[IC] Myriad Reality

[Spiritblitz]

<Snipped quote by Spiritblitz>

Precisely. That’s where the administrators come in. Each of those is drawing upon the same source, and the administrators access the source directly. All of those impact the source in different ways, which we’ll see reflected in the desert.

@Techspert

Is the desert the final destination for time?

[Techspert]

<Snipped quote by Techspert>

Is the desert the final destination for time?

@Spiritblitz

For some of us. The source isn’t something we can perceive directly, so we see it differently depending on our own biases. As the weaver explained.

[Melodious]

<Snipped quote by Melodious>

Are you wanted somewhere? In the wild west way?

@Webmaster

Kinda. Sorta wanted. Mostly exiled and shunned. Wrongfully, I might add.

[Webmaster]

<Snipped quote by Webmaster>

Kinda. Sorta wanted. Mostly exiled and shunned. Wrongfully, I might add.

@Melodious

*Cringes*
Can’t win em all, I guess?

[Melodious]

<Snipped quote by Melodious>

*Cringes*
Can’t win em all, I guess?

@Webmaster

I’m going to win. It’s not over yet.

[Spiritblitz]

<Snipped quote by Spiritblitz>

For some of us. The source isn’t something we can perceive directly, so we see it differently depending on our own biases. As the weaver explained.

@Techspert

Interesting, that makes sense.

[Webmaster]

<Snipped quote by Webmaster>

I’m going to win. It’s not over yet.

@Melodious

What are you gonna try and do?

[Techspert]

<Snipped quote by Techspert>

Interesting, that makes sense.

@Spiritblitz

*Nods*
In the same way, that’s what the desert is to us. Time is a chaotic, unpredictable force to become lost in. It shifts and turns, and the only constant is its inconsistency. That’s why permanent fixtures, like that trail we saw, mean something is wrong. They indicate that something is violating that nature, becoming fixed.

[Melodious]

<Snipped quote by Melodious>

What are you gonna try and do?

@Webmaster

Win, of course. But detail are difficult to talk, since they know.

[Webmaster]

<Snipped quote by Webmaster>

Win, of course. But detail are difficult to talk, since they know.

@Melodious

That’s as bad as playing checkers against yourself and shouting your next move every turn.

[Melodious]

<Snipped quote by Melodious>

That’s as bad as playing checkers against yourself and shouting your next move every turn.

@Webmaster

It can’t be helped. Yet.

[Webmaster]

<Snipped quote by Webmaster>

It can’t be helped. Yet.

@Melodious

The good kind of yet, I hope?

[Melodious]

<Snipped quote by Melodious>

The good kind of yet, I hope?

@Webmaster

If things go my way.

[Webmaster]

<Snipped quote by Webmaster>

If things go my way.

@Melodious

Hmm, maybe I can do something to help?

[Melodious]

<Snipped quote by Melodious>

Hmm, maybe I can do something to help?

@Webmaster

Maybe. You good at more than just making films?

[Spiritblitz]

<Snipped quote by Spiritblitz>

*Nods*
In the same way, that’s what the desert is to us. Time is a chaotic, unpredictable force to become lost in. It shifts and turns, and the only constant is its inconsistency. That’s why permanent fixtures, like that trail we saw, mean something is wrong. They indicate that something is violating that nature, becoming fixed.

@Techspert

So there is never such a point within the framework of time that is a fixed moment or event?

[Webmaster]

<Snipped quote by Webmaster>

Maybe. You good at more than just making films?

@Melodious

Some things! Usually it helps if they make for good films.

[Techspert]

<Snipped quote by Techspert>

So there is never such a point within the framework of time that is a fixed moment or event?

@Spiritblitz

It happens. And happened. But the ways of sand consider islands of stability in this ever-changing desert to be unusual.

[Melodious]

<Snipped quote by Melodious>

Some things! Usually it helps if they make for good films.

@Webmaster

How do you like a good action flick?

[Webmaster]

<Snipped quote by Webmaster>

How do you like a good action flick?

@Melodious

*Points two finger guns upward and stands at your diagonal, shoulder next to yours, with my shades still on and speaking in a fake accent*
You tell me.