Everyone is watching.
It’s always been the promise, the thrill, the risk, the tug that kept Dolly scampering on. The electric feeling of eyes on her— on her— impossible, infeasible, ridiculous. To be desired, the center of attention, but with plausible deniability. How mortifying it would be if she was exposed and the reaction was just irritation, hissing, or lectures about how good Gardens wouldn’t do such a thing! Beneath the fear of bothering others, a pit of sensuality, bottled up until her goddess exploded into her life.
But this is different from having compromising images leaked to a rival pilot or being toyed with in public by the invisible hands of her lover. This is a very public demonstration for a private event. The whole station feels like it’s packed into the tent as Jade guides her through the performance, pushing at her boundaries carefully, a delectable snack dangled in front of everyone, especially—
Especially Angela. Does the Terenian catch the shy glances that her “rival” kept tossing her way, over a bare shoulder, hands guided down her stomach? This certainly wasn’t the first time Angela had seen her like this, but it was the first with this sort of… imbalance. With Angela as a member of the audience, watching as Jade guides Dolly through a prancing circle, tail lifted, wrists in the air, hips swinging exaggeratedly. Definitely not the sort of thing a Gardens would do. If she was able to speak, would she blurt out something hot-tongued and awkward to the lovely alien?
Then Six Stones pulls her top off, prances on stage, and pulls Dolly close, disrupts the dance, and suddenly it’s very hard for a silly gay kitten to look anywhere else. And it’s both their hands, huntress and goddess, which lift and peel her own jumpsuit open, wriggling out of tight sleeves, letting it hang like a train over her tail.
And it is Dolly who lifts her hands and holds them behind her head, even as she makes frantic little squeaks and huffs, even as Six Stones makes a show of leading her around the room and inviting the fortunate few to fake a closer look at Dolly Hunters, the toy of the goddess. And it is Dolly who lifts onto her toes and then drops back down right in front of Angela Victoria Miera Antonius, with Jade blowing a taunting kiss at the both of them. And the courage almost makes her melt through the floor, but she’s the one who adds a waggle to her hips as she’s tugged away.
Not that Six Stones escapes, mind you. Eventually, when Dolly’s almost dizzy with heat and fluster and exertion, the dancing is exertion, the goddess has her peel that glove off and wrap it around Six Stones’ throat, and lets her stumble in a borrowed jacket and a half-undone jumpsuit to go sit next to Angela (who tugs at her curls idly and playfully mocks the goddess who would make such a pretty little thing do such things, ai, stay here and you will be safe as long as you behave, precious meow-meow), as Six Stones finds herself in the clutches of a goddess whose thirst for domination is almost insatiable.
One cannot help but wonder whether the half-hour burlesque routine about Maintaining The Idol (with Bending Over, Getting Stuck, Running Out Of Washcloths, and Incurring Wrath) was really a spontaneous invention on the part of Smokeless Jade Fires, or whether she’d been practicing it, somehow, in secret. Don’t ask Dolly, though; she’s flirting like a meek schoolgirl with an alien who’s seen exactly what drives her wild.
(And by the end of the night, she will find herself a centerpiece once more, locked in a saucy embrace with Six Stones and the pole, as the goddess reminds the audience that they should behave, should they wish to avoid becoming entertainment for a great and mighty goddess…)