Intrigue - Low Fantasy - Mature - Advanced
For as long as men have lived in the world, there have been two moons -- Eirtu and Elonar. Eirtu has always been known as "The Great Moon" and the physical embodiment of the god of the world's dominant religion, whereas "The Lesser Moon" Elonar has faithfully orbited Eirtu as a physical manifestation of their goddess. That all changed recently when Elonar crashed into Eirtu, leaving nothing to prove it had ever existed but a sizable crater.
Predictably, the realm hasn't responded too well.
In the capital, tensions have been minimized to church leaders being busy handling the influx of converts and pleas of the frightened devout, whereas in the more rural regions of the world, low lords are being slain in the streets by hordes of peasants who believe that their goddess has died and that the end is very much nigh. With the royal army being a shadow of what it once was and practically abandoned because of the centuries of peace with other nations, chaos will definitely be one of the themes in play here.
Is this a post-apocalyptic medieval RP? No. By and large, I think most people will have calmed down about the moon exploding a few months into the RP when they've seen that the world isn't going to be swallowed into hellfire, but the point of this cataclysmic event is to spark off a power struggle that we'll deal with for the rest of the RP. Some will rise to power on the backs of those initially fearful about an apocalypse, others will use the tension to destroy old alliances and create new ones, and so on. This moon hoopajoop is designed to create the interregnum for our story that replaces Robert Baratheon's rebellion and death.
The roleplay itself will have its fair share of combat and war, but for the most part, I'd like to focus on intrigue more. "Petyr is an honorless liar" is one thing, but implying Petyr is guilty for something by saying "Surely, I hope you don't take into account Petyr's past as you cast judgement" is even better. I've seen too many Nation RP's where characters just blatantly say shit that would be taken as a declaration of war every other post, so try to not do that, unless your intention is to play a character destined to die because of their ignorance of politicking.
OOC Information
When will the IC be up?
Now that the OOC's up, start merging your house histories to make sense with one another, as well as finalize any of your house and nation details. We'll do this for a week or so on a piratepad and through PMs, and then I'll finalize all the notes made by adding them to the OOC -- We won't do any more worldbuilding after that, so get your ideas out there quick. I have additional ideas all the time too, but I don't want us to get so caught up in worldbuilding that we forget to RP. After that, the IC is launched! Anyway, expect it up in a week or two, depends how long it takes for us to get our shit together.
How many nations/Can I be Gandalf/Are you still accepting?
We are still accepting, and currently have 2 open slots! There will be seven kingdoms including mine, so six available slots for you guys. I was originally going for six because I was worried about the similarity between our seven kingdoms and the phrase "The seven kingdoms", but ASOIAF actually has nine so and I'd prefer an uneven number of nations, so seven it is. I don't know how many applicants we'll get, especially because I probably sound like a huge tool right now, but I'm definitely only going to accept six. Also, the only options to play are the great houses of nations. You could be a small house of a small nation, but the point is, no solo characters like pirates, politicians, mercenaries, or travelling wizards and other folk like that.
Can my house ______?
Here's where it gets tricky. Magic is largely gone from the world, but great houses are so ancient that logically, some of them would have some magic properties. As for ancestral magic, keep it small enough that it could be denied altogether or dismissed as an excuse for something nonmagical -- Familial telepathy, Not burning, maybe even a secret were-animal house. Anyway, if you want your house to have some special magical component and you're worried that the one you've written for your house doesn't fit in, PM me and I'll take a look.
Expand on the Advanced tag?
This is the Nation RP section so to avoid any disputes, I will say right off the bat that this is an Advanced RP. By Advanced I don't mean Advanced Section, I mean Advaaaanced Section, brother. Full Hulk Hogan voice and all. I want us to all write something we're collectively proud of instead of just trying to win the most duels and claim the most land.
Expand on that Low Fantasy tag?
This is more of a personal preference I can flex GM status to enforce, but it also makes the world a more believable backdrop for human problems in human stories which is the goal. Magic is rare, shunned, and often more trouble than it's worth, while creatures that roamed the land in abundance thousands of years ago are now only found in the thickest, deepest woods where men rarely roam. There are dragons, but probably only a dozen in the world, and definitely not in our neck of the woods. On the other hand, the RP will have dire beasts, enchanted weapons, plants and animals that totally don't exist, and so on.
Expand on the Mature tag?
Roleplayerguild's rules won't allow me to straight-up say that you have to be 18 to be a part of this roleplay, so let me just give a foreword that the roleplay will deal with a lot of the same mature themes brought up in the book -- Torture, rape, murder, humilation, violence, the whole shebang. This is a story with a largely gray morality, so the lines between hero and villain will sometimes be blurred. Keeping in mind the subjects allowed, I expect every topic to be handled maturely. Having a character who rapes every barmaid they see and eviscerates every guy who says something shitty to them doesn't make them a good villain, it makes them a forced one. Anyway, lotsa dark themes inbound, though the heroes of the story will hopefully make up for it.
Now that the OOC's up, start merging your house histories to make sense with one another, as well as finalize any of your house and nation details. We'll do this for a week or so on a piratepad and through PMs, and then I'll finalize all the notes made by adding them to the OOC -- We won't do any more worldbuilding after that, so get your ideas out there quick. I have additional ideas all the time too, but I don't want us to get so caught up in worldbuilding that we forget to RP. After that, the IC is launched! Anyway, expect it up in a week or two, depends how long it takes for us to get our shit together.
How many nations/Can I be Gandalf/Are you still accepting?
We are still accepting, and currently have 2 open slots! There will be seven kingdoms including mine, so six available slots for you guys. I was originally going for six because I was worried about the similarity between our seven kingdoms and the phrase "The seven kingdoms", but ASOIAF actually has nine so and I'd prefer an uneven number of nations, so seven it is. I don't know how many applicants we'll get, especially because I probably sound like a huge tool right now, but I'm definitely only going to accept six. Also, the only options to play are the great houses of nations. You could be a small house of a small nation, but the point is, no solo characters like pirates, politicians, mercenaries, or travelling wizards and other folk like that.
Can my house ______?
Here's where it gets tricky. Magic is largely gone from the world, but great houses are so ancient that logically, some of them would have some magic properties. As for ancestral magic, keep it small enough that it could be denied altogether or dismissed as an excuse for something nonmagical -- Familial telepathy, Not burning, maybe even a secret were-animal house. Anyway, if you want your house to have some special magical component and you're worried that the one you've written for your house doesn't fit in, PM me and I'll take a look.
Expand on the Advanced tag?
This is the Nation RP section so to avoid any disputes, I will say right off the bat that this is an Advanced RP. By Advanced I don't mean Advanced Section, I mean Advaaaanced Section, brother. Full Hulk Hogan voice and all. I want us to all write something we're collectively proud of instead of just trying to win the most duels and claim the most land.
Expand on that Low Fantasy tag?
This is more of a personal preference I can flex GM status to enforce, but it also makes the world a more believable backdrop for human problems in human stories which is the goal. Magic is rare, shunned, and often more trouble than it's worth, while creatures that roamed the land in abundance thousands of years ago are now only found in the thickest, deepest woods where men rarely roam. There are dragons, but probably only a dozen in the world, and definitely not in our neck of the woods. On the other hand, the RP will have dire beasts, enchanted weapons, plants and animals that totally don't exist, and so on.
Expand on the Mature tag?
Roleplayerguild's rules won't allow me to straight-up say that you have to be 18 to be a part of this roleplay, so let me just give a foreword that the roleplay will deal with a lot of the same mature themes brought up in the book -- Torture, rape, murder, humilation, violence, the whole shebang. This is a story with a largely gray morality, so the lines between hero and villain will sometimes be blurred. Keeping in mind the subjects allowed, I expect every topic to be handled maturely. Having a character who rapes every barmaid they see and eviscerates every guy who says something shitty to them doesn't make them a good villain, it makes them a forced one. Anyway, lotsa dark themes inbound, though the heroes of the story will hopefully make up for it.
Your sigil should go here
House Surname of Capital, Rulers of Nation
Your great house and nation. The sigil should be designed with this. If you can't use the program or it's giving you a hard time, PM me and I'll be glad to take a stab at it myself.
Nation Name
The name of of your nation. If your people speak a second language in conjunction with commontongue, like how not all Irish people speak Gaelic, but all Irish people speak English, give both versions of the name if it changes in translation.
Ethnic Peoples
The name your nation's people are referred to. If they have any pseudonyms or mild slurs they are commonly referred to by, add them as indents.
Ethnic Description
The physical traits and genetic similarities of your people. This can be anything from a shared skin tone, hair color, eye color, nose shape, or height. As tempting as it is, try not to design a race of beautiful, battle-hardy Ubermensch that never see a boy grow under 6'5. In fact, this is a medieval roleplay, so anyone over six feet is probably an anomaly. As for "genetic similarities", think of traits they have that are less apparent. Native Americans can't digest milk, some Tibetans can breathe easily in high altitudes, and so on.
Culture
This should be your biggest section. The cultural customs, imports, exports, styles of dress, favored foods, art, music, and other facets of your nation. Include everything from the customs (Raising hands instead of shaking them) to the reasons behind them (Originally to prevent disease, now simply customary.) If any districts of your culture are particularly different from the others, include that in indents, as well as any particular stereotypes or common views of your people. The more detail, the better.
History
The history of your nation -- Roots, involvement in The Great Uprising, the great house's founding, and so on. The seven kingdoms were originally divided up by Ardall's seven generals, though since then many have been usurped by a lesser house, so go with either backstory.
The name of of your nation. If your people speak a second language in conjunction with commontongue, like how not all Irish people speak Gaelic, but all Irish people speak English, give both versions of the name if it changes in translation.
Ethnic Peoples
The name your nation's people are referred to. If they have any pseudonyms or mild slurs they are commonly referred to by, add them as indents.
Ethnic Description
The physical traits and genetic similarities of your people. This can be anything from a shared skin tone, hair color, eye color, nose shape, or height. As tempting as it is, try not to design a race of beautiful, battle-hardy Ubermensch that never see a boy grow under 6'5. In fact, this is a medieval roleplay, so anyone over six feet is probably an anomaly. As for "genetic similarities", think of traits they have that are less apparent. Native Americans can't digest milk, some Tibetans can breathe easily in high altitudes, and so on.
Culture
This should be your biggest section. The cultural customs, imports, exports, styles of dress, favored foods, art, music, and other facets of your nation. Include everything from the customs (Raising hands instead of shaking them) to the reasons behind them (Originally to prevent disease, now simply customary.) If any districts of your culture are particularly different from the others, include that in indents, as well as any particular stereotypes or common views of your people. The more detail, the better.
History
The history of your nation -- Roots, involvement in The Great Uprising, the great house's founding, and so on. The seven kingdoms were originally divided up by Ardall's seven generals, though since then many have been usurped by a lesser house, so go with either backstory.
House Name
The surname of your ruling house. Over time and through the initial enforcement of the commontongue, all ruling houses have generally Anglican-sounding names, even if their country's native language is a borrowed European Language, Gaelic, or Welsh. If your house name is a compound word, go with something that sounds right besides in the heat of battle, so don't go with "Steelsword" or "Bloodfire" or things like that. You can sound plenty tough without being edgy: Blackpool, Thorne, and Graves are all names straight out of Medieval England. Hell, I'm kicking myself for wasting Blackpool on this example, but there it goes.
House Lancaster, House Tyrell, House Tooke
House Members
The house members we’ll see. Don’t worry about listing any quadruple-removed half-cousins.
House Words
The motto of your house, which encompasses their values or general theme somehow. Try to keep it short -- In ASOIAF, the longest house words were "Unbowed, Unbent, Unbroken" and "Though All Men do Despise Us", the latter of which is pushing it in my opinion. Include the meaning of the words and any historical importance they have. The more metaphorical they can be, the better! Also, bonus brownie points if it's not just a threat.
House Sigil
The description of your house's crest as you'd describe it to an armorer or historian. I'm not gonna make you use actual medieval terminology like "Salient Vert Ermine on a Chequey Field" because I'm not a complete nerd, and also because I don't want to call my house's bat sigil a "Flintermouse".
House Seat
The name of your castle/fort/holding. Include a brief description of its appearance and any components like escape tunnels, moats, special doors, or things like that which might bear mentioning so that it isn't godmoding if you use them in the future. Feel free to include a description of the surrounding city, though keep in mind "Capital" will be a seperate section entirely on the future sheet for those accepted.
House Heirloom
The item passed down from father to son, or mother to daughter or whatever, in your house. This is usually a weapon like a sword or axe, though houses with more scholarly or magical origins pass down books, dowsing rods, harps, scythes, and other various items. Though small houses and great houses alike have heirlooms, the heirlooms of great houses are typically much older, and usually enchanted somehow. Such enchantments should be included in an indentation and not present an advantage so great it can be relied on to win every battle.
House Themes
Imagery, symbolism, and themes you’d like to use. This will essentially act as a guide for people writing dream-posts aimed at one of your characters, or symbolism to foreshadow arcs and events you have in mind. This can be as simple as a list or as complicated as mine, or even more. Go nuts, you crazy kids.
Capital City
A brief description of the city surrounding your House Seat.
Banner Houses
The low lords sworn to your house. Whether or not you include brief descriptions is optional, just include things most would know: Their name, and perhaps their sigil, with occasional information on especially important banner houses.
The surname of your ruling house. Over time and through the initial enforcement of the commontongue, all ruling houses have generally Anglican-sounding names, even if their country's native language is a borrowed European Language, Gaelic, or Welsh. If your house name is a compound word, go with something that sounds right besides in the heat of battle, so don't go with "Steelsword" or "Bloodfire" or things like that. You can sound plenty tough without being edgy: Blackpool, Thorne, and Graves are all names straight out of Medieval England. Hell, I'm kicking myself for wasting Blackpool on this example, but there it goes.
House Lancaster, House Tyrell, House Tooke
House Members
The house members we’ll see. Don’t worry about listing any quadruple-removed half-cousins.
House Words
The motto of your house, which encompasses their values or general theme somehow. Try to keep it short -- In ASOIAF, the longest house words were "Unbowed, Unbent, Unbroken" and "Though All Men do Despise Us", the latter of which is pushing it in my opinion. Include the meaning of the words and any historical importance they have. The more metaphorical they can be, the better! Also, bonus brownie points if it's not just a threat.
House Sigil
The description of your house's crest as you'd describe it to an armorer or historian. I'm not gonna make you use actual medieval terminology like "Salient Vert Ermine on a Chequey Field" because I'm not a complete nerd, and also because I don't want to call my house's bat sigil a "Flintermouse".
House Seat
The name of your castle/fort/holding. Include a brief description of its appearance and any components like escape tunnels, moats, special doors, or things like that which might bear mentioning so that it isn't godmoding if you use them in the future. Feel free to include a description of the surrounding city, though keep in mind "Capital" will be a seperate section entirely on the future sheet for those accepted.
House Heirloom
The item passed down from father to son, or mother to daughter or whatever, in your house. This is usually a weapon like a sword or axe, though houses with more scholarly or magical origins pass down books, dowsing rods, harps, scythes, and other various items. Though small houses and great houses alike have heirlooms, the heirlooms of great houses are typically much older, and usually enchanted somehow. Such enchantments should be included in an indentation and not present an advantage so great it can be relied on to win every battle.
House Themes
Imagery, symbolism, and themes you’d like to use. This will essentially act as a guide for people writing dream-posts aimed at one of your characters, or symbolism to foreshadow arcs and events you have in mind. This can be as simple as a list or as complicated as mine, or even more. Go nuts, you crazy kids.
Capital City
A brief description of the city surrounding your House Seat.
Banner Houses
The low lords sworn to your house. Whether or not you include brief descriptions is optional, just include things most would know: Their name, and perhaps their sigil, with occasional information on especially important banner houses.
Picture goes here. If you're using one, use a real picture (Google "Medieval faceclaim" or "Period faceclaim" or something like that. Some characters will have weird facial details not transferrable to readily-available pictures, so think of these as castings of Ardacia if it were a book; Similar and about what you’d expect from the written description, but kind of shinier, and trimmed of a few details.
“If you choose to give them a quote to reflect their personality, make sure to use it at some point in a solo post or collab.” – Deadbeatwalking
“If you choose to give them a quote to reflect their personality, make sure to use it at some point in a solo post or collab.” – Deadbeatwalking
Name
Include titles. Heads of house are kings or queens, their children are princes and princesses, their siblings/cousins/distant relatives are lords and ladies. If you absolutely have to have a character with a famous nickname, try to have only one or two at most.
Age
It's basically the medieval times, so let's say the old age death limit is 70, and anything after that is pushing it.
Loyalty
Their house should be the first thing on this list, unless they've been disowned or something like that. After that would either be a woman's maiden house or any order that character is a member of, such as priesthood or knighthood.
Appearance
A description of their look, style of dress, and anything you'd notice being face-to-face with them. Gait, smell, hyperbolic comparisons, and so on.
Personality
Your character's mannerisms, traits, strengths, weaknesses, and so on. Include private details, and remember, the more realistic this person is, the better. Every member of your house should be a full-fledged person and not a two-dimensional caricature. Keeping in mind the setting, remember that there are few people who are completely good or completely bad.
History
As brief or as long as you'd like, describe your character's life. If you're using this sheet you're already accepted, so don't worry about giving me an epic ballad of life events for your ten-and-two princeling. If they've all had uneventful lives (boo) just give a bulleted list of tidbits of their history that reinforce their personality.
Power
Our story takes place during an interregnum, or a period of time where leadership is either changing, unclear, or missing. This is based on ASOIAF's power struggle after the death of Robert Baratheon, which is modeled after history's Great Interregnum. Much like ASOIAF and the Great Interregnum, the roleplay will have strategic weddings, betrayals, and be severely impacted by religious groups; history had The Holy Roman Church, Westeros had The Faith of The Seven, Ardacia has Yevism.
Tradition
In precarious times, people tend to either reaffirm their faith in moral codes, or abandon them completely. Such is the case in Ardacia, where the south sees waves of growth in panicking converts to The Church of Eirtu, and the north deals with mobs of rioting peasants who believe their world will soon end. The systems of order preserving humanity are being broken and rebuilt left and right.
Adapting
To put it bluntly, characters who survive are ones who adapt to the changes in society. Those who publicly go against the changes to tradition happening, such as race mixing in The Sylvain and the unquestioned legitimacy of King Valdemar in Edontas, usually find themselves with new enemies. In terms of imagery, many of Ardacia's wild animals are cited as being "fouler than they were ages ago", the implication being that only the strong survive in Ardacia.
Passion
Within all the scheming, plans, and politicking of the world, the one variable that can quickly turn the tides is passion. Love causes men to do irrational things, though this is not always romantic love -- The love of a new leader commoners share, The love of a land that is not one's home, The love of someone that a character can't be with, all of these things can undo plans laid by others seemingly out of nowhere, or beget new courses of action. Think Lysa Arryn and Petyr Baelish, Robb Stark and The Freys, Jaime and Cersei, and The High Sparrow and, well, peasants.
Light and Darkness
Duality's a cool theme, alright? I've been told Ice & Fire is already taken, so Night and Day will be the opposites invoked in Ardacia. Right off the bat, Ardacians worship the light in the darkness (The moon), there's a house whose schtick is riding nocturnal bats, another house founded with a glowing fort, and an ancient religion of sun-worshippers being revived, and brought from the darkness. See? Themes. Additionally, they're situated at the north pole, so whereas Westeros's geography was not-Britain, ours seems to be more like not-Greenland. As a result, the shifting seasons have much longer days in the summer and much longer nights in the winter, as well as occasional dancing lights in the dark skies in northern winters.
Our story takes place during an interregnum, or a period of time where leadership is either changing, unclear, or missing. This is based on ASOIAF's power struggle after the death of Robert Baratheon, which is modeled after history's Great Interregnum. Much like ASOIAF and the Great Interregnum, the roleplay will have strategic weddings, betrayals, and be severely impacted by religious groups; history had The Holy Roman Church, Westeros had The Faith of The Seven, Ardacia has Yevism.
Tradition
In precarious times, people tend to either reaffirm their faith in moral codes, or abandon them completely. Such is the case in Ardacia, where the south sees waves of growth in panicking converts to The Church of Eirtu, and the north deals with mobs of rioting peasants who believe their world will soon end. The systems of order preserving humanity are being broken and rebuilt left and right.
Adapting
To put it bluntly, characters who survive are ones who adapt to the changes in society. Those who publicly go against the changes to tradition happening, such as race mixing in The Sylvain and the unquestioned legitimacy of King Valdemar in Edontas, usually find themselves with new enemies. In terms of imagery, many of Ardacia's wild animals are cited as being "fouler than they were ages ago", the implication being that only the strong survive in Ardacia.
Passion
Within all the scheming, plans, and politicking of the world, the one variable that can quickly turn the tides is passion. Love causes men to do irrational things, though this is not always romantic love -- The love of a new leader commoners share, The love of a land that is not one's home, The love of someone that a character can't be with, all of these things can undo plans laid by others seemingly out of nowhere, or beget new courses of action. Think Lysa Arryn and Petyr Baelish, Robb Stark and The Freys, Jaime and Cersei, and The High Sparrow and, well, peasants.
Light and Darkness
Duality's a cool theme, alright? I've been told Ice & Fire is already taken, so Night and Day will be the opposites invoked in Ardacia. Right off the bat, Ardacians worship the light in the darkness (The moon), there's a house whose schtick is riding nocturnal bats, another house founded with a glowing fort, and an ancient religion of sun-worshippers being revived, and brought from the darkness. See? Themes. Additionally, they're situated at the north pole, so whereas Westeros's geography was not-Britain, ours seems to be more like not-Greenland. As a result, the shifting seasons have much longer days in the summer and much longer nights in the winter, as well as occasional dancing lights in the dark skies in northern winters.
IC Information
The First Age
Also called "The Age of Beasts", this time in history refers to the centuries and centuries of history before the arrival of Ardall the Great. Though most of it is lost to time, scratchings in stone tablets, ruins of structures, and runes etched into the walls of shallow caves still give historians a glimpse into their life. The original peoples of Ardacia are known only as "Earthmen", who lived in huts made of packed earth and straw, rowed long boats made of hollowed trees, and hunted using spears and clubs. Though it is unknown where they originated from, given that Ardacia is fairly isolated, most believe that the Earthmen are the true natives of Ardacia who simply sprung from the ground after being created by Eirtu.
The Earthmen called Ardacia "Nokulikulk", which roughly translated to "Land that is not nothing". They had two dominant religions, one worshiping the sun as a god named Kameth, and another worshiping the moons as Eirtu and Elonar. Eventually, through a war known to the Earthmen as "The Great Eclipse", the sun worshipers were eradicated completely. This war was also the first fought completely with iron weapons rather than those of stone or wood.
The Earthmen were culturally very similar from the north to the south, with minor discrepancies based on what was more comfortable for the location -- Earthmen burned dung and fat for warmth, and mostly ate roots, wild vegetables, and whatever was slow enough to hunt. Aside from Northerners additionally eating Ice Hogs and Southerners additionally eating fruit, there were remarkably few differences in Earthmen from region to region. Unlearned in the commontongue, Earthmen spoke a lost language simply called "Oldtongue", which is only known as it was described in Ardall the Great's logs; 'A harsh language of consonants and throat-clearing tones that launch phlegm from their lips.'
The Age of Beasts was brought to an end by the arrival of Ardall the Great, also called Ardall the Conqueror. Though outnumbered by natives, Ardall's use of horses, steel, and a unified military quickly allowed him to conquer the entirety of the continent in just under a decade. He named his land Ardacia, crowned himself Emperor, and appointed several of his generals as kings to rule the land in his stead.
The Second Age
Also referred to as "The Age of The Empire" this time frame is the smallest of the three ages, spanning only from Ardall the Great's landing in Ardacia, to the death of his great-grandson and subsequent fall of the empire three generations later. Though the shortest age, it is the most consequential in terms of innovations and inventions. The Ardacian Empire created Ardacia's first code of laws, erected mighty cities, and brought horses and an array of different vegetation to the sparse continent. Sewer systems, irrigation, glass windows, churches, knighthood, taxation, and other features of a civilized society were brought by Ardall as well, though glass making was technically brought by Hasin al Jakosh'ei, one of Ardall's generals. Whether it is said Ardall was kind or cruel is hotly contested, though few argue that the man was not a genius.
Ardall was not the only great innovator in the ranks of Ardacia's imperial family. His son, Gideon Arda, created The Mage's Guild and perfected the Ardacian Calendar, and his son, Terrance Arda, made it his life's work to create wells in each of Ardacia's inland towns, from the largest cities to smallest villages. It was not until the fourth Emperor, Brandon Arda, also known as The Crow King, that Ardall's legacy would come to an end. Whereas his forefathers built aqueducts and charted the movement of celestial bodies, Brandon's only contribution to the Arda legacy was the Ashen Arena, a massive coliseum built of huge slabs of black stone in the imperial city.
Famous for his comically mismatched gladitorial combat, Brandon frequently pitted clergymen, politicians, and members of his small council against one another, or wild beasts. Few dared speak out against his bloodlust for fear they would be sentenced to his vicious games next, though this was put to an end after Brandon famously had his aunt, the imperial treasurer and a widely loved philanthropist, face a dire crocodile in the Ashen Arena. Gertrude Arda's death is considered the catalyst for The Great Uprising, as each of the seven royal families were either connected or indebted to her at some time.
One by one, great houses began to form alliances and rally their banner houses, creating a unified army three times the size of the Imperial Army, which had already suffered a lack of support and funding to pay for Brandon's arena. After three years of siege, The Crow King earned the moniker he would have in death, and was forced to walk off of Crow's Cliff by his usurpers. With the Imperial seat empty, it was decided by the great house leaders that none would sit on it -- Ardacia had already known one leader who grew mad with power, and there was no reason to try with a new line. From this point on, the lords of Ardacia styled themselves king, and The Age of The Empire was brought to an end.
The Third Age
Also called "The Age of Kings", this was Ardacia's longest age, spanning from the end of The Great Uprising to very recently -- The Disappearance of Elonar. This age has had few technological advancements, though it has seen the most change in great houses and low houses alike, from lines being ended in conflicts to lands and titles being given for deeds. With the removal of the empire, the vast churches and temples created for Ardall's foreign god were refurbished for the worship of Eirtu and Elonar, while Imperial laws were simply altered to give the Yevist church the power once held by an emperor. During its time it was known as "The Age of Ashes", named for the frequent bookburning of Imperial texts and decrees, as well as the destruction of the few outposts that had been loyal to the empire during The Great Uprising.
Aside from the revival of Yevism and the abolishment of many Imperial laws and customs, The Third Age is known for its distaste and denial of magic, and seemingly every branch of spirituality that is not Yevistic. Many Imperial records, texts, and scientific discoveries have been lost to bonfires set immediately after the end of The Great Uprising. Despite the passionately anti-Imperial mindset of the era, some traces of Imperial culture still shine through today -- The eggs of black hens are considered unfit to eat by many for no reason other than "wholesomeness", for example, though the source of this superstition lies in the Church of Staloth, Ardall the Conquerer's faith.
The Age of Kings was brought to an end with the destruction of Elonar's Moon, a month prior to the IC starting. Some argue that they live in The Fourth Age, The Age of Eirtu, though others argue that it is not worth considering due to the imminence of the world ending. Regardless, The Age of Kings was not ended by the folly of a king or war with another nation as many predicted it might, but the actions of celestial bodies and man's superstitions surrounding them.
Is it a symbol for the start of the renaissance? Is it a symbol for the collapse of tradition? You decide!
This will be updated as we all collaborate on worldbuilding.
Yevism - The official and less common name for The Church of Eirtu, named for Eirtu's supposed prophet during The Age of Beasts. The faith's essential beliefs are that Eirtu is the divine creator of the world, who watches the world from the moon with his wife Elonar, the second moon and goddess of Yevism. Whereas Eirtu is prayed for generally everything, Elonar is specifically prayed to for women giving birth, children who are ill, and the survival of crops -- the prayers which are most important. Yevist clergymen are known as "Black Brothers" for the colors of their robes, which are grey when they are given to them and gradually blackened with dirt and rain as the brother becomes more experienced. The leader of the Yevist faith is known as the High Brother.
House of Arda - The extinct great house of Ardall the conqueror. Their colors, orange and teal, still remain the color scheme of ancient buildings in the south. It is considered an act of blasphemy to construct a tapestry or painting of their sigil, punishable by a year of forced labor.
The Ashen Arena - A crumbling, black coliseum in a southern city that was once the Imperial city. It is seen as a symbol for the revolt of Ardacians and the wickedness of the Ardacian Empire. It is now occasionally used as a space for concerts or festivals, though its decrepit, foreboding appearance makes it unpopular for either.
The Mage's Guild - Ardacia's order of alchemists, which serve high houses and low houses loyally. A mage usually only specializes in one field, such as medicine or architecture, and so great houses usually have several mages, while low houses usually only have one or two. Despite their name, chemistry and astronomy are the closest the mages get to performing magic.
Church of Staloth - The religion brought by Ardall the Conqueror, which was Ardacia's official religion during the second age. It has a complex hierarchy of mercurial, vengeful, and frequently incestuous gods, who are said to live on the plane of Staloth. Due to the widespread bookburning and propaganda against all things imperial during the third age, few know what details of the religion are truth or lies.
Yevism - The official and less common name for The Church of Eirtu, named for Eirtu's supposed prophet during The Age of Beasts. The faith's essential beliefs are that Eirtu is the divine creator of the world, who watches the world from the moon with his wife Elonar, the second moon and goddess of Yevism. Whereas Eirtu is prayed for generally everything, Elonar is specifically prayed to for women giving birth, children who are ill, and the survival of crops -- the prayers which are most important. Yevist clergymen are known as "Black Brothers" for the colors of their robes, which are grey when they are given to them and gradually blackened with dirt and rain as the brother becomes more experienced. The leader of the Yevist faith is known as the High Brother.
House of Arda - The extinct great house of Ardall the conqueror. Their colors, orange and teal, still remain the color scheme of ancient buildings in the south. It is considered an act of blasphemy to construct a tapestry or painting of their sigil, punishable by a year of forced labor.
The Ashen Arena - A crumbling, black coliseum in a southern city that was once the Imperial city. It is seen as a symbol for the revolt of Ardacians and the wickedness of the Ardacian Empire. It is now occasionally used as a space for concerts or festivals, though its decrepit, foreboding appearance makes it unpopular for either.
The Mage's Guild - Ardacia's order of alchemists, which serve high houses and low houses loyally. A mage usually only specializes in one field, such as medicine or architecture, and so great houses usually have several mages, while low houses usually only have one or two. Despite their name, chemistry and astronomy are the closest the mages get to performing magic.
Church of Staloth - The religion brought by Ardall the Conqueror, which was Ardacia's official religion during the second age. It has a complex hierarchy of mercurial, vengeful, and frequently incestuous gods, who are said to live on the plane of Staloth. Due to the widespread bookburning and propaganda against all things imperial during the third age, few know what details of the religion are truth or lies.
House Flitton - @Deadbeatwalking
House Sable - @McHaggis
House Oaken - @Macro
House Osgar - @The Nexerus
House Soneillon - @Terminal
Northern House - OPEN
Southern House - OPEN
House Sable - @McHaggis
House Oaken - @Macro
House Osgar - @The Nexerus
House Soneillon - @Terminal
Northern House - OPEN
Southern House - OPEN
