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<Snipped quote by Dynamo Frokane>
No it didn't. It also barely broke even and was an incredibly polarizing movie (for some reason, considering it was trash). The only award of any actual note or merit it was even considered for was the Golden Raspberries.
Saya no Uta isn't trying to make some broader point like Under the Skin does - where the sexual aspect is purposely downplayed - it's literally a game about a childish Shoggoth cannibal and the irredeemable fuck that enables her.
He is rewarded by his deeds and for the entire climax of the story - and thus a film adaptation - it would have to literally sell the relationship in a way that a film would likely not accomplish nearly as well as it should. And this is without going into the logistics of making the meat world play well on screen.
There is no scenario in which a poorly written character like whatshername who exists in the plot solely to become fuckslave is done well - especially not in the current climate around Hollywood. Even if you take away the fuckslave part and make her mindless maid on a collar or whatever, that's not a character or role that will go over well and is better stripped from the script altogether
I barely consider the friends to be characters. They're basically the first victims in a slasher movie. The supporting cast as a whole was pretty under-developed since that's not what people came for. Hollywood is far, far, far from perfect or ideal when it comes to great roles for actresses, but any adaptation of this work would need massive re-writes or else they just cast unknowns on the cheap but then you lose out on people who see movies based on name recognition.
Yeah and then people are laughing in the theater as characters talk about 'sexual energy' as if they're watching a shitty hentai.
Oh wait.
It's not as simple as you're trying to make it seem. It would require major rewrites for market appeal but the appeal is already super low. It would work better as an independent film where they can get away with more but then they'd have to have good fucking luck at getting it screened in major theaters. Just because something works in one medium doesn't mean it'll make the transition to another smoothly.
In other news, Aquaman was a garbage movie.
no one is going to buy into cosmic turtle bullshit that King loves so much.
Good luck selling audiences on a movie where the central character fucks a Shoggoth loli girl who feeds on semen in order to remake the world in her image while also having the titular character turn the nothing female supporting characters into fodder and a mindless fuck slave. Because somewhere between 'central character fucks a Lovecraft' and 'feeds on semen' is where the studio starts demanding a rewrite until you get Jennifer Lawrence's boring ass shitting up the Song of Sara.
Yes, and it's my point that these projects are almost always bad.
<Snipped quote by Dynamo Frokane>
Hasn't stopped them from making IT. Or Under the Dome.
The community of people that plays Digimon games still.
Worked out for The Dark Tower
<Snipped quote by Dynamo Frokane>
Of course you don't, but then there still exists other good Digimon games so still the comparison is flawed gg no re.
The American comic was trash, though. A live action Saya no Uta would either suffer from Japan's comical lack of decent effects or a lost in adaptation western adaptation where it would likely cut out all the squicky morally evil stuff and make next to no money. There's a reason why visual novels/eroge work better in the serialized/animated sphere.
<Snipped quote by Dynamo Frokane>
That still makes two good games, then, since Cyber Sleuth isn't a World game.
I can't forsee an outcome where this is a good idea.