@Guess Who

@Lugubrious I have a pending CS.

<Snipped quote by Triple A>

Triple A, since Sho has decided to make a senior, the only remaining position is the fifth antagonist slot. With that in mind, you might want to edit your character to fit the role better. I'll PM you information on the antagonists.

And signups are now closed.

@KabenSaal

The fuck.

Antagonists. They have to be brave. They must not be afraid to have any of the following done;
be mashed into a pulp
to have his eyes gouged out
his elbows broken
To have his kneecaps split
his body burned away
his limbs all hacked and mangled
His head smashed in
his heart cut out
his liver removed
his bowels unplugged
his nostrils raped
his bottom burnt off
his penis split and his...well, you get the idea.

Kaben made some original modifications.

<Snipped quote by KabenSaal>

Well one of my characters did rival NarayanK's antagonists in terms of sheer heartlessness, so I'm not that worried lol _{(gotta love that sex-slave trade game my character had)}

Now that I think about it, 80% of my characters are antagonists and only 10% are decent protagonists. The other 10% goes in the trash bin of motherfuckers I want to forget about. So there's really nothing to legitimately brag about since I'm just kind of used to making antags now.

I just want to learn how to make a good Protag character lol

<Snipped quote by Triple A>

Good and evil are defined by actions, both methods and results, but intentions will always blur that line. This is the simplest form of how to make good and bad characters and some that are near the middle, but if you want to make it even more convoluted... Take a page from Metal Gear Solid. They blur the lines of good and bad so frequently you yourself even find it hard to trust characters you meet. I can't explain how they do it. I only just got into the series' deeper story.

Using character example, I considered putting Lucius, my senior character as an antagonist, even though originally I planned on writing a new one for that. The reason being was that he had the ruthlessness and methodical approach that the cool calm collected types of villains have. I moved him over to the senior side in the end though.

<Snipped quote by Triple A>

Good and evil are defined by actions, both methods and results, but intentions will always blur that line. This is the simplest form of how to make good and bad characters and some that are near the middle, but if you want to make it even more convoluted... Take a page from Metal Gear Solid. They blur the lines of good and bad so frequently you yourself even find it hard to trust characters you meet. I can't explain how they do it. I only just got into the series' deeper story.

Using character example, I considered putting Lucius, my senior character as an antagonist, even though originally I planned on writing a new one for that. The reason being was that he had the ruthlessness and methodical approach that the cool calm collected types of villains have. I moved him over to the senior side in the end though.

<Snipped quote by Sho Minazuki>

I enjoy controlling calm, ruthless characters, though most of them were in their thirties to forties. I can't help but enjoy watching dem villains being calm even if the end of their villainy is clear. Nearly none of them had redeeming features though; only a few of them were legitimately reasonable for their actions.

I enjoy having fairly aged characters. Playing as young/teen characters just makes me older than I should feel lol

<Snipped quote by Triple A>

You can have your antagonist be older if you want. It would put him a step ahead of the younger ones, and there's no rule about age for antagonists anyway.