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[Overcome: 5, 6 +1: 12]

Scorched fragments of eel cascade down around Ailee like Jackdaw's last attempt to cook sushi. "You know, it's the darndest thing," said Ailee. "Petry Walzenheim attacked me with these exact same eels after I called the Lore of the Deeps trash magic for stupid babies." She raised a hand idly and a scorching daemon-fist snatched another eel out of the air, gripped it so hard the flames burned blue, and then genteely offered it up to Ailee who picked a piece up with chopsticks and ate it thoughtfully. "Didn't work out for her either," she clarified.

And, when you get down to it, is there really a practical difference?


Oh, there is a practical difference - this is why Ailee is the archmage and you're a shapeless voice asking poorly thought through rhetorical questions. See, if these are just natural animals following their instincts they'll obey even her off-the-cuff Words - but if they have been dispatched by a garbage elemental for the purpose of doing them harm she'll have to put a little more oomph into the magic.

So when Ailee declares the black word of WASTE with the sound of a burning dumpster in a desert, turning the water into a barren salt-flow as hostile to freshwater fish as the open air is, does she need to exert herself? Assuming it is so she will damage her Wisdom to power the magic.
This... this Jasper understands.

Dances. Why does it seem like this girl is dancing? It's like nothing she's ever seen before but... there's rhythm to it. There's passion to it. There's knowledge and practice and instinct so deep that each of these motions carries its own music. She's seen devils dance before but this is something else entirely - cold and joyful and curious and revealing, like she's being peeled apart layer by layer. It's a dance that reveals more about the world than the dancer, but expresses the dancer's heart in that very curiosity.

She's never seen anything like it.

For the first time in her life she's speechless when asked a question. And then the questions keep coming! And each time she untangles her tongue enough to start saying something her head is yanked to the side and she's asked something else! Her thoughts and feelings are wrung from her in Ers and Ums and Eeps! Every time she tries to put on a brave face all it earns her is a tiny frown and an intensive ocular examination. But even through this total deconstruction, Jasper never once stops trying to hold the umbrella over Dulcinea's head no matter how much she appreciates the relief from the rain. Even here on the brink, the instinct to see other people safe and warm and dry takes priority.

And then there's a pause, and Jasper is half way through her first sentence before she realizes she hasn't been interrupted.

"I don't know what you mean by 'eating' -" she said, then froze as she remembered her manners. "I am Jasper Inkra, and I am - ah - a-tsnk!" she unsuccessfully attempted to hide a tiny sneeze in her shoulder. "Honour..." despite it being soaking wet her throat was somehow the opposite and resisted every word. "T-to - um..." she stared with watering eyes, trying her best to be strong. Her duty was to fight for the smiles of everyone, to fill the world with light and she couldn't let down this vivid stranger. "I've... I'm... are you the...?" Her teeth chattered away the last of the words, every part of her shaking except for the arm trying to hold the umbrella over Dulcinea.
Some relationships are frictionless - perfect unions of hearts, balanced and whole.

That is not the case for Princess Adila.

Her eyes lock with Princess Iron Star's and there's challenge in each. Devil eyes are dark enough for mirrors, dark enough that any weakness in the dragon's eyes will be plain to both of them. Muscles tense, poetry in anatomy. Iron Star shifts her weight to her back foot and as she does Adila's tail coils around her ankle. They both breathe the same breath as their bodies tense against each other through that tiny point of contact. Within that breath lingers a half-fantastical conversation - the snap of muscles, the crack of stone, the whirl and slam and pounding wildness of hearts roused...

Through the telepathy of physicality their minds project the dance through step after step. Such a thing is possible because there's only one factor that changes the outcome - determination. Iron Star's challenge is made in pride, pride that defies reason and reality. Dandy's response has its own pride too, of course, but it's supported by a ferocious love. The two of them engage each other and Adila is their medium.

This is their way. Each of the three princesses has a will of iron and will not be smothered. There's always tension and power shifts from moment to moment. They interact and react through these tiny physical and vocal cues - in public at least - to sense whose heart is the strongest in that moment. In this moment, it's Dandy. So with a steady blink the Devil quietly falls into line alongside the dragon. Adila's tail lingers for a moment and then unwraps from Iron Star's leg. Dandy is the alpha for now, and they will obey until the situation changes.

+Iron Star is right that we should be on guard, but not because of Princess Serpent,+ said Adila. Her thoughts are unhurried and unstressed - their secret rhythm is so ingrained to her now that these silent exchanges of power is as natural as posture. +I don't believe for a second that Princess Kyouko isn't plotting something - and she's been close to Shazari recently...+

She's kept her dress restrained; simple, flowing orange fabric curving into floral-patterned lace around the cuffs and hem - but with slashes of red lace bows along her left shoulder like claw-marks. Sleek and breezy and suited for sun and flight. Most notable, though, is her new badge. Embossed upon the empty plane of the former Watch's shield is a new symbol - a circle with arrows that could be a clock or a compass depending on how you looked at it. They were called the Guides now, and escorting travelers through the Labazaar was as good a reason as any to stay in contact with friends all over Hyperborea.
The winds are broken. Howling frozen gales flow through the corridors of Argossa, the force of a hurricane squeezed into corridors and ball-rooms. Anything that can break does break. Splintered doors, toppled suits of armour, closets full of dresses and chests full of gemstones. They are spun and hurled like shot-puts, freezing even as they fly. Damp, icy mist pours out like smoke from a subterranean fire.

Step by step, Princess Adila advances.

Her wings are open wide and swept back, curving the wind around her body and the line of princesses that follow close behind in her shadow. She ducks her head and endures the blows of things blown loose by the breath of the World Seed where they slip through the magical and technological shields conjured by her friends. This is a battle of endurance, each step requires so much strength to make it's like she's climbing a sheer mountain.

But she has all the strength she needs, shielded here beneath her wings, warming and warmed by her heart.

Every night, the divine squirrel Ratatoskr gathers every star from the sky and hides them inside the Hollow of Argossa until the daylight comes. They were the first to freeze - crystal diamonds shining no light, little pin-pricks that form a small and shivering pile on the ground, perfect for picking up with eye-droppers and using as fashion accessories. Above them is the World Seed, and oh, how much it looks like the grandest of those diamonds - what a brilliant star it must have been, once.

But now it is dark and its light is cold.
Jasper Inkra is pretty sure she is dying.

The rain isn't coincidental - the rain is happening because that is what happens when the sun dies. The sky goes black and poison falls in shards of broken arrows and it sucks all the light and heat from her trembling body. The hollow feeling at her core that she identified before as the Lighthouse's curse has become increasingly intense, sending spasms of agony through her entire body. But worst of all has been the incomprehensible sensations that enter her face through her nose. Like the tempting colours of the Consuming Hells they torment her with desires she can't articulate or understand.

Strength has left her body. She's wracked with cramps. She can't stop making the sneeze-sound that Mila made before and every time she does it's awful. She's at once deliriously hot and freezing cold and she was right the first time and this is the Consuming Hells and it's awful and Mila is a devil and she lied to her and this is all part of her scheme to win the dance contest and she doesn't care any more and just wants to go home...

(To anyone looking at her it would be very plain that Jasper hasn't eaten for three days and is misdiagnosing starvation as a yozi plot)

The temperature over the past few days has been dropping like a stone - her arrival hit forty degrees and three days later it's less than nine. The town weatherman has been dropping all his christmas in july jokes and it's insufferable.
"Ooooohhhhhhhhh," said Ailee turning about, one hand cupped around her mouth and the other waving in the air to face the witch-felid. "Your lame garbage elemental chickened out at the first glimpse of me. Where's your god now? Where's your god now?"

A flashback: Adorable young Ailee punching a fellow primary school student in order to steal their 'most graceful winner' medal.

"Coleman! Good on you for not playing dumb pagan games!" she said, walking over. "Honestly, I see so many grad students selling their souls for so much less than they're worth. Like, have you heard of self respect!? Are we going down that way?"
Princess Adila stretched her wings and the sudden explosion of wind snuffed all of the lanterns in the great hall. Darkness rushed in but was caught half-formed, for she alone here now burned as her own spotlight. Orange and crimson and violet flames slashed along her form. Two little lights touched down onto her brow and when her eyes snapped open one was of silver fire and the other was of gold.

Strong legs tensed underneath her. Breath filled her lungs and she could feel the catch as it ignited inside her. Her tail swayed once, twice, like a ribbon in a breeze, and then fell entirely still.

And she moved.

It felt like dragonfire burned in every muscle. The floor shattered underneath her feet. Blinding white sparks hovered in her wake like the after-trails of fireworks. There was a crash, and a pillar shattered as Oberon's body was put through it, barely illuminated by the strobing light of alchemy. Chaotic eruptions of colour filled the black, each one the detonation of impact as talons and tail and wings struck Oberon from all sides. It was a battle in stop motion, each burning moment of violence visible only in the after-trails of the light that poured from Adila. This was the power of devils. This is what it took to dance with no restraints. Oberon had taken the strength of the grandmothers and the ability to endure this dance, but he had not thought to take their grace - and so, left-footed, he missed every step and paid for it with ringing blows.

It was not a pretty dance. It couldn't be when only one partner knew the steps and the other was too stubborn and foolish to learn.

And then, finally, Adila spread her wings and let free her burning breath. The hurricane of her wings dispersed and directed the flame in a wave, and from her it soared loose to fill every guttered lantern. Light came back into the hall all at once, revealing the wreckage she had left in her wake. The altar is in splinters. The seats are shards of stone. The wedding decorations are ruined. Rider banners burn like candles. And yet not a single spark has brushed a hair on the heads of her friends - they stand protected, each in a low burning heart-shaped ring of fire.

A princess must be graceful, after all.

With a final, contemptuous flick of the tail Adila sends Oberon sprawling at Kazelia's feet.

[Damaging Blood to unleash Adila's true strength]
True love hates and will not bear delay.

- Seneca the Younger

*

"Re...da...na..."

The scarlet light flickers like your heartbeat. Water runs down on your head unsteadily from ruptured pipes, just as your blood runs unsteadily from ruptured veins. You're so tired and there's so, so, so much road left to go.

And above you stands the God of the Dead. The ceiling light casts him in a dusty blue halo - red bow tie like a bloodless slit across his neck, black and white waiter's dress making it seem as natural for him to take your coat as take your life. When you look at him all you can think of is how easily he would fold up; he gives the impression of a sheet of origami paper, so loosely tethered to this world all of those angular joints might bend and crease and sweep him away on crane's wings.

He has an expression as though you remind him of someone. Given your state this must be a very sad memory indeed.

The thunderbolt is still stuck in your shoulder. A weapon for a king. A weapon to kill an empress. King Jas'o... you know his name. Know his house. Know that you were given lessons about him as a potential political threat to your future reign... all those details run through your mind like wild horses. Why hadn't you paid more attention? What had been so important back when your tutor was telling you about what a crack shot with a bow he was? All of the world had been bent to the task of making you ready for a moment like this and it had been insufficient. And now you're here, at the end, with Hades before you.

"It was too heavy a burden I laid upon you," said Hades. "A quest to find Ancient Gaia? Some things are hubris, even for the gods."

He folds at the knees, then the waist, then the shoulders, elbows, wrist, and each finger in turn, one after another, like watching a slow moving river run up through his legs and down through his arms. He offers you his hand.

"Come. I will hold no grudge for your failure."

*

The red ruin of your work lies before you, Alexa. The dead and dying speak a hymn with their bodies, and its lyrics are you have performed your function.

"Their approach was exemplary," said Pallas Athena, carving the lines of a bloody map into the wall. Her spear is a brush and blood her palette. "Courageously venturing through a solid projectile barrage to land without exposing themselves to point defense fire. When the seal of the boarding shuttle lowered they were too hasty to disembark, rushing forth to try and from a phalanx without sending their skirmishers out in advance. You recognized the opportunity and got amongst them before they could react, and with the loss of the phalanx then the skirmishers were easy to clear..."

She is merely giving voice to your instincts. The second you'd seen the mistake then the battle proceeded with the crushing inevitability of a meteor strike. The completed diagram carved in crimson into the hull of the ship is just another page from the Masteries of Battle, played out exactly as the Warsage proposed it would. A clockwork war, a truth of geometry, biology and physics expressed in bloody lines on a map.

Pallas Athena salutes you with her crimson spear as though there was glory in this. She pays tribute to the machine for functioning as it should. As though any of participants in this battle could have altered its outcome.

*

There is a rainbow wail; seven screams from seven broken hearts. No sound could be more alien; no feeling could be more human.

In the depths of space ahead lies the Eater of Worlds.

The mind cannot comprehend it's vastness. Its shell has stone enough to bridge the distant heavens. Its beak has sharpness enough to break a planet, as an eagle snaps the delicate neck of an ibis. Its flippers have width enough to swim the rivers of space on a voyage between the stars.

And it is dead.

One hundred thousand blackened craters run across its shell, leaving frozen webs of fault lines. Its flesh is boiled and burned, in some places down to the bone itself. And, worst of all, in the centre of its brow in between its mighty eyes rests the Battleship Lupincas - the mighty flagship of the legendary warriors of Ceron, armoured prow rammed through the leviathan's skull and into the creature's brain. It is the greatest wreck of this place and that is no small boast for the butchered hulks of a thousand Imperial warships scatter the void around the Eater of Worlds. The star leviathan did not go quietly - it took the combined might of the entire Grand Armada to bring it down, and left this system a graveyard of broken ships.

This is the site of a legendary battle and the end of an unparalleled beast. And now the fleet that did this, the commander who did this - has come to kill you too.

And here is Poseidon Earthshaker upon the bridge of your ship, tearing the clothes from his breast as he mourns his monstrous child. Terrible light radiates from within him and space runs violet and blue and crimson in sympathy, nebulas of spectacular dust arising into what promises to be a terrible storm.

The ship shudders and pounds beneath your feet, Vasilia. Solid projectile shot after shot is impacting on the Plousios' starboard hull, causing great eruptions of smothering, toxic gases that conceal any hint of the Veterosk's location as they bombard you. But the guns are running quieter and less frequent now - a tell-tale sign that they have launched their grapnels and started sending their soldiers across to engage in a boarding action. A full crew compliment of an Imperial vessel of that size is somewhere around three hundred.

You are four.

*

The Eater of Worlds fills the view screen. That is not why everyone is staring at it. Every eye in this massive hall is fixed on the two out of focus starships burning in the middle distance. Was that the strike of a macrocannon? Was that the launch of a boarding cable? Every heart screams for information but all they see is the Iron Admiral and her greatest triumph.

Admiral Odoacer Hetrodus. It is no exaggeration to say, Bella, that you studied her in school. You know her right down to her favourite food (smoked salmon) and her childhood fears (stampeding cattle). This is not the first dinner party you've attended with her... and despite everything that makes this moment horrible it's not yet the worst.

As the Admiral of the Grand Armada, Odoacer represents the most clear and present threat to the Empress Nero in the galaxy - and by extension, to Redana. Her designs on the throne were never well concealed but have become increasingly blatant as time has gone on. She was a twenty year old NCO on the frontier at the time of Molech's fall but has been gradually weaving for herself a 'secret' backstory that she was the previous emperor's child and styling herself as his successor. She's even gone so far as to increasingly alter her own appearance to look more and more like him while advocating policies like the end of the Emergency Declaration and the violent subjugation of the entire galaxy.

You need to be very, very, very powerful in the Empire to voice an opinion like that, no matter how softly. But such is a privilege afforded to the Slayer of the World Eater - a tacit recognition that even the Empress cannot simply have her killed. On the other hand, for all the might of the Armada, the walls of Tellus are yet greater, so a stalemate exists between the Empress and her Admiral. You, Bella, are on the front line of that stalemate - Odoacer recognized from an early age that Redana was Nero's greatest weakness and has been seeking to leverage her to claim the throne ever since. She has attempted to have Redana kidnapped, poisoned, hypnotized - she even proposed marriage to her when she was eleven, and every year since then. You have fought her agents tooth and nail in the shadows of the palace. Such is the duty of the princess' companion.

And what is happening on that screen might be the realization of the Admiral's ambitions. Redana might be falling into her clutches right this instant. But the Admiral won't even do you the courtesy of focusing on it, instead forcing you to stare at the monument to her greatest triumph. It is a spiteful thing to do, and you are not the only one to think so. This room is filled with all of the greatest hunters, commanders, priests and kings of the Fleet. They were invited here just before Redana's ship was sighted and are now trapped in here while Odoacer's minion King Jas'o - a good warrior but a boot-licker to the core - boards Redana's ship to claim the prize the Admiral has craved for so long.

And she won't even let you watch.
Those encountered at the Grand Armada



Those encountered on Baradissar



Those encountered on Ridenki



Those encountered on Bitemark


By god, I'd rather slave on earth for another man—
some dirt-poor tenant farmer who scrapes to keep alive—
than rule down here over all the breathless dead.


- Achilles

It is the 250th year of the reign of Empress Nero IV Acontecimento Azurius. All of humanity is imprisoned upon the prison-ecumenopolis of Tellus. Here they shall be made to suffer until they come to recognize their suffering in others.

Axiom: Glory Flows From The Gods

This technological terror you have created is insignificant compared to the power of the Force.

All power, all glory, all success and failure, flows from the will of the Gods upon Olympus. This is not a metaphor or an exaggeration or cosmic injustice to rail against. It is a fact as eternal as gravity. An armada of ten thousand starships, armed with particle lances and electromagnetic flux weaponry will shatter if Athena denies her blessings. A child born of Zeus will arise as a champion and overthrow kings no matter what elite security services, facial recognition software, or legions of killbots are sent to check her rise. No general will raise her sword in anger until the augurs confirm that the gods approve. All the vast infrastructure and paraphernalia of a glorious science-fantasy future abounds in every direction but the wise never forget that the gods can burn even the most sophisticated empires to shadows and ash for crimes of hubris.

The gods are not threatened. The gods are not rivaled. Man will never and can never surpass them. Artificial intelligences will not take their place. There are no other pantheons. Nothing needs to be taken on faith alone. Worship of the gods is a practical consideration.

Axiom: Humanity Are The Precursors

In ancient times, men built wonders, laid claim to the stars and sought to better themselves for the good of all. But we are much wiser now.

It was humans who first took to the stars. It was humans who sowed life, built marvels, created ancient wonders and monuments. It was humans who created clades of servitor races - specialized biological or technological species purpose-built to perform servile functions. It was humans who tamed the stars, and humans who sent the stars to war. In the shattering catastrophes of the ages since much was lost - great civilizations were destroyed in wars, or annihilated by the gods for their sins. Across the galaxy, humanity has dwindled to a remnant - small villages and communities or even lone survivors standing amidst their servitor creations, wondering if they shall ever rise again.

At some times the works of humankind were transcendent, inspired, and soul-aching. At some times their works were base, financial or militaristic. With the veil of time, mystery and power it can be impossible to tell which is which.

Axiom: Technology Is Arcane and Brutal

And when at last he came upon the vehicle, he perceived the distress of the engine therein and forthwith struck the rune and it was good. Thereupon the engine ignited and was filled with strength...

The ELectromagnetic Flux (ELF) is a small weapon typically attached to the shoulder or mounted as a small nodule upon a ship. With a shimmering electrical arc of lightning it will overload and destroy virtually any electronic component, blow out lightbulbs, and cause such an explosion of signal distortions that renders radio communication impossible. A child could build one in a garage out of spare parts.

The abundance of ELF weaponry has done more than anything to shape the technology and aesthetics of this universe. Starship cannons are aimed by hand by teams of muscled deckhands. Gunnery calculations are done with slide rules and mechanical computers. The bridge is lit with candles and scattered with maps hand-drawn by scribes. Combat is done within the range of the human eye, and often hand to hand, with swords - possibly within the cockpit of an armoured mecha suit known as a Plover. There are no force fields so all battle is done to the sound of crashing metal and sundering armour.

But this is not to say that the future is primitive; there are some areas of design which are spellbindingly advanced. Materials science is indistinguishable from magic - paints that never run dry and change colour depending on how they are spoken to, armour that can absorb the impact of a railgun hit and dissipate all that energy harmlessly into the air, mechanical computers of such size and complexity that they can replicate human intelligence - albeit with a processor the size of a house. Bioscience and medicine are beyond sophisticated, giving every human the innate ability to breathe any atmosphere, reverse the flow of years, change their gender at a whim, regrow severed limbs and so on.

And, of course, glory flows from the gods - singular craftsmen are blessed to produce wonders for the ages, each one a masterpiece that must be studied as scientists of previous eras studied entire disciplines. Barring divine intervention, though, advanced technology is still bound by sweat and muscle and the mark 1 eyeball.

Praxis: Humanity Is Ruled

Lordship for many is no good thing. Let there be one ruler, one king.

Empress Nero, in the wake of the fall of Emperor Molech, decreed in her wisdom that the distance of the stars was perilous. Apart, humanity became strangers to each other. Too many people creating, evolving, changing, unknown to one another. When they met again they looked at each other and thought themselves alien. In such forgetfulness wars were born. So it was decreed: one planet, one home, one place where all the million forms of humans would be gathered and made to live as one once more. And so the Grand Armada scoured the galaxy, procuring every human they could find - destroying their civilizations if they had to - and bringing them all back to Tellus, a planet-city where they would be neighbors once again.

Tellus is a tyrannical regime, a prison world with the people packed in shoulder to shoulder enduring squalor and misery. Such is necessary, says the Empress, who could end their deprivation with a snap of her fingers - their shared misery shall build shared empathy. Her reign has endured two hundred and fifty years of absolute control and still she declares that humanity is unworthy of freedom.

Praxis: The Gods Are Immanent

Think not to match yourself against gods, for men that walk the earth cannot hold their own with the immortals.

There is no celestial realm where the gods gather on stormclouds and drink and revel, apart from the concerns of mortals. They are here. Now. Everywhere. Zeus will physically appear to witness an oath made in her name, and she will wield the lightning bolt that strikes down the liar with her own hands. In a battle you may find yourself face to face with Ares himself, who will engage you with sword and spear. When you are alone and weeping, it is Hera who will place her hand on your shoulder and whisper words of understanding. They come and go as their domains dictate but they are entirely within and a part of the world, never separate from it.

Though all gods are for all people as depending on their circumstances at the time, the gods do have their favorites. Each character will pick two gods who have a personal interest in their fate – perhaps they love you or hate you, but those two will be directly relevant to you always.

Praxis: Machine Intelligence is constrained

The whole of arithmetic now appeared within the grasp of mechanism.

Artificial Intelligences are not gods, nor do they ever resemble gods. Machine intelligences are not geists of quantum programming, they are the product of enormously complex mechanistic functions performed by elaborate Rube-Goldberg machines. The digital path of technology was a dead end – it turns out the Difference Engine and WW1 fire control computers were the future all along. Machine intelligences are enormously complex clockwork brains that run on levers, gears, and pistons. And as they scale poorly these mechanical constructions need to be large to rival human minds.

To obtain full, human intellect you need to fill a large room floor to ceiling with machinery. On the uppermost scale, you can reach the intelligence of a great sage with a machine the size of a house; such constructions tend to be built into starships that intend to forgo skilled navigators and celestial mechanics. Intelligence can be produced on smaller scales but have intellects akin to uncomplicated animals – go here, defend this, load this, and so on.

Praxis: Space is Cluttered

He wrongly accuses Poseidon who makes shipwreck a second time.

Space is not an empty void. It is full, as full as the Aegean. Everywhere you will find planets, everywhere you will find life. Look out into the void and you will not see black but greens, blues, swirls of colour, islands and ruins and wreckage and voidfaring life. Humanity has been long at work on this galaxy and even the empty places between contain miracles and monsters.

So too are storms. Poseidon is the god of the void between, and his storms are terrible and dark. Passage without his favour is suicide. His children are monsters and entire worlds vanish into the dark as the children of the Earth Shaker descend.

Leptomereia: Prayer is Meaningful

Some of the words you'll find within yourself. The rest some power will inspire you to say.

When praying, always use some variation of the following structure: "Zeus, if you will grant me victory in this battle I will shatter my spear in your honour." Who you're addressing, what you want, and what you are offering. This is important. A prayer is a bargain between you and your deity, a specific exchange that - if the god accepts - she will expect to be honoured. It is important to include all these elements because the gods are not mind readers! They are vast, cosmic forces and have a lot on their minds. An ambiguously phrased prayer - or worse, one where you ask something of a god without offering something in exchange - is more likely to draw a curse than anything else. Children's stories all throughout the galaxy are full of people who offend the gods through haphazard prayer. You may offer future promises, immediate sacrifices, or appeal to past offerings, but respect is due. I do, that you might do.

It is acceptable to speak informally to the gods when they appear. If Zeus is having a conversation with you no bowing or scraping is necessary - in fact, you have likely crossed paths with the gods dozens of times throughout your life to this point. However, no matter how casual the banter or how carelessly the gods bait you, never claim superiority over them. The gods regard hubris as an exceedingly severe crime and have destroyed galactic empires over it.

You may still make such mistakes - those stories have to come from somewhere, after all. You were, however, warned.

Cursing by the gods works in much the same way. “Hera damn your eyes” is the kind of thing Hera might decide to act upon, so be cautious when invoking them. Invoking a god’s name as a general exclamation of surprise is generally acceptable.

Leptomereia: Life has Value

"Hateful to me as the gates of Hades."

The Emergency Declaration has placed the preservation of life as the highest priority of the Imperium. War is to be muzzled. Hades is to be shunned. All shall be sustained regardless of their will. The bloody handed will be sought and punished. Human life is precious above all, but it is not the only thing which is precious. Moreover, the act of murder – unsanctioned, illegal death-dealing without performing the rituals of warfare or the hunt – renders one unclean before the gods.

It is not to say there is no death in this setting, simply that there exists a strong cultural force pushing against it, along with a formalized understanding of the rules of surrender. Even factions outside the Empire tend to pay at least lip service to the importance of life after several extremely public examples have been made by the Grand Armada. Slavery is a widespread institution.

But people die all the same.
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