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They've already done the important part. Everything else is just paperwork for other people to keep up with them.


That's... that's her! Doctor Sylvanius! The King of Mars! She does not look at all like the pictures.

What you're seeing is a little old lady with Doctor Wiley hair and glasses thick enough to stop a bullet with an adorable little golden crown floating above her head, surrounded by a phalanx of golden-plated battle robots that are laying down a hellstorm of fire. She squints up at you with a face full of smiling wrinkles and a voice like chocolate chip cookies. "Oh hello there dearie. Could you please show me to my seat? I do hope I'm not too late."


Who?

No, sorry, he obviously knows who she is. And it's a big deal that she's here in a non-city-crushing capacity--his sister folks! Shogun couldn't stop the war, but a wedding can!--but he's focused on other things right now.

"No, I think you're just in time," he breathes, eyes awash with tears. "This way. They've just said their vows. And would you look at this, the seating chart says you have, oooh, every seat to choose from."

Coleman doesn't know how or when he got between the Flood and Sasha.

Intellectually, there must have been thoughts involved at some point. Neurons must have fired, muscles contracted, to bring him to this point, chest and frills puffed out--fear him, for he is big and scary--mere inches from the Flood's outstretched fingers. But for the life of him, he can't recall having them. He just heard Sasha whining and, well, here he is.

He stares at the goddess's sightless eye sockets, and knows that he is going to die in front of an entire town.

So it's time to double down. Look at how on-purpose and intentional this was, Ms. The Flood. Look at how he matches your lack-of-gaze without flinching. Just stretch out your fingers an inch or two. His chest, his heart is right there for the taking, and just think of the sweet love that you could harvest. His wrench--his father's, his grandfather's, and so on for too many greats to count--is in his hand, loose, confident--

+++

Everything is so big! Stupidly big!

But that's okay! Because he's big too! Big enough to help clean the train for the first time! It's the biggest day in his life!

And yes, he needs help to reach the windows. But Grampa says that just this once, it's okay for him to stand on the benches. And he has to be right, because Gramps has to be the biggest kobold in the world! Why, he must be almost as tall as the train itself!

And Gramps says that if he does a super good job, he'll even get to hold The Wrench!

That's what Saturday afternoons are for, after all, is Gramps and Coleman sitting around a diner car table. He could listen to the stories for hours. There' that engraved story about the first engineer, this signature from the second, this elaborate manual on engine repair picked out in the tiniest font, the one picture that Gramps always faces away from him for some reason (which doesn't really make sense to him, since it just looks like the Nanny in fancy clothing, and what's interesting about that), jokes, advice, crypic wisdom, patterns, swirls, diamonds, the odd jewel...

He cannot fail. Too much is riding on this moment.


+++

And now the wrench is heavy in his hands. Because if there's one thing he can offer--one thing to match the potential new life of a new train--it's history of an elder. A tale of love and life, picked out in scroll and gilt.

It's not as important as Sasha. It's not. It's a hunk of steel, no different from any of the flotsam scattered around this tranquil pond. If he throws it away, it's not like he's losing anything. All the stories are tucked away in his head, after all, he can remember it all. He should just make it easy on himself

And maybe if he tells himself that enough, it'll feel true enough to let his suddenly-iron grip relax.

The Flood is still watching, waiting. Grinning. And that grin--that smug superiority--is what turns fear to anger.

How dare she?

How dare she come in and lay claim to that which is not hers? How dare she force him into this position? How dare she think she has the right to offer him life! To offer him freedom--freedom, of all things--from existence? From suffering?!

The wrench hits the floor of the raft like the gavel of judgement. "I have neither shame nor guilt to give you," he snaps. "And I value suffering too much to exchange it for the soporific stupor of false life. This journey will end either in glory or death, and I'll hang before I let Sasha down! I have a duty!"

Victor massages his throat, coughs, tries to speak, and coughs again. Several failed starts later, he finally manages, "s'not a sex thing."

But, that's not important right now. There are martian kingbots to thwart, a stunning vigilante to subtly perv on in ways that won't tip hands to outsiders watching, and above all, a camera to protect.

What, you didn't think he was going to rely on the stream cameras, did you? Sure, they're probably higher quality, but there's a romantic part of him that wants his own copy of this. Something to look back fondly on with found family and adopted children, perhaps.

So as he joins in the fight, Bode on one side and Prometheus on the other, he mostly gravitates to the tripod in the aisle, adjusting it as needed between blows.

This is fine. This is okay, he can deal with this. This is a solvable problem. He's got nanite arms already, that's like fifteen swiss army knives already. There's a solution here that doesn't involve explaining breathplay to a four-year-old and

And

Feeling kinda lightheaded

Hee! Light headed! Because of the sawblades! That's it! He can cut off his own head! Saw off the neck! Take that, Dominos! Can't choke him out if the neck's gone!

Granted, that means he'll need to get fitted for a new collar, but that's a fun date to have so, all in all, net win!

Oh. And also develop a life-saving method of preserving the spine, carotid, jugular, and windpipe, all in a matter of seconds. Hrm.

Right. Table the sawblade for now.

And really, Prometheus, he thought he taught you better than this. You shouldn't ask two yes-no questions back to back, even if the answer is the same to both.

"Gk-erk-Hlp-ack"
“It is a long way to Terminus,” she exhales, her stamp-stained lungs slowly contracting. “Many of the things that hunt them would not give you anything but my death.” Forgotten, choking, erased from the Heart; and maybe a day after, or a century after, it would vomit forth your bones for some other explorer. She turns on you, as inevitable as a wave. “Give it to me. You will name a price.”


Alone, on a boat, with the active attention of the Flood on them. This is, in fact, the nightmare scenario.

So, he ignores her. At least, at first. Fills his claws with the familiar mechanical motions of polishing. Deep breath in, polish on. Deep breath out, polish off. They may be about to sink, but he'll be damned if Sasha doesn't look her best when they do.

Finally, he delicately folds the rag and tucks the small jar of polish back into the forward storage hatch, before sitting pointedly between the Flood and Sasha. "You've got a lot of trains," he admits. "And it seems like you've got us dead to rights. Could capsize the boat, drag me down, and let gravity put paid to Sasha.

"So, there's a reason you aren't doin' that. Maybe has to do with those hunters you mentioned. Care to share?"

[9 on Speak Softly.
What were they doing, and what are they going to do next?
What should I be wary of when dealing with them?
What can they tell me about things that hunt trains?
One of these answers is not helpful.]
She pulls you close as she parks her bike at the stairs leading up to the altar, giving you a full taste of her hypnotic perfume. Your emotions, already compromised by the day, begin to spiral and swim. "Hey, Brainstorm," she said, voice crack adding a fascinating edge of cuteness to all of the danger signs. "You want to help me, don't you?"


"Of course," he says.

Or, tries to say. Between the whiplash and the perfume and chain around his neck, what actually comes out is a strangled whine and a half-swallowed stream of hacks, coughs, and dry heaves, followed by folding against her.

"Kumquat," he mumbles, still leaning against her. "Bananas, Clockface, Yellow, whatever word you guys use. What are you and Angelika arguing about today?"

Coleman adjusts the netting on Sasha with distaste and more than a little bit of distrust. It's always seemed presumptious, the way that some train crews tinker on their train. New functions, welded-on limbs, the odd weaponized steam whistle. And maybe the Train approves of it, and sometimes it's beneficial, but it still leaves a sour taste in his mouth to alter Sasha in any way. She can't approve or disapprove yet, so how could he try to improve on perfection?

Still, with some reluctance, he's built a sturdy-enough barge around her, and strapped a bit of hinged piping to her smokestack. Not welded! Don't worry, baby, this isn't a permanent thing, we'll get you across the water, and take that nasty bit of dross off of you. Still, between the pressure of the smoke exiting the smokestack and the crude oars, it ought to be simple to jet down the pond and across it.

It certainly doesn't bear thinking about what'll happen if the storm gets there first, because while he wouldn't trust a train's weight to a barge if it weren't sturdily built, he's also keenly aware that it's far from what you'd call fit to weather the storm.
He's not jealous, but hot damn.

He saunters forward and, with careful precision, takes his seat. "I'd do what she says," he drawls. "You're third-rate henchmen with fourth-rate tools, working for a B-list wannabe. Don't you already have enough negative subscribers, Commy? Want to go further in debt to livestream antics of people with zero chemistry?"

He pauses, as if in thought.

"Then again, I suppose that's what you do whenever you're on camera, so..."
"Hey Brainstorm," said Prometheus over the comms. "Can I pleaaaaaaaaase hijack some of those incoming combat robots? I promise I'll use their powers for good. Pleaaaaaaaaase?"


Brainstorm nods, and then remembers. "I'm glad you asked for my input. Remember the rules we came up with? If people are about to be harmed, you should take steps to stop it. So yes, please, if you could stop the robots, that would be best. But hurry up, or you'll miss your aunts' wedding."

Speaking of...

Honestly, he should have been more preoccupied by the robot army, or Dominus's getup, or--holy shit, that's Comstar when did she get out--but frankly? All he can see is the duo on stage and...

Well, there was a part of him that worried he'd feel jealous. But in this moment, with two angels on stage, all he can feel is a burning happiness rising up in his chest and pushing its way out his eyes. They're beautiful, and the way they mesh together...

It's been a long road. And maybe he'll get to this point himself someday. But right now, all he can do is grin like a maniac and bask in the moment.
Coleman!
Do the oldest members of the crew change to be more like the train?


Coleman's heard it called the Blessing, the Ascension, the Touch, and more. Every crew has their own name for it, but Mister Conagher always called it the Becomin'. You stop being part of the crew, and take on, just for a little bit, part of that train.

You have to. It's part of survival. Firemen rinse the coal off their claws, and find more coal growing underneath. Brakemen perk up and rush to their wheels a split second before the whistle blows, listening to something only they can hear. Conductors' scales glint with steel, perfect for repelling owls and unruly travelers alike.

And Engineers get the Becomin' the worst. Mouths that open to reveal a gaping, cherry-red furnace, or which speak in nothing but creaks and whistles. Joints which require oil and a bit of a runup to get going. Eyes which see nothing but the track, minds that forget how to be human. Mister Conagher even, if you spike his coffee enough, will agree to tell stories about his predecessor, who--well, Coleman had sampled some of the coffee himself, and so wasn't entirely sure on the details. The old kobold had pulled them together, named Mister Conagher as the Mighty Natascha's new choice, and walked off to the engine, and was never seen again. But Mister Conagher had said the engine had been somehow more than it had been before. And at night, in those long shifts shoveling coal, Coleman had always wondered whether that one set of dials might look, if you squint, just a bit like a face.

Privately, Coleman always thought it sounded wonderful. One of his fellow knights had told him a story about an engineer that, one day, just opened the firebox and crawled in. Regina had described how merrily the old lizard had burned like he was supposed to be horrified, but... Well, it sounded almost comfortable. Like a great hug, or being wrapped in the best blanket ever.

“It came from the water,” Rufftuff says, stroking his whiskers. “That was a good day! Positively bedragglement it was.” He leans in close. “Silas tells me this is for crushing drinks out of things. How does it work?”


"Bigger passenger trains have things like this," he said vaguely. "Because they don't know how to make things the old-fashioned way, you see. Here's how it works, see? Next time you head up to Detritus, ask around after Joed. He'll make you do a task for him, but he's the best source of the plant you need. Do an extra good job, and he'll even grind the beans for you. You add water to this bit, along with the beans, and heat it up on the fire."

Coleman pauses, uncertain. The Mighty Natascha has a coffeepot, of course, tucked away in the caboose, but it looks nothing like this.

"Then you add half a crushed eggshell in this top bit," he decides, "and add some cold water. You can drink most of the pot, but you should always throw away the last cup. Or feed it to a passing train, as tribute, makes the cabin smell lovely."
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