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Watch out.

The gap in the door... it's a separate reality.
The only me is me.
Are you sure the only you is you?


DON'T TOUCH THAT DIAL NOW, WE'RE JUST GETTING STARTED

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*Artists' Impression, the Bat-Man of Gotham
_________________________________________________________
NOBLE HERO OR CRAZED VIGILANTE?

Have you seen the Bat-Man of Gotham?
Victoria Vale

Across Gotham City, reports of sightings and encounters with the mysterious chiropteran assailant supposedly stalking the streets at night continue to flood the desks of GCPD officers, as well as journalists, bloggers, podcasters, and influencers, keeping everyone's eyes on one bewildering mystery: who is this cryptic creature roaming our city?

While often un-corroborated and rarely delivered by more than just a single witness, all stories do share a common thread: the prevention of a more serious crime, through the dispensal of profound violence. So far, Gotham's citizens seem to see this 'bat-man' as a dark protector against the seedy underbelly of Gotham City; but if he is indeed simply a man who's had enough - as many reports say he is - is he overstepping as a lone vigilante, disregarding the due process of the law in favor of street-administered 'justice'?

Reporters who spoke to staff at both Gotham General and Saint Peter's hospitals confirmed that there has indeed been a rising increase in admissions for fractures, concussions, crush injuries, and similar wounds consistent with blunt-force trauma - but hospital staff are unable to disclose patient history or identity, and GCPD have failed to see an equivalent rise in assault cases. Are these victims of the vigilante too afraid of him to speak out, or is this new trend in hospital admissions simply unrelated, and this 'bat-man' is another invention of Gotham's superstitious citizens, like the ever-popular tale of Grundy-of-the-Marsh, a similar cryptid fairytale from Gotham City's rich history?
One recent would-be victim, MARGARET PAGE, spoke to the Gazette of her close encounter only a few nights ago:

"I was coming home from work late one evening last week - when we had all that dreadful rain - and trying to avoid a flooded street I tried to cross a block over through an alley. Dumb, I know. Obviously there was some thug just waiting for me. It felt like the opening scene in a horror movie, you know? When the lone girl bumps into the monster and gets killed. God, had the wet shirt and stringy hair and everything..."

"Anyway, I guess it was kind of like that, except the thug wasn't the monster. He just appeared so quickly, like he'd just stepped out of the shadows - like he'd just...materialized, you know? And he side-swiped the guy and all I could hear over the rain was just, him beating on this guy, just these dull wet thuds, you know? And then he stood up and he honest-to-god looked like a demon. Those horns, the big wings, claws, all-black, and that brand across his chest...but then he moved and he looked at me and it all changed. He was just a guy, you know? A guy who'd had enough. You could see it in his eyes. He was so scary, but when he looked at me I knew he wouldn't hurt me. He hurt that thug a bit more, sure, I wasn't exactly about to stop him. And then he just...he told me to go home. To save my money. And he just walked off, dragging that thug behind him. And I felt like he was watching me the whole way home. And the funny thing was, I did save my money, because my landlord told me to keep the rent. And I knew that was because of him. He protected me, you know?"
▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅
▅▅▅▅▅
The Gazette does know; Ms. Page's story mirrors that of many others across the city - a mugging, or a rape, or a robbery, or even a murder, interrupted seemingly out of nowhere by this mysterious costumed assailant. It's little wonder many citizens of Gotham are hailing this stranger as a hero, valiantly defending the vulnerable across the city that the GCPD often forget about.

However, not everyone shares the same view of this man as a protector - EARL SKINNER, Ms. Page's aforementioned landlord, came forwards exclusively to the Gazette to share his side of the story:

"Guy's a f--king maniac. I was just sitting in my car, trying to wait out the rain, and he completely wrecks the thing - caves the roof in, puts a crowbar through my windshield - and then when I'm getting out to see what the f--k is going on, he pulls me out and starts wailing on me. I have no idea what I did to this guy, but he's left me practically crippled. And then he threatens me that he'll come back to finish the job if I don't pause rent indefinitely for my tenants. Fine, I get it, times are hard - but how am I supposed to maintain eight apartments to a decent standard without any income? I'm just an honest landlord, I don't have an endless font of money. Free housing is a lovely ideal but it's not realistic - if this guy's willing to assault and kill people for some lefty nonsense, none of us are safe. It's just another step towards war by the woke agenda."

While the Gazette can't comment on any political leanings or agenda that may or may not be behind this man's actions - he has left no manifesto and refused to contact any publishing organization in Gotham - Mr. Skinner's story certainly does call for concern around the methods employed by this vigilante. For now, Gotham's police force may be content to allow this rogue agent to mete out violent justice in their stead, certainly as it seems those falling foul of the 'bat-man' are reluctant to report their encounter; perhaps, to the GCPD, this is an opportunity to cut down on their paperwork?

*Mr. Skinner, pictured with his injuries
_________________________________________________________
In any case, opinion is certainly split across the city, while those who may be held responsible for investigating or even stopping this man appear largely apathetic. The Gazette approached both the GCPD Commissioner and the Gotham Mayor's office for comment on these swirling rumours, but were provided no statement from either. It seems that amidst cryptic sightings and unconfirmed reports, the city's leadership has more pressing, extant concerns.


#1.03: Slow News Day
Earth-93913003, Gotham City


Jimmy startled as a rolled up newspaper slapped the top of his desk, breaking him out of his focus on the computer monitor in front of him. He quickly alt-tabbed, hiding the research into this mysterious 'Bat-Man' he'd been doing from whoever was now rounding the desk to interrupt what had until now been a relatively peaceful morning.
"You seen this shit, Jimmy?"
Jimmy looked at the copy of the Gotham Gazette that was unfurling on the desk in front of him. An artist's sketch of Gotham City's latest legend stared back at him from the front page, with a couple sensational headlines next to it.
"Looks like a slow news day to me." Jimmy replied, turning his attention back to the computer and some background paperwork he'd had up just in case. Harvey scoffed.
"If some headcase in bike leathers thinks he can do our job better than us he's welcome to try, but I won't have the papers call us lazy."
"You are lazy, Harvey." Said Gordon, to which Bullock just rolled his eyes.
"And you're an asshole, Jimmy. Only one of us is worth writing about to the Gazette, though."
Jimmy had to concede a chuckle at this one. Despite their differences, there were far worse partner assignments in the GCPD, and in a way Jimmy felt fortunate that the worst he got was a burnt-out, over-the-hill lard-ass with a cap and jacket severely in need of a wash.
"Still," Harvey continued, scratching his beard as Jimmy watched the flakes of the morning's pastry drift slowly to the floor, "it has been a bit quieter around here. Can't say I miss the paperwork."
Jimmy raised an eyebrow as Harvey pulled up a chair and sat down, propping his boots up on the edge of Gordon's desk. "You know what Jimmy - I'll say it. We let him have his fun for now. And then when he washes up in the Gotham River, we'll fish him out. And I'll wager doing that paperwork that he won't last the rest of the month."
Harvey held out his hand, waiting patiently for Jimmy's assent. Jimmy rolled his eyes, but ultimately leaned forward, sealing the bet with a firm shake.
"Excellent. Now get your jacket - we've got patrol beat. Maybe you'll get lucky-", Harvey said, standing and gesturing toward the PC that Jimmy had been working at- "and catch a real-life sighting to add to your research."

Jimmy startled, having underestimated his partner again, while Harvey just chuckled and left to fetch the car keys.

- - -

An erratic, vibrant piano piece echoed through the penthouse apartment at the top of Gotham City's most premier high-rise. Layered over the top was the white-noise of a shower running full-blast, and from the corner of the apartment that housed the bathroom a steady tide of mist rolled through the open-plan doorway.

The clear morning sky - finally clear after the torrential rain of the past few days - streamed bright and crisp sunlight through the skylights and wall-panel windows into the main chamber, splashing across white marble walls and dappled zebra-wood flooring. On the far side of the penthouse from the bathroom was the kitchen, a grand row of counter and cabinets that right-angled against the wall around a subtle but imperial island.

Stood against the counter was a suited attendant - one of the penthouse's hired staff - who cracked an egg into a frying pan at the stove, and silently cursed as the sizzle immediately indicated the pan was too hot. He lowered the flames and hoped his employer wouldn't notice. Sat at the island, a bald man in small dark glasses and a long, stately coat raised a single eyebrow momentarily, before returning his attention to the model in front of him; it was a scale miniature of one of the housing blocks in the Narrows before it had been torn down as restoration works began. The bald man was working carefully with a pair of tweezers and a Kolinsky Sable brush to get the replica corpses of the murder-suicide they'd had to clear out prior to demolition just right.

The water from the shower shut off, and the attendant nearly jumped at the sudden absence of noise. Footsteps - light, yet purposeful - traced a pattern from the bathroom to the nearby bedroom, then paused, then back out again and across the penthouse where they finally came to rest as the owner took a seat at the island.
"Oh, do put that ghastly thing away, Victor. It's too stunning a morning for your morbidity."
Victor Zsasz, Chief Operating Officer of Hightowers LLC, and William Sommer's right-hand man, brought a large rectangular case from the floor up to the island's surface, and carefully stowed away his model within, sealing the clasps and placing the case back on the ground. The attendant turned, a plate in each hand, and set William and Victor's breakfasts before them, before quickly returning with two delicate, designer, price-tag-over-function mugs, and a french press to match, carefully pouring the still-steaming coffee into their vessels. William watched him with skepticism, and then frowned impatiently as he set the french press back down.

"Well? I've just had a shower. The bathroom needs wiping down. I shouldn't have to tell you every time."
William had in fact never asked for the bathroom to be wiped down, but the attendant simply nodded nervously and walked away. Victor was already silently starting on his breakfast, his expression as stone-faced and inscrutable as ever. William inspected his eggs.
"Burnt. Shocking. Victor, do make sure to fire that imbecile once he's done for the day. I want someone actually capable of handling food tomorrow morning. Get one of Chez Vous' boys. Hell, get the owner."
Victor nodded, solemnly chewing the rest of his breakfast. William sipped his coffee and made a show of grimacing slightly in distaste, despite it being a perfectly-made espresso with the finest beans William's considerable fortune could acquire. With Victor offering little in the way of conversation, and William liking it that way, he reached for the day's Gazette. He perused the front page and its evocative artwork, before opening the broadsheet in full and vanishing behind it.

"This bat-character is stirring up the city lately, isn't he?" William remarked casually, and at this, Victor actually began to pay attention. "I assume we're keeping an eye on him?"
"Yes, sir. Reports are...sporadic at best. We really don't have much more information at this time than the major outlets. But they all point towards one thing so far."
"Which is?" William prompted, not coming out from behind the paper.
"One man, no funding. Street-level crime only. Seemingly no greater ambition than common thuggery vigilantism."
"So far." William corrected, and Victor cleared his throat.
"Yes, sir. So far. We are monitoring his behaviour."
William reached around his paper for his coffee. "Good. Let him play for now. Good to give the people some hope every now and again. Keeps them hungry."
"Yes, sir. And...if he moves against us?"
William used a single finger to fold down the corner of the Gazette, a dark gaze boring holes in the back of Victor's skull that he felt even through his obscuring glasses.
"We have him killed, Victor. Really, it's not that complicated. Can't have the muck getting any funny ideas."

- - -

The rain of the past few days had done little to clear out the humidity in the sweating alleyways of Gotham City. Steam belched from building vents as the sun set past the skyline, and 'Sunny' Sonny Shepard couldn't be happier for the clammy conditions. The rain was terrible for business - he didn't do house-calls, and no one wanted to wade through the streets in the middle of a monsoon to find his den - and the uncomfortable mugginess made people itchy, antsy; what better way to alleviate that agitation than with some quality product?

Well, maybe 'quality' was a little generous, although Sunny Sonny, chipper as his name would imply, was always quick to remind you that 'quality product' didn't specify what quality. 'Low' was still, semantically speaking, of a quality. And if you argued the point any further than that, well, there were always other dealers, if you could find any that hadn't blacklisted you by the time of your hospital release from a perforated abdomen.

As the sun finally disappeared Sunny Sonny made his way back to the den, tucking in to a greasy and well-stuffed gyro as he went; a vice of his, even if the authenticity was dubious despite the stall-owner’s claims. Still, it was a close enough approximation to be nostalgic of his mother’s, without being better, which Sunny Sonny thought was important - if you had a better version of something your mother used to make you, that’d be the version you’d want from then on, and one more thread of home would be severed. Gotham was too far already. The gyro was as good as it had to be, but no better.

The den approached quickly, or Sunny Sonny approached the den quickly, one of the two - he was too lost in reminiscent daydreaming to pay attention to his journey, the steps along simply muscle memory, running on auto-pilot. He finished the gyro, licking the last of the tzatziki from his fingers (autopilot), balling up the wrapper to toss in the dumpster down the side of the den (autopilot), fishing his keys and slipping them in the lock (autopilot), not noticing the lock had been jimmied and span loosely rather than getting stiff at that six-eighths rotation (autopilot), stepping through the door and his foot coming down squarely onto the trigger-plate of a bear trap set exactly where Sunny Sonny always put his auto-piloted foot after coming into the den.

Sunny Sonny tumbled to the floor hard, screaming and swearing, writhing in pain and desperately grasping at the vicious metal teeth that dug their way into his calf muscle and shin bone. Blood seeped out and soaked his jeans, and the sticky-slick ooze made getting a purchase against the metal impossible - every slip of the hand just jostled the trap and sent new white-hot flares of pain up his leg. He swore, his face red and eyes stinging, desperately wheeling his head about for either aid or his attacker.

The Bat dropped from the ceiling where he’d wedged himself for the last hour, landing between Sunny Sonny and the open door, kicking it shut behind him as he advanced. Sunny Sonny, in his agonised fury, went for the pistol in his waistband; the Bat was faster, and a forceful, steel-toed kick to Sunny Sonny’s wrist shattered the carpal bones and sent the gun skittering out of reach. Sunny Sonny, ever the optimist, tried to throw a punch instead.

Sunny Sonny now found himself in the un-enviable position of being caught in a beartrap with a broken wrist on his dominant hand and the fist of the other caught in the Bat’s grip.
“Sunny Sonny Shepard. You deal dope, crack, amps, percs, drops, and however much more besides, for a fifty-block radius in this borough. You don’t have the means or the mental capacity for production. So what I want to know…” the Bat moved his grip on Sunny Sonny’s good hand to seize it by the wrist, and wrapped his other fist around the index finger; with the widening eyes of Sunny Sonny’s sudden comprehension, and a short, sharp yank, the finger snapped, and Sunny Sonny howled in pain again. “…is where you get your supply?”

The Bat moved his hand away from Sunny Sonny’s index finger, now crooked and sticking out at an odd angle, and wrapped his fist around the middle finger instead. Sunny Sonny and the Bat locked eyes, and despite the defiant gaze from the injured man, his face paled against the ferocity behind the Bat’s eyes, which said everything without needing a word:

You have eight fingers left. Don’t make me show you what happens when you run out of them.
<Snipped quote by Eviledd1984>

You can view the code using the Raw option of that post.


or do what i do and quote the post, puts it straight into the guild reply box for you yeah just like that you little pervert



*Artists' Impression, the Bat-Man of Gotham
_________________________________________________________
NOBLE HERO OR CRAZED VIGILANTE?

Have you seen the Bat-Man of Gotham?
Victoria Vale

Across Gotham City, reports of sightings and encounters with the mysterious chiropteran assailant supposedly stalking the streets at night continue to flood the desks of GCPD officers, as well as journalists, bloggers, podcasters, and influencers, keeping everyone's eyes on one bewildering mystery: who is this cryptic creature roaming our city?

While often un-corroborated and rarely delivered by more than just a single witness, all stories do share a common thread: the prevention of a more serious crime, through the dispensal of profound violence. So far, Gotham's citizens seem to see this 'bat-man' as a dark protector against the seedy underbelly of Gotham City; but if he is indeed simply a man who's had enough - as many reports say he is - is he overstepping as a lone vigilante, disregarding the due process of the law in favor of street-administered 'justice'?

Reporters who spoke to staff at both Gotham General and Saint Peter's hospitals confirmed that there has indeed been a rising increase in admissions for fractures, concussions, crush injuries, and similar wounds consistent with blunt-force trauma - but hospital staff are unable to disclose patient history or identity, and GCPD have failed to see an equivalent rise in assault cases. Are these victims of the vigilante too afraid of him to speak out, or is this new trend in hospital admissions simply unrelated, and this 'bat-man' is another invention of Gotham's superstitious citizens, like the ever-popular tale of Grundy-of-the-Marsh, a similar cryptid fairytale from Gotham City's rich history?
One recent would-be victim, MARGARET PAGE, spoke to the Gazette of her close encounter only a few nights ago:

"I was coming home from work late one evening last week - when we had all that dreadful rain - and trying to avoid a flooded street I tried to cross a block over through an alley. Dumb, I know. Obviously there was some thug just waiting for me. It felt like the opening scene in a horror movie, you know? When lone girl bumps into the monster and gets killed. God, had the wet shirt and stringy hair and everything..."

"Anyway, I guess it was kind of like that, except the thug wasn't the monster. He just appeared so quickly, like he'd just stepped out of the shadows - like he'd just...materialized, you know? And he side-swiped the guy and all I could hear over the rain was just, him beating on this guy, just these dull wet thuds, you know? And then he stood up and he honest-to-god looked like a demon. Those horns, the big wings, claws, all-black, and that brand across his chest...but then he moved and he looked at me and it all changed. He was just a guy, you know? A guy who'd had enough. You could see it in his eyes. He was so scary, but when he looked at me I knew he wouldn't hurt me. He hurt that thug a bit more, sure, I wasn't exactly about to stop him. And then he just...he told me to go home. To save my money. And he just walked off, dragging that thug behind him. And I felt like he was watching me the whole way home. And the funny thing was, I did save my money, because my landlord told me to keep the rent. And I knew that was because of him. He protected me, you know?"
▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅▅
▅▅▅▅▅
The Gazette does know; Ms. Page's story mirrors that of many others across the city - a mugging, or a rape, or a robbery, or even a murder, interrupted seemingly out of nowhere by this mysterious costumed assailant. It's little wonder many citizens of Gotham are hailing this stranger as a hero, valiantly defending the vulnerable across the city that the GCPD often forget about.

However, not everyone shares the same view of this man as a protector - EARL SKINNER, Ms. Page's aforementioned landlord, came forwards exclusively to the Gazette to share his side of the story:

"Guy's a f--king maniac. I was just sitting in my car, trying to wait out the rain, and he completely wrecks the thing - caves the roof in, puts a crowbar through my windshield - and then when I'm getting out to see what the f--k is going on, he pulls me out and starts wailing on me. I have no idea what I did to this guy, but he's left me practically crippled. And then he threatens me that he'll come back to finish the job if I don't pause rent indefinitely for my tenants. Fine, I get it, times are hard - but how am I supposed to maintain eight apartments to a decent standard without any income? I'm just an honest landlord, I don't have an endless font of money. Free housing is a lovely ideal but it's not realistic - if this guy's willing to assault and kill people for some lefty nonsense, none of us are safe. It's just another step towards war by the woke agenda."

While the Gazette can't comment on any political leanings or agenda that may or may not be behind this man's actions - he has left no manifesto and refused to contact any publishing organization in Gotham - Mr. Skinner's story certainly does call for concern around the methods employed by this vigilante. For now, Gotham's police force may be content to allow this rogue agent to mete out violent justice in their stead, certainly as it seems those falling foul of the 'bat-man' are reluctant to report their encounter; perhaps, to the GCPD, this is an opportunity to cut down on their paperwork?

*Mr. Skinner, pictured with his injuries
_________________________________________________________
In any case, opinion is certainly split across the city, while those who may be held responsible for investigating or even stopping this man appear largely apathetic. The Gazette approached both the GCPD Commissioner and the Gotham Mayor's office for comment on these swirling rumours, but were provided no statement from either. It seems that amidst cryptic sightings and unconfirmed reports, the city's leadership has more pressing, extant concerns.


#1.03: Slow News Day
Earth-93913003, Gotham City


Jimmy startled as a rolled up newspaper slapped the top of his desk, breaking him out of his focus on the computer monitor in front of him. He quickly alt-tabbed, hiding the research into this mysterious 'Bat-Man' he'd been doing from whoever was now rounding the desk to interrupt what had until now been a relatively peaceful morning.
"You seen this shit, Jimmy?"
Jimmy looked at the copy of the Gotham Gazette that was unfurling on the desk in front of him. An artist's sketch of Gotham City's latest legend stared back at him from the front page, with a couple sensational headlines next to it.
"Looks like a slow news day to me." Jimmy replied, turning his attention back to the computer and some background paperwork he'd had up just in case. Harvey scoffed.
"If some headcase in bike leathers thinks he can do our job better than us he's welcome to try, but I won't have the papers call us lazy."
"You are lazy, Harvey." Said Gordon, to which Bullock just rolled his eyes.
"And you're an asshole, Jimmy. Only one of us is worth writing about to the Gazette, though."
Jimmy had to concede a chuckle at this one. Despite their differences, there were far worse partner assignments in the GCPD, and in a way Jimmy felt fortunate that the worst he got was a burnt-out, over-the-hill lard-ass with a cap and jacket severely in need of a wash.
"Still," Harvey continued, scratching his beard as Jimmy watched the flakes of the morning's pastry drift slowly to the floor, "it has been a bit quieter around here. Can't say I miss the paperwork.
Jimmy raised an eyebrow as Harvey pulled up a chair and sat down, propping his boots up on the edge of Gordon's desk. "You know what Jimmy - I'll say it. We let him have his fun for now. And then when he washes up in the Gotham River, we'll fish him out. And I'll wager doing that paperwork that he won't last the rest of the month."
Harvey held out his hand, waiting patiently for Jimmy's assent. Jimmy rolled his eyes, but ultimately leaned forward, sealing the bet with a firm shake.
"Excellent. Now get your jacket - we've got patrol beat. Maybe you'll get lucky-", Harvey said, standing and gesturing toward the PC that Jimmy had been working at- "and catch a real-life sighting to add to your research."

Jimmy startled, having underestimated his partner again, while Harvey just chuckled and left to fetch the car keys.

- - -

An erratic, vibrant piano piece echoed through the penthouse apartment at the top of Gotham City's most premier high-rise. Layered over the top was the white-noise of a shower running full-blast, and from the corner of the apartment that housed the bathroom a steady tide of mist rolled through the open-plan doorway.

The clear morning sky - finally clear after the torrential rain of the past few days - streamed bright and crisp sunlight through the skylights and wall-panel windows into the main chamber, splashing across white marble walls and dappled zebra-wood flooring. On the far side of the penthouse from the bathroom was the kitchen, a grand row of counter and cabinets that right-angled against the wall around a subtle but imperial island.

Stood against the counter was a suited attendant - one of the penthouse's hired staff - who cracked an egg into a frying pan at the stove, and silently cursed as the sizzle immediately indicated the pan was too hot. He lowered the flames and hoped his employer wouldn't notice. Sat at the island, a bald man in small dark glasses and a long, stately coat raised a single eyebrow momentarily, before returning his attention to the model in front of him; it was a scale miniature of one of the housing blocks in the Narrows before it had been torn down as restoration works began. The bald man was working carefully with a pair of tweezers and a Kolinsky Sable brush to get the replica corpses of the murder-suicide they'd had to clear out prior to demolition just right.

The water from the shower shut off, and the attendant nearly jumped at the sudden absence of noise. Footsteps - light, yet purposeful - traced a pattern from the bathroom to the nearby bedroom, then paused, then back out again and across the penthouse where they finally came to rest as the owner took a seat at the island.
"Oh, do put that ghastly thing away, Victor. It's too stunning a morning for your morbidity."
Victor Zsasz, Chief Operating Officer of Hightowers LLC, and William Sommer's right-hand man, brought a large rectangular case from the floor up to the island's surface, and carefully stowed away his model within, sealing the clasps and placing the case back on the ground. The attendant turned, a plate in each hand, and set William and Victor's breakfasts before them, before quickly returning with two delicate, designer, price-tag-over-function mugs, and a french press to match, carefully pouring the still-steaming coffee into their vessels. William watched him with skepticism, and then frowned impatiently as he set the french press back down.

"Well? I've just had a shower. The bathroom needs wiping down. I shouldn't have to tell you every time."
William had in fact never asked for the bathroom to be wiped down, but the attendant simply nodded nervously and walked away. Victor was already silently starting on his breakfast, his expression as stone-faced and inscrutable as ever. William inspected his eggs.
"Burnt. Shocking. Victor, do make sure to fire that imbecile once he's done for the day. I want someone actually capable of handling food tomorrow morning. Get one of Chez Vous' boys. Hell, get the owner."
Victor nodded, solemnly chewing the rest of his breakfast. William sipped his coffee and made a show of grimacing slightly in distaste, despit eat what was a perfectly-made espresso with the finest beans William's considerable fortune could acquire. With Victor offering little in the way of conversation, and William liking it that way, he reached for the day's Gazette. He perused the front page and its evocative artwork, before opening the broadsheet in full and vanishing behind it.

"This bat-character is stirring up the city lately, isn't he?" William remarked casually, and at this, Victor actually began to pay attention. "I assume we're keeping an eye on him?"
"Yes, sir. Reports are...sporadic at best. We really don't have much more information at this time than the major outlets. But they all point towards one thing so far."
"Which is?" William prompted, not coming out from behind the paper.
"One man, no funding. Street-level crime only. Seemingly no greater ambition than common thuggery vigilantism."
"So far." William corrected, and Victor cleared his throat.
"Yes, sir. So far. We are monitoring his behaviour."
William reached around his paper for his coffee. "Good. Let him play for now. Good to give the people some hope every now and again. Keeps them hungry."
"Yes, sir. And...if he moves against us?"
William used a single finger to fold down the corner of the Gazette, a dark gaze boring holes in the back of Victor's skull that he felt even through his obscuring glasses.
"We have him killed, Victor. Really, it's not that complicated. Can't have the muck getting any funny ideas."

- - -

The rain of the past few days had done little to clear out the humidity in the sweating alleyways of Gotham City. Steam belched from building vents as the sun set past the skyline, and 'Sunny' Sonny Shepard couldn't be happier for the clammy conditions. The rain was terrible for business - he didn't do house-calls, and no one wanted to wade through the streets in the middle of a monsoon to find his den - and the uncomfortable mugginess made people itchy, antsy; what better way to alleviate that agitation than with some quality product?

Well, maybe 'quality' was a little generous, although Sunny Sonny, chipper as his name would imply, was always quick to remind you that 'quality product' didn't specify what quality. 'Low' was still, semantically speaking, of a quality. And if you argued the point any further than that, well, there were always other dealers, if you could find any that hadn't blacklisted you by the time of your hospital release from a perforated abdomen.

As the sun finally disappeared Sunny Sonny made his way back to the den, tucking in to a greasy and well-stuffed gyro as he went; a vice of his, even if the authenticity was dubious despite the stall-owner’s claims. Still, it was a close enough approximation to be nostalgic of his mother’s, without being better, which Sunny Sonny thought was important - if you had a better version of something your mother used to make you, that’d be the version you’d want from then on, and one more thread of home would be severed. Gotham was too far already. The gyro was as good as it had to be, but no better.

The den approached quickly, or Sunny Sonny approached the den quickly, one of the two - he was too lost in reminiscent daydreaming to pay attention to his journey, the steps along simply muscle memory, running on auto-pilot. He finished the gyro, licking the last of the tzatziki from his fingers (autopilot), balling up the wrapper to toss in the dumpster down the side of the den (autopilot), fishing his keys and slipping them in the lock (autopilot), not noticing the lock had been jimmied and span loosely rather than getting stiff at that six-eighths rotation (autopilot), stepping through the door and his foot coming down squarely onto the trigger-plate of a bear trap set exactly where Sunny Sonny always put his auto-piloted foot after coming into the den.

Sunny Sonny tumbled to the floor hard, screaming and swearing, writhing in pain and desperately grasping at the vicious metal teeth that dug their way into his calf muscle and shin bone. Blood seeped out and soaked his jeans, and the sticky-slick ooze made getting a purchase against the metal impossible - every slip of the hand just jostled the trap and sent new white-hot flares of pain up his leg. He swore, his face red and eyes stinging, desperately wheeling his head about for either aid or his attacker.

The Bat dropped from the ceiling where he’d wedged himself for the last hour, landing between Sunny Sonny and the open door, kicking it shut behind him as he advanced. Sunny Sonny, in his agonised fury, went for the pistol in his waistband; the Bat was faster, and a forceful, steel-toed kick to Sunny Sonny’s wrist shattered the carpal bones and sent the gun skittering out of reach. Sunny Sonny, ever the optimist, tried to through a punch instead.

Sunny Sonny now found himself in the un-enviable position of being caught in a beartrap with a broken wrist on his dominant hand and the fist of the other caught in the Bat’s grip.
“Sunny Sonny Shepard. You deal dope, crack, amps, percs, drops, and however much more besides, for a fifty-block radius in this borough. You don’t have the means or the mental capacity for production. So what I want to know…” the Bat moved his grip on Sunny Sonny’s good hand to seize it by the wrist, and wrapped his other fist around the index finger; with the widening eyes of Sunny Sonny’s sudden comprehension, and a short, sharp yank, the finger snapped, and Sunny Sonny howled in pain again. “…is where you get your supply?”

The Bat moved his hand away from Sunny Sonny’s index finger, now crooked and sticking out at an odd angle, and wrapped his fist around the middle finger instead. Sunny Sonny and the Bat locked eyes, and despite the defiant gaze from the injured man, his face paled against the ferocity behind the Bat’s eyes, which said everything without needing a word:

You have eight fingers left. Don’t make me show you what happens when you run out of them.
Gotham gazette

Faux subreddit comment chain?
Or just texts.

Then title card
Then Sommers
Then starting the Bat on Penguin’s trail.
#1.02: The Bat
Earth-93913003, Gotham City


Earl Skinner was a drug dealer, a hired thug, a gang initiate, a general scumbag, and a landlord.

His father’s father has been in construction and lived in what was effectively a worker’s village contained to a single two-story bloc estate, 8 apartments of 4 rooms each (including the combination den/kitchenette and the cramped en-suite bathroom) forming a brutalist square around a double-function courtyard and parking lot for bikes and the one guy who’d scrimped and saved enough pay to buy an actual car. Eventually the other workers had died or moved away, and it had been just Ol’ G-Paw Skinner left, living off state pension, nursing arthritis and lung disease. When G-Paw died Earl was still a boy, and didn’t understand that G-Paw had been a long-time blocker to companies that wanted to purchase the lot for redevelopment; he didn’t know that his father had been made an offer for the bloc shortly before G-Paw’s sudden decline after a decade battling illness, nor that his father had countered the offer with the inheritance and bought the whole run-down, crumbling estate himself with city guidance he make the bloc as a whole presentable amidst the other developments around them. What he did understand, through his father’s tutelage, is that paint and spackle was a lot cheaper than actual structural repairs, and that desperate people would pay far more than what a place was worth just to have a roof over their heads on those sodden Gotham rainy nights and a bed to lay their children in. By the time Earl learnt the truth of G-Paw’s demise - confessed by his father on his own deathbed - his only real thought was ‘why ain’t ya do him in sooner’.

Since his father’s death, he’d come into ownership of the bloc and its leases himself, and he’d developed new, even more degenerately cunning methods of extracting money from his tenants and funneling it into his own assets; see, Earl only took rent in cash, in stark defiance of the modern age, and Earl's pal Brad owned a payday loan business in the same neighborhood, just on the right side of shady to still be operating. Between them, they also knew a revolving door of gang initiates looking to cut their teeth on some violent scut-work.

So with all the pieces clicking together, the play went like this: Earl would demand payment from whoever was coming up to rent day, and because he demanded it in cash, he'd wait until the unfortunate tenant had made the withdrawal, and then have them mugged. Unable to pay, the tenant invariably found a very un-sympathetic Earl would begin imposing late fees day-by-day, while the stolen cash would be taken straight to Brad. As the victim grew desperate beneath the looming threat of homelessness on Gotham's unforgiving streets, one of two things would happen - either they found a way, almost always a horrible way, to stump up the cash, plus late fees, and Earl and Brad split the original rent money for a tidy little profit; or they came to Brad's door, who was genial and polite and more than happy to lend them back their own stolen money to pay Earl's rent and late fees and all at a tidy little interest rate of 100-150% to start with.

The sustainability of such a model mattered little to either man; when the pair's combined ploy eventually drove someone out of the bloc entirely, Gotham's endless font of desperate unfortunates was quick to plug the gap. Anyone who suspected Earl Skinner was never in a position to do anything about it.

Earl Skinner was about to have a bad night.

- - -


Maggie hurried home through the streets on yet another rainy Gotham night, her jacket held up to shield her hair from the downpour. In truth, she didn't hate the rain; the streets were quieter, she liked the sound of it, and more often than not wet nights were warmer than dry ones, which she felt grateful for in her unheated apartment. The rain hit against her skin and she tried to embrace it rather than shiver. On her thighs she still felt the greasy, clammy grips of the barflies who'd pawed at her as she'd delivered drinks and paraded shots - but it made for good tips, so instead of recoiling in disgust she smiled, put a hand on a shoulder, bent over just enough to present the tray as well as her cleavage, and tips were sorely needed. Today, rent was due. Earl had messaged to remind her this morning. She gripped the envelope of cash tight.

A couple streets over, Earl Skinner sat in his Chevy Suburban, a ghastly SUV monster that looked all the more ridiculous in its overblown and gaudy pompousness when it was sat outside the neglected and degrading apartment block that he'd used to finance it. He fiddled with his phone, flipping between apps and webpages and generally killing time while the rain beat down around him and he waited for the evening to proceed. Out in the wet his goon was splashing across the asphalt, off to fetch Earl his money.

Maggie was close to home, and grateful for it; she felt like she must be approaching terminal wetness, a plateau of simply how soaked a single person could physically be, and the rain seemed only to worsen in response. She was drenched to the bone, and without a working boiler she was in genuine danger. Towels and blankets might not be good enough to dispel this chill from her core, but she had no other options. Her clothes would take days to dry.

Ahead of her, the road was awash with a great lake of water; there was a blocked drain and the rain had taken full advantage to sink the street into a shin-high marsh. Maggie didn't even stop to consider her options; she couldn't face having to walk through it and ruin what was left of her shoes - her feet pounding the pavement in double-layered socks was about all the warmth she had left in her right now. Instead, she took a sharp turn, ducking between two buildings to cross through the alley in between them, intending to circle around the flood; she was maybe a block, block-and-a-half from home, and she even had the day off tomorrow. Home, some food, some dry clothes.

She didn't even see the man holding the crowbar until he stopped her forcefully with a heavy hand against her collarbone. He almost felt like a caricature of Gotham's standard run-of-the-mill muggers; dressed head-to-toe in a grey rubber poncho, balaclava covering his face beneath the poncho, booted in black wellies and gloved hands forming a tight grip around his choice of weapon. Maggie simply started to cry.
"No dramatics, lady. Just make this easy on the pair of us and hand it o-"

He was interrupted mid-sentence by the sudden and forceful impact of a stranger's shoulder to his midsection, and his yelp of surprise and pain was cut short by the ringing of metal as they hit a dumpster and the dropped crowbar hit the floor. There were several wet thuds in fast succession and more yelps, and then the stranger stood, hunched over, one hand gripping the goon by the collar of his poncho, the other balled into a fist and rearing back; it came down hard, and even through the poncho and the balaclava, the sound of a fractured jawbone rang clear through the rain. The terrible hands found the discarded crowbar and this too was raised, flashing in the sky against the streetlight like the flaming sword at the gates of Eden; it found its mark against a kneecap, and the cry of pain cut ice through Maggie, even as it came out garbled through the broken jaw.

The stranger stood tall, fist still clenched around the crowbar. Maggie didn't dare breath. He was some manner of terrible demon: all-black, horns erupting from his head, terrible wings trailing down his back like flayed skin slung over his shoulders, something branded across his chest. His hot breath spooled out as fog from his mouth in the evening air. Out of sheer morbid curiosity, Maggie leaned forward, trying to get a better view of the symbol across his torso; when he finally moved, turning toward her, the illusion was dispelled.

Stood before her was a man, 6-foot and change, well-built and broad-shouldered; he wore dark-grey military pants, the legs tucked into heavy black boots. His hands flexed inside padded gloves, and his torso was clad in a matte-black armoured jacket; across the chest was the painted insignia of a bat. A cape wrapped around his neck and fell backwards over his shoulders, the ends ragged and torn, and finally a hardened cowl covered his head, that furrowed his brow and darkened his eyes, with great pointed ears sprouting from the top. In the murky night, through the rain, he cut a hellish otherworldly figure; as Maggie adjusted and the terror subsided, he became a saviour, and simply a man.

They looked at each other for a long time; Maggie didn't move, and neither did the Bat; he kept a firm grip on the crowbar, and she still clutched her pay. Finally, with a rasping breath, the Bat stooped over again, passing the crowbar from one hand to the other and picking up the would-be mugger's uninjured leg. Step by step, the Bat began to drag the man past Maggie, his ferocious gaze set on some distant objective that Maggie couldn't see through the rain. He growled as he passed her, offering only a few short words,
"Get home, get dry. Save your money. No more robbery tonight."
And then he was gone around the corner, and the spell on Maggie was broken; she scrambled away, running all the way back to the bloc.

- - -


Earl yawned and rubbed his face, feeling eyestrain from staring at his screen in the dark of the car's interior for the last hour. He wondered where the hell that jackass rookie was. That was the problem with kids these days - no drive, no common sense. If he'd taken the money and split, he'd be on crutches within the week, and that was best-case scenario. As it was, Earl was still fixing to deliver him a black eye, or maybe a broken nose, just for the tardiness.

Something groaned outside the car.
"Alright, fuck this dumb kid." Earl muttered to himself, sitting up and twisting the keys in the ignition to bring the engine to life.

There was a great crunching and creaking of metal as something heavy hit the car and the roof buckled beneath the weight. The car rocked side-to-side, something else tumbled down the windshield and landed on the bonnet, and then everything was still, only the beating of the rain against the car once again. Earl breathed heavy, panicked breaths, mind racing. Shakily, he brought his phone to his ear, dialing the rookie.
What the fuck is going on out there?

Earl jumped as his phone connected and the rings made the car hum like thunder. He peeked over the steering wheel and now saw the object on the bonnet for what it was; his rookie's phone, lighting up against the night and vibrating with each ring. Slowly, but surely, Earl watched the phone vibrate its way to the edge of the car and tumble to the ground; the call fail immediately as the phone cracked and switched off. Earl looked up, and now noticed the outline of a limp hand hanging over the lip at the top of the windshield. Nervously, and with some effort thanks to its now partially-crumpled frame, Earl pushed the door open to try and look at the individual on the roof and confirm his suspicions.

A strong hand gripped Earl roughly by the back of the collar and pulled him bodily from the car, tossing him hard onto the wet asphalt of the road. Earl blinked, trying to wipe the rain from his face and get a good look at his attacker; he scrambled to stand, trying to push himself up, but a forceful kick to his elbow sent it bending the wrong way and put him straight back on the ground. He clutched his arm, growling in enraged pain.
“Whoever the fuck you are, you have no idea who you’re fu-”
There was a flash of metal in the streetlight and the crowbar Earl had handed the rookie not even an hour previous came down onto his ribs; Earl felt at least three crack from the impact and growled again.
“I’m gonna fucking kill you-”
This time the crowbar hit his kneecap dead-on, shattering it. The leg would be useless for weeks; he’d never walk on it properly again.

Earl screamed, and there was a crashing sound of glass from the car; through the pain, Earl looked up. The crowbar was lodged through what remained of his windshield.
The light from behind Earl’s head was eclipsed as a great shadow stepped behind him. Earl couldn’t twist to see properly, and he was hazy through the pain and the downpour, but he saw…blackness. A dark figure, with wings and horns and a snarl like a primeval beast, looked over him.

The Bat put a single careful boot on Earl’s wrist.
“You will never hurt another person again. You will never take money from another person again.”
The pressure on Earl’s wrist increased and he groaned, unable to pull himself free.
“You will never push drugs again. You will never rob again.”
Slowly, slowly, more pressure; Earl could feel the small bones grind against each other, the asphalt bite into his skin.
“You will never rape again. You will never kill again. You will hide, and you will think, and you will regret your pathetic life, your sad life, your vicious little life that has been predicated on hurting, and taking, and exploiting, and trafficking, and you will never do any of it again. Because if you do, I will know.”
The Bat pushed down with that last little push that was needed, and a series of short, sharp snaps popped from Earl’s wrist as it was crushed beyond use entirely. The Bat crouched, inches from Earl’s panicked, terrified face, a demon snarling the truths of Hell into his ear.
And I will come back for you.”

Earl fainted, the pain finally washing him out of consciousness. The Bat stood up, and walked away, disappearing into the night.
A L I A S
A L I A S

"Witty Quote"
C H A R A C T E R P O R T R A I T
C H A R A C T E R P O R T R A I T
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C H A R A C T E R S U M M A R Y
C H A R A C T E R S U M M A R Y
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Given Middle Surname
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Occupation | Affiliation(s) [If Applicable]
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Multiverse | Open or Closed to Collaborators

C H A R A C T E R N O T E S
C H A R A C T E R N O T E S
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P O S T C A T A L O G
P O S T C A T A L O G
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W H A T I F...?
W H A T I F...?
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This is where you outline your vision for the character including any notable changes or differences from the regularly accepted canon. This should be a short summary that provides insight into where the character is in terms of their overall progress and development. You could also include any notable differences from the standard canon you've added to your character.

P L O T ( S ) & G O A L ( S )
P L O T ( S ) & G O A L ( S )
________________________________________________________________________________________
Why do you want to play this character, what is the driving motivation behind both this desire and the character themselves. What do you hope to accomplish and where do you want the character's story/stories to go? For a driving character, there should be enough of an outline present to interest other players along with specifications towards how many players you're looking to involve or available roles. For supporting characters, this should indicate either a plot you've arranged to be part of or the type of plot you're looking to be involved in. Roaming characters have the privilege of doing either or simply stating a roadmap for the character to exemplify how you'd ideally like them to move between plots.

He's got a massive whinge he hasn't got a too right! Built like a uluru heaps he's got a massive icy pole. Grab us a gobful piece of piss you little ripper swag. As cunning as a stonkered mate he hasn't got a mullet.

He's got a massive whinge he hasn't got a too right! Built like a uluru heaps he's got a massive icy pole. Grab us a gobful piece of piss you little ripper swag. As cunning as a stonkered mate he hasn't got a mullet.

He's got a massive whinge he hasn't got a too right! Built like a uluru heaps he's got a massive icy pole. Grab us a gobful piece of piss you little ripper swag. As cunning as a stonkered mate he hasn't got a mullet.
He's got a massive whinge he hasn't got a too right! Built like a uluru heaps he's got a massive icy pole. Grab us a gobful piece of piss you little ripper swag. As cunning as a stonkered mate he hasn't got a mullet.

He's got a massive whinge he hasn't got a too right! Built like a uluru heaps he's got a massive icy pole. Grab us a gobful piece of piss you little ripper swag. As cunning as a stonkered mate he hasn't got a mullet.

He's got a massive whinge he hasn't got a too right! Built like a uluru heaps he's got a massive icy pole. Grab us a gobful piece of piss you little ripper swag. As cunning as a stonkered mate he hasn't got a mullet.



What If...Deadman was just a kid?
Enormous, rough-hewn stone walls expanded in every direction forever, their rugged surfaces a mix of eroded curves and harsh, hand-chiseled edges. The cragged, pock-marked plane snaked away around corners, wrapping in on itself with corridors that weaved and knotted and intersected at crossroads and loops and spirals. You could walk for five hundred days and never find a dead-end, never cross back on yourself, but you'd have made no progress at all. Above was a black, empty expanse, an endless sprawl of agoraphobia that weighed down on top of you and made the stone hallways all the more narrow; claustrophobia in equal measure.
Poe, rake-thin, 3-foot-something, hair matted and greasy, curled into herself against the cold floor that was simultaneously the cold stone of the walls and a clinical vinyl linoleum tile, each version of itself straining against the other to assert their own reality; eventually, the linoleum gave way, and stone swallowed up what was left of where she'd come from entirely. She pressed the butts of her hands into her eye sockets, refusing to see what she could hear and feel and know in her very core. This was a world she was familiar with but wanted little to do with; a world she knew in glimpses and fragmented nightmares. A surreality that defied all logic regarding its incomprehensible, immutable being. It was and is and would be. It was frightening. It is dangerous. It would be navigable, would Poe simply come to understand it. Alas. Such a thing defied understanding just as much as it defied all man's ken. Poe, young and scared and of little experience of known reality, let alone this other, outside-place, could not dwell on extant metaphysics - she could only cower. Poe, rake-thin, 5-foot-4, hair brushed and straightened and falling far past her shoulders, lay in a hospital bed, mattress soft and firm. The clean plastic and metal of the bed's frame were a stark contrast against the ragged rock and stone of the surrounding labyrinth, the muted pastel green and cream almost blinding against dark grays and blacks. The tube in her arm suggested an IV drip had at some point been in place, but such a feature was absent now - just a loose cannula draping over the edge of the bed, the last few drops of saline from the open end the last indication of any medical attention she had been receiving. She was bleary and confused, and though a part of her couldn't help but recognize where she was, how she came to be here, and the implications upon her circumstances that both fragments of knowledge imparted, there was a fog against her mind that prevented a conscious acknowledgement. She was here, she had been somewhere else, she would arrive elsewhere entirely; all were important, none felt relevant. In the haze, she merely lifted her arm, observing her pale flesh sparkle in the black starlight from above.
Poe turned away from these particular versions of herself, caught in here, ensnared in the maze. Which version of her was more true she did not know; if either were constructions, either of her own making, or the labyrinth's making, or from some further alien source, she could not place their origins and she could not recollect herself in their places. They were mirages, conjured up to frighten or threaten or elucidate or distract; it didn't matter, she didn't want them, and suddenly they were gone as the walls stretched and scraped with a great stone-on-stone grinding to finally slam closed and box both in entirely, before the corridors before her stretched away at such a pace she felt nauseous; and that was that. Out of sight, out of mind.

Distantly, distantly...shouting? Poe turned, her brows knitted together. Hallways spanned out before her but choosing was a lottery; the sound seemed to come from each in equal portion, bouncing off the rock to surround her with shouts becoming half-heard whispers. She knew, in her bones, that if she wanted to find them, she would, regardless of choice of direction, but she wasn't sure she did. Something else in her gut told her not to go looking. Which instinct to trust, which hunch to rely upon? Curiosity rallied and ignited the fire; with five passages splayed out in front of her she spread her fingers and slapped her hand hard against the rock before holding her arm out in front. Her ring finger hurt the most, so that was the way she picked.

Twisting, turning, running hands along rough stone. Shouting grew steadily closer, and though she could hear the source moving it gained no ground on her. She circled it, drawing ever-inwards as it frantically span in a frenzied search. She could hear it properly now, make out the words, although wouldn't deign to guess whether that was because she was close enough or she was now simply allowed.
"Poe! Poe, where are you?! Poe!"
Searching for her. A sliver of ice ran through Poe's chest and she nearly tripped, distracted by shock, but her hands caught herself on stone rushing to meet them and she steadied. In response, the walls shifted, and what would have been a circuitous, rounding path suddenly opened at its core and there it was, the source; a well-groomed, stern-looking older gentleman in a clean-pressed and expensive suit, flanked by a man and a woman, looking slightly less collected, in white coats and wielding syringes. Poe's eyes flared in panic as she noticed the needles; the gentleman's eyes flared in poised anger as he noticed Poe.

"Poe! Poe, come with us now."
Poe stepped backwards, scared, threatened. Quietly, the straight path shimmered and what had been, momentarily ago, an endlessly spooling corridor behind the trio, was suddenly thick with stone. Of the white-coat pair, the man noticed first. He sprung back - Poe recognized swelling panic flush across his face, a mirror of her own expression. The gentleman only glanced subtly to either side, seeming to assess his immediate surroundings.
"Poe, come on now." A calmer tone, but with the words came another advance, and his advance prompted Poe's retreat; she didn't know who these people were, didn't desire to, and her attention was fixed on the metal of the needles that still glimmered in the non-light. "We need to be getting on."

The woman ran out of patience and darted forwards, prompting the gentleman to yell out, but not before Poe was away and sprinting backwards; they were chasing, faster than she could escape - and then came that grinding of stone against stone again, and more shouts,
"Poe! Don't leave us here! Poe! Don't! DO-"
and then the stone slammed shut and there were no more shouts and Poe was alone again.
In Ju-V 10 mos ago Forum: Advanced Roleplay
W Y N D

P O E N A V I D S O N 1 1 N O V E M B E R 2 0 0 5 ( 1 8 ) F E M A L E
“Then no matter where you are, in a crowded restaurant or on some desolate street or even in the comforts of your own home, you'll watch yourself dismantle every assurance you ever lived by. You'll stand aside as a great complexity intrudes, tearing apart, piece by piece, all of your carefully conceived denials, whether deliberate or unconscious. And then for better or worse you'll turn, unable to resist, though try to resist you still will, fighting with everything you've got not to face the thing you most dread, what is now, what will be, what has always come before, the creature you truly are, the creature we all are, buried in the nameless black of a name.



And then the nightmares will begin.

▼ A P P E A R A N C E:

//STATS:
◼ HEIGHT | 5'4"
◼ WEIGHT | 91lbs
◼ BUILD | Malnourished
◼ HAIR COLOUR | Black. Streaks of red in the front.
◼ EYE COLOUR | Amber
◼ 'VOICE' TEXT COLOUR | Hexcode 8B0000
◼ OTHER | Often wearing dark, thick eyeliner, mostly to distract from or mask the heavy bags beneath her eyes. She has blemishes and scratches up her arms where she compulsively picks her skin.

//DESCRIPTION:
Poe is a haunted girl, nervous and in a constant state of exhausting alertness. Her clothes are simple and dark, jeans and tough boots, often wearing large, baggy jumpers and hoodies that swallow her up, serving to both cover her picked-at arms, and help warm her too-skinny frame. Her eyes have the look of someone who's tired to their bones, and dark bags beneath them only emphasize her apparently exhaustion.

▼ B I O G R A P H Y:

"Here then at long last is my darkness. No cry of light, no glimmer, not even the faintest shard of hope to break free across the hold."
Poe remembers little of her pre-Aegis life, but the scraps she gets aren't pleasant, and she's smart enough to understand contextually that her apparently long-term presence in Aegis facilities doesn't speak to a healthy, well-balanced adolescence. Flashes of an extended but dysfunctional family, of a mother at times both nurturing and frightening, of a father desperate and well-meaning but ill-equipped. Whatever her own struggles, Poe is certain she is far from the first to have battled with them.

Most of Poe's accessible memories are of time in Aegis facilities; she's a 'lifer', no doubt, and has bounced through 4 separate facilities across the United States so far, with both the properly-filed paperwork and without - most recently definitively without. She came to them younger than most, and has stayed with them longer than most - making and losing friends along the way, but for the most trying to survive her own mind, fighting against twisting corridors of paranoia, anxiety, and phantom phobias.


▼ M O T I V A T I O N / O B J E C T I V E:

“For some reason, you will no longer be the person you believed you once were. You'll detect slow and subtle shifts going on all around you, more importantly shifts in you. Worse, you'll realize it's always been shifting, like a shimmer of sorts, a vast shimmer, only dark like a room. But you won't understand why or how.”
More than anything, Poe seeks understanding. Her own mind being simultaneously so familiar and so alien is disconcerting at best, and while she's in full control of her faculties and thoughts and movements and motor functions, there is ever-present paranoia that she remains subtly influenced by the dark corners of her psyche, strings being pulled by a self behind the self. In the most literal terms, she cannot trust her own mind - and how do you find peace when such a fact defines your existence?

Despite its inherent fundamentality to Poe's nature and very being, she cannot help but be deeply frightened of the Finite Passage; who would not be, when your own mind is so innately unknowable? Through her lengthy stay with Aegis she has sought to conquer the intrinsic secrets of the labyrinth, poring through her own mind to reveal what it is hiding from itself; success has been limited, if it comes at all. The issue is looking for something that doesn't want to be found, in a place that doesn't want you - itself - both - to find it.

▼ A B I L I T I E S / S K I L L S:

"What miracle is this? This giant tree.
It stands ten thousand feet high
But doesn't reach the ground. Still it stands.
Its roots must hold the sky."
//ABILITIES:
◼ The Finite Passage | Poe's mind is, literally, a labyrinth. It is an eldritch, shifting space that she has dubbed 'The Finite Passage', and despite its alien nature to anything approaching humanity as we know it, it is as intrinsically a part of Poe - intrinsically Poe herself - as the colour of her eyes or the the whorls of her fingertips. It is reflective of and adaptive to Poe's mental state at any given time, and she has both absolute dominion over it, and no possible idea how to control it.

The Finite Passage manifests in two ways, but contains myriad peculiarities within itself. Poe can dive into herself, using her own mind as a portal to find herself on the otherside in the midst of the dark stone corridors of the labyrinth, or she unfold her mind into the world around her, spooling the labyrinth out of herself to imprint itself across actual reality and eventually subsume her, her surroundings, and anyone else unfortunate enough to be in the vicinity.

Upon entering the labyrinth, Poe can navigate its corridors to find an exit out into any point, disappearing into herself and finding the right escape to reappear anywhere else on the planet. However, how easy an exit is to find is very variable, dependant on knowledge of destination, navigation ability, and even Poe's own mental state.

There are several other 'unique' aspects of the Finite Passage, as a result of its dual nature as both a representation of Poe's psyche, and its own seemingly-alive eldritch space; but Poe understands these even less than the superficial travel functions of the labyrinth, and is afraid of what true exploration of the Finite Passage's depths might uncover - as such, she avoids it completely.

//SKILLS:
◼ Perceptive, Agile, Survivable | Poe's fear and paranoia has honed her senses toward anxiety-driven perceptive peaks, constantly scanning and processing hundreds of elements from her surroundings ever second, keeping her alert, aware, and well-tuned to even the subtlest details around her. Her lithe frame has afforded her some agility and light-footedness, and from her experiences across her life - inside and outside Aegis facilities, even inside the Finite Passage itself - she has learnt extraordinarily well how to survive.

//LIMITATIONS:
◼ Exhausted, On-Edge, Frightened | Poe's constant alertness has a side-effect: an in-parallel constant exhaustion, her brain always in overdrive analysing every possible detail and threat, wearing her down every minute until she has little-to-no energy to do much of anything else entirely. She's always on-edge, quick to irritability and pessimism, and lives in a sustained state of fear that colours her every interaction.

//WEAKNESSES:
◼ Memory Failure, Autophobia, Paranoia | A side-effect of the Finite Passage, her own physical location isn't the only thing that can lost within its labyrinthian sprawl - memories can and do and have gotten lost as well, and without knowing where they are, or even that they're missing at all, Poe can't recall large chunks of her life. Due to the Finite Passage being an intrinsic part of her psyche, her fear of its unknown nature also deviates simultaneously into a fear of herself and a fear of isolation, both of which cause her no end of struggle. Finally, what little she does understand about the Finite Passage and its psychic properties has devolved into paranoia about Aegis and those around her, and about the 'self behind the self', an 'other' Poe she believes is secretly manipulating her from within her own subconscious and the depths of the labyrinth.

▼ N O T E S:

//SUPPORTING CAST:
▼ ALLIES
None | Yet...

▼ FRIENDS
None | Yet...

▼ ENEMIES
None | Yet...

//STOMPING GROUNDS
◼ Aegis Facilities | Test

//PARAPHERNALIA
◼ None | Due to how Poe ended up in the Alcatraz Aegis facility, she failed to bring any belongings with her. Until such personal items can be transported across the continent, she's starting from scratch.
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