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Robena delays her answer, but only so that she can take the time to pat one of the hunting dogs. Who's a good boy? They could have asked her to hunt every fox in the forest and they would likely have gotten the same "Yes, sure," for who could focus on the declarations of knights when the remaining dogs had realized pats were on offer and were petitioning for their own turns with the pat-giving stranger? She had been reprimanded by masters of hunts before for distracting the hounds from their duties, but if Robena saw a tummy she had to rub it. Behind her, Apricot snorted in either impatience or jealousy.

"Yes, sure," she repeated eventually, looking up at Lady Sauvage. "I then am Robena Coilleghille, and am honoured to be your guest this night."
Redana!

"You will succeed," said Zeus. "Or you will fail. People will call you king or you will fade into obscurity. You will not know which. It is not logic that calls you now Redana, not recognition of station or respect for your natural talents or judgement for past successes. It is madness. Madness that makes you take responsibility for all suffering and all death. Madness that makes you shoulder the weight of the cosmos. Madness that makes your heart break in time with each breaking heart."

Zeus stood up, shoulder damp with tears, and with a thunderclap of her fingers a door opened in the distance. She offers her hand to you.

"The madness will not heal your scars. It will not give you wisdom. It gives one thing only: The will to stand. In a galaxy lost in darkness that is a mighty thing indeed."

[Heal your Grace]

Alexa!

"I thought you'd never ask."

It is perhaps the most sick joke of your existence that you have never before had a real fight.

The training was endless, of course. The battles were likewise. You've fought against phalanxes and Plovers and monsters on every battlefield you could be sent. You've fought kings and the warriors of Ceron and Codexia. You've won and you've lost, but the dark truth in every battle is that you always knew you had the potential to win. It simply wasn't always clear why you should exert that strength. Your cause was lacking and your opponents were weak.

Neither is the case now.

Is this what Princess Epistia dreams when she dreams of war?

The Master of Assassins fights as Artemis does. She has performed every ritual, worked every prayer into that mighty armour, devoted a lifetime in service to death precise. She overflows with knives. To think of her is to be rewarded with jagged counterattack. She has mastered no forms or practices of war except insofar as she is the inverse of you. To fight her is to swim through blades engraved with the words of your inadequacy.

And you?

You fight to save the lives of all those you have decided to care for. You fight with the unrestrained power of Ares erupting inside you like a volcano. You fight as the ultimate weapon of war finally unleashed and the station around the two of you melts and shatters in the inferno of unleashed energy.

Tell us how you fight, Alexa.

[Remember that you must Pay A Price as the Master of Assassins is a Threat to the World]

Dolce!

"Don't get too friendly," said Mynx. "I might have to kill you myself someday."

There is much more 'trying to sound like a calloused badass' than 'calloused badass' in that warning.

"But on that note, is this finally enough to convince you that Redana belongs on Tellus?" she said as she cautiously advanced to avoid the constantly flowing Coherent and Hermetic movements. "You've got no idea what you're messing with when it comes to Imperial politics."

Vasilia!

You will later concede that Zeus Most High, whatever her flaws, is unparalleled when it comes to giving gifts.

You enter the armoury where your gear is contained and there, floating in mid air upon a time-frozen web of violet electricity, are your pistols. They are as you remember them in terms of grip and weight with but one alteration: the charge chambers are sealed shut and crackling with intense violet energy. You respond to motion as a bonsai zombie rounds a corner and you disintegrate it with a single shot that does nothing to drain the charge in your weapons.

You have an army and a goddess between you and your husband. Zeus has given you two guns and infinite ammunition.

For the first time today you finally feel like the scales are even.

[Your pistols have the stats Ranged, Piercing, Dangerous, Ammunition: Infinite until the end of the issue.]

Bella!

The lights flicker out - and blood red emergency lighting fills the hall.

The Coherent move unexpectedly for a just a moment and then recover. Khitava gestures and twenty bare-chested and masked warriors drag forth a glass cage that stands atop a stone altar. Inside is a bonsai tree, heavy with apples and flowers both. This greenhouse is the altar of Demeter and in this bloody light it seems like a vision of the Styx.

The Coherent roll and dance around the Altar as it is wheeled out before you, the cage doors opening to reveal that the soil in which the tree grows is thick with bones. Khitava stands tall and domineering and with flick after flick of her fingers she lifts you up and drags you closer to that monstrous garden. The beat is still there but it's been stripped away of every instrument leaving only the twisted sound of your blood rushing in disordered time.

"Well?" said Aphrodite, lighting a cigarette - the only real light in this twisted place. "Go on. Back in the box."

[Damage your Sense]
Regret. You bitch.

It's the most worthless and impractical Word you could have hit her with. It doesn't slow her down at all - in fact, she comes at you harder and faster than before, ablaze with the glyph of Wrath. She flights and she claws and she burns and she is not slowed down at all.

Ailee Sundish, after all, has a lot of experience with fighting on through regret.

No Word could have done less to slow her down. No Word could have done more to hurt her. Every pain that she was keeping just out of focus is now in agonizing razor clarity. The life she threw away tears at her like a ghost. All of the things she sacrificed to reach the Heart weigh around her neck like anchors.

But fuck them and fuck you. Even if she can't inflict this pain on you she'll make sure you learn that this was a fucking mistake.

The Archmage burns, and the Archmage drowns.

[Keep EVIL JACKDAW busy: 9; consequences are deferred but not denied]
Chen!

"Princess Chen," said Princess Qiu. "I have a confession. I have in fact painted the places I intend to conquer."

And out here on the balcony, beyond the easel surrounded by reference photographs of Ys, you have a grand view of Princess Qiu's mustering legions[1].

[1]: Princess Qiu has needed to perform some truly heroic feats of optical illusion to make this sight seem as grand as it does, given that her army consists of about a thousand total - of which seven hundred are actual uniformed soldiers, and of which five hundred are deployed on various guard duties around her kingdoms. Even fully assembled it's barely a medium sized army by regional standards, and that's including her Assault Ribbons. With careful spacing, giving everyone dramatic helmet feathers, use of vehicles, tents fires, ensuring the skylines are clustered with evenly ranked Assault Ribbons, and other filmmaker's tricks, Qiu has been able to create the impression of a mighty legion ready to march despite having barely enough people to fill up a community theatre hall.

"In fairness to me," said Qiu, "since I intend to conquer everything, it's hard to find subject material outside of that range."

Rose!

"You know what I think, Rose from the River of the White Doe with the Cute Nose?" said Princess Qiu, tail snaking around your neck. "I think that you're a raging submissive who's had some shitty masters. I think that you believe nobody will give you the right orders unless you manipulate them into doing it. I think that you joined the White Doe School of all possible schools purely because you knew they'd send you against me, and you desired this confrontation. Poor girl, to want so badly to throw yourself upon another's mercy while being unable to trust anyone enough to do it."

Her finger pushed against your mouth firmly, pushing aside your lips, sliding along your teeth, intimate and invasive and vulnerable all at once.

"Well, you're in luck," she pulls her finger free and tosses aside her sheathed sword, and draws in its place another, lesser blade. A condescension in shining steel. "You've put yourself in a position where you can be collared and bought to heel in a way that is and is not your will all at once. But..."

She brings her still-wet digit to her own lips and kisses it gently. "... If you fight me here you are surrendering all of your concerns about my monopolistic power. You will lose, of course, and in defeat you will not be able to act on your fears. If you fight me here you won't be able to stop me from taking over the world as you will be too busy decorating the walls of my harem. Can you live with that, Rose from the River?"

Yue!

Watching someone move through a familiar kitchen is a magic of its own. Drawers and cupboards open up like puzzle boxes. Utensils and equipment emerge as if by magic. It's a little world where everything is known, mapped and measured. Princess Qiu must not have any maids to know her way around this place so well. She assists you with diligence and without ego, performing the constant string of support tasks needed to give a chef true freedom of motion.

And all the while her eyes remain fascinated. She's drinking in information and when you catch those eyes in passing you see thoughts swirling beneath.

And then you confront her and she hesitates, and it's not that she's surprised. It's that she's specifically creating a moment where she is letting herself be just another girl in the kitchen here with you. But her eyes linger on your radiant battle-dress, and on the sword you have left by the door. Her eyes meet yours one more time and you can feel the uncertainty there, the edge of guilt to that slowly swishing tail. And then, a smile that is a guess.

"Oh? You dare question me?" said Princess Qiu, leaning back alongside the oven and spreading her arms imperiously. "How audacious! Very well! I have bought you here because you pose a threat to my reign! If you were to be trained in the blade by Mistress Tsao who hides from my wrath aboard the Sky Castle then the demons prophecise that you may yet be my match! And so I have bought you here to be my prisoner - and should you escape, my armies shall pursue you to the ends of the earth!"

This is the kind of thing that no doubt feels more dramatic coming from someone playing a pipe organ at the top of a great pyramid. Somehow, though, having it over cookies and tea in a comfortable kitchen doesn't feel wrong.
"A fox?" Robena asks, and reflexively she takes in each rider and each coat of arms a second time. All these, not for a boar or stag, but a fox? She is searching for the sign of the chalice, for the sign that these are penitent knights like her - for who else would chase such ignoble prey?

But no, these are strong and noble figures wearing fresh cloth, with strong horses and handsome squires. Their faces are unbesotted by drink and while they are mirthful they are not flippant or flamboyant. Knights as true as any she has seen upon her travels. And they hunt a fox of all things! A creature with no meat, no antlers, no danger and no prestige. Practically an orange rat.

Once she might not have understood. Once her fingers did not ache from so many long hours reinforcing the fences around chicken coops. While she has not met a fox in the hunt she nevertheless feels like she understands on some level what μαλάκες they must be in order to merit such fortification.

"No, I have not seen any foxes," she said. "If I should see it, should I slay it, or do you reserve the right of hunting here for yourselves?"
Redana!

"But the dawning scatters dreams as the sun rises from his grave," whispered Zeus, holding your hands where Bella had been but an eternity before. "And in humble resurrection death's brother fades away."

She kisses your forehead with the kindness of fatherhood itself.

"Once I lay in the same place you do now," said Zeus, gently pulling you into her shoulder and stroking your hair as the tears flow freely. "I had escaped my father and the wounds were so fresh. How does one stand up to a parent who desires for you to become a part of them? To take you in and digest you, breaking down every new thing that was growing inside of you? How does one pull oneself from the crushing teeth while protecting that brand-new soul from scars?"

And did you never notice the scars before now, Redana? The huge patches of stained white skin across her face and neck all the way down to the dress? They seemed before but marks of power, additions to a terrifying and imposing presence that called to mind violence even in her restraint. Now it's as though the veil has parted and they are simply scars after all.

"Mortals call Dionysus mad, you know? They are fools, for I am mad too. Mine is the madness of those who have fallen to the bottom of the world, forsaken and alone, and in the heart of their despair they find responsibility. They recognize that they cannot save themselves but they can save those around them - they must save those around them."

She takes the bloody crown from your hands and does not wipe it clean, but places it upon your head.

"Kings think I favour them for wearing crowns. They, too, are fools. This is not a badge of office, this is a metal bandage holding in a broken mind. This is the symbol of someone who will stand against all the power of a twisted cosmos because they have taken responsibility for the suffering of others. You need such a bandage with you now, Redana, for you have a great many people to save."

Dolce and Alexa!

"Yeah," said Mynx awkwardly. "She'll be fine. From Artemis, at least. Demeter who the fuck knows -" she realized she wasn't being reassuring so changed tack. "But she probably doesn't kill people herself, which is why she bought Artemis! And we've got tonnes to worry about just from Artemis!"

The end of the hallway ignited in a vicious grey light.

The Master of Assassins had returned in an aspect of deadly force, encased in a cathedral of divine armour. It's so loaded with detail everything upon it blurs together - each inch of black metal is covered with gold engraving, holy battle scars, wax seals, gleaming trinkets, diamonds and gemstones, feathers and skulls, leather pouches, animal teeth. It's a suit of armour with which to invade Faerieland.

It's a suit of armour to run in terror from.

"I think it's worth a try!" said Mynx, hurriedly picking Dolce up off his feet and tucking him under her arm. "Good luck with the unstoppable killing machine!" she said, hurrying off down the corridor with the swiftness of someone who clearly knows exactly what that suit of armour is capable of.

Vasilia!

"Oh, this insistence on forward momentum!" Demeter said, putting her hands on her hips and petulantly kicking over an anthill, spraying you with biting fire ants. "Where does Hermes keep finding you people!? Every year it's the same thing! She rummages up half a dozen omnidirectionnelle people who only go in straight lines no matter how many times you step on their fingers."

She punches you in the arm causing your tattered uniform to explode into a nest of biting venus fly-traps, but her voice has ascended into genuine whining. "She is doing it to hurt me! She knows that I hate this kind of thing! She could find smarter people, you know, ones who understand when they are beaten and say 'thank you for the opportunity to test my strength against you, Demeter' - but time and again she gets the absolute most stubborn ones possible! Listen, when you die, talk to that brute Hades for me, won't you? Tell him: I think that selecting these obsessively driven mortals to carry your mail knowing I have to stop them is cruel. Next time he should send some robots! I tell you what, I'll have a word with little Zeus and have her knock it off with the electricity thing so the humans can build proper robots again, and then we'll fight using those for a while instead." She put her hand on her chin thoughtfully. "Or," she added, "you could simply tell him to stop doing this entirely. It was cute the first couple of times but now it's become a chore for both of us, don't you think?"

Bella!

The Magos' bunker lies ahead. Its massive sealed vault doors are woven through with vines and the sound of mad clattering spirals from within. It's the height of summer and all is fire.

Before you stands Khitava, General of the Coherent. She has not come carrying weapons - she nor none of her followers. This is time for a different arsenal, this one comprised of leather gloves and bloody lipstick.

The music is in your blood, in your pulse - and it stops. Then it hooks you violently in a different direction. Your head turns, following each curve of her hands as though pulled by invisible strings. She pulls you towards her like an animal and then slips closer like a lover, circling you without quite touching as her gloves brush ghostly-close to your hair and lips. She's in your blood and in your ear, not an overpowering cascade of force like Demeter's chant. This is a thing of Hermes and everything is motion and redirection.

She stands behind you and pulls your invisible chain tight around your throat - your breathing is not interrupted but still you fall back gasping even as her hand rises and falls with the crack of a whip. You're spiraling away and she catches you, one hand above your head like a puppeteer, the other below your chin holding you without touching, gazing with dark contempt into your eyes. Then she pushes you back, through a cascading crowd of her Coherent soldiers - each time one falls out of your way it is like falling deeper into her trance.

It's the denial of touch, you/your Auspex realize as another pantomime push sends you pressing into a wall, and as invisible pulls bring your hands up above your head. She can control you so long as she can keep you in this moment of musical suspense. She can twist you around and pull you deeper and deeper into this hypnotic song until she doesn't need the divine music to control your limbs and you become a true puppet. But again she's come, close and commanding, turning your head this way and that, forcing your blood to beat the colour of her lipstick - moving as close as she can, as close as the song demands, without allowing herself the contact that will break the spell.
Princess Qiu smiles. Her hand brushes the hilt of her katana and she pulls just an inch of it from its sheath - and whisper of metal is enough to divide the world.

Everyone who has ever faced her has told tales of how Qiu wields the power of her Sunshards, each contradictory and impossible. The truth, though complex in magic and metaphysics, is profoundly simple in intent and effect. Her blade cuts away everyone and everything else so that she can be the absolute centre of each person's world - and so she can give everyone her undivided attention in exchange.

Stare hard enough at the edges of the world, the perfect severing of reality, and you'll see her again and again. There she is with human-shaped Hyra, facing her down beneath the full moon, blades in each of their hands. There she is with Cyanis, competing for whose kissing booth can attract more customers. There she is with Katherine Isabella Fluffybiscuits, engaged in a trial of ultimate endurance: can she continue providing pets for the entire duration of the pet-ee's nap?

But in every other respect she is here, now, the centre of everything.

"But why postpone, Rose?" says Princess Qiu, turning her full attention directly onto you, letting the others and their failure to recognize you to fade into the background. "You have been dogging my footsteps for months now. You have been ambushing my demons and I hear you have terribly humiliated and confused the poor Scales of Meaning."

She comes down the steps, scales still glistening wet with ruby and gold, as her talons run along your collar and then up under your chin.

"I have had so many other priorities lately but time and again you seemed so determined to push yourself to the top of my list. What is it that could have attracted such intensity from a monk of all things, hmm? If I didn't respect your vows so much I would even suggest you had become obsessed with me."

But at the same time, in a different world, she's taken the arm of Yue - gently! Casually, even, the kind of ordinary gesture that proves that she's not made of fire and ruby, the kind of gesture that answers unaskable questions about the texture and smoothness of scale and the warmth that runs beneath. "If you intend to bake, Yue, then of course I'm going to help! Come on, the kitchen is this way!"

There's such interest in her eyes as she walks with you, such focus which is all the more intoxicating by the fact that she doesn't seem in the slightest bit disappointed by what she sees. Any stuttering or hesitancy or awkward laugh she can wave off with such confidence that it's impossible to think that you've somehow fooled her into thinking you're someone you're not. Princess Yin had seen through you and her eyes had hardened with contempt; Princess Qiu's blaze with genuine fascination.

"It's a bit of a mess, but I know where everything is," she said, and sounded legitimately embarrassed even though her idea of messy was 'left a box of cereal on the table'. Everything else was gorgeously clean while also being surprisingly compact and ordinary - after all the cyclopean architecture outside, Princess Qiu at least has enough sense in her not to put the stove five hundred meters away from the sink. "Tell me what you need and I'll fetch it for you!"

"Hey, that's a lot Chen, so thank you," said Qiu elsewhere still, patting your head affectionately. "The Scales made it sound like she was in the game, and if she wasn't I'm going to bind her into a vending machine. I might do the same to Yin, to be honest. Is she back on her bullshit again? I'll take care of it, don't worry"

She hasn't stopped patting your head, even crooking her arm around your neck so she can gently lead you along as she does so.

"But anyway, what I've really been thinking about recently is painting. You wanted to see that from me, right? Well since you made me commit to not knocking over any other kingdoms until you showed up again I've had nothing to do but paint. Have you gotten the opportunity lately? I can't imagine, with all the running about you've had to do..."
Redana!

It's a quiet night on the road. Your feet are sore but your sandals are soft. The sky is hot but your hat is wide. Your staff is broken but your purse is full. You've got the stars for guidance and what more could you need? You could wander forever like this and see all that there was there to see.

But there across the plain stands the dropship, grey steel and Imperial in every aspect. The recruiters smile as they stand outside - "Join the Imperial Forces - see the galaxy!"

And for some reason the infinite expanse of the planet you're standing on seems very small - small compared to all that which could be out there. And so you took the coin from the recuiter to see where it might lead you. But for all the millions of miles that ship carried you it always felt like you'd walked into a cage. No matter how the view behind the bars changed that oath, that coin weighed you down and pulled you into the depths of the Underworld.

A miserable journey is no journey at all.

Such is the regret that festers in the deepest heart of Empress Nero.

Alexa and Dolce!

The Alexas stare at each other for a moment. Then one of them throws up her hands. "Augh!" came Mynx's voice. "Artemis! Why!?"

"Because you didn't trust your instincts earlier," said Artemis from across the room, mouth full of the honey-glazed nuts served to her by Dolce. "This is life and death, Mynx. You can't let your feelings get in the way."

"Mmmmmnnnnnhhhhg," said someone who was doing her best to not let her feelings get in the way. "Okay, fine. Let's -" and in a dizzying shift of colours the false Alexa cracked and fell away in a cascade of scales. "- get this over with."

Mynx's shapeshifting is in her scales: Imperial perfection of the concept started by the ancient chameleons. She's not tall in her natural form - in fact, she's a perfect match for Redana - and adding the height and width needed to impersonate the mighty guardian of Athena had required her to grow strange bone protrusions from her body. It's an unsettling organic exoskeleton look, armour plates that extend away from her body; a shape of violence. Only her obviously and relatable exasperation stops her from seeming a true monster in this moment.

"Right, shut up, we're up against the Master of Assassins," said Mynx. "And it's my fucking fault for not noticing but shut up - just, shut up and keep the sheep alive, all right?"

She looked as if she was about to head out through the door alone, and then hesitated. "There's a ritual - a cycle, it's like - uh," she stumbled, evidently having never had to explain this before. "If I do this right then I can save Redana. But it won't work if you die... so don't, okay?"

Vasilia!

Demeter looks at you for a moment in a curiously human expression. For a moment the vibrancy of the world stills.

And then she does indeed rip your arm out of its socket.

It's still attached - small blessings - but it's sickeningly dislocated and agonizingly painful. She has somehow twisted it to strike every nerve on its way out.

"Va-si-la," said Demeter, accent warping your name into an entirely different shape. "I am not tired. You are not tired. You are dead. Trees don't feel the heat when they burn. You don't feel the fire of Asphodel even though you're drowning in it. This," she cracks your arm again, "is not murder. I don't murder. This is, how you say, coffee. Drink!" She snapped one of your fingers. "Drink!! You need your wits and your husband or you'll never be a mother, hmm?"

[Mark damage]

Bella!

One of the more agreeable traits of the Coherent is that they tend to blare music when in battle. It's the secret to their formations and tactics, it's how they communicate on calamitous battlefields. All armies use horns and drums to signal above the din of conflict, but the Coherent fight according to clockwork formations that change tempo with the beat of music played loud enough to disorient foes who did not deaden their senses beforehand.

Parlor tricks to defeat primitives and pirates. All the rush of sound from the Hermetics does against you is give you a satisfying backing track. You can see why they like it - it's satisfying to fight to music like this. It's satisfying to stay ahead of them. These are soldiers who see battle as a chance to pose and flex their muscles, and oh how they scramble as they realize how seriously they need to take you.

But oh you need to take them seriously too. Even if they were all fools - and only most of them are - they are fools armed with rocket launchers. You can never know with each raised fine wooden gun if it's going to be fire, ice, thunder or stranger things. There's only so much you can do to dodge a weapon that shoots flocks of angry crows.

[Pay a price to close the distance to the Coherent]
There are some forms of music that did not survive the long years spent underground. Music was an optimized thing of proprietary computer software, audio libraries, and rotating spirals of human stars sculpted for purpose. Things were done based on beats and earworms and optimization, the most efficient way to insert a buying craving in the mind. In the years since the emergence music has been discovered in bits and pieces again, learned anew or allowed to simply be a warm comforting thing sung between friends over a roaring fire.

The pipe organ - those enormous, insane contraptions with ten thousand keys, switches and pedals were too unwieldy for the old world and too complex to have been rebuilt by the new. So when you ascend the steps to the sound of a live performance of howling pipe music it is like nothing you have ever heard before. It's music performed not for financial gain, for how could a nightmarish device like this ever pay for itself? It's music not performed for beauty, for its sound is so unique and alien that no one would imagine it if they hadn't heard it first. It's music not performed to develop a useful skill, because each organ is so wildly different that talent in one is not guaranteed to be transferable.

The only reason to learn to play the pipe organ is as a response to the pipe organ itself. This device is a peer to the mountains. One cannot respond rationally to mountains - one can only climb them.

Princess Qiu Tian climbs this one in her bathrobe.

"Chen! You made it!"

From up in the mad control dais, surrounded by switches and levers, Princess Qiu waves enthusiastically with one hand while her other keeps the spooky beat rolling. She's dripping wet, hair long and hanging down around her shoulders, a trail of damp footprints leading up the marble to her musical throne. From the spacing of the steps a deadly huntress of the ancient world might determine that she'd had to practically bound from her still-warm bath and bound up the steps to the control seat of her terrifying instrument upon sensing the arrival of visitors.

She hits a long string of intimidating notes as she stands up - and in return, reveals a surprising detail about herself. Princess Qiu is... kind of average! Not slender, not rounded, not graceful, not clumsy, not tall, not short, not the most beautiful girl in all the world and not the least. She has a body that's well exercised but doesn't ripple with muscles, that isn't particularly curvy or flat. For all the talk of her exceptionalism she doesn't really show it. She's just a kind of normal looking girl (although when she turns her head to the side and you see her face in profile, oh - she is handsome from that angle.)

She leans forwards on the railing around her organ, resting her chin on her hands, tail swishing above her. "And you've bought friends," she said, eyes flicking through the group - and oh, it must be added that her eyes, too, are beautiful, even from here. They're filled with so much intricate detail they're distracting and compelling in a hundred ways, any of which can distract you from how intense the gaze coming from them is. "I am absolutely charmed to meet you. I am Qiu Tian, future ruler of the world and one true Princess."

She's eager, tensed, focused even though she's smiling playfully. Every part of her feels like it's on the edge of saying "But enough talk!" and pouncing across the room. She's an illustration of anticipation - but moment by moment she stays still and keeps that smile, and the faultless restraint that holds back that obvious intensity is a strangely reassuring thing. For all the sheer force that comes from meeting someone playing a pipe organ atop a pyramid of black marble there is no true danger here.
Once again she wears the chalice.

Confession of sin was insufficient for forgiveness; one must too complete penance. One commonly assigned to those who have committed great crimes is to walk the path of the pilgrim. To bear the chalice is more than just to travel, it is to travel as a servant. Any passing priest, mystic or holy man might assign the penitent tasks to perform - not mere labour and punishment, but opportunities to cleanse the soul through service and humility.

Robena has worn the chalice of Xristos for many years, but the last pilgrimage was not hers. It was Sandsfern's and she was a retainer. It had not crossed her mind how many sneers, dismissive waves, careful avoidance of priests and convenient forgetting to wear the chalice was required to avoid even the assignation of penance, or how eager village druids would be for another set of hands when it came time to work the harvest, to find the lost lambs in the moors, to clean the nave. She has crossed the world drinking and fighting and waging war, and then she has crossed it back in silence and solitude. Now she crosses it hauling ploughs, sweeping floors, with hands bloody not from war but from the birth of lambs.

For the first time she feels like she truly sees it.

She sees it foremost in her aching back and shoulders, in the callouses on her fingers. Alas, to be so obviously strong! Tasks which have been deferred for months or years because of the physical might required all come due when Robena passes through town! She has hauled a boulder from a well! She has pulled a mighty oak stump from the earth! She has wrenched boxes full of silverware from a bargewreck at the bottom of the River Mersey! The animating fluid that runs through the veins of the earth is not blood, not wine, it is sweat, and now when Robena looks upon the fields she understands at last the oceans of it required to keep this land green and growing.

She has not turned from her penance yet once. She has not tucked away her cross, failed to pay respect or glared at a priest come to challenge her. Many days the exhaustion tried to tell her to do so - such exhaustion, and not even a celebration from victorious comrades to mark the battle's end! She had lived life as a vassal knight in her lady's castle and it had been comfortable. She had lived life as a vassal pilgrim traveling from tavern to tavern and it had been easy. She had crossed all the lands of Europe and it had not had been as hard as this little stroll across little England.

But then, she has always had the strength required. She simply never gave it before.

[Robena has taken the Penitent's Oath, which has given her the following Rights:
- The Right to visit shrines and holy places and pray before the relics within
- The Right to have penance assigned to her by holy figures, priest or druid or otherwise
- The Right to forsake worldly responsibilities until her penance is complete]
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