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In the calming cradle of a moonlit night, smooth jazz played on a bedside table from a small, AM/FM radio. In a sheer negligee of violet satin, Johanna H. Wattzon flipped through the pages of a photobook; a dozen pictures of different women - victims of her magnetic charm and generous drink, and unknowing models in her scrapbook of perversion. Across the bedside table were a developing set of pictures; twelve in total, six and six of each of the women that lie, strewn across the floor in her bedsheets and comforters.

Models #18 and #19. A pair of Uveran twin sisters that she'd picked up at the bar; a pair of tourists that didn't know where they'd end up. Nothing in comparison to Model #17, a Grand Duchess of some such place that she didn't get the name of while she was committing royal infidelity. A smirk crossed her lips, and her polymorphed loins reacted fondly to the memory, as she stroked the pictures of the unconscious woman.

However, before she would take a walk down memory lane, the bell to her house and business rang in the dead of night. A displeased look placed her nostalgia, as she got up, and trekked to answer it. As she did, she took a look at her latest conquests, and her mood lightened.

...only to fall back with a hard thud, as she opened the door. Behind it, a tattooed Jotun in pretty standard Enforcer attire stood, his arms crossed, and face set in a scowl. Flanking him, left and right, were four Humans, two men and two women in a different flair; mercenaries from another nation, baring a familiar coat of arms.

"It's too late for this, Bazz," John says, as she was pushed past by the mercenaries rudely. "Sure, c'mon in," drawls the forced hostess, sarcastically, "Pour yourself a drink, if you like."

"It's just business, John. You know that," Bazz says, entering the room.

"Business you could turn down," John says. "Let it go. There's a pair of Uveran twins on my bedroom floor," she says, walking to her receptionist's desk, lighting a cigarette as she traveled, "If you don't mind sloppy seconds, I'm sure you can entertain yourself for a night with twin savages. Even the women can get in on it," John raised a silver flask, and smirked, "Polyjuice Potion. Eight hours of all the unmitigated fun of having a d--"

{BANG!!!}

"Cut the shit, John! Every time you do this, you do something stupider and stupider! You aren't a child!" Bazz says, the door behind him slammed shut. "You burned her face. They can't hide the scars. Eventually, you reap what you sow, John. Take off your glasses..."

"So, we're seriously doing this, then," John asks, blowing smoke with her words. Bazz's expression didn't change. "A'ight, then. Let's dance."

John's right hand suddenly glowed like the sun, and flame consumed the cigarette, as she flicked it - the marble-sized fireball shooting through the air, and into the eye of one of the women. At the same time, her left hand straightened, and the silver flask impacted the throat of one of the men. A chorus of screams and choking drowned out the smooth jazz that played on the office speakers, and took the mercenaries that remained off guard. In a split-second, John was behind the other man, and threw a sharp hook in-between his shoulder blades; the tines of her knuckle dusters digging into his body, and igniting his clothing with a burst of flame upon his back.

"W-What the hell..." stammered the last woman.

"Good question..." John says, before suddenly sweeping out her knee, and driving an uppercut beneath her breasts to reach her solar plexus. "Corpses don't need answers, though..."

"You bitch!"

John tilted her eyes to the side, and saw the man she'd hit in the throat with the flask rushing her with a dagger. His approach was ended with a thunderous boom; his arm blown off by the sawn-off, double-barrel shotgun that was extended from, seemingly, nowhere.

"Where did you --"

Another explosion ripped open his chest. John cracked the shotgun, as she ducked a sword swing, and ejected the shells from the gun behind her with an unnatural force. Each shell would slam into the woman with one eye; one burning her face and the other cracking her jaw. The shotgun would snap into place, and her screams of pain would be traded for begging pleas of mercy, as her leg was blown off, before John caught her with the hot barrel and pumped her stomach upon the walls.

A gunshot rang out behind her, and John shifted to the left - a bullet sailing by her, and into her wall. Looking back, the staggered woman was doubled over, and aiming a pistol at her. Rapidly, she opened fire, and emptied her clip - John evading them all with impossibly fast movements, as she reloaded, and tossed up her shotgun. Snatching the woman's firing arm, she twisted the limb up and back; dislocating the shoulder, and cracking the elbow on her own, as she pulled it down behind her - catching her shotgun, and pressing it to her hips.

{BOOM!!!}

John let the bisected woman drop, as she switched gun hands, and spun her weapon to blast off the leg of the man that was recovering from the taser punch. Standing, she cracked her neck, and stepped on his cheek with her bare foot. Lighting a cigarette, she smiled down at him, before heat was expelled from the bottom of her foot and into his skull; muscle seizing on bone, flesh burning under skin, and blood boiling in his vein, as his brain was cooked.

"Still want to carry on this charade, Bazz? Did you think bringing fodder would offer any advantage," John asked, her back turned to him, as she looked back solely - her confidence unmitigated.

"I have plenty of advantages. They were just here for the contract," Bazz says, "I won't ask again, John. Take your glasses off."

"You're serious," John sighed, "Look around you, Bazz. I didn't break a sweat. Don't commit to this bullshit."

"This isn't something I get to turn down, even for you," Bazz says, before his arms were wreathed in flames.

"I guess s--" John's words were cut short, as the electrocuted man beneath her suddenly warmed up, and erupted in a gout of flame and viscera, as he blew up like a landmine.

Thrown into the air, John tried to recover as she cracked against her own ceiling, but Bazz had heaved another body at her, and it detonated, sending her into the floor, and another body. Each of the mercenaries had been booby trapped, and Bazz was able to use their corpses as firebombs with his Pyro Vision. Physically strained from her previous fight, more so than she'd let on, John couldn't speed out of them back-to-back explosions, and with the fourth bouncing her into the ceiling for a third time, she could only watch... as if... disconnected... as her office burned around her, as her house burned around her... her life going up in literal smoke.

All because she was a little too rough with some noble prick's unfaithful wife.

What an unjust world.

The last thing John comprehended was the crack of her glasses from the blazing punch to her forehead, and Bazz saying, “I told you, take them off...

After that, naught but the sweet, silent embrace of The Sandman, Father of Sleep...

A WEEK LATER...
Comas were tricky bastards, especially if you spent them in a cargo box with no food or water, being transported halfway across the world with not a soul aware of you.

Industrial freight was too common, and John's crate was marked [DO NOT OPEN UNTIL FINAL DESTINATION] with high-ranking seals. They couldn't kill her outright, but they could arrange for her to die at a point beyond their borders. However, a Witch was made of sterner stuff than some paltry Human, and a particularly heavy deposit would stir the beaten and battered woman from her overstayed slumber.

Light cracked in between panes that allowed air to flow in, as well, and kept her oxygen, while damaged, high enough. Said light hurt with a passion, as weak eyes opened to her prison.

"I'm in a box."

That was the first thing her addled brain comprehended. Self-explanatory enough, as bits of her memory filtered in.

"I'm in a puddle."

That was the second thing her brain gathered, once lucid enough. Likely, a puddle grown of her own bodily waste and sweat from her comatose state.

"There's another box in here."

That was the third thing John realized, and that motivated her to test the limits of her prison. The box was big enough for her to sit in, hunched over, and open the smaller box that she's been curled around.

Inside, familiar things were assembled: her knuckle dusters, her shotgun with half a battery, half-empty box of shells, a fresh battery, a change of clothes, her bra/holster, a wad of cash, and her broken glasses.

Underneath her glasses was a letter taped to them. Opening the letter, she would draw out a piece of parchment and a cylindrical plate threaded with beaded double ended loop - her Vision. It crackled, and came to life in her lap; shining a revitalizing light in the cargo box.

Using her new light, she would read the letter...

<Yo, John.

Look, business is business. You know this. I know this. It's Averton. Nobody gives a shit what you do with your damn, magic dick, least of all me. But, you fouled some seriously royal waters, girl. I'm not proud of how shit went down, but I'm not stupid enough to say no.

Not all Jotuns are meatheads.

Still, I owe you a solid, so I packed a parting gift and rearranged your travel schedule. You'll have a nice layover in some pirate town - Al-Marabar, I think, is the name. I just know, capital-bound cargo is notorious for getting "lost" there, so if you wake up...

No, not if... when you wake up, you'll be far off and safer. Just keep your head in the sand. Let the heat die, and for the love of all that is cash money, keep your dick in that freaky potion of yours.

...or, at least, put it in a good woman for once.

But, know this: 10,000,000 is your fine, John. Those bodies weren't cheap. A lot of hush money went into this cover up. Even with your unnatural life span, you can't hope to pay it off. Your office is ash. The money is all that was in your safe. The only thing I could save, aside from those Uveran girls.

Whatever. That's unimportant. Listen, John. We're even. Hell, you owe me, really, but I won't collect. Settle down. Start a family. Don't make news. Don't come home. In fact, forget home. Stay safe.

And, have a nice life.

Seriously.

- Bazz
>

John smirked, as she set the letter down. Shifting her position, she tipped the envelope to return the letter - sitting at the bottom, a long cigarette with writing on it.

"Last one, big sis...."

Sniffling, she thumbed her Vision, and reached behind herself... taking her hair into a low pony, and cinching it against her head using her Vision as a glorified tie. Looking down, she held the cigarette, and tucked it behind her right ear. "Bazz, you sentimental, kind-hearted, little shit..." she wiped her tears, and slipped on her knuckles dusters, before pumping her shotgun with a wicked grin, "Protected by my little brother..."

Supernova sparked, as lightning surged from her battery, and John pulled the trigger - blasting open her prison, and opening the door for a new beginning, as she stepped out...

...reborn from the ashes (metaphorically, and literally from the burning crate) like a Phoenix.

"Alright, Bazz! Just wait for your big sister's comeback!" John beamed.
It was by the grace of being absolutely the cutest thing alive that Liliana's shoulders were not freed of carrying the burden that was her empty head, as Alice was carted off towards a destination she'd no desire to embark towards. Silently fuming, she would bide her time, and just wait...

Upon arrival, she detached herself from the steer-turned-steed, and separated herself from Liliana. As she did, part of her attention was drawn to the old woman that drew an axe upon their arrival, and smirked in amusement. Alice liked her women with a fire in their belly and an axe in hand, however, before she could appreciate the old crone's offensive form, a Jurougumo rallied to their defense, and diffused the situation.

Shame.

Alice sighed, as she hefted Carroll to her shoulder, and set to taking her leave. However, before she could commit, she would hear the sound of a commotion and the guttural cries of a woman - it was too young to be the old crone, and too human to be the Jurougumo, so it had to have been the Jiangshi.

And, it was.

It seemed, in the heat of the moment, she had snapped; under pressure; autonomic reflex; whatever the cause, she was attacking with reckless abandon in a way that only an Undead could. It was purely poetry in motion, as she ripped apart her foes in smooth succession - beautiful, like her namesake. Alice itched to do battle with such a beast, still of the mindset of the training, and --

"Atsuha, I'll restrain Hinami, web us if necessary! Orc, crush the rest! The others, do what you want!"

-- like that, the itch was soothed. Her desire to fight had evaporated like steam, as the Goblin resigned himself to the duel at hand.

Alice turned, and approached a distant tombstone - popping up on the square column, and wiggling her plush, bare bottom, as she got comfortable. Properly seated on her throne, Alice removed her hat, and withdrew one of the cups from the training zone; generating a bubble of water to fill it, and setting it on the flat of Carroll's blade to heat, as she sprinkled mushrooms in.

She seemed content to watch the battle from afar.

<Not interested in the fight,> Carroll asks, appearing behind Alice; draping over her shoulders like a satin blanket made Human; her left hand claws stroking gently across Alice's cheek to chin.

"I have no desire to fight so dishonorably. I will allow the Goblin his due or his death," Alice says, settled into the personality of Jane. "It doesn't especially matter to me. Besides, Gringor is here, as well. In matters of combat, it would disgust me to genuinely take on his aid."

<You seemed so well in hand during the training,> Carroll teased, bladed fingers walking toward Alice's chest; walking the curve of her right breast to the peaked summit. <To where did that camaraderie go?>

"To the fresh hell it was summoned from. Such a useless affair, that," Alice says, stirring her tea with her finger. "From the impulsive Kerry and her bee-brained schemes to the headstrong Gringor and his pea-brained tactics," she laments, "Liliana is simply a product of her nature and species, while Io truly a relic of a bygone era, pretending to be relevant. Useless, the lot of them in a true war with stakes."

<So mean. So cruel. Oh, how I missed this side of my sweet, sweet Alice,> Carroll cooed, her lips nipping at Alice's right ear. <If only we could be free again... unbound by the word given to that woman. Then, we could decimate the Varjans and claim their Kingdom for ourselves...>

Alice moaned softly, as Carroll's bladed fingers dug into to supple flesh, and crept to her nethers to polish as her hidden blade. "In due time, Carroll, in due time. All we need to do is play along, until the moment arises," she says. "In the meantime, we will just wait and watch..."

And, so, she would; content to sip her tea, while Carroll explored her body, slowly shifting from light petting to heavy petting, as the fights carried on, serving as fuel for her self-gratification.

@VitaVitaAR

In hindsight, I feel like it would have been better to take my character to PMs, so she could've been sorted better and cleaner with all... above. That said, the cast is kinda on the big size, so I think I will bow out. 10 characters is a lot to keep track of.

Best of luck, and have fun writing.
@The Otter

It's not a matter of arrogance. I did not ask you for critique or assistance. I was directly talking to the GM. It's aggravating to be answered by someone else not involved. It pollutes the conversation by adding outside opinions. You just telling me to "do this, do that," without letting the GM or Co-GM answer didn't help, either.

@Raineh Daze

The distance thing is information I didn't actually have. I can see, now, why that wouldn't actually work as well as I wanted. Knowing that, I would change my character concept to something that does work. I don't think my counterargument was lazy, but flawed from a lack of information.

I've really only played Three Houses, so outside of that, I am, admittedly, ignorant.

@Yam I Am

...I'm sorry, who are you?
Vita and Rain can always tell me my own interpretations of things are wrong, I'm just giving you more food for thought in the event "Akitsushima doesn't have harpies and isn't connected to the continent" is held as a firm ruling on the character.


I, shockingly, don't need your food for thought. I, respectfully, offered a counterargument and solution to Vita. Not you.

If Vita says, my counterargument and offered solution won't work, so be it. Plenty of other ideas. But, trust me, I don't need yours.
@The Otter

I didn't realize you were put in charge of what is and isn't allowed in the world-building AND character moderation. My bad.
I think it's more a matter that a temple in a Medieval Stasis European Fantasy country like Estival, Velt, Thaln, etc. wouldn't have people filling the role of Miko. Something similar, perhaps, in the way that a lot of cultures have had similar roles, but not specific and similar enough to use the exact same term.


If the issue is that Estival doesn't have a suitable environment, that's as easy a fix as just deleting that specific name, and saying it's a generic template with a foreign culture.

My problem is that fix reduces any sense of culture and heritage from my character being an foreigner in a small part of a larger whole. I can't see how the Harpies flying to Akitsushima, settling there for a season, then returning Estival, and bringing back the culture and heritage they assimilated from Akitsushima back with them would be a problem overall.
@Enkryption: Mmm, Akitsushima is the setting's Japan equivalent and is not connected to this continent, and it doesn't have harpies.


This feels like such a small detail. Species move. Birds are migratory; they fly across entire landmasses and oceans to settle seasonally. There's no reason that the Karasu couldn't have migrated from their home continent and settled there; some opting to stay behind, and assimilate into the new culture - becoming a new people, settlers.

Humans do that, literally, all the time. And, they don't have the added benefit of WINGS to fly with.
Here goes:


@Enkryption: Mmm, a couple things here.

Harpy feathers are pretty ordinary feathers, so I'm not really sure how they'd be useable in that way. I know "shoot feathers as projectiles" isn't exactly uncommon but they're usually more inherently magical entities or the feathers have unique properties, harpies are in most respects in-universe "ordinary" in terms of their physical properties.

Also they're not really beasts per say, aside from being less human(in their wings and legs and all that) then the non-monstrous races. They're actually one of the most commonplace monstrous races since they get employed as couriers.


My justification is Ninja-themed Wind Magic, as far as being able to fire the feathers. Basically, coating the feathers in magic, giving them a rigid form, and cutting edges. Beyond acting as a focus for the magic, they are just normal feathers, unless coated in herbal oils to give them debuffs on hit, like poison or torpor/slow.

I'm very curious, now, about if there would be something to playing her as a Courier, and having her basically serve as the messenger of the temple she learned her magic from in the first place. That would give her a pretty good sense of direction, lay of the land, and, potentially, polyglot skills, as she would find herself in foreign places to delivery and retrieve parcels.
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