Location: The Augmented Reality Center - Pacific Royal Collegiate & University, Dundas Island
Dance Monkey #4.074: taste of blood.
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Interaction(s): gil. - @Roman
Previously: dance macabre & harpe.
She still feels him within as a correlating spark that shudders as a flame touched by the wind, fanned to heights of euphoric ascension with every breath she takes as they dance. Those same electrifying swathes of energy plummet low on her figure, a dame wreathed in crimson shadows with darling touches of silver that expand and contract on the rush of her emotions. The world as it was could only marvel at the encompassing energy of self that rushed through every coil of nerve, blood, and rigid bone, every breath that rose and fell, and skin that glistened in a gilded sheen with sweat that sweetened every taut muscle exposed by black silk. She felt the vibrations of music down to her toes, heels that snapped and dragged and slid as Amma danced; Gil was a wreathed red shadow in her path, a half-in and half-out figure that she tasted still, tongue dragged over lips and teeth and bitten through her smile all instinctual and primal and edged in bliss that coated her lashes with every flutter. She was alluring, a being of enchantment, a twirling phantom of black and gold, where something bloomed liken to a flower in the sun, a bright yellow hue that sheered through her, a core of red, of white petals, of something that anchored into the void and slid through the cracks of an obsidian wall and fixated on the glimmers of hope that shined through the dark.
The music spiraled into another song, a beat that she harmonized with, a strum of an instrument not often seen that vibrated and droned and dragged through the crowd as a more sensuous conductor. A suspension of the unknown, the in-between, no lyrics to synchronize with the melody that inspired some to linger and others to depart, a crescendo that never came but lingered on the precipice of a drum and a snapped snare. It came in a unification of three, a sacred marker of life and reality that filtered in and out, the beginning, middle, and end, the many faces of a woman, man, and time eternal.
One - a hand snaked forth, pulled her in, a dip of her body into the darkness below.
Two - pulled heavy, tight, flush, and wed against a muscled frame.
Three - a whisper in her ear, a heated breath that trilled and laughed and uttered:
Tiamat.
She froze.
The name slithered betwixt the cage left ajar on ivory hinges, a fluttering heart therein that seized at the mutter of her other self that wailed and cried, that raged and scoured the world as a chained beast. The fragments of writhing power and connection swelled in warning, a claw mark of dread down every link in her spine gone rigid. She flinched, the power of names tethered and bound through her blood, hooks that dug deep and valid and manipulated those of life and death, a manifest that thrummed and beat at a mutilated core of uncertainty that now tasted resentment and fear.
Tiamat. Tiamat. Tiamat.
More whispers skittered as light chased shadows through her mind, rats in the pit of despair that chittered and fed on the dregs of phosphorescent malice left forgotten on a tiled floor sopped to the foundations with death. A netherworld, inked into her, scarred, left for ruin and damnation, and a name that marked her throat, her soul, her very meaning of identity taken and then sputtered out into a moniker that was everything, anything and all.
Amma stilled, her hands shook, and a whispering voice purred through her lobe sickly sweet:
â you are Tiamat. Chaos. Life. Death. Creation. We have so much work to doâ you and me.
â the final piece I have been searching for. Perfection â
â yes, there it is. Thatâs it!
This is your role, your purpose â a weapon. An End. 'And I looked, and behold a pale horse: and his name that sat on him was Death, and Hell followed with him.'
Memories suddenly unlocked, twisted with rusted keys, crimson dust, and edges through a shattered door that hissed and sputtered, droning pipes and the ocean that churned yonder slivers of glass that called out to her â the hand in the dark, the hand that held onto her own and the eyes that bespoke of betrayal as she cruelly twisted as a knife in the dark, a mere child.
Letâs put it to the test, shall we?
I want you to kill â
Heâs coming, mon petit â he is coming. Heâs coming for you; you have to run!
It lasts only seconds, a flash of a warning, a voice that haunted her waking world that stood before her shrouded in white, and then â
You need only speak the words.
Say it. Sayit. Sayit. Say. It.
NO.
Amma collides with Gil on a misstep- trembles, gasps, an intake of breath that comes away wet and thick, suffocating from the cumbersome reveal of fragmented voices that collide as the wrath of a would-be god. She attempts to anchor herself with the scarlet thread that shimmered from the white petals pinned to her dress; the music finally dissipates on a cord plucked like her sensitive nerves quivering with a violent tempo. Every quake through her body is a feral sensation of flight or fight. She reigns everything in and down and feeds it to the void that stares back with glaring blue eyes and a roar that is here and then not, shattering as an esoteric drone of alienated fears betwixt her ears as she breathes. He holds her, and there she remains, refusing to acknowledge the voices in her head.
And just as they are there, they are soon gone, whispering away into nothing. The music returns, and Amma blinks back that unshed fear that had her body in a vice, slipping away as sand through the surf, as water that ebbed and flowed, guided under the moon. It fell away into nothing, the blissful euphoria returning, reclaiming hold over her reasoning of self, and when Gil asked if she was all right- if anything was wrong- Amma just slowly shook her head and said:
"It's nothing."
The music spiraled into another song, a beat that she harmonized with, a strum of an instrument not often seen that vibrated and droned and dragged through the crowd as a more sensuous conductor. A suspension of the unknown, the in-between, no lyrics to synchronize with the melody that inspired some to linger and others to depart, a crescendo that never came but lingered on the precipice of a drum and a snapped snare. It came in a unification of three, a sacred marker of life and reality that filtered in and out, the beginning, middle, and end, the many faces of a woman, man, and time eternal.
One - a hand snaked forth, pulled her in, a dip of her body into the darkness below.
Two - pulled heavy, tight, flush, and wed against a muscled frame.
Three - a whisper in her ear, a heated breath that trilled and laughed and uttered:
Tiamat.
She froze.
The name slithered betwixt the cage left ajar on ivory hinges, a fluttering heart therein that seized at the mutter of her other self that wailed and cried, that raged and scoured the world as a chained beast. The fragments of writhing power and connection swelled in warning, a claw mark of dread down every link in her spine gone rigid. She flinched, the power of names tethered and bound through her blood, hooks that dug deep and valid and manipulated those of life and death, a manifest that thrummed and beat at a mutilated core of uncertainty that now tasted resentment and fear.
Tiamat. Tiamat. Tiamat.
More whispers skittered as light chased shadows through her mind, rats in the pit of despair that chittered and fed on the dregs of phosphorescent malice left forgotten on a tiled floor sopped to the foundations with death. A netherworld, inked into her, scarred, left for ruin and damnation, and a name that marked her throat, her soul, her very meaning of identity taken and then sputtered out into a moniker that was everything, anything and all.
Amma stilled, her hands shook, and a whispering voice purred through her lobe sickly sweet:
â you are Tiamat. Chaos. Life. Death. Creation. We have so much work to doâ you and me.
â the final piece I have been searching for. Perfection â
â yes, there it is. Thatâs it!
This is your role, your purpose â a weapon. An End. 'And I looked, and behold a pale horse: and his name that sat on him was Death, and Hell followed with him.'
Memories suddenly unlocked, twisted with rusted keys, crimson dust, and edges through a shattered door that hissed and sputtered, droning pipes and the ocean that churned yonder slivers of glass that called out to her â the hand in the dark, the hand that held onto her own and the eyes that bespoke of betrayal as she cruelly twisted as a knife in the dark, a mere child.
Letâs put it to the test, shall we?
I want you to kill â
Heâs coming, mon petit â he is coming. Heâs coming for you; you have to run!
It lasts only seconds, a flash of a warning, a voice that haunted her waking world that stood before her shrouded in white, and then â
You need only speak the words.
Say it. Sayit. Sayit. Say. It.
NO.
Amma collides with Gil on a misstep- trembles, gasps, an intake of breath that comes away wet and thick, suffocating from the cumbersome reveal of fragmented voices that collide as the wrath of a would-be god. She attempts to anchor herself with the scarlet thread that shimmered from the white petals pinned to her dress; the music finally dissipates on a cord plucked like her sensitive nerves quivering with a violent tempo. Every quake through her body is a feral sensation of flight or fight. She reigns everything in and down and feeds it to the void that stares back with glaring blue eyes and a roar that is here and then not, shattering as an esoteric drone of alienated fears betwixt her ears as she breathes. He holds her, and there she remains, refusing to acknowledge the voices in her head.
And just as they are there, they are soon gone, whispering away into nothing. The music returns, and Amma blinks back that unshed fear that had her body in a vice, slipping away as sand through the surf, as water that ebbed and flowed, guided under the moon. It fell away into nothing, the blissful euphoria returning, reclaiming hold over her reasoning of self, and when Gil asked if she was all right- if anything was wrong- Amma just slowly shook her head and said:
"It's nothing."