Hey guys, don't catch the flu. It sucks! - PSA from your friendly neighborhood Targaryen
1
like
7 yrs ago
Our father's were evil men, all of us. They left the world worse than they found it. We're not going to do that, we're going to leave the world better than we found it - Daenerys Targaryen
3
likes
8 yrs ago
Time and space - time to be alone, space to move about - these may well become the great scarcities of tomorrow. - Edwin Way Teale
1
like
8 yrs ago
Ever make a mistake so bad, that it hurts every time you just think of it? Ever wish you could go back in time and fix everything so you didn't hurt the one who matters most? Yeah, me too.
1
like
8 yrs ago
Hail Hydra!
Bio
Do not go gentle into that good night By: Dylan Thomas
Do not go gentle into that good night, Old age should burn and rave at close of day; Rage, rage against the dying of the light.
Though wise men at their end know dark is right, Because their words had forked no lightning they Do not go gentle into that good night.
Good men, the last wave by, crying how bright Their frail deeds might have danced in a green bay, Rage, rage against the dying of the light.
Wild men who caught and sang the sun in flight, And learn, too late, they grieved it on its way, Do not go gentle into that good night.
Grave men, near death, who see with blinding sight Blind eyes could blaze like meteors and be gay, Rage, rage against the dying of the light.
And you, my father, there on the sad height, Curse, bless, me now with your fierce tears, I pray. Do not go gentle into that good night. Rage, rage against the dying of the light.
Full Name - Takamori Fumiko Age - 19 Gender - Female Occupation - Master’s Apprentice || Caretaker
-
P E R S O N A L I T Y
Optimistic Fumiko is a girl who many would describe as naive, even among those who had spent their whole lives within the village. She sees everything through a hopeful lens, seeing the absolute best in every situation. In any situation, the girl will instantly find the best outcome and zero in. However, Fumiko is optimistic to a fault. Due to her focus on the positives of each situation, she can come across as careless when she doesn’t consider that things could go bad and has gotten hurt before as a result. Despite this, Fumiko always picks herself back up and is right back to searching for the positives in her life.
Intelligent Fumiko was always a sharp young girl, excelling in her classes at the academy and the lessons from her great uncle at home. Quick to pick up on things, and with an excellent memory, Fumi often would remember even the smallest of details of any situation. She’s always curious and eager to learn more about the world, naturally drawn towards mysteries that might reveal some new knowledge to girl. Her knowledge, however, is academic in nature as opposed to knowledge gained from experience.
Charismatic Ever a popular girl in the village, Fumiko has a bit of wholesome, compelling charm about herself that draws people to her. When she speaks, the optimism in her words and confidence with which she speaks them has a way of convincing others that she might just be right. She has a habit of being quite persuasive and empathetic, useful skills when it comes to mediating arguments between her fellows, and when corralling the village children to head back to their homes instead of staying out to play.
S K I L L S E T
Photographic Memory With what can only be described as a perfect recall, Fumiko can easily remember any details she’s learned prior. Be it the details of a particular scenery she saw, the names and faces of villagers, or even details of a story she was once told. Of course, this has helped the young girl in a multitude of situations throughout her life, but it has also become something that Fumiko is a bit too reliant upon.
Euphonious Voice Fumiko’s voice is very soothing to the ear, be it in speech or in song. A trait that has often come in handy when it came to avoiding trouble for certain situations by simply charming her way out. When she speaks, many tend to at least partially pay attention to her words, if nothing else then for the easy way her voice floats upon the air. Of course, this trait is useful in more situations than just avoiding trouble, as it has certainly helped the girl when attempting to calm upset villagers.
Diplomacy Being one of the few candidates being trained to replace her Great Uncle when he eventually passes, Fumiko has spent quite a bit of time learning how to handle situations with her words. Be it in settling disputes, or the rare times where she might be needed to deal with outsiders, Fumiko has continually demonstrated herself to be quite adept at handling diplomatic situations.
Physical Description
Standing at a height of 5’5, Fumiko is about average height for a girl of her age, but that is around where the scale of being ‘average’ ends for her. With rather striking facial features, Fumiko has always been a sight easy on the eyes. With her face typically being adorned with a dazzling smile that showed even in her eyes, Fumiko is like a ray of sunshine throughout the village. Those very brown eyes were like windows into her soul, as getting lost in them would easily betray all the hope, joy, and whatever other myriads of emotions she might be feeling. Her elegant facial features, mixed with her fair, flawless skin framed by long, curly, brunette hair that flows just past her shoulders all help to create quite the beauty. The kind that is rare in that her beauty is rather effortless to maintain.
With a lean form and sporting elegant curves, Fumiko’s face is not the only striking thing about her appearance. While she is not toned as other villagers might be, the young girl does keep herself in shape through various activities. Though her clothing choices are not ones chosen to showcase her body, the girl favors outfits that are more comfortable for whatever task is at hand that day than ones that are meant to be ‘pretty'. As such, Fumiko is often seen wearing her favorite yukata, one which is pink and embroidered with flowers along the outside edges. Outside of this, the girl tends to favor simplistic clothing choices, a pair of trousers or shorts accompanied by a simple tunic, if she is going to be spending the day doing labor. On the rare occasions where Fumiko is to dress up, the girl will typically wear a kimono of the same colorings and design as her Yukata, accompanied by matching flowers braided into her hair.
Character Conceptualization
Fumiko’s life is one without struggle, the girl having grown up in a loving home that was absent of strife. At least, strife that a young girl would recognize. A home life that she would later learn many would have done just about anything to have themselves.
Fumiko has enjoyed a close relationship with her Great Uncle, Takamori Kenji, or her “Uncle Kenji” as she often refers to him. As a result of their close relationship through the years, Fumiko has taken on quite a few of his own qualities and world views. These show in her unending optimism for their village and their people thriving together, and how eager she is to put every ounce of her being into working to ensure this comes true. Even if her actions are as small as simply going out to the fields to help the farmers with their harvest for that day, Fumiko does this action with pride.
For much of the years spent in schooling, Fumiko managed to stand out among her classmates. In part for the easy way she went about making friends, part for her excellence in her studies, and in part for just who she is related to. In addition to her studies, Fumiko also had a nasty habit of worming her way into arguments between students and trying to mediate to settle their differences. A task that has met with varying success, and certainly affected the opinion of at least some in her class. These years in her schooling are part of what helped build the girl’s reputation as one of the forefront options to take over after her uncle and helped draw his attention to consider her as one of the few serious candidates.
Around the village, Fumiko has taken on the role of a ‘caretaker’ as she describes it. That is, she watches over and cares for both the children and elderly during the days their families must tend to other responsibilities. As such, Fumiko has used her slight aptitude for signs to learn two very basic signs. The first being fire, which she uses to help light a flame when she is preparing meals for those she is caring for, and to help add a dramatic effect to legends or stories she might tell children for entertainment. The other, glow, is used much the same as the latter effect of fire, more entertainment for the children. Fumi spends much of her time not spent taking lessons and acting as her uncle’s assistant filling this role as a caretaker. As such, much of her time is spent with either the youth or elderly of their village. The elderly who she often spends time listening to their stories and eagerly absorbing their tales instead of telling her own.
In what little free time Fumiko can scrape together, she is doing one of a few different things. She likes to spend that free time either dancing, singing, or out exploring to find beautiful scenes to sketch in her sketchbook. Though her skills with the latter are described best as amateur. Although, exploring might not be the best term. Fumiko very rarely strays beyond the village borders, and even then she does not let her home out of her sight. Unlike her sketching, however, Fumiko is quite adept at both her song and dance. Though she very rarely performs either outside of the privacy of her own chambers, only the children she watches are able to convince her to perform for them.
Despite how pure her life may seem, that does not mean that the girl is without flaws or tragedy in her life. Fumiko lost her mother to illness when she was 14 years old, and despite her firm beliefs to the very end that her mother would recover… Fumi was in the room as she drew her last breath. The girl almost completely shut down and withdrew from the outside world for nearly two months in the wake of this tragedy. Very rarely was she seen outside of her room, and when she was… Fumiko was a skeleton of the girl she used to be. This tragedy haunts her until this very day, with the very concept of death causing Fumiko to quickly retreat back into herself just as she had in the wake of that horrific day. Outside of the tragedy, Fumiko has a few other flaws that mar the image of the perfect young girl she tries to present. She has become so reliant on her perfect memory, that she rarely will listen to the advice of others (save her Uncle) on things she believes to already have knowledge about. Her habit of forcing herself into disagreements between others to try to mediate still persists, and has earned her a few foul points on her reputation.
Though, perhaps her darkest secret is that despite the carefree persona she likes to portray to the world, inside her mind things can get much darker. She battles with a shocking lack of self-confidence, a scar left on her mind from her mother’s passing. Though not a constant companion, when that dark voice raises in the back of her mind, Fumiko has nothing she can do to quiet it. Despite her hopes and beliefs for everybody else in the village, Fumiko’s belief in herself is completely lacking. This shows through the cracks in her facade in the way that Fumiko so wholly dives headfirst into any situation she believes will help others. No matter the cost to herself, a way to subconsciously settle the debt she owes for failing to help her own mother. After all, surely there was something she could have done to save the woman. In addition to this, Fumiko often refrains from giving herself much praise, doubting that she is worth said praise.
Despite her inner demons, Fumiko’s strong desire to serve and help the people of her village still burns just as bright. The girl is vying hard to be chosen to fill her Uncle’s position so that she can play such a helpful role to her home as he had, and without even a second wasted on selfish thoughts of how the position might benefit her. Her innocence to the world also continues to strive onward, as she lacks enough experience to tell her anything outside of her personal tragedy could be remotely commonplace. After all, things had been so ideal and wonderful in their village till now… why would they ever change?
<Snipped quote by JessieTargaryen> *hisses in Fujiwara*
*Confused Fumiko Noises*
Real talk tho, drama between families could be fun, especially since neither character seems the type to care that much about ‘We don’t like them cause their ancestor did this’!
Full Name - Takamori Fumiko Age - 19 Gender - Female Occupation - Master’s Apprentice || Caretaker
-
P E R S O N A L I T Y
Optimistic Fumiko is a girl who many would describe as naive, even among those who had spent their whole lives within the village. She sees everything through a hopeful lens, seeing the absolute best in every situation. In any situation, the girl will instantly find the best outcome and zero in. However, Fumiko is optimistic to a fault. Due to her focus on the positives of each situation, she can come across as careless when she doesn’t consider that things could go bad and has gotten hurt before as a result. Despite this, Fumiko always picks herself back up and is right back to searching for the positives in her life.
Intelligent Fumiko was always a sharp young girl, excelling in her classes at the academy and the lessons from her great uncle at home. Quick to pick up on things, and with an excellent memory, Fumi often would remember even the smallest of details of any situation. She’s always curious and eager to learn more about the world, naturally drawn towards mysteries that might reveal some new knowledge to girl. Her knowledge, however, is academic in nature as opposed to knowledge gained from experience.
Charismatic Ever a popular girl in the village, Fumiko has a bit of wholesome, compelling charm about herself that draws people to her. When she speaks, the optimism in her words and confidence with which she speaks them has a way of convincing others that she might just be right. She has a habit of being quite persuasive and empathetic, useful skills when it comes to mediating arguments between her fellows, and when corralling the village children to head back to their homes instead of staying out to play.
S K I L L S E T
Photographic Memory With what can only be described as a perfect recall, Fumiko can easily remember any details she’s learned prior. Be it the details of a particular scenery she saw, the names and faces of villagers, or even details of a story she was once told. Of course, this has helped the young girl in a multitude of situations throughout her life, but it has also become something that Fumiko is a bit too reliant upon.
Euphonious Voice Fumiko’s voice is very soothing to the ear, be it in speech or in song. A trait that has often come in handy when it came to avoiding trouble for certain situations by simply charming her way out. When she speaks, many tend to at least partially pay attention to her words, if nothing else then for the easy way her voice floats upon the air. Of course, this trait is useful in more situations than just avoiding trouble, as it has certainly helped the girl when attempting to calm upset villagers.
Diplomacy Being one of the few candidates being trained to replace her Great Uncle when he eventually passes, Fumiko has spent quite a bit of time learning how to handle situations with her words. Be it in settling disputes, or the rare times where she might be needed to deal with outsiders, Fumiko has continually demonstrated herself to be quite adept at handling diplomatic situations.
Physical Description
Standing at a height of 5’5, Fumiko is about average height for a girl of her age, but that is around where the scale of being ‘average’ ends for her. With rather striking facial features, Fumiko has always been a sight easy on the eyes. With her face typically being adorned with a dazzling smile that showed even in her eyes, Fumiko is like a ray of sunshine throughout the village. Those very brown eyes were like windows into her soul, as getting lost in them would easily betray all the hope, joy, and whatever other myriads of emotions she might be feeling. Her elegant facial features, mixed with her fair, flawless skin framed by long, curly, brunette hair that flows just past her shoulders all help to create quite the beauty. The kind that is rare in that her beauty is rather effortless to maintain.
With a lean form and sporting elegant curves, Fumiko’s face is not the only striking thing about her appearance. While she is not toned as other villagers might be, the young girl does keep herself in shape through various activities. Though her clothing choices are not ones chosen to showcase her body, the girl favors outfits that are more comfortable for whatever task is at hand that day than ones that are meant to be ‘pretty'. As such, Fumiko is often seen wearing her favorite yukata, one which is pink and embroidered with flowers along the outside edges. Outside of this, the girl tends to favor simplistic clothing choices, a pair of trousers or shorts accompanied by a simple tunic, if she is going to be spending the day doing labor. On the rare occasions where Fumiko is to dress up, the girl will typically wear a kimono of the same colorings and design as her Yukata, accompanied by matching flowers braided into her hair.
Character Conceptualization
Fumiko’s life is one without struggle, the girl having grown up in a loving home that was absent of strife. At least, strife that a young girl would recognize. A home life that she would later learn many would have done just about anything to have themselves.
Fumiko has enjoyed a close relationship with her Great Uncle, Takamori Kenji, or her “Uncle Kenji” as she often refers to him. As a result of their close relationship through the years, Fumiko has taken on quite a few of his own qualities and world views. These show in her unending optimism for their village and their people thriving together, and how eager she is to put every ounce of her being into working to ensure this comes true. Even if her actions are as small as simply going out to the fields to help the farmers with their harvest for that day, Fumiko does this action with pride.
For much of the years spent in schooling, Fumiko managed to stand out among her classmates. In part for the easy way she went about making friends, part for her excellence in her studies, and in part for just who she is related to. In addition to her studies, Fumiko also had a nasty habit of worming her way into arguments between students and trying to mediate to settle their differences. A task that has met with varying success, and certainly affected the opinion of at least some in her class. These years in her schooling are part of what helped build the girl’s reputation as one of the forefront options to take over after her uncle and helped draw his attention to consider her as one of the few serious candidates.
Around the village, Fumiko has taken on the role of a ‘caretaker’ as she describes it. That is, she watches over and cares for both the children and elderly during the days their families must tend to other responsibilities. As such, Fumiko has used her slight aptitude for signs to learn two very basic signs. The first being fire, which she uses to help light a flame when she is preparing meals for those she is caring for, and to help add a dramatic effect to legends or stories she might tell children for entertainment. The other, glow, is used much the same as the latter effect of fire, more entertainment for the children. Fumi spends much of her time not spent taking lessons and acting as her uncle’s assistant filling this role as a caretaker. As such, much of her time is spent with either the youth or elderly of their village. The elderly who she often spends time listening to their stories and eagerly absorbing their tales instead of telling her own.
In what little free time Fumiko can scrape together, she is doing one of a few different things. She likes to spend that free time either dancing, singing, or out exploring to find beautiful scenes to sketch in her sketchbook. Though her skills with the latter are described best as amateur. Although, exploring might not be the best term. Fumiko very rarely strays beyond the village borders, and even then she does not let her home out of her sight. Unlike her sketching, however, Fumiko is quite adept at both her song and dance. Though she very rarely performs either outside of the privacy of her own chambers, only the children she watches are able to convince her to perform for them.
Despite how pure her life may seem, that does not mean that the girl is without flaws or tragedy in her life. Fumiko lost her mother to illness when she was 14 years old, and despite her firm beliefs to the very end that her mother would recover… Fumi was in the room as she drew her last breath. The girl almost completely shut down and withdrew from the outside world for nearly two months in the wake of this tragedy. Very rarely was she seen outside of her room, and when she was… Fumiko was a skeleton of the girl she used to be. This tragedy haunts her until this very day, with the very concept of death causing Fumiko to quickly retreat back into herself just as she had in the wake of that horrific day. Outside of the tragedy, Fumiko has a few other flaws that mar the image of the perfect young girl she tries to present. She has become so reliant on her perfect memory, that she rarely will listen to the advice of others (save her Uncle) on things she believes to already have knowledge about. Her habit of forcing herself into disagreements between others to try to mediate still persists, and has earned her a few foul points on her reputation.
Though, perhaps her darkest secret is that despite the carefree persona she likes to portray to the world, inside her mind things can get much darker. She battles with a shocking lack of self-confidence, a scar left on her mind from her mother’s passing. Though not a constant companion, when that dark voice raises in the back of her mind, Fumiko has nothing she can do to quiet it. Despite her hopes and beliefs for everybody else in the village, Fumiko’s belief in herself is completely lacking. This shows through the cracks in her facade in the way that Fumiko so wholly dives headfirst into any situation she believes will help others. No matter the cost to herself, a way to subconsciously settle the debt she owes for failing to help her own mother. After all, surely there was something she could have done to save the woman. In addition to this, Fumiko often refrains from giving herself much praise, doubting that she is worth said praise.
Despite her inner demons, Fumiko’s strong desire to serve and help the people of her village still burns just as bright. The girl is vying hard to be chosen to fill her Uncle’s position so that she can play such a helpful role to her home as he had, and without even a second wasted on selfish thoughts of how the position might benefit her. Her innocence to the world also continues to strive onward, as she lacks enough experience to tell her anything outside of her personal tragedy could be remotely commonplace. After all, things had been so ideal and wonderful in their village till now… why would they ever change?
Other Information
Fumiko knows two signs:
Fire
Glow
Fumiko is the great-niece of Takamori Kenji.
Here is my submission! I hope it lives up to being as awesome as the rest of you!
Generally I look less to a post's length and more to strength of characterization, high school-ish grammar expectations, rapport with other characters- that sorta deal. A well-crafted post with two paragraphs can provide more for myself and other players to work with than a novella that spends all its time chewing the scenery. Provided you're putting effort into it, you're unlikely to hear any complaints from me.
As for non-humans, there are a number of mythical and folklore creatures in and around the valley- most prominent are the Yokai, an umbrella term for a number of spirits and supernatural creatures from Japanese folklore. They'll feature in the game often enough, but I'd like for all the player characters to be human. Their journey starts with them as ordinary individuals entering into a strange, utterly alien world.
Sure thing! I think I might want to apply in for certain! I’m thinking either a Hunter, somebody related to the mechanic guy, or maybe even a Granddaughter of the Master of the Village (If you’ll allow a character like that!). Probably a bit naïve and pure, even among those in the village, due to a more sheltered upbringing/being a bit spoiled!
Either way the setting seems awesome and I’d love to join~
Hey! I really like the concept of your RP so far, and I’d love to voice my interest!
I do have a couple of questions though!
First off, is that I’ve never been in an Advanced Section RP before, I usually write like high-level casual, so I just wanted to know if you had length requirements as well or not? (I average 3+ paragraph posts and I’m usually pretty good about spelling and grammar. Sometimes it slips, but I’m only human).
Second question, are there any sentient non-humans in the world/village? Such as elves, orcs, or the likes? If I’m going to be honest it’s because my knee jerk reaction is that I’d like to play a Catgirl/Neko or something like Au Ra from Final Fantasy, but I totally get it if that’s not an option.
[center][b][u]Do not go gentle into that good night
By: Dylan Thomas[/u][/b]
Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.
Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.
Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.
Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.
Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.
And you, my father, there on the sad height,
Curse, bless, me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.[/center]
<div style="white-space:pre-wrap;"><div class="bb-center"><span class="bb-b"><span class="bb-u">Do not go gentle into that good night<br>By: Dylan Thomas</span></span><br><br>Do not go gentle into that good night,<br>Old age should burn and rave at close of day;<br>Rage, rage against the dying of the light.<br><br>Though wise men at their end know dark is right,<br>Because their words had forked no lightning they<br>Do not go gentle into that good night.<br><br>Good men, the last wave by, crying how bright<br>Their frail deeds might have danced in a green bay,<br>Rage, rage against the dying of the light.<br><br>Wild men who caught and sang the sun in flight,<br>And learn, too late, they grieved it on its way,<br>Do not go gentle into that good night.<br><br>Grave men, near death, who see with blinding sight<br>Blind eyes could blaze like meteors and be gay,<br>Rage, rage against the dying of the light.<br><br>And you, my father, there on the sad height,<br>Curse, bless, me now with your fierce tears, I pray.<br>Do not go gentle into that good night.<br>Rage, rage against the dying of the light.</div></div>
Member
Ariamis,
kittyluna45,
Blade17,
Izurich,
Vesnic,
MacabreMoth,
Simple Unicycle,
sly13,
Athol,
Queen Arya
