snip
Fellow rascal, let's paint this academy red!
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[OOC] Harold's Academy for the Magically Inclined Page 14
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Ebil Bunny
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2 mos ago
Fellow rascal, let's paint this academy red!
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Aeolian Proud Fujoshi
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13 hrs ago
Was feeling inspired, so have a PaintBoi. Not sure which of the two characters I like better. Any opinions (especially the GM's) would be appreciated!
♫
◈ A p p e a r a n c e ◈
Just look at this lad, wouldja? (Yes, he is a lad, thank you very much.) Isn't he magnificent? Now in his sophomore year, Maré just oozes that sort of precocious energy one would expect from a young man finding his feet in a brave new world. He's quite put-together, with a fashion sense that both subtly honours his agrarian roots and points to a bit more creative sophistication. Some have said that there's a bohemian quality to his palette as well, for what it's worth. He doesn't see it. It's probably just the paint stains.
Beyond this, he's what he appears to be: a smallish - but growing - newly pubescent kid with a somewhat cherubic face and shoulder-length blond hair often gathered up in a ponytail or artfully mussed. Olive green eyes and an expressive mouth complete the ensemble. He's skinny but starting to fill out. There's muscle there, though he doesn't particularly work at it. Years in the fields, helping his parents bring in a crop, have helped. They've also left him with a rather pronounced tan and a bit less sense of urgency while flying.◈ "Being creative isn't about being sophisticated. Art's from the soul." ◈
◈ N a m e
Marellian 'Maré' Lorentz
◈ S p e l l c a s t e r N a m e
Maestro
◈ A g e, H e i g h t, a n d W e i g h t
15 ◈ 5'6" ◈ 122 lbs.
◈ R a c e
Mystic
◈ G e n d e r
Male
◈ S e x u a l O r i e n t a t i o n
Bisexual
◈ Y e a r
Sophomore
◈ P e t
Maré's tree monkey, Coopers, is his best friend and partner in crime. The impish little shit is rarely far away from him and has learned a whole variety of words to this point and even - to some degree - to imitate his speech convincingly.
◈ H o u s e
House of Harold
◈ I l l u m i n a i r e
Of course he'd love it in theory. In practice? ...
◈ C l a s s e s
Maré would prefer more than six slots for classes. Due to a scheduling error on his part and the belief that the workload would be really heavy, he only took four last year and it was a breeze.
◈ Gifts
◈ Care of Lekëon Creatures
◈ Waaga Riding
◈ Cartography
◈ Art
◈ Theatre
◈ A r e Y o u O n Y o u r H o u s e ' s W a a g a T e a m?
SOON™◈ "Those who paint in broad strokes just haven't found their muse yet. It'll come!" ◈◈ P e r s o n a l i t y
Enthusiastic ◈ Creative ◈ Naive ◈ Puckish ◈ Provincial
Maré is the type to try anything once, and with boundless and enviable energy to boot. Then, he aggressively 'sorts', going all in on those that resonate with him and rather promptly losing interest in those that don't. He's regularly known to dispense homespun wisdom of dubious efficacy, and it's unclear to most how much he believes these proverbs himself. In any event, they find their way out there, maybe an attempt to keep something of his home alive. He may act like it, but this fifteen-year-old isn't completely oblivious to the fact that he's a bit of a novelty and sometime object of derision. If he's feeling particularly saucy, he might play his accent and dialect up with snooty types to the point of being nigh-impossible to understand.
He tends to encounter a good number of these as an artist: rich types and snobs who live to 'critique' art and impose an orthodoxy. He holds himself back around them, sometimes, and secretly hides penises beneath a few layers in his commissions for them. How wonderfully 'authentic' he is: a real honest-to-goodness country boy from Alba Grannea, some sort of idiot savant. In truth, it doesn't get to him that much. He usually just shrugs it off and plays the part if it'll make him some cash. They're not bad people either - just annoying, and that's not a crime. Besides, there's always some new idea striking him: a particularly vibrant contrast or evocative image that his mind instantly starts expanding upon and reimagining.
◈ H i s t o r y
Maré was raised in a very communal setting. He, his five siblings, and a baker's dozen cousins occupied a farming commune with their parents on the vast and remote sky island of Alba Grannea, with its rolling green hills, delicate forests, and lazy, winding rivers. It is, in many respects, a unique place within the world of Lëke. If you stand just right in the centre of it, you can't see the edge. An old land, largely untouched by time and external influence, Alba Grannea is known for its uniquely quaint and rustic architecture, fruit, vegetable, and dye farming, and its people's distinct dialect, rural accent, and agrarian way of life. It was these influences that acted as incubation and inspiration for his creative young mind.
Growing up, Marellian and his cousins would spend hours together wandering between cabins and hamlets, lounging in trees, shooting cans and bottles with slingshots or - later - old rifles, and catching frogs and crawfish in the streams. There would almost always be spare dyes and extracts that were not quite fit or fine enough to send to market lying around at home and he was always the eagerest within his great extended family brood to do experiment with them. Now, a couple of years down the line, Maré has fond memories of afternoons and evenings spent lounging in the crux of a tree as cicadas hummed and bullfrogs croaked, one leg dangling over the edge, notebook and coloured charcoals or paints in hand as he brought to life his own interpretations of what he saw.
Harvest seasons were always the busiest time, and there were three throughout the year. Then, the slow lazy skyships that would hum and rattle over the horizon once per week came more often for a little while. They'd bring goods and news and ferry people to and fro from more important places. Maré and his cousins would wait eagerly for them by the docks, taking bets on various things. One day, shortly after he had first started to develop his gift, experimenting with paints and coloured circles, something came for him: a letter from the academy requesting his attendance for the coming year. His cousins Doré, Salé, and Frané received similar summons.
How the great big bumpkin family came together to celebrate the four young people. How they fiddled and drank and danced the night away in the barn. Marellian was gifted the great paintbrush staff (it's not a broom!) that he still wields. He had his first good drink of whiskey and finished proceedings rosy-cheeked, lying on a bale of hay, staring up at the wooden joists and rafters of the ceiling.
The next day, he was bound for Harold's, something more than your usual hayseed, but full of wonder and anxiety alike. It's been an experience since then. Maré has doubled down on his artistic abilities and agrarian knowhow. The ornate, imposing, and monumental architecture that was once overwhelming has made an impression on his art style. His open, enthusiastic, and friendly-to-a-fault demeanour has earned him a good few friendships and a handful of snarky taunts at his expense. Sometimes, he feels like a fish out of water among the smart, worldly, and sophisticated young people he's surrounded by. Sometimes, he tries to hide the twang in his words and call it an animal instead of a 'varmint' or a 'window' instead of a 'winder'. He's changed his dressing style as well and most would consider him quite put-together. He spent almost all of his spare money on a tree monkey he named Coopers, and the little guy has proven a source of endless amusement and loyal, mischievous companionship. In short, he's adapted. Still, there are nights - occasionally - when he misses those great star-filled skies, the lightning bugs dancing about with their flickering lights, and the gentle chorus of crickets and bullfrogs in the stream behind his house. A bright future awaits him just over the horizon, but he's not always sure exactly where to look.
◈ R e p u t a t i o n
Most people either like Maré or they don't. That goes not only for fellow students, but for teachers as well. He's always drawing, painting, doodling, or sketching but, infuriatingly, seems to have a good response every time one thinks they've caught him drifting and asks a sudden question. Some carry their prejudices into their lessons and like to hang these about his neck. Others recognize him for a clever if somewhat odd student who puts in an effort and likes to problem solve and approach things creatively. When he's bored, however, it tends to be difficult to reel him back in.
Many of his fellow students of like age are quick to cheat off of him in tests in their weaker subjects or let him do the same in his. Marellian's doodles are commonly passed around on notes and comprise a sort of game in the more boring classes. He also knows almost all there is to know about a variety of worldly subjects that most others don't specialize in: paints, oils, fruits and vegetables, guns, and various sorts of varmints creatures. He loves a good jape or prank and has an eager accomplice in Coopers. Some love him for it. Some avoid him, but this isn't common. He's hardly the school's worst miscreant.
◈ G o a l s
At the ripe old age of fifteen, Marellian has scarce little idea of what he wants his life in the future to look like, aside from 'good'. He knows that he wants to keep making art, forever. The day that he stops, he's proclaimed boldly to more than one friend, they can just seal him up and toss him into the ocean. He's also currently enthusiastic about Waagas and the eponymous sport involving them. He'd love to win the championship!
◈ R e l a t i o n s
Ma, Pop, Gran, Grandpop, Joé, Becké, Suzé, Jonné, and Loué: these are his immediate family members. The four boys shared a bedroom for most of his childhood, and the two girls were frequent visitors.
Doré, Salé, Franné: these are Maré's cousins who also attend the academy. None are in Harold with him, but the four make a point of getting together at least once a week. Their loyalty to each other is absolute.
Coopers: his main man and partner in crime.
Anastasia Arslan: the pretty girl a couple of years older who he always seems to run into in the hallways and mumbles a few friendly words to. Sometimes, she smiles.◈ "I dunno if a picture's worth a thousand words, but at least a few hundred, I reckon." ◈◈ M y s t i c C l a s s i f i c a t i o n
Astra
◈ G i f t
Spectrum
◈ M y s t i c C o d e
Spectrum is a paint-based ability and works in the six five primary and secondary colours (but not green; it's dangerous). In order to be effective, the symbols that Maré creates cannot be more than about two yards in diameter. They have various effects depending on their shape and colour:
Blue circles protect anything within them from outside physical interference for up two minutes. They only let up to two solid or liquid objects in before rejecting all others.
Purple circles trap any solid or liquid within them from escaping for up to two minutes. However, they and their contents can be interfered with from the outside.
Red crosses are nigh-indelible and act as beacons that track the position of whatever they're painted on, allowing Maré to locate it if he's within about two hundred yards.
Orange crosses are nigh-indelible (only Maré can erase them, with considerable effort) but only three may be active at a time. Standing on one teleports you to another.
Yellow triangles are very easy to remove but will exert their effect until cleaned or washed away. They create a zero-friction zone within their bounds.
Green triangles are very easy to remove but will exert their effect until cleaned or washed away. They erase from existence anything that touches them for more than two seconds.
While there may be other uses for his gift, including potentially more complex ones, Marellian has yet to unlock these, if they do, indeed, exist. For now, what he has is enough. In fact, it is rather too much. As a rule, he never uses green squares. Nothing good comes of something destructive like that.
◈ L i m i t a t i o n s a n d W e a k n e s s e s
In theory, Maré's gift allows him exceptional versatility and power. However, it comes with a number of drawbacks:
Firstly, in order for it to work at all, he needs to actually physically paint whichever symbol he wants to use, where he wants to use it. This takes time, focus, occupies him physically, and may put him at risk in more dangerous situations.
Secondly, symbols need to be painted properly, and in the correct colour. A green circle is useless. A yellow not-quite-triangle has zero effect. Size matters as well. You can't really paint huge with a tiny brush or tiny with a huge brush.
Thirdly, Marellian needs to carry his own reagents. That entails a good deal of cost and encumberment, as well as instruments of his trade to maintain, moreso than most other magic users.
Finally, with the exception of the dreaded green triangles, which he refuses to employ, this paint-mage lacks any offensive punch if it comes down to a fight. He's good at utility, protection, and environmental manipulation but lacks that final, essential tool in his kit. When push comes down to shove, he's outgunned.
I love the idea of a person who can paint images to life, but this isn't that. lol
I do love the creativity, but this is almost identical to the bubble color wheel power you ran by me in DMs earlier. So the same issue I told you then still applies to this gift. It'll get a few nerfs because I intentionally don't want a character that can just do sooo many different things. Even as a utility or supportive gift, balance is important.
From this powerset specifically, I'd probably only allow up to three. But essentially, in its current iteration, this is Forcefields, Teleporting, Containment Fields, Clairvoyance, Zero Friction thingy, and literally erasing things from existence. This is all a bit much for one character to have in a story intentionally designed for the scope of a character's capabilities to be more limited or niche.
So yeah, all that to say, this character would need some nerfs before it could get approved. But I do love that your inspired creatively! :)
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Force and Fury Actually kind of mellow
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2 days ago
<Snipped quote by Force and Fury>
I love the idea of a person who can paint images to life, but this isn't that. lol
I do love the creativity, but this is almost identical to the bubble color wheel power you ran by me in DMs earlier. So the same thing applies to this gift. It'll get a few nerfs because I intentionally don't want a character that can just do sooo many different things. Even as a utility or supportive gift, balance is important.
From this powerset specifically, I'd probably only allow up to three. But essentially, in its current iteration, this is Forcefields, Teleporting, Containment Fields, Clairvoyance, Zero Friction thingy, and literally erasing things from existence. This is all a bit much for one character to have in a story where characters whose capabilities should be more limited or niche.
So yeah, all that to say, this character would need some nerfs before it could get approved. But I do love that your inspired creatively! :)
I tried to nerf him a good bit from that iteration (slower and more involved use, shorter duration, reagents), but imagined this could end up being the case. At the end of the day, I know it's more a matter of too much versatility and variety. No worries. That's why I have Melle. Maybe I'll save his essential idea for something else down the line.
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Aeolian Proud Fujoshi
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13 hrs ago
<Snipped quote by Aeolian>
I tried to nerf him a good bit from that iteration (slower and more involved use, shorter duration, reagents), but imagined this could end up being the case. At the end of the day, I know it's more a matter of too much versatility and variety. No worries. That's why I have Melle. Maybe I'll save his essential idea for something else down the line.
Not so much being versatile, but having more of a niche within your Gift's "lane", if that makes sense. So, for example, a character who can draw objects/images to life is versatile cause they can draw up a sword to attack, a shield to defend, a bird to send a letter, and a flare to alert their teammates to their location. They can do these things while still maintaining balance and having a niche within their gift. This current iteration of your gift combines multiple gifts into one, where generally, these gifts would be spread across multiple Mystics.
The exception for Variety is Seraph's Kissed Mystics and even they have limited variety, while also being discriminated against in society if people found out their status.
I hope I was able to clear that up though. Thank you for being so understanding. Melle works totally fine from what I read. :)
Cheers!
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Crimson Flame *Insert something profound here*
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0-24 hrs ago
*Insert something profound here*
3445 posts
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in 3959 days
Here's the first batch. It will take some time to do every one, but I'll split this up in batches. Keep in mind that the prompts are for fashion, so there won't be any action-hero poses I'm afraid. I've used different brands in the prompts such as Prada, Gucci, and Balenciaga to get variations. Anyway, if you actually want to use any of these, let me know which one specifically so I can single it out and upscale it.
@Crimson Flame
I love all of them, but I like 1 and 7 the most. The face is much closer to how I imagine.
Also, is there any way I can justify Tae having elf ears in universe?
Shovel A Shovel is typing!
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16 days ago
Hello, can anyone give me their input about these arts? I'm having a hard time determining whether these fit the high aesthetic anime or the character's digital art. I've got my concept down, just trying to see what image would work.
My character's theme is a barbarian wizard that spawns extra limbs.
Thank you.
My character's theme is a barbarian wizard that spawns extra limbs.
Thank you.
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Force and Fury Actually kind of mellow
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2 days ago
Hello, can anyone give me their input about these arts? I'm having a hard time determining whether these fit the high aesthetic anime or the character's digital art. I've got my concept down, just trying to see what image would work.
My character's theme is a barbarian wizard that spawns extra limbs.
Thank you.
Honestly, they seem to fall under the header of 'high quality anime-style art' that the GM mentions. I think you should be good.
Dudes! I was looking throught the sheets an noticed that all the Illumiaire candidates (and only the Illumiaire candidates) are in the Student Council, guess that is a unspoken requirement or something.
coGM
Mirandae Prisk
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0-24 hrs ago
@Shovel
Yup, as @Force and Fury said, those images should be okay. They vary a lot in style, but the first one is the definition of 'high-quality digital art' if you want a reference.
@Ebil Bunny I don't think you can change prompts in a variation, so it's difficult to change an element (such as the color of a shirt) in a spread that has already been generated. I can generate the spread again and change the prompts, but then the pose and everything is going to be different. The original image is also a bit difficult when it comes to changing colors. Anyway, I made some variations of the ones you mentioned, and then I generated new ones based on the changes you requested.
@Ti There is some arm/hand AI action going on in the variations.
@Crimson Flame We can always just ignore the elf ears in-character, or maybe it was something they put on just for the photo :)
Yup, as @Force and Fury said, those images should be okay. They vary a lot in style, but the first one is the definition of 'high-quality digital art' if you want a reference.
@Ebil Bunny I don't think you can change prompts in a variation, so it's difficult to change an element (such as the color of a shirt) in a spread that has already been generated. I can generate the spread again and change the prompts, but then the pose and everything is going to be different. The original image is also a bit difficult when it comes to changing colors. Anyway, I made some variations of the ones you mentioned, and then I generated new ones based on the changes you requested.
@Ti There is some arm/hand AI action going on in the variations.
@Crimson Flame We can always just ignore the elf ears in-character, or maybe it was something they put on just for the photo :)
GM
Aeolian Proud Fujoshi
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13 hrs ago
Say hello to the Head Mistress of Harold's Academy.
And of course, your favorite "hot for teacher" Mentor of Class 20, Tessa; for the new people unfamiliar with her. She also supports the professor who oversees the Theatre and Art classes.
◈ "I only give praise to those who are worthy of it." ◈
◈ N a m e
Minerva Weiß (Weiss)
◈ C o d e n a m e
Nova (Students may address her as Headmistress or Lady Weiss)
◈ M y s t i c C l a s s i f i c a t i o n
Somatic
◈ G i f t
Biological Transmutation
◈ C l a s s e s T a u g h t
Headmistress of Harold's Academy, Oversees Student Council and Clubs
◈ B r i e f O v e r v i e w
Headmistress of Harold's Academy, Minerva is the daughter of a Parliament Diviner and is undeniably one of the most powerful Mystics in Lekë. Highly intelligent and a master of her gift (which she uses to appear younger than she really is), her iron fist and imperious leadership style are both worthy of fear and admiration. Though she cares deeply for her students and always seems calm and keenly under control of everything, her temper is notorious within the Mystic community. She's been known to turn a student or two into a toad for bad-mouthing her. After the disappearance of her wife, there was something different about her. Her colleagues and her son, a student at the academy, noticed the shift in her aura as well. She's become quite cold towards everyone, even her son and father. There are very few people that she genuinely likes and admires. She is somewhat untrusting of people, believing they're only interested in her high status and position of influence. Minerva is known to host monthly gatherings at the Guest House for the elites and their families. These gatherings are high profile and invitation only. Everyone seems to want an invitation, though people question why she even bothers hosting them since she doesn't seem to like them very much anyways. "Just a bunch of elitist snobs looking for a come up!", she once said. Despite being from a Noble family herself, she despises what the status stands for. She holds much more value towards hard work and dedication versus frivolous showboating elitism.
Minerva Weiß (Weiss)
◈ C o d e n a m e
Nova (Students may address her as Headmistress or Lady Weiss)
◈ M y s t i c C l a s s i f i c a t i o n
Somatic
◈ G i f t
Biological Transmutation
◈ C l a s s e s T a u g h t
Headmistress of Harold's Academy, Oversees Student Council and Clubs
◈ B r i e f O v e r v i e w
Headmistress of Harold's Academy, Minerva is the daughter of a Parliament Diviner and is undeniably one of the most powerful Mystics in Lekë. Highly intelligent and a master of her gift (which she uses to appear younger than she really is), her iron fist and imperious leadership style are both worthy of fear and admiration. Though she cares deeply for her students and always seems calm and keenly under control of everything, her temper is notorious within the Mystic community. She's been known to turn a student or two into a toad for bad-mouthing her. After the disappearance of her wife, there was something different about her. Her colleagues and her son, a student at the academy, noticed the shift in her aura as well. She's become quite cold towards everyone, even her son and father. There are very few people that she genuinely likes and admires. She is somewhat untrusting of people, believing they're only interested in her high status and position of influence. Minerva is known to host monthly gatherings at the Guest House for the elites and their families. These gatherings are high profile and invitation only. Everyone seems to want an invitation, though people question why she even bothers hosting them since she doesn't seem to like them very much anyways. "Just a bunch of elitist snobs looking for a come up!", she once said. Despite being from a Noble family herself, she despises what the status stands for. She holds much more value towards hard work and dedication versus frivolous showboating elitism.
And of course, your favorite "hot for teacher" Mentor of Class 20, Tessa; for the new people unfamiliar with her. She also supports the professor who oversees the Theatre and Art classes.
N A M E Tessa Vellhart C O D E N A M E Aion R A C E + G E N D E R Mystic Female S E X U A L I T Y Lesbian A G E + H E I G H T + W E I G H T 23 + 170cm + 60kg P R O F E S S O R - S T U D E N T Mentor + Theatre & Art P E T Cait named 'Lyra' S O U N D T R A C K ♫ ♫ ♫ |  |
◈ A p p e a r a n c e ◈
Tessa is an unmissable figure, lighting up any room with her radiant appearance. Her skin, smooth and pure as porcelain, shines as if kissed by the moon's glow. It creates an almost ethereal beauty that contrasts sharply with the lively energy she possesses. Her naturally pale blonde hair acts as a dramatic backdrop to the vivid mix of hot pink and turquoise streaks she often sports. Her hair color changes frequently, each new hue as daring and unique as she is, mirrored by her nails painted in the same vibrant shades.
Tessa's fashion choices are an echo of three Lekëon brands: Nivalis's bold flair, Aurum Astra's unmistakable glamour, and Elara Lyra's modern chic. Her wardrobe is a gallery of adventurous prints, innovative cuts, and luxurious materials, defying traditional norms in favor of the extraordinary. She might be seen in a flowing silk blouse from Nivalis, covered with daring prints and paired with a sharply tailored leather skirt -- a dramatic mix of softness and edge. Alternatively, she might appear in a brocade and lace cocktail dress from Aurum Astra that amplifies her sensual aura. On some days, she embodies Elara Lyra's futuristic minimalism, wearing sleek, single-color outfits that subtly suggest a world of opulence.
Her footwear collection runs the gamut from towering stilettos to polished boots, anchoring her outfits and providing a solid base for her vibrant sartorial statements. These shoes are not mere accessories -- they are a declaration of her presence and a showcase of her confidence. Adding the final touches to her outfits are her varied accessories: a collection of metals, precious stones, and unique pieces that enhance her overall aesthetic. From the jeweled chokers around her slender neck to the statement rings on her painted fingers, and the extravagant earrings adorning her ears.
At her core, Tessa is a vibrant mix of striking colors and high fashion, embodying a fearless celebration of uniqueness. Her presence commands attention, not just because of her roles as a mentor and future professor, but also as a trendsetter and an exemplar of nontraditional beauty. She is as captivating as a dazzling light show in the night sky, drawing eyes and admiration wherever she goes. Just as the northern lights bring beauty to the coldest, darkest nights, Tessa brings a unique allure and enchantment to every situation, whether it is in the academy or out in the wider world of Lekë. Her ability to combine her professional role with her personal style creates a compelling and charismatic persona that is hard to ignore.
Tessa is an unmissable figure, lighting up any room with her radiant appearance. Her skin, smooth and pure as porcelain, shines as if kissed by the moon's glow. It creates an almost ethereal beauty that contrasts sharply with the lively energy she possesses. Her naturally pale blonde hair acts as a dramatic backdrop to the vivid mix of hot pink and turquoise streaks she often sports. Her hair color changes frequently, each new hue as daring and unique as she is, mirrored by her nails painted in the same vibrant shades.
Tessa's fashion choices are an echo of three Lekëon brands: Nivalis's bold flair, Aurum Astra's unmistakable glamour, and Elara Lyra's modern chic. Her wardrobe is a gallery of adventurous prints, innovative cuts, and luxurious materials, defying traditional norms in favor of the extraordinary. She might be seen in a flowing silk blouse from Nivalis, covered with daring prints and paired with a sharply tailored leather skirt -- a dramatic mix of softness and edge. Alternatively, she might appear in a brocade and lace cocktail dress from Aurum Astra that amplifies her sensual aura. On some days, she embodies Elara Lyra's futuristic minimalism, wearing sleek, single-color outfits that subtly suggest a world of opulence.
Her footwear collection runs the gamut from towering stilettos to polished boots, anchoring her outfits and providing a solid base for her vibrant sartorial statements. These shoes are not mere accessories -- they are a declaration of her presence and a showcase of her confidence. Adding the final touches to her outfits are her varied accessories: a collection of metals, precious stones, and unique pieces that enhance her overall aesthetic. From the jeweled chokers around her slender neck to the statement rings on her painted fingers, and the extravagant earrings adorning her ears.
At her core, Tessa is a vibrant mix of striking colors and high fashion, embodying a fearless celebration of uniqueness. Her presence commands attention, not just because of her roles as a mentor and future professor, but also as a trendsetter and an exemplar of nontraditional beauty. She is as captivating as a dazzling light show in the night sky, drawing eyes and admiration wherever she goes. Just as the northern lights bring beauty to the coldest, darkest nights, Tessa brings a unique allure and enchantment to every situation, whether it is in the academy or out in the wider world of Lekë. Her ability to combine her professional role with her personal style creates a compelling and charismatic persona that is hard to ignore.
◈ P e r s o n a l i t y ◈
Talkative ◈ Nurturing◈ Sensual ◈ Stoic ◈ Abstruse
Tessa Vellhart has a way with words that makes people stop and listen. She is talkative, always full of ideas and thoughts that flow out of her like a river. Her conversational style, though intense at times, is filled with an infectious enthusiasm that lights up the corridors of Harold's Academy and makes every exchange lively and interesting. She is also incredibly nurturing. Her deep care and concern for those around her is as vast as the ocean below. She is like a protective guardian, patient and understanding, viewing every student as a unique individual who just needs the right guidance to shine. Through the challenges of academic life and the ups and downs of adolescence, Tessa is a stable presence, her kindness a safe haven for many.
When you talk about Tessa, you cannot help but mention her sensual nature. She seems to be in sync with the life around her, moving and reacting in ways that feel connected to a deeper energy. Her vibrant and energetic presence is a reflection of her joy for life and invites others to appreciate every moment.
Despite her vibrant and expressive nature, Tessa is also stoic. Amidst life's chaos, she stands as a rock, showing a resilient and unwavering spirit that serves as both inspiration and support. Her steady strength offers a source of stability to her mentees as they navigate their academic paths. But Tessa is not all open and transparent. She has an abstruse side that wraps her in a layer of mystery. She is like a book waiting to be read, a complex puzzle that draws people in, eager to understand. Her multifaceted personality is a maze to navigate, with every twist and turn revealing something new and unexpected.
Tessa is a dynamic blend of opposing traits, creating a complex yet fascinating image of a woman who is as diverse as the students she mentors. Her dedication to her role, her caring nature, and the air of mystery that surrounds her come together to form a character who is as intriguing as she is loved.
◈ H i s t o r y ◈
Tessa Vellhart was born into a staunchly traditional family. The stoic countenance of her father and the rigid enforcement of feminine decorum by her mother formed the bedrock of her early life. There was little space for individuality and self-expression within the stark lines of their household.
From a young age, Tessa was captivated by the swirling world of fashion. The hush of silk, the symphony of patterns, and the grandeur of colors held a deep fascination for her. Her mother, however, was skeptical about this interest, viewing it as a frivolous indulgence, potentially a smudge on their family's stringent reputation. This discordance between Tessa's inherent creative flare and her family's conservative outlook tinged her childhood with a sense of quiet longing.
A dramatic twist arrived in Tessa's life when her gift made itself known. She discovered her ability to slow down time, a feat so profound that it made her appear to move from one place to another almost instantaneously. It was an astounding revelation for her parents, one that they initially struggled to comprehend. Once they managed to move past their surprise, they realized the implications. Their daughter was a Mystic, and all Mystics were required to attend Harold's Academy. For Tessa, this was a welcome departure from her family's confining grasp and an opportunity to explore her exceptional abilities further.
Upon her entry to Harold's Academy, Tessa was magnetically drawn to the vivid world of Theater and Art. These disciplines offered her a reservoir of creative opportunities, and she dove headfirst into their depths. The emotive artistry of theater and the visual poetry of art captivated her, setting her on a path of intellectual pursuit. She envisioned herself as a professor in these fields, guiding future generations through the maze of creativity and imagination.
Tessa's life has been a journey of metamorphosis and perseverance. Born into a world of restrictive norms, she has emerged as a beacon of individuality and creative passion. Today, she is an integral part of the Harold's Academy, celebrated for her vibrant personality, and admired for her deep commitment to the subjects of Theater and Art. Her story continues to unfold, as she explores the boundaries of her mystical abilities and strides forward on her path to becoming an exceptional mentor and inspiring professor.
Talkative ◈ Nurturing◈ Sensual ◈ Stoic ◈ Abstruse
Tessa Vellhart has a way with words that makes people stop and listen. She is talkative, always full of ideas and thoughts that flow out of her like a river. Her conversational style, though intense at times, is filled with an infectious enthusiasm that lights up the corridors of Harold's Academy and makes every exchange lively and interesting. She is also incredibly nurturing. Her deep care and concern for those around her is as vast as the ocean below. She is like a protective guardian, patient and understanding, viewing every student as a unique individual who just needs the right guidance to shine. Through the challenges of academic life and the ups and downs of adolescence, Tessa is a stable presence, her kindness a safe haven for many.
When you talk about Tessa, you cannot help but mention her sensual nature. She seems to be in sync with the life around her, moving and reacting in ways that feel connected to a deeper energy. Her vibrant and energetic presence is a reflection of her joy for life and invites others to appreciate every moment.
Despite her vibrant and expressive nature, Tessa is also stoic. Amidst life's chaos, she stands as a rock, showing a resilient and unwavering spirit that serves as both inspiration and support. Her steady strength offers a source of stability to her mentees as they navigate their academic paths. But Tessa is not all open and transparent. She has an abstruse side that wraps her in a layer of mystery. She is like a book waiting to be read, a complex puzzle that draws people in, eager to understand. Her multifaceted personality is a maze to navigate, with every twist and turn revealing something new and unexpected.
Tessa is a dynamic blend of opposing traits, creating a complex yet fascinating image of a woman who is as diverse as the students she mentors. Her dedication to her role, her caring nature, and the air of mystery that surrounds her come together to form a character who is as intriguing as she is loved.
◈ H i s t o r y ◈
Tessa Vellhart was born into a staunchly traditional family. The stoic countenance of her father and the rigid enforcement of feminine decorum by her mother formed the bedrock of her early life. There was little space for individuality and self-expression within the stark lines of their household.
From a young age, Tessa was captivated by the swirling world of fashion. The hush of silk, the symphony of patterns, and the grandeur of colors held a deep fascination for her. Her mother, however, was skeptical about this interest, viewing it as a frivolous indulgence, potentially a smudge on their family's stringent reputation. This discordance between Tessa's inherent creative flare and her family's conservative outlook tinged her childhood with a sense of quiet longing.
A dramatic twist arrived in Tessa's life when her gift made itself known. She discovered her ability to slow down time, a feat so profound that it made her appear to move from one place to another almost instantaneously. It was an astounding revelation for her parents, one that they initially struggled to comprehend. Once they managed to move past their surprise, they realized the implications. Their daughter was a Mystic, and all Mystics were required to attend Harold's Academy. For Tessa, this was a welcome departure from her family's confining grasp and an opportunity to explore her exceptional abilities further.
Upon her entry to Harold's Academy, Tessa was magnetically drawn to the vivid world of Theater and Art. These disciplines offered her a reservoir of creative opportunities, and she dove headfirst into their depths. The emotive artistry of theater and the visual poetry of art captivated her, setting her on a path of intellectual pursuit. She envisioned herself as a professor in these fields, guiding future generations through the maze of creativity and imagination.
Tessa's life has been a journey of metamorphosis and perseverance. Born into a world of restrictive norms, she has emerged as a beacon of individuality and creative passion. Today, she is an integral part of the Harold's Academy, celebrated for her vibrant personality, and admired for her deep commitment to the subjects of Theater and Art. Her story continues to unfold, as she explores the boundaries of her mystical abilities and strides forward on her path to becoming an exceptional mentor and inspiring professor.
◈ M y s t i c C l a s s i f i c a t i o n ◈
Astra
◈ G i f t ◈
Deceleration
◈ M y s t i c C o d e ◈
Tessa can slow down the course of time for herself and others. This allows her to move and think normally while the outside world is decelerated to various degrees depending on focus and effort. Clothes and other objects that Tessa is in contact with function normally during the effect. This is also true for those to whom Tessa extends the effect.
◈ L i m i t a t i o n s a n d W e a k n e s s e s ◈
Tessa cannot stop the course of time entirely. At times, with enough focus and effort, she could potentially slow it down to the brink of a halt. The more individuals that the effect is extended to, the more effort is required by Tessa. The duration and potency of the effect will also be affected by the number of individuals she included. There is also a limited area of effect, which is not always obvious to Tessa herself -- the less she knows about the environment, the smaller the area of effect will be. There might be physical consequences of too much use of this gift. Tessa is unsure if it affects her natural aging process or the aging process of anyone she extends the effect to.
Astra
◈ G i f t ◈
Deceleration
◈ M y s t i c C o d e ◈
Tessa can slow down the course of time for herself and others. This allows her to move and think normally while the outside world is decelerated to various degrees depending on focus and effort. Clothes and other objects that Tessa is in contact with function normally during the effect. This is also true for those to whom Tessa extends the effect.
◈ L i m i t a t i o n s a n d W e a k n e s s e s ◈
Tessa cannot stop the course of time entirely. At times, with enough focus and effort, she could potentially slow it down to the brink of a halt. The more individuals that the effect is extended to, the more effort is required by Tessa. The duration and potency of the effect will also be affected by the number of individuals she included. There is also a limited area of effect, which is not always obvious to Tessa herself -- the less she knows about the environment, the smaller the area of effect will be. There might be physical consequences of too much use of this gift. Tessa is unsure if it affects her natural aging process or the aging process of anyone she extends the effect to.
Note About Homerooms:
With 1000 students attending The Academy, and 50 students per homeroom, there are 20 homerooms in total. There are 17 professors (which will be revealed as they're completed), and each has their own homeroom, in addition to the class or classes that they teach. That means Mentors fill in for the last 3 homerooms. Tessa, of course, a former student of the Academy who aspires to become a full-time permanent teacher, is the Mentor of Class 20, our class. Classes 19 and 18 are also run by their own mentors. There are only 3 mentors at the school currently, with Tessa being the most well-known and popular amongst the entire student body, not just by Class 20. 
Dudes! I was looking throught the sheets an noticed that all the Illumiaire candidates (and only the Illumiaire candidates) are in the Student Council, guess that is a unspoken requirement or something.
Student Council (A student may join the student council under the leadership and guidance of the Illuminaires.)
Other students can have invited in with permission from the Illuminaires. I am guessing in context, Illuminaires are head boy and girl, and they can assign prefects to help them.
So for example for Tae, if he doesn't get Illuminaire, Fasha would be most likely to invite them to join based on her 'crush', for example.
My character's theme is a barbarian wizard that spawns extra limbs.
Now we all know who to turn to when we need an extra hand!
1x Laugh
@Ti There is some arm/hand AI action going on in the variations.
I can probably fix #3 with a clean cut. If you are willing to upscale.
A Lowly Wretch The Listless Loiterer
Member
Seen
1 day ago
I have returned with a cs! Hopefully he meets the muster of an approvable character.
♫
◈ A p p e a r a n c e ◈
Rather short and kinda scrawny this kid's got little to show beneath his fancy jackets and neat medallions. That's not to say he's ugly but most wouldn't call him conventionally attractive.
Just like his personality eccentricity and business run hand-in-hand. He dressed with faux glitz, his jewelry and trinkets being imitations of the genuine articles. His dress suit's not even a name brand, just another piece that's made for look better than it really is.
When he's secluded he tends to dress more practically, work shirts with chemical stains and slacks making up his more casual ware. Much like himself when out and about his outer appearance is mostly a put-on but beneath the fake shell is something much less ostentatious.
◈ N a m e
Walter Ozwyrd.
◈ S p e l l c a s t e r N a m e
Alchemist.
◈ A g e, H e i g h t, a n d W e i g h t
13, 125 cm, 42 kg.
◈ R a c e
Mystic.
◈ G e n d e r
Guy
◈ S e x u a l O r i e n t a t i o n
Asexual
◈ Y e a r
1st.
◈ P e t
None
◈ H o u s e
House of Harold
◈ I l l u m i n a i r e
Nah.
◈ C l a s s e s
◈ Gifts.
◈ Sustained Flight.
◈ Swimming.
◈ Herbology.
◈ Arithmetic and Mathematics.
◈ N/A.
◈ A r e Y o u O n Y o u r H o u s e ' s W a a g a T e a m?
Nah.
♫
◈ A p p e a r a n c e ◈
Rather short and kinda scrawny this kid's got little to show beneath his fancy jackets and neat medallions. That's not to say he's ugly but most wouldn't call him conventionally attractive.
Just like his personality eccentricity and business run hand-in-hand. He dressed with faux glitz, his jewelry and trinkets being imitations of the genuine articles. His dress suit's not even a name brand, just another piece that's made for look better than it really is.
When he's secluded he tends to dress more practically, work shirts with chemical stains and slacks making up his more casual ware. Much like himself when out and about his outer appearance is mostly a put-on but beneath the fake shell is something much less ostentatious.
◈ "Why stop at turning water into wine?" ◈
◈ N a m e
Walter Ozwyrd.
◈ S p e l l c a s t e r N a m e
Alchemist.
◈ A g e, H e i g h t, a n d W e i g h t
13, 125 cm, 42 kg.
◈ R a c e
Mystic.
◈ G e n d e r
Guy
◈ S e x u a l O r i e n t a t i o n
Asexual
◈ Y e a r
1st.
◈ P e t
None
◈ H o u s e
House of Harold
◈ I l l u m i n a i r e
Nah.
◈ C l a s s e s
◈ Gifts.
◈ Sustained Flight.
◈ Swimming.
◈ Herbology.
◈ Arithmetic and Mathematics.
◈ N/A.
◈ A r e Y o u O n Y o u r H o u s e ' s W a a g a T e a m?
Nah.
◈ "The only bonding I care about is chemical." ◈
◈ P e r s o n a l i t y
Avaricious◈Inventive◈Opportunistic◈Cunning◈Aimless
Is Walter really the greedy plotter that he comes off as? Does the fact he always looks for any opportunity to get rich quick make him a worse person as a result? Has his efforts to put business and scheming before stuff like morals or bonds with his fellow humans made him a disingenuous husk wrought of hollow words and empty feelings?
Perhaps. Perhaps not.
He knows what he wants but perhaps he really doesn't. The allure of wealth and elevation of his station is born in part from his humble origins and the distance he has made between himself and his father. He lived a poor life but when you have magic powers, even ones as innocuous as his, who has the right to tell him he can't be who he wants to be?
Which comes right back around to the question:
"Who do I want to be?"
It's a question he's asked himself often. He desires wealth but aside from investing in ways to make even more money he has no genuine idea what he'd make of it. He makes everything he works on impersonal, claiming it's just business, but he's actually quite passionate about his work. He likes to invent and experiment, coaxing his interests under the guise of being ploys to better serve himself instead of helping others. He gets more joy out of sharing his interests with others than he does simply turning a profit.
Can Walter ever open up to others and form meaningful relations outside of purely business arrangements? Is he perhaps misunderstood in his desires to put himself further from the destitution that once defined his life not so long ago? Shall he ever find a calling which truly speaks to him? A reason to his very existence?
It's the same question as it's always been.
"Who do I want to be?"
◈ H i s t o r y
Walter and his brother Hector were born to a humble family of Endless Ocean fishermen. Their funds weren't flush but they could afford to live, even if both of their parents had to work to keep the household afloat, both metaphorically and literally speaking. These peaceful times came to an end however when his mother was bitten in two by a sea dragon.
This event was hard for the young brothers. Walter took this event hard, perhaps harder than even his brother. Something about watching her remains get sealed into the seaglass coffin and cast down into the depths stuck to him like a damp blanket of malaise. It changed him in a way which was never truly clear. Only one thing was clear: It was a Mere de Reves he'd never forget.
Their family struggled long as their father was forced to pick up the work that their mother's absence left for him. While their father was absent nearly all hours of the day they both took up the chores and upkeep of the house. It was here Walter got his experience in cooking, preparing meals for the whole family for several long years.
It was not too long ago that his powers started to manifest. As per the mandate this meant he was required to leave home to go to Harold's Academy For The Magically Inclined. This was no issue for Walter as he saw this as the perfect chance to escape the poverty trap that was his home and make his fortune abroad. With a hearty wave he departed, never turning back as he cast off to live his new life and make a new start for himself.
◈ R e p u t a t i o n
If there were ever the sort of guy you'd see scalping tickets just outside the school theater that'd be him in a nutshell. Despite his rather dedicated efforts towards studying he rarely gets along with the teacher staff due to his crooked moral compass.
Much more than that isn't really set in stone as he is in his first year. Plenty of time to make impressions, for better or for worse.
◈ G o a l s
So far his only stated goal is to amass wealth until he no longer has to work a day in his life. He's not spared much thought beyond that.
◈ R e l a t i o n s
Zardo Ozwyrd - Father
Walter's relationship has suffered a fair amount of strain from the years of separation as result of their impoverishment. What little time they spend together is rarely cherished as stress tugs at every member of their household. Be it mechanically eating before slumping off to bed or offering the stray nod or grunt of acknowledgement when passing the days where he had the energy to openly display affection towards his sons had faded.
Hector Ozwyrd - Brother
Before their mother died they were a pretty solid team, rarely ever seen too far apart. After she died however a rift formed between them. While Hector had taken the more stoic route, opting to stick it through and make it work Walter could never sympathize. They did their work yes but Hector took to it with a sense of duty while Walter only worked to help ensure they could keep living day to day. Neither of them enjoyed it but Hector would shoulder the burden as the proverbial Atlas of their household. It was because of this that when Walter took to leaving home with such aplomb that what could be considered an argument broke out between them, a very rare situation given Hector's demeanor. They've yet to mend this gulf that's grown between them.
Avaricious◈Inventive◈Opportunistic◈Cunning◈Aimless
Is Walter really the greedy plotter that he comes off as? Does the fact he always looks for any opportunity to get rich quick make him a worse person as a result? Has his efforts to put business and scheming before stuff like morals or bonds with his fellow humans made him a disingenuous husk wrought of hollow words and empty feelings?
Perhaps. Perhaps not.
He knows what he wants but perhaps he really doesn't. The allure of wealth and elevation of his station is born in part from his humble origins and the distance he has made between himself and his father. He lived a poor life but when you have magic powers, even ones as innocuous as his, who has the right to tell him he can't be who he wants to be?
Which comes right back around to the question:
"Who do I want to be?"
It's a question he's asked himself often. He desires wealth but aside from investing in ways to make even more money he has no genuine idea what he'd make of it. He makes everything he works on impersonal, claiming it's just business, but he's actually quite passionate about his work. He likes to invent and experiment, coaxing his interests under the guise of being ploys to better serve himself instead of helping others. He gets more joy out of sharing his interests with others than he does simply turning a profit.
Can Walter ever open up to others and form meaningful relations outside of purely business arrangements? Is he perhaps misunderstood in his desires to put himself further from the destitution that once defined his life not so long ago? Shall he ever find a calling which truly speaks to him? A reason to his very existence?
It's the same question as it's always been.
"Who do I want to be?"
◈ H i s t o r y
Walter and his brother Hector were born to a humble family of Endless Ocean fishermen. Their funds weren't flush but they could afford to live, even if both of their parents had to work to keep the household afloat, both metaphorically and literally speaking. These peaceful times came to an end however when his mother was bitten in two by a sea dragon.
This event was hard for the young brothers. Walter took this event hard, perhaps harder than even his brother. Something about watching her remains get sealed into the seaglass coffin and cast down into the depths stuck to him like a damp blanket of malaise. It changed him in a way which was never truly clear. Only one thing was clear: It was a Mere de Reves he'd never forget.
Their family struggled long as their father was forced to pick up the work that their mother's absence left for him. While their father was absent nearly all hours of the day they both took up the chores and upkeep of the house. It was here Walter got his experience in cooking, preparing meals for the whole family for several long years.
It was not too long ago that his powers started to manifest. As per the mandate this meant he was required to leave home to go to Harold's Academy For The Magically Inclined. This was no issue for Walter as he saw this as the perfect chance to escape the poverty trap that was his home and make his fortune abroad. With a hearty wave he departed, never turning back as he cast off to live his new life and make a new start for himself.
◈ R e p u t a t i o n
If there were ever the sort of guy you'd see scalping tickets just outside the school theater that'd be him in a nutshell. Despite his rather dedicated efforts towards studying he rarely gets along with the teacher staff due to his crooked moral compass.
Much more than that isn't really set in stone as he is in his first year. Plenty of time to make impressions, for better or for worse.
◈ G o a l s
So far his only stated goal is to amass wealth until he no longer has to work a day in his life. He's not spared much thought beyond that.
◈ R e l a t i o n s
Zardo Ozwyrd - Father
Walter's relationship has suffered a fair amount of strain from the years of separation as result of their impoverishment. What little time they spend together is rarely cherished as stress tugs at every member of their household. Be it mechanically eating before slumping off to bed or offering the stray nod or grunt of acknowledgement when passing the days where he had the energy to openly display affection towards his sons had faded.
Hector Ozwyrd - Brother
Before their mother died they were a pretty solid team, rarely ever seen too far apart. After she died however a rift formed between them. While Hector had taken the more stoic route, opting to stick it through and make it work Walter could never sympathize. They did their work yes but Hector took to it with a sense of duty while Walter only worked to help ensure they could keep living day to day. Neither of them enjoyed it but Hector would shoulder the burden as the proverbial Atlas of their household. It was because of this that when Walter took to leaving home with such aplomb that what could be considered an argument broke out between them, a very rare situation given Hector's demeanor. They've yet to mend this gulf that's grown between them.
◈ "Care for a drink?" ◈
◈ M y s t i c C l a s s i f i c a t i o n
Elementalist
◈ G i f t
Fluid Transmutation
◈ M y s t i c C o d e
Walter's power is the ability to transform any liquid he sees into any other liquid known to him. The moment his eyesight makes contact with water he can freely transform it into any other liquid that he'd seen directly. From water to acid to molten iron if he's seen something in a liquid state then it becomes a part of his repertoire, allowing him to bestow all of it's features onto any liquid of his choice within sight. The only limit to how long or how many liquids he can store is his memory. If he's seen a liquid and is able to remember it then he can consciously turn other liquids into it with a mere thought.
◈ L i m i t a t i o n s a n d W e a k n e s s e s
The first limitation to this power is that he can only transform liquids he has direct line of sight of. If he cannot see a liquid then he cannot alter it, such as the blood in human bodies. He cannot alter liquids by looking at an artificial image or facsimile of it either. The liquid he is changing must be physically within his sight.
The second limitation to this power is that much like how he can only alter liquids that are directly in his sight he can only memorize the liquids he has seen directly. If he hears about or sees a picture of a liquid he's never encountered then he would not be able to turn other liquids into it until he's seen the genuine substance directly.
The third limitation is the relationship between volume and vitesse. While his power offers a substantially high rate of exchange for the amount of vitesse he expends simply due to how specialized it's effect is it is not limitless and can exhaust him if he transmutes too much liquid before he's able to recover. This is not easy as he's quite capable of exchanging a large lakes worth of fluid with another before he's too exhausted to continue. While fairly substantial there's no chance of him converting the whole Endless Ocean into oil or whatever else strikes his fancy.
As for his gift's weakness in large part it's a niche effect which requires imagination to really deploy effectively. It's offensive potential is hampered by his lack of ability to control the movement of liquids directly, instead requiring tools in order to convey liquids in various manners. This gift's utility is where it ultimately shines, allowing great flexibility while still requiring preparation and clever planning to utilize effectively either defensively or offensively.
Addendum: The process for transmutation preserves mass but not necessarily volume. A liquid that is light when transmuted into a liquid that is denser will lose volume as it's overall mass is condensed.
In addition while the rate of transmutation is quick this process can be either sped up or slowed down to modify the rate of vitesse he expends. He can conserve vitesse by slowing down the rate of transmutation or expend more vitesse to accelerate it even faster. While this rarely plays a factor in regards to smaller bodies of liquid when it comes to larger masses conservation of vitesse starts playing a larger role.
Elementalist
◈ G i f t
Fluid Transmutation
◈ M y s t i c C o d e
Walter's power is the ability to transform any liquid he sees into any other liquid known to him. The moment his eyesight makes contact with water he can freely transform it into any other liquid that he'd seen directly. From water to acid to molten iron if he's seen something in a liquid state then it becomes a part of his repertoire, allowing him to bestow all of it's features onto any liquid of his choice within sight. The only limit to how long or how many liquids he can store is his memory. If he's seen a liquid and is able to remember it then he can consciously turn other liquids into it with a mere thought.
◈ L i m i t a t i o n s a n d W e a k n e s s e s
The first limitation to this power is that he can only transform liquids he has direct line of sight of. If he cannot see a liquid then he cannot alter it, such as the blood in human bodies. He cannot alter liquids by looking at an artificial image or facsimile of it either. The liquid he is changing must be physically within his sight.
The second limitation to this power is that much like how he can only alter liquids that are directly in his sight he can only memorize the liquids he has seen directly. If he hears about or sees a picture of a liquid he's never encountered then he would not be able to turn other liquids into it until he's seen the genuine substance directly.
The third limitation is the relationship between volume and vitesse. While his power offers a substantially high rate of exchange for the amount of vitesse he expends simply due to how specialized it's effect is it is not limitless and can exhaust him if he transmutes too much liquid before he's able to recover. This is not easy as he's quite capable of exchanging a large lakes worth of fluid with another before he's too exhausted to continue. While fairly substantial there's no chance of him converting the whole Endless Ocean into oil or whatever else strikes his fancy.
As for his gift's weakness in large part it's a niche effect which requires imagination to really deploy effectively. It's offensive potential is hampered by his lack of ability to control the movement of liquids directly, instead requiring tools in order to convey liquids in various manners. This gift's utility is where it ultimately shines, allowing great flexibility while still requiring preparation and clever planning to utilize effectively either defensively or offensively.
Addendum: The process for transmutation preserves mass but not necessarily volume. A liquid that is light when transmuted into a liquid that is denser will lose volume as it's overall mass is condensed.
In addition while the rate of transmutation is quick this process can be either sped up or slowed down to modify the rate of vitesse he expends. He can conserve vitesse by slowing down the rate of transmutation or expend more vitesse to accelerate it even faster. While this rarely plays a factor in regards to smaller bodies of liquid when it comes to larger masses conservation of vitesse starts playing a larger role.
Echotech71
Member
Seen
12 hrs ago
I have a question. What would happen if two CS are made and both have the same or similar magic?
Alfhedil What do you see Kaneda?
Member
Seen
5 hrs ago
<Snipped quote by Shovel>
Now we all know who to turn to when we need an extra hand!
>But not the girl with all the artificial hands
How quickly Corrine and her metal hands are forgotten lmao.
I have a question. What would happen if two CS are made and both have the same or similar magic?
I don't think there's anything outright that actually prohibits such a thing, I mean it's an academy with a thousand students, there's bound to be a little overlap. Personally, I think it would be down to what the power is and who you may potentially be overlapping with. But that's just me. The person with the incomplete CS staring at a deadline four days from now. That I will totally get in under... I hope lmao.
1x Laugh
Crimson Flame *Insert something profound here*
Member
Seen
0-24 hrs ago
*Insert something profound here*
3445 posts
Seen
0-24 hrs ago
in 3959 days
<Snipped quote by Teyao>
<Snipped quote>
So for example for Tae, if he doesn't get Illuminaire, Fasha would be most likely to invite him to join based on her 'crush', for example.
I’ve made this mistake too, but invite ‘them’ to join. ;)
Although I guess the secrets out. Tae is AMAB.
1x Like
I have a question. What would happen if two CS are made and both have the same or similar magic?
Naturally when creating characters things can overlap, but the rule of thumb/golden rule is to avoid stepping on others toes. I know for example in the interest thread, a couple of ideas which I didn't voice which were similar to others who declared later, so I ended up switching. (And those individuals didn't even submit a character sheet! Bah humbug. I am happy with Ana anyway.)
So if someone posted a concept already, especially if there has been suitable time frame, it is responsibility of the newer player to change to a different idea. Now, if it is similar but different, it can come down to more case by case basis.
If you really want to do an idea, though another has one similar, the best thing is to do is talk to that person about it. They might be fine with having a similar person, or they could rightly say "No thanks". As you submitted your Storm character, would you be okay with someone else being the same as her? If yes, then there is no issue, could even be the "Thunder Twins" or so, on the other hand, you could say "Well, I wanted this to be their stick, can't you just pick another?"
There is a good number of different powers and gift ideas, so don't feel the need to be tied to purely one concept!
<Snipped quote by Ti>
>But not the girl with all the artificial hands
How quickly Corrine and her metal hands are forgotten lmao.
Sorry Corrine, next time I need a hand for a job, you are my girl.
<Snipped quote by Ti>
I’ve made this mistake too, but invite ‘them’ to join. ;)
Although I guess the secrets out. Tae is AMAB.
Corrected.
Emeth Fluffs Responsibly
Member
Seen
2 days ago
Might make Raffaella's experience of emotions directed at her involuntary, for fun drama. But I'll keep my twitchy finger off the edit button today.
I'll just be here vibrating in anticipation.
I'll just be here vibrating in anticipation.
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