Olesya!
The light sweat on your skin is pleasant. So is the burn of muscles properly used, given a chance to prove themselves.
Two ashiqs against your hand-picked huntresses. They should have known you had their scent, that they were going to lose, but they fought anyway, and squirmed like serpents after being skewered on heartblades.
The Faun’s here. In this city. They didn’t need to say anything to tell you that. The hunch you had about the empty spot in the sightings was right. Already, beautiful Juniper sends an update through the Huntchat. The entire hunt will be converging on this city soon, but the Khatun expects you to find him first.
Think, Oly, think. Try not to get distracted by every vendor’s sales pitch, every wafting perfume, every creak of the bridges, the knowledge of how people are moving all around you and tracing out where they will be and how you could maneuver around them to get an arm around their neck and—
Juniper touches your arm and the thoughts melt like butter. You crush her into a one-armed hug, into the feeling of her against you, and your pack nods approval. This is the way it has to be. If the Khatun— if your mother— thought she was a distraction, she would be removed. So you have to do this.
“Where are we going?” she squeaks. You can’t tell her that you don’t know. Everyone expects you to know. You stared at maps of the city on your tablet for hours as you walked. But cities are so different than the clear, crisp peril of the Outside, where need and desire are your guides.
You cannot just want the Faun enough to have him land in your lap.
“To the Lodge,” you say, with the commanding certainty needed of the next Khatun. “From there, we know.”
One of the two ashiqs (…Keli? you think to yourself) makes a disparaging noise, before squealing as she’s hoisted up on Mekesh’s shoulder.
Handmaidens!
Oh, you dear little sillyheads, there is only one thing wrong with Injimo’s plan right here. And that is that the Architect-Knight’s hair has become her armor. She grew it out over centuries, and isn’t that a mystery how she’s survived that long? But she is bereft of her apron, bereft of the necklace that her locket hung upon, and where she’s hidden it on her body— well, good luck finding your way under that curtain of hair.
But let’s watch Injimo for a moment navigate an increasingly complex battlefield. In her left hand, the Architect-Knight bears her heartblade, a massive black broadsword that might be used as much as a shield or a trowel than as a sword, but in her right she has her long-handled hammer, a tool of creation and destruction forged under the breath of the Dark Dragon.
With her left hand she swings her revenge, her fury, her contempt; with the right she raises walls and collapses them. Oh, Injie, you’re fighting the terrain as much as you are the Knight herself.
And that’s why you are so spectacular a fighter, to get in close and impale her right in the breastbone with a heart shaped like a spear. The Knight roars both pain and… admiration?
"Fierce my foe / fast-falling
lunging-lance / lightly-lifted.”
Her voice is hoarse with the pain of Injimo’s heart lancing her chest. But she still stands, a titan, her massive knuckles white on the handle of her hammer.
"Captive I cannot / consent to call
Myself in misery / mighty my merit.”
The hammer she lifts, impossibly. And a door she makes, right there in the floor.
Eclair!
“You are an idiot,” Mayzie says, with more emotion in her voice, raw and strained, than you have ever remembered her deploying. “You can’t come to me now, when I’m not even hot enough to work out front, accuse me of getting involved in your maid sex-death-crime game, and then you— years, years after, you confess to me now, so drunk that you don’t even…? Eclair Espoir—“
An entire rug made out of hair falls through a door on the ceiling, taking out several tables on the way down, shaking plates and lamps everywhere. (Naturally you stop one of the shot glasses from falling off the table.) Mayzie is screaming and halfway onto the table herself.
"Fucking falls / fuck this floor,” the rug groans, and then lifts a very large hammer and smacks it into the floor. A door opens in the floor and the rug tumbles limply through, accompanied by more tables and an entire drinks cart. Screams resound from below.
And giddy fangirl screams break out as a woman tumbles out after. “Oh my god,” a Serigalamu woman at the bar shrieks, “it’s Heron’s personal trainer!”
Immediately the personal trainer in question is swarmed by guests who want to know if Heron is coming— which of her many dastardly foes was that— is she going to be giving out autographs tonight?
Mayzie slowly comes to the realization that she has grabbed for your hand, and suddenly lets go as if you were an unexpected hot coal in the middle of a batch of plums. “Eclair Espoir,” she says, hotly, shakily, with that determination you remember well, “I am never going to forgive you!”
So this investigation is going well.
Cutie!
The woman in oranges and yellows and reds draws back her scarf just a little bit, just so that her incredibly hazel-colored eyes are visible to you. She breathes in like she’s been holding her breath on a bet, and then she
exhales
and places a hand on your hand.
“Oh,” she says. “You are so cute, aren’t you?” You are so cute. You’re Cutie! “Oh, you’re— look, it says Cutie on his name plate! Yes, you are, aren’t you?” You are. She says so. You must be—
But she half-turns when there’s a crash from a higher level, and her eyes and her attention are no longer fully on you. Like, an incredible, jarring crash, and part of you blinks and becomes aware that the other part of you is trying to swim through a fog of floral cotton candy. Call it the part in parentheses. And that worry, that sharpness—
Well, for once it might be right in ringing the alarm bells.
She has a very firm grip on your wrist.
Yuki!
Tall Yakuza has her hand on Hazel’s wrist. The look on Hazel’s face isn’t something you want to see on a friend’s face.
I mean, you should be polite. You should let Hazel know how stormy your expression is, first. And how you feel about how he’s dressed, the way he was acting before he went funny and then went not funny with the woman holding his wrist.
And then you should be aware of the fact that the Suit is leaning her elbow against the table, cutting off your view of Hazel for a moment as she cranes her head upwards, towards that awful crashing noise from upstairs.
You should be aware that there is a pale, ghoulish light reflected on the inside of her starglasses, visible for just a moment.
And Sulochana is making her way around the table, to your right, and the Suit’s head cocks like a bird. You should be aware that the Suit is adjusting her footing, turning around, pivoting towards Suli, and those are real flowers coming out of her suit and those are contraband around here, so you could make a fuss about that, if you wanted, but this big jerk is between you and the face Hazel is making and you aren’t going to stand for that, are you, Yuki Edogawa?
The light sweat on your skin is pleasant. So is the burn of muscles properly used, given a chance to prove themselves.
Two ashiqs against your hand-picked huntresses. They should have known you had their scent, that they were going to lose, but they fought anyway, and squirmed like serpents after being skewered on heartblades.
The Faun’s here. In this city. They didn’t need to say anything to tell you that. The hunch you had about the empty spot in the sightings was right. Already, beautiful Juniper sends an update through the Huntchat. The entire hunt will be converging on this city soon, but the Khatun expects you to find him first.
Think, Oly, think. Try not to get distracted by every vendor’s sales pitch, every wafting perfume, every creak of the bridges, the knowledge of how people are moving all around you and tracing out where they will be and how you could maneuver around them to get an arm around their neck and—
Juniper touches your arm and the thoughts melt like butter. You crush her into a one-armed hug, into the feeling of her against you, and your pack nods approval. This is the way it has to be. If the Khatun— if your mother— thought she was a distraction, she would be removed. So you have to do this.
“Where are we going?” she squeaks. You can’t tell her that you don’t know. Everyone expects you to know. You stared at maps of the city on your tablet for hours as you walked. But cities are so different than the clear, crisp peril of the Outside, where need and desire are your guides.
You cannot just want the Faun enough to have him land in your lap.
“To the Lodge,” you say, with the commanding certainty needed of the next Khatun. “From there, we know.”
One of the two ashiqs (…Keli? you think to yourself) makes a disparaging noise, before squealing as she’s hoisted up on Mekesh’s shoulder.
Handmaidens!
Oh, you dear little sillyheads, there is only one thing wrong with Injimo’s plan right here. And that is that the Architect-Knight’s hair has become her armor. She grew it out over centuries, and isn’t that a mystery how she’s survived that long? But she is bereft of her apron, bereft of the necklace that her locket hung upon, and where she’s hidden it on her body— well, good luck finding your way under that curtain of hair.
But let’s watch Injimo for a moment navigate an increasingly complex battlefield. In her left hand, the Architect-Knight bears her heartblade, a massive black broadsword that might be used as much as a shield or a trowel than as a sword, but in her right she has her long-handled hammer, a tool of creation and destruction forged under the breath of the Dark Dragon.
With her left hand she swings her revenge, her fury, her contempt; with the right she raises walls and collapses them. Oh, Injie, you’re fighting the terrain as much as you are the Knight herself.
And that’s why you are so spectacular a fighter, to get in close and impale her right in the breastbone with a heart shaped like a spear. The Knight roars both pain and… admiration?
"Fierce my foe / fast-falling
lunging-lance / lightly-lifted.”
Her voice is hoarse with the pain of Injimo’s heart lancing her chest. But she still stands, a titan, her massive knuckles white on the handle of her hammer.
"Captive I cannot / consent to call
Myself in misery / mighty my merit.”
The hammer she lifts, impossibly. And a door she makes, right there in the floor.
Eclair!
“You are an idiot,” Mayzie says, with more emotion in her voice, raw and strained, than you have ever remembered her deploying. “You can’t come to me now, when I’m not even hot enough to work out front, accuse me of getting involved in your maid sex-death-crime game, and then you— years, years after, you confess to me now, so drunk that you don’t even…? Eclair Espoir—“
An entire rug made out of hair falls through a door on the ceiling, taking out several tables on the way down, shaking plates and lamps everywhere. (Naturally you stop one of the shot glasses from falling off the table.) Mayzie is screaming and halfway onto the table herself.
"Fucking falls / fuck this floor,” the rug groans, and then lifts a very large hammer and smacks it into the floor. A door opens in the floor and the rug tumbles limply through, accompanied by more tables and an entire drinks cart. Screams resound from below.
And giddy fangirl screams break out as a woman tumbles out after. “Oh my god,” a Serigalamu woman at the bar shrieks, “it’s Heron’s personal trainer!”
Immediately the personal trainer in question is swarmed by guests who want to know if Heron is coming— which of her many dastardly foes was that— is she going to be giving out autographs tonight?
Mayzie slowly comes to the realization that she has grabbed for your hand, and suddenly lets go as if you were an unexpected hot coal in the middle of a batch of plums. “Eclair Espoir,” she says, hotly, shakily, with that determination you remember well, “I am never going to forgive you!”
So this investigation is going well.
Cutie!
The woman in oranges and yellows and reds draws back her scarf just a little bit, just so that her incredibly hazel-colored eyes are visible to you. She breathes in like she’s been holding her breath on a bet, and then she
exhales
and places a hand on your hand.
“Oh,” she says. “You are so cute, aren’t you?” You are so cute. You’re Cutie! “Oh, you’re— look, it says Cutie on his name plate! Yes, you are, aren’t you?” You are. She says so. You must be—
But she half-turns when there’s a crash from a higher level, and her eyes and her attention are no longer fully on you. Like, an incredible, jarring crash, and part of you blinks and becomes aware that the other part of you is trying to swim through a fog of floral cotton candy. Call it the part in parentheses. And that worry, that sharpness—
Well, for once it might be right in ringing the alarm bells.
She has a very firm grip on your wrist.
Yuki!
Tall Yakuza has her hand on Hazel’s wrist. The look on Hazel’s face isn’t something you want to see on a friend’s face.
I mean, you should be polite. You should let Hazel know how stormy your expression is, first. And how you feel about how he’s dressed, the way he was acting before he went funny and then went not funny with the woman holding his wrist.
And then you should be aware of the fact that the Suit is leaning her elbow against the table, cutting off your view of Hazel for a moment as she cranes her head upwards, towards that awful crashing noise from upstairs.
You should be aware that there is a pale, ghoulish light reflected on the inside of her starglasses, visible for just a moment.
And Sulochana is making her way around the table, to your right, and the Suit’s head cocks like a bird. You should be aware that the Suit is adjusting her footing, turning around, pivoting towards Suli, and those are real flowers coming out of her suit and those are contraband around here, so you could make a fuss about that, if you wanted, but this big jerk is between you and the face Hazel is making and you aren’t going to stand for that, are you, Yuki Edogawa?