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“See, it makes a lot of sense when you think about it,” Plundering Fang says, stretching in such a way that her arm rests against the wall just above the Pix’s head. “There’s a lot of you, right? Just scurrying around, looking for something to do together, and hey— wouldn’t you know it? Finishing the flood traps is something you can do together. Is actually improved by having a bunch of girls running around and coordinating by squeaking at each other. We’d be spread too thin and we don’t really do the, uh. The squeaking and squealing.”

The Pix spokesvixen stares up at Plundering Fang with a defiant pout that is only mildly ruined by the furious blush. Some ways down the hall, her soon to be former subordinates huddle, watching with all the courage of Pix who are not within arm’s length of a Ceronian.

“What we’re going to do, instead, is get ready to fight the Summerkind.” Even saying the word seems to make the hull groan. Soon this ship will be full of desperate battle. Pix and Ceronians will have to stand… well, not exactly side by side. Not if the Silver Divers have anything to do with it. “You know them? The bugs? They live, they die, they live again? You’ll want to leave that to the big girls, sweetcheeks.”

“Do you forget that we outnumber—

Plundering Fang reaches out. Her fingers are gentle, the thumb indenting the cheek, the lift forcing the Pix to look Plundering Fang in the eye, rather than staring balefully at her chest. One of the Pix onlookers falls over.

“But we’re going to work together, right? Like Mosaic-Bella commanded. Unless you want her to come down here and be sardonic at you… what was your name?”

Plundering Fang lifts her hand just that little bit more. The Pix lifts onto her tiptoes, her tail a stiff counterbalance.

“Marbret,” she manages.

“Well, Margret. We wouldn’t want that, right? She’s very busy. And if she can keep our Alpha in line, heeled and leashed, what do you think she’ll do to a bunch of prissy little girls who think they’re too good to accept assignments, hmm? She’ll toss you right out there to be the monster’s appetizer. So. Margret. Are you going to be a good girl for Mosaic-Bella? Or am I going to take you to see her myself?

Snickers ring out from behind red-haired hands as Margret’s head is shaken from side to side. Then Plundering Fang spins her around.

The sound of the smack is almost louder than the sound of Margret’s yelping indignation.

“Get going, vixen. And get that tight little ass of yours to work.
Sayanastia!

Welcome back! You just got punched in the soul. Metaphorically. The stars slowly wheeling overhead are mocking in their light, like someone else’s perfectly precise and unattainable brushstrokes.

Things are… relatively calm. There was a fight here between the Nagi and the survivalist pack of mostly Serigalamu, but it’s over: the pack’s howling off down-city, the Nagi are following them and trying to slow them down, and the regular people, the people who were just here to celebrate and enjoy themselves and see something once-in-a-lifetime… well, they’re now regathering in places that aren’t here, the epicenter of the whole mess.

(In places that aren’t this plaza, parents are yelling the names of their children who got lost in the crowd; people are being treated for bruises, concussions, overheating, overexcitement, and the lingering emotional effects of being grazed with heartshot and heartblades; cafes and shops are throwing open their doors, and glasses of tea and water are being handed out, and blankets are being thrown over shoulders, and lost children are sitting on chairs eating cookies. Say what you will about people, but they have a tendency to do unforgivably sentimental things like this when disasters happen.)

Here, Civelia has taken a seat pulled over by one of her paladins, hand resting under her chin, staring furiously at nothing in particular, with Rurik and Injimo over there, listening to those Paladins bicker over what to do, since the maid that attacked— pity you missed that— might have accomplices nearby, and Civelia’s tapped on magic, and there’s a vigorous and violent chase roaring down the streets between here and the city’s exit.

As far as disasters and calamities go, how is this one stacking up against the sorts of things you used to get up to?



Eclair!

The Paladin sweeps like she fights: aggressively, with, well, sweeping motions. Good for getting a mess to the point where real work can be done to make it presentable.

“If you aren’t in Crevas stalking Sister Tammithyn,” she asks, after a period of abashed and sullen silence, “why are you following her and trying to get information about her? Even going so far as to hunt down the shop where she’s been buying renovation supplies from. When I met her, she was a nervous wreck at the thought of you finding where she was staying. So why are you here asking questions about her, if you’re just an innocent maid like you say, Eclair Espoir?”

Even as she says this, she overextends, gets her broom behind a vat, leaves herself open. Open to explanations. Open to questions. And— that’s a good stretch, isn’t it? Worth admiring. Well-muscled arms. Sticks her foot out behind her just a little bit to counterbalance.

Anesh Vessenmer’s office slats have creaked, the once, and the sound of scribbling has ceased. You’re definitely being watched by the proprietor, even as you attend to the closing chores: sweeping, sorting, and oiling.



Yuki!

“Wait, you don’t?” Juniper sounds a little panicky. “What am I saying, of course you don’t! Suli would know but she’s back there and we can’t double back—“

“There,” Olesya says, nodding. Down there you catch a glimpse of golden antlers bobbing, and less down there the roiling melee of hunters and guards that’s bleeding both. If Hazel ran all the way down and back up, he’d probably lose all but the most dedicated and dangerous hunters— but that would be a mess. And, ah, the golden glow ducks around a corner and is gone.

The Khatun’s not at the head of the pack; she’s at the back, driving her hunters on. At the front are three Serigalamu who are moving together: the comparatively lanky one, the comparatively short one, and the comparatively blonde one. They’re, presumably, the huntresses that Hazel needs to worry the most about. Given that the three of you cumulatively know about as much of the city as the huntresses do, and you’re scrabbling on the roofs to avoid their fighting, you don’t have the best odds of getting to Hazel before they do.

You need some sort of plan, because Juniper’s plan is “whatever Olesya says,” and Olesya’s plan is… well, hard to tell. Want to gamble on it, or propose your own?



Hazel!

Two pairs of triangles perk up. The two exchange a Look.

“Oh. You know Yuki?”
“Maybe we should—“
“—yah, if he wants to leave—“
“—Garnet?”
“Yah.”

There is a crash at one end of the alley, behind you, and all three of you jump, and there are three high-pitched squeaks in unison. The rest of the Nagi guard who slammed his shoulder into the corner is still piling up behind him as he tries to change his direction of momentum. (There is quite a bit of tail, you see.)

“Golden Fawn! Make your way to the Viperiat at once!”

“You’ve really gone and made her mad, huh?”
“All the more reason to leave, yah?”

“No, don’t—!”

Seli takes your other hand and pulls you along, even as Keli blows the guard a kiss.

“You really got under her shed, yah?”
“Sounds like she’s got the whole city after you!”
“Trust us, the Garnet Shore is much calmer!”
“We’ll take you to the most exclusive spa~”

…they really don’t know what they’re getting into, do they? The glowing antlers, the frantically slithering guardsman, the running: they haven’t connected everything. They don’t have context. But would they act any differently if they did? Are…

Are you tricking them? On accident, but still with full moral culpability probably? You trickster.

No string for you, incidentally, but you do get something they think you want~!
Eclair!

The Paladin does not go down gracefully. She fights. She bucks, she flails, she gnashes her teeth— but first she crumples to her knees, and then on all fours, panting, cheeks squished, poked and prodded and given scritchies. (Don’t worry about the seating. Her back is broad and strong.)

“…you promise?” The words are muffled, but insistent. “I… nngh.” She can’t lift you; every time she half-rises, you bring her back down with a devastatingly timed distraction. The little bell on the collar jingles jauntily. “…can’t… have to… promised I’d stop you… damn it…”

Her eyes flutter shut as you find just the right spot underneath her chin. Her gauntlet scrapes against the tile. Her heartglaive is useless under her hands, pinned down by your shared weight.

It’s fairly obvious, come to think of it. She’s a sledgehammer. The kind of girl who responds well to challenges, being given good instructions, having someone to compete with. The kind of weapon that someone might fire at you if your investigation caused them problems. Come up with a sordid story, convince her that you’re a cackling, scheming villainess, and then watch as she flings herself at you repeatedly. If you don’t convince her of your innocence, she would come after you again and again until ordered to call the pursuit off. Dogged, relentless, morally struggling with the fact that you’ve found The Scritchies Spot, and… well, as devoted to her tasks as you are to yours.

She would be an excellent cleaning partner and a reliable asset, if flipped. You just need to convince her that yielding, that not being an invincible wall of stone, is not Giving Into Wickedness.

Now would be a wonderful time to introduce yourself, incidentally. I’m quite sure this is where you do it.



Kalentia!

One of the Serigalamu bears down on you, intent on going right through you— and the running and slithering people behind you— to… well, there’s probably some handhold, some boxes to climb, some route that’s so important that shoving you to one side’s no trouble at all. And your feet feel rooted to the ground, and wouldn’t a barrier have helped here?

Except the Lunarian interposes herself at the last second. Unarmed, she gets her shoulder under the breastbone and flips the Serigalamu over, catching and twisting their arm along the way, disrupting the connection with their heartblade. The hunter hits the tiles hard, the air forced out of their lungs, and the Lunarian settles into the sort of stance that Injimo would recognize, ready to burst into action again.

“I am the advising of cessation of the unmaking of serenity,” the Lunarian says, a little raggedly. Yes, that’s it. Strain under the buzz of their voice. “You are the irrational unthinking, the disrupting of the serene.”

Then she looks back at you, her face hidden behind the smoky visor of her helmet. “You are the assisting of the disrupted. The path upwards is the protecting from disruption.”

Then she bounds (bounces?) into the fracas, and watch what she’s doing: trying to put herself, without a heartblade, between the people she’s waving over to you and the Khaganate pack. Taking blows which bounce off her armor, and doing her best to disarm and neutralize these rampaging huntresses.



Sulochana!

Chaos. Complete chaos. In your city! The screams of the crowd: these are your people!

All around you, loyal guards try to stem the tide of these flea-bitten venturers. Long, muscled tails smack scampering, leaping huntresses back; forked spears catch motley blades in their tines and skewer the least prepared of the lot. But the clever members of the pack know that they don’t need to get dragged into a fight.

“Don’t let them through! Crevas is on the side of the Golden Fawn—“

You barely swat aside a headshot. The Khatun, damn her eyes, snaps off another shot as she lopes towards you. Her mere presence seems to push her pack to redouble their efforts, and— you can’t look. If you take your eyes off the Khatun, you’re done for.

You have the reach advantage, and the advantage of knowing that you are defending that helpless boy (Hazel, like the Hazelnuts), who will doubtless be grateful and ready to be tamed when Yuki puts in a good word for you. Yuki! She must be ready to jump out any moment now and catch the Khatun from behind! The two of you, just like back when you were sneaking into Crevas from below. Where is…?

There. Dashing south-and-downwards, flanked by two huntresses. Your stomach drops; for all that she must have a good reason, you can’t help but feel… abandoned.

The Khatun is on you, and from her heart’s weapon— that recurved bow— she somehow pulls a broad-bladed, recurved knife, and you barely have the time to register that she’s suddenly got in under your guard before she’s sliding the heartblade into your stomach, twisting, dragging it upwards, and the hoarse scream that bursts out of you is barely recognizable as your own.

Abandoned. Betrayed. Alone.

Someone catches you as you stagger, and the Khatun has bounded past, not giving you so much as a second glance. The shock of that blow is still reverberating through you— you can hardly breathe through the tears.

This was supposed to be your night.

At least the sight of the Golden Fawn nobly descending is a comfort. Of course Yuki’s friend is noble and self-sacrificing, pretending to be clumsy and easily caught in order to draw away pursuit from festivalgoers. How noble…



Yuki!

“For the mounts?”
“No time.”
“So where?”
“Not up. Out.”

Olesya and Juniper let you go, but Juniper grabs your hand and interlaces her fingers with yours. The three of you start running, following the fleeing crowd, and… huh, Olesya doesn’t have her heartblade out. She’s moving quick, though, and it’s all you can do to keep up. She runs like she can somehow catch up with ten minutes ago and stop any of this from happening.

She slides to a halt by a low-hanging wall and drops to one knee. Juniper lets go of your hand and jumps, landing with her foot in Olesya’s hands, and— woof. That’s a very strong toss up, like a vertical caber toss. And Juniper tries to smooth down her skirt a little too late, giving you an eyeful. So stop looking up, look at Olesya! She’s going to do the same for you if you can get the momentum up.

And then, once you’re up there, that’s when the rooftop parkour will begin. There’s a lot of verticality to scrabbling over the tiles of Crevas’s rooftops, and plenty of daring jumps from one roof to another, all to try and cut Hazel off— but that depends on you trusting in Olesya first, and pulling her up after you with Juniper after.

(You definitely didn’t have the chance to do something like this last time— being up on top of the city instead of sneaking through secret passages and basements. It’s very “Assassin’s Creed,”isn’t it?)

Either way, mark a Need with Sulochana. That’s just the way these things snake out sometimes.



Injimo!

You’re fighting just like the Nagi are, you know. Not in technique, but in purpose. You don’t land a solid hit on this maid, and she can’t seem to land a solid hit on you, either. It’s all fluttery scratches, a fleeting rush from glancing blows with her fan— because she doesn’t want to drop you. She just wants to get past you, and you are impossible to ignore, not letting her slip past.

Finally, she has an opening: her fan’s edge kisses your chest, right at your breastbone. But the shock of her own heart striking yours is something you’re trained to push through. An iron heart is an impenetrable heart.

So she hops back, clicking her fan shut. Behind you, three Paladins are now covering for Civelia; you’re the head of the spear, and now the rest of the spear is in place. So she dips into a curtesy towards you all.

Excellent, excellent! You are lucky to have such a lioness defending you, goddess! But you must be lucky every time, my dear, and I must merely be lucky the once~!”

She points at Civelia with the closed fan. “For I, Eclair Espoir, the Violet Flash, shall have my vengeance on you, yes~!”

One of the Paladins moves— fool. No sooner is he in his swing than Eclair Espoir is jumping, landing on his blade’s flat in her heels, and launching off, already swinging her skateboard off her back and smoothly under her feet.

Mark a Condition as even your iron heart feels the blow. Another pale scar to add to your collection.



Hazel!

You skid around yet another corner, heart pounding in your ears, the baying of the pack and the clash of heartweapons echoing in your wake, throat hoarse from the dry Crevas air and from yelling for people who decided to stay out for a quiet cup of tea or for board games in park squares that they should get inside, pronto!

Anyway, you skid inside the alleyway and then bounce.

“There you are!”
“There you are!”

The veil and sash are snatched away from you, even as Keli takes your hand to help you back up. (Her other hand is, ah, stabilizing herself.)

“We come up to save you and you’re diving off rooftops?”
“Managing to knock out that bossy snake, yah!”
“Without even a thought of coming back for us?”
“And since when do antlers glow in the dark?”

The hunt is getting very, very close, Seli is adjusting her veil with an air of aggrieved pride, and Keli is peering very closely at your antlers.

Do you feel like digging yourself deeper into debt, little fawn? Or do you want to dare doubling back on your own trail? Do you think they really don’t know what’s going on, or are they just trying to lull you into a false sense of security? And Keli definitely isn’t letting go of your wrist now.

And you do still have your purse…
Eclair!

The Paladin is indeed quite flushed, and while she’s trying to keep glaring at you, her smile betrays her, as does the thump of her tail on the tiles of the street. She’s excited, in the way that the really competitive maids get when they lose, when they have the opportunity to “brat.”

“Except you’re not,” she says, propping herself up. A lock of hair has fallen into her face, and she ineffectually tries to blow it out. “You’re going to clean the place, sure, but then you’re going to use that to justify forcing the owner to give you more information on Sister Tammithyn Murr. And she asked me for help, because you aren’t going to stop unless someone stops you.”

She looks back up at the window. “You hear that, punk? The Miss Maid is the bad girl, actually.”

She stands, spins the glaive, moves back into a ready stance. “So. As I was saying: I’ll do this all night if I have to. I’m not in the habit of disappointing a habit, and I don’t back down in the face of bullying maid thugs.

Her tail swishes over the tiles. She bares her teeth in what she likely thinks is defiance. She is so eager for another attempt to beat you, to prove that she even can, that it’s practically screaming out of her.

In fact, it’s vaguely familiar? Like you’ve met this Paladin somewhere before. But she’s definitely not in your notebook, so I’m just talking nonsense.



Yuki!

You’re in the middle of the joyful pack, and the reaction among a lot of them when you bound heedlessly is to tense up, reach out for a heartblade, and then relax. Could be because you’re, you know, Yuki Edogawa. Or it might be because this woman can definitely look after herself.

Juniper pops up like a jack-in-the-box. “I’m so sorry she doesn’t know what she’s doing Yuki what are you thinking you can’t just—“ This old woman holds up her hand and Juniper clamps her jaw shut, ears low and eyes wide.

“You are Edogawa,” the woman says. “Savior of Crevas.” She’s evaluating you the way that a teacher would, or some other adult who’s been put in charge of you. Or the way that someone playing chess might evaluate a queen who just launched herself to the other side of the board, into threat from multiple angles. (Also, you definitely saved all of Thellamie, but she’s emphasizing Crevas to underline your ties to the people here, and not in a good way.) “What this means is that your friend is not uncontested.

There is fire in the way she says it— competitive fire, like when you’re talking to Aadya. She’s not going to let Sulochana take this crown without a serious fight.

But then she dismissively waves one hand and Juniper drags you to the side. “Yuki, the Baygum— Olesya— we didn’t expect—“

You didn’t expect,” the presumptive Baygum says. Her voice is (forgive the pun) husky; she can’t be much older than you. “The Khatun did.” And what’s really interesting about that is that you, Yuki Edogawa, are in a unique position to recognize the “Mom signed me up for softball, ballet and drama club” voice.

Just then, there’s a wet slap that carries over the hubbub of the crowd. A large, greasy-looking bird has just landed on Civelia’s head.



Tsane!

In the beginning, the stars danced in the heavens. The world below was formless, empty; nothing moved over the face of the deeps, and the stars paid it no heed. There, light layered over light.

Nothing emerged from the world, and it had no shape or color, and the shape it did not have was a raven, and the color it did not have was white. It spread the wings it did not have and flew up into heaven.

There, it drowned in light, until its lack of white burned away and all that was left was black charcoal. There, it was frozen in place, until its lack of shape shattered and what was left tumbled out of heaven. And as it fell, light fell like rain from its feathers, and where the light fell, there things existed.

One among the stars turned his head and looked down at where the raven had fallen, and he saw existence struggling to continue. So he chose to fall using the path that the raven had left behind, descending among the first people to show them the shape of the world; and where he shone, there were rivers, and forests, and mountains, and he made firm the shapes of these things, so that they did not melt away, because the light stayed within them. “It is better to Be than to Be Not,” he said.

Then the darkness rose in answer, and where the light touched it, there was the shape of a dragon. “It is better to Be Not than to Be,” she declared, and made war then against the shapes of the world. Mountains she flattened, rivers she drank, forests she uprooted, and where she went, the shapes of things came undone, but still the light remained. This alone she could not undo.


And you know, because you have done your due research, that Sayanastia’s message at the beginning of the world is elsewhere remembered as "to exist is to suffer. To not exist must be not to suffer.” This is controversial even to record outside sources such as The Compromise of Heaven, which suggests that the First Fallen partially conceded Sayanastia’s point, and after she was defeated, ultimately spent all of his inner light working to reduce suffering in the world that he had shaped.

But this is going off topic.

RAVEN (Grandfather— Lightbringer— Binatured—): instigator of creation. Supposedly the only created being capable of vaulting the Sun and Moon to reach heaven. Thus considered sidereal herald, e.g., in bearing news of the crimes of the Fallen. (cf. “Burn the Messenger: Raven, Mediation, and the Dilemma of Verification.”) Reputedly, frequent visits to heaven maintain immortality, thus avoiding the Rebirth Wheel Nature of mythic figures such as the Hero of Ages, the Goddess of Civilization and the Dark Dragon.



Kalentia!

It’s a big, soggy bird that is glistening. Not just big in size; it looks fat, bloated, like a sponge used to soak up water. When Civelia extends her arm regally and it hops down, it leaves behind that glisten, that light.

Raw, pure(?) starlight. Wring this bird out and you could power all a city’s a magical needs for years. Decades, maybe.

“Split a crown, our Goddess has! How embarrassing! How embarrassing! Awk! Awk!” The voice issuing from that beak is unpleasantly wet, interspersed with noises like it’s trying to regurgitate a pellet.

The bird puffs itself up quite suddenly, fixing you (the crowd behind you? or just you?) with a beady eye. “Hear you now the word of the stars! The Crown of Light shall be bestowed on she who tames the Golden Fawn!



Tsane!

GOLDEN FAWN: goblin. Tamed by the Hero of Ages as a gift for the Goddess of Civilization. Purportedly brought good fortune to owners. Common symbol of venturer guilds: prosperity won from the Outside. Also common romantic motif: used as comparison for beloved as treasured, prized, improving lover’s life.



Yuki!

“This is unfair!” Sulochana is uncoiling, rising to an impressive height, glowering at this very, very weird bird. The halo around her head (and the Baygum’s head, for that matter) has already faded away. “A contest of hunting and taming in the Outside? When I am competing against this…” She clamps down on an insult. “On this pack of venturers?”

Jeers and laughter arise from the pack all around you: challenges, invitations to show her how it’s done, invitations for her to come be tamed (that one particularly from the Nagi huntress).

The bird lets out another series of choking, hacking noises. Laughter, maybe?

“The Golden Fawn is here with you tonight, though you know him not! Awk! Awk!

And the bird flaps its wings. Eventually, this allows for liftoff. It’s like a sight gag out of a Studio Ghibli movie: this soggy bird flapping as hard as it can, at high speed, to slowly gain elevation like a helicopter. At a certain point it seems to have gotten enough height, and it catches the wind on its wings, circling around the crowd three times, before diving down towards a viewing veranda on the edge of the plaza.



Hazel!

This? This is the nightmare scenario (and only the haze of your head is stopping you from combusting on the spot, probably). There is a bird. A big, wet, heavy bird. It is on your head. And everyone was watching the bird, which means that now everyone is staring up at you, and you can’t even explain that surely he must have made some sort of Bird Mistake (Birstake) because of the gag, and also because of how squished and helpless you are, you little boytoy, you.

“Behold! Your Golden Fawn, come round again! Claim him! Tame him! Prove that he is yours! These are the acts of the true queen! Awk, awk!

The sensation of light trickling into your hair, down the back of your neck, is strange. It is cool, and invigorating, and tingly. But it’s nothing compared to the sensation of the light soaking into your antlers as the bird wraps its wings around them in a very unbirdlike manner, and they begin to shine.

Purnima grabs the railing, grinning. “You see that, Sulochana? I, Purnima Karn-Pana, have the Golden Fawn, and I shall be the Queen of Light! Despite all your schemes and treacheries, you’ve lost, you conniving bit—“



Yuki!

You wanted to know about the Khatun?

The Khatun is a huntress at heart.

You know, even before you look, that she’s got an arrow nocked. She’s drawn the recurved heartbow’s string back to her cheek already— sights for the Nagi holding Hazel— and looses.

Fetch!

The entire pack surges forward, drawing their heartweapons— save Juniper and the Baygum, who are on you, and it’s impossible to tell whether they’ve got their hands on you because they’re trying to save you from being trampled or because the pack needs a bargaining chip. Like, Juniper’s hugging you, but she’s also pinning your arms, and it’s hard to tell if that’s intentional or not!



Hazel!

The arrow goes right through Purnima’s head, splintering into shards of silver-black light on the other side.

Her eyes roll back, showing the whites, and with a groan she flops over the railing. Fortunately, there’s enough of her here on the couch that she’s in no danger of actually toppling over the railing, and all her muscles are going slack, meaning that you can wriggle out of her grasp! Yay! Also, oh no!

The bird hops onto her coils and gives you a little bird shrug, like, whatcha gonna do? Not its call. Will of the stars and all that.

In the plaza below, the snakegirl who was with Yuki (Sulochana, surely) is rallying city guardsmen around her, trying to physically block the venturer-pack from reaching you. But that’s not going to buy you a lot of time. They’re probably good at climbing.

(And there are a lot of people down there who really weren’t expecting to be in the middle of a fight between a bunch of wolfgirls and snakegirls today, so there’s screaming and panic and people are fleeing the plaza, and it feels, irrationally, like it’s your fault?)



Rurik!

Well, there’s what just happened. From the Raven’s beak to your lips.

And if all this wasn’t enough, a Paladin standing guard over the ceremonial ground collapses to the ground behind you.

A Maid-Knight steps over the fallen Paladin. She is wearing the traditional regalia of the Order of the Aurora, but also an Aestivali carnival mask: an exaggerated laughing face in black and white. She is also framed by a halo— but this one is just her carrot-orange curls forced into a ponytail.

She has in her hand a heartfan— an unusual close-range weapon. She mockingly curtseys, and then lunges for Civelia.
Once again, Ember floats in the beautiful, awe-inspiring void. In the face of Poseidon’s domain, to cling to the ego is to be destroyed.

Plundering Fang could not do this; she would be thrashing like a worm on a hook, trying to challenge Poseidon just to regain her control over herself and her world. Sagetip could not do this; she would be in her own head, unable to respond to the majesty of the void with the appropriate awe.

Not that Ember can completely escape her thoughts, and this is by design. Whenever she tries to move her limbs, the chain pulls taut, pulling her out of being lost in the majesty of the storm, just enough to keep her thoughts from floating away.

Now. As to the Angelshark. She cannot exactly speak to it— and, indeed, the regalia stops her from even trying. You cannot communicate with a beast so vast, so alien, using words. You cannot use scents, either— this silences her just as strictly as the wadded-up cloth on her tongue[1]. There is only—

dancing in a perilous garden, wearing triangles of silk, Mos— Bella’s eyes on her, drinking her in, hungry, and her mouth full of packscent, her mouth hidden, all this has happened before—

body language. And here, too, Ember is trained; she was once a scout, and a scout must know how her body speaks, must be ready to seduce their way into information or out of peril, must know what movements will give them away as a daughter of Ceron.

Even to an Angelshark, she knows how to lie.

Her panicked screams are more seen in how she struggles, how she closes her eyes, how she strains against the well-secured cloth, as if she could make herself heard across the vast gulf. She waggles her feet as if trying to paddle towards the approaching vessel, vainly, desperately. A toss of the head, a glance back over her shoulder, eyes wide. She needs a hero to come and save her from this monster—

And the name of this hero is Liquid Bronze. This is what she says with her tearful, pleading glances into the far distance; this is what the waggling of her shoulders says, as if thrashing from side to side would make the chains about her come undone[2].

Be jealous, beautiful shark. The princess is yours; yours to devour once her dashing hero has had his flagship torn open and exposed to the void. Although hopefully the Divers will have winched her back in by the time that one or the other has proven themselves victorious. Otherwise, she will be legitimately helpless in the face of being eaten alive, and not even by some sort of star-swimming serpent.

In silence, in strictly-enforced silence, her hair billowing in the solar winds, her face all but hidden underneath Plundering Fang’s gifts, her body on display like that of a swimmer, the Princess plays her part in the old story.



[1]: it remains suspicious that Plundering Fang was permitted to apply the regalia, and even provide some of it, but Sagetip insisted. Said it provided authenticity.
[2]: fortunately, even given her ritual toplessness[3], there’s no bounce to her thrashing. Yet another reason she is perfect for the role.
[3]: why, yes, Bella-Mosaic was invited to the ceremony to watch.
Yuki!

Juniper does look appropriately chastened. “The Khatun wanted this to be a surprise to everyone,” she says, squirming a little in place, suddenly unable to meet your eyes, her brushy tail drooping. The "I wanted to tell you” is loud, but she can’t seem to say it. Whoever this Khatun is in person, however she leads her pack, it’s clear that Juniper had to choose, and she chose to lie to you instead of trusting you with the secret.

But being told that the Baygum is invited to come and get you perks her up. Her smile’s still bright and happy and so full of Juniperness. “Be careful what you wish for~! I’ll go and let her know~”

(Even the way she moves away is different now: moving almost without thinking around obstacles, flowing through gaps in the crowd, capable of freezing in place suddenly in order to suddenly burst into motion. She moves like someone who’s learning how to hunt.)



Hazel!

Oh, you lucky little thing! You know, she was just about to piece the purpose of the ceremony together. But if there’s one thing (among several) that will drag Purnima Karn-Pana away from trying to get her head around astrological symbolism, it’s a squirming, gag-talking pretty boy in her clutches. So she looks away just before the crown down there is unveiled. (Not in the same way you might be unveiled, mind you.)

“Yuki Edogawa is luckier than she deserves,” she says, rubbing firm and insistent and distinctly… not uncomfortable circles into that ear. “However did she manage to get such an excellent boytoy in her clutches? With those eyes— mm, you need to work on those lashes, you’d be delicious— and those adorable little noises.”

With her other hand, she takes your chin, tilts it upwards. Her eyes are pools of gold, flecked with— oh, if you stared dangerously deep again, you’d be able to name the color. Her thumb is on your covered lips now? For some reason?

“All the more reason to keep you as insurance. At least until we figure out some solution to the problem of that Arju and her outlander pet. In Crevas, we know how to appreciate beautiful little things~”

Her coils are squeezing and releasing in a way that suggests an unconscious muscle reaction, hemming you in on every side, and isn’t it too bad you haven’t worked up the courage to see a Nagi masseuse yet? Your muscles are relaxing, the endorphins are flowing, and all of her attention is on you, and her face—

Because you’re her prize. Her ticket to victory. The damsel in distress to be dangled in front of Yuki like you’re in that film about the hero with godlike strength. That’s why she’s looking at you like that. Almost certainly. Like she wants to both flaunt you to the crowd and lock you up safely where no one can touch you, though wouldn’t that be a shame, what with these coils pinning your limbs against you, and the very tip of her tail disappearing into your curls right at the back of your neck?

At least she’s almost certainly not going to kiss you. Taking liberties would be wrong. It’s just that Thellamie has different social boundaries than you’re familiar with, darling boytoy. (But what am I saying? You know this already. You hung on Yuki’s every word— words of a world where swordfights did not end in death, where clever foxgirls know how to tie firm knots, and where there were women with the bodies of snakes and eyes that shone. And you never told her how they made you feel.)

“For now, behave. But keep trying to talk, I… don’t mind~” The purr of those last two words rumbles through her coils in a way that is rather suggestive. Her nails are working their way along your scalp, and the spots where your new ears appeared are so sensitive in interesting ways, aren’t they?

Then the crowd goes wild, with cheers and then with howls, exploding. Purnima glances over at the ceremony, and you get to see the exact moment that she becomes literally incoherent with rage.



Rurik!

This is your element. Not making magical artifacts, mind you. (Not even Cair’s at this level. She’s more alchemy, right?) But the high ritual, the ceremonialism, the wide-eyed stare of Heron, the dancers whirling in spangled cloaks all about, the light leaking into the air, the magic thick enough to taste: this demands stoic, intense appreciation.

Civelia is singing: high, clear, pure notes. She is limned in silver. A ribbon hangs from her wrist, the end brushing against the earth. The lunar symbolism is obvious.

On Yukisworld, the sun and moon are always moving, racing across the sky. That must be so strange. Lift your eyes, and you can see the sun hanging in the sky, the sky livid as the sun’s light dims; the outer edges of it are already invisible. And in this moment, you are the sun, too, the light that the First Fallen gave to the world as a gift, and you can feel the sunlight course through you—



Tsane!

—and through you—



Cair!

—and through you—



Injimo!

—and through you—



Sayanastia!

—owshitfuck—



Kalentia!

—oh stars catch Yana she's keeling over—




Yuki!

The Crown of Light in Heron’s hands flashes the intense, livid colors of dusk, all pinks and purples, and it’s all but impossible to look away. (In the corner of your eye, you see someone— fainting? But this is an intense moment.)

Civelia looks wan but, for once, actually smiles! And behind you, Sulochana makes a noise of giddy joy. Glance up as she rises, her head haloed in that same light, the same pattern as the dancers followed slowly revolving behind her head. She’s beaming, radiantly joyful, all her hopes fulfilled. In this moment, she is nothing less than a queen.

(In the distance, faintly, there’s a noise like someone is trying to scream but is too angry to let out anything but a choked noise like a train whistle or a very large teakettle.)

Then off to your right, the huntresses explode into riotous howling. Sulochana glances over at them, a little patronizingly, as if to thank them but to request that they be a little more conscientious— and then blanches, eyes wide and uncomprehending.

Off to your right, Juniper’s face is bathed in pinks and purples as she stares, open-mouthed, at the imposing and totally goth huntress sitting next to her. The expression on her face is unreadable, her black-painted lips flat, as everyone around her howls victory, leaving just her and Juniper silent.

(No, there’s one more— the silver-haired old woman. She’s not howling, and she’s not smiling either; she’s just staring at Sulochana, and there’s something about that calculating look— as if she’s already estimating a shot from a heartbow— that should send a shiver down your spine.)



Keli!

…well, as far as magical alarms go, this is a new one.

You redouble your efforts to pick the lock to Seli’s cuffs behind your head while the walls of the room are dappled lurid, throbbing pink and purple. You can worry about the thing that popped up over your head (or Seli’s head?) later, because you’ve nearly got it and you have got to focus.



Rurik!

Civelia turns her head and stares at you, expression almost impassive, eyes absolutely furious. The unspoken "HERON.” is deafening.

Have you figured out what happened, you reliable and conscientious prism, you?



Eclair!

Credit where it’s due: the Paladin falls into a defensive stance, all of her attention intent on you, and hears you out. An ear flicks, but otherwise she is still while you berate her.

Then she chuckles and shakes her head. Which is, paradoxically, sometimes a sign that a fight is about to end and sometimes means that it’s about to redouble.

“You know, I didn’t take her seriously when she told me that you would say anything to throw me off. Well, two can play at that, little miss frills: if I’m a stain on the floor, you’re trash, and I’m here to take you out.” There is real heat in her voice. “You can drop the broom and the board and surrender, and we’ll have a talk with Civil leadership about what you’ve been doing, or I can beat you down until you don’t get back up, and then we go have that talk. By all means, pick the second: garbage like you deserves it.”

But she doesn’t charge at you like a berserker. Her grip tightens on the shaft; her breath is in short, eager bursts; but she does not charge. You are in control, for all that she is furiously posturing at you with such uncouth language.

Her eyes haven’t left you. She makes a small correction to her footwork: still in a defensive posture.

“Boooooo,” yells a child from a bedroom window nearby; while this part of the city is much quieter right now, given that most people are attending festivities elsewhere, some people are supposed to have early bedtimes. “Get her, Miss Maid!”

“Who asked you, anyway?” retorts your absolutely devastated opponent, lowering her guard to instead place a hand on her hip and glare at the little shock of hair still peeking up over the windowsill.
Eclair!

You know, in retrospect the Paladin is going to be very embarrassed that this is what starts the fight. She only half-hears your very good challenge, because she’s already throwing herself into the footwork, the pivot away from the projectile (the broom, let us underline, as her brain will only afterwards), the draw from the center of her chest.

The heartblade starts as shimmering motes of light streaming from her; her breastplate has a stylized Stone over her chest, from which the light issues forth. (A typical aesthetic flourish.) Her weapon is pale and cloudy green as it forms, even as she reaches out for its lengthening (and lengthening) form. The initial draw is a vital part of sword training, even with how it’s drawn to your hand; it won’t finish solidifying until you have it. Inexperienced duelists can be disarmed before they’re even armed. But she’s not inexperienced. Her hands go right where they need to be, her palms wrapping around the thick shaft, and the heartblade finishes materializing: a Kel glaive, the thick head single-edged. The counterbalance at the end is the silver moon, full and heavy.

The sweeping arc rising from below is heavy, intended to smash through a block; rather than striking at a limb, looking to limit mobility or capability, it is meant to be a shock to the system. If it won’t drop someone strong-willed immediately, it will at least stun them long enough for her to take the momentum and follow through with a blow from the counterweight or a spinning chop from above. It’s a fighting style that emphasizes devastating shock, meant to leave the opponent unable to stand, let alone continue a fight.

But you have light-treated armor. Arrogant or foolish of her, then— or she simply assumes the physical shock of the blow, even if it fails to penetrate, will stagger you long enough for her to make a more decisive strike, or that the light worked into your armor will dissipate under multiple blows. You can, at risk, accept the blow to buy yourself advantage; the orthodox play is to simply not be hit.

Strike for the head to break her thoughts; strike for the heart to break her will and blade. (But her heart, too, is behind her breastplate— and fending off blows to the head is a fundamental of fencing. Only a novice would leave her head open.) Strike to the limbs to numb them; strike at the flesh to make her reel with the shock. And to make an opening— distraction.

To duel with heartblades is a noble art; to duel with heartblades is a cruel art.



Yuki!

"I promise.”

Sulochana has a broad couch up front, on a raised platform, here at the event plaza; multiple important people do. People behind can see just fine as long as she doesn’t stand up and as long as you lie down next to her, propping your head up with one arm. Nothing to do but hang out in the pleasantly cooling dusk and—

“May the light of the goddess show you the right way and may you find what hides from you!”

Sulochana sits up, grinning, as Juniper steps into view. She’s wearing an awesome fur-lined version of her usual Civil casual wear, but with an exposed tummy and… a collar with a red string looped a lot of times around the circle at the front? But she looks happy. Amazingly happy. Her autumn-red tail is swishing wildly as she waves for you to get up and give her a hug. She’s gotten bigger since you left, or maybe that’s just the bulk of her jacket.

“Can’t stay too long— I’ll be blocking the view— but an invitation for both of you: the Baygum has agreed that I can invite some friends to dinner. We’re all taking over the Golden Grill after all this.” She gestures over to the southern side of the plaza, where a bunch of mean-looking people in furs are lounging on, around, and in front of couches: the Khatun’s pack that she’s been talking about so much.

Speaking of which, Baygum: it’s a Khaganate title, like Khatun. It’s (if you remember Juniper’s infodumps correctly) someone who’s authorized to call and lead hunts independently of the Khatun herself. It also sounds like that means her self-imposed administrative mission to the Khaganate has been really successful, as if her cheerful updates about sleeping on furs, sleeping with huntresses, and developing a new casual style for the Civil nun on the hunt weren’t hints enough. The Baygum, though. That sounds familiar. A patron? A girlfriend?

“We’re actually—“

“Don’t tell anyone I told you,” Juniper barrels on, past Sulochana’s attempt to point out that you have plans for the Ox’s Eye afterwards. “It’s just— she wants me to bring some of my bestest friends to a pack feast. Do you have any idea? And that Maid-Knight bound us together, too, just today— please, be sure to come, it’s going to be great!”

And then she licks you. On the cheek, affectionately, like a puppy. This is not a thing you’ve seen people in Thellamie do before. You’d definitely remember.

“I am crushing it today! Tonight! Golden Grill!”

You’ve got just about enough time to ask her one thing, or explain one thing, before she has to bound back (again, like a well-trained puppy).



Keli!

That sneeze! It’s sharp, and cute, and adorable, and the way his pretty little face scrunchies up, and all of it, the whole of it—

You cannot hold it back. The laughter bursts out of you— that laughter which is a little manic, a little piercing, a little like your beautiful and skilled mother’s own— nothing polite or cute, just the real deal of delighted, surprised joy, until it feels like your ribs are aching, even as a Nagi bigwig pulls you up by your scruff.

Oh, by Inara, where did this ridiculous little creature get dropped from?!

You’ll have to figure a way out of this eventually. But you always do. Hell, this isn’t even the first time your laugh has gotten you caught! But that’s a long story, and you probably don’t want anyone here to know that one yet. Maybe when you get your own proper post, sweetie. <3



Hazel!

“There’s really no need to struggle,” Purnima says, honey-sweet. “Wouldn’t it be so much more pleasant to just sink into my coils?” Her eyes are warm embers, the toasty warmth of sinking into blankets wrapped all around you on a cold evening. “Relax. Let go. You’re safe from any peril here with me.” She cups your chin, caresses your cheek, draws you into the depths of her gaze—

You manage to wrench away with all of your strength. Her coils tighten around you, forcing the air from your lungs in a little gasp. Purnima folds her arms, her expression of placid, trustworthy calm suddenly turned stormy (and absolutely definitely not embarrassed, goodness no). The room swims around you as those coils treat you like a squeaky stress toy.

“You could just leave him down here?” The guard with the ends of Keli and Seli’s leashes in his hand shrugs. “I could lock him in one of the back rooms. Easy.” He gestures deeper into the… house? It has the feel of one of those businesses that operates out of a house; there’s what looks like a couch-elevator on rails in one corner of the atrium. The windows are high and letting in the last of the day’s light. Memories are starting to swim back: that sneeze making Keli burst out into peals of laughter, getting you both caught; Purnima seizing both of you before you could properly draw your weapons, and Seli making a bold rescue attempt; being tossed over a guard’s shoulder, Keli and Seli being marched here behind you, and then Purnima staring into your face, and, okay, yes, that does bring you back to the present.

“What? And give the Arju the chance to have their spies locate him, steal him? I am not letting him out of my sight.” She turns her attention back to you, glowering… and then her smile turns smug. “Actually, yes, that’s an excellent idea. I won’t let you out of my sight at all. Jomes—“

(“Gemes, ma’am,” Gemes says with the exhausted air of someone who knows he isn’t being listened to at all.)

“—bring me a sash and veil from those shameless little hussies.”

You twist around in time to see the bushy tails of the twins, to hear their absolutely outraged grunts, and to watch them twist around in the chains Purnima had them locked in down here. (Who has a hook on the wall just for dangling chains from??) But on tiptoes, it’s hard for them to get leverage to avoid Gemes removing Seli’s sea-green sash and veil.

Underneath, Seli’s face is blushing furiously, which just brings out the freckles generously scattered over her cheeks even more. Her lips are forced apart by a scale-patterned cloth, the edges of which are already beginning to grow moist. (And, hmm, try not to stare at those full brown lips, okay, Hazel, sweetie?) She tosses her head and looks away with her nose in the air, face pointed away from you, even as Keli starts a garbled rant at Gemes, rattling her handcuffs and hitting a soprano note of outrage.

You turn back to Purnima just in time for her to push a square of soft, slightly warm cloth into your mouth, large enough that she needs to work it into your cheeks with her fingers. “Thank you, Jomes,” she says, taking the proffered sash and pulling it snugly over your lips and cloth-packed cheeks, leaning in close to knot it firmly behind your head, her smug grin as sharp as a knife. Then she takes the veil and drapes it over your nose, over the cloth, and lingers in securing it. The clasp can’t be that hard, can it?

It smells of Seli’s perfume. It drapes over your face, impossible to ignore. It’s not thick, and it’s not like it’s pulled taut over your face, but it’s just there, settling, concealing, being technically clothing that technically belongs to a girl you’ve been technically hanging out with.

“There we are, you naughty little thing. You might have an iron will, as expected from Yuki Edogawa’s husband, but now you’ll be mine in plain sight, my pretty little escort for the evening~”

She scoots over to the couch. (Moving around with someone in their coils is hard for Nagi; it’s like having your hands full, but for your legs.) She drapes herself down, showing a decent amount of core strength as she lifts her lower body up onto the couch— with you still coiled in it— and brings you close enough to play with your antler as Gemes starts working the winch.

“You’re my ticket to victory,” she says, rubbing her thumb aaaaaall along that antler. Both Keli and Seli are making angry noises below, as if telling her to come back. (The noises are also huffy and muffled in a way that you were not entirely prepared for.) “Bereft of her vicious outlander assassin, Sulochana will be wide open for my counterstrike.”

The ceiling folds back as the couch rises onto an open-air veranda overlooking a packed plaza. It’s noisy down there, and any noises you’re able to make will be lost, and anyone glancing up here is just going to see a rich Nagi enjoying public affection with a boytoy. A boytoy whose ear she’s now idly rubbing.

“Shhhh,” she says, unnecessarily, also unnecessarily sensually. “I think it’s starting.”



Tsane!

Crown of Light Ceremony. You’re digging up a reference, scanning over accounts, trying to find that one little detail that isn’t quite coming to mind. All of you sitting and lying all together on one couch (and around, and in one person’s case under). Trust the Nagi to make sure that everyone has to figure out how to use their weird couches on the fly.

The Crown, of course, is familiar. It’s the sort of thing that Heron says can only be made “with an experience tax,” which seems to mean that it takes a lot of time and magical cultivation to make, and Civelia’s going to be leaving herself open and weaker than she’s been in centuries just to hand it off to the new Queen.

Good thing Yana’s not looking for a rematch right now. She interrupted the original ceremony and kidnapped Civelia right after Hermeshind’s coronation, and all of Thellamie would be mortified and furious if she tried to do it again and, in the process, disrupted the important business of the newest Queen of Light.

The Crown itself is going to choose its new wearer. Queen Hermeshind was the first to be silhouetted by that radiant halo, but every time the crown passed on, it marked its next bearer without anyone being involved, right up until Vesper lost it in the process of losing herself. And it will do that after… there’s an extra step. Heron’s step. Then the Crown chooses the Queen and everything’s wonderful again.

The Lunarian has lowered into a squat at the foot of the couch, but their ears are still causing grumbling behind you all.

At the center of the plaza, Nagi singer Anat Amora-Ugari has finished her set and has taken a spot near the front to refresh herself. The dancers are already out in the ritual space, each one representing one of the noble stars, performing the Golden Road in accordance with the hypotrochoid mosaic prepared here years ago. Collected starlight seeps from the mosaic, all around— yes, here they come, Civelia in a high-necked gown and a headdress spreading in a halo behind her head, and Rurik carrying the crown in his hands.

The murmurs are spreading through the crowd, getting louder and louder, until Civelia raises her hand for silence. It’s showtime. Confident that your dad’s gonna do his best?
“We are not doing an Andromeda,” Ember repeats, arms folded, projecting as much Authority as she can. Plundering Fang, idea rejected, scowls at her. “Not even the Fisher’s Andromeda; that backfires as often as it works. Instead, we are going to jettison all of our loot from—“

“83.7%.”

Ember stops and looks to Sagetip, who pushes her glasses up her nose.

“The pack, across its history, has achieved an 83.7% success rate whenever we have had to use an Andromeda. Traditionally, the Alpha volunteers for the role. We have traditional regalia we synthesize for the event. And as long as the Alpha puts all of her faith and trust in Poseidon, making sure that there’s absolutely no way for her to influence the outcome… 83.7%. Damage to our vessel is inevitable, but our monster will arrive, usually with ravenous harbingers proceeding it. The time is auspicious, the circumstances are amenable… this is not only the favorable action, it is the prescribed action.”

“But I’m, I’m not rare or treasured,” the Princess Alpha stammers, touched with Mortification.

“Princess Alpha,” Sagetip says, with the greatest of patience, “our lar, Mosaicbella, clearly finds you to be both. Today, she was observed squeezing your hand and telling you to ‘knock us all dead’ at this very meeting, before kissing you for an indeterminate amount of time. Also today, this morning. she just so happened to have made more tea than she needed to drink, an obvious ploy to give you a gift and to spend time with you. Yesterday,” she continues, smiling in the way she does when she senses the kill.

"Don’t let’s talk about yesterday,” the Princess Alpha squeaks.

“So what’s it going to be?” Plundering Fang cracks her knuckles. “Are you going to be the Alpha or not, Little Ember?”

Both of her challengers look at her, watching for weakness. For selfishness. For failure in the eyes of the pack. But Ember’s not looking at either of them; she’s looking to Bella, unseen but not unfelt.

“…tell me about the regalia.”
Rurik!

Civelia almost cracks.

By her standards, however, she barely holds it together when Sayanastia takes that first bite. For just a moment, it is almost possible to see her as just a young woman missing one arm, absolutely baffled by the fact that Sayanastia just keeps eating the soap, bite by bite. Perhaps something could have pushed her over the edge, in that moment— but it passes. She does not even smile. Her lips clamp like the claws of a crab.

“One more thing,” she instead says. “If you can, I encourage helping out that Lunarian, Heron. We could always use examples of exemplary conduct to be taken back up to the Moon, and the opportunity to treat with one below the Ribbon-Road is not to be wasted.”

…Cair is presently trying to explain to the Lunarian why eating soap is a team-building exercise, and also asking how the moon people eat (“W-we are not the consumption of the sustaining as one. You are not the preservation of affections!”). How would Heron usually handle this sort of nonsense?

(And, keeping in mind that the ceremony will be here before you know it— are you going to take Heron’s place here?)



Yuki!

Because the palanquin is in motion, it’s really quite lucky that you didn’t cause the guards bearing it to lose their balance. As it is, there’s a moment of Sulochana holding both her hands out to her sides, ready to try and counterbalance one direction or the other, her eyes startled slits.

Around halfway through your explanation, she snatches the necklace away from you, even as you work your way through the question-filled conclusion, and smothers it underneath a cushion— which gets a coil slapped over it. Back out comes the tablet; her focus is on you, even more than when she was trying to let you in on her secret before.

>[.realsuloarju]
>I am so sorry I didn’t think
>She’s in the mirrors but that means she’s IN the mirrors
>I’m so sorry
>Using her name risks attracting her attention
>But she can’t maintain attention for long, not unless she’s watching someone; she’s in the mirrors and that means she’s in any mirror, which means any mirror across Thellamie might have her attention
>I can’t believe this one
>She’s not dangerous I don’t think but she’s still a STAR, Yuki


She takes a deep breath. The cushion is still. No movement from underneath it at all. Azaza’s not going to jump out of it, nails extended, and make good on the threats she made all those years ago as she scrabbled against the massive golden frame of her vanity mirror.

Sulochana moves the cushion off like she’s doing bomb disposal. The necklace lies there, innocently beautiful.

“…she makes all kinds of promises, asking to be let out. Or screams. She did a lot of that before we removed the mirrors in the Viperiat. Then, around about the time we got those last ones, she was just… watching me. And she knows how to change the reflections, if she wants to. Thankfully she just… gets distracted. Remember how she’d just stare at herself for hours, or how we distracted her with those jewels? Now she’s got every reflection in the world around her all the time, and so she… it had to just be bad luck. That’s all.”

She picks up the necklace, letting it pool in her hands, and doesn’t make a move to give it back to you, but she doesn’t put it away, either.

“…she won’t hurt you,” she says. The undercurrent is palpable: I won’t let her hurt you. Then, as an afterthought: “And the tablets are made by the Lunarians, so. Maybe they have something to do with it. But it’s ’the trouble of our world’ so they won’t have anything to do with the Fallen Stars at all. Because the Fallen Stars are impure, just like we all are. Each and every one of us, apparently.”

Perhaps a touch of bitterness there. Just a pinch.

You’re approaching the plaza— not the Welcoming Plaza, but the one set aside for the ceremony, which will begin at dusk, but, oh, Sulochana will have so many things to do beforehand to make everything perfect. This is the moment you have with her before everything starts rolling.



Juniper!

Oh, this is, this is…!

This is some sort of blessing from the Vagabond Order, isn’t it? You’re not familiar with this one, but someone learns something every day, which means that once again you’re the lucky one learning.

You’ve been learning quite a lot, haven’t you? The baygum’s sluzhanka, you: you and this Maid-Knight are the same in some important ways. But you know in your heart that you’re the lucky one. Legends say that their Mansion is a hotbed of repressed tension and simmering desire, but the Pack do not often repress themselves, and their desire frequently boils over, and— as you have learned, intimately— those that try to behave in public are all the wilder when they finally let loose.

Olesya is stock-still. You can feel her fingers clenching tighter, and you rub your fingertips against the back of her hand. Her eyes move up from the ribbon to meet yours. The look in those eyes is the same as the one she gave you after she brought down that stag-goblin, right before she collapsed on your legs.

You try to contain the warmth that is flowing through you, but it’s spilling out: you’re smiling like the first time Olesya showed you the flowers she crushes to make her eyeshadow, your ears are trembling with excitement, your tail is thumping against the ponybutt of your steed. This is unbecoming of both a nun and a sluzhanka, but you’re helpless to stop yourself. You’re going to have to think your way through this, and a little bit of you pouts and leans against a wall in your mental fastness at the thought of thoughts when you want to just give Olesya a kiss and show all of Crevas how amazing the Khatun-to-be is.

But being a sluzhanka means paying attention to your lady’s needs as if they’re your quarry, and Olesya is— she’s still stock-still, she’s trapped in the middle of her mother’s procession, she’s having pictures made of her and you by onlookers, and the only safe action she can find is to do nothing at all.

“We shall both be excellent,” you say, nudging your goblin a little closer. If you were Olesya you could do this in a way that nobody sees it move at all, but here it makes you seem like you’re struggling to control your animal, which is good, actually. You’re not a huntress, after all. “How could we not be? We run together behind the Khatun, underneath the moon’s light, in us found the best qualities of both the Goddess’s serenity and the perilous ways of the Outside…”

The Khatun is watching you, turned in her saddle. She often does. You work very hard to earn your place as Olesya’s prize, her servant, her bedwarmer, but it has not escaped you that the Khatun only pretends not to have her daughter on her own sort of leash in turn. If you were ever to get in the way of Olesya’s path to greatness, well. There are many perils on a woman’s path, sluzhanka.

“…and in turn I offer one of the blessings of the Civil Church that has found its birth in the fertile soil of the western hubs…”

You glance up at Olesya, and you’re close enough to see the moment of realization in her dark eyes. The opening that you are giving her. The threading of the needle between what she feels and what is expected of her.

She reaches around, covers your mouth with her palm, and pulls you up against her (muscles, scent, promise) body. “Hush,” she says, monotone, as you meekly put your hands on the horn of your saddle to the laughter of the pack. “You talk too much, sluzhanka.”

Then she looks to the maid-knight and grunts, shrugs her (broad, scarred, kissable) shoulders. “What she said.”

The Khatun smiles. Your heart is racing like the first time Olesya told you the night was cold and then sat in silence until you figured the invitation out. You squeak pitifully into Olesya’s firm hand and give the Maid-Knight the look of a silly little nun. And then the Khatun drives her spurs into her steed, and the procession moves on, and Olesya moves her hand up— scritches you, the once, a silent relieved thanks— and then pushes your head to the side, a sign to ride straight again.

As if you could, still glowing with that rosy blush. But that’s good, too. You’ll get teased about that later and it’s already making your toes curl. Just wait until your friends meet your mistress!!



Eclair!

It’d be really nice if figuring it out made the song go away, wouldn’t it? I expect it’s still rattling around, this time as a complete piece, with mere emphasis on the fragment you remembered, as you work (one-two-three one-two-three) in the near-empty Vessenmer Dyes and Paints workshop.

A lantern flickers light from the back office, where Anesh Vessenmer is going over her records, hunting down your mystery purchaser, as you clean up after the staff. Tools need to be neatly organized and put away, dye pots stacked properly, and so much sand to sweep up and… let’s be honest, if you had all the time in the world, you’d be enchanted by the thought of sorting them all out by color and gradient, wouldn’t you? A task so difficult, so infinitely sub-dividable, that it would be like helping administrate the Mansion in miniature. You’ll have to reveal how much you’re able to resist the temptation, and—

Boots.

Heavy boots. Pair; only one person’s footfalls. Think back: sound of door opening, buried under consideration of task. Approaching you.

Pivot when able.

The Paladin’s tall. The Kel tend towards being short, compact; this one isn’t. Kel tassels hang from her armor, particularly her arms: decorative, distracting. The armor underneath is so much like yours; two sides of the same coin. The distinction is in who you chose to serve. Starglasses at night; the kind of Kel who tries to keep her mind on the ground. Practical, or attempting to convey practicality.

“You know,” she says, stretching, hands behind her head for a moment (important before a possible fight: get limber, get ready). “I thought for a while: why? Is it because you get all obsessive? Or is it just like another of your chores? To do: make her love me. Personally… I don’t really see the use in that.”

And she just. Leaves that dangling, and open, and she’s watching you from behind her starglasses, a shadowed shape in the low light of dusk. A firework goes off in the sky, and colors skitter across the floor between the two of you.

Anesh’s office is dead silent, as if she were holding her breath.



Hazel!

The thing about Keli and Seli is that there is something in them that is shining right now.

“Wow, you really hissed her off, ha!”
“Oh, poor dear, running away from your betrothed~”
“You looked so happy because you were thinking about having escaped her~!”
“Oh, you thought, is there no one to save me~?”

They treat obstacles like things to flow around like water: going up over carts, sliding under roadblocks, skidding around large groups, and pulling you along with them. (It would be very unworthy to consider the degree to which they are bouncy, so don’t even start.) It’s not technically parkour— wait, no, Seli is pulling you up a flight of stairs and onto the rooftops. It’s actual parkour.

Both of them are delighted. This is making their nights; a perfect capper to a perfect day of attempting to acquire your money. They almost certainly could get you to Yuki, and—

Yuki.

She’s brave, she’s confident, and she definitely would not take sass from these two. She’d convince them to claim that they were doing it out of the kindness of their hearts! She might have to posture, but she’d save you, her helpless damsel in distress. Maybe you could convince them that you have a contact in the Viperiat who will richly reward them.

Beyond that, well. There’s another thing that might work, right now, and that’s crying. Just bawling as soon as you manage to shake this crazy snake woman for even a moment. Sniffling and hugging your knees and bemoaning your fate. Out of the two, it would very definitely break Keli, and even Seli would probably be awkwardly attempting to comfort you. Just be the pathetic little meowmeow.

Because trying to walk away won’t work (and neither would running away, watching them work), trying to outwit or outflirt them would be a challenge that they couldn’t resist, you don’t even know how to use a heartsword, and—

Keli pulls you into a darkened alcove, claps her hand over your mouth, and manages to fit both of you into a very small, tight space just behind an uncomfortably thin bit of curtain. The sudden attempt to control her breath, to not pant heavily, is making her tremble, and she’s trying not to have her bells and bangles betray both of you. She’s electric with Getting Away With It. In her head there’s not so much as a thought of getting your money, though it’ll come back; she’s just trying to save you from whatever this snakegirl wants, and proud of herself for getting enough of a lead even with you in tow to pull this stunt.

WHERE DID THEY GO?” howls the scary snakegirl— from a little bit past you. Just a moment more, and you might be able to sneak away behind her back while she chases after a flash of Seli’s silks.

Regrettably, you have an adorable sneeze, don’t you? And you’ve been running, nostrils flaring, and it’s a little musty back here, and Keli has a distracting amount of perfume (and a distracting amount of taking deep breaths at this very moment), and, well…
Sayanastia!

Cair has just walked blindly into a risible comedy routine. The Lunarian is going to keep meandering around in linguistic circles, constantly trying to pin the world down in terms of being and connections, sharp if impermanent definitions, while Cair casually switches between multiple meanings of “sick” to muddle everything up.

That is, if having its hand slapped doesn’t make it drop dead on the spot. Fussy little things, those moon-people. All convinced that contact with the world down here will infect them. They’re already infected in the most important way: they accept the world for what it is.

…once upon a time, that would have sent you into a seething, furious monologue. Come! Let’s! Turn the world over! That sort of thing.

Whatever happened to that fire, hun? Is there any of it left in the ashes of your heart and cosmetics palette? Generations ago, you’d be seizing Crevas as a beachhead for the reclaiming Outside, that swamp which washes out towards the far-distant void; now, you’re just—

“Pardon me, ma’am,” one of the Brothers says, after clearing his throat with more thoroughness than necessary. “In recognition of your exemplary behavior here today, refraining from uncivilized and unproductive behavior, the Goddess wishes to offer you a gift.” This, a palm-sized box wrapped in cheap and colorful paper, he offers you.

(Inside— not that you know this yet, not unless you open it, and of course he’ll just stand here awkwardly until you do— is a bar of Shining Shield Soap, for the Most Persistent & Undesirable Odors. And Civelia will make eye contact with you for just a moment, a moment in which it’s clear she hasn’t fully forgotten certain chariot incidents, and then return smoothly to her tiresome playacting with Rurik. If you open the box, of course, and do not enter into a stubborn-off with this nun, or run away, or start one of Cair’s ridiculous chains of deals, or anything of the sort.)



Yuki!

“All I need is you in my song,” Sulochana says, and squeezes your shoulder. Could you ask for a better bestie? “No matter the verse. And— ah, I think, here we are.”

But here we are doesn’t mean you’ve arrived to greet Civelia. She’s chosen, instead, to pull over to receive a gilt box through the curtains. “Ah, thank you, Sulmya,” she says grandly to the artisan standing on the steps. Her voice slips registers so smoothly, from a soft-spoken friend to this assertive Princess. “I am sure this shall be sufficient for my needs. I shall send my regards and orders for the solar festival.”

Sulmya does that funny little shimmy of her coils that you think counts as a curtsey, and Sulochana lets the curtains fall again as the palanquin-bearers pick up the pace. In her hands, it’s clearer that it’s gold and silver worked over a thick, dark Outside wood, so dark it’s a little dizzying.

“Go ahead. Open it,” she says, pressing the box into your hands.

(And of course you’ll open it, thumbing the lock, won’t you? Won’t you have a glimpse of the fashionable necklace inside? Outside of Crevas, where the Outside meets reality, there are crabs which eat the grains of the variegated sands and the insects hiding between them, and over time the inside of the shells become something like mother-of-pearl, all iridescent and glossy, different colors every time the light shifts. The panels of sand-nacre here are divided by absolutely perfect pearls from the Aestivali islands, their pure milky white contrasting with the mutable hues of the panels. And in the center is the official cartouche of Crevas, the coils working around each other, done in the palest and most delicate gold. If you open this, if you hold it against your skin, if you let her use her tablet as your mirror, you’ll see that she picked every part out deliberately to complement your ears and your complexion. Somehow, she’s managed to find something in Whitemarket that is as loud about how much she cares about you as it is about the money she spent on it.)

(But you’ll also— for just a moment— see a flashing, furious eye where the light hits the silver so perfectly that it’s almost… well. A mirror.)



Eclair!

“You ask me for a song, girl?” There is a dry bemusement in her voice. “I wonder what I should make of that.”

Fortunately, in the moment in which she is considering you and your status as regards the hunt, the song is echoed back from the retinue. “dum-te-dum, dum-TE-dum, dum-te… this one.”

The huntress is one of the younger members of the pack; her voice is a hoarse whisper. She wears weatherbeaten, mottled black and grey; her eyes and lips are also painted black. In the shadows, in the dark, she would be invisible. But here in the colorful city, in the Festival of Light, her gangly, hunched frame is superimposed on the world. In her hands, she fiddles with a tablet.

And from it, blessed relief, issues forth the song, now familiar. Even before she says it, Dollwaltz has clicked into place. If you’d been able to explain the tune properly, Madeline would have been able to help; she introduced the song to the Manor, after all.

A memory surfaces: a fellow maid, glimpsed from behind, humming along as she dusts in the Evening Wing of the Garnet Library. Her vibrant carrot-orange curls bounce with every completed tripartite collection of notes, and a glossy black heel lifts off the floor.

In this memory, Timtam does not turn to face you.

…but she was not the composer, and plenty of people have listened to it and saved it to their tablets, probably. This huntress, for one. Her smile is self-satisfied, even as she lifts her dark eyes just enough to meet yours. The Civil claps her hands together and looks up reverently at the huntress; she barely comes up to the huntress’s chin, even in that hunched posture. (The Civil is wearing a simple leather collar lined with fur, with a silver ring hanging at the front, almost hidden by her fur ruff. No member of the Order could miss it, or fail to guess at its implications. You are very attuned to such matters of positioning.)

“Ah,” the Khatun says. “So clever, Olesya.” If she was unsure if she approved of you for asking, there is no doubt that she approves of Olesya for answering; that she is proud by proxy. “There. You have your answer, little sluzhanka. So we are settled.”



Hazel!

“I still can’t believe you said that to her, yah?”

I’m very certain that the end of that conversation is still playing on loop inside your brain. For all that you’re trying to distract yourself with pretty flowers in the light of early dusk, marveling at statues of Nagi that don’t have any of the mesmeric prowess of the living, you can still remember her surprisingly husky laugh, her pat on your cheek, her suggestion that you shouldn’t miss the Queen of Light.

And now here you are, trying to distract yourself a little more with a view from the gardens, which are on this jutting outcropping from the rock. From here, from this railing, you can see the city stretch out above, but mostly below. You can see the plaza which is thronged already with people waiting for the goddess’s big reveal, and you should probably head over there soon, you and these two girls hoping to steal your wallet, and if you’re lucky you’ll meet Yuki there to defend you, and if you’re really lucky you’ll catch another one of Anat’s performances.

Turn your head to the right, and there’s rooftops glittering in the last rays of the sun’s dimming light. (The sun never sets in Thellamie; it just powers down for the night, like a giant lamp on a timer.) The streets that Keli and Seli have pulled you through, giddy and delighted, full of wonders you’d never see back home.

Turn your head to the left again, and there’s the Viperiat, the final dungeon, the castle where Yuki saved this world from an evil snake-star-lady in all of the mirrors. The place she didn’t drag you to.

“Oh, don’t kidnap me~”
“Ha! What, don’t you remember what we told you?”
“The Nagi don’t snatch people right off the street.”
“You need the Khatun and her pack for that.”
“Though people who don’t pay their debts sometimes find the homehubs perilous.”
“But you’d never do that, yah?”

Turn your head a little more to the left and there’s Keli, hand underneath her chin, tail resting against the back of your thighs. Turn your head all the way back to the right, and there’s Seli, running her fingernails across the stone.

“Really, it’s been a magical day, yah? Priceless, even?” And here it is. Oh, here it is. Earlier than you expected. Are you ready to stand up for yourself, Hazel?

Well, it doesn’t matter, because that’s when somebody screams at you from a private gazebo higher up the smooth ramps of the garden, and what she says is:



Purnima Karn-Pana!

“I need her weakness!” That’s what you said, slithering in circles around the family’s private gazebo, tugging at your hair like you were wringing Yuki Edogawa’s neck. “It’s her or me, isn’t it? That nasty little outlander, that assassin-for-hire, that… that… that awful little brat! How am I supposed to outplay her? We don’t have her context, she doesn’t have a home hub, and I need information! So Mevis, report!

You’d turned on your family’s spymaster-general, then, this two-legged Nagi with the build of the Kel. She’s old, certainly, but that’s become a viciously-used asset in her line of work. She’s able to ferret secrets out of half the grandmothers in Crevas.

“Well,” she said, interlacing her fingers, “dearie, there’s one weakness this outlander has that she didn’t have last time. You see, she’s become a young woman now, and she’s so confident in her alliance with the Arju that she has brought her husband to Crevas this year. A young and handsome man, with horns like a venturer scout; that’s what I’ve heard.”

Your heart leapt. Mevis lapsed into silence then, smiling as she let you think through your thoughts. Quite considerate of her, but you didn’t stop to consider how she knew to do that. “Yes! If we can seize this husband of hers, we have her by the very heartstrings! What will you do then, Yuki Edogawa? Go running to Sulochana and the Arju, force them to overextend, start an open war between the families? Or will you come to me so that I may give you terms. What would you do for him? Would you betray Sulochana? You would, wouldn’t you, you conniving schemer! I won’t just be safe from you, you wretched assassin, I shall use you to be Sulochana’s very downfall! And all we need to do, Mevis, is scour this city— spare no expense— to find this antlered outlander, wherever he…”

You let your words trickle away as you stared down into the lower gardens, where a young man with antlers just so happened to be, flanked on either side by elite Aestivali bodyguards.

And now we’re caught up, aren’t we?

"Seize him!” You are, of course, flanked by your bodyguards, well-coiled and strong. But you’re not content with pointing him out; you heave yourself down the ramps, showing the vaunted speed of a furious Nagi. "He’s mine!!

Oh, sure, the Aestivali can grab his arms and run with him, but you will have him. You shall have him, or your name isn’t Purnima Karn-Pana, next Princess of Crevas!
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