[Potential: 1]
Shade of a captured hero. That was a good guess, interesting too, maybe worth investigating?
First she acknowledges the cats with more purring. That was sweet, and almost mentoring. The girl had chosen mother cat, not a companion. Did she think she was stronger than Anathet? Or older? Maybe she viewed herself as caring for others that way, or had when her whole self was present. There wasn't a lot of time though, Set needed to help her friends.
image of girls flipping through books, looking for signs asking "should I look for information about you in the library?" Set's thoughts are settling into a calm blue.
She can sense the strong shame on the other side, not Marianne's though she'd recognize it, so it must be a prisoner then. Really impressive as always. There was something about Marianne, maybe she could be a true kindred spirit even if she didn't have the sort of empath training that this eyeless girl had, or the Zhianku. She had that joy in life, in moving that made Set feel like sisters when they ran together and glided through walls each in their own way (Set thought hers was much less dizzying though).
The girl's shade flickering in the library the flickering is indecisive yellow, Anathet wondering whether the girl can stay with them while they look for information or if she'll have to leave again. And then: This one is a quick image, like a person changing from animal to animal, first cat, then crocodile, hippo, jaguar, mouse, cat again and on. It's a general question, a question of shape and self-identity, asking the eyeless girl to lock herself in from possibility. At it's heart, it asks the simplest question: "who are you?"
[Rolling to pierce the mask: but 1+2-1=2. Gaining a potential.]
Maybe it's too much too fast, Set starts feeling a purple melancholy regret at offering so much, she should have been more careful. Argh, if only there were really an expert here, not like her!
She's distracted like this when she walks in on Marianne and her prisoner. In fact, she very nearly thinks at them, which wouldn't do either much good, and has to stop herself and try to focus. She forces a short laugh, almost a bark, and says "well, Marianne, who do we have here?"
Shade of a captured hero. That was a good guess, interesting too, maybe worth investigating?
First she acknowledges the cats with more purring. That was sweet, and almost mentoring. The girl had chosen mother cat, not a companion. Did she think she was stronger than Anathet? Or older? Maybe she viewed herself as caring for others that way, or had when her whole self was present. There wasn't a lot of time though, Set needed to help her friends.
image of girls flipping through books, looking for signs asking "should I look for information about you in the library?" Set's thoughts are settling into a calm blue.
She can sense the strong shame on the other side, not Marianne's though she'd recognize it, so it must be a prisoner then. Really impressive as always. There was something about Marianne, maybe she could be a true kindred spirit even if she didn't have the sort of empath training that this eyeless girl had, or the Zhianku. She had that joy in life, in moving that made Set feel like sisters when they ran together and glided through walls each in their own way (Set thought hers was much less dizzying though).
The girl's shade flickering in the library the flickering is indecisive yellow, Anathet wondering whether the girl can stay with them while they look for information or if she'll have to leave again. And then: This one is a quick image, like a person changing from animal to animal, first cat, then crocodile, hippo, jaguar, mouse, cat again and on. It's a general question, a question of shape and self-identity, asking the eyeless girl to lock herself in from possibility. At it's heart, it asks the simplest question: "who are you?"
[Rolling to pierce the mask: but 1+2-1=2. Gaining a potential.]
Maybe it's too much too fast, Set starts feeling a purple melancholy regret at offering so much, she should have been more careful. Argh, if only there were really an expert here, not like her!
She's distracted like this when she walks in on Marianne and her prisoner. In fact, she very nearly thinks at them, which wouldn't do either much good, and has to stop herself and try to focus. She forces a short laugh, almost a bark, and says "well, Marianne, who do we have here?"