᑎᗪ TᕼᕮIᖇ ᗰᕮᑎTᗩᒪ ᑕOᑎᗪITIOᑎIᑎG, TᕼᕮY STIᒪᒪ ᗩᑕTᕮᗪ... ᑭᒪᗩYᕮᗪ... ᗩᑎᗪ SᗩᑎG ᒪIKᕮ ᒪITTᒪᕮ GIᖇᒪS ᗪO.

ᕮᐯᕮᑎTᑌᗩᒪᒪY, Tᕮᑎᕮᑎᗷᗩᑌᗰ ᗷᕮGᗩᑎ TO ᖴᕮᕮᒪ ᖇᕮSᑭOᑎSIᗷᒪᕮ ᖴOᖇ ᕼᕮᖇ ᑭᗩᖇT Iᑎ TᕼᕮIᖇ ᑕᖇᕮᗩTIOᑎ; ᕼᗩTIᑎG ᕼᕮᖇSᕮᒪᖴ ᖴOᖇ ᗪOIᑎG Sᑌᑕᕼ TᕼIᑎGS TO ᑕᕼIᒪᗪᖇᕮᑎ, Sᕼᕮ ᖇᕮᗷᕮᒪᒪᕮᗪ OᑌT ᗩGᗩIᑎST ᖴOᑎTᗩIᑎᕮ, ᗩᑎᗪ Tᕼᕮ TᗯO ᕼᗩᗪ ᗩ ᖴᗩᒪᒪIᑎG OᑌT, ᕮᐯᕮᑎTᑌᗩᒪᒪY ᒪᕮᗩᗪIᑎG TO ᕼᕮᖇ ᒪᕮᗩᐯIᑎG ᕼIS ᕮᗰᑭᒪOYᗰᕮᑎT. SOOᑎ ᗩᖴTᕮᖇ, Tᕮᑎᕮᑎᗷᗩᑌᗰ ᗪISᗩᑭᑭᕮᗩᖇᕮᗪ ᖴᖇOᗰ Tᕼᕮ ᑭᑌᗷᒪIᑕ ᕮYᕮ ᗩᒪTOGᕮTᕼᕮᖇ, ᒪᕮᗩᐯIᑎG ᕼᕮᖇ ᗩᑭᗩᖇTᗰᕮᑎT Iᑎ Tᕼᕮ ᗰᕮᖇᑕᑌᖇY SᑌITᕮS TO IᑎSTᕮᗩᗪ TᗩKᕮ ᑌᑭ ᖇᕮSIᗪᕮᑎᑕY ᗯITᕼIᑎ ᕼᕮᖇ SᗩᑎᑕTᑌᗩTY ᖴOᖇ ᒪITTᒪᕮ SISTᕮᖇS; IT ᗯᗩS Tᕼᕮᖇᕮ TᕼᗩT Sᕼᕮ ᗷᕮGᗩᑎ ᗯOᖇKIᑎG Oᑎ ᗩ ᑕᑌᖇᕮ TO ᖇᕮᐯᕮᖇSᕮ Tᕼᕮ ᗩᗪᗩᗰ SIᑕKᑎᕮSS, ᕮᐯᕮᑎTᑌᗩᒪᒪY ᑭᖇOᗪᑌᑕIᑎG ᗩ ᗰᕮTᕼOᗪ Oᖴ ᖇᕮᐯᕮᖇTIᑎG Tᕼᕮ ᒪITTᒪᕮ SISTᕮᖇS ᗷᗩᑕK IᑎTO Tᕼᕮ YOᑌᑎG GIᖇᒪS TᕼᕮY ᗯᕮᖇᕮ.

ᗩS Tᕼᕮ ᖇᗩᑭTᑌᖇᕮ ᑕIᐯIᒪ ᗯᗩᖇ ᗷᖇᕮᗯᕮᗪ, ᗩᑎᗪ ᑕᗩᗰᕮ TO ᗩᑎ ᕮᐯᕮᑎTᑌᗩᒪ ᕮᑎᗪ, Tᕮᑎᕮᑎᗷᗩᑌᗰ ᑕOᑎTIᑎᑌᕮS ᖇᕮSᑕᑌIᑎG ᒪITTᒪᕮ SISTᕮᖇS Iᑎ Oᖇᗪᕮᖇ TO Tᑌᖇᑎ Tᕼᕮᗰ ᕼᑌᗰᗩᑎ Oᑎᑕᕮ ᗩGᗩIᑎ.

⥼ ᖴᖇᗩᑎK ᖴOᑎTᗩIᑎᕮ ⥽

"ᒪᗩST ᑕᕼᗩᑎᑕᕮ, KIᗪ. YOᑌ ᑭᗩᑕK IT Iᑎ ᑎOᗯ, ᗩᑎᗪ I'ᒪᒪ ᒪᕮᗩᐯᕮ TᕼIS ᗪᑌᗰᑭ TO YOᑌ ᗩᑎᗪ ᖴᖇᗩᑌ KᖇᗩᑌT. YOᑌ Kᕮᕮᑭ Oᑎ ᑕOᗰIᑎ', ᗩᑎᗪ ᖇᗩᑭTᑌᖇᕮ'S ᗩ ᖴISᕼ TᗩᑎK."

ᗩᖇᖇIᐯIᑎG Iᑎ ᖇᗩᑭTᑌᖇᕮ SOᗰᕮTIᗰᕮ Iᑎ 1948 ᗩS ᗩ SIᗰᑭᒪᕮ ᖴISᕼᗰOᑎGᕮᖇ, ᖴᖇᗩᑎK ᖴOᑎTᗩIᑎᕮ SOOᑎ ᕮ᙭ᑭᗩᑎᗪᕮᗪ ᕼIS IᑎᑕOᗰᕮ ᗷY ᑕᖇᕮᗩTIᑎG ᗩ SᗰᑌGGᒪIᑎG ᖇIᑎG Iᑎ Oᖇᗪᕮᖇ TO ᗷᖇIᑎG Iᑎ ᕼIGᕼ-ᗪᕮᗰᗩᑎᗪ ᑕOᑎTᖇᗩᗷᗩᑎᗪ ITᕮᗰS; ᒪOᐯIᑎG ᑎOTᕼIᑎG ᗰOᖇᕮ Tᕼᗩᑎ ᕼᕮ ᒪOᐯᕮᗪ ᑭOᗯᕮᖇ Oᖴ ᗩ GOOᗪ GᖇIᖴT, ᖴOᑎTᗩIᑎᕮ ᖇᕮGᑌᒪᗩᖇᒪY ᗪISGᑌISᕮᗪ ᕼᕮᖇSᕮᒪᖴ ᗯITᕼ ᐯᗩᖇIOᑌS ᖴᗩᒪSᕮ IᗪᕮᑎTITIᕮS TO ᑕᗩᖇᖇY OᑌT ᑕᖇIᗰᕮS ᗯᕼIᑕᕼ ᗯOᑌᒪᗪ OTᕼᕮᖇᗯISᕮ ᖴᗩIᒪ.

ᗪᑌᖇIᑎG ᗩᑎ ᕮᑎᑕOᑌᑎTᕮᖇ ᗯITᕼ ᖇᗩᑭTᑌᖇᕮ'S ᐯᕮᖇY Oᗯᑎ ᗷᖇIGIᗪ Tᕮᑎᕮᑎᗷᗩᑌᗰ ᗩᖴTᕮᖇ Tᕼᕮ ᗪISᑕOᐯᕮᖇY Oᖴ ᗩᗪᗩᗰ, ᖴOᑎTᗩIᑎᕮ Gᖇᕮᗯ IᑎTᕮᖇᕮST Iᑎ Tᕼᕮ ᑭᖇOᒍᕮᑕT ᗩᖴTᕮᖇ SᕮᕮIᑎG Tᕼᕮ ᗰᗩᑎY ᗷᑌSIᑎᕮSS ᑭOSSIᗷIᒪITIᕮS Oᖴ Tᕼᕮ ᕮᑎᗪᕮᗩᐯOᖇ; ᗯITᕼ Tᕮᑎᕮᗷᗩᑌᗰ ᑎOᗯ ᑌᑎᗪᕮᖇ ᕼIS ᕮᗰᑭᒪOY, ᖴOᑎTᗩIᑎᕮ SᕮT ᑌᑭ ᗩᑎ ᗩᗪᗩᗰ ᗷᑌSIᑎᕮSS KᑎOᗯᑎ TᕼᖇOᑌGᕼOᑌT ᖇᗩᑭTᑌᖇᕮ ᗩS ᖴOᑎTᗩIᑎᕮ ᖴᑌTᑌᖇISTIᑕS, ᖴIᑎᗩᑎᑕIᑎG Tᕼᕮ ᖇᕮSᕮᗩᖇᑕᕼ ᗩᑎᗪ ᗪᕮᐯᕮᒪOᑭᗰᕮᑎT Oᖴ ᑭᒪᗩSᗰIᗪS ᗩᑎᗪ Gᕮᑎᕮ TOᑎIᑕS ᗯITᕼ Tᕼᕮ ᕼᕮᒪᑭ Oᖴ ᗷOTᕼ Tᕮᑎᕮᑎᗷᗩᑌᗰ ᗩᑎᗪ YI SᑌᑕᕼOᑎG. IᑎᖴOᖇᗰᕮᗪ TᕼᗩT Iᑎ Oᖇᗪᕮᖇ TO ᗰᗩSS-ᑭᖇOᗪᑌᑕᕮ ᗩᗪᗩᗰ, TᕼᕮY ᗯOᑌᒪᗪ ᖇᕮᑫᑌIᖇᕮ YOᑌᑎG GIᖇᒪS, ᖴOᑎTᗩIᑎᕮ ᑕᖇᕮᗩTᕮᗪ Tᕼᕮ ᒪITTᒪᕮ SISTᕮᖇ OᖇᑭᕼᗩᑎᗩGᕮ; ᗩ ᑕᕼᗩᖇITY ᗯᕼIᑕᕼ ᑭᗩSSᕮᗪ ᗩS ᗩ ᖴᖇOᑎT Iᑎ Oᖇᗪᕮᖇ TO GᕮT ᑭᗩᖇᕮᑎTS TO ᗯIᒪᒪIᑎGᒪY GIᐯᕮ ᑌᑭ TᕼᕮIᖇ ᑕᕼIᒪᗪᖇᕮᑎ, ᗯᕼO ᗯOᑌᒪᗪ Tᕼᕮᑎ ᗷᕮ Tᑌᖇᑎᕮᗪ IᑎTO ᒪITTᒪᕮ SISTᕮᖇS TO GᕮᑎᕮᖇᗩTᕮ ᗩᗪᗩᗰ- TᗩKIᑎG IᑎSᑭIᖇᗩTIOᑎ ᖴᖇOᗰ SOᑭᕼIᗩ ᒪᗩᗰᗷ'S ᗩᑭᑭᕮᗩᒪ TO Tᕼᕮ ᒪOᗯᕮᖇ ᑕᒪᗩSS, ᖴOᑎTᗩIᑎᕮ ᗯᕮᑎT Oᑎ TO ᑕᖇᕮᗩTᕮ ᖴOᑎTᗩIᑎᕮ'S ᕼOᗰᕮ ᖴOᖇ Tᕼᕮ ᑭOOᖇ, ᗯᕼIᑕᕼ ᑭᖇOᐯIᗪᕮᗪ ᖴOᖇ Tᕼᕮ ᗪᕮSTITᑌTᕮ Iᑎ ᖇᗩᑭTᑌᖇᕮ'S ᖴᖇᕮᕮ ᗰᗩᖇKᕮT SOᑕIᕮTY.

ᖴOᑎTᗩIᑎᕮ ᑌSᕮᗪ TᕼᕮSᕮ ᑕᕼᗩᖇITY ᗩᑎGᒪᕮS ᑭᑌᖇᕮᒪY TO ᗷOOST ᕼIS IᗰᗩGᕮ ᗯITᕼIᑎ Tᕼᕮ ᑭᑌᗷᒪIᑕ, ᗯᕼIᒪᕮ ᗩT Tᕼᕮ Sᗩᗰᕮ TIᗰᕮ ᑌSIᑎG Tᕼᕮ ᑌᑎᖴOᖇTᑌᑎᗩTᕮS ᖴOᖇ ᗰᕮᗪIᑕᗩᒪ ᖇᕮSᕮᗩᖇᑕᕼ.

ᗩT ᖴIᖇST OᗷSᕮᖇᐯIᑎG ᖴOᑎTᗩIᑎᕮ'S ᖇISᕮ TO ᑭOᗯᕮᖇ ᗩS ᑭᖇOOᖴ Oᖴ Tᕼᕮ OᑭᑭOᖇTᑌᑎITY ᖴOᖇ ᗪᕮTᕮᖇᗰIᑎᕮᗪ ᗰᕮᑎ TO ᗷᕮTTᕮᖇ TᕼᕮᗰSᕮᒪᐯᕮS, Tᕼᕮ ᕮ᙭ᗩᑕT ᑭᑌᖇᑭOSᕮ ᖴOᖇ ᗯᕼIᑕᕼ ᖇᗩᑭTᑌᖇᕮ ᗯᗩS ᗷᑌIᒪT, ᗯᕼᕮᑎ ᗪISᑕOᐯᕮᖇIᑎG Tᕼᕮ ᑕᖇIᗰIᑎᗩᒪ ᗩᖇᗰ Oᖴ ᖴOᑎTᗩIᑎᕮ'S ᕮᑎTᕮᖇᑭᖇISᕮS, ᖇYᗩᑎ Sᗩᗯ ᕼIS ᖴOᑎTᗩIᑎᕮ'S SᗰᑌGGᒪIᑎG OᑭᕮᖇᗩTIOᑎS TO ᗷᕮ ᗩ SᕮᖇIOᑌS TᕼᖇᕮᗩT TO ᖇᗩᑭTᑌᖇᕮ, ᗩᑎᗪ Tᕼᕮ ᖴᗩᑕT TᕼᗩT IT ᗰIGᕼT ᖇᕮᐯᕮᗩᒪ Tᕼᕮ ᑕITIᕮS ᒪOᑕᗩTIOᑎ TO TᕼOSᕮ ᗯᕼO ᗪᗯᕮᒪᒪᕮᗪ Oᑎ Tᕼᕮ Sᑌᖇᖴᗩᑕᕮ; ᖇYᗩᑎ ᑫᑌIᑕKᒪY IᑎSTᖇᑌᑕTᕮᗪ SᕮᑕᑌᖇITY ᑕᕼIᕮᖴ SᑌᒪᒪIᐯᗩᑎ TO ᑭᑌT ᗩᑎ ᕮᑎᗪ TO Tᕼᕮ SᗰᑌGGᒪIᑎG ᖇIᑎG, ᕮᗰᑭᒪOYIᑎG IᑎᑕᖇᕮᗩSIᑎGᒪY Sᕮᐯᕮᖇ ᗰᕮᗩSᑌᖇᕮS Iᑎ Oᖇᗪᕮᖇ TO ᑭᖇOᐯᕮ Tᕼᕮ ᑕOᑎᑎᕮᑕTIOᑎ TO ᖴᖇᗩᑎK ᖴOᑎTᗩIᑎᕮ.

ᖴᗩᑕIᑎG Tᕼᕮ GᖇOᗯIᑎG ᑭᖇᕮSSᑌᖇᕮ ᖴᖇOᗰ ᖇYᗩᑎ; ᖴOᑎTᗩIᑎᕮ ᕮᑎGIᑎᕮᕮᖇᕮᗪ, ᗩS ᕼIS ᗷᗩᑕK-ᑌᑭ ᑭᒪᗩᑎ, ᗩᑎ ᕮᒪᗩᗷOᖇᗩTᕮ Sᑕᕼᕮᗰᕮ Iᑎ Oᖇᗪᕮᖇ TO TᗩKᕮ ᑕOᑎTᖇOᒪ Oᖴ Tᕼᕮ ᗯᕼOᒪᕮ Oᖴ ᖇᗩᑭTᑌᖇᕮ- SᕮᑕᖇᕮTᒪY ᗩᑕᑫᑌIᖇIᑎG Tᕼᕮ ᑌᑎᗷOᖇᑎ SOᑎ Oᖴ ᖇYᗩᑎ, ᕼᕮ IᑎSTᖇᑌᑕTᕮᗪ SᑌᑕᕼOᑎG TO ᗰOᐯᕮ ᖴOᖇᗯᗩᖇᗪ ᗯITᕼ ᕼIS ᑭᒪᗩᑎ, ᗩᑎᗪ TO ᗩᖇTIᖴIᑕIᗩᒪᒪY ᗩGᕮ, ᗷᖇᗩIᑎᗯᗩSᕼ, ᗩᑎᗪ TᖇᗩIᑎ Tᕼᕮ ᑕᕼIᒪᗪ, ᑕᖇᕮᗩTIᑎG ᗩᑎ OᗷᕮᗪIᕮᑎT ᗩSSᗩSSIᑎ ᗯᕼOᗰ ᕼᕮ Tᕼᕮᑎ SᕮᑎT TO Tᕼᕮ Sᑌᖇᖴᗩᑕᕮ ᗩS ᗩ Sᒪᕮᕮᑭᕮᖇ ᗩGᕮᑎT.

ᕼᗩᐯIᑎG ᕼOᑭᕮᗪ ᖴOᖇ ᐯIᑕTOᖇY Iᑎ SᕮIᘔIᑎG ᑕOᑎTᖇOᒪ Oᖴ ᖇᗩᑭTᑌᖇᕮ ᗪᑌᖇIᑎG Tᕼᕮ ᑌᑭᖇISIᑎG Oᖴ ᗩTᒪᗩS, ᖴOᑎTᗩIᑎᕮ ᕮᐯᕮᑎTᑌᗩᒪᒪY ᖴOᑌᑎᗪ ᕼIᗰSᕮᒪᖴ Tᖇᗩᑭᑭᕮᗪ ᗯITᕼIᑎ Tᕼᕮ ᑕITY; ᗯITᕼ ᖇYᗩᑎ ᑕOᑎTᖇOᒪᒪIᑎG ᗩᒪᒪ Tᕼᕮ ᗷᗩTᕼYSᑭᕼᕮᖇᕮS, ᗩᑎᗪ ᗯITᕼ ᑎO OTᕼᕮᖇ ᗯᗩY OᑌT, ᖴOᑎTᗩIᑎᕮ ᕼᗩᗪ ᑎO ᑕᕼOIᑕᕮ ᗩᑎᗪ ᗩᑕTIᐯᗩTᕮᗪ ᕼIS Sᒪᕮᕮᑭᕮᖇ ᗩGᕮᑎT, ᑎOᗯ ᗯᗩITIᑎG ᑭᗩTIᕮᑎTᒪY ᖴOᖇ Tᕼᕮ ᗰOᗰᕮᑎT ᕼᕮ ᗩᖇᖇIᐯᕮS.

⥼ ᒍᗩᑕK ᗯYᑎᗩᑎᗪ ⥽

"ᗯᕼᕮᑎ ᗰᑌᗰ ᗩᑎᗪ ᗪᗩᗪ ᑭᑌT ᗰᕮ Oᑎ TᕼᗩT ᑭᒪᗩᑎᕮ TO ᐯISIT ᗰY ᑕOᑌSIᑎS Iᑎ ᕮᑎGᒪᗩᑎᗪ, TᕼᕮY TOᒪᗪ ᗰᕮ, 'SOᑎ, YOᑌ'ᖇᕮ SᑭᕮᑕIᗩᒪ, YOᑌ ᗯᕮᖇᕮ ᗷOᖇᑎ TO ᗪO GᖇᕮᗩT TᕼIᑎGS'. YOᑌ KᑎOᗯ ᗯᕼᗩT? TᕼᕮY ᗯᕮᖇᕮ ᖇIGᕼT."

ᗩ YOᑌᑎG ᗰᗩᑎ ᗯᕼO, ᑭᖇIOᖇ TO ᕼIS ᗰOST ᑌᑎᗯIᒪᒪIᑎG ᗩᖇᖇIᐯᗩᒪ, ᗯᗩS ᑎOTᕼIᑎG ᗰOᖇᕮ Tᕼᗩᑎ ᗩ ᗰᕮᖇᕮ ᑭᗩSSᕮᑎGᕮᖇ Oᑎ ᗩᑎ ᗩIᖇᑭᒪᗩᑎᕮ TᕼᗩT ᑕᖇᗩSᕼᕮᗪ ᗪOᗯᑎ IᑎTO Tᕼᕮ Oᑕᕮᗩᑎ ᑕᒪOSᕮ TO Tᕼᕮ ᒪIGᕼTᕼOᑌSᕮ TᕼᗩT STOOᗪ ᗩS Tᕼᕮ ᕼIᗪᗪᕮᑎ ᕮᑎTᖇYᗯᗩY TO Tᕼᕮ ᑌᑎᗪᕮᖇᗯᗩTᕮᖇ ᑕITY Oᖴ ᖇᗩᑭTᑌᖇᕮ; ᒍᗩᑕK ᗯYᑎᗩᑎᗪ ᗷᕮGᗩᑎ ᕼIS ᒍOᑌᖇᑎᕮY TᕼᖇOᑌGᕼ Tᕼᕮ ᑕITY, ᕮ᙭ᑭᒪOᖇIᑎG Tᕼᕮ ᗪIᖴᖴᕮᖇᕮᑎT ᗰᗩᑎY ᗩᖇᕮᗩS Oᖴ ᖇᗩᑭTᑌᖇᕮ ᑌᑎᗪᕮᖇ Tᕼᕮ GᑌIᗪᗩᑎᑕᕮ Oᖴ ᗩTᒪᗩS, ᗯᕼO ᖴOᑌᑎᗪ ᕼOᑭᕮ Iᑎ SᑭᕮᗩKIᑎG ᗯITᕼ ᕼIᗰ TᕼᖇOᑌGᕼ ᗩ SᕼOᖇT ᗯᗩᐯᕮ ᖇᗩᗪIO. TᕼᖇOᑌGᕼOᑌT ᕼIS TIᗰᕮ ᗯᗩᑎᗪᕮᖇIᑎG Tᕼᕮ ᑕITY, ᒍᗩᑕK ᕼᗩS ᑕOᗰᕮ ᗩᑕᖇOSS ᗩ ᑎᑌᗰᗷᕮᖇ Oᖴ Gᕮᑎᕮ ᗩᒪTᕮᖇIᑎG SᑌᗷSTᗩᑎᑕᕮS, KᑎOᗯᑎ ᗩS ᑭᒪᗩSᗰIᗪS, ᗯᕼIᑕᕼ ᕼᕮ ᑌSᕮS TO ᕮᗰᑭOᗯᕮᖇ ᗩᑎᗪ ᑭᖇOTᕮᑕT ᕼIᗰSᕮᒪᖴ ᗩS ᕼᕮ ᑕOᑎTIᑎᑌᕮS TO Sᕮᗩᖇᑕᕼ ᖴOᖇ ᗩ ᗯᗩY ᗷᗩᑕK ᕼOᗰᕮ.

⥼ ᗩᑌGᑌSTᑌS SIᑎᑕᒪᗩIᖇ ⥽

"I ᒪIKᕮ TO ᒪOOK ᗩ ᗰᗩᑎ Iᑎ Tᕼᕮ ᕮYᕮ ᗯᕼᕮᑎ I GIᐯᕮ ᕼIᗰ ᗰY ᗯOᖇᗪ. YOᑌ ᗩᑎᗪ ᗰᕮ, KIᗪ, ᗯᕮ'ᖇᕮ GOIᑎ' ᑭᒪᗩᑕᕮS."

ᗷOᖇᑎ Iᑎ ᑭᗩᑎᗩᗰᗩ SOᗰᕮ YᕮᗩᖇS ᗷᕮᖴOᖇᕮ 1914, ᗩᑌGᑌSTᑌS SIᑎᑕᒪᗩIᖇ ᕮᐯᕮᑎTᑌᗩᒪᒪY ᗰOᐯᕮᗪ TO GᕮOᖇGIᗩ Iᑎ Tᕼᕮ ᑌᑎITᕮᗪ STᗩTᕮS ᗯITᕼ Tᕼᕮ ᕼOᑭᕮS Oᖴ STᖇIKIᑎG IT ᗷIG ᗷY ᕼIS Oᗯᑎ ᗷᑌSIᑎᕮSS ᕮᑎᗪᕮᗩᐯOᖇS; ᗯITᕼ ᕼIS SOᑌTᕼᕮᖇᑎ ᑕᕼᗩᖇᗰ ᗩᑎᗪ ᗷᑌSIᑎᕮSS SᗩᐯᐯY, SIᑎᑕᒪᗩIᖇ ᑫᑌIᑕKᒪY ᗰᗩᗪᕮ ᗩ ᑎᗩᗰᕮ ᖴOᖇ ᕼIᗰSᕮᒪᖴ, ᗩᑎᗪ SOOᑎ ᕮᑎOᑌGᕼ, ᗩTTᖇᗩᑕTᕮᗪ Tᕼᕮ ᗩTTᕮᑎTIOᑎ Oᖴ IᑎᗪᑌSTᖇIᗩᒪIST ᗩᑎᗪᖇᕮᗯ ᖇYᗩᑎ, ᗩᑎᗪ ᗯᕼᕮᑎ ᖇᗩᑭTᑌᖇᕮ ᗯᗩS ᑕᖇᕮᗩTᕮᗪ, SIᑎᑕᒪᗩIᖇ TOOK Tᕼᕮ IᑎᐯITᗩTIOᑎ OᑌT Oᖴ ᗩ ᗪᕮSIᖇᕮ TO ᖴᑌᖇTᕼᕮᖇ ᕼIS Oᗯᑎ GᗩIᑎ, ᐯᕮᖇY ᑫᑌIᑕKᒪY ᗷᕮᑕOᗰIᑎG Oᑎᕮ Oᖴ ᖇᗩᑭTᑌᖇᕮ'S TOᑭ ᗰᕮᑎ Iᑎ SOᑕIᕮTY ᗯITᕼ ᕼIS ᑕᖇᕮᗩTIOᑎ Oᖴ Sᕮᐯᕮᖇᗩᒪ SᑌᑕᑕᕮSSᖴᑌᒪ ᗷᑌSIᑎᕮSSᕮS.

Iᑎ Tᕼᕮ ᕮᗩᖇᒪY ᗪᗩYS Oᖴ ᖇᗩᑭTᑌᖇᕮ'S ᑕOᑎSTᖇᑌᑕTIOᑎ, ᗩᑎ ᕮᑎOᖇᗰOᑌS ᑕᗩᐯᕮᖇᑎ ᗯᗩS ᖴOᑌᑎᗪ Iᑎ Tᕼᕮ ᗷᕮᗪᖇOᑕK; ᖇᕮᗩᒪIᘔIᑎG Tᕼᕮ ᗰᗩᑎY ᑭOSSIᗷIᒪITIᕮS Iᑎ Sᑌᑕᕼ ᗩ ᗪISᑕOᐯᕮᖇY, SIᑎᑕᒪᗩIᖇ ᑭᑌᖇᑕᕼᗩSᕮᗪ Tᕼᕮ ᖇIGᕼTS TO Tᕼᕮ Sᑭᗩᑕᕮ ᗯᕼIᑕᕼ ᑎO OTᕼᕮᖇ ᗯᗩᑎTᕮᗪ, ᗩᑎᗪ IT ᗯᗩS ᕼᕮᖇᕮ TᕼᗩT ᕼᕮ ᒪᗩTᕮᖇ ᗷᑌIᒪT ᑭᕮᖇSᕮᑭᕼOᑎᕮ, Tᕼᕮ ᕼᕮᗩᗪᑫᑌᗩᖇTᕮᖇS TO ᕼIS ᗷᑌSIᑎᕮSS ᕮᗰᑭIᖇᕮ, ᗩᑎᗪ SIᑎᑕᒪᗩIᖇ SOᒪᑌTIOᑎS. Oᐯᕮᖇ Tᕼᕮ YᕮᗩᖇS, SIᑎᑕᒪᗩIᖇ'S ᗷᑌSIᑎᕮSSᕮS ᕮ᙭ᑭᗩᑎᗪᕮᗪ IᑎTO ᗩ ᗯIᗪᕮ ᐯᗩᖇIᕮTY Oᖴ ᗰᗩᖇKᕮTS, ᗩᑎᗪ ᕼᕮ ᑫᑌIᑕKᒪY ᗷᕮᑕᗩᗰᕮ KᑎOᗯᑎ ᖴOᖇ ᑭᖇOᖴITIᑎG ᗷY GIᐯIᑎG ᗯOᖇK TO Tᕼᕮ ᑭOOᖇ ᖇᕮSIᗪᕮᑎTS Oᖴ ᑭᗩᑌᑭᕮᖇ'S ᗪᖇOᑭ. ᗩT Tᕼᕮ ᗩᖇᖇᕮST Oᖴ SOᑭᕼIᗩ ᒪᗩᗰᗷ, SIᑎᑕᒪᗩIᖇ ᑫᑌIᑕKᒪY ᗷᖇOᑌGᕼT ᕼᕮᖇ IᑎTO ᕼIS ᕮᗰᑭᒪOY ᖴOᖇ ᕼᕮᖇ ᑭSYᑕᕼIᗩTᖇIᑕ ᕮ᙭ᑭᕮᖇTISᕮ Iᑎ Tᕼᕮ ᕼOᑭᕮS TᕼᗩT IT ᗯOᑌᒪᗪ ᕼᕮᒪᑭ TO ᗰᗩKᕮ Tᕼᕮ OTᕼᕮᖇ IᑎᗰᗩTᕮS ᕼᕮᒪᗪ Iᑎ ᑭᕮᖇSᕮᑭᕼOᑎᕮ ᗰOᖇᕮ ᗪOᑕIᒪᕮ; ᕼOᗯᕮᐯᕮᖇ, TᕼIS ᕮᐯᕮᑎTᑌᗩᒪᒪY ᗷᗩᑕKᖴIᖇᕮᗪ Oᑎ ᕼIᗰ ᗩS ᒪᗩᗰᗷ'S Iᑎᖴᒪᑌᕮᑎᑕᕮ Oᑎ Tᕼᕮ IᑎᗰᗩTᕮS SᑭᗩᖇKᕮᗪ ᗩ ᖇᕮᗷᕮᒪᒪIOᑎ, OᑌSTIᑎG SIᑎᑕᒪᗩIᖇ ᖴᖇOᗰ Tᕼᕮ ᖴᗩᑕIᒪITY SO TᕼᗩT Sᕼᕮ IᑎSTᕮᗩᗪ ᑕOᑌᒪᗪ TᗩKᕮ ᑕOᗰᑭᒪᕮTᕮ ᑕOᑎTᖇOᒪ Oᐯᕮᖇ IT.

ᗰᗩKIᑎG ᕼIS ᗯᗩY TᕼᖇOᑌGᕼ Tᕼᕮ ᑕITY Oᖴ ᖇᗩᑭTᑌᖇᕮ ᗩS Tᕼᕮ ᑕIᐯIᒪ ᗯᗩᖇ ᖇᗩGᕮᗪ Oᑎ, SIᑎᑕᒪᗩIᖇ ᕮᐯᕮᑎTᑌᗩᒪᒪY ᕼIᗪ ᕼIᗰSᕮᒪᖴ ᗩᗯᗩY Iᑎ ᖇYᗩᑎ ᗩᗰᑌSᕮᗰᕮᑎTS; ᗷᕮᑕOᗰIᑎG ᗩ ᐯᗩᒪᑌᗩᗷᒪᕮ ᗩᒪᒪY TO ᗷᖇIGIᗪ Tᕮᑎᕮᑎᗷᗩᑌᗰ, SIᑎᑕᒪᗩIᖇ ᑭᒪᗩᑎS TO ᑌSᕮ ᕼᕮᖇ ᗩᒪᒪᕮGIᗩᑎᑕᕮ TO ᕼᕮᒪᑭ ᕼIᗰ ᖇᕮᗩᑕᕼ ᕼIS ᒪIᖴᕮᗷOᗩT Iᑎ ᑭᕮᖇSᕮᑭᕼOᑎᕮ, ᗩᑎᗪ TO ᕮSᑕᗩᑭᕮ TO Tᕼᕮ Sᑌᖇᖴᗩᑕᕮ ᗩᒪOᑎG ᗯITᕼ Sᕮᐯᕮᖇᗩᒪ Oᖴ ᖇᗩᑭTᑌᖇᕮ'S TᕮᑕᕼᑎOᒪOGIᕮS TᕼᗩT ᗯOᑌᒪᗪ ᕮᑎSᑌᖇᕮ ᕼIS ᖴIᑎᗩᑎᑕIᗩᒪ SᑌᑕᑕᕮSS Tᕼᕮᖇᕮ.

⥼ ᗪᖇ. SOᖴIᗩ ᒪᗩᗰᗷ ⥽

"ᖴOᖇ ᕮᐯᕮᖇY ᑕᕼOIᑕᕮ, Tᕼᕮᖇᕮ IS ᗩᑎ ᕮᑕᕼO. ᗯITᕼ ᕮᗩᑕᕼ ᗩᑕT, ᗯᕮ ᑕᕼᗩᑎGᕮ Tᕼᕮ ᗯOᖇᒪᗪ. Oᑎᕮ ᗰᗩᑎ ᑕᕼOSᕮ ᗩ ᑕITY, ᖴᖇᕮᕮ Oᖴ ᒪᗩᗯ ᗩᑎᗪ GOᗪ. ᗷᑌT OTᕼᕮᖇS ᑕᕼOSᕮ ᑕOᖇᖇᑌᑭTIOᑎ. ᗩᑎᗪ SO Tᕼᕮ ᑕITY ᖴᕮᒪᒪ. Iᖴ Tᕼᕮ ᗯOᖇᒪᗪ ᗯᕮᖇᕮ ᖇᕮᗷOᖇᑎ Iᑎ YOᑌᖇ IᗰᗩGᕮ, ᗯOᑌᒪᗪ IT ᗷᕮ ᑭᗩᖇᗩᗪISᕮ, Oᖇ ᑭᕮᖇᗪITIOᑎ..?"

ᖴOᒪᒪOᗯIᑎG Iᑎ ᕼᕮᖇ ᖴᗩTᕼᕮᖇ'S ᖴOOTSTᕮᑭS ᗩᑎᗪ ᑭᕼIᒪOSOᑭᕼIᕮS ᖴᖇOᗰ ᗩ YOᑌᑎG ᗩGᕮ, SOᖴIᗩ ᒪᗩᗰᗷ ᗷᕮGᗩᑎ ᕼᕮᖇ STᑌᗪIᕮS Iᑎ ᗰᕮᗪIᑕIᑎᕮ ᗩT Tᕼᕮ ᑌᑎIᐯᕮᖇSITY Oᖴ O᙭ᖴOᖇᗪ, SᑭᕮᑕIᗩᒪIᘔIᑎG Iᑎ ᑭSYᑕᕼIᗩTᖇY; ᗯᕼIᒪᕮ ᒪIᐯIᑎG Iᑎ ᕼITOSᕼIᗰᗩ, ᒍᗩᑭᗩᑎ ᗪᑌᖇIᑎG ᗯOᖇᒪᗪ ᗯᗩᖇ II ᗩᖴTᕮᖇ ᕼᗩᐯIᑎG ᑕOᗰᑭᒪᕮTᕮᗪ ᕼᕮᖇ ᗪᕮGᖇᕮᕮ, ᒪᗩᗰᗷ ᗯOᖇKᕮᗪ ᗩS ᗩ ᗰISSIOᑎᗩᖇY, ᑭᖇOᐯIᗪIᑎG ᗰᕮᗪIᑕᗩᒪ ᖇᕮᒪIᕮᖴ TO Tᕼᕮ SᑌᖇᐯIᐯOᖇS. ᕼᗩᐯIᑎG SᑌᖇᐯIᐯᕮᗪ Tᕼᕮ ᗷOᗰᗷIᑎGS ᕼᕮᖇSᕮᒪᖴ, ᒪᗩᗰᗷ SOOᑎ ᒪᕮᗩᖇᑎᕮᗪ TᕼᗩT Tᕼᕮ ᒪOᑎG, ᗪᕮᗩᖇ ᖴᖇIᕮᑎᗪS Sᕼᕮ ᕼᗩᗪ ᗰᗩᗪᕮ Iᑎ ᕼIᖇOSᕼIᗰᗩ ᗯᕮᖇᕮ KIᒪᒪᕮᗪ; ᗩᑭᑭᗩᒪᒪᕮᗪ ᗯᕼᕮᑎ Sᕼᕮ ᗪISᑕOᐯᕮᖇᕮᗪ Tᕼᕮ ᑌᑎITᕮᗪ STᗩTᕮS ᗯᕮᖇᕮ ᑌSIᑎG ᕼᕮᖇ Oᗯᑎ ᗩᒪTᖇᑌISTIᑕ Iᗪᕮᗩᒪ Oᖴ "Tᕼᕮ GᖇᕮᗩTᕮᖇ GOOᗪ" TO ᒍᑌSTIᖴY Tᕼᕮ ᗷOᗰᗷIᑎG, ᒪᗩᗰᗷ ᗷᕮᑕᗩᗰᕮ ᑕOᑎᐯIᑎᑕᕮᗪ TᕼᗩT Tᕼᕮ ᗯOᖇᒪᗪ ᗯᗩS ᗪOOᗰᕮᗪ TO ᗪᕮSTᖇOY ITSᕮᒪᖴ, ᗩᑎᗪ ᗯᕼᕮᑎ ᖇYᗩᑎ ᕮ᙭Tᕮᑎᗪᕮᗪ ᗩᑎ IᑎᐯITᗩTIOᑎ ᖴOᖇ ᕼᕮᖇ TO ᒍOIᑎ ᕼIS ᑌTOᑭIᗩ TO ᑭᖇOᐯIᗪᕮ ᑕOᑌᑎSᕮᒪIᑎG ᖴOᖇ Tᕼᕮ ISOᒪᗩTᕮᗪ ᑭOᑭᑌᒪᗩᑕᕮ, Sᕼᕮ ᗯᕮᒪᑕOᗰᕮᗪ Tᕼᕮ OᑭᑭOᖇTᑌᑎITY.

Oᑎᑕᕮ Sᕼᕮ ᕼᗩᗪ ᗩᖇᖇIᐯᕮᗪ Iᑎ ᖇᗩᑭTᑌᖇᕮ, ᒪᗩᗰᗷ ᗷᕮGᗩᑎ SᑭᖇᕮᗩᗪIᑎG ᕼᕮᖇ ᗩᒪTᖇᑌISTIᑕ IᗪᕮᗩᒪS TO Tᕼᕮ ᑭᕮOᑭᒪᕮ, ᕼOᑭIᑎG TO ᕮᑎᒪIGᕼTᕮᑎ Tᕼᕮ ᑕITIᘔᕮᑎ'S TᕼᖇOᑌGᕼ Tᕼᕮ ᑕOᗰᗰOᑎ GOOᗪ, ᗩᑎᗪ TO ᑕᖇᕮᗩTᕮ ᗯᕼᗩT Sᕼᕮ ᗷᕮᒪIᕮᐯᕮᗪ TO ᗷᕮ ᗩ Tᖇᑌᕮ ᑌTOᑭIᗩ; ᕼᕮᖇ ᑌᑎᑕOᑎᐯᕮᑎTIOᑎᗩᒪ ᗰᕮTᕼOᗪS ᗩᑎᗪ TᕮᑕᕼᑎIᑫᑌᕮS ᗰᗩKIᑎG ᕼᕮᖇ ᑫᑌITᕮ ᑭOᑭᑌᒪᗩᖇ ᗩᗰOᑎG Tᕼᕮ ᑭᕮOᑭᒪᕮ Oᖴ Tᕼᕮ ᑕITY- ᗩᖴTᕮᖇ Tᕼᕮ ᗷIᖇTᕼ Oᖴ ᕼᕮᖇ ᗪᗩᑌGᕼTᕮᖇ, ᕮᒪᕮᗩᑎOᖇ, ᒪᗩᗰᗷ ᗪIᗪ ᗩᒪᒪ TᕼᗩT Sᕼᕮ ᑕOᑌᒪᗪ TO ᗰᗩKᕮ ᑕᕮᖇTᗩIᑎ TᕼᗩT ᕮᒪᕮᗩᑎOᖇ ᗯOᑌᒪᗪ ᗷᕮ Tᕼᕮ ᑭᕮᖇᖴᕮᑕT ᐯᕮSSᕮᒪ TO ᑕOᑎTIᑎᑌᕮ ᗯITᕼ ᖴᑌᖇTᕼᕮᖇIᑎG ᕼᕮᖇ GOᗩᒪS ᗩᑎᗪ IᗪᕮᗩS; ᕮᐯᕮᑎ GOIᑎG TO ᖴᗩᖇ ᗩS TO TᖇY ᗩᑎᗪ Kᕮᕮᑭ ᕼᕮᖇ ᗪᗩᑌGᕼTᕮᖇ ISOᒪᗩTᕮᗪ ᖴᖇOᗰ Tᕼᕮ OTᕼᕮᖇ ᑕᕼIᒪᗪᖇᕮᑎ Oᖴ ᖇᗩᑭTᑌᖇᕮ, ᑭᖇIᐯᗩTᕮᒪY TᑌTOᖇIᑎG ᕼᕮᖇ Iᑎ Tᕼᕮ ᕼOᑭᕮ TO ᖇᗩISᕮ ᗩ GᕮᑎIᑌS-ᒪᕮᐯᕮᒪ IᑎTᕮᒪᒪᕮᑕT.

TᗩKIᑎG ᑎOTIᑕᕮ Oᖴ ᒪᗩᗰᗷ'S ᕮᐯᕮᖇ GᖇOᗯIᑎG Iᑎᖴᒪᑌᕮᑎᑕᕮ ᗯITᕼ Tᕼᕮ ᑕITIᘔᕮᑎ'S Oᖴ ᖇᗩᑭTᑌᖇᕮ, ᖇYᗩᑎ ᗷᕮGᗩᑎ TO ᖴᕮᕮᒪ ᖇᕮGᖇᕮT TOᗯᗩᖇᗪS ᕮᐯᕮᖇ ᕮ᙭TᕮᑎᗪIᑎG ᗩᑎ IᑎᐯITᗩTIOᑎ ᖴOᖇ ᕼᕮᖇ TO ᒍOIᑎ Tᕼᕮ ᑕITY; ᕼᕮᖇ IᗪᕮOᒪOGY Oᖴ ᗩᒪTᖇᑌISᗰ ᒪᗩᖇGᕮᒪY ᑕᒪᗩSᕼᕮᗪ ᗯITᕼ TᕼᗩT Oᖴ ᕼIS Oᗯᑎ, ᗩᑎᗪ ᖇYᗩᑎ ᗷᕮᒪIᕮᐯᕮᗪ ᕼᕮᖇ TO ᗷᕮ ᗩ ᑕOᖇᖇᑌᑭTIᑎG Iᑎᖴᒪᑌᕮᑎᑕᕮ ᗯITᕼIᑎ ᕼIS ᑭᗩᖇᗩᗪISᕮ. ᕼᗩᐯIᑎG ᗩGᖇᕮᕮᗪ TO ᗩ SᕮᖇIᕮS Oᖴ ᑭᑌᗷᒪIᑕ ᗪᕮᗷᗩTᕮS SᑭᗩᑎᑎIᑎG Oᐯᕮᖇ ᗩ ᐯᗩST ᗩᖇᖇᗩY Oᖴ TOᑭIᑕS Iᑎ Tᕼᕮ ᕼOᑭᕮS TO ᗪᕮᖴᑌSᕮ SOᖴIᗩ'S SᑌᑭᑭOᖇTᕮᖇS; ᖇYᗩᑎ ᗪIᗪ ᕮᐯᕮᖇYTᕼIᑎG TᕼᗩT ᕼᕮ ᑕOᑌᒪᗪ TO SᕼOᗯ Tᕼᕮ ᖴᒪᗩᗯS Iᑎ ᕼᕮᖇ ᖇᕮᗩSOᑎIᑎG, ᕼOᗯᕮᐯᕮᖇ Tᕼᕮ ᗪᕮᗷᗩTᕮS ᗪIᗪᑎ'T ᕼᗩᐯᕮ Tᕼᕮ ᗪᕮSIᖇᕮᗪ ᕮᖴᖴᕮᑕT, ᗩᑎᗪ ᒪᗩTᕮᖇ, ᒪᗩᗰᗷ'S ᖴOᒪᒪOᗯᕮᖇS ᗷᕮGᗩᑎ TO Sᕼᗩᑭᕮ ᗩ ᖇᕮᒪIGIOᑎ ᗩᖇOᑌᑎᗪ ᕼᕮᖇ IᗪᕮᗩᒪS, ᖇᕮᖴᕮᖇᖇIᑎG TO TᕼᕮᗰSᕮᒪᐯᕮS ᗩS "Tᕼᕮ ᖇᗩᑭTᑌᖇᕮ ᖴᗩᗰIᒪY", ᗩᑎᗪ TᖇᕮᗩTIᑎG ᕼᕮᖇ ᑭᕼIᒪOSOᑭᕼIᑕᗩᒪ ᗷOOK (ᑌᑎITY ᗩᑎᗪ ᗰᕮTᗩᗰOᖇᑭᕼOSIS) ᗩS ᗩ Sᗩᑕᖇᕮᗪ Tᕮ᙭T.

ᕮᐯᕮᑎTᑌᗩᒪᒪY ᑭOSIᑎG SO ᗰᑌᑕᕼ Oᖴ ᗩ TᕼᖇᕮᗩT TᕼᗩT Sᕼᕮ ᗯᗩS ᗩᖇᖇᕮSTᕮᗪ, ᒪᗩᗰᗷ ᗯᗩS ᑭᒪᗩᑕᕮᗪ Iᑎ ᑭᕮᖇSᕮᑭᕼOᑎᕮ ᑭᕮᑎᗩᒪ ᑕOᒪOᑎY ᗩᒪOᑎG ᗯITᕼ ᗰᗩᑎY Oᖴ ᕼᕮᖇ ᖴOᒪᒪOᗯᕮᖇS; ᕼOᗯᕮᐯᕮᖇ, ᗷᕮᖴOᖇᕮ Sᕼᕮ ᗯᗩS TᗩKᕮᑎ ᗩᗯᗩY, SOᖴIᗩ ᕮᑎTᖇᑌSTᕮᗪ ᕼᕮᖇ ᗪᗩᑌGᕼTᕮᖇ ᕮᒪᕮᗩᑎOᖇ IᑎTO Tᕼᕮ ᑕᗩᖇᕮ Oᖴ ᗩ ᒪOYᗩᒪ ᑭᗩTIᕮᑎT, ᗩᑎᗪ ᑭᗩᑌᑭᕮᖇ'S ᗪᖇOᑭ ᖇᕮSIᗪᕮᑎT, Gᖇᗩᑕᕮ ᕼOᒪᒪOᗯᗩY.

ᑭᑌT TO ᗯOᖇK ᗩS ᗩ TᕼᕮᖇᗩᑭIST ᖴOᖇ Tᕼᕮ OTᕼᕮᖇ IᑎᗰᗩTᕮS ᗪᑌᖇIᑎG ᕼᕮᖇ TIᗰᕮ Iᑎ ᑭᕮᖇSᕮᑭᕼOᑎᕮ, ᒪᗩᗰᗷ ᑌSᕮᗪ Tᕼᕮ ᖴᖇᕮᕮᗪOᗰ GIᐯᕮᑎ TO ᕼᕮᖇ TO GᗩIᑎ SᑌᑭᑭOᖇT ᗩᗰOᑎG Tᕼᕮ OTᕼᕮᖇ ᑭᖇISOᑎᕮᖇS, ᗩᑎᗪ ᕮᐯᕮᑎ Tᕼᕮ STᗩᖴᖴ ᗰᕮᗰᗷᕮᖇS; ᕼᕮᖇ IᗪᕮᗩᒪS ᗷᖇᑌTᗩᒪᒪY TᕮSTᕮᗪ ᗩS SIᑎᑕᒪᗩIᖇ ᗷᕮGᗩᑎ SᕮᒪᒪIᑎG ᐯOᒪᑌᑎTᕮᕮᖇ IᑎᗰᗩTᕮS TO ᖴOᑎTᗩIᑎᕮ ᖴᑌTᑌᖇISTIᑕS ᗩS TᕮST SᑌᗷᒍᕮᑕTS, ᒪᗩᗰᗷ ᕮᐯᕮᑎTᑌᗩᒪᒪY ᒪᕮᗪ ᗩᑎ ᑌᑭᖇISIᑎG ᗯITᕼIᑎ Tᕼᕮ ᑭᖇISOᑎ, SᕮIᘔIᑎG ᑕOᑎTᖇOᒪ ᖴᖇOᗰ SIᑎᑕᒪᗩIᖇ, ᗩᑎᗪ GᗩIᑎIᑎG ᕼᕮᖇ ᖴᖇᕮᕮᗪOᗰ Iᑎ Tᕼᕮ ᑭᖇOᑕᕮSS.

⥼ ᕮᒪᕮᗩᑎOᖇ ᒪᗩᗰᗷ ⥽

"ᗪᗩᗪᗪY..! YOᑌ ᗩᒪᗯᗩYS Sᗩᐯᕮ ᗰᕮ ᖴᖇOᗰ Tᕼᕮ ᗰOᑎSTᕮᖇS..!"

ᖇᗩISᕮᗪ ᗷY ᕼᕮᖇ ᗰOTᕼᕮᖇ Iᑎ ISOᒪᗩTIOᑎ ᖴᖇOᗰ Tᕼᕮ OTᕼᕮᖇ ᑕᕼIᒪᗪᖇᕮᑎ Oᖴ ᖇᗩᑭTᑌᖇᕮ, ᕮᒪᕮᗩᑎOᖇ, TᕼOᑌGᕼ ᖇᗩISᕮᗪ TO ᗷᕮᑕOᗰᕮ ᗩ ᕼIGᕼᒪY IᑎTᕮᒪᒪIGᕮᑎT YOᑌᑎG ᒪᗩᗪY, ᗯᗩS ᗩᒪᗯᗩYS ᗩ ᑕᑌᖇIOᑌS ᗩᗷOᑌT Tᕼᕮ ᗯOᖇᒪᗪ ᗩᖇOᑌᑎᗪ ᕼᕮᖇ; ᑕᕼOOSIᑎG TO OᑭᕮᑎᒪY ᗪISOᗷᕮY ᕼᕮᖇ ᗰOTᕼᕮᖇ Oᑎ ᗩ ᑕOᑌᑎTᒪᕮSS ᑎᑌᗰᗷᕮᖇ Oᖴ OᑕᑕᗩSIOᑎS ᗷY SᑎᕮᗩKIᑎG OᑌT TO Sᕮᕮ Tᕼᕮ OTᕼᕮᖇ KIᗪS, ᗩᑎᗪ ᗷY ᗪISᗩᗷᒪIᑎG Tᕼᕮ SᕮᑕᑌᖇITY SYSTᕮᗰS TᕼᗩT ᕼᕮᖇ ᗰOTᕼᕮᖇ ᕼᗩᗪ IᑎSTᗩᒪᒪᕮᗪ. ᗯᕼIᒪᕮ ᖴIᖇST ᗩᑭᑭᕮᗩᖇIᑎG TO ᗷᕮ ᖇᗩTᕼᕮᖇ STᗩᑎᗪ-OᖴᖴISᕼ TOᗯᗩᖇᗪS Tᕼᕮ OTᕼᕮᖇ ᑕᕼIᒪᗪᖇᕮᑎ Iᑎ Tᕼᕮ ᑕITY, ᗯᕼIᗰSIᑕᗩᒪᒪY ᖇᕮᖴᕮᖇᖇIᑎG TO Tᕼᕮᗰ ᗩS "ᗪOG-ᕮᗩTᕮᖇS" ᗪᑌᕮ TO ᕼᕮᖇ ᗰOTᕼᕮᖇ TᕮᒪᒪIᑎG ᕼᕮᖇ TᕼᕮY ᗯᕮᖇᕮ ᖇᗩISᕮᗪ Oᑎ ᗩ ᗪIᕮT Oᖴ ᗪOG-ᕮᗩT-ᗪOG; ᕮᒪᕮᗩᑎOᖇ GOT IᑎTO ᗩ ᖴIGᕼT ᗯITᕼ ᗩ YOᑌᑎG ᗷOY ᑕᗩᒪᒪᕮᗪ ᗩᗰIᖇ ᗯᕼᕮᖇᕮ Sᕼᕮ ᗰᗩᗪᕮ ᕼIS ᑎOSᕮ ᗷᒪᕮᕮᗪ- SOOᑎ ᗷᕮᑕOᗰIᑎG ᖴᖇIᕮᑎᗪS ᗯITᕼ Oᑎᕮ ᗩᑎOTᕼᕮᖇ, IT ᗯᗩS ᒪᗩTᕮᖇ ᗪISᑕOᐯᕮᖇᕮᗪ TᕼᗩT ᕮᒪᕮᗩᑎOᖇ ᗪᕮᐯᕮᒪOᑭᕮᗪ ᗩ ᑕᕼIᒪᗪᕼOOᗪ ᑕᖇᑌSᕼ ᑌᑭOᑎ ᕼIᗰ.

ᕼᕮᖇ ᗰOTᕼᕮᖇ IᗰᑭᖇISOᑎᕮᗪ ᗯITᕼIᑎ ᑭᕮᖇSᕮᑭᕼOᑎᕮ ᗯᕼᕮᑎ Sᕼᕮ ᗯᗩS OᑎᒪY Sᕮᐯᕮᑎ YᕮᗩᖇS Oᖴ ᗩGᕮ, ᕮᒪᕮᗩᑎOᖇ ᗯᗩS ᕮᑎTᖇᑌSTᕮᗪ IᑎTO Tᕼᕮ ᑕᗩᖇᕮ Gᖇᗩᑕᕮ ᕼOᒪᒪOᗯᗩY, ᗩ ᒪOYᗩᒪ ᖴOᒪᒪOᗯᕮᖇ ᗩᑎᗪ ᑭᗩTIᕮᑎT Oᖴ SOᖴIᗩ'S ᗯᕼO ᕼᗩᗪ ᗩᒪᗯᗩYS ᗯᗩᑎTᕮᗪ ᗩ ᑕᕼIᒪᗪ Oᖴ ᕼᕮᖇ Oᗯᑎ; ᒪIᐯIᑎG ᗯITᕼ ᕼᕮᖇ ᖴOᖇ ᗩ TIᗰᕮ Iᑎ ᕼᕮᖇ ᗩᑭᗩᖇTᗰᕮᑎT ᗩT Tᕼᕮ SIᑎᑕᒪᗩIᖇ ᗪᕮᒪᑌ᙭ᕮ Iᑎ ᑭᗩᑌᑭᕮᖇ'S ᗪᖇOᑭ, TᕼIS ᗩᖇᖇᗩᑎGᕮᗰᕮᑎT ᑭᖇOᐯᕮᗪ TO ᗷᕮ ᑫᑌITᕮ SᕼOᖇT-ᒪIᐯᕮᗪ ᗩS ᕮᒪᕮᗩᑎOᖇ ᑫᑌIᑕKᒪY ᗪISᑕOᐯᕮᖇᕮᗪ Tᕼᕮ SᑭY ᗯITᕼIᑎ ᕼᕮᖇ ᗰOTᕼᕮᖇ'S ᖴOᒪᒪOᗯᕮᖇS. ᑕOᑎᖴᖇOᑎTIᑎG Tᕼᕮ ᗰᗩᑎ ᗯᕼO ᗯᗩS Tᕼᕮ ᑕᗩᑌSᕮ Oᖴ ᕼᕮᖇ ᗰOTᕼᕮᖇ'S ᗩᖇᖇᕮST, ᕮᒪᕮᗩᑎOᖇ TᕼᖇᕮᗩTᕮᑎᕮᗪ TO Tᕮᒪᒪ ᕼᕮᖇ ᗰOTᕼᕮᖇ ᗩᗷOᑌT OᐯᕮᖇSᑭᕮᑎᗪIᑎG ᗩᑎᗪ ᗰᗩᗪ ᑭᗩᖇTIᕮS TᕼᗩT ᗯᕮᖇᕮ ᗷᕮIᑎG TᕼᖇOᗯᑎ ᗯITᕼIᑎ ᕼᕮᖇ ᕼOᗰᕮ; Iᑎ ᖴᕮᗩᖇ Oᖴ ᖇᕮᑭᖇISᗩᒪ ᖴOᖇ ᕼIS ᗩᑕTIOᑎS, ᕼᕮ ᕼᗩᗪ ᕮᒪᕮᗩᑎOᖇ KIᗪᑎᗩᑭᑭᕮᗪ, SᕮᒪᒪIᑎG ᕼᕮᖇ Oᖴᖴ TO Tᕼᕮ ᒪITTᒪᕮ SISTᕮᖇ'S OᖇᑭᕼᗩᑎᗩGᕮ.

SᑭᕮᑎᗪIᑎG ᗩ SᕼOᖇT ᗩᗰOᑌᑎT Oᖴ TIᗰᕮ Iᑎ Tᕼᕮ OᖇᑭᕼᗩᑎᗩGᕮ Iᑎ SIᖇᕮᑎ ᗩᒪᒪᕮY ᗷᕮᖴOᖇᕮ ᕮᐯᕮᑎTᑌᗩᒪᒪY ᗷᕮIᑎG TᖇᗩᑎSᖴᕮᖇᖇᕮᗪ IᑎTO Tᕼᕮ ᑕᗩᖇᕮ Oᖴ ᗪᖇ. GIᒪᗷᕮᖇT ᗩᒪᕮ᙭ᗩᑎᗪᕮᖇ (ᗯᕼO ᗯᗩS IGᑎOᖇᗩᑎT Oᖴ ᕼᕮᖇ Tᖇᑌᕮ IᗪᕮᑎTITY), ᕮᒪᕮᗩᑎOᖇ ᗯᗩS Tᑌᖇᑎᕮᗪ IᑎTO ᗩ ᒪITTᒪᕮ SISTᕮᖇ, ᗩᑎᗪ ᑭᗩᖇTᑎᕮᖇᕮᗪ ᗯITᕼ ᕼᕮᖇ ᗷIG ᗪᗩᗪᗪY: SᑌᗷᒍᕮᑕT ᗪᕮᒪTᗩ.

⥼ ᗪᖇ. ᒍ. S. STᕮIᑎᗰᗩᑎ ⥽

"ᗯᕼᗩT'S TᕼIS, GOᗪᗪᕮSS..? ᗩᑎ IᑎTᖇᑌᗪᕮᖇ..! ᕼᕮ'S ᑌGᒪY..! ᑌGᒪY..! ᑌGᒪY..! ᑌGᒪY..!?"

ᗩ ᖇᕮSᑭᕮᑕTᕮᗪ ᗰᕮᗪIᑕᗩᒪ ᑭᖇOᖴᕮSSIOᑎᗩᒪ ᗩT Tᕼᕮ ᗷᕮᑎᒍᗩᗰIᑎ ᑕᕼᑌᖇᑕᕼ ᗰᕮᗪIᑕᗩᒪ ᑕOᒪᒪᕮGᕮ; ᗪᖇ. ᒍ.S. STᕮIᑎᗰᗩᑎ ᕼᗩᗪ ᗩ ᐯᕮᖇY SᑌᑕᑕᕮSSᖴᑌᒪ ᑕᗩᖇᕮᕮᖇ ᗩᑎᗪ ᑭᖇᗩᑕTIᑕᕮ ᗩS ᗩᑎ OᖇTᕼOᑭᕮᗪIᑕ SᑌᖇGᕮOᑎ, TᕼOᑌGᕼ ᕮᗩᖇᑎᕮᗪ ᕼIS ᕼIGᕼᕮST ᗩᑕᑕOᒪᗩᗪᕮS ᗯITᕼIᑎ Tᕼᕮ ᖴIᕮᒪᗪ Oᖴ ᑭᒪᗩSTIᑕ SᑌᖇGᕮᖇY, IᑎᐯᕮᑎTIᑎG ᗰᗩᑎY ᗩ TᕮᑕᕼᑎIᑫᑌᕮ TᕼᗩT ᖇᕮᐯOᒪᑌTIOᑎIᘔᕮᗪ Tᕼᕮ ᖴIᕮᒪᗪ- ᕼIS ᗰᗩᑎY ᗩᑕᕼIᕮᐯᕮᗰᕮᑎTS ᗯITᕼIᑎ ᕼIS ᑭᖇOᖴᕮSSIOᑎ GᗩIᑎIᑎG ᕼIᗰ ᗩᑎ IᑎᐯITᗩTIOᑎ TO ᖇᗩᑭTᑌᖇᕮ, ᗩᑎᗪ SOᖇᕮᒪY ᗰISSᕮᗪ ᗷY ᑎOT OᑎᒪY ᕼIS ᖴᖇIᕮᑎᗪS, ᗷᑌT ᗩᒪSO ᕼIS ᑕOᒪᒪᕮᗩGᑌᕮS ᗩᖴTᕮᖇ ᕼIS ᗪISᗩᑭᑭᕮᗩᖇᗩᑎᑕᕮ, ᕼIS ᑕᒪOSᕮ ᖴᖇIᕮᑎᗪ, ᗪᖇ. ᖇIᑕᕼᗩᖇᗪ ᑕᒪᗩᖇKᗯᕮᒪᒪ, ᕮᐯᕮᑎ ᕼIᖇᕮᗪ ᗩ ᑭᖇIᐯᗩTᕮ ᗪᕮTᕮᑕTIᐯᕮ Iᑎ ᗩᑎ ᗩTTᕮᗰᑭT TO TᖇᗩᑕK ᕼIS ᗯᕼᕮᖇᕮᗩᗷOᑌTS.

SᕮTTIᑎG ᑌᑭ ᗩ ᗰᕮᗪIᑕᗩᒪ ᑭᖇᗩᑕTIᑕᕮ ᗯITᕼIᑎ Tᕼᕮ ᗰᕮᗪIᑕᗩᒪ ᑭᗩᐯIᒪIOᑎ Oᖴ ᖇᗩᑭTᑌᖇᕮ, STᕮIᑎᗰᗩᑎ ᗷᕮGᗩᑎ OᖴᖴᕮᖇIᑎG ᗷᕮᗩᑌTY TO TᕼOSᕮ ᗯᕼO ᑕOᑌᒪᗪ ᗩᖴᖴOᖇᗪ IT, ᗩᑎᗪ ᗯᕼᕮᑎ ᗩᗪᗩᗰ ᗷᕮᑕᗩᗰᕮ ᗩᐯᗩIᒪᗩᗷᒪᕮ, ᕼᕮ Sᗩᗯ IT ᗩS ᗩᑎ OᑭᑭOᖇTᑌᑎITY TO ᖇᕮᐯOᒪᑌTIOᑎIᘔᕮ ᕼIS ᖴIᕮᒪᗪ Oᑎᑕᕮ ᗰOᖇᕮ, TᕼIS TIᗰᕮ ᗰᗩKIᑎG IT ᑭOSSIᗷᒪᕮ ᖴOᖇ SᑌᖇGᕮOᑎS TO TᖇᑌᒪY 'SᑕᑌᒪᑭT' ᖴᒪᕮSᕼ ᗯITᕼ ᕮᗩSᕮ; ᕼOᗯᕮᐯᕮᖇ, Tᕼᕮ ᑎᕮGᗩTIᐯᕮ SIᗪᕮ-ᕮᖴᖴᕮᑕTS Oᖴ ᖇᕮᑭᕮᗩTᕮᗪ ᗩᗪᗩᗰ ᑌSᕮ SOOᑎ ᑕᗩᑌGᕼT ᑌᑭ ᗯITᕼ ᕼIᗰ, ᗩᑎᗪ ᕼIS ᗰIᑎᗪ ᗪᕮTᕮᖇIOᖇᗩTᕮᗪ.

ᗩ ᑭᕮᖇᖴᕮᑕTIOᑎIST, STᕮIᑎᗰᗩᑎ ᗯᗩS Iᑎ ᒪOᐯᕮ ᗯITᕼ ᕼIS ᗯOᖇK, ᗷᕮᑕOᗰIᑎG SO ᑌTTᕮᖇᒪY OᗷSᕮSSᕮᗪ ᗯITᕼ ᗰᗩKIᑎG ᕼIS ᑭᗩTIᕮᑎTS ᗷᕮᗩᑌTIᖴᑌᒪ, TᕼᗩT ᕼᕮ ᗩᑕTᑌᗩᒪᒪY ᗷᕮGᗩᑎ SᕮᕮIᑎG ᕼᗩᒪᒪᑌᑕIᑎᗩTIOᑎS Oᖴ Tᕼᕮ ᒪᗩᗪY ᗩᑭᕼᖇOᗪITᕮ, Tᕼᕮ GᖇᕮᕮK GOᗪᗪᕮSS Oᖴ ᗷᕮᗩᑌTY; STᕮIᑎᗰᗩᑎ ᒪOOKᕮᗪ TO TᕼIS IᗰᗩGIᑎᗩᖇY ᖴIGᑌᖇᕮ TO GᑌIᗪᕮ ᕼIᗰ Iᑎ ᕼIS ᑫᑌᕮST TO ᗰᗩKᕮ ᕼIS ᑭᗩTIᕮᑎTS ᗩS ᗷᕮᗩᑌTIᖴᑌᒪ ᗩS Sᕼᕮ, ᗷᑌT ᕼIS ᑕOᑎSTᗩᑎT ᖴᗩIᒪᑌᖇᕮS OᑎᒪY ᗪᖇOᐯᕮ ᕼIᗰ ᖴᑌᖇTᕼᕮᖇ ᗩᑎᗪ ᖴᑌᖇTᕼᕮᖇ ᗪOᗯᑎ Tᕼᕮ ᖇOᗩᗪ Oᖴ IᑎSᗩᑎITY- ᗯᗩᑎTIᑎG TO ᗷᕮᑕOᗰᕮ ᗩ "ᑭIᑕᗩSSO Oᖴ SᑌᖇGᕮᖇY", STᕮIᑎᗰᗩᑎ ᕮᐯᕮᑎTᑌᗩᒪᒪY ᗷᕮGᗩᑎ TO ᗰᑌTIᒪᗩTᕮ ᕼIS ᑌᑎᖴOᖇTᑌᑎᗩTᕮ ᑭᗩTIᕮᑎTS' ᗷOᗪIᕮS Iᑎ ᕼOᖇᖇIᖴIᑕ ᗯᗩYS, ᑌSᑌᗩᒪᒪY ᖇᕮSᑌᒪTIᑎG Iᑎ ᗪᕮᗩTᕼ.

⥼ ᑭᖇOᖴᕮSSOᖇ ᒍᑌᒪIᕮ ᒪᗩᑎGᖴOᖇᗪ ⥽

"Tᕼᕮ SᗩTᑌᖇᑎIᑎᕮ..? ᑭᒪᕮᗩSᕮ… TᕼᕮY ᗪᖇᕮSS ᑌᑭ Iᑎ ᒪᕮᗩᐯᕮS… ᗪᖇIᑎKIᑎG ᕼᑌᗰᗩᑎ ᗷᒪOOᗪ… ᗩᑎ ᗩGIᑎG ᗷᑌᑎᑕᕼ Oᖴ ᖴᖇᗩT ᗷOYS…"

ᗩ ᖇᕮᑎOᗯᑎᕮᗪ ᗷOTᗩᑎIST ᗩᑎᗪ ᑭᖇOᖴᕮSSOᖇ ᗩT Tᕼᕮ ᑌᑎIᐯᕮᖇSITY Oᖴ ᑕᗩᒪIᖴOᖇᑎIᗩ ᗷᕮᖇKᕮᒪᕮY, ᗯᕼᕮᖇᕮ Sᕼᕮ ᕼᗩᗪ ᗯOᖇKᕮᗪ SIᑎᑕᕮ Tᕼᕮ 1920S; ᒍᑌᒪIᕮ ᒪᗩᑎGᖴOᖇᗪ'S ᖇᕮSᕮᗩᖇᑕᕼ ᗩTTᖇᗩᑕTᕮᗪ ᗷOTᕼ ᑭᖇᗩISᕮ ᖴOᖇ ITS GᖇOᑌᑎᗪᗷᖇᕮᗩKIᑎG ᖴIᑎᗪIᑎGS, ᗩᑎᗪ ᑕOᑎTᖇOᐯᕮᖇSY ᖴOᖇ ᕼᕮᖇ "ᖇᗩᗪIᑕᗩᒪ TᕼᕮOᖇIᕮS", ᗩᑎᗪ ᖴOᖇ ᗩ TIᗰᕮ Sᕼᕮ ᗯOᖇKᕮᗪ ᖴOᖇ Tᕼᕮ ᑌᑎITᕮᗪ STᗩTᕮS GOᐯᕮᖇᑎᗰᕮᑎT, OᖴᖴᕮᖇIᑎG ᗩSSISTᗩᑎᑕᕮ ᗯITᕼ ᐯᗩᖇIOᑌS ᗪᕮᖴOᒪIᗩTIOᑎ ᑭᖇOᒍᕮᑕTS ᗪᑌᖇIᑎG Tᕼᕮ SᕮᑕOᑎᗪ ᗯOᖇᒪᗪ ᗯᗩᖇ, IᑎᑕᒪᑌᗪIᑎG ᑌSᕮ ᗩGᗩIᑎST Tᕼᕮ ᒍᗩᑭᗩᑎᕮSᕮ Oᑎ IᗯO ᒍIᗰᗩ.

ᕼᕮᖇ ᗪISᗩᑭᑭᕮᗩᖇᗩᑎᑕᕮ ᗩᖴTᕮᖇ ᒪᕮᗩᐯIᑎG ᖴOᖇ ᖇᗩᑭTᑌᖇᕮ ᑎOT GOIᑎG ᑌᑎᑎOTIᑕᕮᗪ Oᑎ Tᕼᕮ Sᑌᖇᖴᗩᑕᕮ; ᗩ ᑎᕮᗯSᑭᗩᑭᕮᖇ ᗩᖇTIᑕᒪᕮ ᖴᖇOᗰ ᒍᗩᑎᑌᗩᖇY 7^Tᕼ, 1949 ᑕOᗰᗰᕮᑎTᕮᗪ TᕼᗩT Sᕼᕮ ᗯᗩS STIᒪᒪ ᗰISSIᑎG ᗷY TᕼᗩT ᗪᗩTᕮ, ᕮᐯᕮᑎ ᗪᕮSᑭITᕮ ᗩᑎ “IᑎTᕮᑎSIᐯᕮ IᑎᐯᕮSTIGᗩTIOᑎ”.

ᗩᒪTᕼOᑌGᕼ TᖇᑌᒪY ᒪOᐯIᑎG Tᕼᕮ ᑭᒪᗩᑎTS ᗩᑎᗪ ᕼᕮᖇ ᗯOᖇK Oᑎ Tᕼᕮ GᗩᖇᗪᕮᑎS Oᖴ ᗩᖇᑕᗩᗪIᗩ, ᒪᗩᑎGᖴOᖇᗪ ᗯᗩS ᕮᐯᕮᑎTᑌᗩᒪᒪY ᖴOᖇᑕᕮᗪ IᑎTO ᗰᗩKIᑎG IT ᗩ ᑕOᗰᗰOᗪITY, ᗩᐯᗩIᒪᗩᗷᒪᕮ OᑎᒪY TO ᑭᗩYIᑎG ᐯISITOᖇS; ᗩᑕᑕᕮᑭTIᑎG Sᑌᑕᕼ ᗪᕮᑕISIOᑎS ᖇᕮᒪᑌᑕTᗩᑎTᒪY, ᒪᗩᑎGᖴOᖇᗪ ᒪᗩTᕮᖇ ᗩᗪᗰITTᕮᗪ Iᑎ ᗩᑎ ᗩᑌᗪIO ᗪIᗩᖇY TᕼᗩT ᗯᕼIᒪᕮ Sᕼᕮ ᗯOᑌᒪᗪ ᕼᗩᐯᕮ SᑭOKᕮᑎ ᑌᑭ ᗩGᗩIᑎST Sᑌᑕᕼ TᕼIᑎGS, Sᕼᕮ Kᑎᕮᗯ ᗷᕮTTᕮᖇ Tᕼᗩᑎ TO ᗷITᕮ Tᕼᕮ ᕼᗩᑎᗪ TᕼᗩT SIGᑎS ᕼᕮᖇ ᑭᗩYᑕᕼᕮᑕKS.

ᗩS Tᕼᕮ ᑌSᕮ Oᖴ ᑭᒪᗩSᗰIᗪS ᑕᗩᑌSᕮᗪ Tᕼᕮ SOᑕIᕮTY Iᑎ ᖇᗩᑭTᑌᖇᕮ TO ᗪᕮTᕮᖇIOᖇᗩTᕮ, ᒪᗩᑎGᖴOᖇᗪ ᑕOᑎTIᑎᑌᕮᗪ ᕼᕮᖇ ᗯOᖇK, ᑌSIᑎG Tᕼᕮ ᗰᗩᑎY SᑕIᕮᑎTIᖴIᑕ ᗩᗪᐯᗩᑎᑕᕮᗰᕮᑎTS Oᖴ ᗩᗪᗩᗰ TO ᖴᑌᖇTᕼᕮᖇ ᕼᕮᖇ ᖇᕮSᕮᗩᖇᑕᕼ; IT ᗯᗩS ᗪᑌᖇIᑎG TᕼIS TIᗰᕮ TᕼᗩT Sᕼᕮ ᕼᗩᗪ TᖇOᑌᗷᒪᕮ ᗯITᕼ Tᕼᕮ SᗩTᑌᖇᑎIᑎᕮ, ᗩ GᖇOᑌᑭ Oᖴ SᑭᒪIᑕᕮᖇS ᗯᕼO STOᒪᕮ ᗰᗩᑎY Oᖴ ᕼᕮᖇ ᗰᗩTᕮᖇIᗩᒪS ᖴOᖇ ᑌSᕮ Iᑎ TᕼᕮIᖇ ᑎᗩTᑌᖇᕮ ᗯOᖇSᕼIᑭ ᑕᑌᒪT- IT ᗯᗩS ᗪᑌᖇIᑎG Tᕼᕮ TIᗰᕮ Oᖴ ᖇᗩᑭTᑌᖇᕮ'S ᑕIᐯIᒪ ᗯᗩᖇ ᗯᕼᕮᑎ ᖇYᗩᑎ ᑕᒪOSᕮᗪ ᗩᖇᑕᗩᗪIᗩ ᖴOᖇ GOOᗪ, TᕼOᑌGᕼ ᒪᗩᑎGᖴOᖇᗪ ᑕOᑎTIᑎᑌᕮS TO TᕼIS ᗪᗩY TO ᗰᗩKᕮ TᖇIᑭS ᗪOᗯᑎ TO ᕼᕮᖇ OᖴᖴIᑕᕮ TO Kᕮᕮᑭ ᗯOᖇKIᑎG Oᑎ ᕼᕮᖇ ᑭᖇOᒍᕮᑕTS.

⥼ ᑭᕮᗩᑕᕼ ᗯIᒪKIᑎS ⥽

"ᗯᕮ ᗩᒪᒪ ᑕOᗰᕮ ᗪOᗯᑎ ᕼᕮᖇᕮ, ᖴIGᑌᖇᕮᗪ ᗯᕮ'ᗪ ᗩᒪᒪ ᗷᕮ ᑭᗩᖇT Oᖴ ᖇYᗩᑎ'S GᖇᕮᗩT ᑕᕼᗩIᑎ. TᑌᖇᑎS OᑌT ᖇYᗩᑎ'S ᑕᕼᗩIᑎ IS ᗰᗩᗪᕮ Oᖴ GOᒪᗪ, ᗩᑎᗪ OᑌᖇS ᗩᖇᕮ Tᕼᕮ SOᖇT ᗯITᕼ Tᕼᕮ ᗷIG IᖇOᑎ ᗷᗩᒪᒪ ᗩᖇOᑌᑎᗪ YOᑌᖇ ᗩᑎKᒪᕮ."

SᗯᗩYᕮᗪ ᗷY ᗩᑎᗪᖇᕮᗯ ᖇYᗩᑎ’S ᑭᖇOᗰISᕮ, ᑭᕮᗩᑕᕼ ᖴOᑌᑎᗪ ᕼIᗰSᕮᒪᖴ SᑭᕮᑎᗪIᑎG ᗩᒪᒪ ᗪᗩY ᗯOᖇKIᑎG ᗩT ᖴOᑎTᗩIᑎᕮ ᖴISᕼᕮᖇIᕮS. TᕼIS ᖴᗩTᕮ ᒪᕮᖴT ᕼIᗰ ᗯᗩᑎTIᑎG SOᗰᕮTᕼIᑎG ᗰOᖇᕮ, ᗩᑎᗪ ᗯᕼᕮᑎ ᕼIS ᗷOSS, ᖴᖇᗩᑎK ᖴOᑎTᗩIᑎᕮ, ᑭᖇOᗰISᕮᗪ ᕼIᗰ SOᗰᕮTᕼIᑎG ᗷᕮTTᕮᖇ, ᕼᕮ ᗩᖇᖇIᐯᕮᗪ, ᕮ᙭ᑭᕮᑕTIᑎG TO ᗰᕮᕮT ᑌᑭ ᗯITᕼ OTᕼᕮᖇ ᑕO-ᗯOᖇKᕮᖇS, ᗯᕼO ᗷᕮᑕᗩᗰᕮ SᗰᑌGGᒪᕮᖇS ᖴOᖇ Tᕼᕮ ᖴOᑎTᗩIᑎᕮ. TᕼIS OᑭᕮᖇᗩTIOᑎ ᑭᖇOᐯᕮᗪ ᕼIGᕼᒪY SᑌᑕᑕᕮSSᖴᑌᒪ, ᗩS Tᕼᕮᖇᕮ ᗯᗩS ᗩ ᑎᕮᕮᗪ ᖴOᖇ ITᕮᗰS OᑎᒪY Tᕼᕮ Sᑌᖇᖴᗩᑕᕮ ᑕOᑌᒪᗪ ᑭᖇOᐯIᗪᕮ.

Oᑎᑕᕮ Tᕼᕮ ᑕᖇᗩᑕK ᗪOᗯᑎ Oᑎ Tᕼᕮ SᗰᑌGGᒪIᑎG ᖇIᑎG ᗷᕮGᗩᑎ, ᗯIᒪKIᑎS ᗯᗩS STᑌᑕK “ᗷᕮTᗯᕮᕮᑎ ᗩ ᖇOᑕK ᗩᑎᗪ ᗩ ᕼᗩᖇᗪ ᑭᒪᗩᑕᕮ”, ᖴIᑎᗪIᑎG TᕼᕮᗰSᕮᒪᐯᕮS ᗷᒪᗩᑕKᗰᗩIᒪᕮᗪ ᗷY ᖴOᑎTᗩIᑎᕮ, ᗯITᕼ ᑎO ᗯᗩY OᑌT, ᗯITᕼ Tᕼᕮ TᕼᖇᕮᗩT Oᖴ TOᖇTᑌᖇᕮ ᗩᑎᗪ ᗪᕮᗩTᕼ ᕼᗩᑎGIᑎG Oᐯᕮᖇ TᕼᕮIᖇ ᕼᕮᗩᗪS. ᗯIᒪKIᑎS, ᕮITᕼᕮᖇ ᗩᖴTᕮᖇ YᕮᗩᖇS Oᖴ ᑭᖇᕮSSᑌᖇᕮ Oᖇ ᗩS ᗩ SIᗪᕮ ᕮᖴᖴᕮᑕT Oᖴ ᗩᗪᗩᗰ ᑌSᕮ, ᗷᕮᑕᗩᗰᕮ ᗰOᖇᕮ ᗩᑎᗪ ᗰOᖇᕮ ᑭᗩᖇᗩᑎOIᗪ… TᕼIᑎKIᑎG TᕼᗩT ᖴOᑎTᗩIᑎᕮ ᗯᗩS STIᒪᒪ ᗩᒪIᐯᕮ ᗩᑎᗪ OᑌT TO GᕮT ᕼIᗰ.

ᕼIGᕼᒪY ᗪISTᖇᑌSTᖴᑌᒪ Oᖴ ᗩᑌTᕼOᖇITY, ᕼᕮ SOOᑎ ᗷᕮᑕᗩᗰᕮ ᗩᑎ ᗩᒪᒪY Oᖴ ᗩTᒪᗩS, ᗩᑎᗪ ᗪᑌᖇIᑎG Tᕼᕮ ᖇᗩᑭTᑌᖇᕮ ᑕIᐯIᒪ ᗯᗩᖇ, ᑭᕮᗩᑕᕼ ᗯIᒪKIᑎS ᗩᑎᗪ Tᕼᕮ ᖇᕮᗰᗩIᑎIᑎG SᗰᑌGGᒪᕮᖇS ᗪᕮᑕIᗪᕮᗪ TO Sᕮᗩᒪ TᕼᕮᗰSᕮᒪᐯᕮS IᑎSIᗪᕮ Tᕼᕮ ᗷᗩᖇᖇIᑕᗩᗪᕮᗪ ᖴISᕼᕮᖇIᕮS, ᗩᑎᗪ ᗯITᕼ TᕼᕮIᖇ SᑌᑭᑭᒪIᕮS, ᗰᗩᑎᗩGᕮᗪ TO SᑌᖇᐯIᐯᕮᗪ Tᕼᕮ ᗯOᖇST Oᖴ Tᕼᕮ ᗯᗩᖇ.

⥼ Sᗩᑎᗪᕮᖇ ᑕOᕼᕮᑎ ⥽

"ᗯᗩTᑕᕼ YOᑌᖇSᕮᒪᖴ YOᑌ ᑕᒪᑌᗰSY SOᗯ..! TᕼᗩT'S ᗰY ᗯOᖇK..!"

ᒪITTᒪᕮ IS KᑎOᗯᑎ ᗩᗷOᑌT Sᗩᑎᗪᕮᖇ’S ᒪIᖴᕮ ᗷᕮᖴOᖇᕮ Tᕼᕮ ᖇᗩᑭTᑌᖇᕮ, ᗩᒪTᕼOᑌGᕼ SᑕᗩᑎT IᑎᖴOᖇᗰᗩTIOᑎ TᕮᒪᒪS ᑌS TᕼᗩT ᕼᕮ ᕮᐯᕮᑎTᑌᗩᒪᒪY ᗷᕮᑕᗩᗰᕮ ᑕOᒪᒪᕮᗩGᑌᕮS ᗯITᕼ ᕮᒪGᗩᖇ ᐯᗩᑎKIᑎ ᗩᑎᗪ ᗰIᗰI TᗩᗷOᖇ, ᑕOᑎᐯᕮᖇTIᑎG Tᕼᕮᗰ TO Tᕼᕮ ᖇYᗩᑎIST ᑭᕼIᒪOSOᑭᕼY SIᑎᑕᕮ TᕼᕮY ᗷᕮGᗩᑎ SᑭᕮᗩKIᑎG Oᖴ ᗩ ᑕOᗰIᑎG ᑌTOᑭIᗩ ᗯITᕼ ᖇᕮᒪIGIOᑌS ᖴᕮᖇᐯOᖇ. ᑕᕮᒪᕮᗷᖇᗩTᕮᗪ ᗩS ᗩᑎ ᗩᖇTIST, ᕼᕮ OᖴTᕮᑎ ᕼᗩᗪ TO STOOᑭ TO ᑭᒪᕮᗩSIᑎG Tᕼᕮ ᑭᑌᗷᒪIᑕ ᖇᗩTᕼᕮᖇ Tᕼᗩᑎ ᖴOᒪᒪOᗯIᑎG ᕼIS ᑭᗩSSIOᑎS. ᕼᕮ ᖇᗩᑎ ᖴOᖇT ᖴᖇOᒪIᑕ ᗩᑎᗪ Oᗯᑎᕮᗪ ᗷOTᕼ ᗩ ᑎIGᕼTᑕᒪᑌᗷ ᗩᑎᗪ Sᕮᐯᕮᖇᗩᒪ GᗩᒪᒪᕮᖇIᕮS Oᖴ ᗩᖇT TᕼᖇOᑌGᕼOᑌT Tᕼᕮ ᑕITY.

ᗩS Oᑎᕮ Oᖴ ᗩᑎᗪᖇᕮᗯ ᖇYᗩᑎ’S ᗰOST ᖴᕮᖇᐯᕮᑎT SᑌᑭᑭOᖇTS, ᑕOᕼᕮᑎ ᗯᗩS GᖇᗩᑎTᕮᗪ Tᕼᕮ ᕼOᑎOᖇ Oᖴ ᗯᖇITIᑎG Tᕼᕮ ᖇᗩᑭTᑌᖇᕮ ᗩᑎTᕼᕮᗰ. ᗩS ᗩ ᖇᕮSᑌᒪT Oᖴ TᕼIS ᑕᒪOSᕮᑎᕮSS, ᑕOᕼᕮᑎ ᗷᕮᑕᗩᗰᕮ ᗩ ᑎOTᗩᗷᒪᕮ ᕮᑎᕮᗰY Oᖴ ᗩᑎOTᕼᕮᖇ SIᑎGᕮᖇ/ ᗩᑕTᖇᕮSS, ᗩᑎᗪ ᗩᒪᒪᕮGᕮᗪᒪY ᑌSᕮᗪ ᖇYᗩᑎ’S ᑕOᑎTᗩᑕTS TO “ᑭᑌT Tᕼᕮ ᗷᑌᗰᑭ” Oᑎ ᕼᕮᖇ. ᗯITᕼ TᕼIS ᑕOᗰᑭᕮTITIOᑎ GOᑎᕮ, ᑕOᕼᕮᑎ ᕮ᙭ᑭᕮᖇIᕮᑎᑕᕮᗪ ᗩ ᖇᗩᖇᕮ ᕮᖇᗩ Oᖴ ᕮ᙭TᖇᗩᐯᗩGᗩᑎᑕᕮS.

ᗯITᕼ ᕼIS Oᗯᑎ ᗪISᑕIᑭᒪᕮS, ᑕOᕼᕮᑎ ᖇOᗪᕮ OᑌT Tᕼᕮ ᖇᗩᑭTᑌᖇᕮ, TᖇᕮᗩTIᑎG Tᕼᕮᗰ Iᑎ ᗩᑎ Iᑎᕼᑌᗰᗩᑎᕮ ᗰᗩᑎᑎᕮᖇ ᕼOᗯᕮᐯᕮᖇ ᖇᕮSᑌᒪTᕮᗪ Iᑎ ᗩᒪᒪ Oᖴ Tᕼᕮᗰ ᕮITᕼᕮᖇ ᗷᕮTᖇᗩYIᑎG Oᖇ ᗪISᑭᒪᕮᗩSIᑎG ᑕOᕼᕮᑎ ᗩT SOᗰᕮ ᑭᕮOᑭᒪᕮ. ᗪᖇIᐯᕮᑎ IᑎSᗩᑎᕮ ᑭᗩᖇTᒪY ᗷY ᗩᗪᗩᗰ ᗩᑎᗪ OᑌT Oᖴ ᖴᖇᑌSTᖇᗩTIOᑎ ᖴOᖇ Tᕼᕮ ᒪᗩᑕK Oᖴ ᗩᑭᑭᖇᕮᑕIᗩTIOᑎ ᖴOᖇ ᕼIS ᗯOᖇK, ᑕOᕼᕮᑎ ᕮ᙭ᑭᖇᕮSSᕮᗪ ᗷOTᕼ ᖇᕮGᖇᕮT ᗩᑎᗪ ᗰᑌᖇᗪᕮᖇOᑌS IᑎTᕮᑎTIOᑎS.

⥼ ᗪᖇ. GIᒪᗷᕮᖇT ᗩᒪᕮ᙭ᗩᑎᗪᕮᖇ ⥽

"Tᕼᕮ ᕮᑎᗪ ᗰᗩY ᗷᕮ ᑎIGᕼ, ᗷᑌT ᖴOᖇ ᗰᕮ IT'S ᒍᑌST ᗰOᖇᕮ ᑭᗩᑭᕮᖇᗯOᖇK."

ᗩᑎ ᗩᗰᗷITIOᑌS ᖇᕮSᕮᗩᖇᑕᕼᕮᖇ Iᑎ Tᕼᕮ ᕮᗩᖇᒪY ᗪᗩYS Oᖴ ᖴOᑎTᗩIᑎᕮ ᖴᑌTᑌᖇISTIᑕS, ᗩᒪᕮ᙭ᗩᑎᗪᕮᖇ SᑭᕮᑕIᗩᒪIᘔᕮᗪ Iᑎ ᗰᕮᑕᕼᗩᑎIᑕᗩᒪ ᗩᑎᗪ ᖇOᗷOTIᑕ ᕮᑎGIᑎᕮᕮᖇIᑎG, ᗪᕮSIGᑎIᑎG ᗰᑌᑕᕼ Oᖴ ᖇᗩᑭTᑌᖇᕮS ᗩᑌTOᗰᗩTᕮᗪ SᕮᑕᑌᖇITY SYSTᕮᗰ ᗩᑎᗪ ᗩᑎᗪ ᗯᗩS IᑎᖴᒪᑌᕮᑎTIᗩᒪ Iᑎ Tᕼᕮ ᑕᖇᕮᗩTIOᑎ ᗩᑎᗪ ᗩᗪᐯᗩᑎᑕᕮᗰᕮᑎTS Oᖴ ᗷIG ᗪᗩᗪᗪIᕮS. ᗩᒪᕮ᙭ᗩᑎᗪᕮᖇ ᑕᖇᕮᗩTᕮᗪ Tᕼᕮ ᗩᒪᑭᕼᗩ SᕮᖇIᕮS, ᗩ ᑎᕮᗯ TYᑭᕮ Oᖴ ᗷIG ᗪᗩᗪᗪY TᕼᗩT ᗯᗩS ᗰᕮᗩᑎT TO Sᕮᖇᐯᕮ ᗩS Tᕼᕮ ᒪITTᒪᕮ SISTᕮᖇS ᑕOᑎSTᗩᑎT GᑌᗩᖇᗪIᗩᑎ. ᗯᕼᕮᑎ ᗷOᑎᗪIᑎG ᗰᕮTᕼOᗪS ᖴᗩIᒪᕮᗪ ᗷᕮTᗯᕮᕮᑎ ᗷIG ᗪᗩᗪᗪIᕮS ᗩᑎᗪ ᒪITTᒪᕮ SISTᕮᖇS, ᗩᒪᕮ᙭ᗩᑎᗪᕮᖇ ᗯOᖇKᕮᗪ Oᑎ Tᕼᕮ ᑭᖇOTᕮᑕTOᖇ ᑭᖇOGᖇᗩᗰ, ᗪᕮᐯᕮᒪOᑭIᑎG ᗩ ᗰOᖇᕮ SᑌITᗩᗷᒪᕮ ᗰᕮTᕼOᗪ Oᖴ ᗷOᑎᗪIᑎG.

ᕼᕮ ᑕOᑎTIᑎᑌᕮᗪ TO ᑕᖇᕮᗩTᕮ ᗩᑎᗪ ᗪᕮᐯᕮᒪOᑭ ᑭᖇOGᖇᗩᗰS, ᗩᑎᗪ ᖇOᗷOTIᑕS, ᑕᖇᕮᗩTIᑎG Tᕼᕮ ᖇᑌᗰᗷᒪᕮᖇ ᗩS ᗯᕮᒪᒪ ᗩS Tᕼᕮ ᗷIG SISTᕮᖇ SᑌITS. ᗩᒪTᕼOᑌGᕼ Oᑎᑕᕮ ᕼIGᕼᒪY ᑕOᗰᗰITTᕮᗪ TO ᕼIS ᒍOᗷ, ᗩᒪᕮ᙭ᗩᑎᗪᕮᖇ ᗷᕮGᗩᑎ TO ᖇᕮGᖇᕮT ᕼIS ᗩᑕTIOᑎS ᗩᑎᗪ ᕮᐯᕮᑎTᑌᗩᒪᒪY ᒍOIᑎᕮᗪ Tᕼᕮ ᖇᗩᑭTᑌᖇᕮ ᖴᗩᗰIᒪY. ᗯITᕼ TᕼIS SᕼOᗯ Oᖴ ᑕOᑎSᑕIOᑌSᑎᕮSS, ᕼᕮ ᗯᗩS ᗰᗩᑎIᑭᑌᒪᗩTᕮᗪ IᑎTO ᐯOᒪᑌᑎTᕮᕮᖇIᑎG ᖴOᖇ ᗩᑎ ᕮ᙭ᑭᕮᖇIᗰᕮᑎT, Tᕼᕮ “ᑎᕮᗯ ᑌTOᑭIᗩᑎ ᑭᖇOᒍᕮᑕT”. Tᕼᕮ ᕮ᙭ᑭᕮᖇIᗰᕮᑎT, ᗯᕼIᑕᕼ SᕼOᑌᒪᗪ ᕼᗩᐯᕮ Iᗰᗷᑌᕮᗪ ᗩᒪᕮ᙭ᗩᑎᗪᕮᖇ ᗯITᕼ Tᕼᕮ ᕮᑎTIᖇᕮ ᑕOᒪᒪᕮᑕTIᐯᕮ GᕮᑎIᑌS Oᖴ ᖇᗩᑭTᑌᖇᕮ ᐯIᗩ ᗩᗪᗩᗰ IᑎᖴᑌSIOᑎ, ᗩᒪᕮ᙭ᗩᑎᗪᕮᖇ ᗯᗩS ᕼᕮᗩᐯIᒪY ᗰᑌTᗩTᕮᗪ ᗩᑎᗪ ᖇᕮᑎᗪᕮᖇᕮᗪ IᑎSᗩᑎᕮ ᗷY Tᕼᕮ ᕮᑎOᖇᗰOᑌS ᗩᗰOᑌᑎT Oᖴ ᗩᗪᗩᗰ Iᑎ ᕼIS SYSTᕮᗰ.

Oᑎᑕᕮ ᗩᗷᗩᑎᗪOᑎᕮᗪ, ᗩᒪᕮ᙭ᗩᑎᗪᕮᖇ ᗷᕮGᗩᑎ TO ᑕᗩᒪᒪ ᕼIᗰSᕮᒪᖴ “ᗩᒪᕮ᙭ Tᕼᕮ GᖇᕮᗩT” ᗰᗩᑎIᑭᑌᒪᗩTIᑎG ᕼIS SᑌᖇᖇOᑌᑎᗪIᑎGS ᑌSIᑎG ᗩ ᗰOᗪIᖴIᕮᗪ SᕮᑕᑌᖇITY ᗷOT, ᕼᕮ SOOᑎ ᗷᕮGᗩᑎ TO Sᑭᕮᑎᗪ ᗰOST Oᖴ ᕼIS TIᗰᕮ ᕮᖴᖴᕮᑕTIᐯᕮᒪY ᖇᑌᑎᑎIᑎG Tᕼᕮ ᖴOᑎTᗩIᑎᕮ ᖴᑌTᑌᖇISTIᑕS ᗷᑌSIᑎᕮSS, ᗰᗩᑎᗩGIᑎG ᕼIS SᑭᒪIᑕᕮᗪ ᕮᗰᑭᒪOYᕮᕮS ᗷY SᗩᗪISTIᑕᗩᒪᒪY ᑭᑌᑎISᕼIᑎG Tᕼᕮᗰ.

⥼ Gᖇᗩᑕᕮ ᕼOᒪᒪOᗯᗩY ⥽

"YOᑌ ᕼᗩᗪ ᗰᕮ ᑌᑎᗪᕮᖇ ᗩ Gᑌᑎ... YᕮT YOᑌ ᒍᑌST ᗯᗩᒪK ᗩᗯᗩY..? ᑎO ᗰOᑎSTᕮᖇ ᗩᒪIᐯᕮ TᑌᖇᑎS Tᕼᕮ OTᕼᕮᖇ ᑕᕼᕮᕮK. ᑎO ᗰOᑎSTᕮᖇ ᗪOᕮS TᕼᗩT. ᗩ TᕼIᑎKIᑎ’ ᗰᗩᑎ ᗪOᕮS TᕼᗩT..."

ᒪIᐯIᑎG Iᑎ ᗰISSOᑌᖇI ᗯITᕼ ᕼᕮᖇ ᖴᗩᗰIᒪIᗩᖇ, ᗪᑌᖇIᑎG Tᕼᕮ ᗯOᖇST Oᖴ Tᕼᕮ ᗩᗰᕮᖇIᑕᗩᑎ GᖇᕮᗩT ᗪᕮᑭᖇᕮSSIOᑎ, Gᖇᗩᑕᕮ ᕼOᒪᒪOᗯᗩY ᒪᗩTᕮᖇ ᗰOᐯᕮᗪ TO ᖇᗩᑭTᑌᖇᕮ ᗯᕼᕮᖇᕮ Sᕼᕮ TOOK ᑌᑭ ᖇᕮSIᗪᕮᑎᑕᕮ Iᑎ ᑭᗩᑌᑭᕮᖇ’S ᗪᖇOᑭ, ᕼOᑭIᑎG TO STᗩᖇT ᗩ ᖴᗩᗰIᒪY ᗩᑎᗪ ᑕOᑎTIᑎᑌᕮᗪ ᕼᕮᖇ SIᑎGIᑎG ᑕᗩᖇᕮᕮᖇ.

ᕮᐯᕮᑎ ᗩS ᕼᕮᖇ ᑕᗩᖇᕮᕮᖇ ᒪIᖴTᕮᗪ, Gᖇᗩᑕᕮ ᖴOᑌᑎᗪ TᕼᗩT Tᕼᕮ ᑕOᑎᗪITIOᑎS Iᑎ “Tᕼᕮ ᗪᖇOᑭ” ᑭᖇOᐯᕮᗪ TO ᗷᕮ ᗰᑌᑕᕼ ᗯOᖇSᕮ Tᕼᗩᑎ ᗩᑎY Sᒪᑌᗰ Oᑎ Tᕼᕮ Sᑌᖇᖴᗩᑕᕮ. SᕮᕮIᑎG TᕼᖇOᑌGᕼ Tᕼᕮ ᕼYᑭOᑕᖇISY Oᖴ Tᕼᕮ ᗷᑌSIᑎᕮSS TYᑕOOᑎS, Sᑌᑕᕼ ᗩS ᗩᑎᗪᖇᕮᗯ ᖇYᗩᑎ, ᗯᕼO SOᑌGᕼT TO ᑭᖇOᖴIT ᖴᖇOᗰ Tᕼᕮ ᑭOOᖇ ᗷᑌT IGᑎOᖇᕮ TᕼᕮIᖇ ᑎᕮᕮᗪS, Gᖇᗩᑕᕮ ᗷᕮGᗩᑎ TO ᑭᑌT TᕼᕮSᕮ TᕼᕮᗰᕮS IᑎTO ᕼᕮᖇ ᗰᑌSIᑕ, ᗩTTᖇᗩᑕTIᑎG Tᕼᕮ ᗪOᗯᑎTᖇOᗪᗪᕮᑎ ᗩᑌᗪIᕮᑎᑕᕮ.

ᕮᐯᕮᑎTᑌᗩᒪᒪY ᖴᗩᒪᒪIᑎG Iᑎ ᒪOᐯᕮ ᗯITᕼ ᗩ ᗰᗩᑎ ᑎᗩᗰᕮᗪ ᒍᗩᗰᕮS, Sᕼᕮ ᕼOᑭᕮᗪ TO ᕼᗩᐯᕮ ᑕᕼIᒪᗪᖇᕮᑎ, TᕼᕮSᕮ ᗪᖇᕮᗩᗰS ᑕᖇᑌSᕼᕮᗪ ᗯᕼᕮᑎ Sᕼᕮ ᗪISᑕOᐯᕮᖇᕮᗪ Sᕼᕮ ᗯᗩS ᗷᗩᖇᖇᕮᑎ. TᕼᕮSᕮ TᖇOᑌᗷᒪᕮS ᗩᑎᗪ ᕼᕮᖇ ᗪOᑌᗷTS ᑕOᑎᑕᕮᖇᑎIᑎG Tᕼᕮ ᕮᑕOᑎOᗰIᑕ ᗪᕮᑭᖇᕮSSIOᑎ Iᑎ ᖇᗩᑭTᑌᖇᕮ ᒪᕮᗪ Gᖇᗩᑕᕮ TO ᗩTTᕮᑎᗪ ᗩ ᖴᖇᕮᕮ ᗰᕮᑎTᗩᒪ ᑕOᑌᑎSᕮᒪIᑎG SᕮSSIOᑎ Iᑎ ᑭᗩᑌᑭᕮᖇ’S ᗪᖇOᑭ. GᖇᕮᗩTᒪY IᗰᑭᖇᕮSSᕮᗪ, Gᖇᗩᑕᕮ SOOᑎ ᖴOᑌᑎᗪ ᕼᕮᖇSᕮᒪᖴ ᕼᗩᑎᗪIᑎG OᑌT ᒪᗩᗰᗷ’S ᑭᗩᗰᑭᕼᒪᕮTS ᗩT Tᕼᕮ ᒪIᗰᗷO ᖇOOᗰ, SᑭᖇᕮᗩᗪIᑎG Tᕼᕮ ᗰᕮSSᗩGᕮ Oᖴ SOᒪIᗪᗩᖇITY ᗩᑎᗪ ᗩᗪᗪIᑎG ᗰOᖇᕮ ᖴᕮᖇᐯOᖇ TO ᕼᕮᖇ SOᑎGS ᗩGᗩIᑎST ᖇYᗩᑎ.

ᗯᕼᕮᑎ ᖇYᗩᑎ ᗷᕮGᗩᑎ TO IᑎSTIᒪ ᕼᗩᖇSᕼ ᗰᕮᗩSᑌᖇᕮS ᗩGᗩIᑎST Sᑌᑕᕼ ᗩᑕTIOᑎS, ᗩᑎᗪ ᗯᕼᕮᑎ ᒍᗩᗰᕮS ᗪISᗩᑭᑭᕮᗩᖇᕮᗪ, Sᕼᕮ ᗯᗩS ᖴᖇIGᕼTᕮᑎᕮᗪ, ᗩᑎᗪ STOᑭᑭᕮᗪ SIᑎGIᑎG ᕼᕮᖇ ᑕOᑎTᖇOᐯᕮᖇSIᗩᒪ SOᑎGS. Sᕼᕮ STIᒪᒪ SᑌᑭᑭOᖇTᕮᗪ ᒪᗩᗰᗷ, ᕼOᗯᕮᐯᕮᖇ, ᗩᑎᗪ SOOᑎ ᖴOᑌᑎᗪ ᕼᕮᖇSᕮᒪᖴ ᑕᗩᖇIᑎG ᖴOᖇ ᕼᕮᖇ ᗪᗩᑌGᕼTᕮᖇ, TᕼᖇIᒪᒪᕮᗪ ᗯITᕼ Tᕼᕮ ᑭᖇOSᑭᕮᑕT. TᕼIS ᗯᗩS SᕼOᖇT ᒪIᐯᕮᗪ ᕼOᗯᕮᐯᕮᖇ, ᗩᑎᗪ ᗪISTᖇᗩᑌGᕼT ᗩᑎᗪ ᖴIᒪᒪᕮᗪ ᗯITᕼ GᑌIᒪT, Sᕼᕮ OᑎᒪY ᒪᕮᗩᖇᑎᕮᗪ ᗯᕼᗩT ᕼᗩᗪ ᕼᗩᑭᑭᕮᑎᕮᗪ ᗯᕼᕮᑎ Sᕼᕮ Sᗩᗯ Tᕼᕮ ᑕᕼIᒪᗪ. ᗩTTᕮᗰᑭTIᑎG TO ᖇᕮSᑕᑌᕮ ᕼᕮᖇ, Gᖇᗩᑕᕮ ᗯᗩS Iᑎᒍᑌᖇᕮᗪ, ᗩᑎᗪ IT ᗯᗩS TᕼIS IᑎᑕIᗪᕮᑎT TᕼᗩT ᒪᕮᗪ ᕼᕮᖇ TO ᗪISᒪIKᕮ ᗷIG ᗪᗩᗪᗪIᕮS.

⥼ ᖴᗩTᕼᕮᖇ SIᗰOᑎ ᗯᗩᒪᕮS ⥽

"ᑕᖇᗩᐯᕮᑎ ᗷᕮᗩST..! TᕼOᑌ ᑕᗩᑎᑎOT ᕼIᗪᕮ ᖴᖇOᗰ Tᕼᕮ Oᑎᕮ Tᖇᑌᕮ GOᗪ..!"

ᗩᑎ ᗩᖇᑕᕼITᕮᑕT ᗯᕼO ᗪᕮSIGᑎᕮᗪ ᑕᗩTᕼᕮᗪᖇᗩᒪS Iᑎ Iᖇᕮᒪᗩᑎᗪ ᗯITᕼ ᕼIS ᗷᖇOTᕼᕮᖇ, SIᗰOᑎ ᗯᗩᒪᕮS ᗯᗩS ᗯᕮᒪᒪ KᑎOᗯᑎ ᕮᑎOᑌGᕼ TᕼᗩT ᖇYᗩᑎ ᑕOᗰᗰISSIOᑎᕮᗪ Tᕼᕮᗰ TO ᗪᕮSIGᑎ ᕼIS ᑕITY, ᖇᗩᑭTᑌᖇᕮ. Tᕼᕮ ᗯᗩᒪᕮS ᗷᖇOTᕼᕮᖇS TOOK ᑌᑭ ᖇᕮSIᗪᕮᑎᑕᕮ Iᑎ Tᕼᕮ ᑕITY, ᑕOᑎTIᑎᑌIᑎG TO OᑭᕮᖇᗩTᕮ, ᗷᑌT ᗯᕼᕮᑎ ᖇᗩᑭTᑌᖇᕮ STᗩᖇTᕮᗪ ᒪᕮᗩKIᑎG, TᕼᕮY ᒪOST ᑕᖇᕮᗪIᗷIᒪITY, ᗰᗩKIᑎG IT IᗰᑭOSSIᗷᒪᕮ TO ᖴIᑎᗪ ᑕOᑎTᗩᑕTS. SIᗰOᑎ ᗯᗩS GᑌIᒪTY Oᐯᕮᖇ Tᕼᕮ ᒪᕮᗩKIᑎG Iᑎ ᖇᗩᑭTᑌᖇᕮ, Sᑌᖇᕮ TᕼᗩT IT ᗯᗩS SOᗰᕮᕼOᗯ TᕼᕮIᖇ ᗪᕮSIGᑎS TᕼᗩT ᖇᕮSᑌᒪTᕮᗪ Iᑎ TᕼIS ᖴᗩᑌᒪT, ᗩᑎᗪ ᗩS Sᑌᑕᕼ ᕼᕮ SOᑌGᕼT ᑕOᑌᑎSᕮᒪIᑎG ᗯITᕼ ᒪᗩᗰᗷ.

TᕼIS ᖇᕮSᑌᒪTᕮᗪ Iᑎ ᗪᖇᗩSTIᑕ ᑕᕼᗩᑎGᕮ ᗩS ᗩ ᖇᕮSᑌᒪT Oᖴ ᗷᕮIᑎG ᕮ᙭ᑭOSᕮᗪ TO ᕼᕮᖇ ᑭᕼIᒪOSOᑭᕼIᕮS, ᕼᕮ ᗩᗪOᑭTᕮᗪ Tᕼᕮ ᑎᗩᗰᕮ “ᖴᗩTᕼᕮᖇ ᗯᗩᒪᕮS” ᗩᑎᗪ ᗷᕮGᗩᑎ TO ᕼOᒪᗪ ᖇᕮᒪIGIOᑌS SᕮᖇᐯIᑕᕮS Iᑎ SIᖇᕮᑎ ᗩᒪᒪᕮY, ᑭᖇᕮᗩᑕᕼIᑎG ᒪᗩᗰᗷ’S ᑕOᒪᒪᕮᑕTIᐯIST IᗪᕮᗩᒪS. TᕼIS ᑕᗩᑌSᕮᗪ ᕼIᗰ TO ᗷᕮᑕOᗰᕮ ᕮSTᖇᗩᑎGᕮᗪ ᖴᖇOᗰ ᕼIS ᗷᖇOTᕼᕮᖇ, ᗯᕼOᗰ ᕼᕮ STIᒪᒪ TᖇIᕮᗪ TO ᖇᕮᗩᑕᕼ OᑌT TO ᗩᑎᗪ ᑕOᑎᐯᕮᖇT TO Tᕼᕮ ᖇᗩᑭTᑌᖇᕮ ᖴᗩᗰIᒪY.

ᕼᕮ ᗷᕮᑕᗩᗰᕮ ᗰOᖇᕮ ᖇᗩᗪIᑕᗩᒪ Iᑎ ᕼIS ᑭᖇᕮᗩᑕᕼIᑎG ᗩS TIᗰᕮ ᗯᕮᑎT Oᑎ, ᗰI᙭IᑎG ᗰYTᕼOᒪOGY ᗩᑎᗪ ᑕᕼᖇISTIᗩᑎ TᕮᖇᗰS IᑎTO ᕼᕮᖇS SᕮᖇᗰOᑎS, ᕼᕮ ᗷᕮᑕᗩᗰᕮ ᒪᕮSS TOᒪᕮᖇᗩᑎT Oᖴ OTᕼᕮᖇ ᖴᗩITᕼS, ᖇᕮSᑌᒪTIᑎG Iᑎ ᑭᖇOSᕮᑕᑌTIᑎG Tᕼᕮᗰ ᖴᗩᖇ ᗯOᖇSᕮ Tᕼᗩᑎ ᕮᐯᕮᑎ ᖇYᗩᑎ ᕼᗩᗪ. ᑌSIᑎG ᕼIS ᗰYTᕼS, ᖴᗩTᕼᕮᖇ ᗯᗩᒪᕮS Sᑭᖇᕮᗩᗪ TᗩᒪᕮS Oᖴ ᑭᑌᑎISᕼᗰᕮᑎT ᖴOᖇ TᕼOSᕮ Sᕮᕮᑎ ᗩS ᗪOIᑎG ᗯᖇOᑎG, ᑕOᖇᖇᑌᑭTᕮᗪ ᗷY ᕼIS Oᗯᑎ ᖴᗩITᕼ.

⥼ STᗩᑎᒪᕮY ᑭOOᒪᕮ ⥽

"ᗯᕮᒪᒪ, ᕼᕮᒪᒪO, ᗷOYS! Tᕼᕮ ᑎᗩᗰᕮ'S STᗩᑎ ᑭOOᒪᕮ- ᖇᗩᑭTᑌᖇᕮ TᖇIᗷᑌᑎᕮ. ᑫᑌᗩᒪITY ᑭᗩᑭᕮᖇ... ᗷᕮᖴOᖇᕮ Tᕼᕮ ᒪOᑕᗩᒪS STOᑭᑭᕮᗪ ᖇᕮᗩᗪIᑎ' ᗩᑎᗪ STᗩᖇTᕮᗪ ᖴIᑎᗪIᑎ' ᑌᕼ... 'OTᕼᕮᖇ' ᑌSᕮS ᖴOᖇ IT... ᗩᑎYᗯᗩYS, I'ᗰ ᒪOOKIᑎG TO ᑕᑌT ᗩ ᗪᕮᗩᒪ ᕼᕮᖇᕮ, ᖴᕮᒪᒪᗩS."

ᗷᕮᑕOᗰIᑎG ᗩSSOᑕIᗩTᕮᗪ ᗯITᕼ ᗩᑌGᑌSTᑌS SIᑎᑕᒪᗩIᖇ ᗯᕼIᒪᕮ ᗯOᖇKIᑎG ᖴOᖇ Tᕼᕮ ᖇᗩᑭTᑌᖇᕮ TᖇIᗷᑌᑎᕮ, STᗩᑎᒪᕮY ᑭOOᒪᕮ ᗯᗩS ᑭᗩYᕮᗪ ᑎOT TO ᕮ᙭ᑭOSᕮ ᗩᑎᗪ ᖇᕮᑭOᖇT ᗩᑎY Oᖴ SIᑎᑕᒪᗩIᖇ’S SOᒪᑌTIOᑎS ᑌᑎSᑕᖇᑌᑭᑌᒪOᑌS SᕮᑕᖇᕮTS. Oᖴᖴᕮᖇᕮᗪ ᗩ ᒍOᗷ TᕼᗩT ᗯOᑌᒪᗪ “ᑕᕼᗩᑎGᕮ ᕼISTOᖇY”, STᗩᑎᒪᕮY ᕼᗩᑭᑭIᒪY ᗩᑕᑕᕮᑭTᕮᗪ.

ᗯᕼᕮᑎ ᗩ ᗪᕮᕮᑭ Sᕮᗩ ᗪIᐯᕮᖇ ᖴᖇOᗰ Tᕼᕮ Sᑌᖇᖴᗩᑕᕮ ᗩᑕᑕIᗪᕮᑎTᗩᒪᒪY ᗪISᑕOᐯᕮᖇᕮᗪ ᗩᑎᗪ ᕮᑎTᕮᖇᕮᗪ ᖇᗩᑭTᑌᖇᕮ, ᕼᕮ ᗯᗩS ᗩᑕᑕᕮᑭTᕮᗪ IᑎTO Tᕼᕮ ᑕITY ᗩᑎᗪ ᑕOᑎSIᗪᕮᖇᕮᗪ SOᗰᕮTᕼIᑎG Oᖴ ᗩ ᑕᕮᒪᕮᗷᖇITY ᖴOᖇ ᕼIS ᕼᕮᖇOIᑕS, ᕼᕮ GᗩIᑎᕮᗪ Tᕼᕮ ᑎIᑕKᑎᗩᗰᕮ “ᒍOᕼᑎᑎY TOᑭSIᗪᕮ” Iᑎ ᗩᖇTIᑕᒪᕮS Iᑎ Tᕼᕮ TᖇIᗷᑌᑎᕮ, ᗩᑎᗪ ᗩᒪSO GᗩIᑎᕮᗪ STᗩᑎᒪᕮY’S ᖇᕮSᑭᕮᑕT. ᖇYᗩᑎ ᗪIᗪ ᑎOT TᖇᑌST Tᕼᕮ ᐯISITOᖇ'S STOᖇY ᗩᑎᗪ ᗯᗩS ᑕOᑎᐯIᑎᑕᕮᗪ Tᕼᕮ ᕮ᙭ᑭᒪOᖇᕮᖇ ᗰᑌST ᗷᕮ ᗩᑎ ᗩGᕮᑎT SᕮᑎT TO SᑭY Oᑎ ᖇᗩᑭTᑌᖇᕮ, Tᕼᕮ ᗰᗩᑎ ᗯᗩS TᕼᕮᖇᕮᖴOᖇᕮ ᕮᐯᕮᑎTᑌᗩᒪᒪY IᑎᑕᗩᖇᑕᕮᖇᗩTᕮᗪ Iᑎ ᑭᕮᖇSᕮᑭᕼOᑎᕮ ᑭᕮᑎᗩᒪ ᑕOᒪOᑎY.

ᗩᖴTᕮᖇ ᒪᗩᗰᗷ'S ᗪISᗩᑭᑭᕮᗩᖇᗩᑎᑕᕮ, STᗩᑎᒪᕮY ᗯᗩS ᑭᑌT Iᑎ ᑕᕼᗩᖇGᕮ Oᖴ ᗪIOᑎYSᑌS ᑭᗩᖇK, ᗩᑎᗪ ᗩᖴTᕮᖇ ᗩ ᗪᗩᑎGᕮᖇOᑌS ᖴᒪᗩᗯ Iᑎ ᗪIOᑎYSᑌS ᑭᗩᖇK'S ᑕOᑎSTᖇᑌᑕTIOᑎ ᒪᕮᗪ TO Tᕼᕮ ᖴᒪOOᗪIᑎG Tᕼᕮ ᑭᗩᖇK, STᗩᑎᒪᕮY ᖴOᑌᑎᗪ ᕼIᗰSᕮᒪᖴ IᗰᑭᖇISOᑎᕮᗪ Tᕼᕮᖇᕮ ᗯITᕼ ᑎO ᗯᗩY OᑌT.

♆ ♆

⥼ ᗷIG ᗪᗩᗪᗪY ⥽

ᗷIG ᗪᗩᗪᗪIᕮS, OᖇIGIᑎᗩᒪᒪY ᑎᗩᗰᕮᗪ ᑭᖇOTᕮᑕTOᖇS, ᗩᑎᗪ OᑕᑕᗩSIOᑎᗩᒪᒪY ᖇᕮᖴᕮᖇᖇᕮᗪ TO ᗩS "ᗰISTᕮᖇ ᗷᑌᗷᗷᒪᕮS" Oᖇ "ᗰISTᕮᖇ ᗷ" ᗷY ᒪITTᒪᕮ SISTᕮᖇS, ᗩᖇᕮ GᕮᑎᕮTIᑕᗩᒪᒪY ᕮᑎᕼᗩᑎᑕᕮᗪ ᕼᑌᗰᗩᑎ ᗷᕮIᑎGS ᗯᕼO ᕼᗩᐯᕮ ᕼᗩᗪ TᕼᕮIᖇ SKIᑎ ᗩᑎᗪ OᖇGᗩᑎS GᖇᗩᖴTᕮᗪ IᑎTO ᗩᑎ ᕮᑎOᖇᗰOᑌS ᗪIᐯIᑎG SᑌIT, ᗯITᕼ ᗩᒪᑭᕼᗩ SᕮᖇIᕮS ᗷᕮIᑎG ᗩᑎ ᗩᑭᑭᗩᖇᕮᑎT ᕮ᙭ᑕᕮᑭTIOᑎ TO Tᕼᕮ GᖇᗩᖴTIᑎG ᑭᖇOᑕᕮSS, TᕼOᑌGᕼ STIᒪᒪ ᕼᕮᗩᐯIᒪY SᑭᒪIᑕᕮᗪ. TᕼᕮIᖇ ᑭᖇIᗰᗩᖇY ᑭᑌᖇᑭOSᕮ IS TO ᑭᖇOTᕮᑕT ᒪITTᒪᕮ SISTᕮᖇS ᗯᕼIᒪᕮ TᕼᕮY ᕮSᑕOᖇT Tᕼᕮᗰ ᗩᖇOᑌᑎᗪ Tᕼᕮ ᑕITY Oᖴ ᖇᗩᑭTᑌᖇᕮ.

ᗩSIᗪᕮ ᖴᖇOᗰ Tᕼᕮ OᖇIGIᑎᗩᒪ ᗩᒪᑭᕼᗩ SᕮᖇIᕮS, ᗷIG ᗪᗩᗪᗪIᕮS ᑕOᗰᗰᑌᑎIᑕᗩTᕮ ᗷY ᑌTTᕮᖇIᑎG ᕼᗩᑌᑎTIᑎG SOᑌᑎᗪS SIᗰIᒪᗩᖇ TO TᕼᗩT Oᖴ ᗯᕼᗩᒪᕮ ᑕᗩᒪᒪS; Tᕼᕮ ᗩᒪᑭᕼᗩ SᕮᖇIᕮS, ᕼOᗯᕮᐯᕮᖇ, ᑕOᗰᗰᑌᑎIᑕᗩTᕮ ᗯITᕼ ᒪOᗯ, Iᑎᕼᑌᗰᗩᑎ GᖇᑌᑎTS ᗩᑎᗪ ᖇOᗩᖇS- ᖴOᖇ ᗩ ᗰᑌᑕᕼ ᕮᗩSIᕮᖇ IᑎTᕮᖇᑭᖇᕮTᗩTIOᑎ TO TᕼOSᕮ ᗩᖇOᑌᑎᗪ Tᕼᕮᗰ, ᑭᖇOᗪᑌᑕTIOᑎ ᗰOᗪᕮᒪ ᗷIG ᗪᗩᗪᗪIᕮS ᕼᗩᐯᕮ ᗩ ᗷIOᒪᑌᗰIᑎᕮSᑕᕮᑎT ᑕᕼᕮᗰIᑕᗩᒪ SᑌᗷSTᗩᑎᑕᕮ ᗯᕼIᑕᕼ ᖴIᒪᒪᕮᗪ Tᕼᕮ ᕼᕮᒪᗰᕮT, ᗪISᑭᒪᗩYIᑎG ITS STᗩTᕮ Oᖴ ᕮᗰOTIOᑎ Oᖇ ᗰIᑎᗪ. ᕮᗩᑕᕼ ᗷIG ᗪᗩᗪᗪY ᕼᗩS Tᕼᖇᕮᕮ ᗪIᖴᖴᕮᖇᕮᑎT ᑕOᒪOᖇS TᕼᗩT ᕼᕮ ᗯIᒪᒪ ᗪISᑭᒪᗩY Iᑎ ᗩᑎY GIᐯᕮᑎ SITᑌᗩTIOᑎ:

♆ Gᖇᕮᕮᑎ TO IᑎᗪIᑕᗩTᕮ TᕼᗩT Tᕼᕮ ᗷIG ᗪᗩᗪᗪY IS ᕼYᑭᑎOTIᘔᕮᗪ, ᗩᑎᗪ ᖴᖇIᕮᑎᗪᒪY.
♆ YᕮᒪᒪOᗯ TO IᑎᗪIᑕᗩTᕮ Tᕼᕮ ᗷIG ᗪᗩᗪᗪIᕮS ᗩᗯᗩᖇᕮᑎᕮSS, ᗷᑌT IᑎᗪIᖴᖴᕮᖇᕮᑎᑕᕮ TO ᕼIS ᕮᑎᐯIᖇOᑎᗰᕮᑎT, ᕼOᗯᕮᐯᕮᖇ, ᕼᕮ ᗯIᒪᒪ STIᒪᒪ ᖇᕮᗩᑕT TO ᑭᕮOᑭᒪᕮ ᑎᕮᗩᖇ ᕼIᗰ ᗷY SᕼOᐯIᑎG Tᕼᕮᗰ ᗩSIᗪᕮ.
♆ ᖇᕮᗪ TO IᑎᗪIᑕᗩTᕮ Tᕼᕮ ᗷIG ᗪᗩᗪᗪIᕮS ᖇᗩGᕮ TOᗯᗩᖇᗪS ᗩSSᗩIᒪᗩᑎTS.

SᑌᖇᐯIᐯIᑎG ᗷIG ᗪᗩᗪᗪIᕮS ᗯᕼO ᑎO ᒪOᑎGᕮᖇ ᕼᗩᐯᕮ TᕼᕮIᖇ ᒪITTᒪᕮ SISTᕮᖇS ᗷY TᕼᕮIᖇ SIᗪᕮS ᗩᖇᕮ Iᑎ ᗩ ᑭᕮᖇᗰᗩᑎᕮᑎT STᗩTᕮ Oᖴ ᗯᖇᗩTᕼ ᗪᑌᕮ TO Tᕼᕮ ᑭᖇOᒪOᑎGᕮᗪ SᕮᑭᗩᖇᗩTIOᑎ, TᕼIS ᗰᗩKᕮS Tᕼᕮᗰ ᕮ᙭TᖇᕮᗰᕮᒪY ᗩGGᖇᕮSSIᐯᕮ TOᗯᗩᖇᗪS TᕼOSᕮ ᗩᖇOᑌᑎᗪ Tᕼᕮᗰ, ᑕᗩᑌSIᑎG Tᕼᕮᗰ TO ᗩTTᗩᑕK ᗯITᕼOᑌT ᗯᗩᖇᑎIᑎG Oᖇ ᑭᖇOᐯOᑕᗩTIOᑎ.

SO ᖴᗩᖇ, Tᕼᕮᖇᕮ ᗩᖇᕮ ᖴIᐯᕮ ᗰᗩIᑎ TYᑭᕮS Oᖴ ᗷIG ᗪᗩᗪᗪY ᑭᖇOTᕮᑕTOᖇS, IᑎᑕᒪᑌᗪIᑎG TᗯO ᕮᒪITᕮ ᐯᕮᖇSIOᑎS ᖴOᖇ OᑎᒪY Tᕼᕮ ᗷOᑌᑎᑕᕮᖇ ᗩᑎᗪ ᖇOSIᕮ; Oᖴ Tᕼᕮ ᖴIᐯᕮ ᑭᖇOTᕮᑕTOᖇS, OᑎᒪY ᖴOᑌᖇ ᗩᖇᕮ ᖴᑌᑎᑕTIOᑎᗩᒪ ᗩᑎᗪ ᑭᖇOTᕮᑕT Tᕼᕮ ᒪITTᒪᕮ SISTᕮᖇS, ᗯITᕼ OᑎᒪY Tᕼᕮ OᖇIGIᑎᗩᒪ ᗩᒪᑭᕼᗩ SᕮᖇIᕮS ᗩS ᑎOᑎ-ᖴᑌᑎᑕTIOᑎᗩᒪ ᑭᖇOTᕮᑕTOᖇS, ᗯITᕼ Tᕼᕮ ᕮ᙭ᑕᕮᑭTIOᑎ Oᖴ SᑌᗷᒍᕮᑕT ᗪᕮᒪTᗩ ᗩᑎᗪ SᑌᗷᒍᕮᑕT SIGᗰᗩ.

ᖴOᖇ ᗰOᖇᕮ IᑎᖴOᖇᗰᗩTIOᑎ Oᑎ TᕼᕮSᕮ ᗷIG ᗪᗩᗪᗪIᕮS, ᖴᕮᕮᒪ ᖴᖇᕮᕮ TO Sᕮᗩᖇᑕᕼ TᕼᖇOᑌGᕼ Tᕼᕮ ᕼIᗪᕮᖇ ᗷᕮᒪOᗯ- TᕼOᑌGᕼ ᗷᕮ Sᑌᖇᕮ TO Kᕮᕮᑭ ᗩᑎ ᕮYᕮ OᑌT; ᖴOᖇ Tᕼᕮ ᒪISTS ᗯIᒪᒪ ᗩᒪᗯᗩYS ᑕOᑎTIᑎᑌᕮ TO GᖇOᗯ...

ᗷIG ᗪᗩᗪᗪIᕮS Oᖴ ᖇᗩᑭTᑌᖇᕮ

⥼ ᗷOᑌᑎᑕᕮᖇS ⥽

"TᕼᗩT'S Tᕼᕮ ᗷIG ᗪᗩᗪᗪY. Sᕼᕮ GᗩTᕼᕮᖇS ᗩᗪᗩᗰ, ᕼᕮ KᕮᕮᑭS ᕼᕮᖇ Sᗩᖴᕮ."

ᗷOᑌᑎᑕᕮᖇS ᗩᖇᕮ ᑕᒪᗩᗪ Iᑎ ᗩ ᐯᕮᖇY ᗪISTIᑎᑕT ᕼᕮᗩᐯY ᗪIᐯIᑎG SᑌIT, Tᕼᕮ ᕮᑎTIᖇᕮ TOᖇSO Oᖴ ᗯᕼIᑕᕼ IS ᑕOᐯᕮᖇᕮᗪ ᗷY ᗩ TᕼIᑕK ᗰᕮTᗩᒪ ᑕᗩᖇᗩᑭᗩᑕᕮ. Tᕼᕮ ᕼᕮᗩᗪ ᑭᖇOTᖇᑌᗪᕮS ᗪIᖇᕮᑕTᒪY ᖴOᖇᗯᗩᖇᗪ ᖴᖇOᗰ Tᕼᕮ ᑌᑭᑭᕮᖇ ᑕᕼᕮST ᗩᖇᕮᗩ ᗩᑎᗪ IS ᕮᑎᑕᗩSᕮᗪ Iᑎ ᗩ ᕼᕮᗰISᑭᕼᕮᖇIᑕᗩᒪ ᕼᕮᒪᗰᕮT STᑌᗪᗪᕮᗪ ᗯITᕼ ᕮIGᕼT ᒪIT ᑭOᖇTᕼOᒪᕮS. ᗩ ᒪᗩᖇGᕮ, ᖴᑌᒪᒪY-ᖴᑌᑎᑕTIOᑎᗩᒪ ᑕOᑎIᑕᗩᒪ ᗪᖇIᒪᒪ IS ᗩTTᗩᑕᕼᕮᗪ TO Tᕼᕮ ᖇIGᕼT ᗩᖇᗰ ᒍᑌST ᖴOᖇᗯᗩᖇᗪ Oᖴ Tᕼᕮ ᕮᒪᗷOᗯ ᗩᑎᗪ IS ᑌSᕮᗪ ᖴOᖇ ᑭOᗯᕮᖇᖴᑌᒪ ᗰᕮᒪᕮᕮ ᗩTTᗩᑕKS. Tᕼᕮ ᗷOᑌᑎᑕᕮᖇS GᕮT TᕼᕮIᖇ ᑎᗩᗰᕮ ᖴᖇOᗰ TᕼᕮIᖇ ᗯIᒪᒪ TO ᑭᖇOTᕮᑕT TᕼᕮIᖇ ᗷOᑎᗪᕮᗪ ᒪITTᒪᕮ SISTᕮᖇS.

⥼ ᖇOSIᕮS ⥽

"..ᕼᕮ..? ᗩ ᒪᑌᗰᗷᕮᖇIᑎG ᑭᗩᒪOOKᗩ Iᑎ ᗩ ᖴOᑌᒪ-SᗰᕮᒪᒪIᑎG ᗪIᐯIᑎG SᑌIT…"

ᖇOSIᕮS ᗩᖇᕮ ᑕᒪᗩᗪ Iᑎ ᗩ ᗷᗩSIᑕ ᕼᕮᗩᐯY ᖴᒪᕮ᙭Iᗷᒪᕮ ᖴᗩᗷᖇIᑕ ᗪIᐯIᑎG SᑌIT, Tᕼᕮ ᑌᑭᑭᕮᖇ TOᖇSO Oᖴ ᗯᕼIᑕᕼ IS ᑕOᐯᕮᖇᕮᗪ ᗷY ᗩ ᕼIGᕼ-GᗩᑌGᕮ ᗰᕮTᗩᒪ ᑕᗩᖇᗩᑭᗩᑕᕮ. Tᕼᕮ ᕼᕮᗩᗪ IS Gᑌᗩᖇᗪᕮᗪ ᗷY ᗩ TᕼIᑕK ᗰᕮTᗩᒪ ᗪIᐯIᑎG ᕼᕮᒪᗰᕮT ᗯᕮᒪᗪᕮᗪ TO Tᕼᕮ TOᖇSO ᑕᗩᖇᗩᑭᗩᑕᕮ ᗩᑎᗪ ᕼᗩS Tᕼᖇᕮᕮ ᒪᗩᖇGᕮ ᒪIT ᑭOᖇTᕼOᒪᕮS. TᕼᕮY ᗯIᕮᒪᗪ ᒪᗩᖇGᕮ ᖇIᐯᕮT GᑌᑎS ᗩᑎᗪ ᑭᖇO᙭IᗰITY ᗰIᑎᕮS ᗩT ᒪOᑎG ᖇᗩᑎGᕮ, ᗩᑎᗪ ᑌSᕮ Tᕼᕮ ᖇIᐯᕮT Gᑌᑎ ᖴOᖇ ᑭOᗯᕮᖇᖴᑌᒪ ᗰᕮᒪᕮᕮ ᗩTTᗩᑕKS ᗩS ᗯᕮᒪᒪ.

⥼ ᖇᑌᗰᗷᒪᕮᖇ ⥽

"ᗩᒪᒪ ᖇIGᕼT, ᖴᑌᑎ'S ᖴᑌᑎ, KIᗪ, ᗷᑌT ᑎOᗯ ... GO GᕮT STᕮᑭᑭᕮᗪ Oᑎ ᗷY ᗩ ᗷIG ᗪᗩᗪᗪY, ᗯOᑌᒪᗪ YOᑌ KIᑎᗪᒪY..?"

Tᕼᕮ ᖇᑌᗰᗷᒪᕮᖇ IS Tᕼᕮ ᑎᕮᗯᕮST TYᑭᕮ Oᖴ ᗷIG ᗪᗩᗪᗪY, ᗩᑎᗪ ᗪᕮᗷᑌTS Iᑎ ᗷIOSᕼOᑕK 2. ᗪᕮSIGᑎᕮᗪ ᗷY GIᒪᗷᕮᖇT ᗩᒪᕮ᙭ᗩᑎᗪᕮᖇ, ᕼIS ᗩᖇSᕮᑎᗩᒪ IᑎᑕᒪᑌᗪᕮS ᗪᕮᑭᒪOYᗩᗷᒪᕮ ᗰIᑎI-TᑌᖇᖇᕮTS ᗩᑎᗪ ᗩ SᕼOᑌᒪᗪᕮᖇ ᗰOᑌᑎTᕮᗪ ᖇᑭG TᕼᗩT SᕼOOTS ᑎOᑎ-GᑌIᗪᕮᗪ ᖇOᑕKᕮTS. TᕼIS ᗷIG ᗪᗩᗪᗪY TYᑭᕮ SᕮᕮᗰS TO ᗷᕮ ᗰOᖇᕮ ᗰOᗷIᒪᕮ Tᕼᗩᑎ Tᕼᕮ OTᕼᕮᖇ TᗯO TYᑭᕮS, ᗩᒪTᕼOᑌGᕼ ᒪᕮSS ᗩᖇᗰOᖇᕮᗪ. ITS ᑕOᗰᗷᗩT STYᒪᕮ GIᐯᕮS IT ᗩᑎ ᗩᗪᐯᗩᑎTᗩGᕮ Iᑎ Oᑭᕮᑎ SᑭᗩᑕᕮS, ᑌᑎᒪIKᕮ ITS TᗯO ᑕOᑌᑎTᕮᖇᑭᗩᖇTS, ᗩᑎᗪ IT SᕮᕮᗰS TO ᖴᗩᖇᕮ ᗯᕮᒪᒪ Iᑎ ᒪOᑎG TO ᗰIᗪ-ᖇᗩᑎGᕮ ᑕOᗰᗷᗩT. ITS ᗩTTᗩᑕKS ᗩᖇᕮ ᗪᕮSIGᑎᕮᗪ TO Kᕮᕮᑭ Tᕼᕮ ᑭᒪᗩYᕮᖇ Oᑎ Tᕼᕮ ᗰOᐯᕮ, ᗩᑎᗪ IT ᑕᗩᑎ ᑫᑌIᑕKᒪY Tᑌᖇᑎ Tᕼᕮ ᕮᑎᐯIᖇOᑎᗰᕮᑎT TO ITS ᗩᗪᐯᗩᑎTᗩGᕮ ᗩᑎᗪ GIᐯᕮ Tᕼᕮ ᑭᒪᗩYᕮᖇ ᗩS ᒪITTᒪᕮ ᑕOᐯᕮᖇ ᗩS ᑭOSSIᗷᒪᕮ. ᗩ ᐯᕮᖇY ᖴOᖇᗰIᗪᗩᗷᒪᕮ ᖴOᕮ TO SᗩY Tᕼᕮ ᒪᕮᗩST.

⥼ ᗩᒪᑭᕼᗩ SᕮᖇIᕮS ⥽

"ᒪOOK ᗰᖇ ᗷᑌᗷᗷᒪᕮS..! ᗩᑎ ᗩᑎGᕮᒪ..."

ᒪIKᕮ SᑌᗷᒍᕮᑕT ᗪᕮᒪTᗩ, OTᕼᕮᖇ ᖴᗩIᒪᕮᗪ ᑭᖇOTOTYᑭᕮS Oᖴ Tᕼᕮ ᗩᒪᑭᕼᗩ SᕮᖇIᕮS Oᖴ ᗷIG ᗪᗩᗪᗪIᕮS SᑌᖇᐯIᐯᕮᗪ. TᕼᕮY ᕼᗩᐯᕮ ᒪOᑎG SIᑎᑕᕮ ᒪOST TᕼᕮIᖇ SISTᕮᖇS, ᗩᑎᗪ ᕼᗩᐯᕮ ᕮᐯOᒪᐯᕮᗪ IᑎTO SOᗰᕮTᕼIᑎG ᐯᗩGᑌᕮᒪY ᒪIKᕮ ᗩ SᑭᒪIᑕᕮᖇ. TᕼᕮSᕮ ᗩᖇᕮ ᗷᗩᖇᕮᒪY SᕮᑎTIᕮᑎT ᗰOᑎSTᕮᖇS TᕼᗩT ᗩTTᗩᑕK ᗩᑎYTᕼIᑎG ᑎᕮᗩᖇ Tᕼᕮᗰ. ᒪIKᕮ ᗪᕮᒪTᗩ, TᕼᕮY ᑕᗩᑎ ᑌSᕮ ᑭᒪᗩSᗰIᗪS ᗩᑎᗪ ᖇᕮGᑌᒪᗩᖇᒪY ᕮᗰIT ᗷᑌᖇSTS Oᖴ ᕮᒪᕮᑕTᖇO ᗷOᒪT, IᑎᑕIᑎᕮᖇᗩTᕮ!, ᗩᑎᗪ ᗯIᑎTᕮᖇ ᗷᒪᗩST ᖴᖇOᗰ TᕼᕮIᖇ ᗰᗩᒪᖴᑌᑎᑕTIOᑎIᑎG SᑌITS. TᕼᕮY Tᕮᑎᗪ TO ᑌSᕮ ᒪᗩᑌᑎᑕᕼᕮᖇS, ᗰᗩᑕᕼIᑎᕮ GᑌᑎS, ᗩᑎᗪ SOᗰᕮTIᗰᕮS SᕼOTGᑌᑎS Iᑎ ᗩᗪᗪITIOᑎ TO TᕼᕮIᖇ ᑭᒪᗩSᗰIᗪS. TᕼᕮIᖇ ᗩᖇᗰOᖇ IS SIᗰIᒪᗩᖇ TO ᗪᕮᒪTᗩ'S, ᗷᑌT ᗰOᖇᕮ ᗪᕮᑕᗩYᕮᗪ ᗯITᕼ ᑭᗩᖇT Oᖴ Tᕼᕮ ᗩᖇᗰ ᕮ᙭ᑭOSᕮᗪ.

TᕼᕮIᖇ ᗷOᑎᗪS ᗯᕮᖇᕮ TO ᗷᕮ TO ᗩ SIᑎGᒪᕮ ᒪITTᒪᕮ SISTᕮᖇ, ᗯITᕼ ᗪᕮᒪTᗩ ᗷᕮIᑎG Tᕼᕮ ᖴIᖇST SᑌᑕᑕᕮSS. ᗷᕮᑕᗩᑌSᕮ Oᖴ TᕼIS, TᕼᕮY ᗩᖇᕮ ᗷᕮᒪIᕮᐯᕮᗪ TO ᑎOT ᕼᗩᐯᕮ ᑌᑎᗪᕮᖇGOᑎᕮ SOᗰᕮ Oᖴ Tᕼᕮ ᗰOᗪIᖴIᑕᗩTIOᑎS ᒪᗩTᕮᖇ ᗷIG ᗪᗩᗪᗪIᕮS ᕼᗩᐯᕮ, Sᑌᑕᕼ ᗩS Tᕼᕮ ᗩᑭᑭᒪIᑕᗩTIOᑎ Oᖴ ᑭᕼᕮᖇOᗰOᑎᕮS. Tᕼᕮᖇᕮ ᗯᗩS ᑎO ᑎᕮᕮᗪ ᗪᑌᕮ TO TᕼᕮIᖇ ᑭᕼYSIOᒪOGIᑕᗩᒪᒪY ᕮᑎᖴOᖇᑕᕮᗪ ᗷOᑎᗪ TO ᗩ SIᑎGᒪᕮ ᒪITTᒪᕮ SISTᕮᖇ. TᕼᕮY ᗯᕮᖇᕮ ᑎOT ᖴᑌSᕮᗪ IᑎTO TᕼᕮIᖇ SᑌITS. ᗰᗩᑎY Oᖴ Tᕼᕮ ᗩᒪᑭᕼᗩ SᕮᖇIᕮS SᑌᗷᒍᕮᑕTS ᗩᑭᑭᕮᗩᖇ TO ᕼᗩᐯᕮ ᕼᗩᗪ IᑎᑕOᗰᑭᒪᕮTᕮ Oᖇ OTᕼᕮᖇᗯISᕮ ᖴᗩᑌᒪTY ᗷOᑎᗪS SO TᕼᗩT IᑎSTᕮᗩᗪ Oᖴ SᒪIᑭᑭIᑎG IᑎTO ᗩ ᑕOᗰᗩ ᗩᖴTᕮᖇ ᒪOSIᑎG TᕼᕮIᖇ ᒪITTᒪᕮ SISTᕮᖇS, TᕼᕮY SIᗰᑭᒪY ᗯᕮᑎT ᗰᗩᗪ.

⥼ ᒪᗩᑎᑕᕮᖇ ⥽

"ᗩᑎᗪ TᕼᕮY'ᒪᒪ OᑎᒪY TᖇᑌST YOᑌ Iᖴ YOᑌ ᒪOOK ᒪIKᕮ, SOᑌᑎᗪ ᒪIKᕮ, ᗩᑎᗪ ᕮᐯᕮᑎ Sᗰᕮᒪᒪ ᒪIKᕮ Oᑎᕮ Oᖴ TᕼOSᕮ ᗷIG, STIᑎKIᑎG ᗷᖇᑌTᕮS."

Tᕼᕮ ᒪᗩᑎᑕᕮᖇ IS ᗰᑌᑕᕼ SᒪIᗰᗰᕮᖇ, SᒪIGᕼTᒪY Tᗩᒪᒪᕮᖇ, ᗩᑎᗪ ᗰOᖇᕮ ᗪᕮᑕOᖇᗩTᕮᗪ Tᕼᗩᑎ ᕼIS ᑕOᑌᑎTᕮᖇᑭᗩᖇTS. ᕼᕮ ᕼOᒪᗪS ᗩᑎ IOᑎ ᒪᗩSᕮᖇ, ᗩᑎᗪ ᗩᑭᑭᕮᗩᖇS TO ᗷᕮ ᗩ ᖴIᑎISᕼᕮᗪ ᐯᕮᖇSIOᑎ Oᖴ Tᕼᕮ ᗪᕮᑕO-ᖇOSIᕮ, ᗩS Sᕮᕮᑎ Iᑎ ᗪᕮSIGᑎ ᗯOᖇK ᗩᑎᗪ ᗰOᗪᕮᒪS Iᑎ Tᕼᕮ ᗰᗩIᑎ ᗯOᖇKSᕼOᑭ.

⥼ ᒪITTᒪᕮ SISTᕮᖇS ⥽

ᗩᒪSO KᑎOᗯᑎ ᗩS GᗩTᕼᕮᖇᕮᖇS, ᒪITTᒪᕮ SISTᕮᖇS ᗩᖇᕮ YOᑌᑎG ᑭᖇᕮ-ᑭᑌᗷᕮSᑕᕮᑎT GIᖇᒪS ᗯᕼO ᕼᗩᐯᕮ ᗷᕮᕮᑎ GᕮᑎᕮTIᑕᗩᒪᒪY ᗩᒪTᕮᖇᕮᗪ ᗩᑎᗪ ᗰᕮᑎTᗩᒪᒪY ᑕOᑎᗪITIOᑎᕮᗪ TO ᖇᕮᑕᒪᗩIᗰ ᗩᗪᗩᗰ ᖴᖇOᗰ Tᕼᕮ ᑕOᖇᑭSᕮS ᒪITTᕮᖇᕮᗪ ᗩᖇOᑌᑎᗪ Tᕼᕮ ᑕITY Oᖴ ᖇᗩᑭTᑌᖇᕮ. ᑕᖇᕮᗩTᕮᗪ ᗷY ᖇᕮᑎOᗯᑎᕮᗪ SᑕIᕮᑎTIST, ᗷᖇIGIᗪ Tᕮᑎᕮᑎᗷᗩᑌᗰ ᗩS ᗩ SOᒪᑌTIOᑎ TO Tᕼᕮ ᗩᗪᗩᗰ SᕼOᖇTᗩGᕮ; ᒪITTᒪᕮ SISTᕮᖇS ᕮ᙭TᖇᗩᑕT IᑎᕮᖇT ᗩᗪᗩᗰ ᖴᖇOᗰ Tᕼᕮ ᗪᕮᗩᗪ (ᗯᕼOᗰ Tᕼᕮ GIᖇᒪ'S ᖇᕮᖴᕮᖇ TO ᗩS "ᗩᑎGᕮᒪS") ᗷY ᑌSIᑎG ᖇᕮTᖇᗩᑕTᗩᗷᒪᕮ ᑎᕮᕮᗪᒪᕮS, ᗷᕮᖴOᖇᕮ ᑕOᑎSᑌᗰIᑎG Tᕼᕮ ᒪIᑫᑌIᗪ SO TᕼᗩT TᕼᕮIᖇ ᗷOᗪIᕮS ᑕᗩᑎ ᖇᕮᑭᖇOᑕᕮSS IT Oᑎᑕᕮ ᗩGᗩIᑎ IᑎTO ITS ᑌSᗩᗷᒪᕮ ᖴOᖇᗰ. ᗩᒪᗰOST ᗩᒪᗯᗩYS ᗩᑕᑕOᗰᑭᗩᑎIᕮᗪ ᗷY ᗩ ᗷIG ᗪᗩᗪᗪY, TᕼᕮY ᗩᖇᕮ GᕮᑎᕮᖇᗩᒪᒪY Iᗰᗰᑌᑎᕮ TO ᗩᒪᒪ ᖴOᖇᗰS Oᖴ ᗪᗩᗰᗩGᕮ, OᑌTSIᗪᕮ Oᖴ ᗷᕮIᑎG ᕼᗩᖇᐯᕮSTᕮᗪ, ᗩᑎᗪ ᕼᗩᐯᕮ ᑎO OᖴᖴᕮᑎSIᐯᕮ ᗩᗷIᒪITIᕮS; ᗩTTᗩᑕKIᑎG Tᕼᕮᗰ, ᕼOᗯᕮᐯᕮᖇ, ᗯIᒪᒪ Iᑎᑕᑌᖇ Tᕼᕮ ᗯᖇᗩTᕼ Oᖴ TᕼᕮIᖇ ᗷIG ᗪᗩᗪᗪY ᑭᖇOTᕮᑕTOᖇS.

ᖴOᖇ ᗰOᖇᕮ IᑎᖴOᖇᗰᗩTIOᑎ Oᑎ TᕼᕮSᕮ ᒪITTᒪᕮ SISTᕮᖇS, ᖴᕮᕮᒪ ᖴᖇᕮᕮ TO Sᕮᗩᖇᑕᕼ TᕼᖇOᑌGᕼ Tᕼᕮ ᕼIᗪᕮᖇ ᗷᕮᒪOᗯ- TᕼOᑌGᕼ ᗷᕮ Sᑌᖇᕮ TO Kᕮᕮᑭ ᗩᑎ ᕮYᕮ OᑌT; ᖴOᖇ Tᕼᕮ ᒪISTS ᗯIᒪᒪ ᗩᒪᗯᗩYS ᑕOᑎTIᑎᑌᕮ TO GᖇOᗯ...

ᒪITTᒪᕮ SISTᕮᖇS Oᖴ ᖇᗩᑭTᑌᖇᕮ

⥼ ᑭᕼYSIᑕᗩᒪ ᑕᕼᗩᖇᗩᑕTᕮᖇISTIᑕS ⥽

"I ᖇᕮᗰᕮᗰᗷᕮᖇ YOᑌ, ᗰOᑎSTᕮᖇ. YOᑌ STOᒪᕮ ᕮᒪᕮᗩᑎOᖇ ᖴᖇOᗰ ᗰᕮ... TᗯISTᕮᗪ TᕼᗩT ᗷᗩᗷY GIᖇᒪ IᑎTO ᗩ TᕼIᑎG SO SIᑕK IT ᑕᗩᑎ'T ᕮᐯᕮᑎ ᗪIᕮ..."

ᕮᗩᑕᕼ ᗷᕮTᗯᕮᕮᑎ ᖴIᐯᕮ ᗩᑎᗪ ᕮIGᕼT YᕮᗩᖇS Oᖴ ᗩGᕮ; Tᕼᕮ ᒪITTᒪᕮ SISTᕮᖇS ᗩᖇᕮ ᕮᗩᑕᕼ ᑕᒪOTᕼᕮᗪ Iᑎ ᗪIᖇTY ᗪᖇᕮSSᕮS Oᖴ ᐯᗩᖇIOᑌS ᑕOᒪOᖇS TᕼᗩT ᖇᕮᗩᑕᕼ ᒍᑌST ᗷᕮᒪOᗯ TᕼᕮIᖇ KᑎᕮᕮS. ᗩᒪᒪ Oᖴ Tᕼᕮ ᒪITTᒪᕮ SISTᕮᖇS ᗩᖇᕮ ᗷᗩᖇᕮᖴOOT ᗯᕼIᒪᕮ TᕼᕮY ᕮ᙭ᑭᒪOᖇᕮ Tᕼᕮ ᕼᗩᒪᒪS Oᖴ ᖇᗩᑭTᑌᖇᕮ, ᕼOᗯᕮᐯᕮᖇ, ᗷᕮᖴOᖇᕮ Tᕼᕮ ᖇIOTS TᕼᕮY ᗯOᖇᕮ SᕼOᕮS, ᗩᑎᗪ ᗪᑌᕮ TO TᕼᕮIᖇ ᖴᗩST ᖇᕮGᕮᑎᕮᖇᗩTIOᑎ, TᕼᕮY ᗩᖇᕮ ᗩᗷᒪᕮ TO ᗯᗩᒪK Oᑎ ᗩᑎY ᕼᗩᖇSᕼ Sᑌᖇᖴᗩᑕᕮ ᗯITᕼOᑌT ᑭᖇOᗷᒪᕮᗰS.

ᑎᕮᗩᖇᒪY Iᑎᐯᑌᒪᑎᕮᖇᗩᗷᒪᕮ TO ᗪᗩᗰᗩGᕮ ᗯᕼIᒪᕮ TᕼᕮY ᕼᗩᐯᕮ Tᕼᕮ Sᕮᗩ SᒪᑌGS ᗯITᕼIᑎ Tᕼᕮᗰ; ᗯᕼᕮᑎ ᗩ ᒪITTᒪᕮ SISTᕮᖇ IS STᖇᑌᑕK, ᕼᕮᖇ ᖴᒪᕮSᕼ ᗯIᒪᒪ GᒪOᗯ ᗩᑎ ᑌᑎᑎᗩTᑌᖇᗩᒪ GOᒪᗪᕮᑎ ᑕOᒪOᖇ, SᕼOᗯIᑎG Tᕼᕮ ᕮᖴᖴᕮᑕTS Oᖴ ᖴᗩST ᖇᕮGᕮᑎᕮᖇᗩTIOᑎ ᗪᑌᕮ TO ᗩᗪᗩᗰ, ᕼOᗯᕮᐯᕮᖇ, ᕮᐯᕮᑎ ᗯITᕼ Tᕼᕮ ᖴᗩST ᖇᕮGᕮᑎᕮᖇᗩTIOᑎ Oᖴ ᗩᗪᗩᗰ Tᕼᕮ GIᖇᒪS ᗩᖇᕮ STIᒪᒪ ᐯᑌᒪᑎᕮᖇᗩᗷᒪᕮ. ᗩᗷᒪᕮ TO ᗷᕮ KIᒪᒪᕮᗪ ᗷY SᑭᒪIᑕᕮᖇS ᗯᕼO ᗯᗩᑎT TO ᕮ᙭TᖇᗩᑕT Tᕼᕮ ᗩᗪᗩᗰ TᕼᕮY ᑕOᑎTᗩIᑎ ᗷY ᖴOᖇᑕᕮᗪ ᖇᕮᗰOᐯᗩᒪ Oᖴ Tᕼᕮ Sᕮᗩ SᒪᑌG (ᗩ.K.ᗩ. ᕼᗩᖇᐯᕮSTIᑎG); ᒪITTᒪᕮ SISTᕮᖇS ᗩᖇᕮ SᕼOᗯᑎ TO ᗷᕮ "IᑎᐯIᑎᑕIᗷᒪᕮ" ᗩᑎᗪ ᗩᖇᕮ ᗩᗷᒪᕮ TO ᖇᕮGᕮᑎᕮᖇᗩTᕮ ᗩᑎY ᗪᗩᗰᗩGᕮ, TᕼIS IᑎᐯIᑎᑕIᗷIᒪITY ᕼOᗯᕮᐯᕮᖇ, IS ᑎOT ᑭᕮᖇᖴᕮᑕT. ᗩᑎ ᕮ᙭ᗩᗰᑭᒪᕮ Oᖴ TᕼIS IS Iᖴ ᗩ ᒪITTᒪᕮ SISTᕮᖇ ᗯᕮᖇᕮ TO ᗷᖇᕮᗩK ᕼᕮᖇ ᒪᕮGS, ᖴOᖇᑕIᑎG Tᕼᕮᗰ ᗩT Oᗪᗪ ᗩᑎGᒪᕮS, TᕼᕮY ᗯOᑌᒪᗪ ᕼᕮᗩᒪ SO ᑫᑌIᑕKᒪY Tᕼᕮ ᗷOᑎᕮS ᗯOᑌᒪᗪ ᖴᑌSᕮ ᗩT TᕼᕮSᕮ ᗩᑎGᒪᕮS; Iᑎ Oᖇᗪᕮᖇ TO ᗷᕮ SᕮT ᖇIGᕼT, TᕼᕮY ᗯOᑌᒪᗪ ᕼᗩᐯᕮ TO ᗷᕮ ᗷᖇOKᕮᑎ ᖇᕮᑭᕮᗩTᕮᗪᒪY ᗪᑌᕮ TO Tᕼᕮ ᗩᒪᗰOST IᑎSTᗩᑎT ᕼᕮᗩᒪIᑎG ᑭᖇOᑕᕮSS, ᖴᑌᖇTᕼᕮᖇᗰOᖇᕮ, ᒪITTᒪᕮ SISTᕮᖇS ᗩᖇᕮ ᑎOT Iᗰᗰᑌᑎᕮ TO Tᕼᕮ ᖇᕮSᑌᒪTIᑎG ᑭᗩIᑎ.

Tᕼᕮ OᑎᒪY ᗩTTᗩᑕK TᕼᗩT ᑕᗩᑎ TᖇᑌᒪY ᗩᖴᖴᕮᑕT ᒪITTᒪᕮ SISTᕮᖇS IS Tᕼᕮ SᑭᒪᗩSᕼ ᗪᗩᗰᗩGᕮ Oᖴ ᗩ Gᖇᕮᑎᗩᗪᕮ; ᗯᕼᕮᑎ ᗩ ᒪITTᒪᕮ SISTᕮᖇ IS ᗯITᕼIᑎ Tᕼᕮ ᐯIᑕIᑎITY Oᖴ ᗩ TᕼᖇOᗯᑎ Gᖇᕮᑎᗩᗪᕮ, Sᕼᕮ ᗯIᒪᒪ ᗷᕮᑕOᗰᕮ ᖇᗩG-ᗪOᒪᒪISᕼ ᗩᑎᗪ ᗰOᐯᕮ ᗯITᕼ Tᕼᕮ SᑭᒪᗩSᕼ IᗰᑭᑌᒪSᕮ ᗩS Sᕼᕮ IS ᗷᖇIᕮᖴᒪY KᑎOᑕKᕮᗪ ᑌᑎᑕOᑎSᑕIOᑌS, ᗷᕮᖴOᖇᕮ ᕮᐯᕮᑎTᑌᗩᒪᒪY STᗩᑎᗪIᑎG ᗷᗩᑕK ᑌᑭ- ᒪITTᒪᕮ SISTᕮᖇS ᗩᖇᕮ ᗩᒪSO ᑕᗩᑭᗩᗷᒪᕮ Oᖴ SᑌᖇᐯIᐯIᑎG ᑌᑎᗪᕮᖇᗯᗩTᕮᖇ.

⥼ ᑕᑌᖇIᑎG Tᕼᕮ ᒪITTᒪᕮ SISTᕮᖇS ⥽

"YOᑌ ᕼᗩᐯᕮ Sᗩᐯᕮᗪ ᗰᗩᑎY Oᖴ ᗰY ᒪITTᒪᕮ OᑎᕮS. I Oᗯᕮ YOᑌ ᗩ ᗪᕮᗷT."

ᖇᕮᗰOᐯᗩᒪ Oᖴ Tᕼᕮ Sᕮᗩ SᒪᑌG ᖴᖇOᗰ Tᕼᕮ ᕼOST ᑌᑎᗪᕮᖇ ᑎOᖇᗰᗩᒪ ᑕIᖇᑕᑌᗰSTᗩᑎᑕᕮS IS ᖴᗩTᗩᒪ. ᗩᒪTᕼOᑌGᕼ Tᕼᕮ ᕼOST ᗪOᕮSᑎ'T ᗪIᕮ IᗰᗰᕮᗪIᗩTᕮᒪY (TᕼᕮIᖇ ᕼᕮᗩᖇTᗷᕮᗩT ᑕᗩᑎ STIᒪᒪ ᗷᕮ ᕼᕮᗩᖇᗪ), IT ᗯᗩS ᒪIKᕮᑎᕮᗪ TO TᗩKIᑎG ᗩ ᑭᗩTIᕮᑎT Oᖴᖴ ᒪIᖴᕮ SᑌᑭᑭOᖇT: TᕼᕮIᖇ ᗪᕮᗰISᕮ ᗯᗩS IᑎᕮᐯITᗩᗷᒪᕮ. Iᑎ ᗩ ᖴOᖇᑕᕮᗪ ᖇᕮᗰOᐯᗩᒪ, ᗩ ᒪᗩᖇGᕮ ᗩᗰOᑌᑎT Oᖴ ᗩᗪᗩᗰ ᑕOᑌᒪᗪ STIᒪᒪ ᗷᕮ OᗷTᗩIᑎᕮᗪ ᖴᖇOᗰ Tᕼᕮ Sᕮᗩ SᒪᑌG. ᕼOᗯᕮᐯᕮᖇ, Tᕮᑎᕮᑎᗷᗩᑌᗰ'S ᑕOᑎSTᗩᑎT ᑕOᑎTᗩᑕT ᗯITᕼ Tᕼᕮ ᒪITTᒪᕮ SISTᕮᖇS ᗩᑎᗪ TᕼᕮIᖇ ᑌᑎSᑌᑭᑭᖇᕮSSᕮᗪ ᑕᕼIᒪᗪᒪIKᕮ ᗷᕮᕼᗩᐯIOᖇ ᕮᐯᕮᑎTᑌᗩᒪᒪY ᑕᗩᑌSᕮᗪ ᕼᕮᖇ TO SᕮᕮK ᗩ ᗯᗩY TO SᗩᖴᕮᒪY ᖇᕮᗰOᐯᕮ Tᕼᕮ Sᕮᗩ SᒪᑌG. Iᑎ TIᗰᕮ, Sᕼᕮ ᗯᗩS ᗩᗷᒪᕮ TO ᗪᕮSIGᑎ ᗩ ᑭᒪᗩSᗰIᗪ ᗯITᕼ Tᕼᕮ ᗩᗷIᒪITY TO ᖇᕮSTOᖇᕮ SOᗰᕮ ᑕᕼᗩᖇᗩᑕTᕮᖇISTIᑕS Oᖴ Tᕼᕮ ᒪITTᒪᕮ SISTᕮᖇ'S ᑭᖇᕮ-Sᕮᗩ SᒪᑌG STᗩTᕮ; Tᕮᑎᕮᑎᗷᗩᑌᗰ ᒪᗩTᕮᖇ ᕮSTᗩᗷᒪISᕼᕮᗪ ᗩ Sᗩᖴᕮ ᕼOᑌSᕮ ᖴOᖇ ᖇᕮSTOᖇᕮᗪ ᒪITTᒪᕮ SISTᕮᖇS Iᑎ Tᕼᕮ TᑌᑎᑎᕮᒪS ᗷᕮᑎᕮᗩTᕼ OᒪYᗰᑭᑌS ᕼᕮIGᕼTS ᖴOᖇ TᕼᗩT ᑭᑌᖇᑭOSᕮ.

⥼ KᑎOᗯᑎ ᒪITTᒪᕮ SISTᕮᖇS ⥽

Tᕼᕮ ᖴOᒪᒪOᗯIᑎG IS ᗩ ᒪIST Oᖴ ᑕᑌᖇᖇᕮᑎT KᑎOᗯᑎ ᒪITTᒪᕮ SISTᕮᖇS ᑕᗩᒪᒪIᑎG ᖇᗩᑭTᑌᖇᕮ TᕼᕮIᖇ ᕼOᗰᕮ:

♆ ᗩᗪᕮᒪᗩIᗪᕮ TOᗷᕮT
♆ ᗩᗰY GᕮOᖇGᕮ
♆ ᗷᕮᒪIᑎᗪᗩ ᗷᗩᗷᑕOᑕK
♆ ᗷᖇIᗪGᕮT ᗷᗩᗷᑕOᑕK
♆ ᑕᗩᗰIᒪᒪᕮ ᗪᑌᗰᗩS
♆ ᑕᕼᗩᑎTᗩᒪ ᗪᑌᗰᗩS
♆ ᑕIᑎᗪY ᗰᕮᒪTᘔᕮᖇ
♆ ᕮᒪᕮᗩᑎOᖇ ᒪᗩᗰᗷ
♆ ᕮᒪᕮᑎᗩ ᖇOᗪᖇIGᑌᕮᘔ
♆ ᒍᕮᑎᑎIᖴᕮᖇ ᗯᗩᒪKᕮᖇ
♆ ᒪᕮTᗩ ᗯᗩᒪᒪᕮᖇ
♆ ᒪᑌᑕY ᗰᕮᑎᗪᕮᘔ
♆ ᗰᗩᖇY ᕮᒪIᘔᗩᗷᕮTᕼ SᗩᖇSᖴIᕮᒪᗪ
♆ ᗰᗩSᕼᗩ ᒪᑌTᘔ
♆ ᗰᗩᑌᖇᗩ ᑕᒪᑌᑎᕮ
♆ ᗰᕮᒪIᑎᗪᗩ (ᗰIᑎᗪY) ᒍᕮᒪᕮᑎSKI
♆ SᗩᒪᒪY ᗯᗩTSOᑎ
♆ SᑌSIᕮ ᒍOᕼᑎSOᑎ
♆ ᑌᒪᖇIKᕮ ᗰOᕮᒪᒪᕮᖇ
♆ ᐯᕮᖇOᑎIᑕᗩ SᗩᗰSOᑎ
♆ ᘔOᕮ ᗩᑎᗪᕮᖇSᗪOTTᕮᖇ

⥼ ᗷIG SISTᕮᖇ ⥽

Tᕼᕮ ᗷIG SISTᕮᖇS ᗩᖇᕮ ᒪITTᒪᕮ SISTᕮᖇS ᗯᕼO ᕼᗩᐯᕮ GᖇOᗯᑎ ᑌᑭ, ᗩᑎᗪ ᑭᗩSSᕮᗪ TᕼᖇOᑌGᕼ ᑭᑌᗷᕮᖇTY; Tᕼᕮ Oᐯᕮᖇᕮ᙭ᑭOSᑌᖇᕮ TO ᗩᗪᗩᗰ TᕼᖇOᑌGᕼOᑌT TᕼᕮIᖇ ᒪIᐯᕮS ᕼᗩᐯIᑎG ᗰᗩᒍOᖇ ᕮᖴᖴᕮᑕTS Oᑎ TᕼᕮIᖇ ᗰᕮᑎTᗩᒪ STᗩᗷIᒪITY, ᑕᗩᑌSIᑎG Tᕼᕮᗰ TO ᗷᕮᑕOᗰᕮ ᕮ᙭TᖇᕮᗰᕮᒪY ᐯIOᒪᕮᑎT, ᗩᑎᗪ GᖇᗩᑎTIᑎG Tᕼᕮᗰ IᗰᗰᕮᑎSᕮ STᖇᕮᑎGTᕼ, ᗩGIᒪITY GIᐯIᑎG Tᕼᕮᗰ Tᕼᕮ ᗩᗷIᒪITY TO ᕮᐯᕮᑎ ᒍᑌᗰᑭ ᗩᑕᖇOSS ᗩᑎ ᕮᑎTIᖇᕮ ᖇOOᗰ- ᗩᑎᗪ ᗯITᕼ Tᕼᕮ ᕼᕮᒪᑭ Oᖴ ᑭOᗯᕮᖇᖴᑌᒪ ᑭᒪᗩSᗰIᗪS, Tᕼᕮ ᗷIG SISTᕮᖇS ᗩᖇᕮ Iᑎᗪᕮᕮᗪ, ᖴOᖇᗰIᗪᗩᗷᒪᕮ ᕮᑎᕮᗰIᕮS. ᗯITᕼ Tᕼᕮ ᗩᑭᑭᕮᗩᖇᗩᑎᑕᕮ Oᖴ TᕼIᑎ, ᖴᕮᗰIᑎIᑎᕮ ᐯᕮᖇSIOᑎS Oᖴ ᗷIG ᗪᗩᗪᗪIᕮS; ᕮᗩᑕᕼ ᗷIG SISTᕮᖇ ᑭOSSᕮSSᕮS SIᗰIᒪᗩᖇ ᒪOOKIᑎG ᗪIᐯIᑎG SᑌITS ᗩᑎᗪ ᕮᑫᑌIᑭᗰᕮᑎT, ᗩᑎᗪ ᗩᒪSO ᕼᗩᐯᕮ ᑕᗩGᕮS Oᑎ TᕼᕮIᖇ ᗷᗩᑕKS ᗯᕼIᑕᕼ ᑕᗩᑎ ᗷᕮ ᑌSᕮᗪ TO ᑕᗩᖇᖇY ᒪITTᒪᕮ SISTᕮᖇS. Iᖴ ᗩT ᗩᑎY GIᐯᕮᑎ TIᗰᕮ SOᗰᕮOᑎᕮ IᑎᑕᑌᖇS ᗩ ᗷIG SISTᕮᖇ'S ᗯᖇᗩTᕼ, Tᕼᕮ ᖇᕮᗪ ᑭOᖇTᕼOᒪᕮ Oᑎ Tᕼᕮ ᖴᖇOᑎT Oᖴ ᕼᕮᖇ ᕼᕮᒪᗰᕮT ᗯIᒪᒪ GᒪOᗯ, ᗩᑎᗪ Tᕼᕮ ᗷIG SISTᕮᖇ ᗯIᒪᒪ ᒪᗩᑌᑎᑕᕼ ᕼᕮᖇ ᗩTTᗩᑕK. ᕮᗩᑕᕼ ᗷIG SISTᕮᖇ ᕼᗩS ᗩ ᒪᗩᖇGᕮ ᗩᗪᗩᗰ ᑎᕮᕮᗪᒪᕮ Oᑎ ᕼᕮᖇ ᒪᕮᖴT ᗩᖇᗰ ᗯᕼIᑕᕼ IS ᑌSᕮᗪ ᖴOᖇ ᑭᖇᕮᑕISIOᑎ ᗰᕮᒪᕮᕮ ᗩTTᗩᑕKS, ᗩᑎᗪ TO ᗪᖇᗩIᑎ ᗩᗪᗩᗰ ᖴᖇOᗰ ᒪIᐯᕮ ᐯIᑕTIᗰS, ᗩᒪᒪOᗯIᑎG ᕼᕮᖇ TO ᕼᕮᗩᒪ TᕼᖇOᑌGᕼOᑌT Tᕼᕮ ᗷᗩTTᒪᕮ.

ᖴOᖇ ᗰOᖇᕮ IᑎᖴOᖇᗰᗩTIOᑎ Oᑎ TᕼᕮSᕮ ᗷIG SISTᕮᖇS, ᖴᕮᕮᒪ ᖴᖇᕮᕮ TO Sᕮᗩᖇᑕᕼ TᕼᖇOᑌGᕼ Tᕼᕮ ᕼIᗪᕮᖇ ᗷᕮᒪOᗯ- TᕼOᑌGᕼ ᗷᕮ Sᑌᖇᕮ TO Kᕮᕮᑭ ᗩᑎ ᕮYᕮ OᑌT; ᖴOᖇ Tᕼᕮ ᒪISTS ᗯIᒪᒪ ᗩᒪᗯᗩYS ᑕOᑎTIᑎᑌᕮ TO GᖇOᗯ...

ᗷIG SISTᕮᖇS Oᖴ ᖇᗩᑭTᑌᖇᕮ

⥼ ᑭᕼYSIᑕᗩᒪ ᑕᕼᗩᖇᗩᑕTᕮᖇISTIᑕS ⥽

"ᗷIG SISTᕮᖇS ᗩᖇᕮ Tᕼᕮ ᑎᕮᗯ GᗩTᕮKᕮᕮᑭᕮᖇS Oᖴ ᖇᗩᑭTᑌᖇᕮ: ᗷOᖇᑎ ᖴᖇOᗰ ᒪITTᒪᕮ SISTᕮᖇS, TᕼᕮY ᗪOᑎ ᑕOSTᑌᗰᕮS ᗰᑌᑕᕼ ᒪIKᕮ TᕼᕮIᖇ ᖴOᖇᗰᕮᖇ ᑭᖇOTᕮᑕTOᖇS- Tᕼᕮ ᗷIG ᗪᗩᗪᗪY."

Tᕼᕮ ᗷIG SISTᕮᖇS ᗩᖇᕮ ᑌᑎᑌSᑌᗩᒪᒪY Tᗩᒪᒪ ᗩᑎᗪ GᗩᑎGᒪY, SIᑎᑕᕮ TᕼᕮY ᗩᖇᕮ ᗩT Tᕼᕮ STᗩGᕮ Oᖴ SᑭᖇOᑌTIᑎG ᖴᖇOᗰ YOᑌTᕼ TO ᗩᗪᑌᒪTᕼOOᗪ. ᕮᗩᑕᕼ ᗷIG SISTᕮᖇ ᗯᕮᗩᖇS ᗩ ᗪIᐯIᑎG SᑌIT ᖇᕮᗰIᑎISᑕᕮᑎT Oᖴ TᕼOSᕮ Oᖴ Tᕼᕮ ᗷIG ᗪᗩᗪᗪIᕮS, ᗷᑌT ᗯITᕼ TᕼᕮIᖇ Oᗯᑎ ᗪISTIᑎᑕT ᗩᕮSTᕼᕮTIᑕ. TᕼᕮSᕮ SᑌITS ᗯᕮᖇᕮ ᗪᕮSIGᑎᕮᗪ ᗷY ᗩᒪᕮ᙭ᗩᑎᗪᕮᖇ ᕼIᗰSᕮᒪᖴ, ᗩS ᕼᕮᗩᖇᗪ Iᑎ Tᕼᕮ ᗷIG SISTᕮᖇ ᗩᑌᗪIO ᗪIᗩᖇY. ᗩ ᗷIG SISTᕮᖇ ᕼᕮᒪᗰᕮT ᑕOᑎSISTS Oᖴ ᗩ ᒪᗩᖇGᕮ Sᑭᕼᕮᖇᕮ ᗯITᕼ TᗯO ᑭOᖇTᕼOᒪᕮS. ᗷIG SISTᕮᖇS ᗯITᕼSTᗩᑎᗪ Tᕼᕮ ᑭᖇᕮSSᑌᖇᕮ ᗯᕼᕮᑎ TᕼᕮY ᐯᕮᑎTᑌᖇᕮ OᑌT Oᖴ ᖇᗩᑭTᑌᖇᕮ IᑎTO Tᕼᕮ Oᑕᕮᗩᑎ, SIᗰIᒪᗩᖇ TO ᗷIG ᗪᗩᗪᗪIᕮS, ᕮ᙭ᑕᕮᑭT TᕼᗩT TᕼᕮY ᑕᗩᑎ SᗯIᗰ ᖴᖇᕮᕮᒪY.

ᗷIG SISTᕮᖇS ᗩᖇᕮ ᖴOᖇᗰIᗪᗩᗷᒪᕮ ᗷᕮIᑎGS ᑭOSSᕮSSIᑎG ᗩGIᒪITY ᗩᑎᗪ ᑭᒪᗩSᗰIᗪ ᑭOᗯᕮᖇS. TᕼᕮY ᗯIᕮᒪᗪ ᒪᗩᖇGᕮ, ᗯᖇIST-ᗰOᑌᑎTᕮᗪ ᑎᕮᕮᗪᒪᕮS Oᑎ TᕼᕮIᖇ ᒪᕮᖴT ᗩᖇᗰS. TᕼᕮSᕮ ᗩᖇᕮ ᑌSᕮᗪ ᑭᖇIᗰᗩᖇIᒪY ᖴOᖇ ᗰᕮᒪᕮᕮ ᗩTTᗩᑕKS ᗩᑎᗪ ᕮ᙭TᖇᗩᑕTIᑎG ᗩᗪᗩᗰ Iᑎ ᗩ ᗰᗩᑎᑎᕮᖇ SIᗰIᒪᗩᖇ TO ᗩ ᒪITTᒪᕮ SISTᕮᖇ'S ᕮ᙭TᖇᗩᑕTIᑎG ᑎᕮᕮᗪᒪᕮ, ᗯᕼIᑕᕼ ᗩᒪᒪOᗯS Tᕼᕮ ᗷIG SISTᕮᖇ TO ᖇᕮGᕮᑎᕮᖇᗩTᕮ ᕼᕮᗩᒪTᕼ Iᑎ ᑕOᗰᗷᗩT ᖴᖇOᗰ SᑭᒪIᑕᕮᖇS. ᗷIG SISTᕮᖇS ᗩᖇᕮ Tᕼᕮ OᑎᒪY ᑕᖇᕮᗩTᑌᖇᕮS Iᑎ ᖇᗩᑭTᑌᖇᕮ SᕼOᗯᑎ TO ᗪᗩᗰᗩGᕮ Tᕼᕮ ᕮ᙭TᕮᖇIOᖇ GᒪᗩSS ᗯIᑎᗪOᗯS Oᖴ Tᕼᕮ ᑕITY, SOᗰᕮTᕼIᑎG TᕼᗩT SᕼOOTIᑎG ᗷᑌᒪᒪᕮTS, GᖇᕮᑎᗩᗪᕮS, ᗩ ᗪᖇIᒪᒪ Oᖇ ᗩᑎY OTᕼᕮᖇ ᗯᕮᗩᑭOᑎ ᖴᗩIᒪS TO ᗪO.

Tᕼᕮ ᗷIG SISTᕮᖇS' ᖇOᒪᕮ IS TO ᗩᑕᑕOᗰᗰOᗪᗩTᕮ, ᑭᖇOTᕮᑕT, ᗩᑎᗪ TᖇᗩᑎSᑭOᖇT ᒪITTᒪᕮ SISTᕮᖇS, ᗩᑎᗪ TᕼᕮY ᕼᗩᐯᕮ ᗩ ᑕᗩGᕮ-ᒪIKᕮ ᗷᗩSKᕮT Oᑎ TᕼᕮIᖇ ᗷᗩᑕKS ᖴOᖇ Sᑌᑕᕼ ᑭᑌᖇᑭOSᕮS. Tᕼᕮ ᒪITTᒪᕮ SISTᕮᖇS ᗩᑭᑭᕮᗩᖇ TO ᖴᖇᕮᑫᑌᕮᑎTᒪY Tᖇᗩᐯᕮᒪ ᗯITᕼ Tᕼᕮ ᗷIG SISTᕮᖇS, ᗩᑎᗪ TᕼᕮY ᕼᗩᐯᕮ TᗩKᕮᑎ TO ᗪᕮᑕOᖇᗩTIᑎG TᕼᕮIᖇ ᖇᕮᖴᑌGᕮS ᗷY ᗩᗪOᖇᑎIᑎG TᕼᕮIᖇ ᑕᗩGᕮ-ᗷᗩSKᕮTS ᗯITᕼ ᖇIᗷᗷOᑎS, ᗩᑎᗪ SᑕᖇᗩᗯᒪIᑎG ᑕᕼIᒪᗪISᕼ ᗪOOᗪᒪᕮS Oᑎ Tᕼᕮ ᗷIG SISTᕮᖇS' O᙭YGᕮᑎ TᗩᑎKS.

⥼ SᑭᒪIᑕᕮᖇS ⥽

ᗪᕮᖴOᖇᗰᕮᗪ, GᕮᑎᕮTIᑕᗩᒪᒪY ᗰOᗪIᖴIᕮᗪ ᖇᗩᑭTᑌᖇᕮ ᑕITIᘔᕮᑎS ᗯᕼO ᗩᖇᕮ ᖇᕮᗰᑎᗩᑎTS Oᖴ Tᕼᕮ ᖇᗩᑭTᑌᖇᕮ ᑕIᐯIᒪ ᗯᗩᖇ, Tᕼᕮ SᑭᒪIᑕᕮᖇS (ᗩᒪSO KᑎOᗯᑎ ᗩS ᗩGGᖇᕮSSOᖇS) ᑕᗩᑎᑎOT SᑌᖇᐯIᐯᕮ ᗯITᕼOᑌT ᗩᗪᗩᗰ ᗪᑌᕮ TO TᕼᕮIᖇ ᕮ᙭TᕮᑎSIᐯᕮ Oᐯᕮᖇ-SᑭᒪIᑕIᑎG ᗩᑎᗪ ᗷIOᒪOGIᑕᗩᒪ ᗰOᗪIᖴIᑕᗩTIOᑎS. SᑭᒪIᑕᕮᖇS ᗩᖇᕮ ᖇᕮᖴᕮᖇᖇᕮᗪ TO ᗩᑕᑕOᖇᗪIᑎG TO TᕼᕮIᖇ ᗯᕮᗩᑭOᑎ ᑭᖇᕮᖴᕮᖇᕮᑎᑕᕮ, Sᑌᑕᕼ ᗩS "ᒪᕮᗩᗪᕼᕮᗩᗪ" ᖴOᖇ TᕼOSᕮ ᗯᕼO ᗯIᕮᒪᗪ GᑌᑎS. TᕼᕮY ᗯᕮᗩᖇ ᒪITTᒪᕮ Oᖇ ᑎO ᗩᖇᗰOᖇ, ᗩᑎᗪ ᑎOᖇᗰᗩᒪᒪY ᖇOᗩᗰ Tᕼᕮ ᑕITY Oᖴ ᖇᗩᑭTᑌᖇᕮ SᕮᗩᖇᑕᕼIᑎG ᖴOᖇ OTᕼᕮᖇ IᑎᕼᗩᗷITᗩᑎTS TO KIᒪᒪ ᗩᑎᗪ STᕮᗩᒪ ᗩᗪᗩᗰ ᖴᖇOᗰ. ᗩS TᕼᕮIᖇ ᑎᗩᗰᕮ ᗯOᑌᒪᗪ SᑌGGᕮST, TᕼᕮSᕮ ᕮᑎᕮᗰIᕮS ᗩᖇᕮ ᗩGGᖇᕮSSIᐯᕮ ᗩᑎᗪ ᑫᑌIᑕK TO ᗩTTᗩᑕK, ᗩᑎᗪ TᕼᕮY ᗯIᒪᒪ ᑌSᕮ TᕼᕮIᖇ ᕮᑎᕼᗩᑎᑕᕮᗪ ᑭᕼYSIᑕᗩᒪ STᖇᕮᑎGTᕼ, GᖇOᑌᑭ TᗩᑕTIᑕS, ᗩᑎᗪ SOᗰᕮTIᗰᕮS SᕮᗰI-ᗷIOᒪOGIᑕᗩᒪ ᗯᕮᗩᑭOᑎS TO KIᒪᒪ ᗩᒪᒪ IᑎTᖇᑌᗪᕮᖇS. ᗰOST SᑭᒪIᑕᕮᖇS ᗯᕮᗩᖇ Tᕼᕮ ᗰᗩSᑫᑌᕮᖇᗩᗪᕮ ᗷᗩᒪᒪ ᗰᗩSKS TᕼᗩT ᗯᕮᖇᕮ ᗯOᖇᑎ ᗪᑌᖇIᑎG Tᕼᕮ 1958 ᑎᕮᗯ Yᕮᗩᖇ'S ᕮᐯᕮ ᖇIOTS.

SO ᖴᗩᖇ, Tᕼᕮᖇᕮ ᗩᖇᕮ SI᙭ ᗰᗩIᑎ TYᑭᕮS Oᖴ SᑭᒪIᑕᕮᖇS.

ᖴOᖇ ᗰOᖇᕮ IᑎᖴOᖇᗰᗩTIOᑎ Oᑎ TᕼᕮSᕮ SᑭᒪIᑕᕮᖇS, ᖴᕮᕮᒪ ᖴᖇᕮᕮ TO Sᕮᗩᖇᑕᕼ TᕼᖇOᑌGᕼ Tᕼᕮ ᕼIᗪᕮᖇ ᗷᕮᒪOᗯ- TᕼOᑌGᕼ ᗷᕮ Sᑌᖇᕮ TO Kᕮᕮᑭ ᗩᑎ ᕮYᕮ OᑌT; ᖴOᖇ Tᕼᕮ ᒪISTS ᗯIᒪᒪ ᗩᒪᗯᗩYS ᑕOᑎTIᑎᑌᕮ TO GᖇOᗯ...

SᑭᒪIᑕᕮᖇS Oᖴ ᖇᗩᑭTᑌᖇᕮ

⥼ TᕼᑌGGISᕼ SᑭᒪIᑕᕮᖇ ⥽

"I ᗯOᑎᗪᕮᖇ ᗯᕼY TᕼᕮY ᗯᕮᗩᖇ Tᕼᕮ ᗰᗩSKS..? ᗰᗩYᗷᕮ IT'S ᗷᕮᑕᗩᑌSᕮ TᕼᕮY ᖇᕮᗰᕮᗰᗷᕮᖇ ᗯᕼᗩT TᕼᕮY ᑌSᕮᗪ TO ᒪOOK ᒪIKᕮ, ᗩᑎᗪ TᕼᕮY'ᖇᕮ ᗩSᕼᗩᗰᕮᗪ."

Tᕼᕮ TᕼᑌGGISᕼ SᑭᒪIᑕᕮᖇ ᖇᑌSᕼᕮS ᕼᕮᗩᗪᒪOᑎG IᑎTO ᗪᗩᑎGᕮᖇ ᗩᑎᗪ ᗩTTᗩᑕKS ᗯITᕼ ᗰᕮᒪᕮᕮ ᗯᕮᗩᑭOᑎS. TᕼᕮY ᑕᗩᑎ ᗷᕮ ᖴOᑌᑎᗪ TᕼᖇOᑌGᕼOᑌT ᖇᗩᑭTᑌᖇᕮ ᗩᑎᗪ ᗩᖇᕮ ᖴᗩIᖇᒪY ᗯᕮᗩK, ᗷᑌT ᗰᗩKᕮ ᑌᑭ ᖴOᖇ IT ᗷY ᖇᑌᑎᑎIᑎG ᖴᗩST ᗩᑎᗪ ᗩTTᗩᑕKIᑎG Iᑎ GᖇOᑌᑭS ᗯᕼᕮᑎᕮᐯᕮᖇ TᕼᕮY ᑕᗩᑎ. SOᗰᕮ Oᖴ TᕼIS ᑭᗩᖇTIᑕᑌᒪᗩᖇ SᑭᒪIᑕᕮᖇ TYᑭᕮ ᗩᖇᕮ ᕮᑫᑌIᑭᑭᕮᗪ ᗯITᕼ Tᕼᕮ ᕮᒪᕮᑕTᖇIᑕ ᖴᒪᕮSᕼ Gᕮᑎᕮ TOᑎIᑕ, ᗰᗩKIᑎG Tᕼᕮᗰ Iᗰᗰᑌᑎᕮ TO ᗩᒪᒪ ᕮᒪᕮᑕTᖇIᑕᗩᒪ ᗪᗩᗰᗩGᕮ Sᑌᑕᕼ ᗩS ᕮᒪᕮᑕTᖇO ᗷOᒪT ᗩᑎᗪ Tᕼᕮ STᗩTIᑕ ᗪISᑕᕼᗩᖇGᕮ Gᕮᑎᕮ TOᑎIᑕ.

⥼ ᒪᕮᗩᗪᕼᕮᗩᗪ SᑭᒪIᑕᕮᖇ ⥽

"ᑎOᗯ, ᗯOᑌᒪᗪ YOᑌ KIᑎᗪᒪY ᖴIᑎᗪ ᗩ ᑕᖇOᗯᗷᗩᖇ Oᖇ SOᗰᕮTᕼIᑎG..? ᗷᒪOOᗪY SᑭᒪIᑕᕮᖇS Sᕮᗩᒪᕮᗪ ᒍOᕼᑎᑎY Iᑎ ᗷᕮᖴOᖇᕮ TᕼᕮY... GOᗪᗪᗩᗰᑎ SᑭᒪIᑕᕮᖇS."

Tᕼᕮ ᒪᕮᗩᗪᕼᕮᗩᗪ SᑭᒪIᑕᕮᖇ IS STIᒪᒪ ᑕᗩᑭᗩᗷᒪᕮ Oᖴ ᗯIᕮᒪᗪIᑎG ᖴIᖇᕮᗩᖇᗰS ᗩᑎᗪ ᗩTTᗩᑕKS ᗯITᕼ ᕮITᕼᕮᖇ ᗩ ᑭISTOᒪ Oᖇ ᗩ ᗰᗩᑕᕼIᑎᕮ Gᑌᑎ. TᕼᕮY ᑕᗩᑎ ᗩᒪSO ᗷᕮ ᖴOᑌᑎᗪ TᕼᖇOᑌGᕼOᑌT ᖇᗩᑭTᑌᖇᕮ, ᗩᑎᗪ ᗩᖇᕮ ᗰOᖇᕮ ᗪᗩᑎGᕮᖇOᑌS Tᕼᗩᑎ Tᕼᕮ TᕼᑌGGISᕼ SᑭᒪIᑕᕮᖇ SIᑎᑕᕮ TᕼᕮY ᑕᗩᑎ ᗩTTᗩᑕK ᖴᖇOᗰ ᗩ ᗪISTᗩᑎᑕᕮ. ᒪᕮᗩᗪᕼᕮᗩᗪS ᗯIᒪᒪ ᗩᒪᗯᗩYS Kᕮᕮᑭ TᕼᕮIᖇ ᗪISTᗩᑎᑕᕮ ᖴᖇOᗰ TᕼᕮIᖇ ᐯIᑕTIᗰ ᗯᕼᕮᑎᕮᐯᕮᖇ ᑭOSSIᗷᒪᕮ, ᗷᑌT ᗩT ᐯᕮᖇY ᑕᒪOSᕮ ᖇᗩᑎGᕮ TᕼᕮY ᗯIᒪᒪ ᗩTTᕮᗰᑭT TO ᑭISTOᒪ-ᗯᕼIᑭ Tᕼᕮᗰ. IT IS ᗯOᖇTᕼ KᑎOᗯIᑎG TᕼᗩT TᕼᕮY ᕼᗩᐯᕮ TO ᖇᕮᒪOᗩᗪ TᕼᕮIᖇ GᑌᑎS, ᗩᑎᗪ ᗩᖇᕮ ᗪᕮᖴᕮᑎSᕮᒪᕮSS ᗯᕼᕮᑎ ᗪOIᑎG SO. TᕼᕮY ᗩᒪSO ᕼᗩᐯᕮ ᗰOᖇᕮ ᖇᕮSIᒪIᗩᑎᑕᕮ Tᕼᗩᑎ ᗩ TᕼᑌGGISᕼ SᑭᒪIᑕᕮᖇ ᗰᗩKIᑎG Tᕼᕮᗰ ᕼᗩᖇᗪᕮᖇ TO TᗩKᕮ ᗪOᗯᑎ ᕮSᑭᕮᑕIᗩᒪᒪY Iᖴ Tᕼᕮᖇᕮ ᗩᖇᕮ ᗰOᖇᕮ Tᕼᗩᑎ Oᑎᕮ.

⥼ SᑭIᗪᕮᖇ SᑭᒪIᑕᕮᖇ ⥽

"ᒪᗩᗰᗷ ᗯIᒪᒪ TᗩKᕮ TᕼIS ᑭᒪᗩᑕᕮ ᗩᑭᗩᖇT TO ᖴIᑎᗪ YOᑌ- ᑭᒪᕮᗩSᕮ ᕼOᒪᗪ ᗷᗩᑕK Tᕼᕮ SᑭᒪIᑕᕮᖇS ᑌᑎTIᒪ ᗯᕮ ᕮSᑕᗩᑭᕮ..!"

Tᕼᕮ SᑭIᗪᕮᖇ SᑭᒪIᑕᕮᖇ IS Oᑎᕮ Oᖴ Tᕼᕮ ᗰᗩᑎY ᗯᕼO ᖇOᗩᗰ Tᕼᕮ ᑕITY Oᖴ ᖇᗩᑭTᑌᖇᕮ, ᗩᑎᗪ ᑕᗩᑎ ᑕᖇᗩᗯᒪ Oᑎ Tᕼᕮ ᑕᕮIᒪIᑎG ᗩᑎᗪ TᕼᖇOᗯ ᕼOOKS ᗩT Tᕼᕮ ᐯIᑕTIᗰS ᖴᖇOᗰ ᗩᖴᗩᖇ, ᗯᕼIᑕᕼ (Iᖴ ᑫᑌIᑕK ᕮᑎOᑌGᕼ) ᑕᗩᑎ ᗷᕮ ᑕᗩᑌGᕼT ᗩᑎᗪ TᕼᖇOᗯᑎ ᗷᗩᑕK ᗯITᕼ TᕮᒪᕮKIᑎᕮSIS. ᗯᕼᕮᑎ Oᑎ Tᕼᕮ GᖇOᑌᑎᗪ, Tᕼᕮ SᑭIᗪᕮᖇ SᑭᒪIᑕᕮᖇ ᗯIᒪᒪ GᕮT ᑎᕮᗩᖇ ᕮᑎOᑌGᕼ TO ᑭᕼYSIᑕᗩᒪᒪY ᗩTTᗩᑕK ITS ᐯIᑕTIᗰS; IᗰᗰᕮᗪIᗩTᕮᒪY ᒍᑌᗰᑭIᑎG TO Tᕼᕮ ᑕᕮIᒪIᑎG, Oᖇ ᗷᗩᑕKᖴᒪIᑭIᑎG ᗩᗯᗩY OᑎᒪY TO ᑕOᗰᕮ ᗩT Tᕼᕮᗰ ᗩGᗩIᑎ ᖴᖇOᗰ ᗩᑎOTᕼᕮᖇ ᗩᑎGᒪᕮ. TᕼᕮIᖇ ᗩGIᒪITY ᗩᑎᗪ ᗩᗷIᒪITY TO ᑕᖇᗩᗯᒪ Oᑎ ᗯᗩᒪᒪS ᗰᗩKᕮ Tᕼᕮᗰ ᗪIᖴᖴIᑕᑌᒪT TO ᕼIT, ᗩᑎᗪ TᕼᕮIᖇ ᗰOᗪᑌS OᑭᕮᖇᗩᑎᗪI, ᗯᕼIᑕᕼ IᑎᐯOᒪᐯᕮS ᗩᗰᗷᑌSᕼIᑎG Tᕼᕮ ᑭᒪᗩYᕮᖇ ᗷY ᑕᖇᗩᗯᒪIᑎG Oᑎ Tᕼᕮ ᑕᕮIᒪIᑎG, ᑕᗩᑎ ᕮᗩSIᒪY SᑌᖇᑭᖇISᕮ ᗩᑎYOᑎᕮ ᗯᕼO IS ᑌᑎᑭᖇᕮᑭᗩᖇᕮᗪ; ᗩᒪTᕼOᑌGᕼ Oᑎᕮ ᑕᗩᑎ ᕮᗩSIᒪY ᕼᕮᗩᖇ TᕼᕮIᖇ ᗰOᐯᕮᗰᕮᑎT, TᕼᗩᑎKS TO Tᕼᕮ TᕮᒪᒪTᗩᒪᕮ SOᑌᑎᗪ Oᖴ ᑕᖇᗩᑕKIᑎG ᑭᒪᗩSTᕮᖇ.

⥼ ᕼOᑌᗪIᑎI SᑭᒪIᑕᕮᖇ ⥽

"ᑭOOᖇ TᕼIᑎGS- ᗯᕼᗩT ᗩ ᒪIᖴᕮ. ᗰᗩᖇᑕᕼIᑎ’ ᗩᖇOᑌᑎᗪ ᑭᒪᗩYIᑎ’ ᗪᗩᗪᗪY ᑌᑎTIᒪ SOᗰᕮ SᑭᒪIᑕᕮᖇ ᗰᗩᑎᗩGᕮS TO KIᒪᒪ Oᖴᖴ TᕼᕮIᖇ SISTᕮᖇ..."

Tᕼᕮ ᕼOᑌᗪIᑎI SᑭᒪIᑕᕮᖇ, OᖇIGIᑎᗩᒪᒪY ᕮᑎᑕOᑌᑎTᕮᖇᕮᗪ ᗯITᕼIᑎ ᗩᖇᑕᗩᗪIᗩ, ᕼᗩᐯᕮ Tᕼᕮ ᗩᗷIᒪITY TO TᕮᒪᕮᑭOᖇT Iᑎ Tᕼᕮ ᗰIᗪᗪᒪᕮ Oᖴ ᑕOᗰᗷᗩT, ᗪISᗩᑭᑭᕮᗩᖇIᑎG ᖴᖇOᗰ Oᑎᕮ ᒪOᑕᗩTIOᑎ ᗩᑎᗪ ᖇᕮᗩᑭᑭᕮᗩᖇIᑎG ᗩT ᗩᑎOTᕼᕮᖇ. TᕼᕮY ᑕᗩᑎ ᗷᕮ TᖇᗩᑕKᕮᗪ TᕼᖇOᑌGᕼ ᗩ ᑕᒪOᑌᗪ Oᖴ SᗰOKᕮ TᕼᗩT ᗩᑭᑭᕮᗩᖇS ᗩᖇOᑌᑎᗪ Tᕼᕮᗰ ᗯᕼᕮᑎᕮᐯᕮᖇ TᕼᕮY ᗪO SO, ᗯᕼIᑕᕼ ᗷᕮᑕOᗰᕮS ᗰᑌᑕᕼ ᗰOᖇᕮ ᐯISIᗷᒪᕮ Tᕼᕮ ᒪOᑎGᕮᖇ Tᕼᕮ ᕮᑎᑕOᑌᑎTᕮᖇ. Tᕼᕮ ᕼOᑌᗪIᑎI SᑭᒪIᑕᕮᖇ ᗯIᒪᒪ ᗰOST OᖴTᕮᑎ ᗩTTᗩᑕK ᗷY SᕼOOTIᑎG ᗷᗩᒪᒪS Oᖴ ᖴIᖇᕮ (ᗩᑎᗪ, Iᑎ SOᗰᕮ ᑕᗩSᕮS, Iᑕᕮ), ᗷᑌT ᒪIKᕮ Tᕼᕮ ᒪᕮᗩᗪᕼᕮᗩᗪ SᑭᒪIᑕᕮᖇ, ᗯIᒪᒪ ᗩTTᗩᑕK ᑭᕼYSIᑕᗩᒪᒪY ᗯᕼᕮᑎ ᗩT ᑕᒪOSᕮ ᖇᗩᑎGᕮ. Iᑎ ᑕOᗰᗷᗩT, Tᕼᕮ ᕼOᑌᗪIᑎI SᑭᒪIᑕᕮᖇ ᑌSᕮS ᗩ ᕼIT-ᗩᑎᗪ-ᖇᑌᑎ STᖇᗩTᕮGY ᗷY ᗩᑭᑭᕮᗩᖇIᑎG, ᖴIᖇIᑎG ᗩᑎ ᕮᒪᕮᗰᕮᑎTᗩᒪ ᗩTTᗩᑕK, ᗩᑎᗪ Tᕼᕮᑎ ᐯᗩᑎISᕼIᑎG TO ᖇᕮᑭᕮᗩT Tᕼᕮ ᑕYᑕᒪᕮ.

⥼ ᑎITᖇO SᑭᒪIᑕᕮᖇ ⥽

"Tᕼᕮ SᑭᒪIᑕᕮᖇS, Tᕼᕮ SᕮᑕᑌᖇITY... ᕼᕮ ᑭᑌᒪᒪS Tᕼᕮ STᖇIᑎGS Iᑎ ᗰIᑎᕮᖇᐯᗩ'S ᗪᕮᑎ ᑎOᗯ."

ᑎITᖇO SᑭᒪIᑕᕮᖇS, ᗩT Oᑎᕮ TIᗰᕮ OᑎᒪY ᖴOᑌᑎᗪ ᗯITᕼIᑎ Tᕼᕮ ᗰᕮᗪIᑕᗩᒪ ᑭᗩᐯIᒪIOᑎ, ᗯIᒪᒪ ᗩTTᗩᑕK ᗷY TᕼᖇOᗯIᑎG GᖇᕮᑎᗩᗪᕮS (ᗩᑎᗪ SOᗰᕮTIᗰᕮS ᗰOᒪOTOᐯ ᑕOᑕKTᗩIᒪS) ᗩT TᕼᕮIᖇ ᐯIᑕTIᗰS ᖴᖇOᗰ ᗩ ᗪISTᗩᑎᑕᕮ. ᗩT ᗰᕮᒪᕮᕮ ᖇᗩᑎGᕮ, TᕼᕮY ᗯIᒪᒪ ᕮITᕼᕮᖇ TᕼᖇOᗯ ᗩ SᗰOKᕮ ᗷOᗰᗷ TO Tᕼᕮ GᖇOᑌᑎᗪ, TᕮᗰᑭOᖇᗩᖇIᒪY ᗷᒪIᑎᗪIᑎG TᕼᕮIᖇ ᐯIᑕTIᗰ, Oᖇ TᕼᕮY ᗯIᒪᒪ ᗩTTᕮᗰᑭT TO ᖴᒪᕮᕮ, TOSSIᑎG ᗩᑎ ᕮ᙭ᑭᒪOSIᐯᕮ Oᐯᕮᖇ TᕼᕮIᖇ SᕼOᑌᒪᗪᕮᖇ Oᖇ ᗩTTᕮᗰᑭT TO KIᑕK TᕼᕮIᖇ OᑭᑭOᑎᗩᑎT, ᗪOIᑎG ᗰOᗪᕮᖇᗩTᕮ ᗪᗩᗰᗩGᕮ. ᑌᑭOᑎ ᗪYIᑎG, TᕼᕮY ᗪᖇOᑭ ᗩ ᒪIᐯᕮ Gᖇᕮᑎᗩᗪᕮ, ᗯITᕼ Tᕼᕮ IᑎTᕮᑎT Oᖴ ᗪᗩᗰᗩGIᑎG Tᕼᕮ ᑭᕮᖇSOᑎ ᗯᕼO KIᒪᒪᕮᗪ Tᕼᕮᗰ Iᖴ TᕼᕮY ᗩᖇᕮ ᗩT ᑕᒪOSᕮ ᖇᗩᑎGᕮ. ᗩ ᑕOᗰᗰOᑎ ᗯᗩY Oᖴ KIᒪᒪIᑎG TᕼIS SᑭᒪIᑕᕮᖇ TYᑭᕮ IS ᗷY ᑌSIᑎG TᕮᒪᕮKIᑎᕮSIS TO ᑕᗩTᑕᕼ ITS GᖇᕮᑎᗩᗪᕮS TO TᕼᖇOᗯ ᗷᗩᑕK ᗩT Tᕼᕮᗰ.

⥼ ᗷᖇᑌTᕮ SᑭᒪIᑕᕮᖇ ⥽

"ᗯᕮᒪᒪ, SᑭOᖇT, I GᑌᕮSS GᖇᗩᑕIᕮ'S ᕼOᗰᕮ... ᗷᑌT TᕼᗩT ᗷIG ᒪᑌG ᒍᑌST ᗪᖇOᑭᑭᕮᗪ ᕼᗩᒪᖴ ᗰY ᗪᗩᗰᑎ ᕼOTᕮᒪ Iᑎ YOᑌᖇ ᗯᗩY."

ᗷᖇᑌTᕮ SᑭᒪIᑕᕮᖇS ᗩᖇᕮ ᗰᑌᑕᕼ ᗷIGGᕮᖇ, ᗰOᖇᕮ ᑭOᗯᕮᖇᖴᑌᒪ ᗩᑎᗪ ᗷᑌᒪKIᕮᖇ Tᕼᗩᑎ ᗩᑎY OTᕼᕮᖇ SᑭᒪIᑕᕮᖇ, ᗩᑎᗪ ᗩᖇᕮ ᗩᗷᒪᕮ TO ᑭIᑕK ᑌᑭ ᗩᑎ ᗩᖇᖇᗩY Oᖴ ITᕮᗰS Oᖇ ᗪᕮᗷᖇIS STᖇᕮᗯᑎ ᗩᖇOᑌᑎᗪ ᖇᗩᑭTᑌᖇᕮ, Sᑌᑕᕼ ᗩS ᒪᗩᖇGᕮ ᖇOᑕKS ᗩᑎᗪ ᕮ᙭ᑭᒪOSIᐯᕮS, TO TᕼᖇOᗯ ᗩT Tᕼᕮ ᑭᒪᗩYᕮᖇ. ᗷᖇᑌTᕮ SᑭᒪIᑕᕮᖇS ᑕᗩᑎ ᗩᒪSO ᑭᕮᖇᖴOᖇᗰ STᗩGGᕮᖇIᑎGᒪY ᕼIGᕼ ᒍᑌᗰᑭS TᕼᗩT ᗩᒪᒪOᗯ Tᕼᕮᗰ OᑎTO ᗷᗩᒪᑕOᑎIᕮS Oᖇ ᗯᗩᒪKᗯᗩYS ᗩᗷOᐯᕮ Tᕼᕮ GᖇOᑌᑎᗪ.

♆ ♆

⥼ ᑕᕼᗩᖇᗩᑕTᕮᖇ IᑎᖴOᖇᗰᗩTIOᑎ ⥽

ᗯITᕼIᑎ TᕼIS ᖇOᒪᕮᑭᒪᗩY ᗯᕮ ᗯIᒪᒪ ᗷᕮ ᗩᑕᑕᕮᑭTIᑎG OᖇIGIᑎᗩᒪ ᑕᕼᗩᖇᗩᑕTᕮᖇS (Oᑕ) OᑎᒪY, ᕼOᗯᕮᐯᕮᖇ, TᕼᖇOᑌGᕼOᑌT Tᕼᕮ ᖇOᒪᕮᑭᒪᗩY ᑕᗩᑎᑎOᑎ ᑕᕼᗩᖇᗩᑕTᕮᖇS TᕼᗩT ᕼᗩᐯᕮ ᗩᒪᖇᕮᗩᗪY ᗷᕮᕮᑎ ᑭᖇᕮ-ᕮSTᗩᗷᒪISᕼᕮᗪ TᕼᖇOᑌGᕼOᑌT Tᕼᕮ SᕮᖇIᕮS Oᖴ ᗷIOSᕼOᑕK ᗯIᒪᒪ ᗷᕮ ᗩᐯᗩIᒪᗩᗷᒪᕮ ᖴOᖇ ᖇOᒪᕮᑭᒪᗩYᕮᖇS TO TᗩKᕮ Oᑎ; ᑕᕼᗩᖇᗩᑕTᕮᖇS ᗩᖇᕮ STᖇIᑕTᒪY ᒪIᗰITᕮᗪ TO ᗷᕮIᑎG ᕼᑌᗰᗩᑎ, TᕼOᑌGᕼ ᖴᕮᕮᒪ ᖴᖇᕮᕮ TO ᕼᗩᐯᕮ ᖇᕮIGᑎ Oᐯᕮᖇ ᗯᕼᗩT IT IS YOᑌ ᗯOᑌᒪᗪ ᒪIKᕮ YOᑌᖇ ᑕᕼᗩᖇᗩᑕTᕮᖇ TO ᗷᕮ ᒪIKᕮ- ᑭᒪᕮᗩSᕮ ᖴᕮᕮᒪ ᖴᖇᕮᕮ TO ᑕOᑎTᗩᑕT ᕮITᕼᕮᖇ ᗰᕮ, Oᖇ Oᑎᕮ Oᖴ ᗰY ᑕO-Gᗰ’S ᐯIᗩ ᑭᗰ Oᖇ Iᑎ Tᕼᕮ OOᑕ SᕼOᑌᒪᗪ YOᑌ ᕼᗩᐯᕮ ᗩᑎY ᑫᑌᕮSTIOᑎS, ᗯᕮ ᗯIᒪᒪ ᗪO Oᑌᖇ ᗷᕮST TO GIᐯᕮ YOᑌ Tᕼᕮ ᗩᑎSᗯᕮᖇS, ᗩᑎᗪ TO ᕼᕮᒪᑭ YOᑌ OᑌT ᗩS ᗰᑌᑕᕼ ᗩS ᗯᕮ ᑕᗩᑎ.

ᖴOᖇ TᕼOSᕮ Oᖴ ᗯᕼOᗰ ᗩᖇᕮ ᗯISᕼIᑎG TO ᑭᒪᗩY ᑕᗩᑎᑎOᑎ ᑕᕼᗩᖇᗩᑕTᕮᖇS ᒪᗩTᕮᖇ ᗪOᗯᑎ Tᕼᕮ ᒪIᑎᕮ, YOᑌ ᗰᑌST ᗪᕮᗰOᑎSTᖇᗩTᕮ ᗩ STᖇOᑎG ᗯᖇITIᑎG ᗩᗷIᒪITY (GOOᗪ Gᖇᗩᗰᗰᗩᖇ, ᑭᑌᑎᑕTᑌᗩTIOᑎ, ᕮTᑕ.), ᗩᑎᗪ ᗰᑌST ᑭᒪᕮᗩSᕮ ᗰᕮSSᗩGᕮ ᗰᕮ ᗩᑎᗪ ᗰY ᑕO-Gᗰ’S ᗯITᕼ ᗩ Sᗩᗰᑭᒪᕮ ᑭOST ᗩᑎᗪ ᗩ ᗷᖇIᕮᖴ STOᖇY ᑭᒪᗩᑎ (ᖇᕮᒪᗩTIᑎG TO Tᕼᕮ ᖇOᒪᕮᑭᒪᗩY) Oᖴ TᕼᗩT ᑭᗩᖇTIᑕᑌᒪᗩᖇ ᑕᕼᗩᖇᗩᑕTᕮᖇ ᖴOᖇ ᑕOᑎSIᗪᕮᖇᗩTIOᑎ; Iᖴ Tᕼᕮ ᑕᕼᗩᖇᗩᑕTᕮᖇ ᗩᑎᗪ Sᗩᗰᑭᒪᕮ ᕼᗩS ᗷᕮᕮᑎ ᗩᑕᑕᕮᑭTᕮᗪ, Tᕼᕮᑎ YOᑌ Sᕼᗩᒪᒪ Iᑎᗪᕮᕮᗪ ᗷᕮ ᑎOTIᖴIᕮᗪ ᗩS SOOᑎ ᗩS ᑭOSSIᗷᒪᕮ.

ᗩT TᕼIS ᑭOIᑎT Iᑎ TIᗰᕮ, I ᗯIᒪᒪ ᗷᕮ ᑭᑌTTIᑎG ᗩ ᒪIᗰIT Oᑎ ᑕᕼᗩᖇᗩᑕTᕮᖇS; ᕼOᗯᕮᐯᕮᖇ, ᗩT ᗩ ᒪᗩTᕮᖇ ᗪᗩTᕮ, TᕼIS ᗰᗩY ᑕᕼᗩᑎGᕮ- ᒍᑌST ᑭᒪᕮᗩSᕮ KᑎOᗯ TᕼᗩT Iᖴ, ᗩᑎᗪ/ Oᖇ ᗯᕼᕮᑎ TᕼIS TIᗰᕮ ᗪOᕮS ᑕOᗰᕮ TᕼᗩT I ᖇᕮᗰOᐯᕮ Tᕼᕮ ᒪIᗰIT, I ᗯIᒪᒪ ᑎOTIᖴY YOᑌ ᗩᒪᒪ ᗯITᕼIᑎ Tᕼᕮ OOᑕ. ᗩT TᕼIS STᗩGᕮ ᗯᕮ ᗩᖇᕮ ᗩᑕᑕᕮᑭTIᑎG ᗩᒪᒪ ᕼᑌᗰᗩᑎS ᖴᖇOᗰ ᗩᖇOᑌᑎᗪ Tᕼᕮ ᗯOᖇᒪᗪ- ᒪᕮT YOᑌᖇ IᗰᗩGIᑎᗩTIOᑎS ᑕOᗰᕮ TO ᒪIᖴᕮ, ᗩᑎᗪ ᕼᗩᐯᕮ ᖴᑌᑎ ᗯᕼᕮᑎ ᑕᖇᕮᗩTIᑎG YOᑌᖇ ᑕᕼᗩᖇᗩᑕTᕮᖇS; ᗩᑎᗪ ᗪOᑎ’T ᗷᕮ ᗩᖴᖇᗩIᗪ TO ᕮᑎTᗯIᑎᕮ TᕼᕮIᖇ STOᖇIᕮS ᗯITᕼ Tᕼᕮ STOᖇIᕮS Oᖴ OTᕼᕮᖇS... ᗯITᕼ ᑭᕮᖇᗰISSIOᑎ ᖴᖇOᗰ TᕼᗩT ᖇOᒪᕮᑭᒪᗩYᕮᖇ Oᖴ ᑕOᑌᖇSᕮ.



ᑭᒪᕮᗩSᕮ ᑎOTᕮ: ᗯᕼᕮᑎ IT ᑕOᗰᕮS TO ᑕᕼᗩᖇᗩᑕTᕮᖇ ᗩᑭᑭᕮᗩᖇᗩᑎᑕᕮS; ᑭᒪᕮᗩSᕮ... ᑭᒪᕮᗩSᕮ TᖇY TO ᑌSᕮ ᗩᑕTᑌᗩᒪ ᑭᕮOᑭᒪᕮ ᖴOᖇ YOᑌᖇ ᖴᗩᑕᕮ-ᑕᒪᗩIᗰS, ᗩᑎᗪ ᑎOT ᗪᖇᗩᗯᑎ Oᖇ ᗩᑎIᗰᕮ ᑭIᑕTᑌᖇᕮS- ᗩS YOᑌᖇ Gᗰ, TᕼIS TᕮᑎᗪS TO ᗷᕮ ᗩ ᑭᕮT-ᑭᕮᕮᐯᕮ Oᖴ ᗰIᑎᕮ, ᗩᑎᗪ I ᗯOᑌᒪᗪ ᖇᕮᗩᒪᒪY ᗩᑭᑭᖇᕮᑕIᗩTᕮ IT. ᑭᒪᕮᗩSᕮ ᑭOST ᗩᒪᒪ ᑕOᗰᑭᒪᕮTᕮᗪ ᑕS'S Iᑎ Tᕼᕮ OOᑕ ᖴOᖇ ᑕOᑎSIᗪᕮᖇᗩTIOᑎ, ᗩᑎᗪ Oᑎᑕᕮ TᕼᕮY ᕼᗩᐯᕮ ᗷᕮᕮᑎ ᗩᑕᑕᕮᑭTᕮᗪ, I Sᕼᗩᒪᒪ ᑭᕮᖇSOᑎᗩᒪᒪY ᑭᑌT Tᕼᕮᗰ Iᑎ Tᕼᕮ ᑕᕼᗩᖇᗩᑕTᕮᖇ Tᗩᗷ. Iᑎ ᗩᗪᐯᗩᑎᑕᕮ, I TᕼᗩᑎK YOᑌ ᗩᒪᒪ ᖴOᖇ YOᑌᖇ ᑕO-OᑭᕮᖇᗩTIOᑎ.

⥼ ᑕᕼᗩᖇᗩᑕTᕮᖇ SᕼᕮᕮT ᕮ᙭ᗩᗰᑭᒪᕮ ⥽

ᑕᕼᗩᖇᗩᑕTᕮᖇ SᕼᕮᕮT ᕮ᙭ᗩᗰᑭᒪᕮ

⥼ ᕮ᙭ᗩᗰᑭᒪᕮ ᑕS TO ᑕOᗰᕮ ⥽

[Vicier]

Welcome to the OOC..!

For those who have already shown interest in the roleplay; when making your character, please choose two Plasmid colors for your character- the colors you choose determine the two Plasmids you end up with for the roleplay.

Colors already chosen are:

Vicier - Blue and Purple
Caits - Green and Orange
Voltus - Rainbow and Grey
Fantasy - Pink and Cream
Ulster - Silver and Light Blue
Mag - Red and Dark Grey
Panther - Light Green and Lilac
Damo - White and Teal

[Voltus_Ventus]

I want to reserve the Rainbow and Grey plasmids.

I also love the images.

[FantasyChic]

I have my eyes on the Pink and Cream Plasmids :)

[Ulstermann]

Would quite like to reserve the silver and light blue Plasmids? Oh and CS incoming.

[Vicier]

I want to reserve the Rainbow and Grey plasmids.

I also love the images.

@Voltus_Ventus

Haha..! No problem..! Rainbow and Grey are yours..!
As for the images, I wanted something that wasn't really going to give way to what the Plasmids were, but something that sort of represented what the liquid inside looked like before our characters inject themselves with them; I thought they looked pretty cool x'3

I have my eyes on the Pink and Cream Plasmids :)

@FantasyChic

Pink and Cream Plasmids it is..!

Would quite like to reserve the silver and light blue Plasmids? Oh and CS incoming.

@Ulstermann

You got it..! Silver and Light Blue are yours..!

Also, just so everyone is aware, in this roleplay, while the Plasmids are going to be injected into each of our characters like in the game itself, the Gene Tonics are going to be just that; tonics in small bottles that our characters can drink, they are all going to be the same color (maybe like the yellowish color of lemonade), glowing slightly, and each bottle will be labelled with what Tonic it actually is..! :'3

[FantasyChic]

Daphne Sterling

"It's all about how you present yourself. The wolf can claim the sheep if he has a smile."

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Name: Daphne Elizabeth Sterling

Nicknames: Dee

Gender: Female

Age: 20 years old

Birthday: 3rd of September

Sexuality: Heterosexual/Straight

Relationship Status: Single

Distinguishing Features: Daphne was born with naturally light, blonde hair, a rare occurrence without the use of dyes. She has both her ears pierced. She tends to dress more provocatively than some of her counterparts, mainly because she doesn't give a damn what they think of her.

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Relationship Status: Single

Sexuality: Heterosexual/Straight

Partner: None (at the moment)

Father: Carter Sterling

Mother: Fiona Sterling (Deceased)

Siblings: Quinton Sterling (Older Brother)

Pets: Daphne has a golden lab named Sammy who is fiercely protective of her. He is loyal to her only unless she allows the other person to be closer to her, then he is friendly and playful with them as well.

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Personality: Self-Centered ◊ Charismatic ◊ Vain ◊ Intelligent ◊ Troublemaker ◊ Determined ◊ Sneaky ◊ Adventurous

Daphne is a good-looking young woman and isn't afraid to use her assets to her advantage. She is extremely charismatic, able to charm the pants off of most people (especially guys) and can get others to do her bidding. Having grown up the youngest, she was babied from an early age and wanted for nothing. To that end, she is self-centered, looking out for #1 only. If her needs are not met to her satisfaction, she has no problem expressing her displeasure.

She is vain and likes to keep her appearance up to impress. She feels that she can get away with a lot more due to the fact she looks and acts the way she does. Don't be fooled though, Daphne is also very intelligent, having done well in school her whole life. She is determined and headstrong, knowing her goals and plotting the best course to achieve them. She can be devious and a troublemaker often, especially when it brings her pleasure.

She is very adventurous and likes to find and learn new things. She doesn't like sharing secrets though and rarely has anyone she is willing to trust fully. While she doesn't dislike having friends, she prefers to keep them at an arm's length. After all, who needs friends when you have so many others willing to help you out for nothing?

Likes:

• Clothes
• Dogs
• Chocolate
• Music
• Having boys attempt to flirt with her
• Making others do things for her
• Learning new things

Dislikes:

• Manual Labor
• Insects
• Competition
• People who assume she is dumb
• Losing
• Being told what to do
• Goody-Two-Shoes

Biography:
Born the youngest in her wealthy family, she wanted for very little growing up. Her parents bought the best education, the best entertainment, the best lifestyle they could for their children in order for them to be the very picture of privilege. Daphne was often compared to her brother, Quinton, and she didn't like it one bit. She was often looked down on and considered to be less intelligent, due to her looks and her gender. Though she struggled, she persevered through the judgment and proved to be his match, maybe even better.

She continued down this path of believing she was better than most around her. She would use others to achieve her own goals and forward her plans to get what she needed. This left her with very little friends, which suited her just fine. It also strained her relationship with her brother. As years went by, she continued to excel in her studies, placing well above the standard norm. She continued to live the life of luxury she had been accustomed to, spending money on frivolous things to make her feel good.

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Plasmid One
Name of Plasmid:Unknown
Color of Plasmid: Pink

Powers and Attributes: Unknown

Plasmid Two
Name of Plasmid:Unknown
Color of Plasmid: Cream

Powers and Attributes: Unknown

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TBD

@Vicier

Here is my sheet! Hope you enjoy

[Mag Lev]

I'd like to reserve Red and Dark Grey while I get ready to work on my sheet. @Vicier

[Ulstermann]

"Life. What a terrible evil bitch of a teacher she is. Always givin' the test first and the lesson afterwards."

Name: Arthur Kingsley

Nicknames: Art

Gender: Male

Age: 43 years old

Birthday: 7th of May

Sexuality: Heterosexual/Straight

Relationship Status: Single

Distinguishing Features: Kingsley has a faint scar on his right cheek, the reminder of a shrapnel wound obtained in the Korean War.

Plasmid: Light Blue, Silver. Capabilities of these Plasmids are as yet unknown.

Equipment:

Luger P08 pistol, several box magazines
Hip flask with whiskey
Cigarettes
Grey Fedora/overcoat

Bio: Arthur Kingsley is a private detective in Los Angeles. A veteran of both WW2 and Korea, he also served in the LAPD for a further decade. Born in the San Fernando Valley, Kingsley had an unremarkable childhood. He joined the US Army in the final years of the Second World War, and served against the German army in the Netherlands and northern Germany. He still carries a Luger taken from a brave Wehrmacht officer there. Following the war's end he joined the LAPD, serving six years as a patrolman. The Korean War brought him back into uniform, where he fought against the North Koreans and the Communist Chinese. Resuming his career in the LAPD after the war he rose to the rank of Detective in the prestigious Homicide Bureau. A highly-controversial case involving the mayor and several prostitutes forced him from the department. He set up his own private detective agency just off Hollywood Boulevard.

Kingsley is a somewhat charming man, with an easy, affable manner. However, the years of suffering that he had seen both as a soldier and a cop has caused him many sleepless nights-and a slight drinking problem.

Now a case leads him across the seas, to his destiny in a city beneath the waves...

[Mag Lev]

Hemsworth

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”There is always something beneath the surface of every event, always another darker side to what we are told. I want to see that darkness.”

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Name: William Terrence Hemsworth

Nicknames: Will, Terry, Hem

Gender: Male

Age: 22

Birthday: 1st of March

Sexuality: Heterosexual/Straight

Relationship Status: Engaged in an Arranged Marriage, unhappily so.

Distinguishing Features: Williams most notable feature would be his crooked his nose, received after being broken in a fight at a pub and not set properly.

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Relationship Status: Engaged in a marriage with one Geraldine Bransworth, arranged by his family and hers to strength their families.

Sexuality: Heterosexual/Straight

Partner: Geraldine Bransworth, though he hasn’t seen her since they were young.

Father: Branson Hemsworth

Mother: Helen Hemsworth

Siblings: Mary Rochester (Older Sister), Francine Hemsworth (Younger Sister), and Vincent Hemsworth (Younger Brother).

Pets: Will has a pet bloodhound back at home with his family in London as well as a maine coon cat.

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Personality: Intelligent ✦ Inquisitive ✦ Studious ✦ Pedantic ✦ Argumentative ✦ Brash ✦ Talkative ✦ Manipulative

William is perhaps simultaneously the best and worst man for his job as a journalist, being talkative and bold enough to follow threads of information on a topic to lead him to a unique conclusion that most would rarely reach but also being far too easy to goad into an argument or a fight. His tendency to be hotheaded and act on his own will without telling anyone of what he has learned has often gotten him in trouble with others, even ending up spending a night in jail after a few bar fights. He almost seems to take a destructive attitude towards good news, finding it to be poor for business and often wanting to push people to hear something more interesting.

Despite his tendencies towards violence, likely related to his upbringing by a strong willed Irish Father, William happens to be far smarter than he acts. He almost always seems to hide the extensive knowledge of subjects, albeit none of which he has ever mastered, as it doesn’t exactly pertain to his work. The only time Will ever makes note of such knowledge is when he is writing a particularly piece or to get information from others on what he is looking for.

Likes:

• -Books
• -Drinking
• -Murders, though only because they sell well in papers.
• -Boxing

Dislikes:

• -Good News, it doesn’t sell as well.
• -Children
• -Russians
• -Cops
• -Other Journalists

Biography:

”I don’t regret much about me young life. What I regret most was my stupidity as a child. Promisin’ me life to a childhood friend, dumbest move I’ve ever made.”

William was the first son of his family, only a year younger than his sister, and instantly set up to be the family heir. That is to say, he was given everything that his family could give him. He got the best education, the most recent fashions, the best food, but he didn’t like the posh life his family gave him. He wanted to be free and know what it was like in a world not so bright and rich as the one he lived in. Will was constantly defiant of his parents, often ditching his tutoring lessons to go run through the streets of London. Life as the heir to his family’s shipping business was boring compared to the life he encountered on the streets, the stories of drunkards being arrested for fights and people being hauled off to spend some time in a cell far more titillating than lessons on arithmetic and cursive.

It wasn’t surprising that the young man eventually grew up to be journalist, though this was to the dismay of his Father as it meant that all the training his son had received to take up position as heir was all for naught. William was ever defiant and wouldn’t stand down for what he considered to be his calling and far more interesting than managing a business and the flow of cash. Yet, he wasn’t willing to forget of his family like a vagrant and agreed to take over the company when the day came that his Father passed it on to him. Such a day was coming soon as he was actually on his way to London to talk to his dying Father.

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Plasmid One
Name of Plasmid: Unknown
Color of Plasmid: Red

Powers and Abilities: Unknown

Plasmid Two
Name of Plasmid: Unknown
Color of Plasmid: Dark Grey

Powers and Abilities: Unknown

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TBD

[POOHEAD189]

@VicierWhat would be the premise of the RP? I understand it's Bioshock, but is this just after Rapture falls, or does it begin at Bioshock 1 timeline, and do the character's wake up there or do they understand all that's happened? (If there's room, lol)

[MarshiestMallow]

I Should work on mine...

[Fat controller]

I'm going to join if thare alright ash

[BlackPanther]

Oh my god a bioshock roleplay
I've wanted this since I read the book

.....though I think the games have scarred me for life >.>
Surround sound and bioshock does not mix man

@Caits@Vicier
Also hi :3
Imma look through stuff again for character stuff but dudes
This is awesome

[Vicier]

Hey everyone..! Sorry it has taken me so long to respond; I was house-sitting this weekend, and as it was the last day, I needed to tidy things up before leaving. Now that I'm at home, I can address everything that you guys have brought up :'3

First of all... @POOHEAD189; the roleplay is going to begin with the plane crash, and our characters trying to get out of the water and to shelter (the lighthouse). If I do my job correctly, and you're all happy with what I'm doing, then our characters will be able to experience the world of all three of the Bioshock games- yes, all three. I will be bringing Columbia into this roleplay as well.

Also, I'm not sure if it's just me, but I've noticed that the 50's theme is creeping into the characters that are being made; while I love it, I just want to remind you all that this roleplay is set in modern times for us, with Rapture stuck, frozen in the 50's. I have tried to explain this while answering some questions posed to me in the interest check; but in case you missed both the questions and the responses, I have collected them, and popped them into the hider below for everyone to have a look at if they want to..! :'3

Question and Answer time..! ^w^

Is it safe to assume our OCs will be heralding from the surface? And if so under what premise do they go to Rapture? How far in the future or past or Rapture will we be RPing? Is it Pre-Jack? Post-Jack? I'm assuming Jack is involved in this since he is in the characters section, so what kind of role does he play, or is that secret?

You are, indeed, correct in your assumption that our characters will be coming from the surface world into Rapture- much like the first game, this will be done on by them crashing into the ocean during a plane ride from America to England. One of the eight characters will have ties to Andrew Ryan in some way, shape or form, and will be the one who causes the crash landing the group in Rapture; however, no one in the group will know who it is, as this will be kept a secret until the time it comes out. That one person, whoever it may be, will be the only one who willingly goes there (even though they act like they don't), for the others, it will be more of a "wrong place, wrong time, wrong plane" type circumstance.

Alright, so what kind of time period will we be exploring? Relative to Jack?

The way that I have set this roleplay in my mind; the roleplay will take place semi in the present- Rapture is stuck in a kind of stand-still place at this point in time; much like (if you are familiar with the references, if not, ask and I shall explain) the Lotas Hotel in the Percy Jackson series, or the Safe Haven's in The Peculiar Children series. Life continues on; though seems to be in its own sort of world- frozen in that one time (the 50's) until someone or something sets it in motion again.

The person to put Rapture back into motion, is Jack.

Our group of characters arrive after Jack; he is wandering around Rapture (at a much slower pace than in the games or there would be no roleplay, loll) under the instruction of Atlas. When our characters arrive, it throws a spanner into the works- they will meet the characters at any given time; help them, refuse them, trust them, etc. All in order to survive Rapture, and find a way up...

Well, when you think about it the game wasn't the most realistic, Jack just went through all of it in what must have been two or three days, if you factor in the fact that he would need to sleep, scavenge food and drinking water, recover after engagements with enemies and use the bathroom, he'll be bumbling around for much longer. So is there some kind of hard reset like there is in The Peculiar Children series? Like watching the bomb fall and total the house? Will that be an element in the plot or are you just using it as an analogy for the whole time loop thing?

I'm sad to say analogy cause I couldn't think of the words "time loop" in all of my explanation, though I will indeed think on that now the idea is planted in my mind o:

I hope that bringing these across into the OOC helps in some way or another, and answers even some of your questions; though should you, or anyone, have any other questions, or are still unsure about things, please don't hesitate to ask me, I'll do my best to answer them for you. :'3

I hope this helps in some way; now... onto the CS'..! x'3

@FantasyChic; I'm really liking Daphne; she's basically the complete opposite of Isaura, which can either lead to a few very good interactions, or a few bad ones... either way, it's going to be a very interesting a bumpy ride with the dynamics they both bring to the group. I see nothing really that would need changing, or tweaking in your roleplay so... welcome aboard flight BAW229 from Los Angeles to London..! Feel free to pop her across into the character section..!

@Ulstermann; hey..! Okay, so I love the idea for your character, having a mature person in the group who understands, and has been through things like he has is an amazing premise, especially for this kind of roleplay, and I would love for him to be apart of it, however, I did notice a couple of things that made me have to stop and think. The first thing I noticed is that there is quite a bit of information missing from the CS; personality, likes, dislikes, relationship section, etc. Unfortunately I can't accept a character that doesn't have all the fields filled out. The second thing, and I'm not sure if you noticed the questions and answers when they were in the interest check, and if you didn't, that's no problem at all (plus the picture I used for my face-claim probably doesn't help), however, the way that I'm working this roleplay is that it is set in the present day- our characters are living in the same modern world that we are.

You see, with Arthur Kingsley being 43 years old, and having participated in both WW2 and the Korean War... it doesn't really work with the time setting for the roleplay... If that were the case, he would have been born around 1925 (estimate), and would be entering, if not already be in his 90s today. Truthfully, I don't know a lot about the wars that have happened around the world... that's more my dad and my little brother's thing; so I asked them about it (mostly my dad), and got their opinions and suggestions, and they helped to come up with a few really good ones.

For Arthur to be 43 years old in 2016, and still have similar experiences, he would need to be born in 1973. Now; during a time of crisis, most people are drafted into the army at 18 years old, however, a lot of people lied and manipulated their age in order to join up early, and to serve their country- Arthur could have been one of the many who did that. From 1990 to 1991, America sent forces over to Iraq, Kuwait, Saudi Arabia, and Israel, and participated in the Gulf War... not long after that ended, troops were sent into Somalia in 1992 to 1995 and to stage an intervention in the Somali Civil War. There is also the choice of the Bosnian War which went from 1994 to 1995. After both of those wars, US troops were sent to Serbia to fight in the Kosovo War lasting from 1998 through to 1999; the war only just one part of the much bigger Yugoslav Wars. It would then free him up for his retirement into the LAPD for a decade I believe, so from 2000 through to 2010, from there he could have set up shop as a PI in 2011, and been his own boss since o:

I'm not saying in any way, shape, or form that this is what you have to go with... I'm merely trying to offer up some suggestions that could prove to be helpful in some way. And besides, as I said earlier, I really love the premise of your character, and would love for him to be apart of the roleplay :'3

@Mag Lev; I like William a lot..! He's definitely going to make an interesting addition to the group, and above that, I'm rather excited to see his interactions with Poole play out once they meet in the roleplay. So with that... welcome aboard flight BAW229 from Los Angeles to London..! Feel free to pop him across into the character section..!

As for everyone else (@POOHEAD189, @Fat controller, @BlackPanther); due to the insane way this roleplay blew up, literally over night, I shall be adding another four Plasmids to the current list, bringing the total number of Characters up to ten instead of eight.

Also, as a side note; I realized that in my CS I had Sexuality and Relationship Status listed twice... I'm so sorry about that, and I have fixed that up; feel free to only list it once, in the relationship section of the CS :'3

NOW, to carry on my tradition of lightening things up after a long and rambling post on my behalf, I shall present to you guys an apology picture and hope you all like it x'3

[BlackPanther]

@Vicier
Awesome!
I have to be honest and say it's been awhile for the game
Though images and such trigger memories because honestly I'm pretty sure it scarred me XD

So my main rememberance is the book....so if I confuse something or say something that was book occurance and not quite game please tell me

Anyways I'm quite excited
I am developing an idea to throw at you as we speak (read? Text?)

[BlackPanther]

@Vicier@Caits
As always my character is a tad bit out there
And as always I am willing to tweak ^.^

Dorian Gray

Dorian Gray

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Name
-Dorian Gray

Gender
-Male

Age
-24

Birthday
-May 1st

Distinguishing features
-Other than his love for steampunk fashion, Dorian has a few scars. On the left side of his body from his ribs down to his hip he has what appears to be burn scarring. His right arm also sports what appear to be bite scarring....possibly from an animal.

Other
-He often dresses in a steampunk fashion. It makes him oddly alluring. What isn't known is that he does have a fully functional doctors mask that is functional in that it is also a gas mask. He is never without it.

mask

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Relationship status
-technically single...afraid of commitment

Sexuality
-Bi sexual

Partner
-Has had several one night stands....no solid relationship

Father
-Doctor Alexander Gray

Mother
-Deceased

Siblings
-None

Pets
-He breeds the best Alaskan malamutes both for his experiments, but has two favorites that he considers perfect.
-

tiny

Tiny is a red male

-

baby

Baby is a light brown female

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Personality
~Sarcastic~Sharp~Bright~True

Dorian Gray is known as the sarcastic womanizer who has a rich father. Someone whom you keep daughters away from...but yet know if you do him a favor he will always return it in kind. A true two sided coin with a sarcastic never serious personality yet if you do him wrongly he can become dangerously serious.

Being afraid of commitment and exceedingly smart makes a rather awful mix. Many say he just need someone who can handle him...he thinks man or woman no one can handle all of him. Yet he desperately wants someone to.

Becoming dorians friend is almost like befriending a Rottweiler. To that person he can be the friendliest....yet to everyone else he snaps. That is why he doesn't have many friends. Pushing people away is a hard habit to break.

Likes
-Dogs
-Science
-Pleasure
-Steampunk
-Reading
-Success
-Ethics
-Morals

Dislikes
-Unethical treatment to anything
-Failure
-Dumbing down words (He's not very good at explaining things)
-His father
-Pity

Brief Biographgy
Oh you wish to know me? Well let's start at the beginning shall we.
I cannot remember my mother very well...she died when I was still a baby. This left everything to my father whom was hardly every around meaning that the task of raising me was actually left to anyone who had time. You can imagine this has shaped me to expect being alone.

At a young age I turned to science. It was logical...and fascinating. Biology and chemistry were my favorites...who am I kidding they are still my favorites. I began chemical experimentation and a young age and an....accident lead to the scars on the left side of my body. My father was furious and blamed the school I attended for teaching me the experiment. That is when he found out they didn't teach me it...I simply did it on my own.

Being moved to a different school left me feeling more alone somehow. Probably being the new kid and...smarter then I should be. I exceeded expectations and chose school over people. I attended high school and college at the same time allowing me to receive my degrees sooner. I was 18 and held a bachelors degree in both biology and chemistry.

I accelerated through graduate school and received a doctoral degree in biology with a minor in chemistry when I was 22. Once I was finished I was able to show the military what I had made. I had made chemicals for chemical warfare and techniques for helping the wounded. My biggest accomplishment was a year later.

That year I had purchased a few Alaskan malamutes and decided to chase something many would find crazy. Genetically enhanced war dogs. I chose malamutes for the size and ease of training...and also because at the time I didn't realize what I would be creating. These dogs have increased stamina, adaptivity to environments, and are easier to train then people. That was when my name really got out there. Dorian Gray top military researcher. I now multitask between pleasure, experimentation, and working on the tools to fight and defend from chemicals.

I have never felt quite so alone.

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Plasmids
-Lilac

~abilities and content unknown~

-Light Green

~Abilities and content unknown~

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Relationships
~TBD~

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[MarshiestMallow]

@BlackPanther
Hiya!

You can pick your plasmids now, what is taken is below the OP ^.^

[BlackPanther]

@Caits
Imma go with lightgreen and lilac ^.^

I'll go ahead and plug that in (I love green and purple)

[MarshiestMallow]

@BlackPanther
well, its good to go now ^.^