Can I make a chapter that spreads the Emperor’s words through spreading commodified and cheap human cuisine to subvert all xenos to the glory of the Emperor?
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♦ Topic: Mayoral Election in Dakota City - The Future of Bang Babies Uncertain?
" It's all too easy to mistake them as just monsters when in reality, they're kids. Misguided and lost boys and girls from Paris Island. From Utopia. From Hemingway. From Washington Avenue. Who all need a second chance at life."
This was just one of many choice quotes spoken by Robert Hawkins, head manager of Freeman Community Center and current mayoral nominee for Dakota City spoken during last week's campaign rally.
Today, on September 7th, marks two months since the infamous chemical incident that struck the harbors of Dakota City. The Big Bang, as dubbed by the local civilians living in Dakota City, resulted in the largest recorded artificial boom in metahuman populations in America since experimentation by the SSR in WW2. The status of metahumans as having access to human rights has long been a long contentious issue nation-wide.
His opponent, current incumbent Mayor Morris Jefferson is an active supporter of police militarization, advocating for the occupation of the D.M.A and a hostile policy towards meta-humans........
Hopefully, the DMA doesn't get their hands on Dakota City. It's surprising that Dakota's been left unscathed by the Stryfe Attack. My relative says that they're planning to break out mandatory checks for metas in every city....
►StainedDuCChess Replied on 13:24:20, 5th September
What's more surprising is that Static's managed to keep a tight noose on all those metas. Someone at least give this man a pat on the back.
►Ram Mette Replied on 13:42:35, 5th September
Hope that the new mayor puts all those dirty fuckin' mongrels in camps. Police should gas them again and make sure it works this time.
STAFF NOTICE: Honestly, Ram Mette, we are sick of your shit. You can get your anti-meta tirade out of here and off to whatever bridge you lurk under.
►SpamLetters Replied on 13:44:42, 5th September
ugh, crowd were friggin' packed when I went there.
►Krimson Angel Replied on 14:12:29, 5th September
Say, anyone still got footage of Static at NYC? I'm planning on using it for a school project.
►HarryMan45 Replied on 14:30:01, 5th September
[@Krimson Angel] PM me and we can work something out.
" YO, META-BREED! ARE YA READY TO ROCK?!"
" YEAH"
" I CAN'T HEAR YOU!"
" YEAAAAH!"
“ THEEEENNN, LLLLEEETTT’SSS PARTAAAYY!”
Boom pumped his fists in the midst of his jockeying, the crowd jumping up and down in erratic waves, as another track came on. The sub-woofer growing out of his chest reverbated and vibrated sporadically, electronic bass shaking the air. The music was infectious to the point where Ebon began to tap his feet in time with the beat.
It was a shame that he was late to the event.
Paris Island barren wastes were teeming with wild hoots of celebration and the raucous racket of mix music. Ebon watched from a distance, under the wreckage of a gutted fishing trawler, as the feathered figure of Talon dropped a crate of beer to the frenzied crowd of Bang Babies down below. His crew had managed to set up a circular wall of shipping crates stacked upon one another, technicolor rays of light glowing out of the pit, a rainbow in the night.
Suddenly, there was a muffled sound of gagging that he heard but no one else could. His stomach turned and buckled in nausea.
“Quit being shifty." He growled out. " Your time will come soon, Buchinsky. You've already failed me again. Be grateful I'm granting this chance for you to prove yourself. ”
The nausea ceased. Ebon snorted. Was that all it took to silence the Electrocutioner? It was hard to believe that he once believed this washed up old timer could bring down the Kilowatt Kid. However, it was still annoying that he still hadn’t managed to figure out the problem of containing living beings in his shadow dimension. Transporting Buchinsky all the way from Ryker’s to Dakota probably had a factor in how the criminal had managed to figure out how to affect Ebon from another dimension. He made a note for himself to fix it later. Right now, Buchinsky had other uses than being a thorn in his backside.
Ebon moved through the shadows like a serpent, gliding in between the darkness until he was on top of a shipping container, surveying the chaotic scene below him. Racks of meat and sausages were being cooked over campfires. He looked around at the shadows of corroding shipping containers cast by moonlight. The only other illumination available on the island were bonfires and the lightbulbs that his men had managed to scrounge up. It took only a few moments before one person noticed him. Then, the next. Then, the few other dozen. It was a game of Chinese whispers and shoulder nudges that soon had made him the sole attention of the largest population of Bang Babies on the east coast. There was enough firepower here to topple Dakota PD or hell, even the city if he tried. For anyone else, it would have been suicide. But he wasn’t some normie scrub. He was the Master of Shadows and the boss of the Meta Breed. He was on top of the food chain as far as he was concerned and everyone else that he was staring right now got his scraps.
" How's it hanging, y'all?” Ebon shouted down towards the silent crowd. It was disappointing that they only reaction he got were coughs. Boom’s music was still on, though, it’d now had switched to a reggae track.
“C'mon, guys. Just cause they call me the Shadow Man don't mean you all gotta get cold feet.” He spoke exasperatedly. “ Makes me sound like some sort of pedophile, now that I think about it.”
The levity cut through the tension like a needle popping a balloon. There were giggles and sounds of laughter elicited from every Bang Baby. Boom took it as a signal to continue on, inserting a new track of Europop into the mix, to the cheers of the mob that had formed around his station.
“ Now, that’s what I like to hear! C’mon, Talon, gimme your poison of the day.”
Talon soared overhead and tossed him a bottle from her clawed feet which he caught deftly. He uncapped it and began to chug it down. It was all an act, of course. One of the downsides of his powers were that everyday normal sensations for him were dulled right now. Of course, that had upsides. The cheap beer now tasted faintly of apple juice to him instead of the bitter crap that so many swallowed down their throats.
Ebon hopped down from the metallic crate in a dark blur, looking where exactly to plan his little stunt. Funny. Nightinggale was nowhere to be seen, though, given how skittish the Night Breed were -
“ Look who came crawling back out of their cave again….”
He’d recognised that snide accent anywhere. He narrowed his eyes as he saw a lone individual part out from the crowd, ginger haired with yellow streaks dyed throughout. Hotstreak. The man toed the line so many times that Ebon was considering tossing him out of the Meta-Breed. He decided against it. Having a loose cannon on a leash was better than having a loose cannon on the leash pointed against them. Thankfully, Hotstreak’s brains didn’t match his skills for being a firestarter.
Hotstreak’s stabbed his finger into Ebon’s jacket, the tip glowing like a fire poker. Singe marks peppered the expensive leather. He knew it would make him mad. He wouldn’t let this jumped up chump get to him.
“ Fancy seeing you here, Hotstreak.” Annoyance edged into Ebon’s normally suave baritone. He was almost tempted to drop Hotstreak into a portal and out into Hemingway Harbor.
“ Why are you here, Ebon?” Hotstreak stared at him with barely veiled suspicion.“ I thought you were supposed to be out doing your own business?”
" I’m glad you asked, Francis.” The pyrokinetic bang baby looked as if he’d been slapped. “ Cause I hauled myself a fish I think everyone’s itching to get a piece of.”
A black chasm formed above him, dripping shadows. Hotshot’s arms spread out, pointing towards Ebon, burning orange . Funny. He actually thought he could take him in a fight. A moment later, the prisoner tumbled onto the ground. He hit the ground writhing. Someone screamed and for a moment, the bustling, lively atmosphere of the party had been shattered. Hotstreak lowered his arms, cutting off the flames, his cheeks pale white with fear, as he rubbed the back of his head. He gave him a look that said 'Am I off the hook?'
Ebon stared back and then, slowly nodded. We'll see. Hotstreak’s expression returned back to his arrogant demeanour.
Meanwhile, he had everyone’s attention now. Boom had cut his music off and the entire Meta-Breed was staring at who exactly Ebon had brought uninvited to the party. Ebon cleared his throat and lifted his prisoner up by the shoulders for everyone to see.
" Everyone. May I introduce Larry Buchinsky, the Electrocutioner and the ho-mo sapien who tried to ice our good old friend, Static."
Whispers of 'The Kilowatt Kid?' and 'Shocker?' travelled through the crowd of metahumans, several of them moving closer to see the truth of Ebon's claim. Several of them looked at the Electrocutioner with disgust whilst others remained impassive.
" Now, I know that there are plenty of us here who share a certain...history with Static. We know Talon's sob-story about how he nearly sent her falling from five stories up. The truth is...I don't hate the he-ro.” He drawled out the syllables mockingly. “ I just pity the fool.” He paused to let it sink in. “ Think about it for a moment. Here's a brother who's the same blood as us. He's out there bleeding sweat and tears for those filthy normies, fighting their battles instead of ours. He thinks they're the oppressed instead of the rest of us here on Paris Island.”
He turned his gaze towards the crowd, slithering through the small gaps like quicksliver as he spoke into their ears.
‘All of you know what they call us. Freaks of nature.” he said, his eyes searching through the crowd. Murmurs of anger spread through the crowd. " The muties. Monsters."
" So, I say, if they live in fear of us, then, why not embrace it?"
" I’ve told you all before and I’m gonna tell again. I'mma make sure that Dakota belongs to us. The city is our turf. Our territory. Stick with me, my friends, and ain't nobody gonna mess with us ever again. Not the mayor. Not the government. Not the D.M.A. Not Supergirl. Not Wondie. Not Spider Man. Not anyone!"
Not even the Kilowatt Kid.
" We're the beginning of a new century, my friends! And it only begins when we have the guts to do what's right!" Ebon raised his fist upwards and the entire crowd followed him. " When we bring justice to our corrupt city!"
Ebon then turned his head towards the wide-eyed waiting form of Electrocutioner. Ebon wondered what was on his mind right now as his eyes looked to the crowd pleadingly, waiting for someone to rescue him. He wouldn't find any sympathy here. Ebon pointed towards the trembling form of the super-villain. Well, to be former super-villain.
“ Starting with this Bang-Baby murdering homosapien.” There were shouts of agreement as he hauled Buchinsky's hysterical form over on his shoulder. The man was pulling at his rope bonds, cutting blisters into his skin as his screams of protest were muffled by a gag. " Shiv, would you so kindly do the honours for us?"
The crowd parted to reveal a grinning man, pierced lips stuck in a perpetual smile. He sauntered over towards Ebon, hands loosely hanging by his side, radiating confidence. His arm began to glow pink, shimmering light shaping into a bladed mass that resembled the man’s namesake.
" What are we?" he shouted out.
" A NEW BREED!"
" WHAT ARE WE GONNA BE!?"
" A BETTER BREED!"
All of the crowd was into it now. Ebon dropped the Electrocutioner on the ground and grabbed him by the scruff of his neck, dragging him through as Bang Babies spat curses and threw empty bottles and trash towards the convict.
" Who are we?"
" THE META BREED!"
He slammed the Electructioner onto the hood of an old forklifter, positioning his neck so it stuck out over the side.
" And our time starts right here! Right now! We’ve all lived in the shadows long enough! It's time this city stands in ours."
“ EBON! EBON! EBON! EBON!”
The chanting loudened and Ebon in that moment felt that the world was his stage. The Electrocutioner began to struggle, tugging on his restraints, and screaming out from behind his rope gag, looking at Ebon with shocked betrayal.
Shiv’s hand swung down at the peak of the crowd’s roar. Flesh boiled and bubbled away in a hissing slash. The Electrocutioner’s head rolled on the ground, blinking, his mouth frozen in a mortified expression of anger and resignation.
Ebon’s boot then slammed down on his head and crushed it into a red puddle. He watched as the crowd cheered for the brutal display, savouring the feeling of Buchinsky's skull snapping like a twig. The Electrocutioner had been more useful to him in death than he'd been alive.
Tonight was going to be a new beginning and Dakota would be his turf one way or another.
When every player on the streets had a shadow, who couldn't he beat?
He remembers the bitter tang on his tongue when they fought that day. White encrusting his trinkets while Hex’s throat struggles to chant out spells in the stinging air.
Betrayal looks like falling down an endless void.
The worst part of betrayal isn’t the pain but that you don’t know who’s betrayed whom. Maybe you betrayed him. Maybe he betrayed you. Maybe you betrayed yourself.
Betrayal feels like slamming your body against the rocks.
Betrayal is a paradoxical mix of sudden and slow. You wonder whether you remained ignorant of the clues or whether you were aware of it all the time.
Betrayal is like drowning. Helplessly sinking until you can’t -
“ ALL PASSENGERS. BE ADVISED. WE ARE CURRENTLY ARRIVING AT CEDAR FORT! WE SINCERELY HOPE YOU HAVE ENJOYED YOUR STAY ON THE INTER-ZONE AUTOMATED MASS TRANSPORT SYSTEM,MANUFACTURED AND DISTRIBUTED BY BY….. “
It takes a while for him to fully wake up but the loud scripted din of the announcer makes him crawl back to consciousness. Lazlo decided at that moment interstate public buses were worse than walking through an art gallery. The stench of seven-day old sweat and bio-eth is heavy in the air. Combined with the limited space, it’s almost downright asphyxiating. The auto-bus is filled to the point where he can barely manages to roll his cramped shoulders. Out of his corner of his eye, he notices a canyon of flashing neon in the distance. The windows are still covered in dew from the storm 30 minutes ago but you can’t mistake Cedar Fort. He bristles in impatience for a moment. Being cooped up in an auto-bus from Hayden Port to Cedar Fort is not an experience that he wants to repeat again. 12 hours feels like 12 days inside here. The bus slows down and he has to wait excruciatingly long before he halt. He breathes as the hydraulic doors unfurl open, soaking in the warm, smoky air of Cedar Fort.
“ Where to begin?” He whispers to himself as his mind takes in the sheer size of the city around him. His stomach is growling. There’s a nice looking pho stand to his left. Only problem is that being a wanted fugitive doesn’t exactly leave you with a lot of spare dough to spend. It’s when he notices his hands are shaking. Not from the sub-zero conditioning in the auto-bus or the lack of nutrition. It’s the feeling of being out in the open, feeling like a stranger in new territory, exploring unknown lands, the feeling of a tourist.
And being a tourist can get you killed nowadays if you aren’t careful.
The last passenger exists the bus and it closes, kicking up a gale of asphalt, old wax paper and mouldy adverts. The passengers scatter away from the bus stop, leaving him standing alone. It’s at that moment that Lazlo decides he needs to make himself feel relaxed. He’s been travelling from Brasilia to the United States non-stop without any breaks.
He needs to find somewhere to paint.
Turquoise green. He pauses and then, shakes his head. No, too nauseous. He takes out another cannon, and shakes it before finishing the last touch with a cone of wet pine green. Prying off the gas mask, he stands back and takes a look. A tree isn’t the most unique of symbols but it’s something that everyone can get behind. Besides, growing cages and keys is something everyone can get behind. His tag is a single element of the college that has been smeared over the corporate billboard. The mess of stencils, wild-styles, drunken throw-ups and the odd holo-tag are a mosaic compared to the soulless night-lights of Cedar Fort that he’s overlooking right now.
Making the painting took moments but moments could be eternity for whoever was waiting for him in Cedar Fort. Sure, he could have integrated a paint gun into his wrists like the rest of his contemporaries but there’s something about the human physiology in art that mechanical limbs and articulated joints can’t replicate. He’s stayed clean of the aug trend that’s infected most of the populous for a good reason after all. The idea of having metal jacked up was something he never had the guts for.
His stomach rumbles and reminds him of what he originally drew it for. Right. Food.
“ Not your best work, Lazlo….” He mutters, fanning a rolled up piece of newspaper over his creation to make it dry faster. “ But ...dinner is dinner….”
His hand sinks into the picture like its a pool of tar. The four steps are second-nature to him now. He closes his eyes and focuses.
Conceptualize.
Nature. Growth. Revival.
Visualize.
Uneven. Branch. Bush.
Interpret.
Sustenance. Nourishment. Filling.
Materialize.
In his hand is a gnarled tree branch, a few fresh leaves with the color of white sprouting along the twigs. He takes a sniff. It smells of autumn and roasted almonds. His stomach stops trembling after the first bite and after the third, it feels like he’s eaten an entire banquet. He looks at his wrist-watch. It’s nearly 2 in the morning.
Well, time to get moving to those coordinates, then. He tosses the branch over his shoulders, letting it fall onto the ground, before strapping the gas mask back on and climbing down the billboard sign. The ladder is rusting from years of disrepair but it just barely manages to hold his weight. He finally makes his way down, feet landing on wet back-alley puddles before navigating his way towards the coordinates that Addison gave him. He feels as if the monolithic ruins around him are eyeing him with every step he makes. Ironically, the desolate urban sprawl feels more alive to him than the inner city centers of Cedar Fort. The inundated streets hide patches of grass and moss grows on the decaying walls.
Yet, it never makes him less vigilant. Caution isn’t a feeling for him anymore. It’s a state of existence that he’s had to bear for years. With the looming form of the warehouse in plain sight, he approaches it with quiet footsteps. He wonders for a moment if maybe he should go in armed. The purple streak of fire cutting through the air makes him jump briefly in surprise. Armed, it was then. He creeps through the back, rolling out a canvas binder out of his satchel bag to reveal Peaceful Asymmetry No .12. It’s undergone several reinterpretations throughout the years but cubism has always been a favourite style of his. He pulls out a sword that looks as if its been stitched from severed glass. It gives him a minor migraine by just looking at it. The sword shifts in shape like a chameleon with every slight movement, morphing between a jagged cut-lass, an ancient chipped zweihander and a needle-thin fencing sword. He tightens the hood around his head out of nervousness.
Peeking out from behind a strip of shattered brick walls, he narrows his eyes at the sight of a vehicle that he's seen dozens of times. After all, being pursued by state police gets you acquainted with their style. Getting arrested by the federales was not what he imagined when he traveled to the states. He’s close enough that he can just make out a conversation between what he presumed was the federale and....Stardust? Hex never told him that he knew her out of all people. The once-famed hero's grouchy tone of voice is a far-cry from the old archive videos that he's seen of her. Clearly, she had a change of attitude over the years as well given how flippantly she threatened the federale.
He shuffles a little to the right in order to get closer, not intending to reveal himself yet. It's when he doesn't notice the rotting plan of wood that everything goes south. 130 pounds of himself pressing down with his worn heeled boot is enough to make a loud, sharp crack that's audible enough to be heard by everyone, including both Stardust and the federale.
Well, being conspicuous went out of the window. He slowly stands up out of cover, both hands raised up in the air with Peaceful Assymetry held in his right. His right hand twitches and the fencing sword warps into an oversized butcher's knife.
" Would you believe me if I said I came for an autograph, senora?" He takes one step forward with trepidation. " How about we start off with you promising me you won't blast my head off?" He then nods towards the heavily armoured police officer. " I wouldn't recommend starting off with him first, even though I wouldn't have an issue with it. Given both of our colorful histories, having the federales on our asses is not what we need right now."
The world is my canvas, and believe me, I'm gonna paint this city all over by the time I'm done with it.
Name: Lazlo 'Laz' Lopez
Alias: Avant-Garde
Age: 32
Powers
//Paintbinder's Blood - Thought to be a nearly extinct and dead form of magic, Lazlo is the last paintbinder in the modern era, an esoteric and mysterious art that uses paintings as a catalyst for magical rituals. Paintbinding is not an art that is taught but one that is inherited down from generations to generations.
//Trinket Materialization - Taking post-modernism to the next level, Lazlo is able to manifest and construct objects, referred by him as trinkets, from visual artistic mediums, either created by himself or other people. His most preferred mediums are spray-painted graffiti. These murals can either be mundane or possess enhanced or supernatural properties. The nature of these properties is dependent on the colour, texture, style, details and materials the visual medium is composed of. His emotional state also is a factor that heavily affects the nature of the trinket. Trinkets can range from a scythe that causes short-lived degradation of materials upon contact, a shield that attracts metal objects in a fifty foot radius to a pen that allows one to write in perfect cursive.
However, there are several caveats involved.
Firstly, Lazlo is unable to fully control the supernatural effect that the trinket is imbued with, as there is always a degree of randomization in its manifestation. Therefore, Lazlo is unable to fully replicate or make copies of trinkets. Through experimentation, experience and intuition, he has managed to reduce this factor of unpredictability to a reasonable margin, although it always interferes at the worst possible moments.
The effort and physical energy required to create a trinket is dependent on how powerful its supernatural or mundane properties are. Trinkets with potent anomalous effects extract a toll on Lazlo's stamina and body, ranging from cramped muscles to total organ failure. Continuous use of trinket materialization will also leave Lugo extremely fatigued.
The duration of which trinkets can stay materialized in the world is dependent on how much focus and effort Lazlo dedicates to its manifestation. The longer the effort given towards the manifestation of the trinket, the more longer it will stay corporeal.
Trinkets manifested are unable to be larger than the dimensions of the artistic piece used. Attempting to summon large objects through a small medium will either result in catastrophic injury or possible death.
Lastly, Lazlo restricts himself from creating living beings, n̴̦͚̥͙̐o̵̡̠̲̪͂̎t̴̛͕̭́̇̎͝ ̴̨͈͌̇͒͒̽b̷̡̡̦͖̬̓̽̚e̸͙̍͆̃̓͝c̴̨͓̖̝͝a̶̬͖̿ǘ̷̞̼̠̹s̸̽́̆͜e̴͙̝̯̽̑͒̿ ̷̡̢͔̥̐o̶̬̲̪͛ḟ̶̛͈͉̜̹̾ ̸͖̭̼͕̄̄h̵̆̈́̆ͅi̷͈̍̌͊̔̕s̴̮͎̣̭̓̄ ̸̘͌̑̃̕g̵̼̉́͘͜e̸̗̍̀̃ń̵̹̀͘e̵̥̖͈͆͌̉r̸͇̀͒́̉̑ả̷͙͈̺̣̘͑̑̌͝l̵̰̔͑̉̓ ̴̗͓̖͖̊̃̎͜͝͝i̷̥̲͖͚͋n̵̦̜̺͕͌͜ă̴̲̓͌̂b̴̢͖͕͒̚ĭ̵̳̺̪͇̤̍̍̇͘l̷͚͔̖͋͑͛i̶̠͊̏t̸̨̯̓y̸̢̞̕,̶̢͗̑̀̊ ̷̤͔̽̿͘̚͝b̷̢̙̾̔̈͘͝ử̴̢̟̹̥̔͒͘t̴̡̛͚͍́ ̴̟̪͍͍̍͝d̷͓̭̊̈́̓̀͒͜͜ù̷̞̬͇̜e̶̩̣͎̔̾͗̇ ̸̧̹̯̭͒t̵̘̙̙̘͉̃̿͘o̷͙̥̽̂̽ ̴̧̩͗̑͆̄̋͜ț̵̨̲̫̫͊h̷̡̋e̴̢̫̩͗̃̀̈͠ ̸͕͓̣͎̯͌̃͝c̷͚̲̤̈͘ơ̷̼̳̦ͅn̶͓̼̺̘̂͋͂́̅ş̴̘̳̼́̂̈́͘ě̵͉̫q̷̩̘͑́ǔ̶̩͔͜e̶̱̞͔̹͐̉̕͘͠n̷̗͍̰̄̔͘ͅc̴̦͓̠̺͕̀e̴̡͔͓̒s̸͙͈͊̊̇̔͒ ̷͎͙̮̓̚ṫ̷̝̺̩̞̉͒͒ḩ̸̢̘̝̓̑ͅá̵̘̟̼̦̘̎̍̆ṱ̶̐̄̑ ̸̝͈̓͆ï̶̢̐̍̈́͜͠t̷̜́̀͐̉ ̴̡̱̖̣͚͆̊̃̅p̸̡̅o̴͉͖͚̠̭͂͐̔̔s̴̢̜͔̮͙̀̑͌́̀e̶̼̋ṣ̵̡̘͍͛̎̋̊̇.I̵̟̮̻͉̕t̸̖͈̠̘̦̉́̿̎̇̿͘͝͝ͅ ̷̪͐̾̂̑̀̓̃i̴͇̋́͜͠ş̴͉̣͕͖̘̼̹̞̓͛̈́ ̴͍̝̦̗̜̙͈͍̹́̈́͗ṕ̷̟̗͕͇́̃͘o̷̜͚̟̹̬̤̯̱̺̹̿̓s̶̡̧̠̰̯̩͈̗̽́́̃͝ͅs̷̨̧̥͓̯͙̠̦̫̓̌̌̕̚͝i̵̧̪͊̈́̊̐̀̍̒̅̀̑b̷̡̧̮̜͍̥͆l̴̫̲̟̖̻͈̂̆̋̀̓̓̂̆̈́͝͠e̶̛̝̣̒͛̈́ ̴̯̠̮̇͊̓̈́̊̌̚͠ͅţ̷́̽̀̆͂ő̸̡̢̡̙̺̰͈̼̞̰̈́̈́̂̇́͑̀͌̚͝ ̷̯̫̼͚͙̏̒͝c̷̢͔̩͈͕͋̈̇͂̏͝͠ͅŗ̸̟̯̼̣̗͖͉̕e̸̟̪̬̺̝͖̻̠̗̲̫̿̉͑͘a̵̦̳͕̻͇͙̎̽̋̍̍̓͘t̶̘̮̟̤͓͙́̉̿̈́̽͆̃̄͜͝͠e̸̘̗̗͎̲̠͗̐̆̃̀͗̂͗̀̑̕ ̴̧̯̮̆̑̄̈́̄͘ą̶̣̘͉̖̘̎̄͒́͌̎̍͒̾̅̕n̵̨̝̟̯̠̥̯̂͝ ̵̛̥͉̟͔͐͒͐̅̅͑̈́͛͝o̴̢̳̞̜̩̜͖̣̭͒͒͋̌͂̈́́͝͝͠r̶̢̢̪͚̅̋͜g̶̦̖̘̮̪͈͍͆́ā̸̮̣̜̪̀̇̑̆̒̀̈́̎̕ǹ̸̢̻͕̯͖̫̤̉̔̽̅̆̌̓͝͠ͅi̵̼̲̐̈́͝c̸̤̏̾̊ ̴̢̖̼̇̆̆͂̽͘̕b̶̧̘̳̫͓̮̙̮̘̂͑̂ê̵̛̥͕̦̱̰̌̊͒̽̐͘͜͝͝ï̶̗̮͈̰̒͑̔̒̀n̶̡̢̟͇̓̇g̵̥̭̻̮̯̒̑̅ ̵͔̼̳̻̳̱̤̠̳͓̦̈́̐̕f̴̧̖̤̕̚ô̷̡̺̦̪͔̻̯̪̣͔̠̈́̌̋͠ŗ̸̨̭̳̻͍̩̜̫͔͐́ ̵̡̺͓͚̎ͅȧ̴̝͍̯̹̟͂̾̑͌̊̽́͊̕ ̷̥̮̣̺̩̰͚͗̒͂͗́̈́̍́ͅs̶̡̹͚̳̹̙͎̘̣͖̘̅̉͑͆̎́̎̕h̴̺̯̀͗́͜ỏ̸̧̰̹̲̮͎͈̰̝̏̍͝r̷̜͓̹͉̰͎̺̄͋͌̽̎́̄̐͘͜͝͠ͅt̵̗̱̥̜̩̃͆̔̂̓̇̾͛́ͅ ̷̢̢̞̟͕̞̘̺́̓͊͋̌̍̽͝ͅp̸̩̲̬̲̮͓͇̜͛̿̌ę̸̗̱̪̹̼̱̗̜͚̪͊͛͊͋̊͊r̶̞͎̂̌̀̏̇̿͛̓̄̚ḯ̸̧͔̻̬̜̫̱̟̱̙͗́̉͝͠o̶̡͕̯̳̹̎͗d̶̡̛̘̙̤̤̳̰̤͉̓͑̓̅̇̆̓͠ ̴̧̞̘͈̅̌̀͝ö̸͍̠̜́͒ͅf̷̙͇͇̖͓̭͔̣̯̰̓̄̉͗̔̀͑͂͠ͅ ̸̨̫̺̱̠̺̔̋͒̈́͗̇̊̍̓̿́ẗ̵̢̡̺̖̟́̀̓̒͘͠i̶̢̛͔̤͖̫̋̏̇͂̅́̽͊m̵̛͖̹̺̦̬̖̅͂̿̆̊̍͐͌͠e̵̙͙̼̗̩̟̫̪͕̯̔̋́ ̷̠̻͖̀̈́̾͌͗͗̐̓͝ͅb̸̭̮̏̈̓̈́͗͜ͅú̶̧̮̙͉͙̹̗̳̘̟̏̊̐̽̚͜ẗ̸̤͉̅͜ ̶̟͇͙͖͕̩̪͊̃͋̍͂̋̾͗̔͘͝ͅd̵̬̣͇̙̣̯̪͋̈̇̈́̃̕̚û̵͖̺͇͍̎̍̄͂̏̄̉e̵̡̠͓̖̮͉̪̖͖͉͉̅̌̾̈ ̸̭̃̆̇͑͐͆͘͝t̴̼̳̋̂͐̆o̸̭͑̈́̂́ ̵̨̻̗̱̲̩͕̇̈́̄̒̍̈́̈́̌͌̚Ḓ̷̨͕̥̖͈̖̳͆̏͛̃a̷̩̳̺̘̎͠-̷̧̨̞̝̩̥̃V̴̧͔̭̤̕ḯ̵̼̻̗͌̃̋̐̊͝n̸̛̜̰͛͒c̵̢̫͖͚̣͙͈̳̝̚ǐ̶̙͐̎'̷̢̢̩̜̼̘̟̥̲̇͒͗s̶̛͚̦͇̜͋ ̶̧̻̦͉̈̑̒̈̀̈͂̈́͑̕͜͝L̷̢̜̮͚̠͉̟̓̿ȁ̶̢̡̛͕͍͍̪̹͔̜͒w̶̼̝̺̺̪͕̓̌ś̶̛̺̞͓͙͇͎̥̿̌̀̂̕̕͜͝͠ ̶̛͙̘̣̖͛̆̉̀́̃̒͒̂͝ō̵̢̳̝̗̒̽̈̀f̷̧̞̻̘̖̱͍͆̇́̍͝ ̶͔̣̑̾͒̓͒͆̀̎I̴̢̥̣͔̗̤̙̱̝̾̐͘m̴̛͕̒̿́͝ͅi̷͕̻̥͗̊̏͒͊̔ţ̶̖̼͇̥͖̹̈́̉̀͜a̸̧̧̛̫̥͒̑́̂̏͒̀͠t̷̡̧̺̬̃̎͐͜ï̸̡͎̟̯̜̥̰̺̠̓͑̔̂̒͌͠ǫ̷̡͕̝̮̲̮̪͖͚͛̂ͅņ̶͍͎̥̙͚̅ sanctioned in the 16th century, transferral of a 2-dimensional entity's mind to a 3-dimensional space ultimately leads to severe degradation on a conceptual level. This leads ẹ̵̛̭͉̱̯͚̞̀́̂͋͆͠ͅv̸̧̛̛̝̰͇͍̙͇͎̥̰̇̆̈́̓́̃̆̈́̋̂́̄̿̄͗̈́̏͋̽͋͆̽͘ȩ̸̲͎͍͍̯̫͈͎̤̖̩̥̰̱̗̼̗̰͚̅͑́̈́̕͝͠n̷̨̡̡̢̳͙̬͔͙͙͎̭̼̻̯̦̖̤̩̩͂͌͛́̓̔̅̄̊̄̑̿͛͌̒͊̿̐͗̚̕̕̚̚͝ͅt̵̨̢̛͔̬̠͖͔͍̲̟̙̜̜͗̓͂̊̈́̀̓́̆͛̆̑͆̍̾̎̕̚̚͝ų̸̛͓͉̱͕̱̪̝̲͕̱́͗̐͛̌̌̀̈́͂̈́̇̍̋̐̐̽̑͂̕͘͘͜͝͠͝ả̷͖̱̟͛̏̀̃͗̀̔͑̓̽̈́̀͑̂͐͌͌̉͋̃̕ḻ̸̱̤͚̻̤̣̝̙̯͚͚̜̰̞̳͇̺͉̠͍̫̖̉̃̃͆́̉͆̏̈́̉̈̎̈́̈́̎͊̕͠͝ͅͅl̵̨̨̨̝̙̖̣̗͈̩͔̤͔͇̭̠͓͉̯̬̞̣̺̝͌̓͗͌̾̔͂̇̄̅̄́̿̓͌͒̕̕͝y̵̛̮͕̞̻̱̰̗̗̮̰͎̹̜̒̌̒͗̎͗̀̽̿̓̒͜͜͝ ̵̡͍̰͇̰̤͔͕͉̥̥͎̹̯̣̥̯͕̇̒͛̿̊͆́͂̇͂̐͆̕͠r̶͇̾͆̄̋͒̍͆̀̕̕e̷͚̙͉̣̪̺̲̞̹̬̠̞̹̪̤̬̪͌̀͑̈́̈͂͌́͌̃̏͒́̈́͒̀͑̋̆͂̎̉̚͜͠͝ͅs̸̨̢̧͓̹̲̣͍͈̘͍̫̘̖̅́̎̅̑̓̂̑u̴̢̨̗̳̗͕̱͍̭͉̖͊͌̊́̏̑̃͑̄́͝l̶͔͙͔͍͉̙̗̺̗̘̣̼͎͈͓͉̣̋͜t̵̗̯͕̲̙̬͈̠̩̻͔̀͛̏̑i̵͎͙̦͌͛̂̆̊̇͂̽̑̔̈́̎̔̅̾͘͘͠ņ̸̮̜͖͕̮̠̭̪̣͖̺̱̤͕̤͇̪̺̪̟̯̈̈́͋̒̉͋̀́̾͐̊͊͑̈́̈́̏̓͆͌̍̊̚͝͠ǵ̶̲͉͇͉͈̦̭͉̾͌́͗͛͂̓͋̕̚̕͜͝ ̷̫̙̬̝̫͍̤͇̜̤͗̄͛̅̒͂̎̋̂́͜͝i̵̧̬̪̪̺͎̤̻̯̹͈̳̥͚̓̅͆̈́̒͒̎͆̎n̴͙̯̣̗͚̠̮̮̻̱̻̳̿̒̂͂̅̒̇͋̉͊̓̈́͊̋͑̃͘͘̕͘͜ ̵̘̰̣̀̑̈́̔̀t̶̢̡͔̫͚͚̩͈̠̬͖͙̘̦͇̤͓͓̜̹͓͓̭͒͌̂̇̉̓̆͊͘͜h̶̡̛̼̲̳̳̗̗̥͍̘͉̗̲̟̻͔̩͕̝̩̳͛̌̋̔͆͂̀̏̓͐̇͆̏͆̀͂̽͒͘͜ĕ̷̞̖̼̪͚̝͔̗̯̫̠̜̰̬͎̻̥͌̈́̈́͊͋̆̃ͅ ̵̛͕̯̫̫̣͎̯̭̩̻̤̗̱̮̲̳̫͇͇̈́̆̑̑̆̾̈́͛̊͐̇̌̋̒̿̋́͛͂̎̏̇̄̕ͅç̸̧͙͔̳̟̪̰͈̞̌̐͒̔͆̂̂̀͑̉̇͂̏̔͑̂̎͛͜͝r̸̢̝̗͎̖̥͔̟͔̯̫̙̦͈̩͔̲̳̭͇̦̫̭̩̃͒̊̍͆̔͋̈́̈́̊̒̆͗̉̎̉̈́̀̉̄̅͝͝͝͝ě̴̢̛̦͕̺̲͒͋̿̀̒̌̄͐͊̔̃̋͐͋͊̈͛̀̏͛̔̇̚ą̷͚̻̠͉͙̼͚͒t̴̙͑̐͛͌̎͋̀̈́̈̽ị̴̢̲͉̮̜̞͚̳̩͔̗̙͎̣͍͎̼̯̖̰̼̬͂̈̐̎̅̑͋̈́͂͋̿̂̇͑̈́͊̐̉͒̒̚͜ͅǫ̷̰̟̝͓̲̙͕̩̥̩͍̬̼͖̻͖̹̞̩̙̗͊̈́͂͑́̏͊̊̀͋̀ͅn̴̨̜͇̘̞̝̦̜͚͕͓̲̩̩̹̟̩̗̺̳̰͚͇̣̺͛̊̋̇͐̄͑͘͠ ̸̧̛̹͍̙̩̗̯͕̼̘̥͓̭͛͂͐̐̇̏̆͊̾̽͛̈́̇͋̎̾̄͘͘͝͠ǫ̵̨̹͓͇̩͇̆̾̆̏͋͋̈́͂͑͂̋́̈́̀́̕̕̚ͅf̵̢̢̛̳̜̱͖̙̣̠̦̟̬̳͊̇͗̄̏̐̓̾̇̈́̍͂͋͋͆̉ͅ ̶̤̰̟̙͌̽̐̆͑w̴̡̧̧̨͙̰̯̪̟͓̟̝͍̘͈̤̱̳͓̞̦̔́͊͌̐̑̀̏͜ͅȟ̴̡̡̧̧̧̨̨̜̞͈̹̩̮̖̦̤̩͙̫̘͗̂͋̓̉͐͜a̵̡̧̯̙͔̠̱̠̫̝͚͕̭͎͋̑̍̏̈́̐̉̽̂͒̇͝ͅt̶̢̨̛̠̺̩͓̥̞̼͉̩͓̪̹̘̤̰̠̖̗̝̞̄͗͆̂̓̑̒̅̽̃̿̉̽̕͝͝ ̷͉͙͇̳̞͇͉͉̂̄̆́͗̈́͊̒̈́̅̒́̋̿͋̂̏̒̽͠į̸̥͖̜͎̟̬̹̘̳͙̩̖̠̪͙̭̃ŝ̵̨͖̼͎̩͆ ̶̛͓̝͖͓͇̘̝͍̋̄͐̊̾̀̃̈́̇̎̍̀̋͑̆̏̆͜͠͝͝k̵̡̢̧̹̠̬̙̥̗͚͕͕̪̙̤̲̻̣̯̠̿n̵̡̘̦̪̝̟̝̻͇̣͈̪̼͇͍̘̳̦͉̙͎̈́̎̄̋̀̆͌̉̔͋͑͆̿͂̄̑̊̄̋̇̕̕͜ͅő̸̱̻͍̖̼͚͕̾̃̄̎̓͜w̷̨̛͖̖͛͂̅́͊͝n̴̨̡͙͖̫̣̓̿͌̑̑̀̍̒͛͒̑̌̒̕͝͠͠ ̶̧̬̱͙̬̯͕̀̊̾̈́̄͐͆͐͛̑̈͋̋̈́̇͗̓̔̿̉́a̵̗͔͉͉͎̠̾̕̕ş̷̡̖͕̗̪̰͙̩̞̬͎͚͔̬͈̜̠͚̆̉͂́̓̅̆́̉̋͒̇̍̆̊̆̋̓̆͋̍̕͜͝ͅͅ ̷̢̧̨̨̼͔͍̖̞̙̦̗̦̙͇̙̲̥͉͖̱̻̥̪̻̐͂͆͆́͂̉̽́͗̓͋̇̎̒͋͆̀̑̕͘ă̶̬͇̖̼͉̖̠̑̔͐̓͑͋̍̍̈́ͅ ̴̢̧̡̲̥͍͙̺͉̳̪͎̱̣͈̪̰͔̗̍̀D̵̬̘͔͎̊̏͐̔̾͊͂̌̃͛͐̎̉͌̈́́́̅̑̈͂̕͝͝͝ì̴̢̥̠̠̮̮͈̻̹́̈̚ͅś̵̢̧͍̦̥͇͎͈͔̝̮̺̜̙͙̱̪͉̞̪͔̤̮̈͒̾̽̊̀͋́͛ͅt̶̢̩͎̝̩̭̹̖̠̬̖͕̫͇͖̣͓̱̦͓͖̬̍̅̃̿̓͌̋̂̓̐͐͜͝ő̵̢̨̤̙̬͚̮̗̩̯̪̲̖͓̞̥̮͍̐̀͌͒̊̄̋̂̈́̀̈́̏̇̿̈́̈́̀̈͌̕͠͝ṟ̴̨̛̛͇͚͇͍̤̖̗͉̖͖̥̭̬͖̓͒̉̄̓̈͊͌͋͋̎͑̓̀̾̇̓͗́͘̚͠͝t̵̨̡̨͎̤̖̺͉̜͕̲̮͎̩͙̦̖̝̣̺͙͚͚̐͋́̓̽̀͌̈́̓̓͗̈́͘i̸̛͉̼̱̟̔̈́̈́̀͆̀̓́̿̂͐o̸̢̧̨̧͇̣̰̼͈͚̞̠̼͚͓͖͕̹̮̺̣̙̱͛̊̉͌̇̈́͑̋͒̏̌̽͜͝͝ņ̴̬͇͕̰̱̹̥̟̣̰̰̩̜̠͖̐̔̿̀̇ͅ,̷̧̖͙̓̂̈́͋ ̴̞͈̗̪̘͒̈́͆͋̎̄̑̉͛̊̽̽̾̽̌́̚͘ą̸͍̜̜̀̋̀̋̾̒͑̉̑̉͒̏̆̉͘͝ ̸̨̡̫̱̱͙͓̱̺͇̗͎̼̝̠͖̼̩͉͙̱̮͎͖͛͂̉̐̍̅̃̾̋̀̎̊̊̌͒̈́̀͐̀̑̈͂̈́̇͝ṕ̴͉̰̖̈́̿́̾̿̏̐̊̚̚͝͠͝͝a̷̧̛̛͔̹̥̯͓̮͓͔͔͑̽̑͑͐̊̓̀̌̀̐̂̾͆̋́͆̽͠ŗ̴̮̭̭̥͒͊̿̃͑͌͐͗͊̄̑̽̆̃͑̆a̷̧̢̡̱͎̙͉̰͔͍̪̠̜̠̹̩̟̗̼̻̜̖̻̼͖̐̍́̋̇͛͐̐̏͂̂̍͗̚̚͝͝ḋ̵̡̖̞̟̱̝̝̗͍̺̪̠͎͔̳̹̳̜̈̈̽̌̏̂̚̚͘͝ͅȍ̵͚̱̿͂́̑̄̇͂̀̀͐̽̀̏̽̅̅̈͌̕̚̕x̴̡͙̪̺̯̳̜̥͕̻̍̈́̾̏̈́͐͆̕ͅį̷̢̧͎͍͍̰̬͚̦̬͍̈́̈͒̌́͗̀̿̎̔̈͌͌̒̍̊̓̎̋̒͘͜ͅͅc̵̛͖̗̋͌͆̉̓́̋͛̌́͋̅̎́͗̄͑̓͘̕̚͠ͅa̶̟͋̈́̀̇́̊͛̀̌̔͂͒̿̓̋͊̐͐͑̀̕͘͠l̴̨̟̗̹̬͍̝͚̜̆͂̉̽͑͜ ̵̛̦͚̮̙͔̎̒̄́̂̀͊͛̂͒͋̌̔̄̒̾̿̍̿̀͐̅̕͜͜ę̸̨̮̲͙͍̫͇̟̜͚̪̭̰̩̺̈̍͊̊̐̄̽̀̎̓̓͆͝n̵̩̣͈̰̗̹̳̟͕͊̽͌̈́͌͆͌̏͌͘͜t̸̨͇̗͓͚̹̠̙͉̳̳͚͘͜ḯ̸̡̧̡̡̛͍̟̙̠̹̳̱̙̮͔͚̜̤̱̗̱͕̙̙̏̃͒̓̾̈́̃̀̓̔̈́̚͝͠ͅẗ̸̠̯̯̟̉̃͂ÿ̸̨̧̧̮̝̗̜͓̻̭͚̈́͂́̏̊̓͛͑͗̅̐̐̂͒̿̇͗̋͊́͝ ̸̜̘̙͈̏͋͊̆̈́̀̊͑̐̉͐́̓̄̚̚͜ͅţ̵̡̧̟͓̜̬͍̙̲̩̘͓͉͈̥͉͕̞͉̻͎̐͌̈́̿̃̋͒̆̔̒̅̈́̐́͘͠͝h̸̜̳̟͔̳̠̠̠̣͉̟̹͚̲͎̲̗͔̙̤̹̟͖̃̿̉̅͒̄̚͜ͅå̷͎̞̯̝͓̘͍͇̠̯͎̞͕͇̗͇̹̊̑̓̂̃̓̏͛́͊̿̋͒̕͜͝ţ̶͈̺̜̫̣͖͉͚̲͌̈́̈ͅ ̶̡͍͙̯͆̇́̋̂̃̓̈͊̌̔̽̎̐͗̊͋͗̐͗̎̉͊͝͠c̷̰̣̎̽̽̍̏̈́̏̋́̀́̕̕̕͝ǫ̶̮͕̭̰͕̘͚̭̺̬͚̥̦͍̦͉̘̫͚̩̂̑͊̈̊̌͑͋̾͊-̵̨̖̳̬͖͎̼̮͈̖̥̤̗̦̣̤̏̀̍͐̽̉͒̐́̈́̂͊̽͆̆̀̌͑́̽̽̒̑̾͝ͅͅh̷̡̞͕͔̩͈̭͖̳̳̓͗͛̋͑̽̀͂̕͝͝ấ̸̳̊͐̊͊̊͊̽̈́̽̈̾͊̾̚̕̚b̵͚̱̹̗̂̈́̓̓̈͗̈́͊̌͒̚̚͝͠i̷̡̢͓͎̻̬̼̗͙͈̬̲̣̖̙̤͉̦͍̦͊͆t̷̹͈̰̭̝̠͈͇̃͛̈͒̓̐̔̏͂̌͌͐̒̂͗̆̓s̶̰̪̞̈́̈̏̀̎̉̓͒̄̀͌̓̉́͆͆́͗̐͘̕͠͝͠͝ ̷͙̦͎̺̲̙̻̼̮̬̈̃͒̐͑̓́͐͘b̵̡̜̯̻̥̆̑̆͐̌́̀̀̊̎̿̕͜ō̷̭̳̰͔̬̤͍̥̼̭̫̼̤̲̪̭̫͎͍͉͝ͅţ̴̡̢̡̨̛̠̹̥̠̱̗͉̮͕̝̬̭̭̍̌̔̂̒͒̍̿̓̆̄̊̆̆̄̚͠͝h̷̡̢̨̜̖̱̗̻̞̪͉̼̺̰̮̻͎̆́̎̆̀͜ͅ ̷̡̧̞̲̭̯̱̲̺̣̬̥͕͉͍̘̂̿̎͑̀̆̆̄͊͜͝͠ͅ2̵̡̨̱̫̮͉̻̣̹̜̜̜̥̱̮̰̰̞͉̞̮̗̍̈͌-̵̢̢̛̠̳̣̳̯͖͓͗̓́ḋ̶̛̰͍̬̥͚̘̬̤̳̥̪̊́͆̽̍͒̅̉̈̑͑̕͜͜͝ͅi̶̢͍̠̠͍͇͓̻͇̪̫̰͇̝͈̳̮̠̗͖͖̭̻̯͋̓̌̈̌̊̚͜m̶̢̡̱͕̜͇̜̗̞̰̳̯̂͘ę̶͍̞̹̥̋͂̅̿̒̏̋̓̇́̏͘n̴̢̧̧̧̠̞̮͔̙̗̞̺̘̹͚͖̺̖̥͎̈́̍̐̈́͛̏͌͆͗͝s̷̛̲͔̣̦̩̋̏́͊̑̓̾̀ì̶͇͕͍̰̦̞̒́̿̈́̓̕͜o̸̧̘̞̰͎͓̯̱͕̥̠͕͈̳̝͍̻̼̹̜̲̎̀͌͐̓̂̍̈̽̅͜ǹ̷͇̗̩̬͎̺̑̎͐̀͒ạ̸̧̢̡̛̛͙̭͎̜́͊͗̓͂͊̿͛͐͋̐̈̆̓͗͝͝l̵̡̡̡̛̰͎͖͖̩̘͕͍͉͖̺̫̘̙͉̩̠̰̓̒͋̆̏̆̉̌͊̿̕͘͘͠͠ ̶̛̛̝͖̭͚̝͓̙̖̹͉̱̤̳̺͈̮͚̫̯̝͈̤͆̆̂́̓́͌̓̀̏̑͑̀͗̑̏͊̐̾́͆̚ͅa̵̢̟̖͇͔̝̜͈̣͓̋͊̿͆͐͆͠n̸̨̨̼̠̻̪̰̘̰̭̝̼̹̜̘͚̤̪̻̬̞͖̖̺̊ͅd̴͕̋͆̏́̏̌͗̇̕ ̵̧̢̼̜̟̞̭̗́̐̔̔3̸̡̡͍̣̮͙̭̲̝̝̑́̅̽̆̑̈́̉̿̒̂͑́̓̕̚͜͝-̵̢̡̜̱̜̱̖͇͕̐̓̾͌̏̂̚͘͝ḑ̶̡̢̨̛̠̬̪̦͔̳̠̤̞̗̤̼̲̟̾̋̀̆͆̀̾͌̎̏̓̾͂̆͠i̴̱͇͎̠͙̞̠͍̯͙͌̒̂̉̈́͊̾͝ͅm̶̧̨̳͉̤͙͈̣̯̣̣̩̯̖̼̲̟̲͇̭͍̺̄̐̂̒͆̍͒͌̈́͊̅͆̈́͊̽̃͂̚̚e̵̙̻̔́̔ǹ̴̲̏s̵̨̢͓̫͔̲̼̞̻͎̰̰̤̞͕̬̗͎̖͙̫̮̗͙͆̈́̈͐̒̈̌͂̎̽̽̈́̐́̇̿̅͠͝ḯ̴̢̨̺͍̦͍̩͇̜̬̫̋̀͜o̷̲̼͙̓͂̏̏ň̵̜̞̗̮̼̭͔̰͂͐̀̊̓̓̍̓̈́̆̌̄̀͂͐͝ą̸̛̯̪̗͕͙̗͖̺̟̘͌̊̎̓͆̐́̐̇̏̀̾͜͝͝ļ̴̧̢̬͉͈͖̬̳̱̟̦͖͎̇̉̽́̌̇̃̑͌̊͒̂̚͘͘̕͜͜ ̷͈͔̥͇͂̃͗͐̌͐̉̅̉͛̂̔̈́̓̈́̊̋̾̀̄̊͘͜͝r̶̘͓̙̩̫̾͆̓̾̊́̀̉ę̵̡̧̢̤̭̳̬̹̗̞͉̖̺͍̙̌̇͋̽̑̎̋͋̈́͐̇͊̈́̍͋̔͘͘͘͝á̸̗̗̲̻̫̘̱̜̼̟͚̲́̔͘͝ĺ̸͙̝̲̙̈́͋̎̑͌̀̓̓͌͛́̈͋͋̾̄̅̅̚ì̵̧̳̳̯͈͔͕͙̹̯͗̇̏̍͐̄̊̒̾̾̍̂̈́̍̽̊͠t̴̢̡̢̧̳̭̲̺̳͈̹̜͕̹͖͔͍̘̟̙̆͘̚͜i̸̛̘̳͚̘̝̙͒͐̃̔̇̃͂̈́͌͛̑͌̏̃͘e̵̡̧̺͙̲̱̪͎̻͍̗͖̳̗̱̞̼̱͚̾͒̐́͆́̇̊̉̓́͂̾̐͑̒͗ͅͅs̶̛̞̖̺̽͐͛͗̐͌̔̀̄͛͐̎̈́̀̈́̒̋̅̆̆̈̚͘ ̷̪̝͚͈̰̜̮͚̰̣͓̪͍̯̜̠̱̜̏̐̀̇͛̊̃͝͝ͅą̸͙͉̝̙̞̫͚̥͈̼̂̃͋̋͌̀̀̈́̆͋̈́͂̾̾̆̕͝͝͠ţ̶̨̡̰̗͇͙͇͖̤͎̙̰͈̥̜̻͚̩̎̃͆̌͜ ̸̳͔͖͖̥͖̣̾̌́͆̿̎̀̂͋͝t̸̨̡̢̢̡͓̤͙̜̜̗̥̙͓̥͍̼̗͔̫̞̰̠̮͋̉͜h̸͖̩̀̓̌̈́̒̽̏͊̏̿͂̏̌́͘̕̕̕ͅę̸͓̩̼̹͔̠̳̘̺̤̺̩̯̒͊̓̃́̚ͅͅͅ ̷̡̛̞͙̭͇̮̲͕͚̳͕̠̪̦͔͙̹̜͋̈͋̀̾̈́̃̑̾̑̿̆̕̕̕͘͘͜͜ͅş̸̧̼̠̭͓̗͈̣̈́̂̽̀̓͆̐̏͛̀͑͑̒̈̊́̄̌́̄̚͜ǎ̸͙͊̆̋̍̎͋̐͒̊̽͑̓̾͋̏̐̋̓̚̚m̵̧̧̛̠͈͔̻̮̞̥̲̯̼͍͑̔͛̑͗̄̿̾̊̽͌̌͜͠e̵̼͔̗͕̠̳̎͐̂̈͊̐̔̀̅̒͌̏̽̓̀̈́̚̕̕̕̚͝ ̶͖͖͚̜̰̮̣̯͕͕̮̩̫̳͚̒͛̋̅̍̒̏͌̒̊̊̏̂̈̂͒͒͊̋̈̕̚͝ͅţ̶̨̢̨̰͎̪̘͚̫̪̫̣̺̝̩̖̜͕͚̰̻͊̉͌̇͌̌́͂͛̂͑͌͒̎̔́͗̏̓͗̄͋̍͑͜͠ͅį̴̯̙̼̌̏̐́̽̑̈́͂̎͋͒͐͋́̉̾͒͆̉̽̀̈́̚͘̕m̸͎̦̩̬͋̑͛̑̍̋́ȩ̴̨̨̯̜̪̯̙̙̼̫͇̭̟̭̹̝̠̇̈́̀̃͊͛̇͋̏̏͌͆͌̋͋͒̃͘̕̚̚͠.̸̡̨̺͎̗͚͖̬͍̰͔͓̀̊̓̄̍̀̈̿͛͂͒̈́͊̿̚͝ͅ ̴̮̜̪̦̣͈̔͒̆̽̂͂̄͌͑̅͐̌̃́̀̆͐̑̀͌̑̀͝͠
Weaknesses
//Wash Away Your Sins
- Lazlo's trinkets are susceptible to degradation by liquid substances, oil being the least effective whilst alcohol or other products that contain water act as the ultimate Achilles heel to his creations. It would only take a cup of water to completely dismantle most of his creations.
//Concentration and Focus
- Disrupting Lazlo's concentration can temporarily disrupt his ability to summon and manifest trinkets until he mentally recovers. This can be done through disorientation of his senses, emotionally shocking him or through the use of pain.
Appearance
The first thing that hits you about Lazlo is the grungy smell of sweat and paint. Then, it becomes the least of your worries. You notice the twitching. The flakes of dried paint and thinner mixed on his sandy blonde locks. The bloodshot, wild brown eyes that tell tales of caffeine-laced manias of artistic scribblings. This intrepid graffiti artist stands out in public because he's something that the public doesn't want to stand out. His body is also covered in a number of vivid and unusually placed tattoos, which are used as a last means resort of manifesting trinkets on the spot. Bearing a stick-thin and wiry frame that shows more bone than muscle, Lazlo's ematicated physique is born of bad dietary habits and a lack of physical conditioning. His skin was once olive, now muted into a pale peach that's sallow on the edges.
In terms of attire, Lazlo's taste in fashion consist of 'cheap' and cleanliness as a side note. He prefers sleeveless shirts, frayed denim jeans, china-brand sport shoes and a complement of wrist bracelets. Nevertheless, he's always seen with a pair of earphones in his ears to provide much needed musical ambiance whenever he's out doing his business
Under the guise of Avant-Garde, Lazlo typically dyes his hair in a kaleidoscopic mixture of aerosol colored hair sprays. TO conceal himself, his face is covered with an ancient gas mask connected to a modified dual pressurized tank carried on his back, the purpose of which has eluded both his friends and enemies. He wears a loose, baggy grey hoodie that resembles a cross between a hoodie and a smock with an stylized green circle-A which has been spray painted messily on the back. A duffle bag of various painting tools and materials precariously hangs around his shoulder.
Equipment:
Due to the nature of his powers, Lazlo only tools is the seemingly endless arsenal of krylon-spray paint, chalk, oil paints and water-color paints within his duffle bag. His modified gas mask, which he refers to as 'Inspiration', is directly connected to a pressurized tank full of both oxygen and paint fumes. This mixture, when directly funneled into his mask, allows him to manifest and create trinkets that have a higher degree of supernatural effects with less difficulty. It also has the side effect of making him temporarily undergo hallucinations.
Aside from this, his iconic costume has been reinforced with strips of layered syn-weave over vital areas in order to reduce the chance of injury. It is also outfitted with a number of hidden zippers and pockets in order to allow for convenience of storage.
Origin (WIP):
You know who I am. You've heard of me. You know my mask, but you don't know the man who made the mask.
This is the story of how I painted Avant-Garde
The first part is the pledge. The magician shows you something ordinary: a deck of cards, a bird or a man. He shows you this object. Perhaps he asks you to inspect it to see if it is indeed real, unaltered, normal. But, of course, it probably isn’t.
Avant-Garde, formerly known as Lazlo Hernan Sanchez, was born in a family of five brothers and three sisters. His father, a Brazilian cyberware hustler who had fled from the 2005 riots in Sao Paulo, and mother, a slum nurse, were overworked and underpaid in a country that was fraught with violence and socio-economic instability. No, unlike the rest of the world, the corporations don’t rule the country yet. The cartels are the corporations in Mexico, no matter how legitimized they may be. They still possess the same history of violence and brutality that their forebears do, even in the modernity of the 21st century.
You aren’t here for a history lesson, of course. You’re here to learn about how Lazlo learned to draw.
With Tijuana becoming a center for outsourcing foreign high-tech manufacturing, the slums became veritable waste dumps. Everyday after school, Lazlo’s father tasked him with the responsibility of gathering useful scrap at the dumpsites, claiming it was for the good of the family. It was only by chance that Lazlo managed to discover a half-empty spray can one day after tumbling down into a valley of rubbish. Most would have thrown it away. Lazlo saw potential in it the moment he pressed down on the plunger and chose to make something of a dreary reality. So, he began to draw. He sketched on the corrugated tin walls of their small, claustrophobic shack. Roadside pavements were filled to the brim with dollar-store chalk drawings. Dingy alleyways were fresh canvases to him. Of course, his family had other things to say about his interests. His mother called it a phase. His father referred to his passion as a hobby. His siblings looked at him as if he was the black sheep of the family. To them, Lazlo had a completely alien mindset.
When a stranger off the streets took a selfie near one of his tags, Lazlo believed he’d finally found his audience. Lazlo began to hang out with the street famous graffiti artists and holo-taggers of Mexico instead of his older brothers and sisters. His skills caught the eye of local gangs who took advantage of his naivety by commissioning him to graffiti the turfs of other rival gangs. Lazlo couldn't care less about the rewards the gang leaders promised him. The payment was just a bonus. He would take anything to escape a dreary life of rifling through scrap heaps.
Well, that was before his family got gunned down in the middle of a gang war that'd struck out between a gang that had paid him to paint on someone's territory and the gang whose territory he spray painted the former's symbols on.
After the funeral proceedings, Lazlo proceeded to honour his family by creating a life-like mural of them, spending his lifetime savings on buying the highest quality paints and studying every photo and memory he had of them. After two days of work, he was tired but satisfied. His fingers skimmed the dried surface of his mother’s hand….
He didn’t expect his hand to sink in with an arm clenched around it. He pulled out all of them, one at a time. Perfect replicas. They all hugged together and for one moment, his family was whole and alive again. Breathing. Things seemed perfect. For about two minutes. Until their skins started sloughing off and -
Then, an injured and traumatized Lazlo found himself in a hospital having to explain why two blocks of southern Tijuana had been rendered uninhabitable to Hex himself.
The second act is called The Turn. The magician takes the ordinary something and makes it do something extraordinary. Now you’re looking for the secret...but you won’t find it, because of course, you’re not really looking. You don’t want to know. You want to be fooled.
Hex was cautious at first, of course. The appearance of a Paintbinder was unheard of. Paintbinders were an order of magicians that had been virtually extinct for centuries.They had a mysterious dogma and their magicks were unparalleled and unique. Wrestling the truth out of Lazlo was a trial for the veteran sorcerer superhero as piecing together fractured ramblings into a coherent pattern was like navigating a labyrinth. Asking about what exactly happened were met with blank looks followed by the rare periods of panicked screams. Lazlo's newly emerged magical powers affected his biology too as his blood burnt up any anti-psychotics that were leaked into his system. It took two weeks before Lazlo could only offer seven words about what had exactly happened.
" The living can only be experienced once."
Taking it in stride, Hex took in Lazlo as his temporary ward after his release from the hospital, promising him that he would help him decipher the true nature of his abilities. All Hex had on him were rudimentary texts, ancient manuscripts and burnt grimoires from the Renaissance about the nature of his powers. At first, Hex sought to train Lazlo in the mystic arts as a means of protecting himself. Under Hex's tutelage, Lazlo resolved to use his abilities for good and donned the guise of the Artistomancer.
As the Artistomancer, Lazlo operated in the town of Cedar Fort and labelled himself as a self-professed champion for the lower-classes. As much a political activist as he was a vigilante, Lazlo allied himself with fringe revolutionary anti-corporate groups during his career and rejected all attempts at sponsorships or business deals to maintain his own code of honor. Due to his controversial status, all heroes were afraid to cooperate with him and treated him with a great deal of suspicion. During his tenure into superheroics, Lazlo gained notoriety for his stunts of defacing corporate property. The mainstream media charitably demonized him as an 'arsonist' whilst the police left him alone out of fear from receiving backlash from the public. After all, who would want to mess with a guy who could pull a shark head out of the ground?
Well, Artistomancer's time in the spotlight wouldn't last for long.
It was during the 2030s when a series of pictures had been leaked out to the public of Artistomancer allegedly murdering and hiding the bodies of police-men that had gone missing months ago. Lazlo denied it vehemently, claiming it was a false flag operation. The doctored evidence and footage was convincing enough with the witness testimonies being the salt in the wound. No lawyer would be willing to defend him. Lazlo's paranoia about being trapped in prison led to him publicly storming out of the court-room. Literally.
Of course, that wasn't what pushed Lazlo away from superheroics. It was Hex, the same man who'd brought him into superheroics.
Whilst on the run from the law, Lazlo planned to be a stowaway on a shipping vessel headed for South America before he was stopped mid-transit by Hex in Florida. Hex begged Lazlo to turn himself him and face his crimes whilst Lazlo was shocked that the man who'd inspired him had now turned on him. The argument became violent the moment Lazlo pulled a scimitar out of his chest. There are no recordings nor any anecdotes about what had exactly happened during the battle but at the end of their bout, the Artistomancer was blasted off a cliff into the sea and presumed dead by the authorities.
And that's the end of the Artistomancer's story.
Right?
But you wouldn’t clap yet. Because making something disappear isn’t enough. You have to bring it back. That’s why every magic trick has a third act, the hardest part, the part we call The Prestige.
On 2035, unfounded rumors of a super-powered mercenary on the West Coast working for the underground anarchist movement, the Third Rail, spread like wildfire around the Net. Of course, the media dismissed it as mere hokey. That was until an entire group of Third Rail protestors arrived on the outside of Epoch Initiative's regional factory in Texas, ushering all the workers out and left it alone for Epoch Initiative to reclaim. It wasn't before their security teams discovered that the entire place had been turned into a death-trap filled with lethal trinkets. It's known as the Gallery by locals now.
Announcing himself as Avant-Garde, Lazlo, now a radical revolutionary, now led a weary life on the fringes, acting as a warrior for a cause that he didn't expect to win. Every day was spent planning the next attack, grouping with other movements and sinking further and further into depths of moral depravity that he didn't know possible. But, as long as the ends justified the means, their cause was just no matter what. However, there was a sense of ennui that Lazlo was experiencing at the end of it all. He was growing tired of the endless conflict, the lack of organisation in the Third Rail and the desolate purposelessness that he found growing like a cancer.
So, when he received the communique from Addison Reynolds, he left the Third Rail quietly, much to the protests of its leaders, and journeyed towards Cedar Fort in search of something new and old at the same time.
Personality: Lazlo is an outspoken, brash and highly passionate person, being prone to making impulsive, rash decisions. Thus, Lazlo can be rather easily compromised by his own inner emotions and often acts in a rash manner. Though he is patient to a fault in the creation of his artwork, he prefers being un-organised and adapting to situations on the spot in order to experience more new things.
Due to his years of working as an underground anarchist, Lazlo possesses a rebellious streak towards authority, using art as a means of challenging the will of the corporations. His art is an extension of his soul as if it were, preferring to talk through colors rather than being diplomatic. If the situation allows it, he prefers radical action as opposed to a compromise. Nevertheless, there is an cycle of corrosive self-doubt and denial that has built over the years since Lazlo left Hex's group on whether or not he has achieved anything of worth or has made any changes.
To his friends, Lazlo is quite conversational and particularly enjoys conversations about interpretations of art. He is skittish and often doodles when he's bored.
Misc Facts:
- Currently wanted by the U.S.C.C (United States Corporate Conglomerate) for one hundred counts of vandalism, thirty counts of mischief, twenty counts of arson, one count of wildlife smuggling and resisting arrest.
TYPES OF MATERIALS
- Primers: Addition of primers during manifestation increase the durability of the trinket and the stability of manifesting it to a certain extent. - Oil Paint: The most traditional source of magic for Paintbinders. - Chalk: A material associated with alchemy. - Charcoal: An ancient material used in the days of the Neolithic era. - Spray Paint: A urban paint. - Ink - A eastern oriental paint. Trinkets created using ink, particularly in the style of brush paintings, are imbued with naturalistic properties. - Holo-Paint - A new high-tech paint for a high-tech century. Trinkets created using holo-paint typically exhibit more anomalous properties associated with technology.
STYLES
- Abstract: The opposite of concrete. Trinkets that are formed from abstract art obtain properties associated with abstract concepts or quantities that are ethereal such as emotions. - Avant Garde: Experimental form of art. Extremely hard to manifest trinkets from. Trinkets manifested from paintings that are considered avant-garde possess powerful properties that are game-changers. A paintbinder attempting Avant-Garde style trinkets is only expected to pull out one in the entire lifetime. - Baroque: A highly stylised and dramatised form of art. Trinkets formed from Baroque style paintings have their base characteristics amplified in a overblown and completely hyperbolic manner that rarely provides any practical use. - Cubism: Trinkets created from cubist art pieces possess multi-faceted anomalous properties which means the property changes from the perspective of every person who sees it. - Pop Art: Considered to be the most mechanical form of art and thereby, limited in interpretation. Trinkets created from pop art possess properties related to the piece of popular culture that the painting references. Yes, you can create a lightsabre. - Surrealism: A reactionary form of painting where rationalism goes to die. Trinkets created from surrealistic paintings possess properties that directly warp the surroundings of their environment or user in some manner.
COLORS
Red - The color of boldness. Green - The color of growth. Blue - The color of serenity. Yellow - The color of haste. Black - The color of end. White - The color of purity.
Relationship with Hex: Even though Hex was sent to capture him, Lazlo still admires Hex and looks at him as a role model, despite holding resentment against him for his act of betrayal. Lazlo feels some kinship with Hex as the only other magician that he knows in the whole wide world and the one who was responsible for revealing his heritage to him.
The world is my canvas, and believe me, I'm gonna paint this city all over by the time I'm done with it.
Name: Lazlo 'Laz' Lopez
Alias: Avant-Garde
Age: 32
Powers
//Paintbinder's Blood - Thought to be a nearly extinct and dead form of magic, Lazlo is the last paintbinder in the modern era, an esoteric and mysterious art that uses paintings as a catalyst for magical rituals. Paintbinding is not an art that is taught but one that is inherited down from generations to generations.
//Trinket Materialization - Taking post-modernism to the next level, Lazlo is able to manifest and construct objects, referred by him as trinkets, from visual artistic mediums. His most preferred mediums are spray-painted graffiti. These murals can either be mundane or possess enhanced or supernatural properties. The nature of these properties is dependent on the colour, texture, style, details and materials the visual medium is composed of. His emotional state also is a factor that heavily affects the nature of the trinket. Trinkets can range from a scythe that causes short-lived degradation of materials upon contact, a shield that attracts metal objects in a fifty foot radius to a pen that allows one to write in perfect cursive.
However, there are several caveats involved.
Firstly, Lazlo is unable to fully control the supernatural effect that the trinket is imbued with, as there is always a degree of randomization in its manifestation. Therefore, Lazlo is unable to fully replicate or make copies of trinkets. Through experimentation, experience and intuition, he has managed to reduce this factor of unpredictability to a reasonable margin, although it always interferes at the worst possible moments.
The effort and physical energy required to create a trinket is dependent on how powerful its supernatural or mundane properties are. Trinkets with potent anomalous effects extract a toll on Lazlo's stamina and body, ranging from cramped muscles to total organ failure. Continuous use of trinket materialization will also leave Lugo extremely fatigued.
The duration of which trinkets can stay materialized in the world is dependent on how much focus and effort Lazlo dedicates to its manifestation. The longer the effort given towards the manifestation of the trinket, the more longer it will stay corporeal.
Trinkets manifested are unable to be larger than the dimensions of the artistic piece used. Attempting to summon large objects through a small medium will either result in catastrophic injury or possible death.
Lastly, Lazlo restricts himself from creating living beings, n̴̦͚̥͙̐o̵̡̠̲̪͂̎t̴̛͕̭́̇̎͝ ̴̨͈͌̇͒͒̽b̷̡̡̦͖̬̓̽̚e̸͙̍͆̃̓͝c̴̨͓̖̝͝a̶̬͖̿ǘ̷̞̼̠̹s̸̽́̆͜e̴͙̝̯̽̑͒̿ ̷̡̢͔̥̐o̶̬̲̪͛ḟ̶̛͈͉̜̹̾ ̸͖̭̼͕̄̄h̵̆̈́̆ͅi̷͈̍̌͊̔̕s̴̮͎̣̭̓̄ ̸̘͌̑̃̕g̵̼̉́͘͜e̸̗̍̀̃ń̵̹̀͘e̵̥̖͈͆͌̉r̸͇̀͒́̉̑ả̷͙͈̺̣̘͑̑̌͝l̵̰̔͑̉̓ ̴̗͓̖͖̊̃̎͜͝͝i̷̥̲͖͚͋n̵̦̜̺͕͌͜ă̴̲̓͌̂b̴̢͖͕͒̚ĭ̵̳̺̪͇̤̍̍̇͘l̷͚͔̖͋͑͛i̶̠͊̏t̸̨̯̓y̸̢̞̕,̶̢͗̑̀̊ ̷̤͔̽̿͘̚͝b̷̢̙̾̔̈͘͝ử̴̢̟̹̥̔͒͘t̴̡̛͚͍́ ̴̟̪͍͍̍͝d̷͓̭̊̈́̓̀͒͜͜ù̷̞̬͇̜e̶̩̣͎̔̾͗̇ ̸̧̹̯̭͒t̵̘̙̙̘͉̃̿͘o̷͙̥̽̂̽ ̴̧̩͗̑͆̄̋͜ț̵̨̲̫̫͊h̷̡̋e̴̢̫̩͗̃̀̈͠ ̸͕͓̣͎̯͌̃͝c̷͚̲̤̈͘ơ̷̼̳̦ͅn̶͓̼̺̘̂͋͂́̅ş̴̘̳̼́̂̈́͘ě̵͉̫q̷̩̘͑́ǔ̶̩͔͜e̶̱̞͔̹͐̉̕͘͠n̷̗͍̰̄̔͘ͅc̴̦͓̠̺͕̀e̴̡͔͓̒s̸͙͈͊̊̇̔͒ ̷͎͙̮̓̚ṫ̷̝̺̩̞̉͒͒ḩ̸̢̘̝̓̑ͅá̵̘̟̼̦̘̎̍̆ṱ̶̐̄̑ ̸̝͈̓͆ï̶̢̐̍̈́͜͠t̷̜́̀͐̉ ̴̡̱̖̣͚͆̊̃̅p̸̡̅o̴͉͖͚̠̭͂͐̔̔s̴̢̜͔̮͙̀̑͌́̀e̶̼̋ṣ̵̡̘͍͛̎̋̊̇.I̵̟̮̻͉̕t̸̖͈̠̘̦̉́̿̎̇̿͘͝͝ͅ ̷̪͐̾̂̑̀̓̃i̴͇̋́͜͠ş̴͉̣͕͖̘̼̹̞̓͛̈́ ̴͍̝̦̗̜̙͈͍̹́̈́͗ṕ̷̟̗͕͇́̃͘o̷̜͚̟̹̬̤̯̱̺̹̿̓s̶̡̧̠̰̯̩͈̗̽́́̃͝ͅs̷̨̧̥͓̯͙̠̦̫̓̌̌̕̚͝i̵̧̪͊̈́̊̐̀̍̒̅̀̑b̷̡̧̮̜͍̥͆l̴̫̲̟̖̻͈̂̆̋̀̓̓̂̆̈́͝͠e̶̛̝̣̒͛̈́ ̴̯̠̮̇͊̓̈́̊̌̚͠ͅţ̷́̽̀̆͂ő̸̡̢̡̙̺̰͈̼̞̰̈́̈́̂̇́͑̀͌̚͝ ̷̯̫̼͚͙̏̒͝c̷̢͔̩͈͕͋̈̇͂̏͝͠ͅŗ̸̟̯̼̣̗͖͉̕e̸̟̪̬̺̝͖̻̠̗̲̫̿̉͑͘a̵̦̳͕̻͇͙̎̽̋̍̍̓͘t̶̘̮̟̤͓͙́̉̿̈́̽͆̃̄͜͝͠e̸̘̗̗͎̲̠͗̐̆̃̀͗̂͗̀̑̕ ̴̧̯̮̆̑̄̈́̄͘ą̶̣̘͉̖̘̎̄͒́͌̎̍͒̾̅̕n̵̨̝̟̯̠̥̯̂͝ ̵̛̥͉̟͔͐͒͐̅̅͑̈́͛͝o̴̢̳̞̜̩̜͖̣̭͒͒͋̌͂̈́́͝͝͠r̶̢̢̪͚̅̋͜g̶̦̖̘̮̪͈͍͆́ā̸̮̣̜̪̀̇̑̆̒̀̈́̎̕ǹ̸̢̻͕̯͖̫̤̉̔̽̅̆̌̓͝͠ͅi̵̼̲̐̈́͝c̸̤̏̾̊ ̴̢̖̼̇̆̆͂̽͘̕b̶̧̘̳̫͓̮̙̮̘̂͑̂ê̵̛̥͕̦̱̰̌̊͒̽̐͘͜͝͝ï̶̗̮͈̰̒͑̔̒̀n̶̡̢̟͇̓̇g̵̥̭̻̮̯̒̑̅ ̵͔̼̳̻̳̱̤̠̳͓̦̈́̐̕f̴̧̖̤̕̚ô̷̡̺̦̪͔̻̯̪̣͔̠̈́̌̋͠ŗ̸̨̭̳̻͍̩̜̫͔͐́ ̵̡̺͓͚̎ͅȧ̴̝͍̯̹̟͂̾̑͌̊̽́͊̕ ̷̥̮̣̺̩̰͚͗̒͂͗́̈́̍́ͅs̶̡̹͚̳̹̙͎̘̣͖̘̅̉͑͆̎́̎̕h̴̺̯̀͗́͜ỏ̸̧̰̹̲̮͎͈̰̝̏̍͝r̷̜͓̹͉̰͎̺̄͋͌̽̎́̄̐͘͜͝͠ͅt̵̗̱̥̜̩̃͆̔̂̓̇̾͛́ͅ ̷̢̢̞̟͕̞̘̺́̓͊͋̌̍̽͝ͅp̸̩̲̬̲̮͓͇̜͛̿̌ę̸̗̱̪̹̼̱̗̜͚̪͊͛͊͋̊͊r̶̞͎̂̌̀̏̇̿͛̓̄̚ḯ̸̧͔̻̬̜̫̱̟̱̙͗́̉͝͠o̶̡͕̯̳̹̎͗d̶̡̛̘̙̤̤̳̰̤͉̓͑̓̅̇̆̓͠ ̴̧̞̘͈̅̌̀͝ö̸͍̠̜́͒ͅf̷̙͇͇̖͓̭͔̣̯̰̓̄̉͗̔̀͑͂͠ͅ ̸̨̫̺̱̠̺̔̋͒̈́͗̇̊̍̓̿́ẗ̵̢̡̺̖̟́̀̓̒͘͠i̶̢̛͔̤͖̫̋̏̇͂̅́̽͊m̵̛͖̹̺̦̬̖̅͂̿̆̊̍͐͌͠e̵̙͙̼̗̩̟̫̪͕̯̔̋́ ̷̠̻͖̀̈́̾͌͗͗̐̓͝ͅb̸̭̮̏̈̓̈́͗͜ͅú̶̧̮̙͉͙̹̗̳̘̟̏̊̐̽̚͜ẗ̸̤͉̅͜ ̶̟͇͙͖͕̩̪͊̃͋̍͂̋̾͗̔͘͝ͅd̵̬̣͇̙̣̯̪͋̈̇̈́̃̕̚û̵͖̺͇͍̎̍̄͂̏̄̉e̵̡̠͓̖̮͉̪̖͖͉͉̅̌̾̈ ̸̭̃̆̇͑͐͆͘͝t̴̼̳̋̂͐̆o̸̭͑̈́̂́ ̵̨̻̗̱̲̩͕̇̈́̄̒̍̈́̈́̌͌̚Ḓ̷̨͕̥̖͈̖̳͆̏͛̃a̷̩̳̺̘̎͠-̷̧̨̞̝̩̥̃V̴̧͔̭̤̕ḯ̵̼̻̗͌̃̋̐̊͝n̸̛̜̰͛͒c̵̢̫͖͚̣͙͈̳̝̚ǐ̶̙͐̎'̷̢̢̩̜̼̘̟̥̲̇͒͗s̶̛͚̦͇̜͋ ̶̧̻̦͉̈̑̒̈̀̈͂̈́͑̕͜͝L̷̢̜̮͚̠͉̟̓̿ȁ̶̢̡̛͕͍͍̪̹͔̜͒w̶̼̝̺̺̪͕̓̌ś̶̛̺̞͓͙͇͎̥̿̌̀̂̕̕͜͝͠ ̶̛͙̘̣̖͛̆̉̀́̃̒͒̂͝ō̵̢̳̝̗̒̽̈̀f̷̧̞̻̘̖̱͍͆̇́̍͝ ̶͔̣̑̾͒̓͒͆̀̎I̴̢̥̣͔̗̤̙̱̝̾̐͘m̴̛͕̒̿́͝ͅi̷͕̻̥͗̊̏͒͊̔ţ̶̖̼͇̥͖̹̈́̉̀͜a̸̧̧̛̫̥͒̑́̂̏͒̀͠t̷̡̧̺̬̃̎͐͜ï̸̡͎̟̯̜̥̰̺̠̓͑̔̂̒͌͠ǫ̷̡͕̝̮̲̮̪͖͚͛̂ͅņ̶͍͎̥̙͚̅ sanctioned in the 16th century, transferral of a 2-dimensional entity's mind to a 3-dimensional space ultimately leads to severe degradation on a conceptual level. This leads ẹ̵̛̭͉̱̯͚̞̀́̂͋͆͠ͅv̸̧̛̛̝̰͇͍̙͇͎̥̰̇̆̈́̓́̃̆̈́̋̂́̄̿̄͗̈́̏͋̽͋͆̽͘ȩ̸̲͎͍͍̯̫͈͎̤̖̩̥̰̱̗̼̗̰͚̅͑́̈́̕͝͠n̷̨̡̡̢̳͙̬͔͙͙͎̭̼̻̯̦̖̤̩̩͂͌͛́̓̔̅̄̊̄̑̿͛͌̒͊̿̐͗̚̕̕̚̚͝ͅt̵̨̢̛͔̬̠͖͔͍̲̟̙̜̜͗̓͂̊̈́̀̓́̆͛̆̑͆̍̾̎̕̚̚͝ų̸̛͓͉̱͕̱̪̝̲͕̱́͗̐͛̌̌̀̈́͂̈́̇̍̋̐̐̽̑͂̕͘͘͜͝͠͝ả̷͖̱̟͛̏̀̃͗̀̔͑̓̽̈́̀͑̂͐͌͌̉͋̃̕ḻ̸̱̤͚̻̤̣̝̙̯͚͚̜̰̞̳͇̺͉̠͍̫̖̉̃̃͆́̉͆̏̈́̉̈̎̈́̈́̎͊̕͠͝ͅͅl̵̨̨̨̝̙̖̣̗͈̩͔̤͔͇̭̠͓͉̯̬̞̣̺̝͌̓͗͌̾̔͂̇̄̅̄́̿̓͌͒̕̕͝y̵̛̮͕̞̻̱̰̗̗̮̰͎̹̜̒̌̒͗̎͗̀̽̿̓̒͜͜͝ ̵̡͍̰͇̰̤͔͕͉̥̥͎̹̯̣̥̯͕̇̒͛̿̊͆́͂̇͂̐͆̕͠r̶͇̾͆̄̋͒̍͆̀̕̕e̷͚̙͉̣̪̺̲̞̹̬̠̞̹̪̤̬̪͌̀͑̈́̈͂͌́͌̃̏͒́̈́͒̀͑̋̆͂̎̉̚͜͠͝ͅs̸̨̢̧͓̹̲̣͍͈̘͍̫̘̖̅́̎̅̑̓̂̑u̴̢̨̗̳̗͕̱͍̭͉̖͊͌̊́̏̑̃͑̄́͝l̶͔͙͔͍͉̙̗̺̗̘̣̼͎͈͓͉̣̋͜t̵̗̯͕̲̙̬͈̠̩̻͔̀͛̏̑i̵͎͙̦͌͛̂̆̊̇͂̽̑̔̈́̎̔̅̾͘͘͠ņ̸̮̜͖͕̮̠̭̪̣͖̺̱̤͕̤͇̪̺̪̟̯̈̈́͋̒̉͋̀́̾͐̊͊͑̈́̈́̏̓͆͌̍̊̚͝͠ǵ̶̲͉͇͉͈̦̭͉̾͌́͗͛͂̓͋̕̚̕͜͝ ̷̫̙̬̝̫͍̤͇̜̤͗̄͛̅̒͂̎̋̂́͜͝i̵̧̬̪̪̺͎̤̻̯̹͈̳̥͚̓̅͆̈́̒͒̎͆̎n̴͙̯̣̗͚̠̮̮̻̱̻̳̿̒̂͂̅̒̇͋̉͊̓̈́͊̋͑̃͘͘̕͘͜ ̵̘̰̣̀̑̈́̔̀t̶̢̡͔̫͚͚̩͈̠̬͖͙̘̦͇̤͓͓̜̹͓͓̭͒͌̂̇̉̓̆͊͘͜h̶̡̛̼̲̳̳̗̗̥͍̘͉̗̲̟̻͔̩͕̝̩̳͛̌̋̔͆͂̀̏̓͐̇͆̏͆̀͂̽͒͘͜ĕ̷̞̖̼̪͚̝͔̗̯̫̠̜̰̬͎̻̥͌̈́̈́͊͋̆̃ͅ ̵̛͕̯̫̫̣͎̯̭̩̻̤̗̱̮̲̳̫͇͇̈́̆̑̑̆̾̈́͛̊͐̇̌̋̒̿̋́͛͂̎̏̇̄̕ͅç̸̧͙͔̳̟̪̰͈̞̌̐͒̔͆̂̂̀͑̉̇͂̏̔͑̂̎͛͜͝r̸̢̝̗͎̖̥͔̟͔̯̫̙̦͈̩͔̲̳̭͇̦̫̭̩̃͒̊̍͆̔͋̈́̈́̊̒̆͗̉̎̉̈́̀̉̄̅͝͝͝͝ě̴̢̛̦͕̺̲͒͋̿̀̒̌̄͐͊̔̃̋͐͋͊̈͛̀̏͛̔̇̚ą̷͚̻̠͉͙̼͚͒t̴̙͑̐͛͌̎͋̀̈́̈̽ị̴̢̲͉̮̜̞͚̳̩͔̗̙͎̣͍͎̼̯̖̰̼̬͂̈̐̎̅̑͋̈́͂͋̿̂̇͑̈́͊̐̉͒̒̚͜ͅǫ̷̰̟̝͓̲̙͕̩̥̩͍̬̼͖̻͖̹̞̩̙̗͊̈́͂͑́̏͊̊̀͋̀ͅn̴̨̜͇̘̞̝̦̜͚͕͓̲̩̩̹̟̩̗̺̳̰͚͇̣̺͛̊̋̇͐̄͑͘͠ ̸̧̛̹͍̙̩̗̯͕̼̘̥͓̭͛͂͐̐̇̏̆͊̾̽͛̈́̇͋̎̾̄͘͘͝͠ǫ̵̨̹͓͇̩͇̆̾̆̏͋͋̈́͂͑͂̋́̈́̀́̕̕̚ͅf̵̢̢̛̳̜̱͖̙̣̠̦̟̬̳͊̇͗̄̏̐̓̾̇̈́̍͂͋͋͆̉ͅ ̶̤̰̟̙͌̽̐̆͑w̴̡̧̧̨͙̰̯̪̟͓̟̝͍̘͈̤̱̳͓̞̦̔́͊͌̐̑̀̏͜ͅȟ̴̡̡̧̧̧̨̨̜̞͈̹̩̮̖̦̤̩͙̫̘͗̂͋̓̉͐͜a̵̡̧̯̙͔̠̱̠̫̝͚͕̭͎͋̑̍̏̈́̐̉̽̂͒̇͝ͅt̶̢̨̛̠̺̩͓̥̞̼͉̩͓̪̹̘̤̰̠̖̗̝̞̄͗͆̂̓̑̒̅̽̃̿̉̽̕͝͝ ̷͉͙͇̳̞͇͉͉̂̄̆́͗̈́͊̒̈́̅̒́̋̿͋̂̏̒̽͠į̸̥͖̜͎̟̬̹̘̳͙̩̖̠̪͙̭̃ŝ̵̨͖̼͎̩͆ ̶̛͓̝͖͓͇̘̝͍̋̄͐̊̾̀̃̈́̇̎̍̀̋͑̆̏̆͜͠͝͝k̵̡̢̧̹̠̬̙̥̗͚͕͕̪̙̤̲̻̣̯̠̿n̵̡̘̦̪̝̟̝̻͇̣͈̪̼͇͍̘̳̦͉̙͎̈́̎̄̋̀̆͌̉̔͋͑͆̿͂̄̑̊̄̋̇̕̕͜ͅő̸̱̻͍̖̼͚͕̾̃̄̎̓͜w̷̨̛͖̖͛͂̅́͊͝n̴̨̡͙͖̫̣̓̿͌̑̑̀̍̒͛͒̑̌̒̕͝͠͠ ̶̧̬̱͙̬̯͕̀̊̾̈́̄͐͆͐͛̑̈͋̋̈́̇͗̓̔̿̉́a̵̗͔͉͉͎̠̾̕̕ş̷̡̖͕̗̪̰͙̩̞̬͎͚͔̬͈̜̠͚̆̉͂́̓̅̆́̉̋͒̇̍̆̊̆̋̓̆͋̍̕͜͝ͅͅ ̷̢̧̨̨̼͔͍̖̞̙̦̗̦̙͇̙̲̥͉͖̱̻̥̪̻̐͂͆͆́͂̉̽́͗̓͋̇̎̒͋͆̀̑̕͘ă̶̬͇̖̼͉̖̠̑̔͐̓͑͋̍̍̈́ͅ ̴̢̧̡̲̥͍͙̺͉̳̪͎̱̣͈̪̰͔̗̍̀D̵̬̘͔͎̊̏͐̔̾͊͂̌̃͛͐̎̉͌̈́́́̅̑̈͂̕͝͝͝ì̴̢̥̠̠̮̮͈̻̹́̈̚ͅś̵̢̧͍̦̥͇͎͈͔̝̮̺̜̙͙̱̪͉̞̪͔̤̮̈͒̾̽̊̀͋́͛ͅt̶̢̩͎̝̩̭̹̖̠̬̖͕̫͇͖̣͓̱̦͓͖̬̍̅̃̿̓͌̋̂̓̐͐͜͝ő̵̢̨̤̙̬͚̮̗̩̯̪̲̖͓̞̥̮͍̐̀͌͒̊̄̋̂̈́̀̈́̏̇̿̈́̈́̀̈͌̕͠͝ṟ̴̨̛̛͇͚͇͍̤̖̗͉̖͖̥̭̬͖̓͒̉̄̓̈͊͌͋͋̎͑̓̀̾̇̓͗́͘̚͠͝t̵̨̡̨͎̤̖̺͉̜͕̲̮͎̩͙̦̖̝̣̺͙͚͚̐͋́̓̽̀͌̈́̓̓͗̈́͘i̸̛͉̼̱̟̔̈́̈́̀͆̀̓́̿̂͐o̸̢̧̨̧͇̣̰̼͈͚̞̠̼͚͓͖͕̹̮̺̣̙̱͛̊̉͌̇̈́͑̋͒̏̌̽͜͝͝ņ̴̬͇͕̰̱̹̥̟̣̰̰̩̜̠͖̐̔̿̀̇ͅ,̷̧̖͙̓̂̈́͋ ̴̞͈̗̪̘͒̈́͆͋̎̄̑̉͛̊̽̽̾̽̌́̚͘ą̸͍̜̜̀̋̀̋̾̒͑̉̑̉͒̏̆̉͘͝ ̸̨̡̫̱̱͙͓̱̺͇̗͎̼̝̠͖̼̩͉͙̱̮͎͖͛͂̉̐̍̅̃̾̋̀̎̊̊̌͒̈́̀͐̀̑̈͂̈́̇͝ṕ̴͉̰̖̈́̿́̾̿̏̐̊̚̚͝͠͝͝a̷̧̛̛͔̹̥̯͓̮͓͔͔͑̽̑͑͐̊̓̀̌̀̐̂̾͆̋́͆̽͠ŗ̴̮̭̭̥͒͊̿̃͑͌͐͗͊̄̑̽̆̃͑̆a̷̧̢̡̱͎̙͉̰͔͍̪̠̜̠̹̩̟̗̼̻̜̖̻̼͖̐̍́̋̇͛͐̐̏͂̂̍͗̚̚͝͝ḋ̵̡̖̞̟̱̝̝̗͍̺̪̠͎͔̳̹̳̜̈̈̽̌̏̂̚̚͘͝ͅȍ̵͚̱̿͂́̑̄̇͂̀̀͐̽̀̏̽̅̅̈͌̕̚̕x̴̡͙̪̺̯̳̜̥͕̻̍̈́̾̏̈́͐͆̕ͅį̷̢̧͎͍͍̰̬͚̦̬͍̈́̈͒̌́͗̀̿̎̔̈͌͌̒̍̊̓̎̋̒͘͜ͅͅc̵̛͖̗̋͌͆̉̓́̋͛̌́͋̅̎́͗̄͑̓͘̕̚͠ͅa̶̟͋̈́̀̇́̊͛̀̌̔͂͒̿̓̋͊̐͐͑̀̕͘͠l̴̨̟̗̹̬͍̝͚̜̆͂̉̽͑͜ ̵̛̦͚̮̙͔̎̒̄́̂̀͊͛̂͒͋̌̔̄̒̾̿̍̿̀͐̅̕͜͜ę̸̨̮̲͙͍̫͇̟̜͚̪̭̰̩̺̈̍͊̊̐̄̽̀̎̓̓͆͝n̵̩̣͈̰̗̹̳̟͕͊̽͌̈́͌͆͌̏͌͘͜t̸̨͇̗͓͚̹̠̙͉̳̳͚͘͜ḯ̸̡̧̡̡̛͍̟̙̠̹̳̱̙̮͔͚̜̤̱̗̱͕̙̙̏̃͒̓̾̈́̃̀̓̔̈́̚͝͠ͅẗ̸̠̯̯̟̉̃͂ÿ̸̨̧̧̮̝̗̜͓̻̭͚̈́͂́̏̊̓͛͑͗̅̐̐̂͒̿̇͗̋͊́͝ ̸̜̘̙͈̏͋͊̆̈́̀̊͑̐̉͐́̓̄̚̚͜ͅţ̵̡̧̟͓̜̬͍̙̲̩̘͓͉͈̥͉͕̞͉̻͎̐͌̈́̿̃̋͒̆̔̒̅̈́̐́͘͠͝h̸̜̳̟͔̳̠̠̠̣͉̟̹͚̲͎̲̗͔̙̤̹̟͖̃̿̉̅͒̄̚͜ͅå̷͎̞̯̝͓̘͍͇̠̯͎̞͕͇̗͇̹̊̑̓̂̃̓̏͛́͊̿̋͒̕͜͝ţ̶͈̺̜̫̣͖͉͚̲͌̈́̈ͅ ̶̡͍͙̯͆̇́̋̂̃̓̈͊̌̔̽̎̐͗̊͋͗̐͗̎̉͊͝͠c̷̰̣̎̽̽̍̏̈́̏̋́̀́̕̕̕͝ǫ̶̮͕̭̰͕̘͚̭̺̬͚̥̦͍̦͉̘̫͚̩̂̑͊̈̊̌͑͋̾͊-̵̨̖̳̬͖͎̼̮͈̖̥̤̗̦̣̤̏̀̍͐̽̉͒̐́̈́̂͊̽͆̆̀̌͑́̽̽̒̑̾͝ͅͅh̷̡̞͕͔̩͈̭͖̳̳̓͗͛̋͑̽̀͂̕͝͝ấ̸̳̊͐̊͊̊͊̽̈́̽̈̾͊̾̚̕̚b̵͚̱̹̗̂̈́̓̓̈͗̈́͊̌͒̚̚͝͠i̷̡̢͓͎̻̬̼̗͙͈̬̲̣̖̙̤͉̦͍̦͊͆t̷̹͈̰̭̝̠͈͇̃͛̈͒̓̐̔̏͂̌͌͐̒̂͗̆̓s̶̰̪̞̈́̈̏̀̎̉̓͒̄̀͌̓̉́͆͆́͗̐͘̕͠͝͠͝ ̷͙̦͎̺̲̙̻̼̮̬̈̃͒̐͑̓́͐͘b̵̡̜̯̻̥̆̑̆͐̌́̀̀̊̎̿̕͜ō̷̭̳̰͔̬̤͍̥̼̭̫̼̤̲̪̭̫͎͍͉͝ͅţ̴̡̢̡̨̛̠̹̥̠̱̗͉̮͕̝̬̭̭̍̌̔̂̒͒̍̿̓̆̄̊̆̆̄̚͠͝h̷̡̢̨̜̖̱̗̻̞̪͉̼̺̰̮̻͎̆́̎̆̀͜ͅ ̷̡̧̞̲̭̯̱̲̺̣̬̥͕͉͍̘̂̿̎͑̀̆̆̄͊͜͝͠ͅ2̵̡̨̱̫̮͉̻̣̹̜̜̜̥̱̮̰̰̞͉̞̮̗̍̈͌-̵̢̢̛̠̳̣̳̯͖͓͗̓́ḋ̶̛̰͍̬̥͚̘̬̤̳̥̪̊́͆̽̍͒̅̉̈̑͑̕͜͜͝ͅi̶̢͍̠̠͍͇͓̻͇̪̫̰͇̝͈̳̮̠̗͖͖̭̻̯͋̓̌̈̌̊̚͜m̶̢̡̱͕̜͇̜̗̞̰̳̯̂͘ę̶͍̞̹̥̋͂̅̿̒̏̋̓̇́̏͘n̴̢̧̧̧̠̞̮͔̙̗̞̺̘̹͚͖̺̖̥͎̈́̍̐̈́͛̏͌͆͗͝s̷̛̲͔̣̦̩̋̏́͊̑̓̾̀ì̶͇͕͍̰̦̞̒́̿̈́̓̕͜o̸̧̘̞̰͎͓̯̱͕̥̠͕͈̳̝͍̻̼̹̜̲̎̀͌͐̓̂̍̈̽̅͜ǹ̷͇̗̩̬͎̺̑̎͐̀͒ạ̸̧̢̡̛̛͙̭͎̜́͊͗̓͂͊̿͛͐͋̐̈̆̓͗͝͝l̵̡̡̡̛̰͎͖͖̩̘͕͍͉͖̺̫̘̙͉̩̠̰̓̒͋̆̏̆̉̌͊̿̕͘͘͠͠ ̶̛̛̝͖̭͚̝͓̙̖̹͉̱̤̳̺͈̮͚̫̯̝͈̤͆̆̂́̓́͌̓̀̏̑͑̀͗̑̏͊̐̾́͆̚ͅa̵̢̟̖͇͔̝̜͈̣͓̋͊̿͆͐͆͠n̸̨̨̼̠̻̪̰̘̰̭̝̼̹̜̘͚̤̪̻̬̞͖̖̺̊ͅd̴͕̋͆̏́̏̌͗̇̕ ̵̧̢̼̜̟̞̭̗́̐̔̔3̸̡̡͍̣̮͙̭̲̝̝̑́̅̽̆̑̈́̉̿̒̂͑́̓̕̚͜͝-̵̢̡̜̱̜̱̖͇͕̐̓̾͌̏̂̚͘͝ḑ̶̡̢̨̛̠̬̪̦͔̳̠̤̞̗̤̼̲̟̾̋̀̆͆̀̾͌̎̏̓̾͂̆͠i̴̱͇͎̠͙̞̠͍̯͙͌̒̂̉̈́͊̾͝ͅm̶̧̨̳͉̤͙͈̣̯̣̣̩̯̖̼̲̟̲͇̭͍̺̄̐̂̒͆̍͒͌̈́͊̅͆̈́͊̽̃͂̚̚e̵̙̻̔́̔ǹ̴̲̏s̵̨̢͓̫͔̲̼̞̻͎̰̰̤̞͕̬̗͎̖͙̫̮̗͙͆̈́̈͐̒̈̌͂̎̽̽̈́̐́̇̿̅͠͝ḯ̴̢̨̺͍̦͍̩͇̜̬̫̋̀͜o̷̲̼͙̓͂̏̏ň̵̜̞̗̮̼̭͔̰͂͐̀̊̓̓̍̓̈́̆̌̄̀͂͐͝ą̸̛̯̪̗͕͙̗͖̺̟̘͌̊̎̓͆̐́̐̇̏̀̾͜͝͝ļ̴̧̢̬͉͈͖̬̳̱̟̦͖͎̇̉̽́̌̇̃̑͌̊͒̂̚͘͘̕͜͜ ̷͈͔̥͇͂̃͗͐̌͐̉̅̉͛̂̔̈́̓̈́̊̋̾̀̄̊͘͜͝r̶̘͓̙̩̫̾͆̓̾̊́̀̉ę̵̡̧̢̤̭̳̬̹̗̞͉̖̺͍̙̌̇͋̽̑̎̋͋̈́͐̇͊̈́̍͋̔͘͘͘͝á̸̗̗̲̻̫̘̱̜̼̟͚̲́̔͘͝ĺ̸͙̝̲̙̈́͋̎̑͌̀̓̓͌͛́̈͋͋̾̄̅̅̚ì̵̧̳̳̯͈͔͕͙̹̯͗̇̏̍͐̄̊̒̾̾̍̂̈́̍̽̊͠t̴̢̡̢̧̳̭̲̺̳͈̹̜͕̹͖͔͍̘̟̙̆͘̚͜i̸̛̘̳͚̘̝̙͒͐̃̔̇̃͂̈́͌͛̑͌̏̃͘e̵̡̧̺͙̲̱̪͎̻͍̗͖̳̗̱̞̼̱͚̾͒̐́͆́̇̊̉̓́͂̾̐͑̒͗ͅͅs̶̛̞̖̺̽͐͛͗̐͌̔̀̄͛͐̎̈́̀̈́̒̋̅̆̆̈̚͘ ̷̪̝͚͈̰̜̮͚̰̣͓̪͍̯̜̠̱̜̏̐̀̇͛̊̃͝͝ͅą̸͙͉̝̙̞̫͚̥͈̼̂̃͋̋͌̀̀̈́̆͋̈́͂̾̾̆̕͝͝͠ţ̶̨̡̰̗͇͙͇͖̤͎̙̰͈̥̜̻͚̩̎̃͆̌͜ ̸̳͔͖͖̥͖̣̾̌́͆̿̎̀̂͋͝t̸̨̡̢̢̡͓̤͙̜̜̗̥̙͓̥͍̼̗͔̫̞̰̠̮͋̉͜h̸͖̩̀̓̌̈́̒̽̏͊̏̿͂̏̌́͘̕̕̕ͅę̸͓̩̼̹͔̠̳̘̺̤̺̩̯̒͊̓̃́̚ͅͅͅ ̷̡̛̞͙̭͇̮̲͕͚̳͕̠̪̦͔͙̹̜͋̈͋̀̾̈́̃̑̾̑̿̆̕̕̕͘͘͜͜ͅş̸̧̼̠̭͓̗͈̣̈́̂̽̀̓͆̐̏͛̀͑͑̒̈̊́̄̌́̄̚͜ǎ̸͙͊̆̋̍̎͋̐͒̊̽͑̓̾͋̏̐̋̓̚̚m̵̧̧̛̠͈͔̻̮̞̥̲̯̼͍͑̔͛̑͗̄̿̾̊̽͌̌͜͠e̵̼͔̗͕̠̳̎͐̂̈͊̐̔̀̅̒͌̏̽̓̀̈́̚̕̕̕̚͝ ̶͖͖͚̜̰̮̣̯͕͕̮̩̫̳͚̒͛̋̅̍̒̏͌̒̊̊̏̂̈̂͒͒͊̋̈̕̚͝ͅţ̶̨̢̨̰͎̪̘͚̫̪̫̣̺̝̩̖̜͕͚̰̻͊̉͌̇͌̌́͂͛̂͑͌͒̎̔́͗̏̓͗̄͋̍͑͜͠ͅį̴̯̙̼̌̏̐́̽̑̈́͂̎͋͒͐͋́̉̾͒͆̉̽̀̈́̚͘̕m̸͎̦̩̬͋̑͛̑̍̋́ȩ̴̨̨̯̜̪̯̙̙̼̫͇̭̟̭̹̝̠̇̈́̀̃͊͛̇͋̏̏͌͆͌̋͋͒̃͘̕̚̚͠.̸̡̨̺͎̗͚͖̬͍̰͔͓̀̊̓̄̍̀̈̿͛͂͒̈́͊̿̚͝ͅ ̴̮̜̪̦̣͈̔͒̆̽̂͂̄͌͑̅͐̌̃́̀̆͐̑̀͌̑̀͝͠
Weaknesses
//Wash Away Your Sins
- Lazlo's trinkets are susceptible to degradation by liquid substances, oil being the least effective whilst alcohol or other products that contain water act as the ultimate Achilles heel to his creations. It would only take a cup of water to completely dismantle most of his creations.
//Concentration and Focus
- Disrupting Lazlo's concentration can temporarily disrupt his ability to summon and manifest trinkets until he mentally recovers. This can be done through disorientation of his senses, emotionally shocking him or through the use of pain.
Appearance
The first thing that hits you about Lazlo is the grungy smell of sweat and paint. Then, it becomes the least of your worries. You notice the twitching. The flakes of dried paint and thinner mixed on his sandy blonde locks. The bloodshot, wild brown eyes that tell tales of caffeine-laced manias of artistic scribblings. This intrepid graffiti artist stands out in public because he's something that the public doesn't want to stand out. His body is also covered in a number of vivid and unusually placed tattoos, which are used as a last means resort of manifesting trinkets on the spot. Bearing a stick-thin and wiry frame that shows more bone than muscle, Lazlo's ematicated physique is born of bad dietary habits and a lack of physical conditioning. His skin was once olive, now muted into a pale peach that's sallow on the edges.
In terms of attire, Lazlo's taste in fashion consist of 'cheap' and cleanliness as a side note. He prefers sleeveless shirts, frayed denim jeans, china-brand sport shoes and a complement of wrist bracelets. Nevertheless, he's always seen with a pair of earphones in his ears to provide much needed musical ambiance whenever he's out doing his business
Under the guise of Avant-Garde, Lazlo typically dyes his hair in a kaleidoscopic mixture of aerosol colored hair sprays. TO conceal himself, his face is covered with an ancient gas mask connected to a modified dual pressurized tank carried on his back, the purpose of which has eluded both his friends and enemies. He wears a loose, baggy grey hoodie that resembles a cross between a hoodie and a smock with an stylized green circle-A which has been spray painted messily on the back. A duffle bag of various painting tools and materials precariously hangs around his shoulder.
Equipment:
Due to the nature of his powers, Lazlo only tools is the seemingly endless arsenal of krylon-spray paint, chalk, oil paints and water-color paints within his duffle bag. His modified gas mask, which he refers to as 'Inspiration', is directly connected to a pressurized tank full of both oxygen and paint fumes. This mixture, when directly funneled into his mask, allows him to manifest and create trinkets that have a higher degree of supernatural effects with less difficulty. It also has the side effect of making him temporarily undergo hallucinations.
Aside from this, his iconic costume has been reinforced with strips of layered syn-weave over vital areas in order to reduce the chance of injury. It is also outfitted with a number of hidden zippers and pockets in order to allow for convenience of storage.
Origin (WIP):
You know who I am. You've heard of me. You know my mask, but you don't know the man who made the mask.
This is the story of how I painted Avant-Garde
The first part is the pledge. The magician shows you something ordinary: a deck of cards, a bird or a man. He shows you this object. Perhaps he asks you to inspect it to see if it is indeed real, unaltered, normal. But, of course, it probably isn’t.
Avant-Garde, formerly known as Lazlo Hernan Sanchez, was born in a family of five brothers and three sisters. His father, a Brazilian cyberware hustler who had fled from the 2005 riots in Sao Paulo, and mother, a slum nurse, were overworked and underpaid in a country that was fraught with violence and socio-economic instability. No, unlike the rest of the world, the corporations don’t rule the country yet. The cartels are the corporations in Mexico, no matter how legitimized they may be. They still possess the same history of violence and brutality that their forebears do, even in the modernity of the 21st century.
You aren’t here for a history lesson, of course. You’re here to learn about how Lazlo learned to draw.
With Tijuana becoming a center for outsourcing foreign high-tech manufacturing, the slums became veritable waste dumps. Everyday after school, Lazlo’s father tasked him with the responsibility of gathering useful scrap at the dumpsites, claiming it was for the good of the family. It was only by chance that Lazlo managed to discover a half-empty spray can one day after tumbling down into a valley of rubbish. Most would have thrown it away. Lazlo saw potential in it the moment he pressed down on the plunger and chose to make something of a dreary reality. So, he began to draw. He sketched on the corrugated tin walls of their small, claustrophobic shack. Roadside pavements were filled to the brim with dollar-store chalk drawings. Dingy alleyways were fresh canvases to him. Of course, his family had other things to say about his interests. His mother called it a phase. His father referred to his passion as a hobby. His siblings looked at him as if he was the black sheep of the family. To them, Lazlo had a completely alien mindset.
When a stranger off the streets took a selfie near one of his tags, Lazlo believed he’d finally found his audience. Lazlo began to hang out with the street famous graffiti artists and holo-taggers of Mexico instead of his older brothers and sisters. His skills caught the eye of local gangs who took advantage of his naivety by commissioning him to graffiti the turfs of other rival gangs. Lazlo couldn't care less about the rewards the gang leaders promised him. The payment was just a bonus. He would take anything to escape a dreary life of rifling through scrap heaps.
Well, that was before his family got gunned down in the middle of a gang war that'd struck out between a gang that had paid him to paint on someone's territory and the gang whose territory he spray painted the former's symbols on.
After the funeral proceedings, Lazlo proceeded to honour his family by creating a life-like mural of them, spending his lifetime savings on buying the highest quality paints and studying every photo and memory he had of them. After two days of work, he was tired but satisfied. His fingers skimmed the dried surface of his mother’s hand….
He didn’t expect his hand to sink in with an arm clenched around it. He pulled out all of them, one at a time. Perfect replicas. They all hugged together and for one moment, his family was whole and alive again. Breathing. Things seemed perfect. For about two minutes. Until their skins started sloughing off and -
Then, an injured and traumatized Lazlo found himself in a hospital having to explain why two blocks of southern Tijuana had been rendered uninhabitable to Hex himself.
The second act is called The Turn. The magician takes the ordinary something and makes it do something extraordinary. Now you’re looking for the secret...but you won’t find it, because of course, you’re not really looking. You don’t want to know. You want to be fooled.
Hex was cautious at first, of course. The appearance of a Paintbinder was unheard of. Paintbinders were an order of magicians that had been virtually extinct for centuries.They had a mysterious dogma and their magicks were unparalleled and unique. Wrestling the truth out of Lazlo was a trial for the veteran sorcerer superhero as piecing together fractured ramblings into a coherent pattern was like navigating a labyrinth. Asking about what exactly happened were met with blank looks followed by the rare periods of panicked screams. Lazlo's newly emerged magical powers affected his biology too as his blood burnt up any anti-psychotics that were leaked into his system. It took two weeks before Lazlo could only offer seven words about what had exactly happened.
" The living can only be experienced once."
Taking it in stride, Hex took in Lazlo as his temporary ward after his release from the hospital, promising him that he would help him decipher the true nature of his abilities. All Hex had on him were rudimentary texts, ancient manuscripts and burnt grimoires from the Renaissance about the nature of his powers. At first, Hex sought to train Lazlo in the mystic arts as a means of protecting himself. Under Hex's tutelage, Lazlo resolved to use his abilities for good and donned the guise of the Artistomancer.
As the Artistomancer, Lazlo operated in the town of Cedar Fort and labelled himself as a self-professed champion for the lower-classes. As much a political activist as he was a vigilante, Lazlo allied himself with fringe revolutionary anti-corporate groups during his career and rejected all attempts at sponsorships or business deals to maintain his own code of honor. Due to his controversial status, all heroes were afraid to cooperate with him and treated him with a great deal of suspicion. During his tenure into superheroics, Lazlo gained notoriety for his stunts of defacing corporate property. The mainstream media charitably demonized him as an 'arsonist' whilst the police left him alone out of fear from receiving backlash from the public. After all, who would want to mess with a guy who could pull a shark head out of the ground?
Well, Artistomancer's time in the spotlight wouldn't last for long.
It was during the 2030s when a series of pictures had been leaked out to the public of Artistomancer allegedly murdering and hiding the bodies of police-men that had gone missing months ago. Lazlo denied it vehemently, claiming it was a false flag operation. The doctored evidence and footage was convincing enough with the witness testimonies being the salt in the wound. No lawyer would be willing to defend him. Lazlo's paranoia about being trapped in prison led to him publicly storming out of the court-room. Literally.
Of course, that wasn't what pushed Lazlo away from superheroics. It was Hex, the same man who'd brought him into superheroics.
Whilst on the run from the law, Lazlo planned to be a stowaway on a shipping vessel headed for South America before he was stopped mid-transit by Hex in Florida. Hex begged Lazlo to turn himself him and face his crimes whilst Lazlo was shocked that the man who'd inspired him had now turned on him. The argument became violent the moment Lazlo pulled a scimitar out of his chest. There are no recordings nor any anecdotes about what had exactly happened during the battle but at the end of their bout, the Artistomancer was blasted off a cliff into the sea and presumed dead by the authorities.
And that's the end of the Artistomancer's story.
Right?
But you wouldn’t clap yet. Because making something disappear isn’t enough. You have to bring it back. That’s why every magic trick has a third act, the hardest part, the part we call The Prestige.
On 2035, unfounded rumors of a super-powered mercenary on the West Coast working for the underground anarchist movement, the Third Rail, spread like wildfire around the Net. Of course, the media dismissed it as mere hokey. That was until an entire group of Third Rail protestors arrived on the outside of Epoch Initiative's regional factory in Texas, ushering all the workers out and left it alone for Epoch Initiative to reclaim. It wasn't before their security teams discovered that the entire place had been turned into a death-trap filled with lethal trinkets. It's known as the Gallery by locals now.
Announcing himself as Avant-Garde, Lazlo, now a radical revolutionary, now led a weary life on the fringes, acting as a warrior for a cause that he didn't expect to win. Every day was spent planning the next attack, grouping with other movements and sinking further and further into depths of moral depravity that he didn't know possible. But, as long as the ends justified the means, their cause was just no matter what. However, there was a sense of ennui that Lazlo was experiencing at the end of it all. He was growing tired of the endless conflict, the lack of organisation in the Third Rail and the desolate purposelessness that he found growing like a cancer.
So, when he received the communique from Addison Reynolds, he left the Third Rail quietly, much to the protests of its leaders, and journeyed towards Cedar Fort in search of something new and old at the same time.
Personality: Lazlo is an outspoken, brash and highly passionate person, being prone to making impulsive, rash decisions. Thus, Lazlo can be rather easily compromised by his own inner emotions and often acts in a rash manner. Though he is patient to a fault in the creation of his artwork, he prefers being un-organised and adapting to situations on the spot in order to experience more new things.
Due to his years of working as an underground anarchist, Lazlo possesses a rebellious streak towards authority, using art as a means of challenging the will of the corporations. His art is an extension of his soul as if it were, preferring to talk through colors rather than being diplomatic. If the situation allows it, he prefers radical action as opposed to a compromise. Nevertheless, there is an cycle of corrosive self-doubt and denial that has built over the years since Lazlo left Hex's group on whether or not he has achieved anything of worth or has made any changes.
To his friends, Lazlo is quite conversational and particularly enjoys conversations about interpretations of art. He is skittish and often doodles when he's bored.
Misc Facts:
- Currently wanted by the U.S.C.C (United States Corporate Conglomerate) for one hundred counts of vandalism, thirty counts of mischief, twenty counts of arson, one count of wildlife smuggling and resisting arrest.
TYPES OF MATERIALS
- Primers: Addition of primers during manifestation increase the durability of the trinket and the stability of manifesting it to a certain extent. - Oil Paint: The most traditional source of magic for Paintbinders. - Chalk: A material associated with alchemy. - Charcoal: An ancient material used in the days of the Neolithic era. - Spray Paint: A urban paint. - Ink - A eastern oriental paint. Trinkets created using ink, particularly in the style of brush paintings, are imbued with naturalistic properties. - Holo-Paint - A new high-tech paint for a high-tech century. Trinkets created using holo-paint typically exhibit more anomalous properties associated with technology.
STYLES
- Abstract: The opposite of concrete. Trinkets that are formed from abstract art obtain properties associated with abstract concepts or quantities that are ethereal such as emotions. - Avant Garde: Experimental form of art. Extremely hard to manifest trinkets from. Trinkets manifested from paintings that are considered avant-garde possess powerful properties that are game-changers. A paintbinder attempting Avant-Garde style trinkets is only expected to pull out one in the entire lifetime. - Baroque: A highly stylised and dramatised form of art. Trinkets formed from Baroque style paintings have their base characteristics amplified in a overblown and completely hyperbolic manner that rarely provides any practical use. - Cubism: Trinkets created from cubist art pieces possess multi-faceted anomalous properties which means the property changes from the perspective of every person who sees it. - Pop Art: Considered to be the most mechanical form of art and thereby, limited in interpretation. Trinkets created from pop art possess properties related to the piece of popular culture that the painting references. Yes, you can create a lightsabre. - Surrealism: A reactionary form of painting where rationalism goes to die. Trinkets created from surrealistic paintings possess properties that directly warp the surroundings of their environment or user in some manner.
COLORS
Red - The color of boldness. Green - The color of growth. Blue - The color of serenity. Yellow - The color of haste. Black - The color of end. White - The color of purity.
Relationship with Hex: Even though Hex was sent to capture him, Lazlo still admires Hex and looks at him as a role model. Unfortunately, without Hex's influence, Lazlo returned to his life on the streets to join an underground revolutionary group in South America.
Done. Needs some minor touch ups but I'm satisfied the way it is right now.
You know who I am. You've heard of me. You've probably seen my work. I'm quite famous with the federales on the Mexican border after all. But you don't know the man who made the mask.
This is the story of how I painted the Artistomancer.
Chapter 1 - The Pledge
All good things begin with a mother and a father. I was born in a family of five sons and two sisters. My parents married each other out of necessity at first, not love. That was what Mama accidentally told me when she fixed up a scrape I got from attempting to climb the border wall. I guess, things change over time. Mama was a nurse who worked in the slums. Papa, on the other hand, was a travelling bicycle mechanic who tried to escape the 2010 coup de'tat in Sao Paulo. It's hard to believe that the conditions in Sao Paulo were worst than Juarez.
Oh, Juarez? The wall was a constant across. Juarez was a life of living on the margins. What can I say about Juarez that hasn't been blasted and smeared across every news outlet in North America? The only kind thing I can say about Juarez is that if you ignore the corruption, cooperate with the cartels and keep your nose clean of crime; then, you can make a decent living.
When my papa gave me my first set of cheap color pencils as my 10th birthday gift, I was initially angry. Looking back, I wouldn't have traded it for anything else in the world. I began to draw. I drawed instead of doing homework at school. I stained my handprints on the walls. I made chalk drawings on the pavements. I painted the pottery my mom brought home. When I didn't have enough money to buy dollar-store chalk or spray paint, I mashed cactus juices together and mixed crayons with water. My inspirations were not Leonardo Da Vinci or Michaleangelo but the street artists and holo-taggers of Mexico.
Some discover theyNo, it wasn't some freak accident nor was I experimented in one of those corporate laboratories. For me, it was desperation that led me to discovering my powers. One of the waterlines . The corporations barred any news of it getting out to the NGO's, leaving thousands of us to die from dehydration in the slums.
That was my first art-piece. An oasis in my desert.
Eventually, I caught the attention of. I was young, foolish and naive back then. I thought I could outsmart the Los Diablos. However, they were stringing me along, treating me like a tool.
I did the only thing my thirteen year old mine thought was the smart move. I tried to resurrect them, bring them back to life...
Well, there's a reason why no one dares to speak the name of the Los Diablos anymore in Juarez.
That's when I met Hex.
Chapter 2 - The Turn
So, when the corporations tried to silence me, I struck out on my own. I saw that we were always playing into the hands of the corpos, the fat cats, the men who controlled the world and made us play their cops and robbers games.
An earth-shattering boom rouses him from his dream. Storms are like monsters under the bed. A moment later, rainfall ruins his hopes of trying to sleep again. A yawning Virgil slowly crawls out of his bed. It's dark but navigating the corners of his house is second nature to him. He climbs down the stairs, one step at a time, stomach growling for a bowl of cereal.
By the time he makes it down to the living room, he notices that the front door is open. For a moment, he thinks a thief has broken into their house. He snorts at the thought. A thief tried to break into Black Lightning’s house. The silhouette of a person is standing in the doorway, looking out towards the streets with drenched gutters of rainwater. His dad freezes, caught like a deer in headlights. Worry begins to worm and nestle inside Virgil’s gut. It's not because he’s carrying an overstuffed suitcase, bursting at the seams. It's not the fact that his right cheek is stamped with a red mark that looks suspiciously like a hand.
It's the fact that his dad, the Black Lightning, is scared that makes Virgil so nervous.
Black Lightning shouldn’t be scared. What could a superhero be afraid of anyway?
His face is a muddled mess of anger, sadness and regret. He flinches away from Virgil's confused face and says two words that stick with him forever.
“ I- I’m sorry.”
For what? He doesn’t have the chance to reply back as his dad disappears in a blinding flash of light, leaving him with only the pitter-patter of raindrops for company.
His mom came down a minute later, something strange on her face. Virgil hugs her because that's the only thing he knows how to do. Something wet drops onto his pajamas.
It must be the rain.
Warmth.
Lights overhead.
Where was he?
No, he's not in Dakota City, nor is he five years old anymore. His mind scrambles to remember where he currently is right now. New York. The tower. He blew it up. It’s hard to make out the surrounding details. He tries to move his right leg...and it doesn’t want to budge. Left leg….no luck. Negotiating with his right arm resulted in a spike of pain that makes him shout a few curse words out loud that would have earned him an ear-pinching from his father.
He hears the sounds of graphite snapping against something hard. He looks up and sees an adult woman in white garb, black circles around her shocked eyes. She waves and motions towards someone out of sight. Moments later, a bespectacled sandy-haired man wearing a coat comes into view. He makes out a badge that reads ‘ CAMPBELL’. It’s seeing the stethoscope around his neck that makes Virgil realises that he’s in a hospital.
“ Easy there. You’ve been out for at least several hours and your body’s still recovering.’ The person begins pulling out instruments, poking and prodding at him.
“ Am...am I dead?” His throat feels like waxy sandpaper, gargling out each syllable in a pained grimace.
“ If that’s your first question after waking up, then, I’d be more worried about your choice in career, son.” The doctor replies testily to his question as he flashes a light in front of Virgil’s eyes like an annoying fly. The hazy fog of fatigue disappears over time throughout the impromptu examination. Craning his neck slowly from side to side, he can make out the disinfected white walls of a hospital building, with droves of patients flooding in from all over the city. Doctors and nurses rush to and fro, ushering new arrivals down towards operation rooms and medical bays.
“ W-” His dry throat makes it hard for him to enunciate properly. The doctor offers a paper cup of water in his hand. He takes it and sips it slowly. “ W-where am I?”
“ Columbia Hospital. One of our emergency team found you unconscious on Staten Island. You could imagine the shock we got when you still had a pulse. I’d be more worried about long-term symptomatic damage in your right arm. Third degree electrical burns aren’t exactly something that you can just brush off.”
The doctor stares pointedly towards Virgil’s right arm. He looks down and the sight is enough to make Virgil retch. The EKG on his right briefly fizzes and shakes in spastic seizures. Burned was an understatement to Virgil. Barbecued would be more appropriate. Blisters lined his cherry-red palms, scar-skin zig-zagging all the way up to his elbow like a demented tattoo. His fingerprints had been sanded away by high-voltage current into the texture of baby-skin. The feeling of numbness prickled in his nerves with every tug he forced into his fingers. It was less a question of how he survived and more why he wasn't lying in the morgue right now.
The only silver lining in this whole mess is that at least he didn’t break his right arm again. He notices a mess of papers stacked loosely on top of a tabletop beside him. There are multiple cards by his bedside. Hastily scrawled binder notes of one-word expressions of gratitude in ink. Pastel crayon doodles of him on the bridge. Get well cards. A box of chocolates (He’s allergic to hazelnut, but he doesn’t bother to tell the doctor).
He then looks back at the scene of chaos around him. It feels like a hollow victory.
“ Thank you. For everything." Virgil whispered " But, I just need some time alone to myself.”
" Of course."
Virgil lets his head rest on top of the pillow and lets out a sign of unbearable exhaustion that has been building up within him ever since the start of the attack.
How was he going to explain this to Dad?
It’s a Monday midnight by the time he arrives back at Dakota. His house is located in the outer boroughs of Hemingway. The sound of chirping crickets fill the air as he slowly opens the door and closes it. He hears the click of a light switch. His dad is sitting on his couch, eyes bloodshot and glaring at Virgil with as much anger he can muster.
" Sorry for not calling..." Virgil lifted up a broken phone from his pocket. " I think I still have warranty."
“ Never-mind that!" His dad stands up. " Young man, do you know how much you had me worried - “
He ambushes his dad with a silent hug that says more than a thousand excuses. A moment later, arms wrap around his shoulder in a fatherly embrace. He pushes his face into his chest and exhales slowly.
“ I need to tell you something, Dad.”
" We'll talk about it over on the dinner table." There's a gentle pat on his back. " Now, come on in. There's a plate of ricotta I've been saving for you in the fridge...."
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♦ Topic: Mayoral Election in Dakota City - The Future of Bang Babies Uncertain?
" It's all too easy to mistake them as just monsters when in reality, they're kids. Misguided and lost boys and girls from Paris Island. From Utopia. From Hemingway. From Washington Avenue. Who all need a second chance at life."
This was just one of many choice quotes spoken by Robert Hawkins, head manager of Freeman Community Center and current mayoral nominee for Dakota City spoken during last week's campaign rally.
Today, on September 7th, marks two months since the infamous chemical incident that struck the harbors of Dakota City. The Big Bang, as dubbed by the local civilians living in Dakota City, resulted in the largest recorded artificial boom in metahuman populations in America since experimentation by the SSR in WW2. The status of metahumans as having access to human rights has long been a long contentious issue nation-wide.
His opponent, current incumbent Mayor Morris Jefferson is an active supporter of police militarization, advocating for the occupation of the D.M.A and a hostile policy towards meta-humans........
Hopefully, the DMA doesn't get their hands on Dakota City. It's surprising that Dakota's been left unscathed by the Stryfe Attack. My relative says that they're planning to break out mandatory checks for metas in every city....
►StainedDuCChess Replied on 13:24:20, 5th September
What's more surprising is that Static's managed to keep a tight noose on all those metas. Someone at least give this man a pat on the back.
►Ram Mette Replied on 13:42:35, 5th September
Hope that the new mayor puts all those dirty fuckin' mongrels in camps. Police should gas them again and make sure it works this time.
STAFF NOTICE: Honestly, Ram Mette, we are sick of your shit. You can get your anti-meta tirade out of here and off to whatever bridge you lurk under.
►SpamLetters Replied on 13:44:42, 5th September
ugh, crowd were friggin' packed when I went there.
►Krimson Angel Replied on 14:12:29, 5th September
Say, anyone still got footage of Static at NYC? I'm planning on using it for a school project.
►HarryMan45 Replied on 14:30:01, 5th September
[@Krimson Angel] PM me and we can work something out.
“ LLLLEEETTT’SSS PARTAAAYY!” Boom pumped his fists in the midst of his jockeying, the crowd jumping up and down in erratic waves, as another track came on. The sub-woofer growing out of his chest reverbated and vibrated sporadically, electronic bass shaking the air. The music was infectious to the point where Ebon began to tap his feet in time with the beat.
It feels good to be king.
Paris Island barren wastes were teeming with wild hoots of celebration and the raucous cacophany of Just the way he liked it. Ebon watched from a corner as Talon dropped a crate of beer to the frenzying crowd of Bang Babies down below. Racks of meat and sausages were being cooked over campfires. He looked around at the shadows of corroding shipping containers cast by moonlight. The only other illumination available on the island were bonfires and the lightbulbs that his men had managed to scrounge up.
There was a muffled sound of gagging that he heard but no one else could. His stomach as his mind began to buzz with headaches. “Quit being shifty. Your time will come soon, Buchinsky.”
The struggles ceased. Ebon snorted. Was that all it took to silence the Electrocutioner? Hard to believe that he once believed this washed up old timer could bring down the Kilowatt Kid. However, it was still annoying that he still hadn’t managed to figure out the problem of containing living beings in his shadow dimension. Transporting Buchinsky all the way from Ryker’s to Dakota probably had a factor in how the criminal had managed to figure out how to affect Ebon from another dimension. He made a note for himself to fix it later. Right now, Buchinsky had other uses than being a thorn in his backside.
Ebon moved through the shadows like a serpent, gliding in between the darkness until he was on top of a shipping container, surveying the scene below him. The moonlight fully illuminated his figure. It took only a few moments before one person noticed him. Then, the next. Then, the few other dozen. It was a game of Chinese whispers and shoulder nudges that soon had made him the sole attention of the largest population of Bang Babies on the east coast. For anyone else, it would have been suicide.
But he wasn’t anyone. He was the Master of Shadows and not some normie chump but the boss of the Meta Breed. He was on top of the food chain as far as he was concerned and everyone else that he was staring right now got his scraps.
" How's it hanging, y'all?” Ebon shouted down towards the silent crowd. It was disappointing that they only reaction he got were coughs. Boom’s music was still on, though, it’d now had switched to a reggae track.
“C'mon, guys. Just cause they call me the Shadow Man don't mean you all gotta get cold feet.” He spoke exasperatedly. “ Makes me sound like some sort of pedophile, now that I think about it.”
The levity cut through the tension like a needle popping a balloon. There were giggles and sounds of laughter elicited from every Bang Baby. Boom took it as a signal to continue on, inserting a new track of Europop into the mix, to the cheers of the mob that had formed around his station.
“ Now, that’s what I like to hear! C’mon, Talon, gimme your poison of the day.”
Talon soared overhead and tossed him a bottle from her clawed feet which he caught deftly. He uncapped it and began to chug it down. It was all an act, of course. One of the downsides of his powers were that everyday normal sensations for him were dulled right now. Of course, that had upsides. The cheap beer now tasted faintly of apple juice to him instead of the bitter crap that so many swallowed down their throats.
Ebon hopped down from the metallic crate in a dark blur, looking where exactly to plan his little stunt. Funny. Nightinggale was nowhere to be seen, though, given how skittish the Night Breed were -
“ Look who came crawling back out of their cave again….”
He’d recognised that snide accent anywhere. He narrowed his eyes as he saw a lone individual part out from the crowd, ginger haired with yellow streaks dyed throughout. Hotstreak. The man toed the line so many times that Ebon was considering tossing him out of the Meta-Breed. He decided against it. Having a loose cannon on a leash was better than having a loose cannon on the leash pointed against them. Thankfully, Hotstreak’s brains didn’t match his skills for being a firestarter.
Hotstreak’s stabbed his finger into Ebon’s jacket, the tip glowing like a fire poker. Singe marks peppered the expensive leather. He knew it would make him mad. He wouldn’t let this jumped up chump get to him.
“ Fancy seeing you here, Hotstreak.” Annoyance edged into Ebon’s normally suave baritone. He was almost tempted to drop Hotstreak into a portal and out into Hemingway Harbor.
“ Why are you here, Ebon?” Hotstreak stared at him with barely veiled suspicion.“ I thought you were supposed to be out doing your own business?”
" I’m glad you asked, Francis.” The pyrokinetic bang baby looked as if he’d been slapped. “ Cause I hauled myself a fish I think everyone’s itching to get a piece of.”
A black chasm formed above him, dripping shadows. Hotshot’s arms spread out, pointing towards Ebon, burning orange . Funny. He actually thought he could take him in a fight. A moment later, the prisoner tumbled onto the ground. He hit the ground writhing. Someone screamed and for a moment, the bustling atmosphere had been shattered. Hotstreak lowered his arms, cutting off the flames, his cheeks pale white, as he rubbed the back of his head. He gave him a look that said 'Am I off the hook?'
Ebon stared back and then, slowly nodded. We'll see. Hotstreak’s expression returned back to his arrogant demeanour.
Meanwhile, he had everyone’s attention now. Boom had thankfully cut his music off. Ebon cleared his throat.
" Everyone. May I introduce Larry Buchinsky, the Electrocutioner and the ho-mo sapien who tried to ice our good old friend, Static."
" Now, I know that there are plenty of us here who share a certain...history with Static. We know Talon's sob-story about how he nearly sent her falling from five stories up. The truth is...I don't hate the he-ro.” He drawled out the syllables mockingly. “ I just pity the fool.” He paused to let it sink in. “ Think about it for a moment. Here's a brother who's the same blood as us. He's out there bleeding sweat and tears for those filthy normies, fighting their battles instead of ours. He thinks they're the oppressed instead of the rest of us here on Paris Island.”
He turned his gaze towards the crowd, slithering through the small gaps like quicksliver as he spoke.
‘All of you know what they call us. Freaks of nature.” he said, his eyes searching through the crowd. Murmurs of anger spread through the crowd. The muties. Monsters."
" So, I say, if they live in fear of us, then, why not embrace it?"
" I’ve told you all before and I’m gonna tell again. I'mma make sure that Dakota belongs to us. The city is our turf. Our territory. Stick with me, my friends, and ain't nobody gonna mess with us ever again. Not the mayor. Not the government. Not the D.M.A. Not Supergirl. Not Wondie. Not Spider Man. Not anyone!"
Not even the Kilowatt Kid.
" We're the beginning of a new century, my friends! And it only begins when we have the guts to do what's right!"
“ Starting with this Bang-Baby murdering homosapien.”
" Shiv, would you so kindly do the honours for us?"
The crowd parted, out of fear and in disgust, to reveal a grinning man, pierced lips stuck in a perpetual smile. He sauntered over towards Ebon, hands loosely hanging by his side, radiating confidence. His arm began to glow pink, shimmering light shaping into a bladed mass that resembled the man’s namesake.
" What are we?" he shouted out.
" A NEW BREED!"
" WHAT ARE WE GONNA BE!?"
" A BETTER BREED!"
All of the crowd was into it now. Ebon grabbed Larry by the scruff of his neck, dragging him through as Bang Babies spat curses and threw empty bottles and trash towards the convict.
" Who are we?"
" THE META BREED!"
He slammed Larry onto the hood of an old forklifter, positioning his neck so it stuck out over the side.
" And our time starts right here! Right now! We’ve all lived in the shadows long enough! It's time this city stands in ours."
“ EBON! EBON! EBON! EBON!”
The chanting loudened and Ebon in that moment felt that the world was his stage.
After all, when every player had a shadow, who couldn’t he beat?
Shiv’s hand swung down at the peak of the crowd’s roar. Flesh boiled and bubbled away in a hissing slash. The Electrocutioner’s head rolled on the ground, blinking, the gag around his mouth missing to reveal a gormless expression.
Ebon’s boot then slammed down on his head and crunched it into a red puddle. Electrocutioner had taken his secret with him to his grave.
An earth-shattering boom rouses him from his dream. Storms are like monsters under the bed. A moment later, rainfall ruins his hopes of trying to sleep again. A yawning Virgil slowly crawls out of his bed. It's dark but navigating the corners of his house is second nature to him. He climbs down the stairs, one step at a time, stomach growling for a bowl of cereal.
By the time he makes it down to the living room, he notices that the front door is open. For a moment, he thinks a thief has broken into their house. He snorts at the thought. A thief tried to break into Black Lightning’s house. The silhouette of a person is standing in the doorway, looking out towards the streets with drenched gutters of rainwater. His dad freezes, caught like a deer in headlights. Worry begins to worm and nestle inside Virgil’s gut. It's not because he’s carrying an overstuffed suitcase, bursting at the seams. It's not the fact that his right cheek is stamped with a red mark that looks suspiciously like a hand.
It's the fact that his dad, the Black Lightning, is scared that makes Virgil so nervous.
Black Lightning shouldn’t be scared. What could a superhero be afraid of anyway?
His face is a muddled mess of anger, sadness and regret. He flinches every time Virgil waits expectantly for an excuse. An explanation. His
“ I- I’m sorry.”
For what? He doesn’t have the chance to reply back as his dad disappears in a blinding flash, leaving him with only the pitter-patter of raindrops for company.
His mom came down a minute later, something strange on her face. Virgil hugs her because that's the only thing he knows how to do. Something wet drops onto his pajamas.
It must be the rain.
Warmth.
Lights overhead.
Where was he?
No, he's not in Dakota City, nor is he five years old anymore. His mind scrambles to remember where he currently is right now. New York. The tower. He blew it up. It’s hard to make out the surrounding details. He tries to move his right leg...and it doesn’t want to budge. Left leg….no luck. Negotiating with his right arm resulted in a spike of pain that makes him shout a few curse words out loud that would have earned him an ear-pinching from his father.
He hears the sounds of graphite snapping against something hard. He looks up and sees an adult woman in white garb, black circles around her shocked eyes. She waves and motions towards someone out of sight. Moments later, a bespectacled sandy-haired man wearing a coat comes into view. He makes out a badge that reads ‘ CAMPBELL’. It’s seeing the stethoscope around his neck that makes Virgil realises that he’s in a hospital.
“ Easy there. You’ve been out for at least several hours and your body’s still recovering.’ The person begins pulling out instruments, poking and prodding at him.
“ Am...am I dead?” His throat feels like waxy sandpaper, gargling out each syllable in a pained grimace.
“ If that’s your first question after waking up, then, I’d be more worried about your choice in career, son.” The doctor replies testily to his question as he flashes a light in front of Virgil’s eyes like an annoying fly.
It’s a familiar position that he’s found himself in before. One of overwhelming helplessness like that of shelled turtle. The hazy fog of fatigue disappears over time and Craning his neck slowly from side to side, he can make out the disinfected white walls of a hospital building.
Wait, if he’s out in the open like this….The EKG began to beep erratically, the screen short-circuiting in a spastic blur of pixels. Virgil’s breathing hitches up a notch as his left hand reaches towards his own face. His heart-rate subsides once he realises that his goggles are still strapped on his eyes. The doctor’s concern fades away as he begins to relax once more.
“ W-” His dry throat makes it hard for him to enunciate. The doctor offers a paper cup of water in his hand. He takes it and sips it slowly. “ W-where am I?”
“ Columbia Hospital. One of our emergency team found you unconscious on Staten Island. You could imagine the shock we got when you still had a pulse. I’d be more worried about long-term symptomatic damage in your right arm. Third degree electrical burns aren’t exactly something that you can just brush off.”
The doctor stares pointedly towards Virgil’s right arm. Burned was an understatement to Virgil. Barbecued would be more appropriate. Blisters lined his cherry-red palms, scar-skin zig-zagging all the way up to his elbow like a demented tattoo. His fingerprints had been sanded away by high-voltage current into the texture of baby-skin. The feeling of numbness prickled in his nerves with every tug he forced into his fingers.
The only silver lining in this whole mess is that at least he didn’t break his right arm again.
“ Thank you. For everything. But, I just need some time alone to myself.”
There are multiple cards by his bedside. Hastily scrawled binder notes of one-word expressions of gratitude in ink. Pastel crayon doodles of him on the bridge. A box of chocolates (He’s allergic to hazelnut, but he doesn’t bother to tell the doctor).
Virgil lets his head rest on top of the pillow and lets out a sign of unbearable exhaustion that has been building up within him ever since the start of the attack.
How was he going to explain this to Dad?
It’s a Monday midnight by the time he arrives back at Dakota with Richie in tow.
The Hawkins household is located in the southern boroughs of Hemingway. He doesn't bother to wear the mask at midnight. Most of Dakota is asleep at this hour anyway.
“ Young man, do you know how much you had me worried - “
He ambushes his dad with a silent hug that says more than a thousand excuses. A moment later, arms wrap around his shoulder in a fatherly embrace. He pushes his face into his chest and exhales slowly.
“ I need to tell you something, Dad.”
" We'll talk about it over on the dinner table." There's a gentle pat on his back. " Now, come on in. There's a plate of ricotta I've been saving for you in the fridge...."
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[center][youtube]https://www.youtube.com/watch?v=uZwzbA91Yno[/youtube][/center]
[b][u]ROLEPLAY BUCKET LIST[/u][/b]
[indent]
- [s]Walmart Apocalypse Roleplay[/s]
- [s]Nightmare Gas Station[/s]
- Underrail/Fallout/Post Apocalyptic Roleplay. Codename: Clausterclysm
- Anthromorphic Grimdark Animal Fantasy Roleplay. Codename: Fallowbrook.
- Eldritch Abomination Garfield Roleplay. Codename: Lasagna.
- Infinite IKEA Roleplay. Codename: God Morgon
- Roleplayerguild High School RP. Codename: Highschool Roleplay
-[s] Cyberpunk South East Asia RP. Codename: Straits of Malacca. [CURRENTLY HAPPENING][/s]
[/indent]
[b][u]CURRENT PROJECTS[/u][/b]
- FRAYED TAPESTRY - AN EPIC FANTASY RP (WIP)
- THE LAST DEPRESSION - A RED MARKETS QUEST/PLAY BY POST RP (UNDECIDED)
<div style="white-space:pre-wrap;"><div class="bb-center"><img src="https://66.media.tumblr.com/7a64638c692ce98d06043791ae728d6b/tumblr_njtqxjDtIf1tqptlzo2_500.gifv" /></div><br><br><div class="bb-center"><iframe src="//youtube.com/embed/uZwzbA91Yno?theme=dark" frameborder="0" width="496" height="279" allowfullscreen></iframe></div><br><br><span class="bb-b"><span class="bb-u">ROLEPLAY BUCKET LIST</span></span><br><div class="bb-indent">- <span class="bb-s">Walmart Apocalypse Roleplay</span><br>- <span class="bb-s">Nightmare Gas Station</span> <br>- Underrail/Fallout/Post Apocalyptic Roleplay. Codename: Clausterclysm<br>- Anthromorphic Grimdark Animal Fantasy Roleplay. Codename: Fallowbrook.<br>- Eldritch Abomination Garfield Roleplay. Codename: Lasagna. <br>- Infinite IKEA Roleplay. Codename: God Morgon <br>- Roleplayerguild High School RP. Codename: Highschool Roleplay<br>-<span class="bb-s"> Cyberpunk South East Asia RP. Codename: Straits of Malacca. [CURRENTLY HAPPENING]</span></div><br><br><span class="bb-b"><span class="bb-u">CURRENT PROJECTS</span></span><br><br>- FRAYED TAPESTRY - AN EPIC FANTASY RP (WIP)<br>- THE LAST DEPRESSION - A RED MARKETS QUEST/PLAY BY POST RP (UNDECIDED)</div>