TAP-tap-tap, TAP-tap-tap, TAP-- TATatatatataTATatatatata TAP!
The unpleasant sounds of a metal spatula and blade of a kitchen knife drumming on a griddle were turned into rhythmical combinations as they echoed into the small corner diner. "The Best Around Waffle House" was a small establishment on the corner of Tim and 88th Street. They may not have had the most space or the best class, but they did have Parker as a chef, whose father had taught him to cook with five-star quality.
TAP-tap-tap, TAP-tap-tap, TAP-- TATatatatataTATatatatata TAP!
In fact, if he had been any less of a cook he would have been fired long ago, for his irritating habit of bringing his musical hobbies to work have caused more than a handful of complaints. Pamela Vick, his boss and the lady who lived in the apartment above the diner, was actually quite fond of the music, but she knew that if she let him get away with it all the time they'd eventually lose all of their business.
Tap, ta-tap, tap, ta-tap, tap, ta-tap, tap --
"Excuse... ex... EXCUSE ME!" Parker nearly lost grip of his makeshift drumsticks when the shrill voice of a hungry, impatient and clearly angry woman interrupted his groove. Parker spun from his place of filling a simple order of pancakes and scrambled eggs to see a middle-aged red-headed woman in the doorway of the swinging kitchen door striking a pose that clearly stated "that 'Employees Only' sign means nothing to me right now" and a glare that added "and neither do you". Asking the question seemed pointless, but it somehow seemed more rude not to inquire anyway.
"I'm sorry, can I help you?" Parker asked, fearing her lash. Being yelled at by someone didn't scare Parker, but getting into an argument with a customer did -- he actually liked this job. Luckily, however, she was just as invested in keeping this interaction civil.... after the initial yelling to get his attention, of course.
Taking a breath and dropping the glare, she cleared her throat and began. "I've had a really, really stressful work day, and I was just looking forward to eating in peace and--
"Of course, ma'am, I'm terribly sorry," Parker said with his signature crooked smile. Almost every person in the Mors family had reliable charisma and a silver tongue. "I'm a drummer in a band, and sometimes I forget to leave my hobbies at the door. I'll try not to disturb you any further. Please, enjoy your meal." As she returned to her seat in satisfaction, Parker was suddenly thankful that he had almost no money on him, because he was tempted to treat her to something extra for the trouble. He couldn't help sometimes getting carried away in his own charm, even if it was entirely fake.
A few hours later, Parker's eyes were excitedly set on Jill -- the name he gave his purple van which he could see out the back window as he was taking off his hairnet and apron. It was just a little passed five and The Harbingers band practice began at six on Thursdays. This barely gave him enough time to get home and get changed before heading to Revelation Studios. Surely Søren would need a ride, as well. Luckily, Parker's drums were still packed in Jill from Tuesday's practice. "G'night, Pam," Parker shouted over his shoulder as he hurried out the door, not even bothering to wait for a response. He was usually more polite to her, but the woman was pushing 60 and fading hearing required three to five repeats of "goodnight," each increasing in volume, and he was just too excited for practice to deal with that.
Even though he knew the band would understand if he were late, patience was one of Parker's worst attributes. This became more fact than opinion as he sped through another red light in front of his apartment building, giving the signal to Soren to buzz the door open (so Parker wouldn't have to dig out his key) and to get his self ready: Three short honks and a long one in a slower (not to mention monotone) version of the beginning of Beethoven's fifth symphony from Jill's horn. Since the rhythm Beethoven used for that intro is also Morse code for the letter "V", Parker and Soren liked to joke and say it stood for "Vroom time." After the honks were made, Parker began step out of the van but paused a moment, then quickly whipped out his phone and began a text to Søren, who he just realized might not be home.
"Vroom time, bitch! You home? Bring me a shirt down with you, please; I smell like a perpetual breakfast." As the message sent, he hoped his best friend would hurry back with his text - and also be home - because it was just turning 5:15 PM as Parker stripped off his pants in the middle of the parking lot and slipped into a pair of shorts from the back of his van.
The unpleasant sounds of a metal spatula and blade of a kitchen knife drumming on a griddle were turned into rhythmical combinations as they echoed into the small corner diner. "The Best Around Waffle House" was a small establishment on the corner of Tim and 88th Street. They may not have had the most space or the best class, but they did have Parker as a chef, whose father had taught him to cook with five-star quality.
TAP-tap-tap, TAP-tap-tap, TAP-- TATatatatataTATatatatata TAP!
In fact, if he had been any less of a cook he would have been fired long ago, for his irritating habit of bringing his musical hobbies to work have caused more than a handful of complaints. Pamela Vick, his boss and the lady who lived in the apartment above the diner, was actually quite fond of the music, but she knew that if she let him get away with it all the time they'd eventually lose all of their business.
Tap, ta-tap, tap, ta-tap, tap, ta-tap, tap --
"Excuse... ex... EXCUSE ME!" Parker nearly lost grip of his makeshift drumsticks when the shrill voice of a hungry, impatient and clearly angry woman interrupted his groove. Parker spun from his place of filling a simple order of pancakes and scrambled eggs to see a middle-aged red-headed woman in the doorway of the swinging kitchen door striking a pose that clearly stated "that 'Employees Only' sign means nothing to me right now" and a glare that added "and neither do you". Asking the question seemed pointless, but it somehow seemed more rude not to inquire anyway.
"I'm sorry, can I help you?" Parker asked, fearing her lash. Being yelled at by someone didn't scare Parker, but getting into an argument with a customer did -- he actually liked this job. Luckily, however, she was just as invested in keeping this interaction civil.... after the initial yelling to get his attention, of course.
Taking a breath and dropping the glare, she cleared her throat and began. "I've had a really, really stressful work day, and I was just looking forward to eating in peace and--
"Of course, ma'am, I'm terribly sorry," Parker said with his signature crooked smile. Almost every person in the Mors family had reliable charisma and a silver tongue. "I'm a drummer in a band, and sometimes I forget to leave my hobbies at the door. I'll try not to disturb you any further. Please, enjoy your meal." As she returned to her seat in satisfaction, Parker was suddenly thankful that he had almost no money on him, because he was tempted to treat her to something extra for the trouble. He couldn't help sometimes getting carried away in his own charm, even if it was entirely fake.
A few hours later, Parker's eyes were excitedly set on Jill -- the name he gave his purple van which he could see out the back window as he was taking off his hairnet and apron. It was just a little passed five and The Harbingers band practice began at six on Thursdays. This barely gave him enough time to get home and get changed before heading to Revelation Studios. Surely Søren would need a ride, as well. Luckily, Parker's drums were still packed in Jill from Tuesday's practice. "G'night, Pam," Parker shouted over his shoulder as he hurried out the door, not even bothering to wait for a response. He was usually more polite to her, but the woman was pushing 60 and fading hearing required three to five repeats of "goodnight," each increasing in volume, and he was just too excited for practice to deal with that.
Even though he knew the band would understand if he were late, patience was one of Parker's worst attributes. This became more fact than opinion as he sped through another red light in front of his apartment building, giving the signal to Soren to buzz the door open (so Parker wouldn't have to dig out his key) and to get his self ready: Three short honks and a long one in a slower (not to mention monotone) version of the beginning of Beethoven's fifth symphony from Jill's horn. Since the rhythm Beethoven used for that intro is also Morse code for the letter "V", Parker and Soren liked to joke and say it stood for "Vroom time." After the honks were made, Parker began step out of the van but paused a moment, then quickly whipped out his phone and began a text to Søren, who he just realized might not be home.
"Vroom time, bitch! You home? Bring me a shirt down with you, please; I smell like a perpetual breakfast." As the message sent, he hoped his best friend would hurry back with his text - and also be home - because it was just turning 5:15 PM as Parker stripped off his pants in the middle of the parking lot and slipped into a pair of shorts from the back of his van.