Innue

[Always Lonely] Naruto: Continuum [Always Open]

”Yūdai, Kisaki”

Yūdai, Kisaki


【Full Name】
Yūdai, Kisaki
【Title】
Arashi no Megami (Goddess of Storms)
【Occupation】
Ambassador to Kumogakure
【Gender】
Female
【Age】
19
【Sexuality】
Straight



【Birth Country】
Kyokujitsu no Tochi, Windspeaker's Temple
【Current Village】
Kumogakure
【Affiliation】
Kyokujitsugakure
【Shinobi Rank】
S



【Personality】
Kisaki is a serious woman, much like her twin. Kisaki, of all of her siblings, is by far, consider the strongest of them and she is fully aware of this power gap with her siblings. Kisaki is also jealous of her sister's position as Assistant to the Sankage.

Kisaki often prefers to spend time away from other people, especially when she needs to think. She often spends this time with her horse, Sōin.

【History】
Kisaki is the oldest daughter of her family. Born at the Windspeaker's Temple during the war, Kisaki was considered blessed from her birth. The Windspeakers at her birth commented her eyes were so blue that she must be a child of Fuujin himself. It was that start that fostered Kisaki's skills. Like her brother, she lived many of her early years at the Temple. However, Kisaki far outpaced her brother in mastering the temple's secret techniques.

Even when the war was over and she was able to move back home, Kisaki, as well as Rin, stayed primarily at the Temple. Kisaki had begun to be groomed to take over for the current Windspeaker in the event that they step down. It was on Kisaki's tenth birthday that she would meet her companion, a beautiful white horse named Sōin. It would be noted by the priestesses that Sōin was born on the same day of the same hour of the same minute and second as she was. Since that day, the two have not been apart.

In addition to her training as Windspeaker, Kisaki spent significant time learning to be a horseman. Sōin and her have developed a deep bond from this training. The two travel together constantly, even when Kisaki doesn't need him to get places, resulting in a number of humorous scenarios in which Kisaki brought Sōin to a place she shouldn't have.

Kisaki was able to graduate at the top of her class as a gennin, beating out her brother for the same honor. She additionally excelled in her Chuunin exams, easily passing and earning herself the rank. Her promotion to Jounin was swiftly after that, making her one of Kyokujitsugakure's fastest promoted shinobi in many years.

Kisaki did meet someone at the age of 18 and was the first of her siblings to get married. She is currently married to Kakugyō, a member of the Nara clan, and head of Kyokujitsu no Tochi's military.



【Chakra Nature(s)】

Suiton
Raiton
Fūton
Hyōton

【Abilities and Special Traits】
Kisaki's skills are highly slanted towards ninjutsu. She has a large chakra pool and incredibly fine chakra control. She is considered a prodigy at shape manipulation.

Kisaki's other traits are lacking, relying solely on her skill with ninjutsu in combat. She is decent with her fan staff in a pinch, but lacks any physical strength at all. Her speed is subpar unless augmented by some other type of technique and she lacks any skill for genjutsu.



【Weapons, Tools and Equipment】

Name of Weapon or Item: Senpū [Whirlwind]
Description: A specialized staff made for Kisaki by the smith Masazane Iyo. The weapon has Symbols of Fuujin on each end of the staff which allow Kisaki to channel her combination of natures through to form blades of the corresponding element (including her Araton). In addition to this, the staff is able to open to reveal that it is, in fact, two massive warfans connected by a hilt. Instead of utilizing the blade, Kisaki can unfurl the fan, or fans, and make a sweeping motion to send a mix of those natures at an opponent. This has a much shorter effective range than most of her normal ninjutsu, but requires no handsigns. If she uses both, then spins the weapon, she can create a spiraling wall of mixed elemental chakra. The fans can be wielded separately if needed.
Appearance:

Name of Weapon or Item: Sōin
Description: It is a normal horse that, when needed, can have armor placed on its body to protect it.
Appearance: Looks like a 16 hand white horse.



【Kekkei Genkai】

Name of Kekkei Genkai: Hyōton
Clan: N/A
Description: Ice Release

Name of Kekkei Tota: Araton [Tempest Release]
Clan:
Description: Combination of Hyōton, Fūton, Suiton, and Raiton.

【Canon Jutsu】

【Custom Jutsu】

Name of Technique: Megumi no Fuujin [Grace of the Wind God]
Type of Jutsu: Ninjutsu
Rank: A
Range: Personal
Nature Type: Fuuton
Symbols of Fuujin: 1
Description: By channelling a constant sphere of wind chakra around herself, Windspeaker Kisaki is able to levitate as if held aloft by currents of wind. She gains a sphere of influence around herself with which she can manipulate wind in myriad ways. The sphere extends six feet from Windspeaker Kisaki in any given direction. While within the Megumi no Fuujin, Windspeaker Kisaki is immune to all friendly Fuuton techniques. Windspeaker Kisaki’s control over the wind is so proficient that she is able to essentially fly. In addition, instead of performing handsigns, Windspeaker Kisaki is able to invoke symbols of Fuujin with simple movements that are not necessarily restricted to movement of the hands/arms. Kisaki is capable of weaving her Araton and the elements composing it into her Megumi no Fuujin for additional chakra cost, but adding the effects of those elements. This applies to all of Kisaki's techniques related to Megumi no Fuujin.
Weakness: Interpret it yourself.

Name of Technique: Megumi no Fuujin: Kin'yoku no Michi [Grace of the Wind God: Path of the Ascetic]
Type of Jutsu: Ninjutsu
Rank: C
Range: Within the Megumi no Fuujin
Nature Type: Fuuton
Symbols of Fuujin: 2
Description: Windspeaker Kisaki causes the boundaries of the Megumi no Fuujin to intensify greatly, causing it to deflect all physical objects or projectiles that come near it. By weaving currents of chakra through the wind, the sphere can also become impermeable to unfriendly chakra, but doing so requires intense focus that prevents the use of other techniques and movement.
Weakness: Interpret it yourself.

Name of Technique: Megumi no Fuujin: Hyōgi-kai no Ishi [Grace of the Wind God: Will of the Council]
Type of Jutsu: Ninjutsu
Rank: B
Range: Megumi no Fuujin
Nature Type: Fuuton
Symbols of Fuujin: 2
Description: Windspeaker Kisaki creates innumerable blades of wind nearly invisible to the naked eye within the confines of the Megumi no Fuujin. The blades cannot leave the sphere, but are so sharp and numerous that almost anything that comes into sustained contact with them will suffer immense damage. The blades can be condensed into single, visible blades that can be launched outwards from the Megumi no Fuujin at a significant reduction in power. The blades are shaped like crescent arcs, and despite their relatively reduced firepower they move very quickly and are difficult to avoid.
Weakness: Interpret it yourself.

Name of Technique: Kaiko no Fuujin [Wind God’s Dismissal]
Type of Jutsu: Ninjutsu
Rank: C
Range: Mid
Nature Type: Fuuton
Symbols of Fuujin: 1
Description: Windspeaker Kisaki creates an incredible gust of wind in a single direction, buffeting anything it hits and sending them flying backwards. The gust can persist for up to ten seconds, gradually decreasing in potency as it does so. If an object moves with the gust, its speed is dramatically increased. While Windspeaker Kisaki is within the Megumi no Fuujin, she is unaffected by the technique unless she chooses to be.
Weakness: Interpret it yourself.

Name of Technique: Seidō no Fuujin [Wind God’s Sanctuary]
Type of Jutsu: Ninjutsu
Rank: A
Range: Mid
Nature Type: Fuuton
Symbols of Fuujin: N/A
Description: Windspeaker Kisaki creates a ring on the ground, up to fifty feet in diameter. The ring creates a stream of wind that physical objects and chakra cannot pass through in either direction, allowing her to provide sanctuary to allies or isolate enemies. The wind only lasts for a maximum of sixty seconds.
Weakness: Interpret it yourself.

Name of Technique: Kamikaze no Fuujin: Ran’un [Wind God’s Divine Whirlwind: Storm Clouds]
Type of Jutsu: Ninjutsu
Rank: C
Range: Long
Nature Type: Fuuton
Symbols of Fuujin: 3
Description: Windspeaker Kisaki gathers immense amounts of Fuuton chakra and unleashes the chakra in a constantly expanding sphere. The sphere will travel for fifty feet before dissipating, carrying any physical objects with insufficient mass or not rooted to the ground with it. As soon as the sphere dissipates, strong winds begin to gather in the area that disrupt movement and leave small lacerations in exposed skin.
Weakness: Interpret it yourself.

Name of Technique: Kamikaze no Fuujin: Arashi [Wind God’s Divine Whirlwind: Tempest]
Type of Jutsu: Ninjutsu
Rank: C
Range: Long
Nature Type: Fuuton
Symbols of Fuujin: 6
Description: Kamikaze no Fuujin: Arashi cannot be used until Kamikaze no Fuujin: Ran’un has been used. Windspeaker Kisaki increases the intensity of the winds created by Ran’un, causing them to become strong enough to cause light cuts through leather armour and cut deeply into exposed flesh. The winds become strong enough that moving against their currents is nigh impossible without a significant amount of physical force, and the winds are so intense at the edges of the technique that physical objects may not enter or leave.
Weakness: Interpret it yourself.

Name of Technique: Kamikaze no Fuujin: Hayate [Wind God’s Divine Whirlwind: Hurricane]
Type of Jutsu: Ninjutsu
Rank: C
Range: Long
Nature Type: Fuuton
Symbols of Fuujin: 12
Description: Kamikaze no Fuujin: Hayate cannot be used until Kamikaze no Fuujin: Arashi has been used. Windspeaker Kisaki brings the winds to their most intense level, strong enough to uproot old trees with ease and severely damage plate armour. The area of the technique doubles, and Windspeaker Kisaki has complete control over the direction of the winds at all times. By focusing on specific areas, Windspeaker Kisaki is able to manipulate the air pressure in order to achieve various effects, and is able to sharpen the winds to create gusts with the same cutting power as the Wind Release Slash. While within this zone, none of Windspeaker Kisaki’s techniques require Symbols of Fuujin to be used.
Weakness: Interpret it yourself.

Name of Technique: Namida no Fuujin [Tears of the Wind God]
Type of Jutsu: Ninjutsu
Rank: B
Range: Medium-Long
Nature Type: Fuuton
Symbols of Fuujin: 2
Description: Windspeaker Kisaki condenses Fuuton chakra into orbs, roughly a foot in diameter, and hurls them. At any point along the path, or when the orbs reach a hundred feet away, they explode in a sphere of wind identical to Fūton: Atsugai at maximum power. Windspeaker Kisaki can only make two orbs per five minutes.
Weakness: Interpret it yourself.

Name of Technique: Ataishinai Handan [Judge Unworthy]
Type of Jutsu: Ninjutsu
Rank: B
Range: Short - Mid
Nature Type: Fuuton/Hyouton
Symbols of Fuujin: 3
Description: Windspeaker Kisaki manipulates frigid currents of wind to surround a target, trapping them as if they were in the Suirō no Jutsu. Over time, the sheer cold of the wind will begin to induce frostbite in exposed flesh. The prison can only be maintained while it is within two feet of the Megumi no Fuujin, after which it dissipates immediately.
Weakness: Interpret it yourself.

Name of Technique: Keibetsu no Fuujin [Wind God’s Contempt]
Type of Jutsu: Ninjutsu
Rank: C
Range: Short - Mid
Nature Type: Fuuton/Hyouton
Symbols of Fuujin: 3
Description: Windspeaker Kisaki creates a gust of wind imbued with Hyouton chakra, resulting in a freezing cold gale that can freeze any water it comes into contact with. The gale is persistent and extremely easy to control, but it cannot leave a fifty foot radius of Windspeaker Kisaki. The wind is strong enough to knock projectiles off course.
Weakness: Interpret it yourself.

Name of Technique: Shidō tame Tangan [Plea for Guidance]
Type of Jutsu: Ninjutsu
Rank: B
Range: Short - Mid
Nature Type: Fuuton/Hyouton
Symbols of Fuujin: 3
Description: Windspeaker Kisaki sends a freezing blast of extremely harsh wind in a direction and maintains her pose as she does so, prolonging the freezing wind for as long as she maintains the pose. The wind is so cold that ice begins to crystallise on all physical objects caught within it for more than a few seconds, and after four seconds caught in the wind the target is encased in a block of solid ice.
Weakness: Interpret it yourself.

Name of Technique: Tenno Shimo no Hairetsu [Heavenly Array of Frost]
Type of Jutsu: Ninjutsu
Rank: B
Range: Short - Mid
Nature Type: Fuuton/Hyouton
Symbols of Fuujin: 1
Description: Windspeaker Kisaki unleashes a fast, expanding sphere of wind from herself, knocking back all enemies without sufficient mass. Additionally, the sphere leaves behind a thin veneer of frost chakra, causing any physical objects that pass through it to be coated in the chakra and frozen solid. Katon techniques that would pass through the chakra are immediately snuffed out if they are B-Ranked or lower.
Weakness: Interpret it yourself.

Name of Technique: Akishimo no Gishiki [Rite of Frostfall]
Type of Jutsu: Ninjutsu
Rank: S
Range: Mid - Long
Nature Type: Fuuton/Hyouton
Symbols of Fuujin: 10
Description: Windspeaker Kisaki prepares a vast amount of Hyouton and Fuuton chakra, and unleashes an immense hailstorm in a three hundred foot radius around herself. The storm is so vicious and so cold that enemies with insufficient insulation will succumb to frostbite and hypothermia rapidly. The winds are not particularly strong, but if this technique and Kamikaze no Fuujin: Hayate are used simultaneously, the result is a storm so powerful that it threatens destruction on the scale of the Bijuu.
Weakness: Interpret it yourself.

Name of Technique: Totsuzen no Akishimo [Sudden Frostfall]
Type of Jutsu: Ninjutsu
Rank: A
Range: Personal - Short
Nature Type: Hyouton
Symbols of Fuujin: 6
Description: Windspeaker Kisaki emits a freezing ring of energy from her body. Two seconds after the ring has passed through a physical object, it is completely coated in ice and begins to sink into a deep freeze. Fuuton techniques that pass through the ring become extremely frigid, gaining the freezing quality that the ring has.
Weakness: Interpret it yourself.

Name of Technique: Seishin no Fuujin [Spirit of the Wind God]
Type of Jutsu: Ninjutsu
Rank: A
Range: Variable
Nature Type: Fuuton
Symbols of Fuujin 1
Description: A combination defensive and offensive technique, allowing Kisaki to convert her entire body (or that of a marked individual) to an entity of wind, allowing the person to pass throw many physical obstructions. This can be done in a manner that can hurt those that one passes through (they remain visible as a blur during this).
Weakness: Seishin no Fuujin can only be held for short moments of times, with a maximum of a few seconds. After use, this ability cannot be used for at least 30 seconds. Kisaki can use a partial version of it on herself, which reduces the restrictions on it dependent on what percentage of her body she transformed.

Name of Technique: Sentaku sa Reta no Fuujin [Chosen of Fuujin]
Type of Jutsu: Fuuinjutsu
Rank: C
Range: Long
Nature Type: N/A
Symbols of Fuujin 10
Description: Kisaki marks an ally or object with a special symbol of Fuujin. This technique allows Kisaki to use certain abilities on them.
Weakness: Requires preparation.

Name of Technique: Heishi no Fuujin [Soliders of Fuujin]
Type of Jutsu: Ninjutsu
Rank: A
Range: Variable
Nature Type: Fuuton + Araton
Symbols of Fuujin 20
Description: Heishi no Fuujin is similar to many cloning techniques. Kisaki constructs a solider of her Araton chakra around a visible Symbol of Fuujin. Contact with a Soldier of Fuujin will leave vicious lacerations on the skin. The weapons of the soldiers of Fuujin are primarily spears and blades, which can be enhanced with other properties from Kisaki's Araton Kekkei Tota, but ranged weapons such as bows are not outside the bounds of her abilities. However, ranged attacks are typically only Raiton due to the difficulty of maintaining high levels of shape manipulation over the other elements. The Soldiers of Wind can preform Judge Unworthy.
Weakness: Even the smallest contact with the Symbols of Fuujin by an outside source will collapse the technique.

Name of Technique: Kaze o Sanran [Scatter the Wind]
Type of Jutsu: Ninjutsu
Rank: B
Range: 'Personal'
Nature Type: Fuuton
Symbols of Fuujin 1
Description: Kaze o Sanran is a technique that can only be used on her Heishi no Fuujin. Kaze o Sanran disperses the Heishi no Fuujin and reforms it 2 seconds later in a new location within 5 feet of the place that the technique was used. Kaze o Sanran reduces the stability of the visible Symbol of Fuujin within the soldier's body meaning this technique cannot be used more than once on a soldier.
Weakness: Can only be used once. Can only be used on soldiers.

Name of Technique: Shinden no Fuujin [Temple of Fuujin]
Type of Jutsu: Ninjutsu
Rank: A
Range: 40 feet
Nature Type: Araton
Symbols of Fuujin 25
Description: Shinden no Fuujin creates a visible, relatively large symbol of Fuujin in chosen area around Kisaki. This symbol will launch a combination of Fuuton and Raiton at opponents without any need for additional symbols of Fuujin.
Weakness: Shinden no Fuujin can only target objets within Kisaki's sensory range, despite the fact it can persist outside of that.

Name of Technique: Hōfuku no Fūjin [Wind God’s Retribution]
Type of Jutsu: Ninjutsu
Rank: S
Range: 100 feet
Nature Type: Fūton/Hyōton
Symbols of Fūjin: 10
Description: Kisaki manifests an immense symbol of Fūjin in the air in front of her, twenty feet high and twenty feet wide, made of fragile ice. When the symbol is broken, an immense volley of Hyōton chakra is released in a 100 foot radius sphere that creates an exceptionally durable sphere of ice that is hollow inside. The ice is almost completely impervious to flames and physical attacks. While within the sphere, the body temperature of anybody not within the Megumi no Fūjin will begin to drop drastically, causing severe hypothermia after three minutes. Hyōton techniques within the sphere are twice as powerful as usual. If the Kamikaze no Fūjin: Hayate is within the bounds of the technique as it created, the storm will encompass the entirety of the interior of the sphere of ice.
Weakness: Interpret it yourself.

Name of Technique: Kisetsufū [Monsoon]
Type of Jutsu: Ninjutsu
Rank: C
Range: 30 feet, epicenter is personal.
Nature Type: Fuuton
Symbols of Fuujin 1
Description: A low damage burst of wind that knocks back opponents and objects within the range of the technique. Strongest towards the center which is Kisaki
Weakness: Low damage.

Name of Technique: Hogo no Fuujin [Protection of Fuujin]
Type of Jutsu: Ninjutsu
Rank: B-S
Range: Personal
Nature Type: Araton
Symbols of Fuujin 1, continued for additional strength
Description: Creates a small, personal rotating barrier of wind chakra around a herself, or an ally that has been previously marked. This technique will only persist for a short bit unless Kisaki continues to empower the barrier, which is accomplished by additional symbols of fuujin. By infusing the technique with additional chakra natures, she can create offensive effects on those that make contact with it equivalent to D rank techs of the corresponding elements.
Weakness: Requires advanced preparation for maximum use.

Name of Technique: Shindenmon [Temple Gate]
Type of Jutsu: Ninjutsu
Rank: A
Range: 50 feet
Nature Type: Fuuton
Symbols of Fuujin 15
Description: Constructs a symbol of Fuujin that creates a wall of wind over the the plane that the symbol sits on. The size of the shield is only about 8 feet by 8 feet.
Weakness: Can fire around the wall.

Name of Technique: Arashi no Kyoku [Song of Storms]
Type of Jutsu: Ninjutsu
Rank: S
Range: Variable
Nature Type: Araton
Symbols of Fuujin Variable
Description: Kisaki's strongest jutsu, and the technique she derives her nickname from, that is capable of destroying a village in its full ferocity. After creating an initial 30 series of Fuujin, Kisaki marks an area in the sky, which brings forth storm clouds which expand by a radius of 2 foot for every additional Symbol of Fuujin (base 60 feet). Even within the beginning stages of this technique, Kisaki can call forth violent gusts of wind equivalent to B and C ranked Fuuton Techniques within the storm's column of control. In addition to the strong gusts of wind, Kisaki is capable of channeling her Raiton techniques into bolts of lighting at an opponent of comparable strength to her gusts of wind. Coupled with this is strong rain to obscure vision and augment Raiton techniques with a sudden drop in temperature that can quickly freeze the water she is is not protecting from that effect. Opponents that stay within the technique's bounds will quickly begin to receive the effects of frost bite and hypothermia. Once this technique reaches a 500 feet in diameter, the effects of the storm become equivalent to A and S ranked techniques that are called upon at will by Kisaki.
Weakness: Requires a lot of preparation. Significant chakra cost.

Name of Technique: Nagare o Yon [Read the Flow]
Type of Jutsu: Ninjutsu
Rank: D
Range: 100 feet
Nature Type: Fuuton
Symbols of Fuujin 0
Description: Kisaki passively can sense the flow of the wind around her and, by virute, sense objects within it.
Weakness: Can be fooled by certain techniques.

[Always Lonely] Naruto: Continuum [Always Open]

Alright now that thaf was fixed (hopefully) i realized my cs is basically done. Let me know if theres anything i should fix/change

@Keyblade87

I think you'll want to spend a bit more time thinking through the bio. For a jounin, your character is very outclassed by many of the other characters (even some of the Gennin and Chuunin) and would have a hard time holding his own. I'm willing to help you out as much as I can with this, but I'd need to know a few things.

For starters, we need to decide how you want your character to actually operate in combat. What sorts of tactics does he prefer? What strengths does he have? What are his weak points? Does her prefer operating at ranged or does he like to get up close for his attacks? I do know your character probably would want to operate at close range given his name. It might be good to think through some tactics he could do with that (it would be potentially good based of the history for him to have begun to develop some elemental kenjutsu (sword techniques) after realizing it was a potent combination).

Some example techniques would be:
- <Jutsu Name> ignites his blade with a hot flame, extending the offensive reach of the weapon by a few feet as well as making the blade harder to avoid.
- Rekindle - With a strong Katon chakra nature, Akira is capable of reigniting any object or individual that has been hit in the last few seconds by his sword of his flame techniques with a lesser version of the flame technique already used. The longer he waits between utilizing Rekindle from the initial attack, the weaker Rekindle is. Rekindle cannot be used on Rekindle.

But without knowing more about your character, it is hard for me to offer more advice (it is also really late at night for me right now).

What I may suggest, especially given how cutthroat some of the characters can be in this thread, is to consider playing a lower ranked character, such as a Chuunin or even a Gennin (there is absolutely nothing wrong with that, plus with a gennin we could start a squad for Kyokujitsugakure). The advantage to this is you will A) be less of a target B) be under the protection of other high ranking members of your village. This will allow you to get ideas for additional techniques that your character can learn as he progresses (I know you are eager to jump in right now, but your character just isn't quite Jounin level), as well as learn from some of the more experienced fighters on the thread (combat roleplay can be challenging).

Just don't feel discouraged. There is a lot of people on the thread who can help if you really want to commit to that jounin or if you want to get into the thread quicker, consider a chuunin or even a gennin. I'll work with you on either way you want to go.

[Always Lonely] Naruto: Continuum [Always Open]

Sankage Ayameko, Yūdai Family, & the Wandering Monk

Despite the crisis in Kirigakure, the Sankage had made a point to ensure she would have time to visit the Land of Earth. The steps the new Tsuchikage was taking to come out of their isolation were quite bold and it was her duty to support the other leaders in their endeavors. Positive relationships with the other nations were the best way to avoid a repeat of the war that felt not that long ago. Accompanying her, she had brought her assistant Kei, as well as the Yūdai family that was currently dispatched with other missions. Of course, they were technically her guard while visiting Iwagakure, but it was intended to be a break for them as well. She had known the family for years. In fact, her assistant was in a relationship with her grandson, who unfortunately, had been too busy to attend the function.

Shadan had spent most of the time talking Ayameko's ears off in his loud, boisterous tone earning him sharp looks from his wife for irritating the Sankage. Kei, Kisaki, and Tokumei had joined in on the family vacation. Kei had, of course, encouraged her father's behavior, while Kisaki merely walked in silence the entire way. Tokumei had also been silent, seemingly occupied with a significant amount of analysis as he walked - a feat that impressed the Sankage.

Ayameko had left the village in the hands of Kakugyō, her head of military, and was intending to meet Tensai, her newly established Ambassador to the Land of Earth for the festival as well. It was a new position she had created, specifically for the Land of Earth. It was sort of a litmus test to see if it was worth establishing for the Land of Wind as well, another nation she did not necessarily have a strong relationship with. Kumogakure was one of the nations they traded the most with, given their proximity to the smiths in the Land of Iron and their long rapport with each other.

Of course, the selection of Tensai as the Ambassador was mostly because the man was at the stage of his life where he wanted quiet and refused to accept any other position of authority in the village. An ambassador position allowed him to serve his nation, and by virtue of that, assist in ensuring the prosperity of his family, while staying in what she hoped would be a position that would not cause him undue stress. It was an important position, but suited Tensai's nature quite well. She had nothing but confidence in him - one of the few people she classified as a dear friend.

Ayameko was arrive the day before the festival to ensure she did not miss any of the festivities as well as with the intention of sitting down with the Tsuchikage and Tensai beforehand to discuss the future of their nations together. That would also make the situation less stressful for her travelling companions who were either taking their job too seriously or already on vacation. Ayameko had always been amused by the drastic personality differences in that family and amazed just how strong their family bonds remained.

Despite the great journey, Ayameko now stood outside the southern gate of Iwagakure.

"I am Sankage Ayameko and I am here at invite of the Tsuchikage. I have brought my travelling companions along with me," Ayameko called, waiting patiently outside the gate to be escorted inside, and ideally, to the Tsuchikage himself. She gestured politely to the Yūdai clan that had accompanied her to the festival. Shadan waved energetically while the others remained more serious, making his response look even more unusual.

---

Chiyoko, Hitsujiki, and Tokiko had been travelling from the east of the Land of Earth towards the capital. Chiyoko had intended to visit the Land of Iron first to find out any more information on any of the relics she was hunting down, but word of a festival had changed her mind. Hitsujiki had refused to travel anywhere but Iwagakure upon hearing about the festival, pitting the sheep in a battle of wills against the monk. Ultimately, Hitsujiki had won out, partially because Chiyoko did not know the landscape well enough to bypass her need for the sheep as a vehicle.

Chiyoko suspected Hitsujiki was mostly refusing to go to the Land of Iron because of Tokiko, who he had taken a special liking too back in Kyokujitsugakure. Strangely enough, the couple that were the parents of the child had no issue giving their child up to the sheep, citing that, "It would provide him with real world experience." Hitsujiki had been thrilled and the child seemed to have no issue travelling. He spent most of his time riding on Hitsujiki as the sheep hovered of the ground beside Chiyoko, when she felt like walking, or in front of Chiyoko when she was riding on Hitsujiki as well.

Chiyoko hoped that it would not prove problematic to get within the city for the festival. Some places were less accommodating to outsiders, especially ones that didn't necessarily have money. While she did have a few bits of various currency, and items to trade, she knew she probably wouldn't have much for anything extravagant. She also expected prices to be high for any sort of food or lodging given the likely demand generated by the festival and that was coupled with her need to keep those items to trade with people for information on the items she was trying to track down from the ancient scrolls her clan had written long ago.

Chiyoko noticed another party at the gates of Iwagakure far off in the distance, noticing that much of the city was well secured. While she could use Hitsujiki to fly over most of the physical obstructions, not knowing what defenses they had, and not wanting to seem antagonistic, she deemed it was best to also attempt to enter through the southern gate.

[Always Lonely] Naruto: Continuum [Always Open]

@yoshua171 At the moment yes. That is a reason why an invitation was send to the other Kage to come to Iwagakure's creation festival.

@MonkeyBusiness

Okay, I am going to have a bunch of characters show up then for you.

[Always Lonely] Naruto: Continuum [Always Open]

@MonkeyBusiness, what is Iwagakure's focus as a nation?

[Always Lonely] Naruto: Continuum [Always Open]

WIP

”Masazane, Io”

Masazane, Io


【Full Name】
Masazane, Io
【Title】
Council of Kyokujitsu no Tochi, Leader of the Masazane Clan
【Occupation】
N/A
【Gender】
Male
【Age】
84
【Sexuality】
Straight



【Birth Country】
Land of Iron
【Current Village】
Capital of the Land of Iron
【Affiliation】
Masazane Clan
【Shinobi Rank】
S



【Personality】
Io is a stern old man with the world views to match. While strongly opposed initially to the formation of Kyokujitsu no Tochi, he relented due to requests from his people. His strong family bonds are weak only to his pride, due to his status as leader of the Masazane clan and his legendary skill as a smith. He has not spoken to his son who lives in the capital of Kyokujitsu no Tochi for many years due to him marrying

【History】
Pending



【Chakra Nature(s)】

Doton
Katon
Raiton
Fūton
Kōton*
Jiton*

【Abilities and Special Traits】
Pending



【Weapons, Tools and Equipment】

Name of Weapon or Item:
Description:
Appearance:



【Kekkei Genkai】

Name of Kekkei Genkai: Jiton
Clan: Masazane Clan
Description: Gives Magnet Release

Name of Kekkei Genkai: Kōton
Clan: Masazane Clan
Description: Gives Steel Release

【Canon Jutsu】

【Custom Jutsu】
Name of Technique:
Type of Jutsu:
Rank:
Range:
Nature Type:
Handseals:
Description:
Weakness:

[Always Lonely] Naruto: Continuum [Always Open]

FYI Konohagakure doesn't exist anymore. It is now Kyokujitsu no Tochi (referring to the nation) and Kyokujitsugakure (referring to the capital). The Land of Fire is merely a territory in Kyokujitsu no Tochi.

[Always Lonely] Naruto: Continuum [Always Open]

”Chiyoko, Hitsujiki, and Yuganori Tokiko”

Chiyoko, Hitsujiki and Tokiko


【Full Name】
Chiyoko | Hitsujiki | Yuganori Tokiko
【Alias】
Kitti Ping-Sung
【Occupation】
Wandering Monk, Clan Leader | Sheep | Small Child
【Gender】
Female
【Age】
27 | 25 | 4
【Sexuality】
Spiritual | Straight | TBD



【Birth Country】
Land of the Moon | Land of the Moon | Kyokujitsu no Tochi, Land of Fire
【Current Village】
N/A | N/A | Kyokujitsugakure, Currently Travelling
【Affiliation】
N/A | N/A | Kyokujutsu no Tochi
【Shinobi Rank】
Jounin, S | S | E



【Personality】
Chiyoko is a peculiar individual only accented by the fact she travels the world with/on a sheep. Chiyoko consistently can be found with a far off look to her face, despite her complete awareness of what is around her. She is, to the frustration of many, the type of person to answer a question with another question, or answer in a manner that isn't clear.

Hitsujiki is a sheep and is a steadfast companion to Chiyoko. Loyal, sturdy, and occasionally a bit petulant, he provides much of Chiyoko's grounding to reality.

Yuganori Tokiko is a cheerful child that is still learning about the world.

【History】
Chiyoko's history is as much her people's as it is hers. Chiyoko grew up the island of the Moon Country with a small, yet stable clan of spiritualists. Noted for their strong connection to the afterlife, her people continue to be extremely religious. Her clan possesses an extremely powerful Kekkei Genkai that allows them to serve as a gateway between the Pure Land and the real world. Because of this, spirits that refuse to move to Purgatory or the Pure Land often gravitate around her, as they are capable of seeing and communicating with these spirits (hitodama). As such, children of Chiyoko's clan often end up with guidance from relatives thousands of years deceased. In addition, Chiyoko was constantly with a sheep she named Hitsujiki, a lamb she had saved by instinctively tying a powerful spirit into its body.

Chiyoko was born as Kitti Ping-Sung. As a child she had an affinity for the manipulation of the water element and spent much of her time in the rivers around her village. It was noted by many that Chiyoko's gateway to the Pure Land was one of the strongest in the clan in recent memory, rivaled only by her cousin, who seemed to have an equally strong connection. As such, Chiyoko drew the attention of the Council of Nine as a potential for the next Sēji. The Council of Nine was the original nine members of Chiyoko's clan. At the time of their passing, they bound their spirits into nine blades and enshrined themselves in a temple. Communicating with the Council of Nine was difficult for most people in Chiyoko's clan, as the ability to call forth all nine at once was considered exceptionally difficult, and, given the nature of what was being done, extremely confusing.

Chiyoko's skills were fostered at an early age, receiving direct training from various individuals of the Council of Nine, along with another child in the village. They learned much about their clan's extremely ancient history and the extent of what they were capable. Both children demonstrated exactly what the Council of Nine had expected.

At the age of 17, both Chiyoko and her counterpart were to undergo the Trials, a first step in choosing the next Sēji. It also served as a right of passage into adulthood, despite the significant dangers of the ritual. As with all of the Trials before, Chiyoko and her counterpart were separated from their bodies forcibly, their spirits going into the Pure Land. Chiyoko was able to complete the trial and returned back to the council with full control over herself, while her counterpart had ventured into one of the realms of Naraka and was corrupted. However, at the time, this was not able to be sensed by either Chiyoko or the council.

Chiyoko's counterpart preformed the clan's forbidden technique - the Kodoku. Chiyoko, as a final step to becoming the leader of her clan, was charged with destroying the created malicious spirit and banish her once friend into a created realm in Naraka. To make this possible, the Council allowed Chiyoko to take the blades that housed them from the shrine and use them as weapons. The battle, with the power of Chiyoko and the council, was short and judgment was swift.

The Council relayed the information they had on the bijuu and that they had suspected they were a corrupted form of the deities they believed in. Chiyoko posed to the council that they seek out these creatures and purify them once again. Chiyoko was granted her clans puppets as well for her journey, believed to be crafted in the image of their gods. With that, she departed the Land of the Moon to seek out the bijuu as well as find the fragments of the legendary weapons from the times when their gods walked in the mortal world.

The first place she visited once on the mainland was Kyokujitsugakure. Yggdrasil was legendary in her clan as well, and Chiyoko had visited the tree spiritually many times. It was there she gained a new travelling companion in the form of Takiko. Hitsujiki immediately had taken a liking to the young 4 year old boy and the parents willingly parted with their son to provide him a life experience with the two travelers.



【Chakra Nature(s)】

Chiyoko
None

Hitsujiki
Doton
Kōton*
Yōmōton

Tokiko
Suiton
Doton
Oriton*

【Abilities and Special Traits】
Chiyoko is an exceptional spiritualist and considered to be the strongest in her clan since the Council of Nine (their powers existed prior to the sage as the base form did not utilize chakra), in fact, many consider Chiyoko by herself to have a stronger spiritual connection than the original founders.

Chiyoko is also a skilled puppeteer, an art that has been passed down through her people since the Council of Nine. However, Chiyoko's clan initially practiced a unique form of puppetry utilizing spirits instead of chakra strings. With the knowledge gained from the Sage, her clan was able to adapt alternatives to tapping into the power of spirits.

Chiyoko is also a skilled close range fighter, capable of holding her own with a variety of weapons and is especially skilled with her blades and staff. Most puppetry techniques require her sacrifice some of this skill in order to utilize them.

Hitsujiki is a sheep from Chiyoko's homeland. The sheep's spirit is intertwined with another, making Hitsujiki as intelligent as a person (even though he is incapable of communicating any more than a normal sheep). It also grants the sheep the ability to use jutsu and exceptional longevity.

Tokiko is a small child and has not developed any powers.



【Weapons, Tools and Equipment】

Name of Weapon or Item: Fudō-myōō [Immovable One]
Description: The Fudō-myōō is a weapon passed through Chiyoko's clan since its creation. A product of the original Masazane and Council of Nine, the sword is imbued with incredible power. Its one, and only trait, is that the sword that cannot be moved by any force other than its wielder. The sword was designed to be mass produced as a defensive weapon for their wandering monks, but the effect could never be reproduced, which led the clan to herald the weapon as being imbued by the power of a deity.
Appearance: Normal wakizashi with ornate inscriptions on the blade. Chiyoko straps it to the base of her back or left hip.

Name of Weapon or Item: Kuji Kiri [Nine Cuts]
Description: A set of nine tantō. Each blade is inscribed with the name of the spirit from the council that is held within it. Each of these spirits are forged directly, and willingly, into the weapon. These spirits are used in a number of Chiyoko's other techniques. These knives, when placed into the flesh of a person, making forming jutsu difficult due to the second spiritual presence affecting the body.
Appearance: Normal tantō with exceptionally fine inscriptions. Chiyoko straps these all about her body.

Name of Weapon or Item: Eien no Sai [Judge of Eternity]
Description: The most ancient weapon to Chiyoko's clan. Forged through a collaboration with the Yuganori clan, the Eien no Sai is a twelve ringed shakujō. Each of these rings may be freed from the center ring and used as a projectile weapon. These are easily controlled in flight by the wielder of the Eien no Sai. Small golden threads are faintly visible when the rings detach between the ring and the staff itself. These threads have no physical form until chakra is pushed through them. However, these threads also have no beginning and end and can continue forever. The rings themselves are designed to increase or decrease in size in order to clasp onto the wrists, ankles, or neck of an individual. This provides the wielder of the Eien no Sai a variety of techniques utilizing the staff. The length of the threads can be locked in place by exerting chakra, or even shortened.

As an additional ability, hitodama are naturally drawn to the Eien no Sai and can be stored within its confines.
Appearance: Shakujō.

Puppets

Name of Puppet: Ōryū
Description: Ōryū is the second largest puppet on Chiyoko's arsenal and has no base form. It is, like Seiryu, a Chinese style dragon, but is about 100 feet in length and with a body diameter of over 10 feet. He also has the second thickest structure, paling only to Genbu's Transcendent Form. Ōryū is primarily used for defensive purposes, but boasts a potent arsenal. Because of the significant infusion of wood from Yggdrasil, Ōryū is especially tuned for creating potent barriers between its various links and as a protection naturally too its body. Additionally, Ōryū was designed to gather hitodama at a rapid rate and utilize them in its various abilities, making it a truly unique puppet.

The hitodama are launched as weapons through Ōryūs mouth. Being hit by hitodama makes it much harder to use jutsu, much like Chiyoko's Kuji-kiri. Additionally, Ōryū can be used to exorcise spirits from a body, including the soul from a living person, by clenching its jaws around them, removing the soul from them. The main use of these Hitodama is the usage of them in conjunction with all of the seals on its body. These seals absorb light, which is then sent through to a corresponding seal internally, to the series of mirrors that continue to bounce the light around. When it comes time to release this, the seals within its body open up, releasing the focused light energy. Often this is done through the mouth of the puppet, passing through a lense with a series of purification symbols on it, where the light is laced with purified Hitodama (similar to the Purifying Flame). If an opponent is struck with this blast, their soul will be purified, as well as likely their physical form being burned as well - completing the ritual. Because the Hitodama are laced in the light energy, the blast is significantly slower than a natural light laser. If the light is not released from the mouth, which is an alternative by opening the seals on its body, it can create a series of burning beams of light all around its body. The longer this puppet is in the sun, the more dangerous it becomes.

Ōryū's final ability is the ability to devour a technique within its jaws, then releaes it later.

Name of Puppet: Suzaku
Description: Suzaku is one of Chiyoko's favorite puppets. Like all of Chiyoko's puppets, they are humanoid and are clothed similarly to cloaked ANBU. Suzaku wears a phoenix mask and is cloaked in a vibrant red color. Weapon wise, Suzaku is most noted for its back and lower arms. Four plates will rise up from the lower arms and open in a diamond like pattern to reveal the metal frame beneath them. These plates then spin rapidly, spraying a flammable liquid and igniting it as it passes over the lower arm. This creates a fairly potent flamethrower. The 'fingers' of Suzaku are technically red kunai that have the same flammable coating on them and can be fired out at an opponent and the struck on fire. Throughout Suzaku's body there are other holes for the release of flames, allowing Suzaku to torch multiple directions at once, also creating a powerful defense. There are also holes on the upper shoulders of the puppet used to launch combustible kunai with explosive tags.The 'final' ability of Suzaku is to unleash the wings in its back which unfurl. The 'feathers' are, once again, kunai on wires. They can be launched out from the back and encircle an enemy, or enemies in a cage of wire and kunai. Once Chiyoko does a handsign she an use the very small seals on the wire to summon explosive tags that stick to the wire, otherwise the wires will often just be ignited with fire. Suzaku also carries a nodachi that creates sparks when struck and flames when drug across a surface with combustible material.

Transcendent Form: In Suzaku's Transcendent form, the puppet takes on the appearance of a large phoenix. With a wingspan of 60 feet, it is an impressive puppet. Like before the feathers on the wings are made of red kunai with a seal on them that release a flammable mist. When attack, Suzaku will often release these feathers above an area with enemies and fill the area with intense mist. It is also possible for these kunai to be in lines connecting to the puppet, which provide additional control and attacks options. Like before, the wires can summon explosive tags, but in addition on the Suzaku puppet in this form, the wires can release duplicates of the kunai they are launching attacking at the point of wire with another line of wire. The tail feathers of Suzaku can also do these things.

There is, of course, a basic flamethrower ability from the mouth of the puppet. The front of the wings on Suzaku is also sharpened, allowing the wing to easily cleave through things. Seals that are imbued into the puppet allow it to release flammable mist from its body as well as sent flames out across its entire body at once (essentially lighting itself and the area around it on fire).

Name of Puppet: Byakko
Description: Byakko is another one of Chiyoko's puppets. Like the Tiroi puppet, this puppet has two 'forms', a Tiger form and a humanoid form. In humanoid form it possesses many of the same abilities as the Tiger form, at least to some degree. However, more commonly the puppet will make use of the claws that are on top of its feet and hands. These are attached via a chain along the arm that is extremely strong. In this form, it can 'stack' its lower and upper arms on top of each other and expose the senbon Gatlings. This is the same as the one in the mouth.

In tiger form the puppet becomes a terrifying seige weapon. From its back three powerful weapons will be released. These are placed on the puppets back and can rotate via attachments to the puppets innards. The middle construct has minimal side to side movement independently, but can change its angle easily. The two side constructs handle the sides of the 'tiger' and also move very easily to change the arc. There is also a third mechanism inside of the puppet that allows them all three to turn at once. The main abilities of these are to fire vast amounts of senbon at enemies while also mixing in some metal orbs and some 'shells' that are filled with explosive tags. In tiger form there is also access granted to the hind leg weapons, which can turn about 210 degrees in total each. These fire three (each – can be reloaded via fuuinjutsu but has a slower rate of fire) of the more destructive shells much like a modern day rocket – using an explosive force as a propellant. Also in this form, the arm weapons will open up from the frame and point forward, sliding to attach on the sides of the arm frame, allowing more movement freedom in the assault. It should also be noted the mouth of this puppet is also capable of firing metal orbs as well. The metal orbs have a strange functionality in that they explode much like a grenade, but have an exceptionally durable, yet thing wire that connects a series of controlled shrapnel. These create a center point of line when they explode and send bits of metal like barbed arrows out with line on them. This can create an annoying obstruction for some people and be quite dangerous.

Transcendent Form: Byakko is a 20 foot tall tiger with appropriately proportioned body. Similar to his original tiger form, much of the functionality is maintained (but on a slightly larger scale). However, in this form, this puppet gains Tiroi's functionality with a larger cannon.

The advantage Byakko has in this form is that each of the projectiles are infused with Reihan seals as they are launched allowing them to preform a version of Glimpse of Heaven over a short range with only a singular sign from the wielder.

Name of Puppet: Seiryu
Description: Seiryu is another common puppet that is used by Chiyoko. Taller than both Byakko and Suzaku by a small margin, Seiryu wears a dragon mask and is cloaked in a deep, dark blue with white streaks that look much like lightning. The puppet wields two crossbows that are designed to augment it sability to utilize electrical attacks through what is essentially a chakra powered tesla coil in the internal structure of the puppet. The bolts release small amount of silver powder as they fly which is used to direct the electrical energy from the coil. Because the electricity needs some guidance, the generated bolts are much slower than natural electricity.

The puppet has a number of spikes under it cloak, predominantly at the joins of its body allowing it to fight at close range quite effectively. The last ability of the Seiryu puppet its the ability for it create a massive burst of liquid nitrogen from its mouth.

Transcendent Form: Seiryu's Transcendent form is a drastic departure from its previous. In this form, Seiryu becomes a fairly large chinese style dragon with his body, from tip to tail, measuring over 70 feet. The back ridge has about a foot long spike that protrudes every couple of feet. These spikes can be launched as a form of rudimentary ballistics, should they be needed, but that is rarely used as the potency of Seiryu's armaments comes from his much larger series of Tesla Coils within his body. Using a number of internal fuuinjutsu to behave as weapon scrolls, the energy generated by the coil is stored within Seiryu's body and released when Chiyoko activates the outer seals. In addition, seals on the outside of the body of Seiryu can be used to launch kunai. These kunai can release Liquid Nitrogen in surprising quantities, accessing the vast stores both within Seiryu's body and that stored within the seals themselves. Additionally, these kunai are designed to provide some control to the electrical energy released by Seiryu's body. Additionally, like all projectiles from Seiryu's Transcendent form, they are marked with a forumula that allows Seiryu to transport to them.

The final, potentially most dangerous part of Seiryu's arsenal is the very controlled blast of electrical energy it can release from its mouth. By utilizing her chakra as a containment field, Chiyoko is capable of allowing Seiryu to fire what is essentially the destructive power of a fairly high level Raiton technique without actually molding the element herself. The blast can vary somewhat in shape and size, depending on how much chakra Chiyoko wishes to expend.

Name of Puppet: Genbu
Description: Genbu, compared to the base forms of all of her other puppets, is the largest of them all, over 10 feet in height and a massive girth. However, unlike her previous puppets which are stylized after ANBU members, Genbu is a massive 'stone' body which looks like a walking suit of armor. Genbu wields a massive 'stone' hammer, which is about 8 feet in length. There is a gap at the base of the handle for Fudō-myōō, so the bade of the weapon can be inserted. The shield offers the same functionality.

Genbu's shield is an equally massive tower shield that covers Genbu's massive size. Like all of the 'stone' used for Genbu, it is actually a metal that is designed to imitate stone. Below that, like all of her puppets is wood take from Yggdrasil. This shield has a special fuuinjutsu inscribed onto it, allowing for Genbu to create powerful barriers with it by utilizing the natural properties of the Yggdrasil wood (this expands an addition foot out of the tower shield). Hitsujiki is capable of allowing Genbu to be used as a conduit for his Doton element, giving the puppet actual abilities to preform Doton techniques.

The final abilities of Genbu are the seals used to produce an aura of mist around him in impressive quantities and the high pressure water jet that can be released from either his 'mouth' or center of his shield. He is also capable of using a version of Chakra Enhanced Strength, even through his shield and hammer.

Transcendent Form: In transcendent form, Genbu becomes an absolutely massive beast. Over 100 feet in length and over 70 feet wide (and appropriately proportioned height), Genbu is Chiyoko's largest puppet. Genbu, as a puppet, took the longest to make of her set, taking generations of her clansmen to make. It is made of very thick wood taken from Yggdrasil. The metal coating, as well as the seals are additions added on by Chiyoko, to give the puppet more power.

It should be noted, however, that due to Genbu's size, it essentially cannot move and if it does, it is very, very, very, very (keep going) slow. In this form, it can utilize a much stronger version of its water pressure cannon and can create a more expansive mist from its body. All throughout Genbu's body are seals which Chiyoko can utilize to enter an internal counterpart of that seal.

Name of Puppet: Vashi
Description: Vashi is another commonly used puppet by Chiyoko. Vashi's purpose in Chioyko's battles is generally supportive. Vashi wears a solid cornflower blue cloak and a mask that is that of a human face with blue face paint. Vashi is capable, unlike her other puppets, to actually preform handsigns with its 6 hands. This allows, if Chiyoko needs, another 'jutsu preparer' in a situation that may need multiple ninjutsu. The palms of this puppet also can protrude blades, much like the Seiryu puppet. Also like the Seiryu puppet, it is capable of utilizing liquid nitrogen from its palms.

Name of Puppet: Shiboshu
Description: Chiyoko’s smallest puppet. This puppet wields a metal staff with holes in it. The staff has a series of cylinders inside it at incredible pressure which can oscillate at will, allowing the staff to draw air in through the holes and cause it to modulate. This sound is devastating to the vestibular system and all who hear it are stricken by intense pain, so much so that they are bought to their knees and their ears begin to bleed. This can cause the eardrums to burst. The staff is also extremely strong and can be used for basic attacks.

Name of Puppet: Suzuno
Description: One of Chiyoko’s more dangerous puppets. This puppet looks much like a regular woman, at least when cloaked. However, there are countless holes in this puppet in various part allowing small needles to be pushed up from them on command. They can, as well, be sprayed out on lines, much like the ‘hair’ the puppet has. The puppet is one of the few that creates a good illusion of hair, with a bunch of needles on metal wire. This puppet wields a yari with a head that can be launched as a projectile. The puppet is also capable of firing the metal orbs and needles from its palm. In addition to Suzuno, there is a metal sphere that floats around her that is capable of expanding around objects through a series of seals and sliding mechanics to provide protection to allies.

Name of Puppet: Aesni
Description: A peculiar puppet that looks like a small woman. The puppet is covered in tiny pore-like holes and is filled with sand. When released from the seals, they are thrown out with surprising force, making a fairly significant dust cloud. This puppet prefers to be in close range, using four khopesh strapped to its body. It can fuse them together at the hilt to form a khopesh shuriken, two khopesh bladed staves, or use the normally and have Chiyoko control the remaining with puppet strings or launch them from its body.

Name of Puppet: Tasri
Description: Tasri is a puppet made of an odd substance that is identical to diamond except significantly less hard, though it is still harder than almost all metals. Tasri has a small chamber inside of it filled with flash-tags and a seal that contains hundreds of flash tags, and is able to ignite these flash tags from inside itself at will. The light from inside Tasri is refracted by its body, causing it to radiate with an exceptionally bright rainbow. This puppet can expand a 5x5 wall of this hardened diamond like substance in front of it with a raised palm.

Like some of Chiyoko's other puppets, this one has an alternative form, in which it can take the form of a fenghuang. The puppet maintains the appearance of diamond with flash tags in it. The feathers from this puppet can be launched much like Suzaku. However, each of these feathers behaves as a flash tag that are also visible in its core body.

Name of Puppet: Tiroi
Description: A large puppet that can shift between a “lion” form and a “human” form. The humanoid form wields a straight sword and kite shield. The seal on the sword allows a spiritual projection of the blade to be released when swung. Objects that come in contact with the projection are marked, allowing the puppet (or Chiyoko) to transport to it via jutsu. The projection has a range of 20 feet. The shield is marked with a seal as well that releases a surge of energy that is capable of stunning an individual for a moment. The shield cannot be used again within 30 seconds after it has been used while the fuuinjutsu recharges.

In the “lion” form, the puppet becomes a ‘living’ Gauss Cannon with its claws dug into the ground. The puppet’s interior is a chamber that contains a series of electromagnets on rings that can spin around at an incredible rate with an attractive force. The magnets have seals on them that create the “electro” part, feeding them with electrical energy. The seal is linked to a coil of wire around each magnet. This causes such forces of attraction that the puppet can release a torpedo (made of the same material/contents as Byakko’s metal balls) at an immense velocity. This takes 5 minutes to charge. The puppet’s interior has been soundproofed, meaning the charging of the cannon is silent. Because the magnets are controlled by chakra, the execution of the attraction and the bullet’s path are flawless.

Name of Puppet: Yokohama
Description: A white wolf masked puppet that has one of the smallest arsenals of all of Chiyoko’s puppets. It possesses a diasho. The katana of this daisho is infused with an ability similar to a flash tag in which it can produce a large amount of light from the blade. This puppet, as well, has a number of flash bombs that can be launched from its palms. This puppet also wears white and silver samurai armor with a three spiked shoulder piece over the left shoulder.

Name of Puppet: Sordichi
Description: A puppet with the mask of a woman that wields a large bow. This puppet gathers natural energy passively, even while moving. To use this, the puppet fires its bow and tries to lodge an arrow infused with natural energy within a target, which makes preforming techniques very difficult. Sordichi can also transfer natural energy through touch.

Name of Puppet: Kanoga
Description: The bladed whip wielding serpent masked puppet. It, like the Seiryu puppet, is capable of producing an electrical current through its weapon. In addition, it does have two kodachi that it can use, much like a regular fighter. The puppet is extremely flexible and it has an inner system that allows it to stretch and extend (movement much like a snake). It is humanoid with a snake mask.

Name of Puppet: Thifareemit
Description: Thifareemit is an owl masked puppet of black and gold. This puppet wields a staff with a series of rings on the top of it. These are connected to very strong lines of metal and the rings can be launched from the staff. They are not only very sharp and bladed, but also are capable of grabbing a hold of objects before clasping shut once again. Thifareemit also possesses many more of these rings around its body, allowing the puppet to use these as additional restraints. It should also be noted that the main lines from the staff possess the symbols for Chiyoko’s Tojikomemasu, allowing the lines to restrict jutsu usage if they are able to clasp onto an opponent.

Name of Puppet: Unotori
Description: One of Chiyoko’s more dangerous puppets. This puppet possess a large amount of explosive powder. This can be released from various 'pores'. The tip of its staff is capable of producing fire through a striker and fuel within the weapon. It has large shruiken mounted onto its back which can spin to push the black powder towards an opponent. It also has this powder in a small orb that can be thrown at enemies where it explodes into a cloud. This puppet is also humanoid and wears a black wolf mask. It can also launch the shuriken on its back or shuriken from stored seals on its body that are tipped with explosives.

Name of Puppet: Virae
Description: This puppet is made specially to allow it to use the abilities of the Glimpse of Heaven without significant preparation. However, it can only do this for a short range. The puppet wields two ninjato and does have a number of toxin coated needles and orbs. It is a classical ninja. The puppet is humanoid and slightly shorter than a normal person. Like her previous puppets, it is dressed like a member of ANBU, this time with a fox mask.

General Notes: All of Chiyoko's puppets are made up of wood from the tree Yggdrasil unless explicitly stated otherwise. Other accents are produces by the Masazane, Yuganori, and Yuki clans (or Chiyoko's clan itself). Many of the puppets with less variety in weaponry are designed to appear as human as possible. This means they tend to move more fluidly than other puppets.



【Kekkei Genkai】
Name of the Kekkei Genkai: Kāidǎo [Enlightened]
Type of Kekkei Genkai: Spiritual
Clan: N/A
Rank: S

Description: The Kāidǎo is a Kekkei Genkai that affords those that bear it a level of unique spiritual insight, granting them access to specific abilities relating to the Jōdo [Pure World] as well as their own soul.
The first gift bestowed by the Kāidǎo is the ability to create small, temporary gates to the Jōdo. Users of the technique can enter the Jōdo themselves through these gates in order to communicate, or can temporarily draw spirits out of the Jōdo in order to communicate with them.

The second gift bestowed by the Kāidǎo is a unique spiritual insight, allowing them to sense the soul and spiritual energy of individuals. Bearers of the Kāidǎo are typically fantastic sensor ninja due to this ability. Through this gift, the bearers of the Kāidǎo can also sense Hitodama.

The final gift bestowed by the Kāidǎo is the ability to astrally project, separating the spirit from the body and sending it to other locations.

Weakness: Interpret it yourself.

【Canon Jutsu】

Cannon Jutsu List (Chiyoko):
Chakura no Ito*
Sōen: Hitomi Gokū
Sōshūjin**

Cannon Jutsu List (Hitsujiki):
Steel Release: Impervious Armor
Doton: Domu
Chakra Enhanced Strength
Doton: Doryū Jōheki
Doton: Tajū Doryūheki
Doton: Doryūheki
Doton: Chōkajūgan no Jutsu

*Chiyoko has fine enough control that she can split her strings to provide additional control.
**Chiyoko is exceptionally skilled with this technique.
***Hitsujiki can use a version of the Flight Technique

【Custom Jutsu】

Name of Technique: Tenmon [Heavenly Gate]
Type of Jutsu: Ninjutsu
Rank: S
Range: Variable
Nature Type: Kekkei Genkai
Handsigns: 10
Description: Tenmon can be initiated in one of two ways, either using the Eien no Sai or the Kuji Kiri. In the instance of the Kuji Kiri, the blades are placed in a circle around a person or persons and the handdsigns are preformed. Those trapped within the confines of the seal at the conclusion of the technique are sent to the Pure World, even if they are living. Chiyoko can contain a living person in the Pure World as long as she does not open the gate a second time. The second method of initiation is to completely encircle someone with threads from the Eien no Sai and collapse the barrier created the threads onto the person.

Within the pure world, the body will take on a corporeal form. While jutsu will still work in a spiritual form, taijutsu and weapons will be rendered useless - even specialty weapons not of the Pure World or Naraka.
Weakness: Displacing the knives or avoiding encirclement by the Eien no Sai. Living people trapped within the Pure World do not age, thirst, or hunger. Exertion in combat (as that is still possible) will exhaust the person.

Name of Technique: Taijū-kei Katamukemasu [Tip the Scales] | Jō to Kagi [Lock and Key]
Type of Jutsu: Ninjutsu
Rank: S
Range: Variable
Nature Type: Kekkei Genkai
Handsigns: Variable
Description: Taijū-kei Katamukemasu can be executed in multiple ways. In the normal world, the technique can be initiated by contact with each of Chiyoko's Kuji-kiri. In the case of usage on the Pure World, Taijū-kei Katamukemasu can be executed more similarly to Tenmon in which the Eien no Sai can be used for the technique. The technique is one of the most terrifying of Chiyoko's techniques and is used to judge a person's soul, allowing Chiyoko to send them from the Pure World into a level of Naraka.

The alternative to this technique [Jō to Kagi] is to send someone to an entirely unique realm of Naraka created by Chiyoko herself. This is done by engulfing a person with her Purifying Fire at the same time she uses Taijū-kei Katamukemasu. The terrifying aspect of Jō to Kagi is that only Chiyoko is capable of accessing that realm of Naraka.
Weakness: Very specific method of executing this technique.

Name of Technique: Tengoku no Hitome [Glimpse of Heaven]
Type of Jutsu: Ninjutsu
Rank: B-S
Range: Variable
Nature Type: Kekkei Genkai, requires Eien no Sai
Handsigns: N/A
Description: Tengoku no Hitome can be used in a variety of ways. In the simplest form, Tengoku no Hitome places one of the rings from the Eien no Sai onto a person or object. After this has been done, the staff is tapped against the ground which allows the person or object to be transported immediately through to the Pure World and then immediately back out in a new location. The distance this can be done is dependent on the size of the object and the distance transported, providing a seal has not been already placed to determine the exit location. The alternative method and usage of this technique is as a barrier and transport technique for multiple people. By encircling a person or persons with the lines from the Eien no Sai in a wide net, the user can create a barrier in which any object passing through it will be temporarily transported to the Pure World. Techniques and physical objects will cease to function in the Pure World, rendering the technique useful in countering powerful techniques. People that make contact with the barrier will merely come out of another point of the barrier after a brief delay. The construction of the barrier must be done by creating a net like pattern with the Eien no Sai. The shape of this net pattern is flexible, but there must be a geometric shape that does not intersect with a living person before the barrier is initiated. The closer woven the lines are together, the more efficient the technique is.
Weakness: High chakra cost if not well prepared. If the technique is initiated with a ring of the Eien no Sai, then the transported individual is then free.

Name of Technique: Kami no Eikyō [Divine Influence]
Type of Jutsu: Ninjutsu
Rank: C
Range: Long
Nature Type: Kekkei Genkai, requires Eien no Sai
Handsigns: N/A
Description: Instead of utilizing the Eien no Sai as a weapon against an opponent, the rings can instead be attached to puppets as an alternative to chakra strings. These provide a longer range on the activity of the puppets at the cost of reducing the Eien no Sai's overall power.
Weakness: Limits attack options by using the Eien no Sai.

Name of Technique: Gūzō Sūhai [Idolatry]
Type of Jutsu: Ninjutsu
Rank: B
Range: Long
Nature Type: Kekkei Genkai
Handsigns: 3
Description: Chiyoko separates her spirit from her body and places it within one of her puppets, allowing her to control it at exceptionally long ranges, as well as sense through the puppet itself.
Weakness: Body remains motionless until the spirit returns to the body.

Name of Technique: Jōka Kasai [Purifying Fire]
Type of Jutsu: Ninjutsu
Rank: B
Range: Variable
Nature Type: Kekkei Genkai
Handsigns: 3
Description: This technique engulfs the hands and feet of the user in what appears to be a white fire. However, the fire is a specialized ritual fire comprised of purified hitodoama. When this fire, which can be applied to objects such as the Eien no Sai, make contact with anything containing any form of spiritual energy, it will separate that energy from whatever it was mixed with. By providing extra chakra, this technique can be used as a short range projectile (5 feet) and increase the amount of fire. This is often run along the lines of the Eien no Sai. This can be applied to normal fire and fire techniques as a combination technique.
Weakness: Generally limited range.

Name of Technique: Mugai Tsūkō [Safe Passage]
Type of Jutsu: Ninjutsu
Rank: A
Range: Variable
Nature Type: Kekkei Genkai
Handsigns: 1
Description: After gathering spirits in a location or to the tip of the Eien no Sai, Chiyoko is capable of transporting herself to that location, dispersing the spirits back to the Pure World. In the case of the Eien no Sai, Chiyoko can transfer spirits from the staff, or her body as a conduit, into a person or object, allowing her to teleport to the marked person or object.
Weakness: The spirits will naturally disperse after awhile if a formal seal is not constructed.

Name of Technique: Shūshū Seishin [Gathering Spirit]
Type of Jutsu: Ninjutsu
Rank: C
Range: Short
Nature Type: Kekkei Genkai
Handsigns: N/A
Description: This technique gathers hitodama or shiki into an object or area that Chiyoko has made recent contact with. Once there, spirits will gather and await direction. This technique is usually done fairly passively on a regular basis as a method to utilizing her other techniques. Objects such as the Eien no Sai create a faint glow when imbued with the effects of Gathering Spirit. Many other techniques that use Gathering Spirit will create visible effects despite them using hitodama and shiki. Spirits can be gathered at a location at range, but doing so makes the location visible even to those that are not capable of sensing spirits naturally.
Weakness: No direct combat applications. Takes time to gather spirits.

Name of Technique: Senzo no Shidō [Ancestral Guidance]
Type of Jutsu: Ninjutsu
Rank: B
Range: N/A
Nature Type: Kekkei genkai, requires Kuji Kiri
Handsigns: N/A
Description: By inserting a blade of the Kuji Kiri into a corresponding puppet, Chiyoko can bypass many of the restrictions on the operation of her puppets. While it still takes her chakra, the puppet is no controlled by the spirit that embodies the Kuji Kiri, allowing her to control many of her puppets at a single time.
Weakness: Eliminates Chiyoko's ability to use her Kuji Kiri for any other techniques.

Name of Technique: Chōshū-Hei [Conscript]
Type of Jutsu: Ninjutsu
Rank: Kekkei Genkai
Range: N/A
Nature Type: Kekkei Genkai
Handsigns: 200
Description: An impractical technique to use in combat. This technique binds a fully formed spirit into service of Chiyoko, giving them the title shiki. Shiki are different in hitodama in that they are always faintly visible unless they are within a container. The advantage to shiki is that unlike hitodama which are much weaker, shiki are strong and will not disperse to the Pure Land as long as Chiyoko remains alive. Shiki are usually stored within objects or even the person conscripting their service themselves. Shiki are often alternatives to using hitodama for a technique. Shiki that are used in place of hitodama that are consumed will return to their owner after a minute. Shiki can move fairly quickly and freely in the world and be used as focal points for many other spiritual techniques, such as Gathering Spirit or Safe Passage.
Weakness: Takes a long time to conscript a spirit. Not just any spirit can become a shiki either. These must either be willing participants or souls of the recently departed or souls that are already bound to another object. Chiyoko has currently 3 Shiki in addition to the Council of Nine and Hitsujiki, both of which are forms of shiki.

Name of Technique: Kodoku
Type of Jutsu: Ninjutsu
Rank: S++
Range: N/A
Nature Type: Kekkei Genkai
Handsigns: 200
Description: A powerful ritual technique passed down through the leadership of Chiyoko's clan. By collecting a large number of souls within a container, Chiyoko can create a spiritual free for all within the created object. The souls will consume each other over the course of a month. The last soul remaining becomes exceptionally powerful, depending on the number of other souls consumed. At this point, the new soul can be placed within a mortal body and enhance their power drastically. Alternatively, should a sacrifice be given to the new soul, it can take a physical form that is determined by the amount of consumed spirits and the will of the initiator of this technique. It is theoretically possible to give a gennin the power of a kage with this technique.
Weakness: The Kodoku is a kinjutsu within Chiyoko's clan for good reason. While able to create an exceptionally powerful entity, there is a price for the power granted. Each month a person must be consumed by the individual that contains the spirit or the initiator of the technique must feed the created beast. In the event the best cannot be fed, it will immediately consume its host until it can find another host.

Name of Technique: Shinjitsu ni Densetsu [Legend to Truth]
Type of Jutsu: Ninjutsu
Rank: A-S
Range: N/A
Nature Type: kekkei genkai
Handsigns: 200
Description: An out of combat technique that is used to reshape the spiritual form of a being, as well as purify it (this would only work on bijuu). This techniques only application is to recreate the bijuu in the image of Chiyoko's clan to bring back their believed deities to this world.
Weakness: No combat applications.

Name of Technique: Reihan [Spirit Seal]
Type of Jutsu: Fuuinjutsu, ninjutsu
Rank: A
Range: N/A
Nature Type: kekke genkai
Handsigns: Dependent on Seal Complexity
Description: As an alternative to utilizing other forms, Chiyoko can confine hitodama and shiki into an area that creates the effects of the seal. While this can be applied to any sealing technique the user is capable of learning or cooperating with, Reihan's true and actual form is to seal spirits and bijuu into appropriate containers. The advantage to Reihan constructed seals is that they will not degrade over time and continue to persist even if the technique creator would die. However, most complex spirit seals will require a shiki to be freed and used as a focal point for the technique.

Many in Chiyoko's clan shape their own spirits into Generic Weapon Seals using this technique. This can also be used for summoning puppets in their base form, but without any specialty effects from the specific summoning. Each puppet can be summoned with a singular sign (including a group of puppets).

Reihan can additionally be used to tie a seal into a shiki or object and the next instance of contact with that object or shiki will apply the seal's effect (shiki can move about as fast as a thrown kunai).
Weakness: Significant time to set up depending on the technique.

Name of Technique: Kinryū Hogo Takara [Golden Dragon Guards Treasure]
Type of Jutsu: Ninjutsu
Rank: A
Range: Variable
Nature Type: N/A
Handsigns: 5
Description: Summons the Chiyoko's Ōryū puppet directly around her or in a location (around a person) that is infused with a spirits. The dragon will appear coiled around them in a protective fashion.
Weakness: N/A

Name of Technique: Kyōi Hai kara Taitō [Phoenix Rises from Ashes]
Type of Jutsu: Ninjutsu
Rank: A
Range: Variable
Nature Type: N/A
Handsigns: 3/5/15
Description: Summons Chiyoko's Suzaku puppet in her near vicinity in either normal, transcendent or spiritual form. Same criteria as her other puppet summoning techniques for usage. This technique also serves as an offensive attack as the puppet will appear engulfed in flames, should Chiyoko choose.
Weakness: N/A

Name of Technique: Seiryū Arashi no Mae Ni [Blue Dragon Precedes Storm]
Type of Jutsu: Ninjutsu
Rank: A
Range: Variable
Nature Type: N/A
Handsigns: 3/5/15
Description: Like her previous summon, the puppet is summoned to an appropriate location in any form. This summon also appears with crackles of lightning from its body in the first few seconds of the puppet's appearance. making it exceptionally dangerous if summoned near an enemy.
Weakness: N/A

Name of Technique: Shiroi Tora Hōkō [White Tiger Roar]
Type of Jutsu: Ninjutsu
Rank: A
Range: variable
Nature Type: N/A
Handsigns: 3/5/15
Description: Same as previous summons. Chiyoko summons the puppet Byakko which erupts with a blast of force much like the Hyuuga's Vacuum Palm.
Weakness: N/A

Name of Technique: Kame Tate Tomodachi [Tortoise Shields Friend]
Type of Jutsu: Ninjutsu
Rank: A
Range: Variable
Nature Type: N/A
Handsigns: 3/5/15
Description: Summons the Genbu puppet. This puppet can only be summoned on the ground (unlike others which can be summoned in the air) if it is summoned in its transcendent form. If summoned in either form, the puppet can be summoned directly around the user as a form of defense, as Genbu has a large hollow pocket in both forms.
Weakness: N/A

Name of Technique: Shin no Sugata [True Form]
Type of Jutsu: Ninjutsu
Rank: A
Range: N/A
Nature Type: Kekkei Genkai
Handsigns: Variable
Description: This technique summons any of Chiyko's puppet(s) in their true form - comprised entirely of hitodama. The benefit of this form is that they are largely immune to physical attacks (jutsu will still work), which means even in the event that her puppets have been physically destroyed, she can still utilize them by forming hitodama into the appropriate structure. The puppets maintain all of the original functionality, but boast a significantly higher chakra cost. They can still be harmed by physical attacks, but only when gathering energy to utilize their techniques or when attacking themselves. If they are harmed, the hitodama will scatter and the structure will fall apart quickly over time (depending on the damage).
Weakness: Only one puppet can be used in this manner in the mortal world. The maximum time this can e done is 3 minutes. In the Pure World these restrictions are bypassed.

Name of Technique: Seishin ni Karada [Body to Spirit]
Type of Jutsu: Ninjutsu
Rank: B
Range: Personal
Nature Type: Kekkei Genkai
Handsigns: 1
Description: Chiyoko pulls her body into the pure world temporarily, but leaves her spirit behind. After three seconds, her body snaps back to her spirit in its new location.
Weakness: This technique cannot be used more than once a minute.

Name of Technique: Tojikomemasu
Type of Jutsu: Fuuinjutsu
Rank: A
Range: Touch
Nature Type: N/A
Description: A blow landed with the Tojikomemasu will pull all of the victim’s chakra to the point of the seal. It will take about one minute for the victim’s chakra to be pulled in. This limits their ability to use jutsu. If an A or S rank is struck with this jutsu, they could only use C rank techniques. It scales with the ranks of the individuals this seal is placed on.
Weakness: N/A

Name of Technique:
Type of Jutsu:
Rank:
Range:
Nature Type:
Handsigns:
Description:
Weakness:

[Always Lonely] Naruto: Continuum [Always Open]

Are the Uchiha or Hyuuga clans available if not I have other Ideas

@Keyblade87

Yes, they are available.

[Always Lonely] Naruto: Continuum [Always Open]

”Chiyoko, Hitsujiki, and Yuganori Tokiko”

Chiyoko, Hitsujiki and Tokiko


【Full Name】
Chiyoko | Hitsujiki | Yuganori Tokiko
【Alias】
Kitti Ping-Sung
【Occupation】
Wandering Monk, Clan Leader | Sheep | Small Child
【Gender】
Female
【Age】
27 | 25 | 4
【Sexuality】
Spiritual | Straight | TBD



【Birth Country】
Land of the Moon | Land of the Moon | Kyokujitsu no Tochi, Land of Fire
【Current Village】
N/A | N/A | Kyokujitsugakure, Currently Travelling
【Affiliation】
N/A | N/A | Kyokujutsu no Tochi
【Shinobi Rank】
Jounin, S | S | E



【Personality】
Chiyoko is a peculiar individual only accented by the fact she travels the world with/on a sheep. Chiyoko consistently can be found with a far off look to her face, despite her complete awareness of what is around her. She is, to the frustration of many, the type of person to answer a question with another question, or answer in a manner that isn't clear.

Hitsujiki is a sheep and is a steadfast companion to Chiyoko. Loyal, sturdy, and occasionally a bit petulant, he provides much of Chiyoko's grounding to reality.

Yuganori Tokiko is a cheerful child that is still learning about the world.

【History】
Chiyoko's history is as much her people's as it is hers. Chiyoko grew up the island of the Moon Country with a small, yet stable clan of spiritualists. Noted for their strong connection to the afterlife, her people continue to be extremely religious. Her clan possesses an extremely powerful Kekkei Genkai that allows them to serve as a gateway between the Pure Land and the real world. Because of this, spirits that refuse to move to Purgatory or the Pure Land often gravitate around her, as they are capable of seeing and communicating with these spirits (hitodama). As such, children of Chiyoko's clan often end up with guidance from relatives thousands of years deceased. In addition, Chiyoko was constantly with a sheep she named Hitsujiki, a lamb she had saved by instinctively tying a powerful spirit into its body.

Chiyoko was born as Kitti Ping-Sung. As a child she had an affinity for the manipulation of the water element and spent much of her time in the rivers around her village. It was noted by many that Chiyoko's gateway to the Pure Land was one of the strongest in the clan in recent memory, rivaled only by her cousin, who seemed to have an equally strong connection. As such, Chiyoko drew the attention of the Council of Nine as a potential for the next Sēji. The Council of Nine was the original nine members of Chiyoko's clan. At the time of their passing, they bound their spirits into nine blades and enshrined themselves in a temple. Communicating with the Council of Nine was difficult for most people in Chiyoko's clan, as the ability to call forth all nine at once was considered exceptionally difficult, and, given the nature of what was being done, extremely confusing.

Chiyoko's skills were fostered at an early age, receiving direct training from various individuals of the Council of Nine, along with another child in the village. They learned much about their clan's extremely ancient history and the extent of what they were capable. Both children demonstrated exactly what the Council of Nine had expected.

At the age of 17, both Chiyoko and her counterpart were to undergo the Trials, a first step in choosing the next Sēji. It also served as a right of passage into adulthood, despite the significant dangers of the ritual. As with all of the Trials before, Chiyoko and her counterpart were separated from their bodies forcibly, their spirits going into the Pure Land. Chiyoko was able to complete the trial and returned back to the council with full control over herself, while her counterpart had ventured into one of the realms of Naraka and was corrupted. However, at the time, this was not able to be sensed by either Chiyoko or the council.

Chiyoko's counterpart preformed the clan's forbidden technique - the Kodoku. Chiyoko, as a final step to becoming the leader of her clan, was charged with destroying the created malicious spirit and banish her once friend into a created realm in Naraka. To make this possible, the Council allowed Chiyoko to take the blades that housed them from the shrine and use them as weapons. The battle, with the power of Chiyoko and the council, was short and judgment was swift.

The Council relayed the information they had on the bijuu and that they had suspected they were a corrupted form of the deities they believed in. Chiyoko posed to the council that they seek out these creatures and purify them once again. Chiyoko was granted her clans puppets as well for her journey, believed to be crafted in the image of their gods. With that, she departed the Land of the Moon to seek out the bijuu as well as find the fragments of the legendary weapons from the times when their gods walked in the mortal world.

The first place she visited once on the mainland was Kyokujitsugakure. Yggdrasil was legendary in her clan as well, and Chiyoko had visited the tree spiritually many times. It was there she gained a new travelling companion in the form of Takiko. Hitsujiki immediately had taken a liking to the young 4 year old boy and the parents willingly parted with their son to provide him a life experience with the two travelers.



【Chakra Nature(s)】

Chiyoko
None

Hitsujiki
Doton
Kōton*
Yōmōton

Tokiko
Suiton
Doton
Oriton*

【Abilities and Special Traits】
Chiyoko is an exceptional spiritualist and considered to be the strongest in her clan since the Council of Nine (their powers existed prior to the sage as the base form did not utilize chakra), in fact, many consider Chiyoko by herself to have a stronger spiritual connection than the original founders.

Chiyoko is also a skilled puppeteer, an art that has been passed down through her people since the Council of Nine. However, Chiyoko's clan initially practiced a unique form of puppetry utilizing spirits instead of chakra strings. With the knowledge gained from the Sage, her clan was able to adapt alternatives to tapping into the power of spirits.

Chiyoko is also a skilled close range fighter, capable of holding her own with a variety of weapons and is especially skilled with her blades and staff. Most puppetry techniques require her sacrifice some of this skill in order to utilize them.

Hitsujiki is a sheep from Chiyoko's homeland. The sheep's spirit is intertwined with another, making Hitsujiki as intelligent as a person (even though he is incapable of communicating any more than a normal sheep). It also grants the sheep the ability to use jutsu and exceptional longevity.

Tokiko is a small child and has not developed any powers.



【Weapons, Tools and Equipment】

Name of Weapon or Item: Fudō-myōō [Immovable One]
Description: The Fudō-myōō is a weapon passed through Chiyoko's clan since its creation. A product of the original Masazane and Council of Nine, the sword is imbued with incredible power. Its one, and only trait, is that the sword that cannot be moved by any force other than its wielder. The sword was designed to be mass produced as a defensive weapon for their wandering monks, but the effect could never be reproduced, which led the clan to herald the weapon as being imbued by the power of a deity.
Appearance: Normal wakizashi with ornate inscriptions on the blade. Chiyoko straps it to the base of her back or left hip.

Name of Weapon or Item: Kuji Kiri [Nine Cuts]
Description: A set of nine tantō. Each blade is inscribed with the name of the spirit from the council that is held within it. Each of these spirits are forged directly, and willingly, into the weapon. These spirits are used in a number of Chiyoko's other techniques. These knives, when placed into the flesh of a person, making forming jutsu difficult due to the second spiritual presence affecting the body.
Appearance: Normal tantō with exceptionally fine inscriptions. Chiyoko straps these all about her body.

Name of Weapon or Item: Eien no Sai [Judge of Eternity]
Description: The most ancient weapon to Chiyoko's clan. Forged through a collaboration with the Yuganori clan, the Eien no Sai is a twelve ringed shakujō. Each of these rings may be freed from the center ring and used as a projectile weapon. These are easily controlled in flight by the wielder of the Eien no Sai. Small golden threads are faintly visible when the rings detach between the ring and the staff itself. These threads have no physical form until chakra is pushed through them. However, these threads also have no beginning and end and can continue forever. The rings themselves are designed to increase or decrease in size in order to clasp onto the wrists, ankles, or neck of an individual. This provides the wielder of the Eien no Sai a variety of techniques utilizing the staff. The length of the threads can be locked in place by exerting chakra, or even shortened.

As an additional ability, hitodama are naturally drawn to the Eien no Sai and can be stored within its confines.
Appearance: Shakujō.

Puppets

Name of Puppet: Ōryū
Description: Ōryū is the second largest puppet on Chiyoko's arsenal and has no base form. It is, like Seiryu, a Chinese style dragon, but is about 100 feet in length and with a body diameter of over 10 feet. He also has the second thickest structure, paling only to Genbu's Transcendent Form. Ōryū is primarily used for defensive purposes, but boasts a potent arsenal. Because of the significant infusion of wood from Yggdrasil, Ōryū is especially tuned for creating potent barriers between its various links and as a protection naturally too its body. Additionally, Ōryū was designed to gather hitodama at a rapid rate and utilize them in its various abilities, making it a truly unique puppet.

The hitodama are launched as weapons through Ōryūs mouth. Being hit by hitodama makes it much harder to use jutsu, much like Chiyoko's Kuji-kiri. Additionally, Ōryū can be used to exorcise spirits from a body, including the soul from a living person, by clenching its jaws around them, removing the soul from them. The main use of these Hitodama is the usage of them in conjunction with all of the seals on its body. These seals absorb light, which is then sent through to a corresponding seal internally, to the series of mirrors that continue to bounce the light around. When it comes time to release this, the seals within its body open up, releasing the focused light energy. Often this is done through the mouth of the puppet, passing through a lense with a series of purification symbols on it, where the light is laced with purified Hitodama (similar to the Purifying Flame). If an opponent is struck with this blast, their soul will be purified, as well as likely their physical form being burned as well - completing the ritual. Because the Hitodama are laced in the light energy, the blast is significantly slower than a natural light laser. If the light is not released from the mouth, which is an alternative by opening the seals on its body, it can create a series of burning beams of light all around its body. The longer this puppet is in the sun, the more dangerous it becomes.

Ōryū's final ability is the ability to devour a technique within its jaws, then releaes it later.

Name of Puppet: Suzaku
Description: Suzaku is one of Chiyoko's favorite puppets. Like all of Chiyoko's puppets, they are humanoid and are clothed similarly to cloaked ANBU. Suzaku wears a phoenix mask and is cloaked in a vibrant red color. Weapon wise, Suzaku is most noted for its back and lower arms. Four plates will rise up from the lower arms and open in a diamond like pattern to reveal the metal frame beneath them. These plates then spin rapidly, spraying a flammable liquid and igniting it as it passes over the lower arm. This creates a fairly potent flamethrower. The 'fingers' of Suzaku are technically red kunai that have the same flammable coating on them and can be fired out at an opponent and the struck on fire. Throughout Suzaku's body there are other holes for the release of flames, allowing Suzaku to torch multiple directions at once, also creating a powerful defense. There are also holes on the upper shoulders of the puppet used to launch combustible kunai with explosive tags.The 'final' ability of Suzaku is to unleash the wings in its back which unfurl. The 'feathers' are, once again, kunai on wires. They can be launched out from the back and encircle an enemy, or enemies in a cage of wire and kunai. Once Chiyoko does a handsign she an use the very small seals on the wire to summon explosive tags that stick to the wire, otherwise the wires will often just be ignited with fire. Suzaku also carries a nodachi that creates sparks when struck and flames when drug across a surface with combustible material.

Transcendent Form: In Suzaku's Transcendent form, the puppet takes on the appearance of a large phoenix. With a wingspan of 60 feet, it is an impressive puppet. Like before the feathers on the wings are made of red kunai with a seal on them that release a flammable mist. When attack, Suzaku will often release these feathers above an area with enemies and fill the area with intense mist. It is also possible for these kunai to be in lines connecting to the puppet, which provide additional control and attacks options. Like before, the wires can summon explosive tags, but in addition on the Suzaku puppet in this form, the wires can release duplicates of the kunai they are launching attacking at the point of wire with another line of wire. The tail feathers of Suzaku can also do these things.

There is, of course, a basic flamethrower ability from the mouth of the puppet. The front of the wings on Suzaku is also sharpened, allowing the wing to easily cleave through things. Seals that are imbued into the puppet allow it to release flammable mist from its body as well as sent flames out across its entire body at once (essentially lighting itself and the area around it on fire).

Name of Puppet: Byakko
Description: Byakko is another one of Chiyoko's puppets. Like the Tiroi puppet, this puppet has two 'forms', a Tiger form and a humanoid form. In humanoid form it possesses many of the same abilities as the Tiger form, at least to some degree. However, more commonly the puppet will make use of the claws that are on top of its feet and hands. These are attached via a chain along the arm that is extremely strong. In this form, it can 'stack' its lower and upper arms on top of each other and expose the senbon Gatlings. This is the same as the one in the mouth.

In tiger form the puppet becomes a terrifying seige weapon. From its back three powerful weapons will be released. These are placed on the puppets back and can rotate via attachments to the puppets innards. The middle construct has minimal side to side movement independently, but can change its angle easily. The two side constructs handle the sides of the 'tiger' and also move very easily to change the arc. There is also a third mechanism inside of the puppet that allows them all three to turn at once. The main abilities of these are to fire vast amounts of senbon at enemies while also mixing in some metal orbs and some 'shells' that are filled with explosive tags. In tiger form there is also access granted to the hind leg weapons, which can turn about 210 degrees in total each. These fire three (each – can be reloaded via fuuinjutsu but has a slower rate of fire) of the more destructive shells much like a modern day rocket – using an explosive force as a propellant. Also in this form, the arm weapons will open up from the frame and point forward, sliding to attach on the sides of the arm frame, allowing more movement freedom in the assault. It should also be noted the mouth of this puppet is also capable of firing metal orbs as well. The metal orbs have a strange functionality in that they explode much like a grenade, but have an exceptionally durable, yet thing wire that connects a series of controlled shrapnel. These create a center point of line when they explode and send bits of metal like barbed arrows out with line on them. This can create an annoying obstruction for some people and be quite dangerous.

Transcendent Form: Byakko is a 20 foot tall tiger with appropriately proportioned body. Similar to his original tiger form, much of the functionality is maintained (but on a slightly larger scale). However, in this form, this puppet gains Tiroi's functionality with a larger cannon.

The advantage Byakko has in this form is that each of the projectiles are infused with Reihan seals as they are launched allowing them to preform a version of Glimpse of Heaven over a short range with only a singular sign from the wielder.

Name of Puppet: Seiryu
Description: Seiryu is another common puppet that is used by Chiyoko. Taller than both Byakko and Suzaku by a small margin, Seiryu wears a dragon mask and is cloaked in a deep, dark blue with white streaks that look much like lightning. The puppet wields two crossbows that are designed to augment it sability to utilize electrical attacks through what is essentially a chakra powered tesla coil in the internal structure of the puppet. The bolts release small amount of silver powder as they fly which is used to direct the electrical energy from the coil. Because the electricity needs some guidance, the generated bolts are much slower than natural electricity.

The puppet has a number of spikes under it cloak, predominantly at the joins of its body allowing it to fight at close range quite effectively. The last ability of the Seiryu puppet its the ability for it create a massive burst of liquid nitrogen from its mouth.

Transcendent Form: Seiryu's Transcendent form is a drastic departure from its previous. In this form, Seiryu becomes a fairly large chinese style dragon with his body, from tip to tail, measuring over 70 feet. The back ridge has about a foot long spike that protrudes every couple of feet. These spikes can be launched as a form of rudimentary ballistics, should they be needed, but that is rarely used as the potency of Seiryu's armaments comes from his much larger series of Tesla Coils within his body. Using a number of internal fuuinjutsu to behave as weapon scrolls, the energy generated by the coil is stored within Seiryu's body and released when Chiyoko activates the outer seals. In addition, seals on the outside of the body of Seiryu can be used to launch kunai. These kunai can release Liquid Nitrogen in surprising quantities, accessing the vast stores both within Seiryu's body and that stored within the seals themselves. Additionally, these kunai are designed to provide some control to the electrical energy released by Seiryu's body. Additionally, like all projectiles from Seiryu's Transcendent form, they are marked with a forumula that allows Seiryu to transport to them.

The final, potentially most dangerous part of Seiryu's arsenal is the very controlled blast of electrical energy it can release from its mouth. By utilizing her chakra as a containment field, Chiyoko is capable of allowing Seiryu to fire what is essentially the destructive power of a fairly high level Raiton technique without actually molding the element herself. The blast can vary somewhat in shape and size, depending on how much chakra Chiyoko wishes to expend.

Name of Puppet: Genbu
Description: Genbu, compared to the base forms of all of her other puppets, is the largest of them all, over 10 feet in height and a massive girth. However, unlike her previous puppets which are stylized after ANBU members, Genbu is a massive 'stone' body which looks like a walking suit of armor. Genbu wields a massive 'stone' hammer, which is about 8 feet in length. There is a gap at the base of the handle for Fudō-myōō, so the bade of the weapon can be inserted. The shield offers the same functionality.

Genbu's shield is an equally massive tower shield that covers Genbu's massive size. Like all of the 'stone' used for Genbu, it is actually a metal that is designed to imitate stone. Below that, like all of her puppets is wood take from Yggdrasil. This shield has a special fuuinjutsu inscribed onto it, allowing for Genbu to create powerful barriers with it by utilizing the natural properties of the Yggdrasil wood (this expands an addition foot out of the tower shield). Hitsujiki is capable of allowing Genbu to be used as a conduit for his Doton element, giving the puppet actual abilities to preform Doton techniques.

The final abilities of Genbu are the seals used to produce an aura of mist around him in impressive quantities and the high pressure water jet that can be released from either his 'mouth' or center of his shield. He is also capable of using a version of Chakra Enhanced Strength, even through his shield and hammer.

Transcendent Form: In transcendent form, Genbu becomes an absolutely massive beast. Over 100 feet in length and over 70 feet wide (and appropriately proportioned height), Genbu is Chiyoko's largest puppet. Genbu, as a puppet, took the longest to make of her set, taking generations of her clansmen to make. It is made of very thick wood taken from Yggdrasil. The metal coating, as well as the seals are additions added on by Chiyoko, to give the puppet more power.

It should be noted, however, that due to Genbu's size, it essentially cannot move and if it does, it is very, very, very, very (keep going) slow. In this form, it can utilize a much stronger version of its water pressure cannon and can create a more expansive mist from its body. All throughout Genbu's body are seals which Chiyoko can utilize to enter an internal counterpart of that seal.

Name of Puppet: Vashi
Description: Vashi is another commonly used puppet by Chiyoko. Vashi's purpose in Chioyko's battles is generally supportive. Vashi wears a solid cornflower blue cloak and a mask that is that of a human face with blue face paint. Vashi is capable, unlike her other puppets, to actually preform handsigns with its 6 hands. This allows, if Chiyoko needs, another 'jutsu preparer' in a situation that may need multiple ninjutsu. The palms of this puppet also can protrude blades, much like the Seiryu puppet. Also like the Seiryu puppet, it is capable of utilizing liquid nitrogen from its palms.

Name of Puppet: Shiboshu
Description: Chiyoko’s smallest puppet. This puppet wields a metal staff with holes in it. The staff has a series of cylinders inside it at incredible pressure which can oscillate at will, allowing the staff to draw air in through the holes and cause it to modulate. This sound is devastating to the vestibular system and all who hear it are stricken by intense pain, so much so that they are bought to their knees and their ears begin to bleed. This can cause the eardrums to burst. The staff is also extremely strong and can be used for basic attacks.

Name of Puppet: Suzuno
Description: One of Chiyoko’s more dangerous puppets. This puppet looks much like a regular woman, at least when cloaked. However, there are countless holes in this puppet in various part allowing small needles to be pushed up from them on command. They can, as well, be sprayed out on lines, much like the ‘hair’ the puppet has. The puppet is one of the few that creates a good illusion of hair, with a bunch of needles on metal wire. This puppet wields a yari with a head that can be launched as a projectile. The puppet is also capable of firing the metal orbs and needles from its palm. In addition to Suzuno, there is a metal sphere that floats around her that is capable of expanding around objects through a series of seals and sliding mechanics to provide protection to allies.

Name of Puppet: Aesni
Description: A peculiar puppet that looks like a small woman. The puppet is covered in tiny pore-like holes and is filled with sand. When released from the seals, they are thrown out with surprising force, making a fairly significant dust cloud. This puppet prefers to be in close range, using four khopesh strapped to its body. It can fuse them together at the hilt to form a khopesh shuriken, two khopesh bladed staves, or use the normally and have Chiyoko control the remaining with puppet strings or launch them from its body.

Name of Puppet: Tasri
Description: Tasri is a puppet made of an odd substance that is identical to diamond except significantly less hard, though it is still harder than almost all metals. Tasri has a small chamber inside of it filled with flash-tags and a seal that contains hundreds of flash tags, and is able to ignite these flash tags from inside itself at will. The light from inside Tasri is refracted by its body, causing it to radiate with an exceptionally bright rainbow. This puppet can expand a 5x5 wall of this hardened diamond like substance in front of it with a raised palm.

Like some of Chiyoko's other puppets, this one has an alternative form, in which it can take the form of a fenghuang. The puppet maintains the appearance of diamond with flash tags in it. The feathers from this puppet can be launched much like Suzaku. However, each of these feathers behaves as a flash tag that are also visible in its core body.

Name of Puppet: Tiroi
Description: A large puppet that can shift between a “lion” form and a “human” form. The humanoid form wields a straight sword and kite shield. The seal on the sword allows a spiritual projection of the blade to be released when swung. Objects that come in contact with the projection are marked, allowing the puppet (or Chiyoko) to transport to it via jutsu. The projection has a range of 20 feet. The shield is marked with a seal as well that releases a surge of energy that is capable of stunning an individual for a moment. The shield cannot be used again within 30 seconds after it has been used while the fuuinjutsu recharges.

In the “lion” form, the puppet becomes a ‘living’ Gauss Cannon with its claws dug into the ground. The puppet’s interior is a chamber that contains a series of electromagnets on rings that can spin around at an incredible rate with an attractive force. The magnets have seals on them that create the “electro” part, feeding them with electrical energy. The seal is linked to a coil of wire around each magnet. This causes such forces of attraction that the puppet can release a torpedo (made of the same material/contents as Byakko’s metal balls) at an immense velocity. This takes 5 minutes to charge. The puppet’s interior has been soundproofed, meaning the charging of the cannon is silent. Because the magnets are controlled by chakra, the execution of the attraction and the bullet’s path are flawless.

Name of Puppet: Yokohama
Description: A white wolf masked puppet that has one of the smallest arsenals of all of Chiyoko’s puppets. It possesses a diasho. The katana of this daisho is infused with an ability similar to a flash tag in which it can produce a large amount of light from the blade. This puppet, as well, has a number of flash bombs that can be launched from its palms. This puppet also wears white and silver samurai armor with a three spiked shoulder piece over the left shoulder.

Name of Puppet: Sordichi
Description: A puppet with the mask of a woman that wields a large bow. This puppet gathers natural energy passively, even while moving. To use this, the puppet fires its bow and tries to lodge an arrow infused with natural energy within a target, which makes preforming techniques very difficult. Sordichi can also transfer natural energy through touch.

Name of Puppet: Kanoga
Description: The bladed whip wielding serpent masked puppet. It, like the Seiryu puppet, is capable of producing an electrical current through its weapon. In addition, it does have two kodachi that it can use, much like a regular fighter. The puppet is extremely flexible and it has an inner system that allows it to stretch and extend (movement much like a snake). It is humanoid with a snake mask.

Name of Puppet: Thifareemit
Description: Thifareemit is an owl masked puppet of black and gold. This puppet wields a staff with a series of rings on the top of it. These are connected to very strong lines of metal and the rings can be launched from the staff. They are not only very sharp and bladed, but also are capable of grabbing a hold of objects before clasping shut once again. Thifareemit also possesses many more of these rings around its body, allowing the puppet to use these as additional restraints. It should also be noted that the main lines from the staff possess the symbols for Chiyoko’s Tojikomemasu, allowing the lines to restrict jutsu usage if they are able to clasp onto an opponent.

Name of Puppet: Unotori
Description: One of Chiyoko’s more dangerous puppets. This puppet possess a large amount of explosive powder. This can be released from various 'pores'. The tip of its staff is capable of producing fire through a striker and fuel within the weapon. It has large shruiken mounted onto its back which can spin to push the black powder towards an opponent. It also has this powder in a small orb that can be thrown at enemies where it explodes into a cloud. This puppet is also humanoid and wears a black wolf mask. It can also launch the shuriken on its back or shuriken from stored seals on its body that are tipped with explosives.

Name of Puppet: Virae
Description: This puppet is made specially to allow it to use the abilities of the Glimpse of Heaven without significant preparation. However, it can only do this for a short range. The puppet wields two ninjato and does have a number of toxin coated needles and orbs. It is a classical ninja. The puppet is humanoid and slightly shorter than a normal person. Like her previous puppets, it is dressed like a member of ANBU, this time with a fox mask.

General Notes: All of Chiyoko's puppets are made up of wood from the tree Yggdrasil unless explicitly stated otherwise. Other accents are produces by the Masazane, Yuganori, and Yuki clans (or Chiyoko's clan itself). Many of the puppets with less variety in weaponry are designed to appear as human as possible. This means they tend to move more fluidly than other puppets.



【Kekkei Genkai】
Name of the Kekkei Genkai: Kāidǎo [Enlightened]
Type of Kekkei Genkai: Spiritual
Clan: N/A
Rank: S

Description: The Kāidǎo is a Kekkei Genkai that affords those that bear it a level of unique spiritual insight, granting them access to specific abilities relating to the Jōdo [Pure World] as well as their own soul.
The first gift bestowed by the Kāidǎo is the ability to create small, temporary gates to the Jōdo. Users of the technique can enter the Jōdo themselves through these gates in order to communicate, or can temporarily draw spirits out of the Jōdo in order to communicate with them.

The second gift bestowed by the Kāidǎo is a unique spiritual insight, allowing them to sense the soul and spiritual energy of individuals. Bearers of the Kāidǎo are typically fantastic sensor ninja due to this ability. Through this gift, the bearers of the Kāidǎo can also sense Hitodama.

The final gift bestowed by the Kāidǎo is the ability to astrally project, separating the spirit from the body and sending it to other locations.

Weakness: Interpret it yourself.

【Canon Jutsu】

Cannon Jutsu List (Chiyoko):
Chakura no Ito*
Sōen: Hitomi Gokū
Sōshūjin**

Cannon Jutsu List (Hitsujiki):
Steel Release: Impervious Armor
Doton: Domu
Chakra Enhanced Strength
Doton: Doryū Jōheki
Doton: Tajū Doryūheki
Doton: Doryūheki
Doton: Chōkajūgan no Jutsu

*Chiyoko has fine enough control that she can split her strings to provide additional control.
**Chiyoko is exceptionally skilled with this technique.
***Hitsujiki can use a version of the Flight Technique

【Custom Jutsu】

Name of Technique: Tenmon [Heavenly Gate]
Type of Jutsu: Ninjutsu
Rank: S
Range: Variable
Nature Type: Kekkei Genkai
Handsigns: 10
Description: Tenmon can be initiated in one of two ways, either using the Eien no Sai or the Kuji Kiri. In the instance of the Kuji Kiri, the blades are placed in a circle around a person or persons and the handdsigns are preformed. Those trapped within the confines of the seal at the conclusion of the technique are sent to the Pure World, even if they are living. Chiyoko can contain a living person in the Pure World as long as she does not open the gate a second time. The second method of initiation is to completely encircle someone with threads from the Eien no Sai and collapse the barrier created the threads onto the person.

Within the pure world, the body will take on a corporeal form. While jutsu will still work in a spiritual form, taijutsu and weapons will be rendered useless - even specialty weapons not of the Pure World or Naraka.
Weakness: Displacing the knives or avoiding encirclement by the Eien no Sai. Living people trapped within the Pure World do not age, thirst, or hunger. Exertion in combat (as that is still possible) will exhaust the person.

Name of Technique: Taijū-kei Katamukemasu [Tip the Scales] | Jō to Kagi [Lock and Key]
Type of Jutsu: Ninjutsu
Rank: S
Range: Variable
Nature Type: Kekkei Genkai
Handsigns: Variable
Description: Taijū-kei Katamukemasu can be executed in multiple ways. In the normal world, the technique can be initiated by contact with each of Chiyoko's Kuji-kiri. In the case of usage on the Pure World, Taijū-kei Katamukemasu can be executed more similarly to Tenmon in which the Eien no Sai can be used for the technique. The technique is one of the most terrifying of Chiyoko's techniques and is used to judge a person's soul, allowing Chiyoko to send them from the Pure World into a level of Naraka.

The alternative to this technique [Jō to Kagi] is to send someone to an entirely unique realm of Naraka created by Chiyoko herself. This is done by engulfing a person with her Purifying Fire at the same time she uses Taijū-kei Katamukemasu. The terrifying aspect of Jō to Kagi is that only Chiyoko is capable of accessing that realm of Naraka.
Weakness: Very specific method of executing this technique.

Name of Technique: Tengoku no Hitome [Glimpse of Heaven]
Type of Jutsu: Ninjutsu
Rank: B-S
Range: Variable
Nature Type: Kekkei Genkai, requires Eien no Sai
Handsigns: N/A
Description: Tengoku no Hitome can be used in a variety of ways. In the simplest form, Tengoku no Hitome places one of the rings from the Eien no Sai onto a person or object. After this has been done, the staff is tapped against the ground which allows the person or object to be transported immediately through to the Pure World and then immediately back out in a new location. The distance this can be done is dependent on the size of the object and the distance transported, providing a seal has not been already placed to determine the exit location. The alternative method and usage of this technique is as a barrier and transport technique for multiple people. By encircling a person or persons with the lines from the Eien no Sai in a wide net, the user can create a barrier in which any object passing through it will be temporarily transported to the Pure World. Techniques and physical objects will cease to function in the Pure World, rendering the technique useful in countering powerful techniques. People that make contact with the barrier will merely come out of another point of the barrier after a brief delay. The construction of the barrier must be done by creating a net like pattern with the Eien no Sai. The shape of this net pattern is flexible, but there must be a geometric shape that does not intersect with a living person before the barrier is initiated. The closer woven the lines are together, the more efficient the technique is.
Weakness: High chakra cost if not well prepared. If the technique is initiated with a ring of the Eien no Sai, then the transported individual is then free.

Name of Technique: Kami no Eikyō [Divine Influence]
Type of Jutsu: Ninjutsu
Rank: C
Range: Long
Nature Type: Kekkei Genkai, requires Eien no Sai
Handsigns: N/A
Description: Instead of utilizing the Eien no Sai as a weapon against an opponent, the rings can instead be attached to puppets as an alternative to chakra strings. These provide a longer range on the activity of the puppets at the cost of reducing the Eien no Sai's overall power.
Weakness: Limits attack options by using the Eien no Sai.

Name of Technique: Gūzō Sūhai [Idolatry]
Type of Jutsu: Ninjutsu
Rank: B
Range: Long
Nature Type: Kekkei Genkai
Handsigns: 3
Description: Chiyoko separates her spirit from her body and places it within one of her puppets, allowing her to control it at exceptionally long ranges, as well as sense through the puppet itself.
Weakness: Body remains motionless until the spirit returns to the body.

Name of Technique: Jōka Kasai [Purifying Fire]
Type of Jutsu: Ninjutsu
Rank: B
Range: Variable
Nature Type: Kekkei Genkai
Handsigns: 3
Description: This technique engulfs the hands and feet of the user in what appears to be a white fire. However, the fire is a specialized ritual fire comprised of purified hitodoama. When this fire, which can be applied to objects such as the Eien no Sai, make contact with anything containing any form of spiritual energy, it will separate that energy from whatever it was mixed with. By providing extra chakra, this technique can be used as a short range projectile (5 feet) and increase the amount of fire. This is often run along the lines of the Eien no Sai. This can be applied to normal fire and fire techniques as a combination technique.
Weakness: Generally limited range.

Name of Technique: Mugai Tsūkō [Safe Passage]
Type of Jutsu: Ninjutsu
Rank: A
Range: Variable
Nature Type: Kekkei Genkai
Handsigns: 1
Description: After gathering spirits in a location or to the tip of the Eien no Sai, Chiyoko is capable of transporting herself to that location, dispersing the spirits back to the Pure World. In the case of the Eien no Sai, Chiyoko can transfer spirits from the staff, or her body as a conduit, into a person or object, allowing her to teleport to the marked person or object.
Weakness: The spirits will naturally disperse after awhile if a formal seal is not constructed.

Name of Technique: Shūshū Seishin [Gathering Spirit]
Type of Jutsu: Ninjutsu
Rank: C
Range: Short
Nature Type: Kekkei Genkai
Handsigns: N/A
Description: This technique gathers hitodama or shiki into an object or area that Chiyoko has made recent contact with. Once there, spirits will gather and await direction. This technique is usually done fairly passively on a regular basis as a method to utilizing her other techniques. Objects such as the Eien no Sai create a faint glow when imbued with the effects of Gathering Spirit. Many other techniques that use Gathering Spirit will create visible effects despite them using hitodama and shiki. Spirits can be gathered at a location at range, but doing so makes the location visible even to those that are not capable of sensing spirits naturally.
Weakness: No direct combat applications. Takes time to gather spirits.

Name of Technique: Senzo no Shidō [Ancestral Guidance]
Type of Jutsu: Ninjutsu
Rank: B
Range: N/A
Nature Type: Kekkei genkai, requires Kuji Kiri
Handsigns: N/A
Description: By inserting a blade of the Kuji Kiri into a corresponding puppet, Chiyoko can bypass many of the restrictions on the operation of her puppets. While it still takes her chakra, the puppet is no controlled by the spirit that embodies the Kuji Kiri, allowing her to control many of her puppets at a single time.
Weakness: Eliminates Chiyoko's ability to use her Kuji Kiri for any other techniques.

Name of Technique: Chōshū-Hei [Conscript]
Type of Jutsu: Ninjutsu
Rank: Kekkei Genkai
Range: N/A
Nature Type: Kekkei Genkai
Handsigns: 200
Description: An impractical technique to use in combat. This technique binds a fully formed spirit into service of Chiyoko, giving them the title shiki. Shiki are different in hitodama in that they are always faintly visible unless they are within a container. The advantage to shiki is that unlike hitodama which are much weaker, shiki are strong and will not disperse to the Pure Land as long as Chiyoko remains alive. Shiki are usually stored within objects or even the person conscripting their service themselves. Shiki are often alternatives to using hitodama for a technique. Shiki that are used in place of hitodama that are consumed will return to their owner after a minute. Shiki can move fairly quickly and freely in the world and be used as focal points for many other spiritual techniques, such as Gathering Spirit or Safe Passage.
Weakness: Takes a long time to conscript a spirit. Not just any spirit can become a shiki either. These must either be willing participants or souls of the recently departed or souls that are already bound to another object. Chiyoko has currently 3 Shiki in addition to the Council of Nine and Hitsujiki, both of which are forms of shiki.

Name of Technique: Kodoku
Type of Jutsu: Ninjutsu
Rank: S++
Range: N/A
Nature Type: Kekkei Genkai
Handsigns: 200
Description: A powerful ritual technique passed down through the leadership of Chiyoko's clan. By collecting a large number of souls within a container, Chiyoko can create a spiritual free for all within the created object. The souls will consume each other over the course of a month. The last soul remaining becomes exceptionally powerful, depending on the number of other souls consumed. At this point, the new soul can be placed within a mortal body and enhance their power drastically. Alternatively, should a sacrifice be given to the new soul, it can take a physical form that is determined by the amount of consumed spirits and the will of the initiator of this technique. It is theoretically possible to give a gennin the power of a kage with this technique.
Weakness: The Kodoku is a kinjutsu within Chiyoko's clan for good reason. While able to create an exceptionally powerful entity, there is a price for the power granted. Each month a person must be consumed by the individual that contains the spirit or the initiator of the technique must feed the created beast. In the event the best cannot be fed, it will immediately consume its host until it can find another host.

Name of Technique: Shinjitsu ni Densetsu [Legend to Truth]
Type of Jutsu: Ninjutsu
Rank: A-S
Range: N/A
Nature Type: kekkei genkai
Handsigns: 200
Description: An out of combat technique that is used to reshape the spiritual form of a being, as well as purify it (this would only work on bijuu). This techniques only application is to recreate the bijuu in the image of Chiyoko's clan to bring back their believed deities to this world.
Weakness: No combat applications.

Name of Technique: Reihan [Spirit Seal]
Type of Jutsu: Fuuinjutsu, ninjutsu
Rank: A
Range: N/A
Nature Type: kekke genkai
Handsigns: Dependent on Seal Complexity
Description: As an alternative to utilizing other forms, Chiyoko can confine hitodama and shiki into an area that creates the effects of the seal. While this can be applied to any sealing technique the user is capable of learning or cooperating with, Reihan's true and actual form is to seal spirits and bijuu into appropriate containers. The advantage to Reihan constructed seals is that they will not degrade over time and continue to persist even if the technique creator would die. However, most complex spirit seals will require a shiki to be freed and used as a focal point for the technique.

Many in Chiyoko's clan shape their own spirits into Generic Weapon Seals using this technique. This can also be used for summoning puppets in their base form, but without any specialty effects from the specific summoning. Each puppet can be summoned with a singular sign (including a group of puppets).

Reihan can additionally be used to tie a seal into a shiki or object and the next instance of contact with that object or shiki will apply the seal's effect (shiki can move about as fast as a thrown kunai).
Weakness: Significant time to set up depending on the technique.

Name of Technique: Kinryū Hogo Takara [Golden Dragon Guards Treasure]
Type of Jutsu: Ninjutsu
Rank: A
Range: Variable
Nature Type: N/A
Handsigns: 5
Description: Summons the Chiyoko's Ōryū puppet directly around her or in a location (around a person) that is infused with a spirits. The dragon will appear coiled around them in a protective fashion.
Weakness: N/A

Name of Technique: Kyōi Hai kara Taitō [Phoenix Rises from Ashes]
Type of Jutsu: Ninjutsu
Rank: A
Range: Variable
Nature Type: N/A
Handsigns: 3/5/15
Description: Summons Chiyoko's Suzaku puppet in her near vicinity in either normal, transcendent or spiritual form. Same criteria as her other puppet summoning techniques for usage. This technique also serves as an offensive attack as the puppet will appear engulfed in flames, should Chiyoko choose.
Weakness: N/A

Name of Technique: Seiryū Arashi no Mae Ni [Blue Dragon Precedes Storm]
Type of Jutsu: Ninjutsu
Rank: A
Range: Variable
Nature Type: N/A
Handsigns: 3/5/15
Description: Like her previous summon, the puppet is summoned to an appropriate location in any form. This summon also appears with crackles of lightning from its body in the first few seconds of the puppet's appearance. making it exceptionally dangerous if summoned near an enemy.
Weakness: N/A

Name of Technique: Shiroi Tora Hōkō [White Tiger Roar]
Type of Jutsu: Ninjutsu
Rank: A
Range: variable
Nature Type: N/A
Handsigns: 3/5/15
Description: Same as previous summons. Chiyoko summons the puppet Byakko which erupts with a blast of force much like the Hyuuga's Vacuum Palm.
Weakness: N/A

Name of Technique: Kame Tate Tomodachi [Tortoise Shields Friend]
Type of Jutsu: Ninjutsu
Rank: A
Range: Variable
Nature Type: N/A
Handsigns: 3/5/15
Description: Summons the Genbu puppet. This puppet can only be summoned on the ground (unlike others which can be summoned in the air) if it is summoned in its transcendent form. If summoned in either form, the puppet can be summoned directly around the user as a form of defense, as Genbu has a large hollow pocket in both forms.
Weakness: N/A

Name of Technique: Shin no Sugata [True Form]
Type of Jutsu: Ninjutsu
Rank: A
Range: N/A
Nature Type: Kekkei Genkai
Handsigns: Variable
Description: This technique summons any of Chiyko's puppet(s) in their true form - comprised entirely of hitodama. The benefit of this form is that they are largely immune to physical attacks (jutsu will still work), which means even in the event that her puppets have been physically destroyed, she can still utilize them by forming hitodama into the appropriate structure. The puppets maintain all of the original functionality, but boast a significantly higher chakra cost. They can still be harmed by physical attacks, but only when gathering energy to utilize their techniques or when attacking themselves. If they are harmed, the hitodama will scatter and the structure will fall apart quickly over time (depending on the damage).
Weakness: Only one puppet can be used in this manner in the mortal world. The maximum time this can e done is 3 minutes. In the Pure World these restrictions are bypassed.

Name of Technique: Seishin ni Karada [Body to Spirit]
Type of Jutsu: Ninjutsu
Rank: B
Range: Personal
Nature Type: Kekkei Genkai
Handsigns: 1
Description: Chiyoko pulls her body into the pure world temporarily, but leaves her spirit behind. After three seconds, her body snaps back to her spirit in its new location.
Weakness: This technique cannot be used more than once a minute.

Name of Technique: Tojikomemasu
Type of Jutsu: Fuuinjutsu
Rank: A
Range: Touch
Nature Type: N/A
Description: A blow landed with the Tojikomemasu will pull all of the victim’s chakra to the point of the seal. It will take about one minute for the victim’s chakra to be pulled in. This limits their ability to use jutsu. If an A or S rank is struck with this jutsu, they could only use C rank techniques. It scales with the ranks of the individuals this seal is placed on.
Weakness: N/A

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