Mm, not really vibing too much, so before I start holding people up, I'll just drop. Good look with the RP and I hope y'all have fun exploring!
Physical Description Standing at 5’1, Esfir cuts a slender figure, her skin sun-kissed and creamy, her eyes a deep magenta hue. She keeps her long, platinum blonde hair in a braid, tuck away under patterned cloths when necessary. Her chest is modest, her legs well-built, her fingernails cut short. Though her small smiles have a certain air of mystery to it, never let it be said that Esfir has a beautiful set of teeth: though relatively clean, they’re misaligned, an overbite that caused her plenty of grief as a young child. As an adult, she just opts to not open her mouth too wide when singing. Her attire is a selection of cheap fabrics that, over the years, she has dyed and patterned until they resembled something exotic and eye-catching. There are a few shiny trinkets and baubles that she wears on an on-and-off basis, depending on the occasion and who she's likely to see. Her shoes are less remarkable compared to the rest of her attire, naught more but than a pair of sturdy jika-tabi, but she treats them more preciously than the rest. Clothing is easily replaceable. A good pair of shoes are not. Character Conceptualization Her father left her three things to remember him by. Her name, constructed of uncommon sounds that did not relate to any particular words. His instrument, which had one string too many to be a shamisen. And a half-forgotten memory, a lullaby that arrested her soul even in her infancy. Sometimes, Esfir would remember it in its entirety within a dream, only to wake up with the vestiges of it slipping through the gaps of her mind. Sometimes, Esfir would catch a bar or a phrase from the song of a bird or the breathing of a mountain, only for the notes to be drowned out by the noise of the world. Never long enough to give it back fully. Always long enough to tempt her to continue. It’s a worthless pursuit, for a worthless woman. In an agrarian society such as Heiseina, there is no demand for music. The radio tower warbles out music of greater complexity than achievable by a single performer, and the notes of a stringed instrument does little to chase away the more immediate desires of the body. If one had time to idle away, they could fish instead. Hunt. Forage. Till their fields and grow their crops. Any talent for the arts should be used to fuel the pursuit of an artisan. In a village of one hundred, it’s much too easy to notice when people did not do their part, and easier still to malign them for it. Brats who besmirched their family’s name. Scions who would not surrender their wombs. Outsiders dark and strange. But Esfir, a girl with a strange name who did nothing but pluck at the strings of a strange instrument, who could not produce a single physical good, who was dependent solely on the charity of the villagers like an aged beggar with no family to care for them, was beloved. Was it her openness, her willingness to fraternize with whomever walked past? Was it her filial piety, her desire to care for a bedridden, homebound mother? Was it her dedication, how her music never silenced itself no matter the weather, the season, the occasion? From childhood to adolescence, she sat somewhere in the village, strumming out curious, delightful notes. At the river’s edge, for the fishermen to time their net-dragging to. Out on farmland, entertaining farmers enjoying their noontime respite. In the village’s plaza, melting away time as craftsmen waited for work. When did malignance shift to curiosity to endearment? No one really knows, and few linger upon such thoughts. Esfir is a strange girl, but a good girl, they say. Her mother can’t teach her any crafts, and no one was certain who her father was. No doubt, there was some family shame, some misery that made Esfir such a private individual, but that was fine, and it wasn’t as if she became rich off her charity. Just food enough to fill out her frame, with some extra gifts when her unique craft suited the unique occasions. The apothecary had more wealth to be jealous of. The Fujiwaras had more power to be jealous of. And there were more egregious persons within the village to malign. Her kindness is given for free, her craft is for all to enjoy, her desires are simple and just, and thus, she is loved. Only in the occasional anecdote does anyone remember her mother, Taeko Konishi, anymore. It is never a good time to visit that bedridden woman, and Esfir is always there to apologetically turn well-wishers and physicians away at the door. Questions emerge, but the desire for domestic privacy too, is a simple and just desire. Other Information Occasionally, Esfir scrounges together enough coinage to hire a woodsman to accompany her through the more treacherous sections of the valley's wilderness, in search of fresh inspiration. Over the years, Esfir's four-stringed instrument has changed greatly. Neither her nor Anayo are experts at the craft, but the two of them have on occasion scrounged through scrap and ruins to find a suitable replacement. Though cautioned against it by more reputable folk, Esfir plies her craft to those within Heiseina who're considered less favorable as well. In these...exchanges, she asks for nothing, but is always alert for something. |