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8 mos ago
Current Ribbit.
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Watch out.

The gap in the door... it's a separate reality.
The only me is me.
Are you sure the only you is you?


DON'T TOUCH THAT DIAL NOW, WE'RE JUST GETTING STARTED

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The first thing Jonah Hex did upon his impromptu resurrection was die. In his first new moment of second-life, he gasped wildly in shock and fear and confusion, and in doing so inhaled a massive lungful of sand and water-starved dirt. He choked on it, alternating between swallowing it and breathing it and coughing it up, thrashing about in his apparently double-grave until he thrashed no longer and grew still.

The first thing Jonah Hex did upon his second return to the mortal fold was to keep his mouth closed and hold his breath. He pushed his arms upwards with great effort, clawing aside fistfuls of sand until he felt his hand meet air, and then he kicked and pushed and clawed and eventually shifted enough earth to begin sitting up; rivulets of sand fell from him as he lifted himself, streams running from the brim of his hat as he finally breached the surface and sat straight, his lower half still encompassed in sand. He allowed himself to breath, soaking in the taste of the dry desert air - salt of his own sweat, heat of the high sun - and then, surprise giving way to the perturbation of mystery, surveyed his surroundings.

Jonah took off his hat, fanning himself with the brim while he held a hand over his eyes to gaze out across the horizon. A tumbleweed drifted across his line of sight, as if cued off-screen. Jonah went "Hmmmm" suspiciously, then replaced his hat and set to work digging his legs out, scrabbling around in the dirt and kicked until he could stand, and stand he did, stepping a few feet forwards and turning to take a look at his supposed-to-be-final resting place. It was a shallow grave, even with the natural settling of sand and soil deposited by wind and the movement of critters, and looked to be crudely and hastily dug. Jonah coughed into his hand and came away with a small pile of sand in his palm. "Hmmmm" he went again, and dusted himself down from head to toe. He carefully checked himself over as he did so: clothes intact, if battered and frayed; boots still sturdy, with soles comfortably worn in down to the shape of the callouses beneath his toes; skin feeling springy and alive, and mostly un-tarnished. He raised a hand to touch his face, and his fingers brushed the familiar rough, unshapen scarring that marred its left half. He nodded to himself. His hands moved south, and he pulled the waist of his trousers forward and risked a glance downward. All intact. Jonah nodded again.

His search moved across his waistline and onto the familiar tough leather of his gun belt; his fingers carefully traced the edge of the leather towards the holster, faltering before brushing the cool metal of his revolver. Inwardly, Jonah breathed relief. Digging himself out of his own grave is one thing; being caught without his gun is another entirely. Some things are sacred, even if Jonah himself is apparently not. He closed a fist around the grip and lifted his revolver from his side, rediscovering the comfortable weight of it and how it felt in his hand. With a practiced movement he sharply shook the gun sideways to knock the chamber loose of the body, and checked within: fully loaded, though polluted with sand and dirt and dust. He shook the bullets loose into the palm of his other hand and blew down each chamber, clearing the worst of the loose debris, and then wiped each bullet clean before loading them back into the drum and giving the gun another sharp knock to re-chamber it. With some encouragement the drum span span freely, but Jonah knew his pistol would need a proper clean and oil before he could properly rely on it again.

Snakes and coyotes he could handle without it. Men were more complicated.

JONAH HEX

classic cowboy fish-out-of-timewater story

walks out of desert and into town, meets bar owner who agrees to shelter him in return for some favours
favours start with intimidating bar owner's ex husband who's gunning for ownership of bar (presumably so he can sell it)

Ex-Husband works on an oilfield in the nearby desert
Oilfield owner is great-great-grandson of Quentin Turnbull
He wants the deed of the bar, not for the bar, but for the LAND the bar is on - Quentin put his treasure there years and years ago after finally killing Jonah
cowboys but silent hill

cowboys in hell?

cowboys but it's spooky, but not spooky in a quaint way, spooky in a nasty eldritch horrible roman-style way. not cowboys and vampires and werewolves - cowboys and old gods and corruption and horrific beasts and stuff

Cowboys returning from a job, not realising they’ve died and they’re in purgatory?
I'm into it and I'm desperate for original worlds, characters, and stories.

A couple questions:

Does magic exist? If so, in what capacity? Who, if anyone, wields it, and what does it require from the individual to do so?

What races and species exist in the world? Is this low-fantasy, with humans and animals, or high-fantasy, with the classic elves/dwarves/humans, or dark-fantasy, with all kinds of shivering horrors?

Is there a driving plot, or is this more of a sandbox in which to tell our stories? How big is the world? How much leeway do we have in character history to establish our own unique settings, cultures, and identifiers?

I'm likely in this regardless of how these questions are answered, but that doesn't mean I'm not curious.
AN APPOINTMENT WITH APOTHEOSIS



Saṃsāra

Whether the individual accepts it or not, belief shapes his reality minute-to-minute. Belief in the self becomes the deciding factor when confronting challenges; belief in others forges the foundations of relationships; belief in the adversary becomes the face of our fears. The man who believes in the righteousness of his cause will slay the man who does not. So it has been since the dawn of humanity, and so it remains.

So grand, then, is the potential of belief, that it should be little surprise that it would gather unto itself a power unlike that of any other; that it became, early in Man's infancy, a force so potent that it would wield the gift of creation, pure and true. And so it was, that what were once stories and legends told in hushed tones to marvelling tribes, were born into the cosmos as Gods and Deities and mythical beings.
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H E L L B L A Z E R


J O H N C O N S T A N T I N E U N E M P L O Y E D E N G L A N D I N D E P E N D E N T
C H A R A C T E R C O N C E P T:


"S'just the way of it. We all sell our souls sooner or later."

Every time I've tried playing Constantine in the past, I've started slap-bang in the middle of his career as an occultist, exorcist, detective, magician, etc etc, and often include nearly every major event of his canon in the biography. And I usually end up directionless after 2/3 posts with no real plan or solid character development to pursue. No more!

This Constantine is young. He's just been released from Ravenscar after an eighteen-month incarceration, with no home, family, friends or life to return to. His sister is still disappeared; his mother is still dead; his father still may as well be. He's a blank slate to carve scars and stories into, and there's a clear vision to begin setting him up as the equally legendary and infamous mage we know from DC today.

C H A R A C T E R M O T I V A T I O N S & G O A L S:

I've had a lot of ideas for John over the years, varying from continuing the canon to retelling an old story to redirecting existing character goals. This is none of them; this is a new origin story, this is taking the themes and story notes of the character that I love and running them through my personal lens, and developing a brand new Constantine that can be definitively mine while avoiding a complete departure from the source material.

John is young; 20-something, still several years before 30. His sister disappeared over a year ago, and he suffered a nervous breakdown that got him sectioned; he has only just been released from mental care at Ravenscar. He's done a lot of introspection and reflection during his incarceration and has come out of it seeking to repair the damage he's done to his minimal existing relationships and at least come to terms with, if not solve, his sister's disappearance. Unfortunately, he is yet unaware of the supernatural brush his life is about to be stained by, and the events shortly about to unfold that will change John’s life forever, and force him down terrible, grievous paths for a greater good he will never live to see.

C H A R A C T E R N O T E S:




P O S T C A T A L O G:

So my question here is: Why did everyone (that isn't new/making someone new) decide to take a go at these characters again? Why bring them back?


As someone who will be taking a run at Constantine again for what is probably the fifth or sixth time:

Because the last time I played Constantine I burnt out and the game ended before I got into the meat of it, but I still have all my notes and the old posts and it’s probably one of the best stories I’ve ever come up with and some of the best writing I think I’ve ever done.

So instead of waiting for the right game with the right setting at the right time to come around and I’ll post my CS for approval and I may face some derision for repeating myself again and then I’ll Copy/paste old posts to pick up from and face more derision and then the game will die anyway......I just put it here and carry it on here. And I don’t have to worry about, how does my story fit into the setting? How does it fit into the character? Who’s interacting with me and how does that affect what I’m trying to achieve? What kind of widespread events are happening elsewhere in the game that I need to take into account in my story? Will my sheet even get approval? If it does, as I robbing someone else of the chance to tell their Constantine story? Am I robbing people not playing Constantine of the chance to use Constantine in their character’s story because if I get approved I’ll be the final authority on Constantine and how/where he appears, and what they want to do doesn’t work with my story? If I get Constantine and I write my story, what happens when the thread dies? What happens if I lose steam and the story is left unfinished and the character inactive?

I don’t worry about any of that. I just fuckin’ write the damn shit.
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