Squad Interests
Third - Fourth - Ninth
❖ A P P E A R A N C E The sharp, pointed nose that sits in the center of Jingorō's face is off-put by the rounded cheeks that flank it. In similar contrast his jawline is long but faint, culminating in the cleft chin that hangs beneath his dull peach lips. Large ears are noticeable to either side of his head as he often strings his jet-black hair into a tight top-knot, although some hairs stray regardless. His eyes often seem a lifeless grey at a glance as only when he stares directly does the sea-green hue become noticeable.
Tall and lithe, Jingorō wears the typical long-sleeved Shihakushō, the black robes given to all Shinigami. He adds little in way of accessory, preferring to strictly adhere to tradition. The only thing setting him apart being the mint-green silk he uses to tie his hair.
Tucked into the white sash at his waist rest his Daishō. A Zanpakutō, a similar hue of mint rayon wrapping it's handle, sits highest with a notable swirled guard spreading outwards to eight points like a nautical compass and a Wakizashi sword purely present as ornament, as is tradition.
❖ H I S T O R Y & P E R S O N A L I T Y Born into one of the noble houses, Jingorō had been a playful boy of high spirits. Somewhat mollycoddled by his mother and largely ignored by his father he grew to be kind and soft of heart.
During the early unrest after the reunification of the Gotei 13 many flash points and riots affected Rukongai and it was on one such day that Jingorō's life changed. His mother was accidentally cut down during a conflict between Shinigami and dissidents of the Rukongai, seeing such a thing affected the young boy foundationally. He remembered that day as a sunny one, but the image burnt into his minds eye was of the heavy rain pummeling the thick mud around the pure white outline of his mother.
After that fateful day Jingorō was the charge of his father, whom after the incident grew even more distant still. Although he never wanted to be, as a son of a noble family he was destined to become a Shinigami. It was at this point in life he was forced to grow up quickly, becoming a quiet and passive person.
His initial training under the stewardship of his father went poorly. The last thing Jingorō wanted at that point was to be surrounded by death, he had come to hate it, but his father at least, gave him one poignant lesson that has driven him to this day. That if he became strong enough, there wouldn't be any need for death. That once a Shinigami truly masters his soul, he doesn't have to resort to such permanent solutions. From that point forward Jingorō applied himself, vowing to become as strong as he could.
❖ R E L A T I O N S H I P S Jingorō has almost always been a quiet and reserved person. He has poured himself into diligent training and has rarely had the time nor inclination to make friends or socialize. As a result he is often alone and reluctant to join in on festivities, apart from the official holidays and celebrations in the Seireitei.
P O I N T S & A T T R I B U T E S
Points Saved ◆ 0 Points Invested ◆ 0
❖ P O W E R S & A B I L I T I E S Jingorō has always fought with the intent to incapacitate rather than kill. His belief is that death is inherently impure and all involved are better served should conflicts end without lost life. As a result he has diligently trained in all four major disciplines of the Gotei 13, giving each an equal attention.
In battle Jingorō is often keen to use the environment and terrain to his advantage, manipulating opponents position to better defend himself and strike precisely. To compliment this he has a well developed integration of Bakudo spells into his combat style to aid his non-lethal preference.
Kido ◆ AverageBakudo -#1 Sai - #4 Hainawa - #8 Seki - #9 Geki - #9 Horin - #11 Kyomon - #12 Fushibi
Hado -#1 Sho - #4 Byakurai - #11 Tsuzuri Raiden - #31 Shakkaho - #32 Okasen - #33 Sokatsui
Hakudo ◆ AverageTesshō & Super Harisen Slipper
Zanjutsu ◆ AverageHōzuri & Shitonegaeshi
Hoho ◆ AverageShunpo
Z A N P A K U T Ō
◆ Water Type ◆ Kidō Type ❖ S P I R I T & I N N E R W O R L D Bordered by winding trees and spotted with lily-pads, Jingorō's inner world takes the form of a tranquil bayou. Save for a few dozen fireflies, lunar rays serve as the only illumination to an otherwise inky-black domain.
Following the trail of Easter lily's in bloom, nestled among the meandering tree roots, sits a colossal toad upon an equally large lily-pad. In his early life Jingorō had to make do watching the toads gesticulations as it would not speak. Often finding silence to be the better teacher, he would ask the beast questions with no reply leading to introspection.
It took years for Jingorō to discover the truth. When his introspection led him to uncovering his Shikai, it was also revealed to him that the Toad he had so long pondered with was in fact not his inner spirit. He had never questioned the depth of the bayou as it only reached his knees as he walked. Yet on the edge of death, fighting a hollow, he found himself too weak to stand. As he fell through the surface Jingorō glared into the abyss he had not considered before. Until a few silvered beams probed the rocks beneath the giant lily-pad and gave light to his true soul.
A man, hanging in the twilight, feet chained to the bedrock as long wisps of hair veiled his face like thin seaweed. He could not see eyes and yet he felt seen. For someone with such a complicated relationship with death, Jingorō scorned that he had to get so close to his own. But it was here, in conversation with the drowned man, that he began to plumb the true depths of his soul.
清 め る , 彼 岸 花
K I Y O M E R U , H I G A N B A N A
[Purify, Red Spider Lily] ❖ S H I K A I A P P E A R A N C E Named after the flower of death used in Shinto funerals, the Shikai form Higanbana does not change much apart from two key features. A fuller, sometimes called a blood groove, completely perforates the blade, stretching the length of it's spine, ending at an unchanged eight-pointed star compass at it's hilt. And at the base of the handle drips a long silver chain often held in Jingorō's opposite hand that itself ends with a small but weighty twin-pronged hook.
❖ S H I K A I A B I L I T I E S Using the command 'Nomu' (飲 - Drink), Higanbana's blade is able to absorb water from almost any source it touches. The water trapped inside bonds with Jingorō's reiatsu, purifying it and bringing it under his control. As the sword drinks more two things happen. Firstly it salivates, thirsting for more water, multiplying the amount trapped in its blade. The sword also gets progressively heavier though this does not hinder Jingorō as to him it is like lifting his own reiatsu, but to an opponent his attacks become like crashing waves.
At a certain point Higanbana will have absorbed so much that its slaver renders its water self-sustaining. When this happens it will constantly pour from the blades hollow spine like an overflowing faucet, making each strike pulverizing and drench the vicinity in pools of its purified water.
The major weakness of this Zanpakutō is of course that it requires a source of water to be nearby to be effective quickly. Over time as he swings Higanbana, it will rip the vapor out of the air itself and so it can very slowly gain power. Higanbana cannot pull the water from an opponents body as their reiatsu is so strongly bonded to the water inside their body Higanbana cannot displace it.
Passive Ability
清波 - Kiyoinami (Pure Wave) - With a swing of Higanbana a highly pressurised arc of water escapes the blade, capable of slicing rock or even metal. In rare cases Jingorō has used it as a shield, splitting and negating attacks moments before impact.
Duration - Instant ◆ Cooldown - 2 posts
水幽霊 - Mizuyūrei (Ghost Water) - By touching any source of Higanbana's purified water, Jingorō can command his bonded reiatsu to atomize the water creating a sudden dense mist or fog with which he can hide his intent or momentarily distract a foe.
Duration - 2 posts ◆ Cooldown - 4 posts
濡花 - Nurasu no Hana (Drowned Flower) - In a single savage moment Higanbana will expel all water within it's blade. Like a burst pipe yielding to the pressure, it will explode outwards causing horrific damage to anything, or anyone, run through.
Duration - Instant ◆ Cooldown - 6 posts
卍 解 , 彼 岸 花 め 葬 祭
B A N K A I , H I G A N B A N A N O S Ō S A I
[Final release, Funeral Procession of Red Spider Lily's] ❖ B A N K A I A P P E A R A N C E In Bankai Jingorō's Zanpakutō gets significantly different. As it's name is called a giant ghostly torii gate appears behind Jingorō with a colossal funeral bell between it's pillars. A single knell reverberates in the air as a ring of blossoming red spider lily's surround Jingorō and his opponent. Great cracks of thunder echo in the sky inviting the dark clouds swarming above. It always rains on sad days.
As the gate and bell fade away, Jingorō is revealed to be wearing a pristine white Jōe, the garment worn by Shinto priests at ceremonies, and in his hands are grasped two Ōnusa, the wooden wands replete with paper streamers as are used in purification rituals.
Higanbana No Sōsai is, in essence, a funeral. Jingorō is loathed to use it as he inherently sees death as impure and his dedication to his training has been such that he would never have to resort to killing to stop someone. But in rare cases, he is prepared to offer his opponent a full and proper funeral so as to cleanse them of the impurity of death.
❖ B A N K A I A B I L I T I E S In Higanbana no Sōsai, all water in the vicinity becomes Jingorō's Zanpakutō. Using the two Ōnusa as handles of sorts he can form pressurised water into blades of varying sizes and shapes with which to fight. Both he and his opponent are locked inside the ring of flowers with almost all outside interference deflected or negated. However the true ability of Higanbana no Sōsai is the procession itself.
Whilst it's Shikai acts as the Misogi purification ritual and the release of Bankai serves as adoration, completing two of the six funeral rites, the remaining four are completed in Bankai in order for Higanbana to accept the purification and kill his opponent. Three Norito prayers must be finished if he is to call the last rite. They may be completed in any order so long as the requirements are met.
神楽 - Kagura [First Rite, Dance] - Perhaps the most nebulous rite. Kagura is a ceremonial dance which in the case of Higanbana no Sōsai takes the form of combat. With fluid movements Jingorō can seem to be dancing from afar. Some even swear that when his blade swings the water it sprays chimes, and the clashing swords echo like Taiko drums. It is not entirely known when this rite is considered complete, but Jingorō must engage his opponent and create a mortal dance of wills.
直会 - Norai [Second Rite, Feast] - As is common at funerals a feast must be observed, yet this one is different. To invoke the second rite, Jingorō must be wounded. Through the fighting he will expel a lot of his strength and will inevitably take damage if he is facing an opponent strong enough to draw out his Bankai. When he teeters on the edge of that surface so reminiscent of his inner world, Jingorō invokes Norai. By using his Ōnusa to guide the water he will drink from the rising pool, in doing so his body will be rejuvenated, his reiatsu bolstered and his wounds healed. He may do this only once, but once is all it takes for the second rite to be completed.
雨の中の涙 - Ame no Naka no Namida [Third Rite, Tears in the Rain] - The third rite is perhaps the only one Jingorō has no control over. As time passes the rain his Bankai started will not subside, slowly but surely within the ring of flowers a large pool will form and start to rise. It is in effect, a timer.
Representing the mourning for the deceased, only once it reaches the knees can it be considered complete. This means that even if Jingorō could defeat his opponent quicker he must wait for the rite to end if he is to complete the funeral correctly.
All of which leads us to the last rite. As is noted in it's Shikai, Higanbana is unable to consume the water inside of someones body. This is because the Reiatsu within their body is already bonded to that water and Higanbana cannot consume another Reiatsu. Higanbana No Sōsai is in reality a ritual with which to break that bond and strip the opponents body of it's inherent Reiatsu so it's water may be consumed.
Much like condensation, pooling water vapor onto cold surfaces, Higanbana No Sōsai interacts with Reiatsu purity. Death is inherently impure and every time a being kills another their Reiatsu is corrupted by it. Using it's pure water Jingorō's Bankai can strip the air and pull from the skin the impure Reiatsu expelled by opponents as they fight with him. This is the funerals cause, to purify the opponent to the point Higanbana can drink from their body.
Doing so keeps Jingorō's own reiatsu pure. He does not like to kill and in the rare cases he fights someone that requires his Bankai, almost exclusively, a lot of death has lead them to their current status. During his Bankai the opponent does not feel their Reiatsu being stripped, they do not grow weaker or less powerful it is a simple matter of moving where the Reiatsu is. This is another cause for the water level rising, as his Bankai pulls the Reiatsu from his opponents body it pools together with his in the water. This is how Norai works, as he is able to drink purified Reiatsu from the water they wade through, rejuvenating his body.
Once the three rites have been completed and the Bankai's procession has been observed, the water will glow with Jingorō's Reiatsu. Clapping his hands and bowing the final adoration takes place. The ghostly Torii gate returns and one final knell of it's haunting bell takes place before several spears shoot from the water, piercing limbs and holding the soon to be deceased in place.
Jingorō extends his hand and Higanbana's Shikai form will rise from the depths to his grasp, it's chain wrapping around and up his arm. Running his opponent through he will often offer last words before his command to drink. Higanbana will desiccate a body so voraciously that it will often crumble away as if cremated, as is the practice in Shinto funerals.
♆
海入道不純 - Uminyūdōfujun [Impure Sea Priest] - This is an ability of Higanbana No Sōsai that has never been revealed to the Gōtei. When pressed on it's existence, Jingorō is known to have answered 'Sometimes the funeral goes wrong'.