Injimo!
"The assassin?" Aadya blinks a moment. "I... did she go out and kill someone?"
A beat. The Civil's mouth slowly opens, and she eventually manages to find the words. "No, she... she attacked the Goddess?"
"What? After I let her go?!" The stylus proves its good manufacture by not snapping under the pressure of Aadya's forefinger and thumb. "I should have known something was wrong when she ran off... damn!" She gnaws on the stylus, glaring at the tablet like it was what convinced her to let Eclair Espoir go.
Then her eyes flick back to you, and she stands up a little straighter, tucks the stylus behind her ear, and actually tries to look like she's trying to be respectful of the Hero of Ages. "She was harassing a dyemaker, trying to get information on Sister Tammithyn Murr. When I arrived, she beat me in a fight and then made me help her clean the dyemaker's shop, and she tried to convince me that the whole thing was a big misunderstanding and that she wasn't stalking the good sister. Then she took me by the hand, ran out with me into the street, and finally jumped off me to start using her board. Now she's gone, Tammithyn's gone, and you're telling me she found time to attack Holy Civelia along the way?"
She stands even more at attention. "Eclair Espoir is a talented and dangerous opponent, happy to use her body and her skateboard to fight even more than she uses her sword. She's capricious and erratic, obsessed with cleaning, good at using her tongue. Appearance-wise, she's a violet-haired Avel in plate-and-apron."
Didn't Civelia's attacker have carrot-orange curls?
Cair!
As Kalentia tries to get the Lunarian to relax, or at the very least stop being as stiff as a board, all right angles and scandalized shivers, we turn our attention back to you. You've been dealing with the armor, right? We may as well talk about that for a moment.
The Lunarians are geniuses when it comes to technology, and this armor's proof of that. It's designed to be a self-contained lunar environment, and it's very hard; whatever cracked open the vambrace must have been very dangerous. Either that, or she pissed off someone with the world's largest crab cracker; the way that it interlocks, the shape of its various pieces, has a rather carcine air beneath the bamboo-stem elegance. When you slipped your hand into the gauntlet and tried to pick up a sword, it made you strong enough that you left the imprints of your fingers in the metal as if it were made of sponge.
The most you'll be able to do on it is a patch job, and it's possible that the pure essence of the moon has already leaked out of the suit. This could have... ramifications on the Lunarian's continued health, if she doesn't figure out how to survive down here where everything's dirty and messy.
Yuki!
Well, for starters, you should mark a Need for Aadya. Poor dear. We'll just have to see if we can avoid having her turned into a pincushion, won't we?
As for Sulochana, something in your words or voice seems to touch her. She hesitates for your sake, darling. For your sake and for the sake of a boy she still hasn’t properly met in person.
“…Yuki, I would appreciate your help,” she says, banking the fires of her intensity. “You’re right. I— what if coming with as many guards as I can just scares him? What if he’d be uncomfortable with riding in a palanquin or on the back of a goblin? Would it mean more to him if we disguised ourselves and went alone? He’s your friend, so please help me tame him in… the nicest way I can.”
What this means, dear, is that you now have a lot of power over how Suli intends to go forth. You can pick names, make requests, and otherwise take responsibility for making this happen, too. But that’s better than scaring Hazel, right?
Eclair!
For most hubs in Thellamie, there are two means of entry: via the Roads or by daring the Outside and coming from without. However, this latter, more unusual method hits several snags when an attempt is made to enter Vespergift thus. Snags, roots, walls and boiling oil. Or so the excitable rumors of childhood go; every child knew someone whose cousin knew someone who got locked out after sneaking out of the city, and when they tried to get back inside: slosh and splash and sizzle.
What this means practically is that you may enter the city into the Marché Couvert, which feels as if it is subterranean despite merely being at ground level, a maze of stalls and carts and cafes where Timtam might play cat and mouse— or you may brave the walls that the trees and the dead have broken themselves upon time and again, clambering from gargoyle to arrow-slit to oil-vent, all to try and outfox Timtam.
Anat Amora-Ugari!
There. There it is. The starlight inside of him glimmering, winking, bright and full of wonder. You caught a glimpse of that when Keli was dancing with him: that passion. The gesture you make with your fingers, for but a moment, is only for you and Amali and me; he doesn’t know yet what it means. But in this moment, you believe that one day this boy will know me the way that you do. (Oh, if only you knew!)
“Like you,” you say, taking a guess, “I could feel it inside here.” Your touch to your breastbone is gentle. “That feeling needs to be shared with others. By doing what we do, we help others touch the dance that is happening above us all, even if it’s only for a moment.”
Then you begin to prime him for initiation: you tell him about the places in every hub that welcome artists, but not about the symbols etched into doorframes. You tell him about paying attention to the calendars of the hubs and chasing festivals and parties, and how the Civils always have some sort of event they can point you towards, but you leave out the fact that you sometimes receive polite suggestions on where to go and who to speak with. You mention that the ashiq were the first traveling performers, and you do a little shimmy of demonstration that makes him nearly bury his face into his curry, but you do not talk about who taught them.
Good girl.
“…and I do have an apartment in Turquoise, though I spend only a few weeks out of the year there. How about you? Where are you from?” And you ask it with more innocence than anything else you have said, not knowing why Amali kicks him under the table.
"The assassin?" Aadya blinks a moment. "I... did she go out and kill someone?"
A beat. The Civil's mouth slowly opens, and she eventually manages to find the words. "No, she... she attacked the Goddess?"
"What? After I let her go?!" The stylus proves its good manufacture by not snapping under the pressure of Aadya's forefinger and thumb. "I should have known something was wrong when she ran off... damn!" She gnaws on the stylus, glaring at the tablet like it was what convinced her to let Eclair Espoir go.
Then her eyes flick back to you, and she stands up a little straighter, tucks the stylus behind her ear, and actually tries to look like she's trying to be respectful of the Hero of Ages. "She was harassing a dyemaker, trying to get information on Sister Tammithyn Murr. When I arrived, she beat me in a fight and then made me help her clean the dyemaker's shop, and she tried to convince me that the whole thing was a big misunderstanding and that she wasn't stalking the good sister. Then she took me by the hand, ran out with me into the street, and finally jumped off me to start using her board. Now she's gone, Tammithyn's gone, and you're telling me she found time to attack Holy Civelia along the way?"
She stands even more at attention. "Eclair Espoir is a talented and dangerous opponent, happy to use her body and her skateboard to fight even more than she uses her sword. She's capricious and erratic, obsessed with cleaning, good at using her tongue. Appearance-wise, she's a violet-haired Avel in plate-and-apron."
Didn't Civelia's attacker have carrot-orange curls?
Cair!
As Kalentia tries to get the Lunarian to relax, or at the very least stop being as stiff as a board, all right angles and scandalized shivers, we turn our attention back to you. You've been dealing with the armor, right? We may as well talk about that for a moment.
The Lunarians are geniuses when it comes to technology, and this armor's proof of that. It's designed to be a self-contained lunar environment, and it's very hard; whatever cracked open the vambrace must have been very dangerous. Either that, or she pissed off someone with the world's largest crab cracker; the way that it interlocks, the shape of its various pieces, has a rather carcine air beneath the bamboo-stem elegance. When you slipped your hand into the gauntlet and tried to pick up a sword, it made you strong enough that you left the imprints of your fingers in the metal as if it were made of sponge.
The most you'll be able to do on it is a patch job, and it's possible that the pure essence of the moon has already leaked out of the suit. This could have... ramifications on the Lunarian's continued health, if she doesn't figure out how to survive down here where everything's dirty and messy.
Yuki!
Well, for starters, you should mark a Need for Aadya. Poor dear. We'll just have to see if we can avoid having her turned into a pincushion, won't we?
As for Sulochana, something in your words or voice seems to touch her. She hesitates for your sake, darling. For your sake and for the sake of a boy she still hasn’t properly met in person.
“…Yuki, I would appreciate your help,” she says, banking the fires of her intensity. “You’re right. I— what if coming with as many guards as I can just scares him? What if he’d be uncomfortable with riding in a palanquin or on the back of a goblin? Would it mean more to him if we disguised ourselves and went alone? He’s your friend, so please help me tame him in… the nicest way I can.”
What this means, dear, is that you now have a lot of power over how Suli intends to go forth. You can pick names, make requests, and otherwise take responsibility for making this happen, too. But that’s better than scaring Hazel, right?
Eclair!
For most hubs in Thellamie, there are two means of entry: via the Roads or by daring the Outside and coming from without. However, this latter, more unusual method hits several snags when an attempt is made to enter Vespergift thus. Snags, roots, walls and boiling oil. Or so the excitable rumors of childhood go; every child knew someone whose cousin knew someone who got locked out after sneaking out of the city, and when they tried to get back inside: slosh and splash and sizzle.
What this means practically is that you may enter the city into the Marché Couvert, which feels as if it is subterranean despite merely being at ground level, a maze of stalls and carts and cafes where Timtam might play cat and mouse— or you may brave the walls that the trees and the dead have broken themselves upon time and again, clambering from gargoyle to arrow-slit to oil-vent, all to try and outfox Timtam.
Anat Amora-Ugari!
There. There it is. The starlight inside of him glimmering, winking, bright and full of wonder. You caught a glimpse of that when Keli was dancing with him: that passion. The gesture you make with your fingers, for but a moment, is only for you and Amali and me; he doesn’t know yet what it means. But in this moment, you believe that one day this boy will know me the way that you do. (Oh, if only you knew!)
“Like you,” you say, taking a guess, “I could feel it inside here.” Your touch to your breastbone is gentle. “That feeling needs to be shared with others. By doing what we do, we help others touch the dance that is happening above us all, even if it’s only for a moment.”
Then you begin to prime him for initiation: you tell him about the places in every hub that welcome artists, but not about the symbols etched into doorframes. You tell him about paying attention to the calendars of the hubs and chasing festivals and parties, and how the Civils always have some sort of event they can point you towards, but you leave out the fact that you sometimes receive polite suggestions on where to go and who to speak with. You mention that the ashiq were the first traveling performers, and you do a little shimmy of demonstration that makes him nearly bury his face into his curry, but you do not talk about who taught them.
Good girl.
“…and I do have an apartment in Turquoise, though I spend only a few weeks out of the year there. How about you? Where are you from?” And you ask it with more innocence than anything else you have said, not knowing why Amali kicks him under the table.