Noah was a creature of curiosity and he didn’t hold much outside of the realm of interest. Each thing was under scrutiny by him and it didn’t take him long to disregard them, both in his eyes and in his mind. Elann hadn’t been cast aside, if he thought her uninteresting he wouldn’t have approached her as he did the first day they met. To her, he was blunt in his asking of questions, hard in the way he interacted with her, only softening once the brief period of assessment was over. She had captured his interest, Matilda making sure that it was cemented by asking Noah to help Elann to her room. Should things had been differently, it wouldn’t have mattered if she was only five doors down from his in the same hall.
As it were, she had captivated him in several ways, and he thought she was indeed a striking figure to look at, just not in the way she so desired. Noah played particular attention to the eyes of the people and things he encountered because they often denoted motivation before anything else reacted. Elann’s eyes appeared lost and confused the day he met her yet the shine in them didn’t necessarily dull because of it. The quavering perseverance he saw in her irises that day remained with him throughout their time together from their visit to the orphanage onwards.
From the eyes came the rest of the face, the way her nose was shaped, the bridge and the slope downward to the soft bit and flaring out to her nostrils. Next came the small space between her top lip and the bottom of her nose. The curve of her lips was created by the constant skittering of his pencil between the rare glances he looked back to her. Having seen her face for long it was essentially burned into his memory, he could never forget it no matter what, and therefore noticed whenever anything was different on her visually.
Noah’s pencil, once started, never ceased in its movements. Like he did when he was hunting, he played the drawing a few steps ahead, calculating each fast jerking of his fingers that seemed to do a lot yet nothing at all in the same time. Each flick of his wrist produced a small line, the speed of which it was produced told of his confidence. He didn’t hesitate, only looking up to make sure Elann hadn’t moved from the spot she lay. He had deemed her interesting enough to draw, and he said he would think about getting into drawing again once Aimee, his mother, and Elann talked to him during one of their dinners.
It had been years since he picked up a pencil and drew anything and it was apparent to him. Elann hadn’t seen him show his capacity for art at all, but there was a dormant skill in the way he moved and in what he drew. Like Elann essentially taught herself how to use a bow, he had taught himself how to draw from a few years of practice.
Noah continued on her face, pencil turning out into larger strokes as he worked on the rest of her body as it lay there before him. The pallet was included as well, the vague design of what she lied on there in the image as well. Once the framework was established his pinky came and acted as the blender for his marks, a technique picked up by watching another artist in Zeltiva who was his inspiration. Young Noah didn’t actively approach the man in the slightest, simply watching him from a distance as an incognito eagle, a bird on the rafters.
The chimes ticked by, sound being only emitted from their breathing, his pencil scratches, his pinky rubbing, and his vague hums of consideration, unless Elann talked, that is. Finally, he tucked the pencil into his palm and compared his drawing to what Elann actually looked like by letting his eyes flick between her in the flesh and what was on his paper. He turned the journal around then, leaning in to show her what he did and how it showed a great deal of likeness to her in the flesh.
As it were, she had captivated him in several ways, and he thought she was indeed a striking figure to look at, just not in the way she so desired. Noah played particular attention to the eyes of the people and things he encountered because they often denoted motivation before anything else reacted. Elann’s eyes appeared lost and confused the day he met her yet the shine in them didn’t necessarily dull because of it. The quavering perseverance he saw in her irises that day remained with him throughout their time together from their visit to the orphanage onwards.
From the eyes came the rest of the face, the way her nose was shaped, the bridge and the slope downward to the soft bit and flaring out to her nostrils. Next came the small space between her top lip and the bottom of her nose. The curve of her lips was created by the constant skittering of his pencil between the rare glances he looked back to her. Having seen her face for long it was essentially burned into his memory, he could never forget it no matter what, and therefore noticed whenever anything was different on her visually.
Noah’s pencil, once started, never ceased in its movements. Like he did when he was hunting, he played the drawing a few steps ahead, calculating each fast jerking of his fingers that seemed to do a lot yet nothing at all in the same time. Each flick of his wrist produced a small line, the speed of which it was produced told of his confidence. He didn’t hesitate, only looking up to make sure Elann hadn’t moved from the spot she lay. He had deemed her interesting enough to draw, and he said he would think about getting into drawing again once Aimee, his mother, and Elann talked to him during one of their dinners.
It had been years since he picked up a pencil and drew anything and it was apparent to him. Elann hadn’t seen him show his capacity for art at all, but there was a dormant skill in the way he moved and in what he drew. Like Elann essentially taught herself how to use a bow, he had taught himself how to draw from a few years of practice.
Noah continued on her face, pencil turning out into larger strokes as he worked on the rest of her body as it lay there before him. The pallet was included as well, the vague design of what she lied on there in the image as well. Once the framework was established his pinky came and acted as the blender for his marks, a technique picked up by watching another artist in Zeltiva who was his inspiration. Young Noah didn’t actively approach the man in the slightest, simply watching him from a distance as an incognito eagle, a bird on the rafters.
The chimes ticked by, sound being only emitted from their breathing, his pencil scratches, his pinky rubbing, and his vague hums of consideration, unless Elann talked, that is. Finally, he tucked the pencil into his palm and compared his drawing to what Elann actually looked like by letting his eyes flick between her in the flesh and what was on his paper. He turned the journal around then, leaning in to show her what he did and how it showed a great deal of likeness to her in the flesh.