Hidden 7 yrs ago Post by Liseran Thistle
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Liseran Thistle The Lilac Doe

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@Mistress Dizzy

Thank you, I have about a bajillion other pictures of him being equally adorable, help me I can't stop drawing him and I think my other characters are slowly becoming more and more jealous of the newbie who just got here like five days ago.
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Poet π™³πšŽπšŠπšπš‘ π™Έπšœ π™Ύπš—πš•πš’ πšƒπš‘πšŽ π™±πšŽπšπš’πš—πš—πš’πš—πš

Member Seen 7 yrs ago

πšƒπš‘πšŽ π™΄πš›πšžπšπš’πšπšŽ
β€œπ™³πš›πš’πšŸπšŽ πš’πš˜πšžπš› πšŒπšŠπš›πš πšŠπš—πš πš’πš˜πšžπš› πš™πš•πš˜πš  πš˜πšŸπšŽπš› πšπš‘πšŽ πš‹πš˜πš—πšŽπšœ 𝚘𝚏 πšπš‘πšŽ 𝚍𝚎𝚊𝚍.”

𝙰 𝙽 πšƒ 𝙾 𝙽 𝙢 𝙴 𝙷 𝚁 𝙸 𝙽 𝙢 ♦ 𝟺 𝟹 ♦ 𝙼 𝙰 𝙻 𝙴 ♦ 𝙽 𝙴 πš„ πšƒ 𝚁 𝙰 𝙻 𝙴 πš… 𝙸 𝙻

Ξ© O R I G I N S


πšƒπš‘πšŽπš’ 𝚜𝚊𝚒 πšπš‘πšŠπš 𝚊 πš›πšŽπš 𝚏𝚘𝚑 πš’πš—πšπšŽπš—πšπš•πš’ πš˜πš‹πšœπšŽπš›πšŸπšŽπš πš‘πš’πšœ πš‹πš’πš›πšπš‘. πšƒπš‘πšŽ πš πš˜πš–πšŠπš— 𝚠𝚊𝚜 πšŠπš•πš˜πš—πšŽ πšŠπš—πš πš’πš— πš™πšŠπš’πš—. π™°πš—πš πš πš‘πšŽπš— πš‘πšŽ πš‘πšŠπš πšŽπš—πšπšŽπš›πšŽπš πšπš‘πšŽ πš πš˜πš›πš•πš, πšπš‘πšŽ 𝚏𝚘𝚑 πš πšŽπš™πš πšŠπš—πš πšπš’πšŽπš. π™»πšŠπšπšŽπš› πšπš‘πšŠπš 𝚍𝚊𝚒, 𝚊 πšŒπšŠπš›πšŠπšŸπšŠπš— πšŒπšŠπš–πšŽ πšŠπš•πš˜πš—πš πš˜πš— πšπš‘πšŽ πš›πš˜πšŠπš πš•πš˜πš˜πš”πš’πš—πš πšπš˜πš› πšπš‘πšŽ 𝚏𝚘𝚑. πšƒπš‘πšŽ πš πš˜πš–πšŠπš— πšŽπš‘πš™πš•πšŠπš’πš—πšŽπš πšπš‘πšŠπš πšœπš‘πšŽ πš‘πšŠπš πš—πš˜πš πš”πš’πš•πš•πšŽπš πš’πš, πš‹πšžπš πš‘πšŽπš› πšœπš˜πš— πš‘πšŠπš. πšƒπš‘πšŽ πš˜πš•πš πš–πšŠπš— 𝚊𝚝 πšπš‘πšŽ πš‘πšŽπšŠπš 𝚘𝚏 πšπš‘πšŽ πšŒπšŠπš›πšŠπšŸπšŠπš— πšœπšŠπš’πš πšπš‘πšŠπš β€˜π™·πšŽ πš πš’πš•πš• πš”πš—πš˜πš  πš“πšžπšœπšπš’πšŒπšŽ πšπš˜πš› πšœπšžπšŒπš‘ πšŒπš›πšžπšŽπš•πšπš’, πš’πš— πšπš‘πš’πšœ πš•πš’πšπšŽ πš˜πš› πšπš‘πšŽ πš—πšŽπš‘πš.’ π™°πš—πš πšπš‘πšŽπš— πšπš‘πšŽπš’ πš™πšŠπš›πšπšŽπš 𝚠𝚊𝚒𝚜. π™ΌπšŠπš—πš’ πš’πšŽπšŠπš›πšœ πš•πšŠπšπšŽπš›, πš πš‘πšŽπš— πšπš‘πšŽ πšœπš˜πš— πš‘πšŠπš πšπš›πš˜πš πš— 𝚝𝚘 πš‹πšŽπšŒπš˜πš–πšŽ 𝚊 πš–πšŠπš— πš‘πš’πš–πšœπšŽπš•πš, πš‘πšŽ 𝚍𝚎𝚟𝚘𝚝𝚎𝚍 πš‘πš’πšœ πšπš’πš–πšŽ 𝚝𝚘 πš’πš—πšŸπšŠπšœπš’πš˜πš—πšœ πšŠπš—πš πšŒπš˜πš›πš›πšžπš™πšπš’πš˜πš— 𝚘𝚏 πšπš‘πšŽ πš–πš’πš—πš. π™Ύπš—πšŽ 𝚍𝚊𝚒, πšπš‘πšŽ πšŠπšπš’πš—πš πš–πšŠπš— 𝚘𝚏 πšπš‘πšŽ πšŒπšŠπš›πšŠπšŸπšŠπš— πš–πšŽπš πš‘πš’πš– πš˜πš—πšŒπšŽ πšŠπšπšŠπš’πš—. β€˜π™·πšŠπšŸπšŽ 𝚒𝚘𝚞 πšœπšŽπšŽπš— πš–πš’ 𝚏𝚘𝚑?’ πšŠπšœπš”πšŽπš πšπš‘πšŽ πšŠπšπš’πš—πš πš–πšŠπš—. πšƒπš‘πšŽ πšœπš˜πš— πš‘πšŠπš πš—πš˜ πšŒπš•πšžπšŽ πš πš‘πšŠπš πšπš‘πšŽ πš›πšŠπš–πš‹πš•πš’πš—πšπšœ πš πšŽπš›πšŽ πšŠπš‹πš˜πšžπš πšŠπš—πš πšœπš’πš–πš™πš•πš’ πšπš’πšœπš–πš’πšœπšœπšŽπš πšπš‘πšŽ πšπš˜πš˜πš•. β€˜πšπšŠπš‹πš‹πš’πšπšœ πšŒπšŠπš—πš—πš˜πš πš›πšŽπš™πš•πšŠπšŒπšŽ πš πš‘πšŠπš πš˜πš—πšŒπšŽ 𝚠𝚊𝚜,’ πšπš‘πšŽ πšŠπšπš’πš—πš πš–πšŠπš— πšœπš‘πš˜πšžπšπšŽπš.

π™΅πš˜πš› πš–πšŠπš—πš’ πš’πšŽπšŠπš›πšœ πš’πš— πšπš‘πšŽ πš’πš•πš•πšžπšœπšπš›πš’πš˜πšžπšœ πšŒπšŠπš™πš’πšπš˜πš•, πš‘πšŽ πšœπšŒπš‘πšŽπš–πšŽπš πšπš˜πšπšŽπšπš‘πšŽπš› πš πš’πšπš‘ πšŠπš—πš˜πšπš‘πšŽπš› πš–πšŠπš— 𝚘𝚏 πš‘πš’πšœ πš”πš’πš—πš. πšƒπš‘πšŽπš’ πš πšŽπš›πšŽ 𝚊 πš–πšŠπšœπšπšŽπš›πšπšžπš• πšŒπš˜πš–πš™πš˜πšœπš’πšπš’πš˜πš— 𝚘𝚏 πšœπš’πš•πšŽπš—πšŒπšŽ πšŠπš—πš πš πšŽπšŠπš•πšπš‘. π™Ύπš—πšŽ 𝚍𝚊𝚒, πš‘πšŽ πš™πš˜πš—πšπšŽπš›πšŽπš πšπš‘πšŽπš’πš› πš—πš˜πšπš˜πš›πš’πšŽπšπš’ πšŠπš—πš 𝚜𝚊𝚠 πšπš›πš˜πšžπš‹πš•πšŽ. β€˜πš†πšŽ πšœπš‘πš˜πšžπš•πš πš‘πš’πšπšŽ πš˜πšžπš› 𝚏𝚊𝚌𝚎𝚜 πš•πšŽπšœπš πšπš‘πšŽπš’ πšœπš‘πš˜πšžπš•πš 𝚜𝚎𝚎 πšŠπš—πš πšŒπšŠπšπšŒπš‘ 𝚞𝚜,’ πš‘πšŽ πšœπšŠπš’πš. π™°πš—πš πšπš‘πšžπšœ πšπš‘πšŽπš’ πšπš˜πš›πšπšŽπš πš–πšŠπšœπš”πšœ 𝚝𝚘 πš‘πš’πšπšŽ πšπš‘πšŽπš–πšœπšŽπš•πšŸπšŽπšœ. π™°πš πšπš‘πšŽ πšŽπš—πš 𝚘𝚏 𝚊 πš‘πšŠπšžπš•, πšπš‘πšŽ πš˜πšπš‘πšŽπš› πš–πšŠπš— πšœπšπšŠπš‹πš‹πšŽπš πš‘πš’πš– πš’πš— πšπš‘πšŽ πš‹πšŠπšŒπš” πšŠπš—πš πš•πšŽπšπš πš‘πš’πš– 𝚝𝚘 πšπš’πšŽ. πš†πš‘πšŽπš— πš‘πšŽ πšŒπšžπš›πšœπšŽπš, β€˜πš†πš‘πš’ πšπš’πš 𝚒𝚘𝚞 𝚍𝚘 πšπš‘πš’πšœ?’ πšƒπš‘πšŽ πš˜πšπš‘πšŽπš› πš–πšŠπš— πšœπšŠπš’πš β€˜π™Άπš’πšŸπšŽ 𝚊 πš–πšŠπš— 𝚊 πš–πšŠπšœπš” πšŠπš—πš πš‘πš’πšœ πšπš›πšžπšŽ πšœπšŽπš•πš πšœπš‘πšŠπš•πš• πšŽπš–πšŽπš›πšπšŽ πšπš›πš˜πš– πšπš‘πšŽ πšœπš‘πšŠπšπš˜πš πšœβ€™.

π™·πšŽ πš˜πš—πšŒπšŽ πš–πšŽπš 𝚊 πš–πšŠπš— πš πš’πšπš‘ πšπš‘πš›πšŽπšŽ πšπš’πš—πšπšŽπš›πšœ πš˜πš— πšŽπšŠπšŒπš‘ πš‘πšŠπš—πš. πšƒπš‘πšŽ πš–πšŠπš— 𝚜𝚊𝚝 πš˜πš— 𝚊 πš‘πš’πš•πš• πš˜πšŸπšŽπš›πš•πš˜πš˜πš”πš’πš—πš 𝚊 πšπš›πšŽπšŠπš πš˜πšŠπš”, πšŠπš—πš πšπš‘πšŽ πš–πšŠπš— πšŒπš˜πš—πšπšŽπš–πš™πš•πšŠπšπšŽπš πš‘πš’πšœ πš•πš’πšπšŽ. π™°πš— πš’πš–πš™πš˜πšœπš’πš—πš πš‹πš•πšŠπšπšŽ πš‹πšžπš›πš›πš˜πš πšŽπš πšπš‘πšŽ πšπš›πš˜πšžπš—πš πš—πšŽπš‘πš 𝚝𝚘 πšπš‘πšŽ πš–πšŽπšŽπš”πš•πš’πš—πš. π™Έπš— πš‘πš’πšœ πš–πšŠπšπš—πš’πšπš’πšŒπšŽπš—πš πš’πšπš—πš˜πš›πšŠπš—πšŒπšŽ πšŠπš—πš πš‘πšžπš‹πš›πš’πšœ, πš‘πšŽ πšŠπš™πš™πš›πš˜πšŠπšŒπš‘πšŽπš πšπš‘πšŽ πš˜πš•πš πš–πšŠπš— πš πš’πšπš‘ πš‘πš˜πšœπšπš’πš•πš’πšπš’. β€˜π™Άπš’πšŸπšŽ πš–πšŽ πš πš‘πšŠπš πš’πšœ πš’πš˜πšžπš›πšœ πšŠπš—πš 𝚒𝚘𝚞 πšœπš‘πšŠπš•πš• πš•πš’πšŸπšŽ,’ πšœπšŠπš’πš πš‘πšŽ 𝚝𝚘 πšπš‘πšŽ πš–πšŽπšπš’πšπšŠπšπš’πš—πš πš–πšŠπš—. πš†πš‘πšŽπš— πš—πš˜ πš›πšŽπšŠπšŒπšπš’πš˜πš— πš™πš›πšŽπšœπšŽπš—πšπšŽπš πš’πšπšœπšŽπš•πš, πš‘πš’πšœ πšπš˜πš—πšŽ πš‹πšŽπšπš˜πš πšœπš™πš’πšπšŽ. β€˜π™΅πš˜πš˜πš•πš’πšœπš‘ πš˜πš•πš πš–πšŠπš—, πšπš‘πšŽ πšŠπšπšπšŽπš›πš•πš’πšπšŽ πš πš’πš•πš• πšŽπš–πš‹πš›πšŠπšŒπšŽ 𝚒𝚘𝚞 πšπš‘πš’πšœ 𝚍𝚊𝚒,’ πšœπšŠπš’πš πš‘πšŽ. π™°πš•πšŠπšœ, πš‹πšŽπšπš˜πš›πšŽ πš‘πšŽ πš”πš—πšŽπš  πš‘πš’πšœ πš’πš—πšœπšπš’πš—πšŒπš 𝚝𝚘 πš‹πšŽ πšπš›πšžπšŽ, πšπš‘πšŽ πšœπšπš›πšŠπš—πšπšŽπš› πš‘πšŠπš πšπš›πšŠπš πš— πšŠπš›πš–πšœ πšŠπš—πš 𝚌𝚞𝚝 πš‘πš’πšœ πš•πšŽπš. π™°πšœ πš‘πšŽ πš•πšŠπš’ πšœπššπšžπšŽπšŠπš•πš’πš—πš πš’πš— πš™πšŠπš’πš—, πš‘πšŽ πšŒπš›πš’πšŽπš 𝚝𝚘 πšπš‘πšŽ πš˜πš•πš πš–πšŠπš— β€˜π™·πš˜πš ?’ πšƒπš‘πšŽ πš˜πš•πš πš–πšŠπš— πšœπš’πš–πš™πš•πš’ πšŒπš‘πšžπšŒπš”πš•πšŽπš πš’πš— πšπš‘πšŽ πšŽπšœπš˜πšπšŽπš›πš’πšŒ 𝚠𝚊𝚒 𝚘𝚏 πšπš‘πšŽ πš˜πš•πš π™΄πš›πšžπšπš’πšπšŽ.

π™·πšŽ πš›πšŽπšŒπšŠπš•πš•πšœ 𝚊 πš›πš’πšŸπšŽπš› 𝚝𝚘 πšπš‘πšŽ π™½πš˜πš›πšπš‘. 𝙰 πšπš›πšŽπšŠπš πšπš˜πš›πšŽπšœπš πšœπš‘πš›πš˜πšžπšπšŽπš πš’πš— πš–πš’πšœπš πšŠπš—πš πš™πš’πš—πšŽ πš–πš˜πšŒπš”πšŽπš πšπš‘πšŽ 𝚜𝚎𝚊. π™Ύπš—πšŒπšŽ πš‘πšŽ πšπš›πš˜πš πšπš‘πšŽ πšπšŽπšŠπšπšŽπš—πšŽπš πš•πšŠπš—πšπšœ 𝚝𝚘 πšπš‘πšŽ πš†πšŽπšœπš. πšƒπš‘πšŽ πšœπšŒπšŠπšŸπšŽπš—πšπšŽπš›πšœ πš™πš’πšŒπš”πšŽπš 𝚊𝚝 πš‘πš’πšœ πšπš•πšŽπšœπš‘ πš’πš— πšπš‘πš˜πšœπšŽ πšπš’πš›πšŽ 𝚍𝚊𝚒𝚜. πšƒπš‘πšŽ πšπš˜πš πš—πšœπšπš˜πš•πš” πš‘πšŽ πš”πš—πšŽπš  πš—πš˜πš, 𝚊𝚜 πšπš‘πšŽπš’ 𝚜𝚝𝚘𝚘𝚍 πšπšŠπšŒπšŽπš•πšŽπšœπšœ πšŠπš—πš πš›πšŽπšœπšŽπš—πšπšπšžπš•. π™Όπš˜πš–πšŽπš—πšπšœ 𝚘𝚏 πš–πšŽπšπš’πšπšŠπšπš’πš˜πš— πš™πšŽπš›πšœπš’πšœπšπšŽπš πšπš˜πš› πš‘πš˜πšžπš›πšœ πš πš’πšπš‘πš˜πšžπš πš—πš˜πšžπš›πš’πšœπš‘πš–πšŽπš—πš. πšƒπš‘πšŽ πšŠπš’πš› 𝚠𝚊𝚜 πš‹πš›πš’πšœπš”. πš†πš‘πš’πšŒπš‘πšŽπšŸπšŽπš› πš™πš•πšŠπšŒπšŽ πš‘πšŽ πšŒπš˜πšžπš•πš πšŒπšŠπš•πš• β€˜πš‘πš˜πš–πšŽβ€™ πš πš˜πšžπš•πš πš‹πšŽ πš πš‘πšŽπš›πšŽ πšπš‘πšŽπšœπšŽ πš–πšŽπš–πš˜πš›πš’πšŽπšœ πšŒπšŠπš–πšŽ 𝚝𝚘 πš‹πšŽ.

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//ABILITIES:
β—Ό πš†πšŠπš’ 𝚘𝚏 πšπš‘πšŽ π™΄πš›πšžπšπš’πšπšŽ | πšƒπš‘πš’πšœ πšŽπšœπšπš›πšŠπš—πšπšŽπš πšπš’πšπš‘πšπš’πš—πš πšœπšπš’πš•πšŽ πšŠπš—πš 𝚠𝚊𝚒 𝚘𝚏 πš•πš’πšπšŽ πšŽπš–πšŠπš—πšŠπšπšŽπšœ πšπš›πš˜πš– πš™πšŠπš›πš’πšŠπš‘πšœ 𝚘𝚏 πšŸπšŠπš›πš’πš˜πšžπšœ πšŽπšœπš˜πšπšŽπš›πš’πšŒ πšŒπšžπš•πšπšœ πšŠπš—πš πš˜πš›πšπšŽπš›πšœ. πš†πš‘πš’πš•πšŽ πšœπšžπš‹πšπšŽπš›πšπšžπšπšŽ πšŠπš—πš πšπšŽπšŒπšŽπš™πšπš’πš˜πš— πš‘πšŠπšœ 𝚊 πš‘πšŽπšπšπš’ πš™πš›πšŽπšœπšŽπš—πšŒπšŽ, πš‹πš•πšŠπšπšŠπš—πš πšŒπš˜πš—πšπš›πš˜πš—πšπšŠπšπš’πš˜πš— πš’πšœ πšπšŠπšŸπš˜πš›πšŠπš‹πš•πšŽ πš πš’πšπš‘ 𝚏𝚘𝚌𝚞𝚜 πš˜πš— πš•πšŽπšŠπš™πšœ πšŠπš—πš πš•πšžπš—πšπšŽπšœ πšπšŽπšœπš’πšπš—πšŽπš 𝚝𝚘 πšπšŠπšŒπš”πš•πšŽ πšŠπš—πš πšπš’πšœπš›πšžπš™πš. πšƒπš‘πšŽ πš†πšŠπš’ 𝚘𝚏 πšπš‘πšŽ π™΄πš›πšžπšπš’πšπšŽ πš’πšœ 𝚊 πš›πšŠπšπš’πšŒπšŠπš• πš–πš’πš—πš˜πš›πš’πšπš’ πš’πš— πšπš‘πšŽ πš πš˜πš›πš•πš πš πš’πšπš‘ πš˜πš—πš•πš’ 𝚊 πš‘πšŠπš—πšπšπšžπš• 𝚘𝚏 πš™πš›πšŠπšŒπšπš’πšπš’πš˜πš—πšŽπš›πšœ, πš πš‘πš˜ πš™πšŠπšœπšœ πšπš‘πšŽπš’πš› πš”πš—πš˜πš πš•πšŽπšπšπšŽ 𝚝𝚘 𝚊 πšœπš’πš—πšπš•πšŽ πš™πšŽπš›πšœπš˜πš—. πšƒπš‘πšŽπš’πš› πšŒπšžπš›πš›πšŽπš—πšŒπš’ πš’πšœ πšœπšŽπšŒπš›πšŽπšπšœ πšŠπš—πš πšŽπš—πš•πš’πšπš‘πšπšŽπš—πš–πšŽπš—πš.

β—Ό π™°πšπš’πš•πšŽ | π™·πšŽ πš’πšœ πšŠπšπš’πš•πšŽ πšπš˜πš› πš‘πš’πšœ 𝚊𝚐𝚎. π™·πšŽ πš’πšœ πšŠπšπš’πš•πšŽ πšπš˜πš› πš‘πš’πšœ πšŒπš‘πš˜πš’πšŒπšŽ 𝚘𝚏 πš™πš›πš˜πšπšŽπšŒπšπš’πš˜πš— πšŠπš—πš πšŠπš›πš–πšœ. π™°πšπš’πš•πš’πšπš’ πšœπšžπš™πš™πš•πšŽπš–πšŽπš—πšπšœ πš‘πš’πšœ 𝚠𝚊𝚒 𝚘𝚏 πš•πš’πšπšŽ πšŠπš—πš πšπš’πšπš‘πšπš’πš—πš πšœπšπš’πš•πšŽ. πš‚πšπš›πšŽπš—πšπšπš‘ πšŒπš˜πš–πšŽπšœ πš—πš˜πš πšπš›πš˜πš– πš™πš˜πš πšŽπš›, πš‹πšžπš πšπš›πš˜πš– πšπš˜πš›πšŒπšŽ. πšƒπš‘πšŽ πš›πš’πšπš‘πš πš–πš˜πšŸπšŽπš–πšŽπš—πš πšŠπš—πš πšπšŽπšŒπš‘πš—πš’πššπšžπšŽπšœ πšŒπšŠπš— πšπš˜πš™πš™πš•πšŽ πšπš‘πš˜πšœπšŽ πš–πš˜πš›πšŽ πš’πš–πš™πš˜πšœπš’πš—πš πšπš‘πšŠπš— πš‘πš’πš–, 𝚊𝚝 πšπš’πš–πšŽπšœ. π™±πšŽπš’πš—πš πšŠπšπš’πš•πšŽ πšœπšŽπš›πšŸπšŽπšœ πš‘πš’πš– πš‹πšŽπšπšπšŽπš› πš’πš— πšπš‘πšŽ 𝚠𝚊𝚒 𝚘𝚏 πšπšŽπšŒπšŽπš™πšπš’πš˜πš— πšŠπš—πš πšπš•πšŠπš—πš”πš’πš—πš.


//SKILLS:
β—Ό π™ΈπšŒπš˜πš—πšπš›πšŠπš™πš‘πš’ | π™°πš•πš• πšŽπš›πšžπšπš’πšπšŽ πš”πš—πš˜πš  πšπš‘πšŽ 𝚠𝚊𝚒 𝚘𝚏 πš’πš–πšŠπšπšŽ πšŠπš—πš πšœπš’πš–πš‹πš˜πš•. π™·πš’πšπšπšŽπš— πš–πšŽπšŠπš—πš’πš—πšπšœ πšŠπš—πš πšŒπš›πš’πš™πšπš’πšŒ πš–πšŽπšœπšœπšŠπšπšŽπšœ πš•πšŽπšπš πš‹πšŽπš‘πš’πš—πš πš‹πš’ πšπš‘πšŽ πš˜πš•πš 𝚜𝚊𝚐𝚎𝚜 πš›πšŽπššπšžπš’πš›πšŽ πš’πš—πšπš›πš’πšŒπšŠπšπšŽ πš”πš—πš˜πš πš•πšŽπšπšπšŽ 𝚘𝚏 πšπš˜πš›πšπš˜πšπšπšŽπš— πšœπšŽπšŒπš›πšŽπšπšœ πšŠπš—πš πš›πšŽπšπšŽπš›πšŽπš—πšŒπšŽπšœ 𝚝𝚘 πšŠπš—πšŒπš’πšŽπš—πš πš πš˜πš›πš”πšœ 𝚘𝚏 πš™πš›πš˜πšœπšŽ πšŠπš›πš. πšƒπš‘πšŽ πšŽπš›πšžπšπš’πšπšŽ 𝚍𝚎𝚟𝚘𝚝𝚎 πšπš’πš–πšŽ 𝚝𝚘 πš™πš˜πšŽπšπš›πš’ πšŠπš—πš πšπšŠπš‹πš•πšŽπšœ, πšπš˜πš•πš”πšπšŠπš•πšŽπšœ πšŠπš—πš πš–πš’πšπš‘πšœ, πšŠπš—πš πšŽπš—πšπš•πšŽπšœπšœπš•πš’ πšœπšŽπšŠπš›πšŒπš‘ πšπš˜πš› πšπš‘πšŽ πš”πšŽπš’πšœ πš›πšŽπššπšžπš’πš›πšŽπš 𝚝𝚘 πšžπš—πš•πš˜πšŒπš” πšπš‘πšŽ πš–πš’πšœπšπšŽπš›πš’πšŽπšœ 𝚘𝚏 πšŠπš›πšπš’πšœπšπš›πš’ πšŠπš—πš πšπš‘πšŽ πš˜πšŒπšŒπšžπš•πš.


//LIMITATIONS:
β—Ό πš„πšœπšŽπš•πšŽπšœπšœ π™Ώπš›πš˜πšŸπšŽπš›πš‹πšœ | π™°πš‹πšœπšπš›πšžπšœπšŽ πš•πš’πšπšŽπš›πšŠπšπšžπš›πšŽ, πš–πšŠπšπšπšŽπš—πš’πš—πš πš™πšŠπš’πš—πšπš’πš—πšπšœ, πšŒπš›πš’πš™πšπš’πšŒ πšœπš’πš–πš‹πš˜πš•πšœ, πšŠπš—πš πš–πšžπšŒπš‘ πšπš˜πš›πš‹πš’πšπšπšŽπš— πš”πš—πš˜πš πš•πšŽπšπšπšŽ πš‘πšŠπšœ πšπšŠπšžπšπš‘πš πšπš‘πšŽ πš–πšŠπš— πš–πšŠπš—πš’ πšžπšœπšŽπš•πšŽπšœπšœ πš™πš›πš˜πšŸπšŽπš›πš‹πšœ πš˜πšŸπšŽπš› πšπš‘πšŽ πš’πšŽπšŠπš›πšœ. πš‚πš˜πš–πšŽ 𝚘𝚏 πšπš‘πšŽπš– πšŠπš›πšŽ πššπšžπš’πšπšŽ πš‹πš’πšπšπšŽπš›, πš›πšŠπš—πšŒπš˜πš›πš˜πšžπšœ, πšπšŽπšŒπšŽπš™πšπš’πšŸπšŽ, πšŠπš—πš πš–πšŠπš•πš’πšŒπš’πš˜πšžπšœ, 𝚒𝚎𝚝 πšπšžπš•πš• 𝚘𝚏 πš πš’πšœπšπš˜πš– 𝚊𝚝 πšπš’πš›πšœπš πšπš•πšŠπš—πšŒπšŽ, πšœπšžπšŒπš‘ 𝚊𝚜 πšπš‘πš’πšœ πš˜πš—πšŽ β€˜πšπš’πš™ πš‘πš’πš– πš’πš— πšπš‘πšŽ πš›πš’πšŸπšŽπš› πš‘πšŽ πš πš‘πš˜ πš•πš˜πšŸπšŽπšœ πš πšŠπšπšŽπš›β€™.


//WEAKNESSES:
β—Ό π™΅πš›πšŠπšπš’πš•πšŽ | π™°πšπšπšŽπš› πš’πšŽπšŠπš›πšœ 𝚘𝚏 πšœπšŒπšŠπš›πšœ πšŠπš—πš πš’πšπš—πš˜πš›πš’πš—πš πš‹πš›πšžπšπšŽ πšœπšπš›πšŽπš—πšπšπš‘ πš‘πšŠπšœ πš–πšŠπšπšŽ πš‘πš’πš– πšŸπšžπš•πš—πšŽπš›πšŠπš‹πš•πšŽ 𝚝𝚘 πš‘πšŠπš›πš–.

β—Ό π™°πš™πšŠπšπš‘πš’ | π™΄πš—πš•πš’πšπš‘πšπšŽπš—πš–πšŽπš—πš πš•πšŽπšŠπšπšœ 𝚝𝚘 πšŠπš™πšŠπšπš‘πš’. π™Έπš πš’πšœ πš›πšŽπš“πšŽπšŒπšπš’πš˜πš— 𝚘𝚏 πšπš˜πšπš–πšŠ πšŠπš—πš πš’πšπšŽπš˜πš•πš˜πšπš’, πšπš‘πšŽ πš›πšŽπš™πšπš’πš•πšŽπšœ 𝚘𝚏 πšπš‘πšŽ πš–πš’πš—πš. πšƒπš‘πšŽ πšπš›πš’πšŽπš—πš 𝚝𝚘𝚍𝚊𝚒 πš’πšœ πšπš‘πšŽ 𝚏𝚘𝚎 πšπš˜πš–πš˜πš›πš›πš˜πš . πš‚πšπš›πš’πš”πšŽ πšπš‘πšŽπš– πšπš˜πš πš— πš πš’πšπš‘πš˜πšžπš πš›πšŽπšπš›πšŽπš, πš’πš πšπš‘πšŽπš’ πšŠπš›πšŽ 𝚘𝚏 πš—πš˜ 𝚞𝚜𝚎.


Ξ© N O T E S

"πšƒπš‘πšŽ πš–πš˜πšœπš πšœπšžπš‹πš•πš’πš–πšŽ 𝚊𝚌𝚝 πš’πšœ 𝚝𝚘 𝚜𝚎𝚝 πšŠπš—πš˜πšπš‘πšŽπš› πš‹πšŽπšπš˜πš›πšŽ 𝚒𝚘𝚞."


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Hidden 7 yrs ago Post by Liseran Thistle
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Liseran Thistle The Lilac Doe

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@Poet

not to alarm you or anything...but I can't read it! :(
Hidden 7 yrs ago Post by Liseran Thistle
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Liseran Thistle The Lilac Doe

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also by the time any of you get this I will be at an interview for a job, so I won't be able to see anything for about two hours.
Hidden 7 yrs ago Post by Roman
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Roman Grumpy Toad / King of Dirt

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I’d like a little more backstory; at 54 he will likely be one of the oldest of the cast, having lived through multiple diseases sweeping Vassidia and having a long and presumably decorated career in the military. What we have at the moment feels vague, and a little rushed.

Cautiously accepted with hopes we’ll see some more depth to the Bear soon, whether through IC or updates to your sheet. Go ahead and pop him into the characters tab.
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Accepted! I like him. It’s a bit tropey and a bit Thief-y (especially the rope-arrows) but ultimately tropes are tools to be used, not avoided, and there’s nothing wrong with taking a bit of inspiration from outside sources. It’ll be interesting to have a professional outlaw in the party alongside some more noble characters. Pop him in the characters tab when you’re able.
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Hidden 7 yrs ago Post by Roman
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There are a few things I’d like to go over with you regarding each of your sheets. Unfortunately I’m away this weekend in Brighton and can’t effectively manage any extended sheet editing and discussion on my phone, so expect a PM each on Monday. I just wanted to update you so you don’t think you are being ignored or have been rejected.
Hidden 7 yrs ago 7 yrs ago Post by Nib
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Nib

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I plan to expand on him a bit. Sorry for the vagueness. I did also want to ask you about any wars that may have happened in Roderick's life he could have fought in.
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Just a quick note; I’ve noticed a couple of the accepted sheets thus far have been posed in their hiders, presumably from being copied from where I’ve put them in hiders when accepting them. I made that choice purely so not to clutter or overly extend the OOC more than necessary; when posting in the characters tab please remove them from the hiders, as it offers a cleaner, smoother read-through and will be better when I come to list the active cast in a roll-call.
Hidden 7 yrs ago Post by Mistress Dizzy
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Mistress Dizzy Fandom Auntie Dizzy

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Is my sheet missing something?
Hidden 7 yrs ago Post by Fetzen
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Fetzen

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Finished the backstory / history of my character, but now I'm trying hard to get my thoughts about his abilities written down. I hope to get the sheet done within the next hours still though.
Hidden 7 yrs ago Post by Liseran Thistle
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Liseran Thistle The Lilac Doe

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Welp good luck!
Hidden 7 yrs ago 7 yrs ago Post by Fetzen
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Fetzen

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Sooo... this is my application in its initial state:

TΓ½furkh Gandjar

"Why keep people asking if those gems are taken from victims of the blight? We're no crazy people!"

T Ý F U R K H G A N D J A R ♦ 28 ♦ M A L E ♦ N E U T R A L

Ξ© O R I G I N S:

If you look at the Barbed Church, what do you see ? An incredibly impressive collection of self-proclaimed believers. Now I want to preempt clearly that I find nothing wrong with what the church believes in -- on the contrary I say that postulating theories about what is yet to be discovered is everybody's human right. The problem lies in the stark contrast between the word 'believe' and what the church actually does.

The user of the aforementioned term acknowledges the fact that he is convinced of something, but also is convinced by his current inability to prove it and thus that he still could be wrong. Yet the church's leadership burdens its subordinates with duties of such severity as if they had already found proof for not only the magick well but also something else so terrible that the world needs to decend into self-inflicted pain right away. Yet none of us has yet seen this proof, so I, we, see no other choice but to regard the church as an organization of such great inner conflict that it's an almost unbearable waste of resources, especially now.

Yet we never have done any harm to them, at least not actively. We haven't even done so much as to buy a stack of parchments, write our statements down and spread them throughout the villages as this certainly would have eliminated what little security we've had. It's not like the First Thorn would have stepped onto a rostrum and shouted 'Slay those heretics!', but experience tells that in every organization sufficiently large enough there occur extremes. Groups of individuals independently of each other started a silent war against our debating societies, rushing into their places and given their members a beating. The fact that these 'conquests' gave them more insight into our world of thought didn't make things better, but only helped push them to more violent measures. Sadly though ultimately some of ours had to pay the ultimate price for this.

But all of this has happened over a century ago. The terror, though never officially called for, helped greatly in forging us together. It can be considered an irony that if it hadn't been for the Barbed Church we maybe wouldn't be able to enjoy so much calmness around us today. The freezing temperatures and high altitude of the northeastern mountains do a great job at keeping annoying visitors off, allowing us to do whatever research we want as long as it is not too expensive. It's not like the people of Mornfell would welcome us any more openly than any others or pay especially well, but even they appreciate it if some newly developed piece of magick device can make some part of their ancient city a little more reliable.

The church and its members have forgotten us, but we have not forgotten them. We can roam freely in the world again as long as we keep our mouths shut and don't even think about retaliation for past generations. We are only two hundred or so, but we believe the world could need us now more than anywhen else in history. If the story about the magick well the church spreads is true, the stone blight is an issue can be solved by magical engineering more than by the sword. The council has sent me to answer Jocun's call. Let's just hope that this won't turn into an order to get along with a bunch of idiots -- even though this would still be preferrable to a single academic who can identify where I belong to and not live with it.

Ξ© A B I L I T I E S / S K I L L S:

//ABILITIES:
β—Ό AN ADDICT'S RESISTANCE | By looking at his very impressively tall, well-fed and rather broad-shouldered frame one could think that he must be someone who can take quite a beating. However those people don't realize that the sense of pain and exhaustion is invariant to one's constitution. If it hurts, it hurts. And if it hurts too much it hurts too much. Now there are two ways to remedy this: Years of hard training and experience, or, if you don't have the time, are just too lazy or are actually convinced of the superiority of your idea -- and he certainly is... -- drugs. No, not that half-assed stuff you can get in taverns or so, but something of his people's design. Others who aren't prepared shouldn't use it, but for him the greatest danger lies in not noticing when to stop for good. It allows him to run harder and longer, lift and carry greater weight and bear more pain than the usual individual, but it can't take away the increased negative effects afterwards.

β—Ό MY SPELL IS MY BLOOD | One of the fundamental, but unwritten laws of physics is that effects always come in pairs of opposites. Just like every force is answered by an equally large force in the opposite direction, the process of converting magick into health can be inversed. Fortunately enough his way of doing it is not some wicked ritual that involves spilling his own blood in the hope of some greater being descending upon him and doing things, but again the outcome of research. He can become a powerful source of magick that exceeds what a mage can usually achieve at the expense of his own, physical well-being. After all it might be better to have to rest for a day than having to be buried because that damn fireball hasn't been big enough.


//SKILLS:
β—Ό TINKERING | While he has not specifically been trained for that, his very generalized knowledge of magick can still be considered very useful to try and get rid of a broad array of possible obstacles before they can do harm. This includes, but is not limited to magic barriers, traps (that is... if detected beforehand) and curses. Due to the near limitless possibilities of how to implement those things precisely a careful analysis usually is required before messing around with them. Definitely too long for a combat situation.

β—Ό LET ME THROUGH, I'M AN ELECTRICIAN! | Dumping magick into strength or speed is something that can be deemed more beneficial in non-combat situations when there's a particularly large rock to move or a wall to breach since he frankly doesn't know how to behave in a melee situation (see weaknesses). However he definitely knows how to convert raw magick into something that can hurt. The major problem probably is that freshly fried flesh doesn't smell particularly good.


//LIMITATIONS:
β—Ό FUNDAMENTAL RESEARCH | The kind of study he has subjected himself to is not exactly what is taught at ordinary academies. His knowledge focuses very much on the basics of magick, not so much on the implementation of a practical use. So while he clearly is very good at what he can and could give you a full blown, mathematically enriched lecture on magick, he's quite bad at everything else. He can't deviate much to the left or right from his repertoire of spells for his knowledge in the upper levels is not as broad as that of other mages.


//WEAKNESSES:
β—Ό I HAVE TO HOLD THIS END, RIGHT ? | Well... TΓ½furkh's knowledge of swords is sufficient enough to prevent that question being asked, but it doesn't go far beyond that. If you're a mere 28 years old and have been as packed with the kind of knowledge as he has, then there is simply not enough time for that stuff as well. The same applies to pretty much all other kinds of weapons whose usage isn't a trivial affair and in offense as well as in defense.

β—Ό IF THEY ONLY KNEW... | There's a word that says there's nothing humans are more afraid of as the unknown. Being unknown or at least unusual probably applies very well to him and his skills, so using them in the public could call in more trouble than others would do, depending on the situation. It's not as if his outer appearance with that kind of armor paired with his very impressive height wouldn't already make people turn their eyes...

Ξ© N O T E S:

None.
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Hidden 7 yrs ago Post by Mistress Dizzy
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Mistress Dizzy Fandom Auntie Dizzy

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@Liseran Thistle How'd the interview go?
Hidden 7 yrs ago Post by Mistress Dizzy
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Mistress Dizzy Fandom Auntie Dizzy

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I dunno if this kind of image is allowed. But that's what I put on my sheet.
Hidden 7 yrs ago Post by Fetzen
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Fetzen

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Now that I've slept I noticed that I've messed a few smaller things up yesterday. I fixed the horizontal lines and a few typos. Also I've replaced Transhumanism and The Great Experiment with other items. There was a small mixup when I've assembled the different drafts to the final sheet yesterday.
Hidden 7 yrs ago Post by Roman
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Roman Grumpy Toad / King of Dirt

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@Mistress Dizzy
@Fetzen

I’d like to discuss your sheets further with each of you; expect PM’s tomorrow. I’m currently travelling but won’t be getting into anything heavy this evening as it’s a fairly long journey.
Hidden 7 yrs ago Post by Fetzen
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Fetzen

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[...]
@Fetzen

I’d like to discuss your sheets further with each of you; expect PM’s tomorrow. I’m currently travelling but won’t be getting into anything heavy this evening as it’s a fairly long journey.


I hope it's not too bad.
Hidden 7 yrs ago Post by Liseran Thistle
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Liseran Thistle The Lilac Doe

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@Mistress Dizzy

good, but I had a panic attack by the end of the day, so yesterday wasn't the greatest.
Hidden 7 yrs ago Post by Liseran Thistle
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Liseran Thistle The Lilac Doe

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@Mistress Dizzy
good picture!
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