Name: Uōrokku(Warlock), Majime(Earnest. Written with the kanji for 'Fierce eyes') .
Alias: Mahōtsukai(The Mage).
Nicknames: Maji and Ime.
Gender: Male.
Birthday: September 28th.
Age Appearance: 22.
Race: Plus-->Shinigami.
Rank & Division: Vice Chief of the Kido Corps.

Additional Appearance Information: Majime stands at 5'10 and weighs average for his size. Muscularly he is average, but one can tell from his frame that aside from the absolutely necessary he doesn't see much physical activity. He wears a shihakusho and his zanpakuto is fastened to a strap which goes over his right shoulder, allowing the blade, in its sealed form, to show its grip over his right shoulder as it rests on his back comfortably.

Personality: Something of a smartass, though in a loveable kind of way, Majime can be described as diligent, studious, and typically pleasant to be around. He likes cracking jokes, evenly at someone else's expense as not, and has a good sense of humor. He has an intense love of knowledge and so besides his responsibilities, which he completes with little complaint, besides the seldom joke at it being a pain, and as such can be considered a very reliable individual. Also a rather intelligent man, Majime has an incredible appreciation for both philosophy and the art of rei(spiritual), which involves the study and understanding of how their spiritual world is composed, and how it functions as a whole. Still, while he could be considered book smart in some areas, he much prefers to interact with others in the pursuit of sharing his knowledge and adding new experiences to his decent array that he's already accumulated over his life thus far. As such he does have the tendency to attend events, and even parties, even if they are not all that focused around interaction or things that he is specifically interested in.

However, sometimes he will entirely opt out for the sake of training, and thus honing his already well developed skills in the art of combat. This is something that he enjoys greatly, as self improvement is one thing that he thinks very highly of. As such, Majime considers every battle, whether it be to decide who lives or who dies, or simply a training bout, a blessing of sorts...as long as he survives of course. Regardless, one could say that despite his utter lack of skill in the physical arts such as zanjutsu and hakuda, that his lust for battle is as potent as any member of the 11th division, but perhaps more refined.

Furthermore, while it is not a normal occurrence, Majime is very capable of being angered and when he is boy it is not a pretty sight. His usually bright cheerful eyes go dark and cold, and his demeanor becomes brooding and dangerous. In combat, were he to see a comrade fall by the hands of their adversary, or were he to witness them being merely toyed with he would be likely to step in even at cost of his own safety. As such his diligence, dedication, and loyalty are deeply rooted for in his human life...he had but one friend and so he has every intention to keep the ones he has gained now.

History:
"The past may seem beautiful and kind, but the future holds the potential for times even more so. Do not be held in the past, be yours marred by darkness, or blessed with light, it all passes us by and we most move on. For me, this is the reality of life, as harsh, or kind, as it may be. For me it is a fact which brings Solace, for I have left behind a world wherein my light resides," – Uōrokku, Majime

Born human before anything else, Majime was never a very healthy boy. He would've loved to play outside with friends, but he didn't have many and his body was too frail to allow it. So instead he kept himself occupied with games and books, but in particular he loved books. Games were great and he loved the interaction with both other people online, and at home, but books...something about them had made him fall in love with them. Part of it was certainly that his mother, having died giving birth to him, had been an esteemed author.

His father, while hardworking for the sake of his son, did his best to support the boy's passions, buying him new books whenever he could, and telling him stories when he had days off. So the boy grew up reading and filling his mind with both knowledge and fantasy. Still, he had always loved the fantasy more, so much so that he tried to think of ways that things like magic might come into being. How one might, say, control fire, or ice perhaps. He sometimes thought about it for hours, pouring over science books to find any way that it could be possible, for his father was an avid lover of science.

However, eventually his health began to decline even further, specifically when he was fourteen. Sometimes he'd go out for walks, or rather rides, in his wheelchair as his body was too weak to walk at this point. The nature lifted his spirits and his knowledge of how it all functioned made it all the more beautiful to him. A day in autumn on one of his outings he met a girl, she had seen him watching the leaves fall in the wind as he sat in his wheelchair. Approaching him, the young lady, around his age, asked him what he was doing.

He, despite her being a stranger, launched into an explanation of what exactly he was watching and why he thought it was amazing. His eloquent language and way of speaking and his expansive knowledge at first startled her, but after she kept seeing him at the park more often she grew to like him, and he in turn appreciated the attention. He was very lucky, one could say, for a sort of romance began to blossom between the two. Even when his health declined so much that he was bedridden, she would visit him in his room and sometimes sit with him for hours, just gazing out the window with him and talking about how beautiful the trees were this year, or the sky.

Her presence brought him comfort over the years and so, with luck seemingly on his side, he survived till his twentieth birthday, even managing to have his first time despite his weak frame. Still, sadly her love simply wasn't enough, and so he passed away, with her at his side, and a book in his hand.
- - - - -

For sometime after his death he could not move on, feeling obligated to watch over Seiyuri, the girl he loved, for several years, till he was finally located by a shinigami and told he must go lest his soul become corrupted. At first he would not listen, but after several moments of thought he agreed and allowed the shinigami to send him off, even as he said his goodbyes to the woman who had sat at his side for six years of his short life.

He was lucky to arrive in the upper distracts of rukongai, and he stayed there, enjoying the communal life style, and his renewed healthy spiritual body. He did things he had never done, but in his mind all the while was Seiyuri's face. However, with the passing of time, people move on...and sometimes forget.

Two years passed and he joined the academy, his reiatsu significant enough that enrolling was perhaps the only way to keep himself fed. However, due to the lingering energies of a human illness from a life that he remembered only fragments of, he found his body had difficulty building muscle and stamina. Swiftly he gave up on passing his classes in hakuda and zanjutsu, yet he did find a new passion: Kido. This discovered, the young shinigami trainee poured into any and all texts he could find on it and the complexities of the Rei.

As such, through diligent study and constant practice he honed his spellwork, excelling above his peers. Though his physical limitations held him back several years, eventually, with the endorsement of an anonymous member of the gotei 13, he was allowed to pass after a long 10 years of work.

Upon his graduation from the academy he was at first assigned to the 5th division, where he rose gradually through the ranks, seeking out the seireitei's leading practitioners of kido and learning all he could from them, even if it involved them repeatedly striking him with the spells, rather than teaching him anything in theory or through guided practice. Furthermore, he gained access to even more texts and, like in his academy days, and even some prior that he had since forgotten, he let himself be pulled into them.

So it was that his first few years he rose only to the lowest seated rank in his division and became known as an unreliable, antisocial bookworm. However, this would hardly last, as overtime he began to juggle time with his squadmates with his time buried in books and mired in numerous practice sessions.

As time went on and his core understanding of kido as an art and a discipline he required less time in practice, eventually allowing his social life to flourish. He began to branch out, trying to foster connections with others, a series of actions spurred on by a strange gut feeling that he did not entirely understand.

With time his nicknames changed, becoming more favorable, and as with his reputation, his skills in kido too improved. As the years passed he changed, going from an unknown face in the crowd, to a familiar, if not rather weak face to many. However, his growth only continued, his skills steadily improving as he even managed to push his body hard enough to learn shunpo, though it remained comparably pathetic and unrefined in relation to his peers.

[STOPPING HERE TO ALLOW FOR THE ADDITION OF PEOPLE HE MET BETWEEN THE ABOVE TIME AS WELL AS HOW HE BECAME THE VICE CHIEF OF THE KIDO CORPS]

End Result: Becomes Vice chief of Kido corps. Is fairly well liked, with some rivals, some friends, and some who simply do not get along with him, perhaps even several people he doesn't like as well.

Relationships:
Manami, Mayu – Casual Friend/???
Endorsed him during his time in the Academy when it was thought that he might never be able to graduate due to his lacking ability in three out of four areas. Without Mayu, though he doesn't know it, Majime would have never become a member of the Gotei 13. The two have become good friends, but Majime suspects that Mayu is hiding something from him, though he is not entirely sure as to what it is. She has also served as one of his teachers, and now rivals, helping him test new kido, and to learn the principles of the art.

Yuka Mogami – Mentor/Former Captain/Friend
Majime and Yuka have a very easy friendship, though he also looks up to her, giving her his respect and admiration. Her idealogy is one that he agrees with wholeheartedly, and though he left her division, his departure was not lacking in its sad goodbyes. The two still meet up semi-regularly and his reason for leaving had little to do with her or the squad, but rather that his skills pulled him to the Kido corps, where he felt, that in regards to his abilities, he would fit in and be even more capable of bettering himself with others who could compete with his swiftly rising caliber. Even to this day he holds a fondness for Yuka and many of the members of the 5th division.

Yuka was perhaps the first to give him demonstrations in zanjutsu, hoho, and hakuda aside from the sensei of Shin'o Academy. Furthermore, she was his first true teacher in the realms of kido, thus giving her a special place in his eyes. While she was ultimately not the one to give him what he needed to allow him to properly utilize shunpo, she certainly played a big part in his development into the shinigami he is today.

Nero Kimashi –
Information pending

Airi Mao – Friendly Acquaintance/Rival(of a sort)
Even if Majime sometimes finds Airi to be somewhat overwhelming to be around, her leadership qualities coming off too strong perhaps, he thinks she is an incredible person and most of all an interesting one. He respects her skills and her character and while he has only seen it several times, he has incredible interest in her zanpakuto's abilities. He has asked her to use it from time to time, even challenging her, though he has never gotten her to release into bankai, which is something he sorely wishes he could see her do.

Kawagana, Arina – Friends
While he initially sought her out for training in kido, due to her superior skill at the time, he, with time he surpassed her level and came to find her an intriguing woman who was far more than what one might think her at a fleeting glance. The two, despite Arina's laziness and sometimes questionable morals, became friends of a sort, with Majime understanding the woman in a way that few likely do.

Shota Hayashi – Acquaintance
Something of an oddity to Majime, Shota is someone who zoomed past him during his time in the Academy, excelling in essentially every field. He gives the young shinigami space, though deep down, he has a sort of jealousy for the boy, something that he dislikes admitting to himself. While part of him wishes to fight the lieutenant, the rest knows better, as to challenge a Hakuda Master such as Shota, with skills such as his own could, and likely would, prove a very dangerous decision—especially considering the boy's temperament.

Mitsunari Osaka – Rival/Periodic Training Partner/Hesitant Friend
While he initially sought Mitsunari out to learn kido from him, he quickly found that the shinigami's mood swings were a bit too much for him to deal with on a regular basis. He keeps the man at arms legnth, though on his good days, Majime will sometimes show up to have a long chat.

Mirja – Acquaintance/Disliked
Considering her an overly biased and somewhat mean spirited woman, Majime gives the Captain her space. In other words he avoids her.

More TBA as time goes on.

Jumon gyōretsu(呪文行列 'Spell Matrix'): This technique appears deceptively simple as it only seems to aid a kido practitioner in the creation, and modification, of kido spells or the aspects of Rei. Functionally, the Jumon gyōretsu works by creating a space in the hand, or area, that the user wishes to cast their spell from. This small area is typically spherical, though its shape can vary, and is composed entirely of reiatsu and incredibly sparse amounts of reiryoku. The amount of reiryoku is so minimal that it is invisible, though not undetectable. By creating this small isolated area, the user has formed a medium, and catalyst, for spell combination and creation within the palm of their hand. Within this area the user can modify the base properties and frequency of the reiryoku and reiatsu until they meet the requirements they want them to. In this way Majime is capable of not only combining more than two kido into one, but he can also choose in what way the individual properties of said kido manifest and how they are arranged. Lastly he is capable of creating new spells within this area by organizing the reiryoku and reiatsu in new ways so as to create new effects, and thus spells. It should be noted that modification of kido within the Jumon gyōretsu will take different amounts of time, effort, and focus depending on the user's skill and the power/complexity of the kido. Generally, newly made spells will not be as stable as previously established ones until they have been streamlined and perfected out of combat.

Due to the complexities of the Rei, the creation of new kido mid battle is nearly impossible, though Majime--due to his incredible level of skill with the art--is capable of applying ideas and kido theories he has pondered on previous to combat, to create kido. It should be noted that these kido may very well fail, or outright blow up in his face, depending on their complexity. As such, Jumon gyōretsu is primarily utilized to modify or combine the traits of other kido. Over time, Majime has discovered that should reishi projectiles or foreign reiryoku enter the space of the matrix, provided they are at least half the width of it, they will cause a Full Disruption, thus dismantling any kido being altered therein and forcing Majime to reestablish the matrix. Anything smaller than half the width of the matrix will only cause a partial disruption, which will merely interrupt the structure of the matrix, meaning that Majime must briefly pause the creation of kido before his construct stabilizes once more. The maximum amount of time Majime has ever taken to repair the matrix is a minute.

>To Determine when a theorized kido will fail, I will roll a dice. Depending on how much he has figured the kido out beforehand, I will make it more, or less, likely that the kido will succeed.

Custom Kido

Hado #64 Taiyō no yōyū ikari(太陽の溶融怒り 'Sun's molten fury'):

"Bind the bones of the earth, draw from its depths, infuse the sun's light and fury. Cast away the bonds, eviscerate their form, and turn dust and stone to fire,"

First the user must utilize their reiryoku to gather a decent amount of reishi into the palm of their hand where it will form a cube. At this point their reiryoku is almost forcibly infused into the reishi particles after which the attack is aimed at the ground. Once the beams hits there is a small shudder in the earth and two seconds later a massive flurry of essentially identical beams, but now with seemingly molten flames in them, burst forth from the surface and alter their trajectory to match that of the intended target. Upon contact with the location the target was, or the target itself, they culminate, each blast adding more reiryoku, till they have formed a sphere around the target's body. At this point the sphere becomes a closed system, hardening on the outside like a shell, and burning the target before exploding violently outwards into many fiery shards.

I will add more kido to this section, but not just yet. I'll make sure to run them by the Gms.

Reiryoku & Reiatsu: Having a fair amount of reiryoku, which he has developed over the years of cultivating his skills in kido. While not possessing reiryoku or reiatsu comparable to a captain, he does possess enough reiryoku, and exerted reiatsu, to keep him going for a relatively intense fight whilst using only kido and his zanpakuto. Additionally, his control of said reiatsu is incredibly skillful due to his abilities of choice. This exceptional level of control allows him to essentially hide his presence from the perception of all but the most skilled in the arts of detection. Majime's reiryoku, when manifested in its raw form, has three colors, all of which appear to mirror the color of autumn leaves –red, orange, and yellow respectively. His reiryoku has the tendency to move as if it were some ethereal fire, though it actually has a very soothing effect when one touches it. This is of course his reiryoku in its simplest form and thus this soothing does not necessarily apply to any of his kido or zanpakuto abilities.

His aforementioned control allows him to exert, manifest and manipulate his reiryoku and reiatsu with exceptional precision. As such he can easily broadcast his location, or suppress his presence to a great extent if he so chooses. When entirely unrestrained, or raging, Majime's reiatsu can take several forms. Sometimes it will almost look as if there is a storm of energy and autumn colored leaves whirling about his form, this state is only seen when he is enraged or in an incredibly intense emotional state, or perhaps in bankai. The second state is the appearance of calmly blowing leaves of autumn colors moving around him or in a particular direction, this is what is normally displayed.

Poor Zanjutsu: While he has not trained in the art, he does understand the most rudimentary of techniques that any average shinigami might, meaning he can slash and stab his blade or block an attack by holding it up at the right time. Still, this hardly protects him against those of greater skill, which, typically, is practically everyone around him. As such he has taken to observing those with considerable skill in the art and remembering how they move so that he might have a chance to counter, not with zanjutsu, but with his preferred weapon: Kido. Still, should someone close the distance, this understanding will only help him for so long.

Pathetic Hakuda: As with zanjutsu, Majime has made a conscious effort of observing practitioners of varied skill in regards to this art. However, unlike swordplay, he found that their movements made little sense to him, or after a certain point, were so swift and well executed that he could not follow them. As a result, hakuda is perhaps his biggest weakness as while he might be able to block simple uses of it that remain straightforwards, anything more complex will throw him off, or end up as a solid strike. This makes Hakuda his single biggest weakness as his understanding only really allows him to perhaps keep a Hakuda practitioner at a distance, but does not allow for him to defend against them with anything, but a full body shield.

Kidō Master: Despite his relatively few years in the gotei thirteen, Majime has managed to accumulate what amounts to complete mastery of the arts of kido. He is capable of casting every known kido without its incantation, and when he does use their chant you better watch out because what follows is likely an attack of twice its normal magnitude. His mastery and understanding of kido is so great that he can mould new spells on the spot, though at current time they are not as stable as a kido that has been tested and refined sufficiently. Fitting to the amount of reiryoku, and control of his reiatsu, that Majime has, his kido power is especially potent. He is capable of immense shows of power all the way up the ranks of hado and bakudo, as well as some unnamed spells. Additionally, his control of his power and the kido itself is especially notable as he can bend such almost entirely to his will or whim as he so chooses.

Hohō: While barely capable of shunpo due to small traces of illness that remain in his spiritual body from his time as a human, Majime has spent due time improving his agility and other physical skills in relation to movement. Otherwise he would have long died in combat due to an inability to dodge and evade whilst furiously casting his weapon of choice: kido. Due to his exceptional footwork he is perfectly capable of reacting to those of equal level to himself and can also still follow the movements, with his senses and reaction time, of those faster than he. Nonetheless, those who have mastered the various techniques of hoho are difficult for him to fight as while he can follow them with his eyes, his movements simply are not as fast as theirs due to his lack of all, but the most rudimentary shunpo. His bizarre skillset in this field has landed his ranking somewhere between Proficient and Expert, as his overall footwork is equivalent to an Expert user, but his shunpo is more like that of one who has only been utilizing it for a month's time.

Zanpakuto Spirit Personality: An enigmatic being, Shujin's personality shifts somewhat overtime, though there is a certain amount of familiarity that always remains. This is the spirit's intelligent and wise manner and its tendency to speak slowly, or at least as if time was at its leisure and it were simply relaxed. It will generally speak in this manner regardless of the urgency of the topic or task in discussion. The spirit does so enjoy matters of psychology and philosophy and has an innate love for knowledge, just as its master does. There are some other traits, but those can wait, you'll see.

Zanpakuto Spirit & Inner World: Majime's inner world is a tumultuous and etheric place, as it is composed almost entirely of energy, with the only places to stand being on small spheres of varied size and coloration, which float throughout the world. There is a sense of urgency within the place, but this is at the very edge of things, as those within seem to float in a strange peaceful location. In truth, Majime's inner world, or the portion of it that is experienced whilst sealed or in shikai, is within the eye of a massive storm of energy. It should be noted that while the orbs have many colors, they all appear to hold within them a fiery light, which flickers and sparks, releasing small pulsating waves off of the spheres. It is a rather mesmerizing phenomena to observe.

Sealed State

Shikai: Placing his hand on the handle of his sheathed zanpakuto, Majime channels his reiryoku and synchronizes the process with his sword spirit. However, unlike with most shinigami, Majime cannot release into shikai until the frequencies of his and his zanpakuto's reiryoku are in perfect harmony. This takes roughly a full minute, thus requiring the shinigami to keep his hand upon its hilt for the entirety of the time. Once their reiryoku has become perfectlly intermingled within the blade, Majime will speak. “That which was once brought forth, come to me again,” upon the utterance of these words both spirit and shinigami alike totally reverse the flow of their reiryoku signatures, causing a violent reaction in the blade. The result is a powerful flash of reiryoku and spiritual pressure, which is emitted from Majime's still sheathed blade, but is nonetheless blinding.

For a moment the area around Majime will twist out of focus, as if the space were warping, and then his zanpakuto, sheath and blade together, will shatter into hundreds of thousands of pieces. These pieces will swirl about his form, cutting and burning anyone and anything they come into contact with as they gradually collide with each other and Majime's body. The movement of these fragments is so frantic, their heat so great, and their cutting power so incredible that they can eviscerate nigh any attack with less reiryoku than Majime possesses. However, they only remain for a brief 10 seconds before the colliding fragments compile to create two gauntlets, though entirely without any armor on his fingers, a cloak which shimmers with an unrecognizable color, and six spheres of the same pigment. As the fragments finish merging into these forms, the spirit and shinigami speak in unison, “...Tenkū shujin(天空主人 'Etheric master)”.

Abilities: Fitting to its complex release requirements, Tenkū shujin's abilities are fairly broad in their scope. Still, the apparatus which holds them lies primarily in the six orbs, each which represents the etheric and core properties of the elements...except for one. The elements represented by the five orbs are the following: Water, Earth, Air, Fire, and Lightning. While at first appearing straightforwards, the five orbs do not have normal elemental effects, in fact rather than that each of them has both the physical manifestation of the elements traits, and their more conceptual counterparts. These go as follow: Water is fluidity and connection; Earth is solidity, density, and gravity; Air is freedom and Pressure as well as loose cohesion; Fire is destruction or more specifically disruption; last is lightning, which is linked to the concept of connection. These are, in essence, the abilities of Majime's shikai. However, there are several other key points to note. First among these is that Majime is only capable of using two orbs at once at any given time. The two last notable traits besides the six orbs of Majime's shikai are its cloak, which makes him impervious to damage caused by his zanpakuto's abilities, and his gauntlets, which project a field of mixed reiryoku and reishi over the surface of his hands and arms. This allows the aforementioned portions of his body to be highly resistant to energetic assault, though not any more resistant to physical ones.

The final trait of Tenkū shujin's first release is the sixth sphere, which unlike its kin, does not have what one would consider an elemental essence. Instead, this sixth sphere has the aspect of sound, or more specifically, vibration and frequency. However, its true ability is the manipulation of frequencies, resonance, and disonance in relation to reishi and reiryoku. As its ability is considerably more powerful than the other five spheres, Majime cannot utilize it unless he first activates each sphere at least once, and then employs Kyōshin jisō.

Techniques
Nijū no keisei(二重の形成 'Dual formation'): While not always stated upon its use, this technique describes what happens when any two orbs combine their manifested effects to create a third, typically more powerful, effect or ability.

Yōso no gyōshū(要素の凝集 'Cohesion of the elements'): Through the weakest use of the sixth sphere Majime harmonizes the frequencies of each of his six orbs with each other, causing an incredible interaction. Once harmonized the six spheres rotate at incredibly high speeds around his body, becoming a blur even as the shape of the spheres is elongated and flattaned each into a wide ovular blade. Briefly the spheres seem to regain the properties of the shards which made them up, and as this occurs they lift from around Majime's body, typically floating over his head or beneath his feet if he is airborne, and then fly off towards their target at similarly high speed. However, their course is not automated and can infact be modified by Majime's will or physical direction via guiding motions and the like. When/if the whirling perforated disk actually makes contact with something its rei will react violently, causing intense pressure, heat, and electrical energy to be applied to all of its surfaces and whatever is in contact with them. Thus not only does the 'disk' have momentum from its linear movement, and cutting power from its rapid rotation, but the orbs (now turned ovular and flat), which make it up still apply their abilities to further the force and power behind its blows. The orbs can only remain in this state for a maximum of one minute. However, if utilized for the whole minute and not returned to their normal status prior to that mark, the elemental properties of the orbs will be temporarily disabled for roughly twenty seconds after deactivation.

Kyōshin jisō(共振事相 'Resonation aspect'): To fully utilize the properties of the sixth sphere, Majime is required to use this technique after the process of activating each sphere's abilities at least once. To execute this technique all five primary spheres are activated simultaneously even as he reaches up above him, where the sixth sphere typically resides, an grasps the orb in hand. Once this is done the swirling reiryoku within the other spheres is expelled rapidly after which it flow in streams between the respective spheres and the sixth orb. Once the orb has absorbed all of the reiryoku it can be activated fully and utilized. Meanwhile the other five spheres are disabled in terms of their abilities though they can be utilized as mediums to further amplify the properties of the sixth orb, making it the most powerful of the group.

Bankai: Not yet achieved.