Name: Coat of Oaths ~ Chikai no Haori
Quote: "I give my all for the Shinsengumi..."
Rank: C
Type: Anti-Unit
Range: N/A
Description: Coat of Oaths (誓いの羽織, Chikai no Haori) is one of the Noble Phantasms belonging to Okita Souji. It is the official uniform worn by members of the Shinsengumi force in Kyoto during the Bakumatsu period. It was notable at its time for having a pale blue-green colour and white triangle design that stood out from the normal browns, blacks and greys of warrior clothing of the period. When Assassin equips it, it improves her parameters and her armament ranks up. Under normal circumstances Saber is armed with "Kojiki Kiyomitsu" (「乞食清光, lit. Poor Kiyomitsu) but as it was effected by future generation, her beloved katana "Kiku-Ichimonji Norimune" (「菊一文字則宗) has been ranked up.

Name: Lightless, Three Stage Thrust ~ Mumyō Sandan-dzuki
Quote: "Your blood is red, my coat is blue, omae wa mo, shindeiru."
Rank: N/A
Type: Anti-Unit
Range: 1
Description: Lightless, Three-Stage Thrust ( 無明三段突きむみょうさんだんづき , Mumyō Sandan-dzuki) is a technique utilized by the extraordinary genius swordsman Okita Souji. While not actually a Noble Phantasm, it is treated as such under the FATE system. Consisting of a First Thrust (壱の突き, Ichi no Tsuki), Second Thrust (弐の突き, Ni no Tsuki) and Third Thrust (参の突き, San no Tsuki), it is a concealed sword that is produced by transcendent technique and speed, from the stance of Hira-Seigan (平晴眼, ? lit. "Turning the Edge Sideways and Aiming at the Eye"). Rather than "almost simultaneously," the thrusts occur "all at the same time." For an instant, the unleashed First Thrust, Second Thrust and Third Thrust "exist at the same time" and "same position". Even if the First Thrust was blocked, the Second and Third Thrusts would be at the same position and break through. The contradiction this causes creates a localized breakdown in causality at the point of the sword, making it virtually impossible to protect against this technique. Because of the resulting collapse of causal relationships, it is a technique that surpasses the simple destruction of material things. Sasaki Kojirō's Tsubame-Gaeshi is a similar technique.