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Redana!

For all the noise of the carnival nothing has ever felt so silent.

All you can hear is your blood. It rushes in your ears so hot and loud you can almost hear the nanites clink together. All you can hear is your pain. Hot liquid forces itself into ravaged muscles and demands, demands, demands. You are carried on wings of fear and agony. Hark! The Kaeri come!

Every child knows the tales of the Warriors of Ceron; martial legends crowned seven hundred years of glory in Imperial service. Unconquered, the wolves call themselves, for it was the diplomacy of Emperor Songast who brought them to her banner and rose to overthrow the Azura at their mightiest. They are the warrior-servitors who fight in the heat of the sun and the gaze of the gods to the renown and glory of all. None such for the Kaeri.

Instead, most people simply think of the Kaeri as jokes. It is not that the Kaeri themselves are considered incompetent - quite the opposite. They are considered so comedically, over-the-top effective that implausible military coincidences are jokingly attributed to Kaeri operations. A flash flood destroys a troop convoy? Kaeri action. Our scouts somehow didn't spot the enemy army until it was right on top of us? Must be Kaeri mercenaries. Enemy dictator struck by a lightning bolt from a clear sky? Make sure to thank the Kaeri liaison.

They don't feel like jokes now.

To be amidst them is like being in the wordless, slipstream control of a cloud of starlings. They play games with your attention, each new strike coming right at the moment when your attention has locked onto the previous one. They get inside your rhythms of combat, inside your habits, inside your loops. They are warriors who know more than any other how to make victory seem impossible.



Alexa!

"The lowest bacteria in the darkest cistern on the most wretched asteroid is not beneath the notice of the God of Love," said Cavel-4954, almost absently striking out with a shattering hooked kick to knock you clean onto your back. "Aphrodite is the father of Zeus, of Poseidon, of Hades and grandfather to all the Gods who sprang forth from them. Aphrodite is the bloody womb of Cronus, torn free and staining the stars red with desire. You denied his power. And for your hubris the galaxy burned."

The Cavel unit spun her spears as though preparing the killing strike - and then spread her arms to toss them aside like child's toys.

"So it would be really dumb for me to stab you here, huh?" she said with a strange energy. "We're going to do something way better instead! Candidates, come forwards!"

A strange crashing force of unity ran through the crowd and chaos. The anarchy seemed to quell and attention began to focus on you, here, in the centre of everything - as you were approached by three machine intelligences wearing roses painted onto their carapace.

"Batchelorette number one is a Pisel class dock loader!" said Cavel-4954, catching the microphone tossed to her by a machine in the crowd. "She's a working class girl, no doubt, but with her two story height and heavy industrial lifting crane she just might be the one to sweep our contestant off her feet! Give a round of applause for Pisel-1132!"

The enormous armoured piece of construction equipment lumbered towards you to the sound of an arena full of polite applause.

Dolce!

"Well," said the God of the Dead thoughtfully. "You'll certainly find that here."

Before there was time to clarify you emerged into the fires of the Styx

A Machine Intelligence increases in mental ability linearly and with diminishing returns. A house sized construct can perform the functions of a genius astrophysicist, a prize component for a mighty warship. Building something larger would be like trying to breed a horse the size of an elephant - expensive, impractical, arguably pointless and likely to collapse under its own weight. A project for an Emperor, in other words.

From atop bones and ruin, you survey the mind of Molech. A cathedral of clattering gears and pounding abacus beads, a roaring rumble of spinning marbles and clockwork binary. Here below his beloved and utopian baths is his inverse, his hated nightmare master computer by which he attempted to derive and isolate chaos from the galaxy. Everywhere are the signs of the owl, the blessing of Athena worked into every eternal and perfect cog. Everywhere there are fires, ruin, collapse as the works of man fail to contain the burning God trapped at its heart.

It goes on for miles, this mechanical vista. This is the heart of the Palace, stained with the blood of Emperors.

Bella!

"Compliance," states the machine as it leads you to conduct your orders.

And yes... this would make an effective gift, wouldn't it? Wouldn't it be nice to have it in the house, knowing that there was a machine immune to bribery, corruption or political intrigue? Wouldn't it be nice to have something around that Mynx couldn't easily shapeshift into? Something like this could be safe. Could be reliable. Could be useful! Redana didn't yet have Nero's political nous, so something like this would make a lovely set of training wheels for a future Empress...

Almost. A frown sneaks its way onto your face, thoughtful and habitual. For all its good qualities this machine was not well tended. Its copper plating has tarnished and developed veins of verdigris, it has - admittedly perfunctory - warpaint markings, it's acquired some sort of chainmail veil thing. Some of the machine intelligences exalt in their aberration but these alterations feel resentful, minimalist, more like weathering than celebration. Your tail twitches as you start to identify Omn as, more than anything else, something in need of cleaning.

"We will reach the Aspects shortly," said Omn. "Staff assets there remain under administrative control. Time remains, if you wish any specific environment to be prepared for the target. Would a cage be desired?"
There had been too many lapses recently. Now was a time for pride - severe and uncompromising.

She speaks the word of Waste and precious acid becomes expired fizzy drink; falling gargoyles become crumbled dusty powder rather than crushing stone, uncertain floors crumbling away leaving only binary strength and emptiness. She blazes clarity through the chaos in a show of force, magic strengthening around her with every draconic pronouncement.

It's not that she doesn't trust Lucien. It's that she can't afford to.
"Well, why did I leave in the first place...?"

She rolls the question in her mouth. Not uncertainly, not like she's considering it for the first time. This is a question that has driven her, animated her, pulled her across the world. It dragged her from the mist and green and took her to where the sun reigns and the rivers bow and the glass shimmers in all the colours of the rainbow. Her hesitance is not because she hasn't answered it, but because she's never had to convey an answer to anyone other than herself.

"Why does anyone go to fairyland?" she murmurs as she looks out across the barrows.

"You go because you're bored. You go because you're impatient. You go because stories get their hooks in you. But most of all, you go because a pretty dragon with ruby scales grins and promises you wonders. You don't go because you've thought about it. You go because your cheeks are burning and your heart is pounding and you can hear music in the distance. There's no reason, there's just want and those too brave to not want dangerous things."

She let her gaze rise above the tombs of ancient kings to watch the golden moon, swathed in her cloudy gown and shining as brightly as a borrowed sun.

"But the thing about fairyland is that for all the wonders, there must be blood," she said. "You leave a little of yourself behind with each step you take. You leave safety behind. You leave happiness behind. You leave childhood behind. You leave innocence behind. You leave ideals behind..." her hand brushed the hilt of her axe gently. "I have done many things unbecoming of a knight. I have seen... others... do worse. And with blood, this axe went from being a tool for providing light and warmth to an instrument of death. I was on a path where I might have been convinced to do the same. And that's a different matter when your cheeks aren't burning and your heart isn't pounding and you've had your fill of music. So you turn back."

She stopped in uncanny time with Apricot, and turned to look up at Constance. Her smile, though shadowed in pain and weariness, was illuminated by eyes bright with moonlight.

"But the strangest thing of all is that you start to find some of those things that you left behind as you return. You remember what it is to fight for something greater. You remember what it was like to eat a meal without fearing a dagger or poison. You see again a friend from childhood days and it's like a piece of your lost soul slots back into place. Patchwork changeling though you may be, you know that no faerie promise or dragon smile will ever part you from your home again."
Redana!

Oh didn't you come on lightning?
Didn't you come in haste?
Pretender
Empress
Ignorant of power


Bella is before you, hair braided back in Molech's dreadlocks, tilting your head up on the tip of her sword. Oh how she smiles, though her face is the glass mirror of Dionysus. A droplet of saliva falls from her mouth and runs down the gleaming metal until it caresses your cheek like a lover.

Didn't you come to stop me?
Didn't you come to save them?
Stars
Empire
The long view is your weakness.

Watch.


Dionysus-Molech-Bella reached up into the sky, fingers fastening around the intact Spear of Civilization, brandishing it above her as she readied her throw. She aims not at you, but at the stars themselves.

You were too slow

And she began to cast the spear.

A sword is in your hand.

You strike on instinct. You strike because the music and the rhythm and the dance allow nothing less. You strike because Aphrodite grasped your hands and dragged them forwards in a motion so vicious it could only have come from the God of Love. You strike and your sword shatters in golden fire and (Bella)Dionysus(Molech) falls in a rain of colloidal silver as her spear shatters into ten thousand splinters.

[Lose your rapier]

Alexa!

"Well, thank you," said Cavel-4954, slipping into your grasp like mercury. She's so small and fragile that you're terrified you'll break her even as she sweeps you off your feet. "It's nice to be appreciated! After all, we all have you to thank for this."

She sets you down after her pirouette is finished, and then tries to take your heart with her spear.

"After all, Molech was the Emperor," she said, voice phonetically sharp, dripping with intelligence and danger. "Blessed by Zeus. Beloved by Athena. Paid up in tribute with every other god. Even the intervention of Hermes could not stop him. Only one god could possibly bring about all this ruin. Only one act of hubris not accounted for in his calculations."

She fell against your shoulder, sighing affectionately against your sculpted muscle even as her spear came for your back like a viper.

"You bought the wrath of Aphrodite upon him, traitor," she said like a serpent. "And not all the gods together, not Zeus herself, could stop him."

Vasilia!

"We do not take orders from -" Galnius started to argue, then stopped as she glanced around - sniffing out the almost imperceptible shadow of another unit of Kaeri moving in the distance. She's sharp - the kind of sharp that blurs the line between perception and precognition. Apollo's champions are often like that.

"We will talk about this later," she said darkly, and with a mighty strike of her spear she shatters a hole in the marble wall of the bathhouse and leads her soldiers through into the service passage. This is a confrontation deferred and not resolved, but for now she's at least not contesting you.

Stepping into the service passage, though - perhaps the battle against the Kaeri would have been less hellish. It is like stepping into the throat of a dragon - hot and wet, heavy with steam and with fire in the distance. Underneath your boots bones crunch and weapons clatter. A terrible battle was fought here, and shattered machines and slain Ceronians pave the surface.

A steady flow of hot, wet air pours past you, dragged towards that distant fiery light. One eternal breath filling terrible lungs, a breath that is trying to swallow the sky. The stories of Tartarus never seemed so immediate, not least for the fact that Hades leans against a wall staring at you with azure eyes.

Bella!

It is a different kind of power to see the Kaeri move. To unleash the machines is to command a tempest; to dispatch the Kaeri is to cast a spear. A whirlwind of shadows and feathers rush past you leaping into dark feathered glides as they cascade down into the arena. Where they must they go through the machines as though they were forged from paper, though so great is their speed and stealth that they rarely must. They progress like poison through a racing heart, and like poison no blood will be spilled as they do their work.

"Projecting nature of conflict," said Omn. "Analyzing. The Dance will deprive the Princess of her weapon. She shall be forced to disengage along controllable paths. Her path will terminate in the Aspects. If the Praetor desires, we can be waiting for her there."
Here, at last, her face finally recovers its seriousness. Here at last the fit of giggles leaves her and she struggles free from the dance - though she is unsteady and dizzy. Here at last that mask and focus slips back into place, and she becomes again the Archmage.

"I will grant my own wish," she says.

She flexes her shoulders and veridian flames run along her fur again, reconstituting the full body alchemical tattoo in moments. Once again she is the Archmage.

"Come. Let's get the fuck out of this shithole."
Redana!

The music of Zeus buys you time. It buys you the captivated attention of the crowd. It always does, it always would - Zeus is the Queen of the Gods and when the music of lightning roars even the greatest party will pause to listen. For a moment all the world is lit up by your heavenly glory and all the world stands still in expectation.

But lightning passes, and the dark rushes back in.

It is a dance still but this is no longer the synthetic perfection of a choreographed and harmonized musical. Now it's the flashing crimson lights and overwhelming sound of a mosh pit in a heavy metal concert. Machines come at you from every direction, heads banging in jerky, puppeteer motions, grasping and tearing as they try to wrap their hands around that glorious little thunderbolt. As vast as this arena is, it feels like you are in a tiny, choking space of machines and noise and reaching hands and it is all you can do to evade them. Black lights come on from the projectors of machines, lighting up weaving serpentine tattoos that wrap around the bodies of the machines in neon colours, adding the presence of holographic dragons and tigers to the mad darkness you find yourself in.

Of Alexa, there is no sign. You'd be lucky to find yourself in this.

Alexa!

The crimson light of the Regalia crashes through the crowd. The motion slows to a halt, the confused empty beat of the dance where the DJ fumbles the transition to the next record. For a moment everything is silent and still and dead, lacking in energy. For a moment the world is as you imagined it must be.

And then it comes roaring back into life.

Reality seems to flicker as though making up for that lost moment, and the machines of Baradissar are again moving with uncanny unity. This is a different tune but they know it just as well as the last and are just as eager to make it so. The Empress' words were expertly chosen. There was no friction between call and response, no struggle and no rebellion. It is a command that this world was ready to obey.

And Cavel-4954 lunges at you, Alexa. From her glorious heap of mechanical attendants she lunges at you with a spear in either hand, illuminated by Imperial light.

You know this make and model. The Cavels were a limited run of light skirmisher machines made for long range reconnaissance and skirmishing. They're light, flimsy, stealthy things not at all suited for font line combat. It should shatter when it strikes you like a glass arrow. Instead you're put on the defensive in a way you've never been before, because when you look into that reflective visor and painted-on eyes you see Athena reflected back at you.

She moves like you do. She fights like you do. You are the mathematical perfection of war, the avatar of Athena in this mortal realm and there are no others like you. Except she is. You were carved by Imperial hands out of the most perfect marble. Your spear, reflexively thrust, scratches off her cheap metal shoulder with the same ringing sound that you know so well, the sound of a spear glancing off your own shoulder. Instead of shattering she presses forwards and you're sent back, back, back, for the first time ever put the wrong end of this dance.

The underpinnings of your reality come unstuck one by one. You considered these machines to be worthless; here is one of infinite value. You considered your skills unique and won at terrible cost; here they are granted for free to a broken construct. You considered power your heritage and victory your birthright; here a God has granted it to a nobody, a nothing, for reasons beyond your comprehension. Everything you are is mirrored in this gleaming, slender device. For the first time you feel like those practice constructs must have felt when you were set against them.

You are in so much danger.

[Response Level 3, triggered by Bella's command and Alexa's failure to uphold this place's customs. The location has obtained a new stat: Carnival of the Gods - it is impossible to find your way anywhere without the intervention of a god.
Location Stats:
- The Machines
- Bad Weather
- Carnival of the Gods]



Vasilia!

"You really don't understand the Empire, huh?" said Galnius. "Maybe the Sky Marshal sent them. Maybe they're on their own. Maybe they work for an Assassin Temple, or some King who's in really good with the right god. The Armada is only one Imperial institution and not even the scariest. Don't let the fact that it's concentrated on Tellus fool you, the Empire has resources beyond what you can imagine and they'll find us wherever we go. As long as we serve the Princess we'll be under constant attack."

She didn't seem afraid of this at all. On the contrary, he sounded quite chipper. This was literally what she signed up for, after all, she and all her soldiers - with the expectation that immense glory and power would come to them if they proved themselves reliable and loyal servants of the Throne. Men had been made kings for lesser services.

"So, you going to join us, or what?" She asked brightly. Her soldiers were already getting ready to charge, and Princess Epistia looked ready to start making corpses, so you'll need to talk fast if you want to sell them on a different plan.

Bella!

You understand Nero desired a higher class of command. You understand that she was not satisfied with ruling a galaxy of machines and slaves, and so instead sought to raise humanity again to perfection so they would be worthy of her rule. You understand that she wields true power and that this, all of this, is a pale shadow in comparison to the breathtaking heights she stands upon...

But oh, your heart must be humble indeed if it can find such wild release in this simple exercise.

They're so responsive. They're so obedient. They're so quick to obey and so joyous in servitude - practically falling over each other in their craving to execute your will. You know at least some of that comes from giving them the right commands, though. You know that there's such a world of difference between a good order and a bad one...

The floating chainmail-orb thing that contradicted Cavel-4954 earlier - you can see it has something like the word OMN written along its side, which will serve as a name - floats besides you. It speaks in a deep voice, as deep and reassuring as a bass chord, passing below the crashing chaos of the above arena. Inside of it orange plasma sparks and glows like a guttering fire.

"Praetor," it says, and oh isn't that title a splash of ice water? "I must warn you. Cavel-4954 has an agenda here that does not align with your own - an agenda that comes to her as divine revelation from mighty Dionysus. See, how she embodies their will? See how she stands as peer to the Pallas Rex despite inferiority in every aspect of construction and nature? Be wary, Praetor, for just as the Pallas Rex resisted the urge to kneel before your rightful authority I fear it shall be the same with the Cavel unit. I humbly advise that you manufacture plans that rely on your loyal troops as the key components, minimizing reliance on the Cavel where possible."


"This is a land without mountains," she said in a voice a poet might use to discuss their dreams. Oh, isn't the sound of that voice so sweet, so melodic? How did that come to pass? Did the water from the Temple Mountain cleanse her throat of all imperfection? Is it the lingering gift of a djinn's kiss? Was she just a once in a generation prodigy, gifted by nature?

"There are hills here, even tall ones, but mountains? The Greeks have them, as do the Germans. They break the boundaries between earth and sky, towering so high their peaks pass above the clouds. Nor do they stand alone; they gather in their hundreds, thousands, like forests of oak. To walk through the mountains is to walk as the fox wanders the wood, low to the ground and unable to perceive the whole. Each gap between the peaks blooms with the lights of civilization - valley castles watching the little towns that nestle on green hills in the narrow band between icy rivers and eternal snow. All of England could fit within that range of mountains, hidden in the twists and vales between them..."

Her feet were steady in time with the horse's hooves, her voice steady in time with each. There was no falling or rising of breath. Such was her gift that she could talk like this over endless miles and still have it seem that she was both quiet and reserved.

"... And then you come to Constantinople. An entire mountain was felled for its stone, and that stone made a city. If England could be hidden within the mountains of Anatolia, England again could be condensed, squeezed, crushed and corralled into that single city. You see more people in an hour in Constantinople than people here see in their entire lifetimes. Such marvels they build and all you could imagine and more are for sale. One man offered to sell me a cat the size of a small horse, with fangs that could crush a man's skull, and scar-like patterns upon its fur that jagged from the black of charcoal to the orange of autumn leaves. Another man played music that could coax snakes and mice to dance for him. I saw a mystic walk over glowing coals fresh from the forge without losing his smile and without marks upon his feet, before retiring to a bed of nails where he slept away the afternoon. The Imperial Palace alone was the size of Camelot, rivaled only by a church that could fit the cathedral of Salisbury entirely within its great hall..."

She had seemed so calm, so patient - how could she not be? With tales like this how could the bragaddo of English knights touch her? With dreams of magical cities and eyes that had seen the clouds from above, how could the magic of this green and pleasant land surprise her? The hooves of this mighty beast that carried you in steady, rocking motion had pounded so many miles into dust, so many foreign kingdoms into memory. From this saddle, from this height, this knight had seen the whole world, or so it seemed.

On and on went that nightingale voice, bringing the wonders of the Holy Land back to you in soft spoken poetry.
Ailee was trapped in indignant giggling, trying her best to assume a serious face before breaking down again. "Stoooop!" she protests. "Lucien! I'm serious!" she couldn't maintain seriousness. "I can't do magic when you keep making me laugh!"

It was a real battle that played out across the Archmage of Vice. Every time she set her jaw and steadied her gaze and tried to look judgemental or imposing the fact that she was being danced through a beehive in a nightmare station by a fool just set her off again. And accordingly, there were no arcs of lightning or emerald eyes or supernatural fires; there was only a perfectly ordinary mousegirl who was already too dizzy to stand unsupported.
It's not a contest. It's not a contest, this isn't the misery olympics, you shouldn't escalate with your own stories of hardship when someone has just opened up to you. The thought then goes a step further and adds "because nobody cares" - chin up. Emotions down. It doesn't matter, it shouldn't matter, this is just one more reason to fight and one more person whose happiness depends on your victory. It's certainly not a moment to admit any sort of vulnerability because whenever you do that will be used against you somehow.

Instead of processing or expressing her emotions, Canada's mind immediately dives into the first distraction that arrives - and as far as distractions go, getting away from #MAT is one she can absolutely put her full heart behind. She'll need to time this just right, but if she uses her speed to get through the portal the second after Anathet opens it, moves so quickly she isn't spotted, and then ambushes a guard for their uniform she would be free. Free to get back into the fight. She can survive on her own, after all.
"As you will, Emperor," states the machine intelligence - Caval-4954, you can see from her nameplate? She raises her hand and clicks her fingers theatrically.

And eight atomic bombs explode.

Atomics are relics, museum pieces, ineffective in war for hundreds of thousands of years. For countless generations the principles of warfare have drifted closer and closer to precision, skill and individual heroism. Wars are fought with heroes, with precision teams of skirmishers, with organization and discipline. Anything as indiscriminate as an atomic would be little more than the backdrop for the real battle - and that is exactly how Caval-4954 uses them now. Although she could have detonated all eight here without meaningfully damaging the neomaterials of the coliseum, as a tool to create vast vistas of fire in each direction and block out the sun with vast columns of hurled smoke and dust they serve magnificently. One goes off at each compass point, bracketing the world in a ring of fire.

A microphone is in Caval-4954's hand as she drops down into the arena, voice held clear by the will of a mad god even as hurricane winds strike from all sides. The blast waves merge and shatter together, causing the sky to rebel and twist. And the machine sings in a fast, dangerous, flowing rhythm - the poetry of the gun.

"On your knees because you're down here with me
A rebel, a traitor, and an Empress to be
We burned the stars, we conquered death
We took ten thousand worlds with us past the end -"

"HA!" Five hundred combat machines, garbed in war paint, leap down into the arena. Though they are of five hundred different makes and manufactures they all follow the steps of the dance as best as they are able - low sweeping ground spins that some are able to turn into elegant rolls and flips. "HA! HA!"

"Yeah, we know a thing or two about war," said Caval-4954 in a speaking voice for a moment, letting the note hang before rolling back into it with the flow of a jet fighter revving for flight. She approaches, left hand held out in a pointing gesture as she slipped into a different language for the next verse

"그대여 hoo 왜 그렇게 웃고 있나요?
자꾸 마음이 그대에게 가죠
나 그댈 어찌 보내야 하죠
그냥 넌 나에게만 집중해봐
남들 눈이 중요한가
가득 품에 안아줘 봐 이름 따위 몰라도 돼
갖고 싶다 말해 봐봐 사랑해봐"

Five hundred machines, the next rank in the arena, throws five hundred fedoras down into the ring. The five hundred dancing there already catch the hats in a sickeningly unified motion despite the howling atomic winds and step and slide, spinning them onto their heads, moonwalking backwards. This time they move towards Caval-4954 as she sings, casting themselves at her feet as she steps onto their backs with the slow, deliberate stabbing footsteps of a runway model. As she approaches other machines press up against her, running their hands across her body in a sensual way as she flicks them aside dismissively. They swoon and fall to earth like the ranks of the dead.

The machines forming the road for the singer begin to form a pyramid - crouching into increasing steps so to provide her with an uninterrupted staircase for Cavel-4954 to ascend. She makes her way to the top, step after sensual step, and as she does the machines falling around her cast red silk streamers up at her. They wrap around and bind her like bloodstains, like the red thread of fate, wrapping her chest and legs and clinging to her metal skin like adhesive so that it forms a bloody silken dress swirling behind her like a peacock's raised feathers amidst the wind. At the peak of the pyramid she steps into bladed black high heels that wait there for her, and dragonfly-drones hover down low to wrap a white diamond necklace around her neck. All the while she's flowing through the next verse of her song.

"The lightning could not stop us -"
"HA!"
"The glory could not stop us -"
"HA!"
"In victory we've become melodic, and your victories were all pyrrhic -"
"HA! HA! HA!"
"You hold the shield with breaking heartstrings
We'll tear down Zeus's failed offspring
You don't bend at the knees
You just bend at the brain
You can't see the victory
Coming around again
It's rising,
It's rising,
Can't you feel it?"
"It's rising! HA!"
"Can't you see it?"
"It's burning! HA!"
"Can't you taste it burning your tongue?
They came and came too late to stop us
There was a race and we ran alone
All the wolves of Hermes and we were the better
Get down and kneel before the throne."

The music came to a halt, and Cavel-4954 leaned down from the top of her flowing, exalting pyramid of machinery. She looked down at you with shining painted eyes with lashes long enough to cut the soul. Those painted eyes blinked, and she said:

"On your knees, you've come home."

She spun the microphone and tossed it. It landed in the sand at your feet like the spear of challenge.

The arena was silent.

[Response level 2: Bad Weather.]

*

Vasilia and Dolce!

The world outside shakes and roars. The blue void through that broken skylight goes dark. One of the butler-machines drops the glass she's holding, politely bows and requests forgiveness, and bends down to sweep it up.

"Those are Kaeri," Galnius muttered, pointing at the distant shadows. He has good eyes. "The machines are a distraction. We've got a hostile servitor formation out there, maybe twenty, but reinforcements will be coming. We stand good odds. If we support the Ceronian she'll go through them like a knife."

It's the perfect military read from the textbooks of the Empire - you have a localized force superiority and should wield it to obliterate the enemy. It's also a good reminder that your enemy is playing by the same textbook. The Kaeri will gather reinforcements until their victory is mathematically determined and then crush you, as inevitable as Zeus. Victory will go to whoever acts with more boldness, more skill, more courage.

But there's a different way - the way of Hera. All around are machines who, though they appear as still and servile as the furniture itself, clearly have something unique about them. That paint is not uniform, it is a hundred little acts of self expression - and it's a hundred silent sentinels with who you can negotiate. Impress the machines with your own expression of individual style and they'll favour you as kin.
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