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Poet π™³πšŽπšŠπšπš‘ π™Έπšœ π™Ύπš—πš•πš’ πšƒπš‘πšŽ π™±πšŽπšπš’πš—πš—πš’πš—πš

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@Nib@Torack@Grif of Hearts@MegaOscarPwn@Anders@TsarDev@Terminal@Dead Cruiser@Ashen One@Fetzen@Dusty@VeridianSeekerNew additions to the OOC. Posting them here as well along with tags. If I miss someone's tag, it's just because my mind is scattered. I do apologize. Let me know if there are any questions or if you want me to add more details.




πšƒπš‘πšŽ πš™πš›πšŽπšœπšŽπš—πšŒπšŽ 𝚘𝚏 πš™πšžπš›πšπšŠπšπš˜πš›πš’ πš‹πš›πš˜πšžπšπš‘πš πšπš‘πšŽ πš˜πšŒπšŒπšžπš•πš πš™πš›πšŠπšŒπšπš’πšŒπšŽπšœ 𝚝𝚘 πš•πš’πšπšŽ. πšƒπš‘πš›πš˜πšžπšπš‘πš˜πšžπš πš‘πš’πšœπšπš˜πš›πš’, πš–πšŠπš—πš”πš’πš—πš πš‘πšŠπšœ πšŠπšπšπšŽπš–πš™πšπšŽπš 𝚝𝚘 πšŠπš•πšπšŽπš› πšπš‘πšŽ πš πš˜πš›πš•πš πš’πš— 𝚠𝚊𝚒𝚜 πšπš‘πšŠπš πšπš‘πšŽπš’ πšŠπš›πšŽ πš—πš˜πš πšœπšžπš™πš™πš˜πšœπšŽπš 𝚝𝚘, πš˜πšπšπšŽπš— πš πš’πšπš‘ πšπš’πš›πšŽ 𝚒𝚎𝚝 πšžπš—πšœπšŠπšπš’πšœπšπš’πš’πš—πš πšŒπš˜πš—πšœπšŽπššπšžπšŽπš—πšŒπšŽπšœ. πšƒπš‘πšŽ πšŒπšŠπšπšŠπšŒπš•πš’πšœπš– 𝚘𝚏 πš™πšžπš›πšπšŠπšπš˜πš›πš’ πš–πšŠπšπšŽ πš™πš›πšŽπšŸπš’πš˜πšžπšœ πš›πšŠπš–πš‹πš•πš’πš—πšπšœ 𝚘𝚏 πš–πšŠπš πš–πšŽπš— πš™πš˜πšœπšœπš’πš‹πš•πšŽ. πš†πš’πšπš‘ πšπš‘πšŽ πš›πš’πšπš‘πš πšπš˜πš˜πš•πšœ, πš πš’πšπš‘ πšπš‘πšŽ πš™πš›πš˜πš™πšŽπš› πš”πš—πš˜πš πš•πšŽπšπšπšŽ, πšŠπš—πš πš πš’πšπš‘ πšπš‘πšŽ πšžπš—πšπšŠπš•πšπšŽπš›πš’πš—πš πšπšŽπšπšŽπš›πš–πš’πš—πšŠπšπš’πš˜πš—, πš›πš’πšπšžπšŠπš•πšœ πš πš’πšπš‘ πš™πšŽπš›πšŒπšŽπš’πšŸπšŠπš‹πš•πšŽ 𝚎𝚏𝚏𝚎𝚌𝚝𝚜 πšŠπš›πšŽ 𝚊 πš™πš˜πšœπšœπš’πš‹πš’πš•πš’πšπš’. π™°πš—πš’ πšœπšžπšŒπš‘ πš™πš›πšŠπšŒπšπš’πšπš’πš˜πš—πšŽπš› πš πš‘πš˜ πš πš’πšœπš‘πšŽπšœ 𝚝𝚘 πšπšŠπš‹πš‹πš•πšŽ πš πš’πšπš‘ πšπš˜πš›πšŒπšŽπšœ πšπš‘πšŠπš πšπš‘πšŽπš’ πš‹πšŠπš›πšŽπš•πš’ πšžπš—πšπšŽπš›πšœπšπšŠπš—πš πš–πšžπšœπš πš‹πšŽ πšŠπš–πš™πš•πš’ πš™πš›πš˜πšπšŽπšŒπšπšŽπš, πš‘πšŠπšŸπšŽ πšŽπš‘πšŒπšŽπš•πš•πšŽπš—πš πš›πšŽπšœπš’πš•πš’πšŽπš—πšŒπšŽ, πš‘πšŠπšŸπšŽ 𝚊 πšœπšπš›πš˜πš—πš πšœπš˜πšžπš•.

π™΄πšŸπšŽπš— πš’πš πšπš‘πšŽ πš˜πšπšπš’πšŒπš’πšŠπš• πšπšŽπšœπš’πšπš—πšŠπšπš’πš˜πš— πš’πšœ β€˜πš›πš’πšπšžπšŠπš•β€™, πš–πš˜πšœπš πšŒπšŠπš•πš• πšπš‘πšŽπšœπšŽ πš™πš‘πš’πšœπš’πšŒπšŠπš• πšŠπš—πš πš–πš’πš—πš πšŠπš•πšπšŽπš›πš’πš—πš 𝚎𝚏𝚏𝚎𝚌𝚝𝚜 πšŽπš’πšπš‘πšŽπš› 𝚊 β€˜πš‘πš’πš–πš—β€™ πš˜πš› 𝚊 β€˜πš‘πšŽπš‘β€™ πšπšŽπš™πšŽπš—πšπš’πš—πš πš˜πš— πš’πšπšœ πš’πš—πšπšŽπš—πšπš’πš˜πš—πšœ. π™Ύπš—πš•πš’ 𝚊 πš‘πšŠπš—πšπšπšžπš• 𝚘𝚏 πš™πšŽπš˜πš™πš•πšŽ πš‘πšŠπšŸπšŽ πšπšžπš•πš•πš’ πšπš›πšŠπšœπš™πšŽπš πš‘πš˜πš  πšπš‘πšŽπš’ πšπšžπš—πšŒπšπš’πš˜πš—, πš‹πšžπš πš‘πšŠπšŸπšŽ πšŠπš•πšœπš˜ πš‹πšŽπšŽπš— πšŸπš’πšπš˜πš›πš˜πšžπšœ πš’πš— πšπšŽπšŠπšŒπš‘πš’πš—πš πšπš‘πšŽπš– 𝚝𝚘 πšπš‘πš˜πšœπšŽ πšπš‘πšŽπš’ πšπš›πšžπšœπš πš˜πš› πš™πšŠπš’ πš πšŽπš•πš•. πš†πš‘πš’πš•πšŽ πš–πš˜πšœπš πš‘πšŽπš‘πšŽπšœ πšŠπš›πšŽ πš’πš—πšŽπšπšπšŽπšŒπšπš’πšŸπšŽ πšŠπšπšŠπš’πš—πšœπš πš—πšŽπšπšŠπš›πš’πš˜πšžπšœ πš‹πšŽπšŠπšœπšπšœ πšŠπš—πš πš–πš˜πšœπš πš‘πš’πš–πš—πšœ πš’πš—πšŽπšπšπšŽπšŒπšπš’πšŸπšŽ πšŠπšπšŠπš’πš—πšœπš πšœπšŽπš›πšŠπš™πš‘πš’πš–, πš‹πš˜πšπš‘ 𝚘𝚏 πšπš‘πšŽπš– πš πš’πš•πš• πš πš˜πš›πš” πš˜πš— πš‘πšžπš–πšŠπš— πš‹πšŽπš’πš—πšπšœ πšŠπš—πš πšŠπš—πš’πš–πšŠπš•πšœ. π™°πš™πš™πš•πš’πš’πš—πš πš›πš’πšπšžπšŠπš•πšœ πš’πšœ 𝚊 πš–πšŠπšπšπšŽπš› 𝚘𝚏 πšπš‘πšŽ πšœπšπš›πšŽπš—πšπšπš‘ 𝚘𝚏 πšπš‘πšŽ πšœπš˜πšžπš• 𝚘𝚏 𝚊 πš™πšŽπš›πšœπš˜πš—. π™Έπš πš’πšœ πšŠπš•πšœπš˜ πšŠπš— πš’πš—πšπš’πšŸπš’πšπšžπšŠπš•πš’πš£πšŽπš πš™πš›πš˜πšŒπšŽπšœπšœ. πšƒπš‘πšŽ πš›πšŽπšœπšžπš•πš 𝚘𝚏 𝚊 πš›πš’πšπšžπšŠπš• πš–πšŠπš’ πšŸπšŠπš›πš’ πšπš›πš˜πš– πš™πšŽπš›πšœπš˜πš— 𝚝𝚘 πš™πšŽπš›πšœπš˜πš—. πšƒπš‘πšŽ 𝚎𝚏𝚏𝚎𝚌𝚝𝚜 𝚘𝚏 πš›πš’πšπšžπšŠπš•πšœ πšŒπšŠπš— πšŠπš•πšœπš˜ πš‹πšŽ πšŒπš˜πš—πšπšŠπš’πš—πšŽπš πš’πš— πš˜πš‹πš“πšŽπšŒπšπšœ. πšƒπš‘πš’πšœ πš’πšœ πš‘πš˜πš  πš•πšŠπš’πš–πšŽπš— 𝚞𝚜𝚎 πšπš‘πšŽ 𝚎𝚏𝚏𝚎𝚌𝚝𝚜 𝚘𝚏 πš‘πšŽπš‘πšŽπšœ πšŠπš—πš πš‘πš’πš–πš—πšœ. πšƒπš‘πšŽ πš˜πš‹πš“πšŽπšŒπšπšœ πšŒπšŠπš— πš‹πšŽ πš›πš’πš—πšπšœ, πš πšŽπšŠπš™πš˜πš—πšœ, πšŒπš•πš˜πšπš‘πš’πš—πš, πš˜πš› πšœπš˜πš–πšŽ πš›πšŠπš—πšπš˜πš– πš’πšπšŽπš– 𝚘𝚏 πš—πš˜ πšŠπš™πš™πšŠπš›πšŽπš—πš πšŸπšŠπš•πšžπšŽ.

π™·πš’πš–πš—πšœ πšŠπš›πšŽ πš˜πšπšπšŽπš— πšŒπš˜πš—πšŒπšŽπš›πš—πšŽπš πš πš’πšπš‘ πš–πšŽπš—πšπš’πš—πš πšπš‘πšŽ πš πš˜πšžπš—πšπšŽπš πšŠπš—πš πš™πš›πš˜πšŸπš’πšπš’πš—πš πš•πš’πšπš‘πš πš’πš— πšπš‘πšŽ πš˜πšπš‘πšŽπš›πš πš’πšœπšŽ πšπšŠπš›πš” πš™πšžπš›πšπšŠπšπš˜πš›πš’. π™Έπš πš’πšœ πšŠπš•πšœπš˜ πšŠπš‹πš˜πšžπš πšžπšœπš’πš—πš πšπš‘πšŽ πš—πšŠπšπšžπš›πšŠπš• πšπš˜πš›πšŒπšŽ 𝚘𝚏 πš™πš‘πš’πšœπš’πšŒπšœ 𝚊𝚜 πšŠπš— πš˜πšπšπšŽπš—πšœπš’πšŸπšŽ πšπš˜πš˜πš•. π™±πšžπš πšπš‘πšŽπšœπšŽ πšŠπš›πšŽ πš“πšžπšœπš πšŽπš‘πšŠπš–πš™πš•πšŽπšœ. π™·πšžπš—πšπš›πšŽπšπšœ 𝚘𝚏 πšπš’πšπšπšŽπš›πšŽπš—πš 𝚎𝚏𝚏𝚎𝚌𝚝𝚜 πšŒπšŠπš— πš‹πšŽ πšŠπšŒπš‘πš’πšŽπšŸπšŽπš πš‹πšŠπšœπšŽπš πš˜πš— πš πš‘πš˜ πšπš‘πšŠπš πšπšŽπšœπš’πšπš—πšœ πšπš‘πšŽ πš›πš’πšπšžπšŠπš•. π™·πšŽπš‘πšŽπšœ πšπšžπš—πšŒπšπš’πš˜πš— πš’πš— 𝚊 πšœπš’πš–πš’πš•πšŠπš› πš–πšŠπš—πš—πšŽπš›. πšƒπš‘πšŽπš’ πšŠπš›πšŽ πš’πš—πšπšŽπš—πšπšŽπš 𝚝𝚘 πš πšŽπšŠπš”πšŽπš—, πš’πš—πšπš•πš’πšŒπš πšπš’πšœπšŽπšŠπšœπšŽ, πšŠπš•πšπšŽπš› πšπš‘πšŽ πš–πš’πš—πš πšŠπš—πš πš‹πš˜πšπš’, πšŠπš—πš πš’πš—πšœπšπš’πš•πš• πšπšŠπš›πš”πš—πšŽπšœπšœ. π™Ύπšπš‘πšŽπš› πš›πš’πšπšžπšŠπš•πšœ πšπšŠπš”πšŽ 𝚊 πš–πš˜πš›πšŽ πš—πšŽπšžπšπš›πšŠπš• πšœπšπšŠπš—πšŒπšŽ. πšƒπš‘πšŽπš›πšŽ πš’πšœ πš—πš˜ πš’πšŒπš˜πš—πš’πšŒ πš—πšŠπš–πšŽ πšπš˜πš› πšπš‘πšŽπš–, πš‹πšžπš πšπš‘πšŽπš’ πšžπšπš’πš•πš’πš£πšŽ πšπš‘πšŽ πšπš˜πš›πšŒπšŽπšœ 𝚘𝚏 πš—πšŠπšπšžπš›πšŽ πš’πš— πšŸπšŠπš›πš’πš˜πšžπšœ, πšŒπš›πšŽπšŠπšπš’πšŸπšŽ 𝚠𝚊𝚒𝚜, πš˜πšπšπšŽπš— πšŒπš˜πšžπš—πšπšŽπš›πšŠπšŒπšπš’πš—πš πš‘πš’πš–πš—πšœ πšŠπš—πš πš‘πšŽπš‘πšŽπšœ.

π™Όπš˜πšœπš πš™πšŽπš˜πš™πš•πšŽ πš πš‘πš˜ πš‘πšŠπšŸπšŽ πšŠπš— πš’πš—πšπšŽπš›πšŽπšœπš πš’πš— πšŠπš—πš πšπšŠπš‹πš‹πš•πšŽ πš’πš— πš›πš’πšπšžπšŠπš•πšœ πš‹πšŽπšπš’πš— πš‹πš’ πš›πšŽπš™πšŽπšŠπšπš’πš—πš πš πš‘πšŠπš πš˜πšπš‘πšŽπš›πšœ πš‘πšŠπšŸπšŽ πšπš˜πš—πšŽ πš‹πšŽπšπš˜πš›πšŽ πšπš‘πšŽπš–, πšŠπš—πš πšπš‘πšŽπš— πšŠπšπšπšŽπš–πš™πš 𝚝𝚘 πšπšŽπšœπš’πšπš— πšπš‘πšŽπš’πš› πš˜πš πš— 𝚎𝚏𝚏𝚎𝚌𝚝𝚜. π™±πšžπš πš˜πš—πšŽ πšπš‘πš’πš—πš πš’πšœ πšπš˜πš› πšŒπšŽπš›πšπšŠπš’πš—, πš›πš’πšπšžπšŠπš•πšœ πšπšŠπš”πšŽ πš’πšπšœ πšπš˜πš•πš• πš˜πš— πšπš‘πšŽ πšœπš˜πšžπš• 𝚘𝚏 𝚊 πš™πšŽπš›πšœπš˜πš—. π™½πš˜πšπšŽ: π™Έπš 𝚊 πš‚πšŽπšŽπš”πšŽπš› πš πšŠπš—πšπšœ 𝚝𝚘 πšŠπšπšπšŽπš–πš™πš πš›πš’πšπšžπšŠπš•πšœ πš˜πš› πš—πšŽπš  πš”πš’πš—πšπšœ 𝚘𝚏 πš›πš’πšπšžπšŠπš•πšœ, πšπš‘πšŽπš— πšπš‘πšŽπš’ 𝚍𝚘 𝚜𝚘 𝚊𝚝 πšπš‘πšŽπš’πš› πš˜πš πš— πš›πš’πšœπš”, πš‹πšžπš πš’πš πš’πšœ πš™πš˜πšœπšœπš’πš‹πš•πšŽ.



πšƒπš‘πšŽπš›πšŽ πšŠπš›πšŽ πš—πš˜ πšπšŽπšπš’πš—πš’πšπšŽ πšŠπš—πšœπš πšŽπš›πšœ 𝚝𝚘 πš›πšŽπšŠπš•πš’πšπš’. π™½πš˜πšπš‘πš’πš—πš 𝚜𝚊𝚒𝚜 πšπš‘πšŠπš πšπš‘πš’πšœ πš™πšžπš›πšπšŠπšπš˜πš›πš’ πš’πšœ πšπš‘πšŽ πš˜πš—πš•πš’ πš˜πš—πšŽ πšπš‘πšŠπš πšŽπš‘πš’πšœπšπšœ 𝚊𝚝 πšπš‘πš’πšœ πšπš’πš–πšŽ. πšƒπš‘πšŽπš›πšŽ πš’πšœ πšŠπš•πšœπš˜ πš—πš˜πšπš‘πš’πš—πš πšπš‘πšŠπš 𝚜𝚊𝚒𝚜 πšπš‘πšŠπš πšπš‘πš’πšœ πš πš˜πš›πš•πš πš’πšœ πšπš‘πšŽ πšπš’πš›πšœπš πš˜πš› πš•πšŠπšœπš πšŸπšŽπš›πšœπš’πš˜πš— πšŒπš›πšŽπšŠπšπšŽπš πš‹πš’ πš πš‘πšŠπšπšŽπšŸπšŽπš› πš˜πš› πš πš‘πš˜πšŽπšŸπšŽπš› πšπš‘πšŠπš πšœπš™πšŠπš›πš”πšŽπš πšπš‘πšŽ πšžπš—πš’πšŸπšŽπš›πšœπšŽ. π™Ήπšžπšœπš 𝚊𝚜 πš™πšžπš›πšπšŠπšπš˜πš›πš’ πš‹πš›πš˜πšžπšπš‘πš πšπš‘πšŽ πš’πš–πš™πš˜πšœπšœπš’πš‹πš’πš•πš’πšπš’ 𝚘𝚏 πš›πš’πšπšžπšŠπš•πšœ, πš˜πš› β€˜πš–πšŠπšπš’πšŒβ€™, πš’πš πšŠπš•πšœπš˜ πš‹πš›πš˜πšžπšπš‘πš πš™πš˜πš›πšπšŠπš•πšœ 𝚝𝚘 πš˜πšπš‘πšŽπš› πšπš’πš–πšŽπš—πšœπš’πš˜πš—πšœ, πšŠπš•πšπšŽπš›πš—πšŠπšπšŽ πšŽπš‘πš’πšœπšπšŽπš—πšŒπšŽπšœ, πšŠπš—πš πš—πš’πšπš‘πšπš–πšŠπš›πšŽ πš πš˜πš›πš•πšπšœ πšπš‘πš›πš˜πšžπšπš‘ πš™πšŠπš’πš—πšπš’πš—πšπšœ πšŠπš—πš πš•πš’πšπšŽπš›πšŠπšπšžπš›πšŽ.

πš†πš‘πšŽπš— πšπš‘πšŽ πš‹πš˜πšπš’ 𝚘𝚏 𝚊 πš–πšŠπš— πš˜πš› πš πš˜πš–πšŠπš— πšπš’πšŽπšœ πš’πš— πšπš‘πš’πšœ πš›πšŽπšŠπš•πš’πšπš’, πšπš‘πšŽπš’πš› πšœπš˜πšžπš• πš’πšœ πš›πšŽπš‹πš˜πš›πš—. πš†πš‘πšŽπš›πšŽ πš’πš πš’πšœ πš›πšŽπš‹πš˜πš›πš— πš’πšœ πšŠπš—πš˜πšπš‘πšŽπš› πššπšžπšŽπšœπšπš’πš˜πš—. π™Έπš πš’πšœ πš—πš˜πš 𝚊 πšŒπšŽπš›πšπšŠπš’πš—πšπš’ πšπš‘πšŠπš πš’πš πš πš’πš•πš• πš‹πšŽ πš›πšŽπš‹πš˜πš›πš— πš’πš— πšπš‘πšŽ πšœπšŠπš–πšŽ πš™πšžπš›πšπšŠπšπš˜πš›πš’. π™Έπš πš–πš’πšπš‘πš πšŽπš—πš πšžπš™ πšœπš˜πš–πšŽπš πš‘πšŽπš›πšŽ πšŽπš•πšœπšŽ. π™±πšžπš πš πš‘πšŠπš πš’πšœ πšπš›πšžπšŽ, πš‘πš˜πš πšŽπšŸπšŽπš›, πš’πšœ πšπš‘πšŠπš πšπš‘πšŽπš’πš› πš–πšŽπš–πš˜πš›πš’πšŽπšœ πš πš’πš•πš• πš›πšŽπšπšžπš›πš— πš πš‘πšŽπš— πšπš‘πšŽ πš—πšŽπš  πš‹πš˜πšπš’ πš›πšŽπšŠπšŒπš‘πšŽπšœ πš™πšžπš‹πšŽπšœπšŒπšŽπš—πšŒπšŽ. π™³πšŽπš™πšŽπš—πšπš’πš—πš πš˜πš— πš πš‘πšŽπš›πšŽ πšŠπš—πš πš πš‘πšŽπš— πšπš‘πšŽπš’ πšŠπšπšπšŠπš’πš— πšπš‘πšŽπš’πš› πš–πšŽπš–πš˜πš›πš’πšŽπšœ πšŠπš—πš πšπš›πš˜πš  πš’πš— πšπš‘πšŽ πšπš•πšŽπšœπš‘, πšπš’πš–πšŽ πšŠπš—πš πšœπš™πšŠπšŒπšŽ πš–πšŠπš’ πš–πš˜πšŸπšŽ πšπš’πšπšπšŽπš›πšŽπš—πšπš•πš’. πš†πš‘πšŽπš— πšŠπš—πš πš’πš πšπš‘πšŽπš’ πš›πšŽπšπšžπš›πš— 𝚝𝚘 πšπš‘πšŽ πš πš˜πš›πš•πš 𝚘𝚏 πšπš‘πšŽ π™·πšŽπš›πšŠπš•πš 𝚘𝚏 π™»πš’πšπš‘πš, πšπš‘πšŽπš’ πš–πšŠπš’ πšŠπš•πš›πšŽπšŠπšπš’ πš‹πšŽ πšπš›πš˜πš πš— πš–πšŽπš— πšŠπš—πš πšπš‘πšŽπš’πš› πš›πšŽπš‹πš’πš›πšπš‘ πš–πšŠπš’ πšŠπš™πš™πšŽπšŠπš› πš’πš—πšœπšπšŠπš—πšπšŠπš—πšŽπš˜πšžπšœ 𝚝𝚘 πšπš‘πš˜πšœπšŽ πš πš‘πš˜ πš•πš’πš—πšπšŽπš›πšŽπš.

π™Ύπš— 𝚊 πšœπš’πšπš—πš’πšπš’πšŒπšŠπš—πš πš“πš˜πšžπš›πš—πšŽπš’ πš πš‘πšŽπš›πšŽ πšπšŽπšŠπšπš‘ πš’πšœ πšŒπš˜πš–πš–πš˜πš—, πš™πš›πš˜πš™πšŽπš› πš”πš—πš˜πš πš•πšŽπšπšπšŽ 𝚘𝚏 πš™πš˜πš›πšπšŠπš•πšœ 𝚝𝚘 πš˜πšπš‘πšŽπš› πš™πšŠπš’πš—πšπšŽπš πš πš˜πš›πš•πšπšœ πš’πšœ πš™πšŠπš›πšŠπš–πš˜πšžπš—πš. π™Ύπš—πšŽ πš–πšžπšœπš πš‹πšŽ πšŠπš‹πš•πšŽ 𝚝𝚘 πš›πšŽπš™πš•πšŽπš—πš’πšœπš‘ πš•πš˜πšœπšœπšŽπšœ πššπšžπš’πšŒπš”πš•πš’ πšŠπš—πš πšŽπšπšπš’πšŒπš’πšŽπš—πšπš•πš’. πšƒπš‘πš˜πšœπšŽ πš πš‘πš˜ πš πšŽπš›πšŽ πš πš’πšπš‘ πšπš‘πšŽ πš˜πš›πš’πšπš’πš—πšŠπš• πš™πšŠπš›πšπš’ πš–πšžπšœπš πš›πšŽπšπšžπš›πš— πšœπš˜πš˜πš—πšŽπš› πš›πšŠπšπš‘πšŽπš› πšπš‘πšŠπš— πš•πšŠπšπšŽπš›. π™·πš˜πš πšŽπšŸπšŽπš›, πš’πš πšπš‘πšŽ πšπšŠπš•πš•πšŽπš— πš’πšœ πš›πšŽπš‹πš˜πš›πš— πš’πš— πšπš‘πšŽ πšœπšŠπš–πšŽ πš πš˜πš›πš•πš 𝚊𝚜 πšπš‘πšŽ π™·πšŽπš›πšŠπš•πš 𝚘𝚏 π™»πš’πšπš‘πš, πšπš‘πšŽ πš“πš˜πšžπš›πš—πšŽπš’ πš–πšžπšœπš πšŒπš˜πš—πšπš’πš—πšžπšŽ πš πš’πšπš‘ πšŠπšπš˜πš•πšŽπšœπšŒπšŽπš—πšŒπšŽπšœ πš πš’πšπš‘ πšπš‘πšŽ πš–πš’πš—πšπšœ 𝚘𝚏 πš˜πš•πš πš–πšŽπš— πšŠπš—πš πš πš˜πš–πšŽπš—.

πšƒπš‘πšŽ πš–πšŠπš“πš˜πš› πšπš‘πš›πšŽπšŠπš 𝚘𝚏 πš™πšŠπš’πš—πšπšŽπš πš πš˜πš›πš•πšπšœ πš’πšœ πš’πšπšœ πš—πšŠπšπš’πšŸπšŽ πš’πš—πš‘πšŠπš‹πš’πšπšŠπš—πšπšœ πšŠπš—πš πšπš‘πšŽπš’πš› πšŸπšŽπš›πšœπš’πš˜πš— 𝚘𝚏 πšπš‘πšŽ πšπš›πšžπšπš‘. πš‚πš˜πš–πšŽ πš–πš’πšπš‘πš πš‹πšŽπš‘πš˜πš•πš πšπš‘πšŽ π™·πšŽπš›πšŠπš•πš 𝚘𝚏 π™»πš’πšπš‘πš 𝚝𝚘 πš‹πšŽ πšžπš™πšœπš’πšπšŽ πšπš˜πš πš—, πšŠπš—πš πšπš‘πšŽπš’ πš–πšŠπš’ πšŠπšπšπšŽπš–πš™πš 𝚝𝚘 πšπš’πš—πš 𝚠𝚊𝚒𝚜 𝚝𝚘 πš’πš—πšŸπšŠπšπšŽ πšŠπš—πš πšπšŽπšœπšπš›πš˜πš’ πš˜πšπš‘πšŽπš› πš‚πšŽπšŽπš”πšŽπš›πšœ. π™Ύπš—πšŽ πš–πšžπšœπš πšŠπš•πš πšŠπš’πšœ πš‹πšŽ πš πšŠπš›πš’ πšπš‘πšŽ β€˜πšŸπš’πšœπš’πšπš˜πš›πšœ' πšŠπš—πš πšπš‘πšŽπš’πš› πš’πš—πšπšŽπš—πšπš’πš˜πš—πšœ, πšπš˜πš› πšπš‘πšŽπš’ πšŠπš›πšŽ πš—πš˜πš πšŠπš•πš πšŠπš’πšœ πšπšŽπš—πšžπš’πš—πšŽ πš˜πš› πšŒπš•πšŽπšŠπš› 𝚝𝚘 πšπš‘πšŽ πšœπšŽπš—πšœπšŽπšœ.


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Hidden 7 yrs ago Post by Fetzen
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Fetzen

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That probably affects my character the most so far. Maybe I'll do some adjustments, but first I'm gonna wait for the initial feedback.
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Poet π™³πšŽπšŠπšπš‘ π™Έπšœ π™Ύπš—πš•πš’ πšƒπš‘πšŽ π™±πšŽπšπš’πš—πš—πš’πš—πš

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@FetzenThe baseline of your character looks good. Go ahead with your adjustments, if any, and I'll look at it again.
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Poet π™³πšŽπšŠπšπš‘ π™Έπšœ π™Ύπš—πš•πš’ πšƒπš‘πšŽ π™±πšŽπšπš’πš—πš—πš’πš—πš

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@TerminalAbout Hecuba. Do you want to control her as a hostile encounter, a secondary character of sorts, maybe of chaotic allegiance? I'll list her under Environment details and monsters, but you can control her if you so desire.
Hidden 7 yrs ago Post by MegaOscarPwn
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MegaOscarPwn Daisan No Bakudan - Bite Za Dusto

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So...basically, there are multiple worlds in which there are multiple other people that are trying to achieve the Herald of Light, yet one can traverse said worlds unto others through the paintings (or whatever portal thingy we'll use)? And if so, do we all start initially in the same world?
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Poet π™³πšŽπšŠπšπš‘ π™Έπšœ π™Ύπš—πš•πš’ πšƒπš‘πšŽ π™±πšŽπšπš’πš—πš—πš’πš—πš

Member Seen 7 yrs ago

Update: Added @Terminal's 'Hecuba' to the creature section of Environment of the character tab.
Hidden 7 yrs ago Post by Poet
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Poet π™³πšŽπšŠπšπš‘ π™Έπšœ π™Ύπš—πš•πš’ πšƒπš‘πšŽ π™±πšŽπšπš’πš—πš—πš’πš—πš

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@MegaOscarPwnYes. Our characters, this story, in this time, will begin in the same place.
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Hidden 7 yrs ago Post by Fetzen
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Fetzen

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@Poet I've made some minor changes, primarily re-formulating a few things. Ready to be reviewed.
Hidden 7 yrs ago Post by Poet
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Poet π™³πšŽπšŠπšπš‘ π™Έπšœ π™Ύπš—πš•πš’ πšƒπš‘πšŽ π™±πšŽπšπš’πš—πš—πš’πš—πš

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@FetzenLooks good. Post it up in the character tab.
Hidden 7 yrs ago Post by Nib
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Nib

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Today is my day off so I will be working on my character and hopefully posting it today.
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Hidden 7 yrs ago Post by MegaOscarPwn
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MegaOscarPwn Daisan No Bakudan - Bite Za Dusto

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>people are signing up for a roleplay I actually like
>it's happening
>rp is back

>AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA
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Hidden 7 yrs ago Post by VeridianSeeker
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VeridianSeeker Because I like colours and seeking things.

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@poet, sent you the final product for scrutiny and inspection!
Hidden 7 yrs ago Post by Terminal
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Terminal Rancorous Narrative Proxy

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@TerminalAbout Hecuba. Do you want to control her as a hostile encounter, a secondary character of sorts, maybe of chaotic allegiance? I'll list her under Environment details and monsters, but you can control her if you so desire.


I would appreciate being able to write for her during encounters. That said, you are free to summon/throw up signs of her approach at-will, and I will also defer to your judgment about the will of the entities controlling her. Since she is ultimately a pawn of the adversary, she may be recalled to the dark places of the world at any time - or, alternatively, may be capriciously subjected to torment at an inopportune time.

I will go ahead and exercise those incidents at my own discretion, but since the adversary's cards are ultimately in your hand, I will also defer to your own judgment there.
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Hidden 7 yrs ago Post by Torack
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Torack The Golden Apple

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@VeridianSeeker

Yo, I can't help but see Dobromil and Hondem as 2 sides of the same coin. I'm interested to see how they'll react (or not?) when they meet up lol
Hidden 7 yrs ago 7 yrs ago Post by VeridianSeeker
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VeridianSeeker Because I like colours and seeking things.

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@VeridianSeeker

Yo, I can't help but see Dobromil and Hondem as 2 sides of the same coin. I'm interested to see how they'll react (or not?) when they meet up lol


Yeah, they look like they have a lot in common, with some huge gaps that still cause them to be amazingly unique from each other. It will be fascinating to watch how it all plays out. I'm very excited.

@Poet I'm so ready to play.
Hidden 7 yrs ago Post by Poet
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Poet π™³πšŽπšŠπšπš‘ π™Έπšœ π™Ύπš—πš•πš’ πšƒπš‘πšŽ π™±πšŽπšπš’πš—πš—πš’πš—πš

Member Seen 7 yrs ago

Looking to get us started this week. Some people might be in the character sheet process still, but it's no rush. Everyone does not have to be a 100% ready. The first parts of the story will concern a non-player character, Lucille, and her secluded settlement/monastery. She's the one who has located the Herald of Light, or so she believes.
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Hidden 7 yrs ago Post by VeridianSeeker
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VeridianSeeker Because I like colours and seeking things.

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Looking to get us started this week. Some people might be in the character sheet process still, but it's no rush. Everyone does not have to be a 100% ready. The first parts of the story will concern a non-player character, Lucille, and her secluded settlement/monastery. She's the one who has located the Herald of Light, or so she believes.


Sounds great. Maybe she could help Dobromil with his hymes.
Hidden 7 yrs ago Post by MegaOscarPwn
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MegaOscarPwn Daisan No Bakudan - Bite Za Dusto

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Fernando is gon' have to be really strong to resist the temptation of such a F I N E womanly woman such as Lucille.

Also, Hecuba reminds me of Maneater Mildred.

Hidden 7 yrs ago Post by Poet
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Poet π™³πšŽπšŠπšπš‘ π™Έπšœ π™Ύπš—πš•πš’ πšƒπš‘πšŽ π™±πšŽπšπš’πš—πš—πš’πš—πš

Member Seen 7 yrs ago

@MegaOscarPwnNo worries. This is where the influence from 'Kingdom Death: Monster' comes in. Lucille has a monastery/settlement with young women who wish to bear children. It's a matter of repopulating the human race after such endless slaughter. It's a about building a new world.
Hidden 7 yrs ago Post by MegaOscarPwn
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MegaOscarPwn Daisan No Bakudan - Bite Za Dusto

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B-But...that defies the mission of getting rid of his lustful ways!

Unless he loves every single one of them.

Which will be unlikely.

>cuck'd in an rp
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