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Oh, you have got to be kidding.

"I'd settle for killing that!"

Sasha is not happy right now. Coleman's murmuring to her as she tries her best to bolt, wincing as stalactites crackle and crumble against her cabin. Surrender isn't an option, much as he'd like it, and there's a part of him wonders whether sacrificing the wrench to spare Sasha might not have been a better option.

And the wafting smell of the sea spiraling out of the tunnel whispers that things are going to get far worse before they get better.

So, improve the situation. This is the best place to keep it at bay--it's narrow enough a passage that there's really only forward and backwards. Keep it pinned in place, and it means that the boom happens at a safe distance. At least, that's the hope.

[Balmas's dice strike again: 6 on Keep Them Busy]
Something is deeply wrong. She steps down the shuttle, and immediately knows it. Every part of her is crying that this was a mistake, and the worst thing is she doesn't know why.

It's not the numbers, of course. She's more than a match for what's arrayed before them, and with a shield wall at her back, nothing could stop them. She could wish for a better choke point, the better to even the numbers, but Jas'o won't let them huddle in the ship, and huddling would not prevent him from chasing his prize. Nor is it the Aegis, dangling from one wrist. She's a master with a spear, shield or no.

But there's still something--a prickling, crawling sensation--that cries for attention.

It's not important, she knows. Right now, in this moment, nothing matters but the figure across from her. The cries of wild beasts tearing apart shuttles, the town in the background (and her mind can't help but add a few exclamation marks to that), the moist earthen smells of loam and acrid tang of burning grass, all fade away. All that's left is the groaning of maneuvering hoplites and the warm, reassuring grain of her spears under her fingers.

Jas'o and Alexa circle each other, eyes flitting and evaluating. That's a non-standard shield, she realizes. Smaller than regulation, probably to facilitate the easy drawing of the bow. He's accomplished enough with a Thunderbolt that he'd willingly diminish his defense in order to make it easier to use it. Confident in himself, then. And the scars running along his arm tell of years of practice.

"Do they know?" she barks, and follows it up with a quick, testing jab. His reflexes are good, she'll grant that--the raise of the shield is textbook flawless, as is the answering riposte. She bats it delicately aside with one brass-inlaid forearm, and takes the opportunity to push forward, inside the king's guard.

She's close. Close enough that the king can't easily withdraw his spear for a second thrust, but neither can she bring hers to bear. Close enough to the king that she can feel his breath hitch in his chest, and allows herself a small smile. That's right, Jas'o. It's easy to dismiss somebody as merely a statue until the statue is close enough for you to realize it's got a couple feet, two arms, and several hundred pounds on you.

One arm comes down like a vice, and locks the king's spear shaft against her torso. "They know you are willing to throw them away," she answers for him. "Willing to throw away your entire kingdom, all that you own, to achieve your goals."

Jas'o, at least, has to know what's coming. She's armed with a spear, yes, but immediately closed to a grapple. By the time her arms cannon out, Jas'o's already dropped his spear, whipped out his shortsword, and shoved it into her shoulder. It's agony, especially when the shove connects and sends reverberations shooting straight to where the sword pierces her, but the king staggers back bereft of both sword and spear.

"And here come a new set of warriors," she thunders, and shoves him further off balance with the butt of her spear. It's as much for the hoplites' benefit as for her own. See him fall back, retreat. This is your king, men. See him cower before the might of Athena's chosen, realize what he's done. See the executioner advance, relentless, sword in shoulder and not slowing her down at all. "Perfect, you think. An upgrade! Ceronians! A legend, before your eyes, if they can but be persuaded to join you."

Jas'o finally catches himself just in time to catch a spear thrust against his shield. "Of course, that means that the warriors you have are useless," she states, and lets the words hang in the air. "Outdated. What will you do with them, I wonder?"

The onslaught of spear on shield feels amazing. This is what she was made for! See, Jas'o, your futility? Your hubris? With every crack and thwack, Jas'o's panicked rictus grows, and her satisfaction grows with it. She's not even dedicating her full attention to him now, turning to distribute slashes at the phalanx behind him and lash out at spears that would hit her own men. Galnius and their men are professionals, but she's still better. No harm in protecting those under her. And she gets to see the rage on Jas'o's face at being so ignored during a duel

And yet… Somehow it still feels wrong. She's doing what she's been taught! She's putting Jas'o in his place! But somehow, as Jas'o cries and shakes a hand as one spear-butt whips out in a lightning-fast crack against his fingertips, she can't bring herself to finish him off.

It's what she should do! He is a threat to Redana. Bring him down, end him now, and he'll never threaten her again. Show no mercy, Alexa. Be brave. He's off his rhythm. It'd be simplicity itself to deliver the final blow, one massive stroke at neck level. She whips the spear around and…

She catches a glance of herself in Jas'o's panicked eyes. She's a vision of terror, of oncoming death, lethality personified.

…twists her wrist. It's not much, but the change in edge alignment is just enough to turn a lethal decapitation into a glancing slap. She'll be punished, of course. The Warsage's champion can be nothing less than perfect.

Come on, Jas'o. You're outmatched. Realize it, and surrender. And for a second, when he throws the shield to the ground, she sighs in relief. Good. Good. We both get to live today.

But then the bow comes out, and time slows to a crawl. Of course he wouldn't surrender. Not here, not to her. Not to four hoplites and a statue, even of Athena. He nocks the arrow, lightning crackling in a slow-mo halo around its head, and the spear refuses to come around. The universe holds its breath, gods and humans alike watching with bated breath. The spear at last starts to rise, point first. This is it, the culmination of all of this! A man, bow raised, in thrusting range of a spear. Either way, the battle ends now.

And as the universe crawls along its treacle-laden path, she and Jas'o's eyes lock, and she finally realizes what's wrong. She can see herself in his eyes, but more than that, she can see Athena looking at him. Looking at him, instead of her.

And she sees the angle of the bow, and it's all wrong. He's not incompetent, she knows. All of his actions have spoken to years of training, of experience in dueling. He wouldn't throw away his shot like this, not with Athena herself witnessing. What is…?

She can hear the phalanx behind her, and the realization crashes through her that the angle is wrong because he's not aiming at her. She's given away far too much in this conversation, and as their eyes lock, she can see his lips curl up in a smirk. Show me, statue. Show me how you should treat your soldiers. It's a trivial affair, after all. You're defending them in the midst of a one-on-one duel.

You don't think you should throw away soldiers? Prove it.

And without hesitation, she turns and throws herself into the bolt.
Coleman groans. Clowns are a pain, but the Ringmaster's memory is worse. The indignity of having a clown passenger on board isn't as bad as the threat of having a train destroyed or finding your path abruptly blocked with a circus. They'll just have to put up with--

...straight up into a fireman-carry, never stopping for a moment, weaving away from the biggest active threat right now, and also the Wreck.


And just like that, the problem solves itself.

"Can we experiment on that thing first?!"


And just like that, the problem unsolves itself,

"Nope! Not today! Moving out!"

That's the thing about keeping yourself between a threat and your friends. It means that when it's time to turn tail and run, your friends are also directly in line between you and the exit.

Now if only he thought there were enough time to both grab them and get away unscathed. But if the two idiots don't have the sense to run, he'll have to have the sense for them.

[7 on Get Away, taking Ailee and Jackdaw with him.]
Jas'o.

The sound of his voice should not make shivers crawl down the granite of her spine, should not make her diamond-edged teeth grind like a millstone. He is a military commander, much like any other. Hidebound, with Molech's masterpiece shoved so far up his ass that shit comes out in formation. Loyal to the promises made by his masters and, much like the master themselves, disloyal to those below him.

But most commanders at least have the decency to pretend they view you as more than expendable cogs. As Jas'o orders his troops into formation--predictably standard Masteries of Battle approved, she notices--the disdain and frustration dripping off every word sends a curl through her lip that is… disgust? Revulsion? Disdain? Her eyes narrow in appraisal.

He was going to make her a decoration.

She can feel Galnius's eyes bore a hole in her neck as she kneels, but the phalanx commander doesn't have to ask what she's doing. The offering to Athena is universal to any soldier worth their salt.

And it is always an offering. Generals offer grand, elaborate auguries before going to battle. Generals determine whether Athena will bless them with glory and grand victory. Soldiers care much more about "let me be alive at the end of the day."

Alexa might have even stopped there. It is a good want, a good ask. They are outnumbered, facing a fully-formed phalanx protecting a commander practiced with a Thunderbolt, and she is all too keenly aware of the sundered Aegis strapped to one arm. It is still in the process of rebuilding itself, but it probably will not be ready in time for this fight.

But.…Well, let us be honest. She is going to survive this fight. It is what she does. She is not worried about that. But the rest of them… She closes her eyes and nods. "She Who Fights In Front, we face today a foe wielding a spark of your father. It shall be yours, dedicated to you, an offering, if you you but protect those behind me."

Right. She dares to hope, but for now, she must put action to words.

"It is a poor commander who does not keep the loyalty of his men," she calls, injecting the perfect amount of jeer. "But even poorer a commander who is disloyal to his men, who would trade them away as if worn out and in need of replacement."

Then she steps out fully, leveling a spear at the king, and stands exposed, eyes locked with Jas'o's. Shoot her, if you dare. "She who stands before you is the creation direct of The Brighteyed and the Warsage. She knows your formations before you order them, for she had a hand in their creation. She stands in your way, and you dare not leave to seek your true target, for to turn your back is to invite destruction. Stand and face destruction, or yield and live. These men, and she whom you seek, are mine. And you shall not have them."
Alexa jumps upright like there's springs in her heels. Honestly, she should have anticipated that Vasilia wouldn't be the kind to appreciate servants that scrape and crawl. She is a commander, a captain. And while, yes, Alexa has served under those who felt an extra stripe merited licking their boots, Vasilia is better than that. Nothing but the best for the captain. Parade rest, all the way.

Even if she does misunderstand, occasionally. It is not a heroic sacrifice, Captain. It is a one-man skirmishing mission. You eliminate the phalanx before it forms, thus making it simpler and safer for those who follow. She is simply the only one fit to perform this function, unfortunately.

But that is alright. The captain has a plan, she is sure. One which requires them to tear a tunnel of destruction through an untamed wood, provoking uncounted numbers of nasties, and painting a line directly to their landing craft once all is said and done. She just needs to brace, one hand against the console and two suctioned against the wall, as requested.

Honestly, it's kind of a relief. No fighting sounds nice.
Coleman grins, and jams a lever forward, sending another spray of fireballs to cut off the wreck from advancing further. "Jackdaw! Glad to see you survived, and still have your common sense! Exit, there, at your leisure, because this thing is about to boom!"

It's the worst game of keep-away imaginable. Poke it too much, it goes boom. Don't poke it enough, and it eats your friends. So he's doing his best to scare it, if that's even a possible thing to do, without actually hitting it. He's backing up, trying to keep himself between his friends and the wreck, but he's still backing up. Come on, people, down the hole! Now would be good!
Alexa traces a shell's trajectory, and winces as it tears apart a small orchard.

How can they stand to be so callous in the presence of peace? Here stands a village, untouched since time immemmorial, an atoll of prosperity. Even from here, it's like the village is formed entirely of love and contentment, and there's part of her that wonders whether they'd have room for one more. No need to fight, no need to worry. Just an isolated town, tucked away from the war, unburdened by princesses or humans or imperium.

At least, until she came and ruined everything.

She turns decisively, and kneels before the captain. "If it please thee, send me. They have yet to form phalanxes. If allowed to entrench, it becomes infinitely more difficult to remove them."

Simple mathematics. Prevent the phalanx from forming, and minimize the damage they can do. This is a place of peace, and she'll be damned if she lets that change.

Alexa watches in helpless silence as Athena examines her work--perfect, as always--before vanishing as suddenly as Ares arrived.

How do you even begin to approach that subject? What words could possibly be right enough to express, "you occasionally go insane and destroy things?" What augury could be invented to find out whether Athena knows, and if not, what possible offering could make up for the mortal offense of bringing it up?

And so, all that's left is to pick up the pieces, lick wounds, brace for the next time it happens. It's not ideal, but it's workable. Endure. She's... She's good at that. She can survive it.

“Oh! Your shield.” All splintered and wrecked! And hardly enough time to put it right. Oh dear, oh dear. “The next time we stop, it will be someplace we can fix it.” He assured her, patting her arm with a warm smile.


And suddenly, it's all she can do to keep herself steady, and her gaze darts to the various entry points of the room. What if Redana came through those doors right now and saw them? What if the Empress saw them? Don't you understand, you delightful little sheep, how dangerous it is to get so close to her?

And he's the living proof of it, she's dismayed to note. For the high crime of being close to her, his coat is ruined, dotted with singed fur and the stink of plasma.

"It shall return in time, fear not." she states dully, withdrawing from the contact as tactfully as she is able.

There, see? No friendship. Nothing to come between Alexa and Redana. No distractions. No need to hurt the sheep. She's being good, she promises! And she fixes Galnius with a stare that dares her to disagree. You saw nothing.

"I and my shield will be fine, I promise. More is the shame for losing your jacket, Dolce."
[[9] on Overcome. Paying one use of Indomitable Shell to get the 10+]

Fuck!

There's no defense against the God of Madness. At his shout, formations fall to pieces. Units fight amongst themselves in his noise and confusion. In the milling of ships, the flaring of stars, the stutter of smoke and cannon, Ares laughs.

And Alexa falls back. She flees! The engine room is chaos and shouting and pushing and shoving and climbing the walls and pain and--

There's no thought of defeat, no plan, no defense, only Ares and get away, over and over again. There's no formation. No unit, no comrades, nothing but panic. There's no pattern to figure out, no style of combat suited to counter the blows that rain down, nothing but running and enduring and the crackling of stone under clubs. All she can do is roll with the blows, and run as well as she's able, and hope that the pain stops soon.

Ares brings both arms around in a double-overhead chop, and the Aegis shatters under the blow. As she reels back, she catches a glimpse of the delightful chef, and a different kind of panic sets in. What is he doing here?
What you need to understand about train crews is that most of them tinker with the engine at some point. What time isn't spent on cleaning, maintenance, the normal chores of living, or scouting and clearing the road ahead, is spent with a diagram in one hand, a welder in the other, and usually a mad glint in somebody's eyes. Engines bristle with add-ons and cannibalized scraps of the Heart until it's not clear which bits are natural and which bits aren't.

Mister Conagher doesn't like it. The Mighty Natascha gleams, and nothing is added unless the architect thereof can prove, in simple words, that it is beneficial, necessary, and reversable. If a train desires a flamethrower, it can communicate such as needed. Anything else is gilding the lily.

Thus far, Coleman has held similar views. What point exists in adding to perfection?

But, as his eyes flit between Sasha and the Wreck... No! His mind rebels at the very thought. Sasha's not old enough to communicate, much less choose.

But there is potential there. A train, capable of shrugging off blows that would cripple lesser engines and make mock of the Flood's threats? He can't help but peer just a little bit closer.

[9 on Look Closely:
-Tell me about Amalgamation. How could it hurt/help me?
-Is something hidden or out of place? If so, what looks suspicious?
-Tell me about the Wreck. What are they doing? What will they do next?

I find out one of these answers the hard way.]
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