Tatterdemalion

Sunshards

”Down.”

The silk is very thin. There might as well be nothing between her knees and the floor. But she kneels anyway. She is very, very good at kneeling, given her previous occupation and its meditative exercises. Qiu’s fingernails dig into the back of her scalp, sending shivers down her spine, and Rose in Gold groans blissfully, the sound as legible as that of soft rain out beyond heavy curtains.

“Good girl~!”

It is very obvious that Rose from the River is going through her breathing exercises. Her nostrils flare and her hair flexes, making a sound like wind rushing through a grove. She plants one foot heavily, drawing her other in a semicircle. With exaggerated care, she takes up her staff but does not change its shape.

“Of course?” The corner of her lips twitches. It took every part of her self-control to keep those words even and faintly amused. “Yes, assuming that you will win; that, even if I cannot win here and now, that I will not slip through your fingers; that even if you claim me as a prize I cannot outwit you; that I would ever set aside my quest without the blessing of the Way. You narrow the wide world into a binary, and doing so, make it so that every option I pick is held in one of your hands. To run away, or to fight hopelessly, and in defeat, to submit completely. As if you are the most important thing in the world!”

She dances to the sound of Ysian flutes. Chen, sitting at Qiu’s feet, is beet red and peeking through her fingers at Rose in Gold, who leaves a trail of layers behind her. Her breath control; her incomparable precision; her body, closer to a full revelation with every shawl shrugged off and every veil undone; these are all her honors, her glories, and now she displays them for the glory of Qiu. She dances, and every eye on her is envious, and her heart races knowing that all of them want her, everyone wants her, but Qiu will decide who gets her as a prize tonight, and the thought frees her and lets her become the dance, the whirling eye of desire, her own mind a white-hot joy, and when she glances over her shoulder and lets the last shawl slip free, baring the rich, dark flesh of her own making, the sound that comes out from under Chen’s veil is indecent, incoherent, adoring; and Qiu leans down to whisper in her slave’s ear...

“And besides,” she adds, with forced lightness, “what do you think this is, Roads in Autumn: The “Path” Cycles 2? That the horny monk is just looking for an opportunity to shuck her vows and be tied down, to be forced to stay? You’re no Aisling, o Your Graciousness, even if I do want— did want— happened to want what you’re dangling in front of me. If you’re insisting on making me decide between the two doors you’ve selected out of a hundred, at least sell them! Or are you hoping that I will be noble and walk away, leaving Yue the Sun Farmer defenseless in your grasp?”

”I’m never going to hurt you,” Qiu whispers, holding the helpless ex-monk in her arms. The moonlight plays over Rose in Gold’s skin: the pinch of the ropes, the golden chain draped down to her knees, the monogrammed scarves pulled snug over her face. “And I’m never going to make you hurt someone else.”

She cups a flower growing from her slave’s head as if the fate of the whole world is caught up in its petals. “You’re safe, little petal.”

One end of the Conciliatory Ice-Star Blade’s staff-form cracks furiously on the ground, a sudden provocation to see if Qiu so much as flinches. “Keep running that mouth,” Rose says, teetering on the edge of a precipice and daring Qiu to push her (metaphorically, which is necessary to point out, given the number of dramatic precipices around them). “See how deep you can dig!”

[Rose from the River is Smitten with Princess Qiu. Use the String wisely.]

Dark Age (playtest): The Lands of Pendragon

”In Avalon the golden leaves will never fade;
in Avalon we’ll eat apples under the shade.
In Avalon there is no death and no decay;
in Avalon alone we will not lose our way.
In Avalon the giants still stand proud and tall;
in Avalon there is no Adam and no Fall.”

Constance’s voice is high and clear, like silver bells. And yet, for all that she sings of that impossible forever summer, her mien is frozen: she sings as someone standing without, in the snow and the dark, eyes straining as she looks out to sea and sees the glimmer on the horizon, impossibly far and yet close enough to hurt. As her voice fades away, Sir Liana stills her fingers on the strings of the lyre.

“Troy. Rome. London. What are the cities of man, my lady? They wither and fade, consumed even as they think themselves in their first flower. And still the way is shut; still there is no route to Avalon. So tell me, if you can,” she announces, suddenly, to the assembled room: “what hope is left to us?”

At least she’s talking. Isn’t that right, Tristan? And making pronouncements of doom— why, keep that up, and she’ll be back to her old self in no time, probably. She just needs to get all of the ominous declarations out of her humors.

Fellowship: The Heart

In the Tent!

Outside is a sudden squalling storm, almost loud enough to drown out the ominous honks of the slowly constricting cordon of clowns. Anyone who dares exit the tent will be overwhelmed by the fury of rain and wind, a thousand tiny darts of icy pain. Inside? Inside is a howling catfight.

The worst part is that the Professor is teetering on the edge of giving into Clown Madness, watching Ailee and Jackdaw fight; if that happens, the already small tent will not be small enough, and everyone will be part of the fight whether they like it or not.

“It’s an evil twin situation, isn’t it?” Surma asks, pulling out bolas from her belt and giving them a spin. The bola heads are shaped like mouse skulls. “You get a sense for these things, you know. Don’t go running, and follow my lead.”

Then she tosses the bolas at Jackdaw’s legs— how does Jackdaw react?

***

In the Aquarium!

“The reason I bodied the pod is because they were contracted to our enemies,” Black Coleman says.

He should have an eyepatch. Or something. Black scales? He shouldn’t look just like Coleman in a battered conductor’s hat and stained jacket.

“I remember this,” he adds, pistol pressed against the back of the Blemmyae’s head. “Funny how the Carnival works, right? Of course, this was just after the destruction of Wormwood. The beginning of the end. Anyway, younger me, the pod was contracting work to the Constitutional and her crew, they refused to break their contract, and in the Vermissian Wars there’s no room for sentimentality.”

He looks you in the eye, Coleman, ignoring Wolf hugging Jackdaw tight to her body. “This Blemmyae made a heartworm seed. It nearly killed Sasha when fired into her third car. His sisters and brothers gave Red Zammie seed-guns and phlegm-cannons and sheets of living armor, and— you haven’t met her yet. But you will. God, what was it like, being you? Before we went down into the Heart and hatched Sasha into all this shit?”

His words are regretful, but his scaled finger is steady on the trigger. The Blemmyae grinds slablike teeth together in rage, huge fingers working as if to strangle an invisible Coleman, and in a moment he will attempt to square the circle of the temporal paradox by tearing Coleman Prime’s head off.

Sunshards

“The Way is in all things and the Way is all things,” Rose from the River says, wrapping her fingers warningly around Qiu’s wrist. They both take a step: Rose back, Qiu forward, the world outside them drowned into stylization. Petals dance in the breeze, her flowers blooming. “Its voice is so quiet that we will often drown it out in the worlds we construct for ourselves. And because it is so quiet, we who devote our lives to following it, in practical terms, follow those who have the most experience listening.”

Neither one of them has drawn their sword yet. Neither one of them has to. The air between them is a Hell of Purgation. Woe to the bird that thinks to flit between them!

“So, really, it wasn’t anything personal, your radiant excellence. It was that my school’s sifu has declared you are... disharmonious. Mmm. Yes.”

When she cocks her head, one earring rests against her jaw. Qiu melts into her as they dance to the beat of their hearts— no. The wrong metaphor. Qiu makes a beachhead of her body as they display their footwork.

“And so I am here because someone else told me to chastise you. Because she knows how to move in time with the auspicious path of motion better than I do. Because I am, always and ever, following orders in one way or another. I made three choices myself, you know that? Ever. And the first two were both wrong. The third one... we’ll see.”

In and out, between the shadows of pillars so high that their tops cannot be seen. They’re speeding up now. Their swords are still sheathed. They are building inexorably to a drawing, neither willing to do so preemptively. The proper moment is not yet here.

“But I am also here because I have seen the ouroboros of power, Threeshard Princess. I have watched the leviathans of monopoly at their feeding. I know what happens to the market when one player gets too big to do anything but expand, and what happens when there is nothing left to eat but itself, company paying out to charge its own workers for what they make to record as profit to pay back out, over and over. I have seen the ruins of empire, little girl; I have shed myself of them to be a new thing.”

And Qiu lowers Rose into a deep dip, one smooth hand on that maddeningly ordinary face, the other’s fingers barely brushing the tiles. In that moment of tension they are the opposites that contain themselves, the yin and the yang, the mountain and the sea.

“Anything that threatens this world that has grown from that poisoned soil, pure and flourishing, will see me as its enemy, Qiu Threeshard; and even if you are wiser and better than we fear, and you very well may be, now that I have met you I know that you are still insufferable.”

Fingers tighten on hair. Whose? Does it matter? Artifice peels away, and what is left is a chariot pulled by three horses, one tempestuous, one staggering, one aspirational: the one that wants to start a cat fight right here, the one desperate to find someone strong enough and good enough to yield completely to, and the one that wants to do the right thing, even if it be so hard as groveling at Qiu’s foot. And here is the middle ground between the three:

“So are you going to submit to my judgement and relinquish your third shard to the care of the White Doe School, little girl, or will I have to chastise you first?”

Sunshards

It’s one thing to know that one day you will likely duel someone over their oppression of your monastic school, in the name of the Way, to bring all things to harmony and force them to surrender their unjustly hoarded power.

It is another thing entirely to watch your new friends fawn over her and act like she’s all that. After all, some people happen to be thriving, flourishing, valuing themselves for how adept they are at flustering and nettling and eliciting squeaks from cute girls, and then there’s this girl scrabbling up over the backs of others with nothing but power and overwhelming, hubristic self-confidence? Drinking in all the attention that Rose from the River shouldn’t be envying, shouldn’t be wanting so she can humbly deflect it elsewhere? As it is said,

I writhe underneath my blankets,
I groan both day and night.
While my enemy knows good fortune,
my torment will not cease.

“Rose from the River,” the monk interrupts, feigning good grace. “Champion of the White Doe School. I believe we owe one another a duel, one I am willing to see postponed so long as your behavior towards Yue the Sun Farmer is immaculate.” She offers Qiu her most aggressively weaponized head-tilt-and-closed-eyes-smile, the kind that would make a lesser woman than Qiu wilt on the spot.

Breathless Dead

Redana weeps. Redana weeps for cages. Redana weeps for the knife driven into her dreams. She weeps because the prison of humanity is not gravity. She weeps for the golden crown bloody on her brow. She weeps for the glory of Hermes, the messenger, for the injury of the message received. She weeps because the soldier next to her, holding her wrist, making soothing noises with a look of concern and incomprehension, is someone who will never love her again, who never did love her, who she could have lived with in innocence forever. Hermes strips away the lies. Hermes is revelation. Hermes is not the physician, no matter how many use her symbol in confusion.

The Imperial Princess of Tellus, Redana Claudius, born to dominion and power and authority forever and ever, born from a Director and a God, hero by the blood, chosen of her Father, delight of Polychromatikí, breaker of hearts, she who dared climb over the wall of thorns around the garden of paradise to escape into the wasteland of her own heart, reaches up, and up, and up. She seizes the solar crown, the Principality of Tellus, the birthright of command. She twists her fingers around it.

This thing that makes her important. This thing that makes her worth hating. This thing that is the collar on a chain that leads back to the wound in her mother’s heart. This mountain she never surmounted, this expectation she never met. It is hers, and it will not break.

She lowers it down into her lap, and the blood runs freely from her broken hands until the crown is red as copper. It remains inviolate, unbroken, and Redana breaks around it.

Bella takes those hands into hers and rests her forehead against Redana’s own, and their tears steam where they strike the crown, the hiss of evaporation like a depressurized plover. It is so hot. It scalds her. And even if she destroyed herself, throwing herself against it, it would remain inviolate and whole.

“I dreamed you were a shepherdess,” Bella sings softly. “And I a forest nymph. I dreamed myself a jeweler, and you my model dear. I dreamed you were a sailor, and I was all your sea...”

“I dreamed us both anything but what Olympus made us be.”

Breathless Dead

Then we bring them back.

“I won’t say it,” Redana bleeds out through a clenched jaw, even as the words suppurate all around her.

One world. One species. We can’t let humanity’s legacy be wasted.

“Shut up. That’s not me.” But she’s wrong. It’s her voice, or else impossible to distinguish. When the ship is repaired, plank by plank, is it still the same? When a girl is woven on a genetic loom, what flaw makes her less than her mother? Her mother, brilliant, decisive. The Director.

Until they learn empathy. Until they learn community. Until we remember we are mortal.

“Until they forget the stars!”

The die is cast.

Redana takes her head in both hands and squeezes. She mirrors, without knowing it, the pregnancy of her father: the terrible weight in her head, threatening to split open in her anguish. Her furious howl is drowned out by the steady, relentless logic of the Director’s last gambit, the authorization of her second galactic campaign.

Dark Age (playtest): The Lands of Pendragon

Constance Nim has stopped listening to me. So I shall speak to you, instead.

Constance has turned with the seasons. Her skin is pale, her gown is the color of fresh snow, the fur of her stole is the pure white of miniver. This is new. This is worrying. She has become less human, after what happened; or perhaps it would be more accurate to say that she has chosen to be less human. She has removed herself from the rhythms and cycles of man except when, by some unspoken sign, she returns to Lostwithiel; and even then there is separation between her and the world.

When she chose to travel, with Tristan and with Mort, she simply told them that they would all be traveling, together. Three to go; three to return. Those were her exact words.

She bears the Cath Palug in her arms, and when she stands before the lady of the green dress, her cheeks are bloodless. She could be Lot’s wife, standing on the road to Sodom, save for the inclination of her head.

“Your hospitality is more than enough for us,” she says, and her breath does not steam. “We rode, and the days are short, and there is little enough to be seen. We passed unseen by wolves as hungry as men. You honor us by opening your home and seating us at your table, in this season, in these days.” Her eyes are dull and have no reflection.

And then there is a silence so grievous (as is becoming usual with Constance) that any young squire would certainly feel his honor prick at him to break it, to say something, anything.

Hider

Constance has taken the right to give someone the healing of her gods. I was tempted to give her an inhuman genealogy, but Robena might need saving before the end of this.

Sunshards

Rose from the River was, as always and ever, an anchor of calm in the vehicle, a mountain that set itself in opposition to the world and refused to move. It would be rude to say she “clung” to the frame of the car, or to point out the “holes” where her fingers “punched through.” “Dear life” should not even enter the picture. And she’s definitely not sore where Chen’s head kept bouncing off of her. The slow and very particular way she exited the vehicle, with the shear of metal following her, was deliberate grace and not a word more shall be said about it. As her companions groan and flop, Rose from the River stands straight and tall and makes a sound through tightly pursed lips that is something like a teakettle.

Then she scoops up the limp form of dearly departed Cyanis, who really did make a sparkly mess in the grass, and pats her with her best estimation of maternal care. There. There. You’re held. Please don’t— oh, that was just a dry heave. Okay. You’re okay.

Rose opens her mouth to speak. Sound doesn’t come out. She coughs and tries again. “Chen and I are going to have her attention the moment we set foot there. If you were trying to sneak in, it would be best for us to be a distraction, but as it is...”

As it is, she is being a fool. She is walking into Qiu’s jaws directly so that this ditz and this Princess can be silly and hopeful, and when Qiu demands their arrest en masse, Rose from the River knows that she will fight with the fury of three bears (and ten thousand rats) to allow these silly, silly girls the chance to run away. She’ll fling Chen away herself, if she has to. (It’s quite all right; the little thing will bounce.)

“Well,” she says, hoisting the quivering bundle of fox up higher on her shoulder. “After you, ladies.”

Breathless Dead

The words that scrape their way out of Redana’s throat aren’t hers. They belong to those old, aching bones. They belong to the woman who broke the Spear, who shattered it over her knee, and will always and forever remember the cost she paid for it.

“Don’t speak too loudly,” she says, with an exhausted attempt at wit. “The gods love to punish hubris when they hear it; they’ll upend plans generations in the making at a whim, just to defy our expectations.” She steps back, but her fingers linger on the railing. “The gods have no peers save themselves. I will not be baited into saying otherwise.”

The ruins drift before them, and there is something beautiful to the sight that makes Redana ache, a shiver in her flesh, and speak again, in a smaller voice, in her own voice, as she watches the light of stars sparkle on frozen jewels of blood, as she did before the Eater of Worlds.

“But I don’t think what she— what I— what we did was about forever,” she says. “It was about now. What we have to live with right now. Who makes choices about things right now. How we get to live.” The red sun shines through the ruin of a ship’s corpse. “Because right now is what really matters.”

When she touches her cheek, her fingers come away wet. Her shoulders shake, sudden and scary. Why does it hurt?

The stars offer no answer but themselves.